#drumcode for life

[mattpmusic]

Episode 36

Overmono feat. Ruthven – Gem Lingo (ovr now) (Matt P intro edit) [XL / CDR]

Serge Landar – Divination (Wellenrausch "Dark Matter" remix) [Vasilek]

Boris Brejcha – Bumblebee (Original mix) [Harthouse]

Jackie Hollander – All My Friends Are Hot (Weska remix) [Nervous]

Miss Monique & AVIRA feat. LUNA (D'arc) – Subterranean (Original mix) [Armada]

ALAT – Theurgia Page 110 (Original mix) [Coldharbour Black]

Marsh & Volen Sentir – Ascension (Original mix) [Anjunadeep]

Denes Toth – Endeavour (Yubik remix) [Moodyverse]

Nora En Pure – Life on Hold (Original mix) [Enormous Tunes]

Eelke Kleijn – Regenerator (Original mix) [DAYS like NIGHTS]

Avenue One & Jaren – My Way Home (Original mix) [Anjunabeats]

Andrew Bayer & Oliver Smith – Be Kind Rewind (Original mix) [Anjunabeats]

Genix – There Is No Fall In Love (Stephen Kirkwood remix) [Anjunabeats]

Myon feat. Nikol Apatini – Ghost Town (Rodrigo Deem remix / Matt P dub edit) [Ride / CDR]

Ferry Corsten – Yes Man (Original mix) [Flashover]

ReOrder – The Destroyer of Worlds (Original mix) [A State of Trance]

Amy Wiles & Nourey – Human (Original mix) [Anjunabeats]

James Hype – Wild (Original mix) [STEREOHYPE]

Mike EFEX – Hands on Me (Original mix) [Coldharbour]

deadmau5 – Strobe (Victor Ruiz remix) [mau5trap]

Armin van Buuren, Ferry Corsten, Rank 1 & Ruben de Ronde – Destination (Cubicore remix) [A State of Trance]

Dirty South & Ferry Corsten – Carte Blanche (Original mix) [Armada]

Durante – Ancora (Totally Enormous Extinct Dinosaurs remix) [Anjunadeep]

Gabriel & Dresden – Kinetic Cinema (Original mix) [Anjunabeats]

Khainz & KhoMha – Infinite Space (Original mix) [Spectrum]

Anyma & Rebūke – Syren (Original mix) [Afterlife]

Marsh feat. ALLKNIGHT – Rabbit Hole (Original mix) [Anjunadeep]

Edu Reimer – Suburbia (Original mix) [Droid9]

Eli & Fur – You're So High (10 Years On) (Sasha remix) [NYX Music]

Paul Oakenfold & Hernan Cattaneo – London to Buenos Aires (Original mix) [Perfecto]

Danny Avila, Sam WOLFE, HNTR feat. Rome Fortune – YES B!TCH (Original mix) [Experts Only]

CamelPhat & ARTBAT feat. Rhodes – For a Feeling (Layton Giordani remix) [RCA Records]

Wehbba – Awaken (Original mix) [Drumcode]

Sian, Bobby Nourmand & David LeSal – Control (Original mix) [Octopus]

Massano, Th;en, Carlo Whale – Touch Me (Original mix) [Tomorrowland Music]

Estiva – Sudden Moves (Original mix) [Colorize]

Denes Toth – Globus (Original mix) [MONO.NOISE]

Four Tet – Daydream Repeat (Original mix) [Text Records]

Cosmic Gate & Nathan Nicholson – Just the Beginning (Scorz remix) [Wake Your Mind]

[id: 1000687978424]

[hazellily21]

How to Download Festival Techno (Sample Packs)

In the ever-evolving world of electronic music, Techno reigns supreme on festival stages, nightclubs, and underground scenes across the globe. If you're looking to create pulsating beats that dominate the dancefloor, look no further than the Festival Techno Sample Pack by Sample Diggers. This carefully curated collection of high-quality, royalty-free samples captures the raw energy of Big Room Techno and provides producers with the tools they need to craft cutting-edge tracks.

What’s Inside Festival Techno?

Festival Techno by Sample Diggers is a powerful collection of audio content, designed specifically for producers seeking the modern sound of Techno and related sub-genres like Tech House and Progressive House. With an extensive library of 1.85 GB, the pack contains 445 loops, including deep and thumping drum loops, industrial synths, driving bass loops, and sharp top loops. Whether you're aiming to build a complex arrangement or simply add layers to your existing production, this pack gives you everything you need to bring your vision to life.

Key Features:

Total Size: 1.85 GB of content

High-Quality Audio: 24-bit WAV files, ensuring pristine audio quality

Loops and One-Shots: 445 loops and 410 one-shots, giving you full creative control

Sampler Patches and MIDI Files: Pre-made patches for EXS24, Kontakt, SFZ, and more, plus 60 MIDI files for seamless integration

These samples are carefully engineered to emulate the sound of top-tier labels like Drumcode, Octopus, and Intec, with influences from renowned artists like Enrico Sangiuliano, Noir, Victor Ruiz, and Oliver Huntemann. Produced using industry-standard hardware such as the Korg MS-20, Roland JP-8, Juno 60, and Yamaha CS-80, the result is a versatile pack suitable for various production styles, from gritty underground beats to festival anthems.

Why Download Festival Techno?

One of the standout features of the Festival Techno pack is its versatility. Whether you're a seasoned producer or just starting out, these loops and one-shots are designed for ease of use. They are key-labelled for quick access and integration, so you can focus on creativity rather than spending hours organizing and tweaking samples.

Genres: Although focused on Techno, this pack is perfect for related genres like Tech House and Progressive House. With a tempo locked at 125 BPM, you’ll find it ideal for projects where a driving, energetic feel is required.

Song Kits and Stems: For those who want even more flexibility, this pack includes song kits and stems, allowing you to build tracks faster or dissect the elements of a groove to learn new techniques.

How to Download Festival Techno (Sample Packs)

Downloading this powerful sample pack is quick and easy. Simply visit Kala Plugins, where you’ll find the Festival Techno Sample Pack by Sample Diggers available for instant download. At just a few clicks away, this 100% royalty-free sample pack will be ready to enhance your production workflow and help you create festival-ready tracks that resonate with fans across the globe.

Take Your Techno to the Next Level

In conclusion, Festival Techno by Sample Diggers is an essential download for anyone serious about creating high-impact Techno tracks. With its immense selection of loops, one-shots, sampler patches, and MIDI files, this pack will serve as the backbone for your future productions. Whether you’re crafting new material or enhancing existing projects, these sounds are your gateway to the biggest stages.

Now, all that's left is to hit the download button and start making music that moves the masses!

[colombiaelectronica]

Traemos el material especial! ⚗️ Alquimia pura.

Track Id: Hypericum - Luca Agnelli. (Drumcode).

[42frankee]

Layton Giordani - Life Moves Fast - Drumcode - DC276 by Drumcode https://ift.tt/yJSuplE

[tt02]

Layton Giordani — Nirvana X — Drumcode — DC231 by Drumcode Layton Giordani crafts his most accomplished work to date with ‘New Generation’, his second album on Drumcode. Since 2017’s critically acclaimed debut album ‘Where It Begins’, the New Yorker has entrenched himself as one of the label’s most vital artists and leader of techno’s new school brigade. At just 27, he’s collaborated with Adam Beyer and Green Velvet on multiple occasions, linked with the legendary Danny Tenaglia for the now-classic ‘Live Again’ and played everywhere from Awakenings, Melt! Festival and Warehouse Project. He’s also lived the Transatlantic life more than most, splitting his time between the Big Apple and Amsterdam, absorbing influences from across the electronic spectrum. It’s these experiences that inform ‘New Generation’, a masterclass of techno futurism and glistening example of Giordani’s ever-developing talents as a producer. Opening with the shimmering soundscapes of ‘Shinjuku’, a beatless two-and-a-half-minute mood setter, the album swings between timeless multi-faceted dancefloor weapons, and more lilting, ambient techno cuts rips for the golden hour. Already a favourite of the Drumcode faithful, the album’s title track hits with a swarm of synapsesearing synths that saw it go down a treat at Awakenings Festival, Tomorrowland and Gashouder in the second half of 2019. ‘System Majority’ balances atmosphere and propulsive rhythms on a knife’s edge and featured in Beyer’s DCR 515 radio show. Giordani reunites with the legendary Green Velvet for ‘Life Lesson’, a pulsating roller, which notably features the young New Yorker’s hypnotic vocals on loop. Teaming with friend and fellow East Coaster Avision, ‘Power’ is punchy techno at its finest, driven by energetic stabs and a stirring vocal from Chicago journeyman Cevin Fisher. After playing b2b a string of times, Layton links with good friend Bart Skils for a maiden collaborative track. Driven by a strong melodic lead, ‘Midnight Magic’ typified the moment when the duo played it at Drumcode’s Awakenings event during ADE last year. ‘Feel A Vibe’ is an album highlight centered around plump bass, reverb-heavy sonics, distorted bleeps and a spoken word vocal, which begs for a peak-time rinse. Elsewhere Giordani demonstrates his breadth with cuts such as ‘Nirvana X’, a lush breakbeat-laden cut; the laser-kissed ‘Translation Lost’, where his musicality is in full view and the progressive-tinged ‘Memory Fragment’, which reinforces the expansive Drumcode sound palette. The beautiful ‘Human Error’ closes out the work, as muffled horns, delicate keys and sparse bed of percussion unify for a momentous finale. “This album is a summary of my life experiences up until this moment. Traveling around the world, living abroad, looking into the future and bringing atmosphere and textures from different places into my music. The evolution of music is a systematic cycle that never ends. It’s a composition of all matters experienced and visualized up until this very moment. From futuristic realms and ambiences, to city soundscapes within our reach; ‘New Generation’ is the future distilled into album form.” - Layton Giordani

[buttonholedlife]

Carl Cox gains DJ Mag Leading 100 DJs 2019 Highest Techno award

Carl Cox has won the Best Techno award within this year's DJ Magazine Top 100 DJs survey. The famous UK DJ landed the No. 35 spot in general.

"I haven't ceased since 1988," Coxy says to DJ Mag. "May you imagine if I arranged each and every gathering I have actually ever before carried out, the map would certainly be actually riddled with pin-drops all over - it would certainly be a complete rash of activities that I've carried out."

For someone that is actually indicated to become decelerating a little, it still seems like Carl has actually possessed quite a year. "Can you picture my lifestyle? I am actually trying to take it easy, put my feets up as well as consume alcohol some pina coladas as well as listed below I am cracking up a match on the dancefloor," he says, describing the match he had to split recently from the stage at an Athens club-night. "My life is actually definitely incredible in one sense, and nutty in others. Yet it is actually everything about the songs at the side of the day, regarding I'm interested."

He has a kind of international ambassador part nowadays, but that's certainly not to point out that Carl isn't still bruise to partner along with all the most up to date techno missives as well as coupons sent individually from producer close friends from all over the world. Being actually elected the Highest Techno DJ in the survey once again is actually statement to a DJs still positively at the top of his game.Carl speaks

readily about his new label Awesome Soundwave, for which he's only signing live digital shuck and jives. "There's a thousand DJs currently," he mentions, "however I desire individuals to see that in our electronic globe there is actually folks who can really do online, can really participate in things you find in face of 'em. So I've generated an electrical outlet, a system. I desire to observe additional live artists-- our company might view the next Prodigy out there. That's the entire nature of the tag."

The DJ Magazine Leading one hundred DJs poll is back as well as much bigger than ever before. In yet one more record-breaking year, a whopping 1.3 thousand folks cast their elect their preferred DJs, that is actually up 100,000 on last our 2018 poll. As soon as once again Top one hundred DJs partnered with UNICEF, the globe's reputable kids's organization. Thanks to the kind gifts of electors as well as DJs over recent 3 years, our team have actually now raised over EUR112,000 for UNICEF. Using this loan UNICEF has actually had the ability to offer 150,000 lifestyle sparing shots to little ones in danger.David Guetta dives

up 2 places to profess the bronze medal, as well as Armin van Buuren holds stable in 4th location, making this his 18th consecutive year inside the top 5 as well as stating the Best Trance award once again in the method. Responsible for him comes covered up DJ Marshmello, climbing up all the technique from No. 10 to create his very first appearance in the leading 5, as well as Don Diablo-- once again the Highest Possible Future Home DJ-- is actually up one more spot in to 6th. Dutchmen Tiësto and also Afrojack both decrease places but stay in the best 10, as well as Steve Aoki finish off the checklist through climbing back up one location. The most significant modification is actually Hardwell, that loses nine areas down to No. 12; however, provided he is actually presently on sabbatical, spending some time for themself this isn't therefore surprising, and also offered all the talk of around psychological wellness and the stress of prestige this year our team wish him all the best.Moving down the survey and also Brazilian preferred Alok is actually up two to No. 11-- will he finally damage the top 10 following year? R3HAB, W&W and Shed Frequencies each drip areas, while KSHMR and Eric Prydz both climb three locations. The rest of the teenies is developed of 3 new add-ons in the type of Timmy Trumpet(up a massive 20 areas to No. thirteen, his highest possible placement yet), DJ Snake(up 8 to 16)and also Scotsman Calvin Harris (up 21 to 19th location ). Skrillex is unmoving at No. 21, scooping the Highest possible Bass honor once more in a year that is actually viewed him open his

presently bustling internet of partners also further. Brit hypnotic trance trio Above & Beyond are actually right responsible for him, transporting themselves up a massive 29 locations, while NERVO continue to be the highest placing girls in the chart at No. 24. At the tail-end of the twenties, Headhunterz keeps on to his Greatest Challenging trophy despite falling one spot-- his nearest rival, Angerfist, this year down to 34th place. In 35th happens the mighty Carl Cox, taking the Best Techno gong once again. Coxy is up 18 areas, leading the cost for

a brand new influx of property as well as techno artists. In simple fact, 2019 observes additional house and techno performers in the Leading 100 than there has been actually in almost a decade. Somewhere else, Drumcode supervisor Adam Beyer is actually up 31 areas, merely pressing into the leading 50, while Claptone is up four and also takes Highest Property for the 3rd year straight. Nina Kraviz climbs up a substantial 37 areas right into 60th, while Richie Hawtin, Marco Carola, Paul Kalkbrenner, Solomun stay in the survey also. South Africa's Black Coffee makes an appreciated return after yet another prosperous time at Hï Ibiza, and also there's a bunch of new add-ons: raucous tech-house boys FISHER-- this year's Highest New Entry-- as well as Solardo join the survey, as perform Belgian techno content spinner Charlotte de Witte, South Korea's Peggy Gou, and also concealed German Boris Brejcha.The addition of de Witte and also Gou present one more step in the correct path when it pertains to gender range in the Leading one hundred. Mariana BO and MATTN have actually both pushed on swiftly this year-- going up 19 and 21 spots, specifically-- and also Aussie-born bass DJ, Alison Heaven, asserts this year's Highest possible Climber award after scampering up a stupendous 52 places.Other performers bring in double-figure leaps up the survey consist of ATB, Mike Williams, Ferryboat Corsten, Breathe Carolina, Deorro, Carl Nunes, Cedric Gervais, Lucas & Steve, and Andy C, that takes house Highest Drum & Bass the moment again. Swedish Residence Mafia are up 21 places too, though Steve Angello has actually taken a smash hit and also Axwell Λ Ingrosso have actually lost out altogether. Overall, there are 11 brand-new entries(one more than in 2018), 6 re-entries-- the highest possible being actually Belgium's Yves V, at No. 56-- and 5 non-movers. Votes was available in from 179 various nations, with the best ballots videotaped from the UNITED STATES once more, adhered to through landmass Europe-- the UK, Netherlands, Belgium and Germany leading the fee. Latin United States is close behind, where fans coming from Mexico and South america

, particularly, have been enacting wents. In enhancement to Facebook as well as Google, the SMS voting mechanism remained to open up recommending to anybody with a mobile phone, along with around 15 %of all ballots originating from this login in 2019. This is actually perhaps most effectively reflected in the rise of voters from China, which is actually right now 2nd responsible for India in phrases of Asian ballot areas. In other places ballots came in from nations including Monaco, Yemen, Sudan, Syria, and Iraq. 35. Carl Cox credit dan reid 2.jpg DJ Mag Best one hundred DJsTop 100Carl Cox The outcomes for 2019's Best one hundred DJs poll have actually been announced News Most recent Top 100 DJs

This content was originally published here.

[luciochaves]

Layton Giordani - Life Moves Fast (Visualiser) | Drumcode

[survivorjunk]

Everyone after reflecting on tonight's episode.

[–]QueenParvatiCydney 250 points 1 day ago

Nick killed it this episode. He’s playing everyone like a fiddle. No idea how people aren’t seeing how big of a threat he is.

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[–]SJ_Taragon[🍰] 110 points 1 day ago

I feel like it’s because how genuine he is. Every time he talks to someone he seems so engaging and has some aura about him. Very charismatic. It kind of just flys over everyone’s head.

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[–]QueenParvatiCydney 51 points 1 day ago

Yeah, his charisma is super disarming. Reminds me of Tocantins JT!

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[–]Drumcode-Equals-LifeDomenick 71 points 1 day ago

Nick’s really flying under the radar in a great way with all the connections he’s made

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[–]towerofstrengthKIM SPRADLIN 3 points 1 day ago

His fangs <33

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[–]ddkaym 2 points 18 hours ago

This is already becoming one of my favorite seasons. If Nick wins it will be number one for me. I love watching him play. He’s got both the strategy and the social game down.

[besterro]

drumcode 4 life #adambeyer #drumcode #pure #techno #music #saga #nofilter (at Romaero S.A.) https://www.instagram.com/p/CT0IOw7NtEC/?utm_medium=tumblr

[livesets-dj-mixes-edm-podcasts]

Download Push (live) - Tomorrowland 2019 (Weekend 1) (Boom, Belgium) for free now!

Artist: Push Show: Push (live) – Tomorrowland 2019 (Weekend 1) (Boom, Belgium) Quality: 320 Kbps 48000 Khz Genre: Electronic

Discover more Tomorrowland 2019 live sets & radioshows here

Push (live) – Tomorrowland 2019 (Weekend 1) (Boom, Belgium) Tracklist

01. Push – Universal Nation (ID Remix) [BONZAI]

02. The KLF – What Time Is Love (Push Remix)

03. Solar Factor – Urban Shakedown [PROGREZ]

04. Push – Tranzy State Of Mind [BONZAI]

05. M.I.K.E. pres. Push – Strange World (2000 Remake) [BONZAI]

06. Push – Journey Of Life [BONZAI] w/ Adam Beyer & Bart Skils – Your Mind [DRUMCODE]

07. Mauro Picotto – Back To Cali (Push Remix) [NUKLEUZ]

08. Push – Universal Nation [BONZAI]

09. Push – The Legacy (2019 Live Mix) [BONZAI]

10. William Orbit – Barber’s Adagio For Strings (Push Remix)

    Push (Live) – Tomorrowland 2019 (Weekend 1) (Boom, Belgium) Video Set

[edmlivesets4u-blog]

Listen or download Push (live) - Tomorrowland 2019 (Weekend 1) (Boom, Belgium) for free now!

Artist: Push Show: Push (live) – Tomorrowland 2019 (Weekend 1) (Boom, Belgium) Quality: 320 Kbps 48000 Khz Genre: Electronic

Discover more Tomorrowland 2019 live sets & radioshows here

Push (live) – Tomorrowland 2019 (Weekend 1) (Boom, Belgium) Tracklist

01. Push – Universal Nation (ID Remix) [BONZAI]

02. The KLF – What Time Is Love (Push Remix)

03. Solar Factor – Urban Shakedown [PROGREZ]

04. Push – Tranzy State Of Mind [BONZAI]

05. M.I.K.E. pres. Push – Strange World (2000 Remake) [BONZAI]

06. Push – Journey Of Life [BONZAI] w/ Adam Beyer & Bart Skils – Your Mind [DRUMCODE]

07. Mauro Picotto – Back To Cali (Push Remix) [NUKLEUZ]

08. Push – Universal Nation [BONZAI]

09. Push – The Legacy (2019 Live Mix) [BONZAI]

10. William Orbit – Barber’s Adagio For Strings (Push Remix)

    Push (Live) – Tomorrowland 2019 (Weekend 1) (Boom, Belgium) Video Set

[tt02]

Layton Giordani — New Generation — Drumcode — DC231 by Drumcode Layton Giordani crafts his most accomplished work to date with ‘New Generation’, his second album on Drumcode. Since 2017’s critically acclaimed debut album ‘Where It Begins’, the New Yorker has entrenched himself as one of the label’s most vital artists and leader of techno’s new school brigade. At just 27, he’s collaborated with Adam Beyer and Green Velvet on multiple occasions, linked with the legendary Danny Tenaglia for the now-classic ‘Live Again’ and played everywhere from Awakenings, Melt! Festival and Warehouse Project. He’s also lived the Transatlantic life more than most, splitting his time between the Big Apple and Amsterdam, absorbing influences from across the electronic spectrum. It’s these experiences that inform ‘New Generation’, a masterclass of techno futurism and glistening example of Giordani’s ever-developing talents as a producer. Opening with the shimmering soundscapes of ‘Shinjuku’, a beatless two-and-a-half-minute mood setter, the album swings between timeless multi-faceted dancefloor weapons, and more lilting, ambient techno cuts rips for the golden hour. Already a favourite of the Drumcode faithful, the album’s title track hits with a swarm of synapsesearing synths that saw it go down a treat at Awakenings Festival, Tomorrowland and Gashouder in the second half of 2019. ‘System Majority’ balances atmosphere and propulsive rhythms on a knife’s edge and featured in Beyer’s DCR 515 radio show. Giordani reunites with the legendary Green Velvet for ‘Life Lesson’, a pulsating roller, which notably features the young New Yorker’s hypnotic vocals on loop. Teaming with friend and fellow East Coaster Avision, ‘Power’ is punchy techno at its finest, driven by energetic stabs and a stirring vocal from Chicago journeyman Cevin Fisher. After playing b2b a string of times, Layton links with good friend Bart Skils for a maiden collaborative track. Driven by a strong melodic lead, ‘Midnight Magic’ typified the moment when the duo played it at Drumcode’s Awakenings event during ADE last year. ‘Feel A Vibe’ is an album highlight centered around plump bass, reverb-heavy sonics, distorted bleeps and a spoken word vocal, which begs for a peak-time rinse. Elsewhere Giordani demonstrates his breadth with cuts such as ‘Nirvana X’, a lush breakbeat-laden cut; the laser-kissed ‘Translation Lost’, where his musicality is in full view and the progressive-tinged ‘Memory Fragment’, which reinforces the expansive Drumcode sound palette. The beautiful ‘Human Error’ closes out the work, as muffled horns, delicate keys and sparse bed of percussion unify for a momentous finale. “This album is a summary of my life experiences up until this moment. Traveling around the world, living abroad, looking into the future and bringing atmosphere and textures from different places into my music. The evolution of music is a systematic cycle that never ends. It’s a composition of all matters experienced and visualized up until this very moment. From futuristic realms and ambiences, to city soundscapes within our reach; ‘New Generation’ is the future distilled into album form.” - Layton Giordani

[intheclique]

CLIQUE talks ‘Kane Hannay’

In the words of Kane Hannay,’

‘Let the fun commence…’

Respected DJ.

Well-oiled producer in music.

And all-round nice guy.

Kane Hannay is no stranger to music production and the scene in Newcastle.

From an un-decisive young career taking him to ventures in photography, and the arts.

Kane Hannay separates himself in knowing exactly what he wants to do.

From hosting RUDOSA apart of his co-created brand ‘Raw Material’ to producing music like, ‘Intermittent Signals’ & his remix of ‘Outlander’ : ‘The Vamp’ he most certainly is making a very mature and well signalled named for himself in not only the North East but throughout the Industry as a whole.

As we sit down on this not so sunny day.

What lies ahead for the future of Kane Hannay?

Let’s find out…

- - - - - - - - - - - - - - - - 

Hey Kane

First off thanks for taking the time to talk to us this afternoon.

It’s awesome, no problem.

Bit miserable isn’t it?

Yeah, aye its been bleak like.

How’s your day been?

Aye it’s been alright, not too bad. Been at work since 9 so looking forward to making some tunes.

How you been handling lock-down?

It’s been alright.

I haven’t really been anywhere other than work.

Other than that, it’s just been pretty much finishing coursework. Now that that’s all done it leaves me time to produce as much music as I can over the summer holidays.

I’ve actually got a remix I’m working on at the moment for another upcoming artist, ‘Vollans.’

Lee (one half of Acid Enigma) messaged me about producing a track to feature in a various artist compilation for ‘ESCALATE’ so that should be sick! So just being a busy bee…

So, tell us how’d you get into music?

Well… I’ve been into it for years and especially when I was younger, I’m talking like even at nursery age.

I have always been into it for years and especially when I was younger, I’m talking as young as nursery / reception age.

I have always been into music, might not be the same as what I’m into now but I have always been deeply interested in it. I remember being a small bairn dancing at the top of the stairs with my parent’s old hi-fi system and a little disco ball.

At the age of 12 I got my first controller. It was a Numark Mixtrack Pro. The bee’s knee back in the day. 

I think around then I was listening to dubstep. However, over the years it progressed from that to electro house, garage, tech-house, and then finally for the last three years I’ve been glued to techno.

At 14 I got into the production of music. A friend from school was making tunes on his laptop and I was hooked. That’s when it all started. I was coming home every night after school and cooking up a new track.

At 16 after finishing my GCSE’s I really didn’t know what I wanted to do. I wasn’t the best student academically, so 6th form wasn’t an option. I had to visit Newcastle College where I found a music production course for electronic music. I picked up loads of good tips and got to meet some brilliant people there. At 18 I started the 3-year degree course. I’m coming into my last year this September.

Tell us about your latest song ‘Intermitted Signals.’ How did it come about?

So right, it’s funny because it’s; ‘the fastest song I’ve produced’in a while.

3 days max. Including the mastering.

It’s a fast-paced industrial track that consists of hard punchy drums, a trippy rolling lead and a calling vocal. (Link to track.)

It was for a project for college. I was running late, and I had to make an EP. Normally I’d spend days on a loop before eventually arranging it.

I simply must work my best under pressure. *chuckles*

Amazing stuff, so is it just techno you’re into? What else makes you move?

I pretty much listen to techno all the time. I do occasionally listen to jungle, and I love the old school drum and bass. I take some inspiration from it because it consists of heavy sampling which I find is my strength in the production of music.

I still listen to bits of house music as that’s what most of my DJ mates play.

You co created RAW MATERIAL tell us a little about it?

So, I came up with the idea about two years ago of creating an imprint called ‘Raw Material’ for dark industrial techno. It didn’t come to life till about a year ago when a module on our course was based around putting on an event. Me and co-founder Adam. (who I couldn’t have worked without) assembled a team amongst other students on our course. We were given a budget from the college £200 per student. There were seven of us in total. So, we looked at various venues in the toon to put a night on mid-week.

We were close to securing ‘The Cut’ however we had £1400 to put on a night and I wanted to go the extra mile of booking a headline act. I knew exactly who I wanted.

A huge inspirational artist of mine who I have been following since his first release on ‘SUARA’ back in 2018. We went over budget and I spend a grand out of my own pocket to pay for the extra costs.

As this was a side project for me, I wasn’t interested in continuing it after the first event. However, seeing how happy and how hard people were going for it. It felt amazing seeing it and it pushed me to another one in the future.

Although I lost lots of money, seeing how happy people were made up for it to think that we were able to make an event like this happen.

I’m hoping to recruit passionate upcoming techno artists in Newcastle to be a part of future events to support big artist bookings and for ‘Raw Material’ to become the leading event in Newcastle for techno.

Who’s your ideal booking?

Oooooo its always changing. It’s not necessarily who I want to book but more of which bookings can you bring crowds into.

I don’t intend on doing this for-profit bit I need to make sure I can make my money back. My ideal booking would be Glasgow’s finest ‘SLAM’ however there are many different artists like ‘Paula Temple, Rebekah, SHDW & Obscure Shape.’

I’m actually looking after lock-down to get a club booked but honestly, I think Newcastle could do with a booking like ‘SLAM.’

Who’d you like to collab with?

Collaborations I don’t normally think about but if I could at the moment I would choose ‘MRD’ or ‘Blicz.’ I love ‘Kahyia’ and would love to learn how to produce tracks like that.

I love the sounds and vibe in Gate 212 from ‘Blicz.’ Both artists own some amazing gear which I would love to try out.

Favorite Gig?

Since turning 18 I’ve attended a fair number of gigs in the toon. Loads of amazing nights out but if I had to choose one it would be ‘LOOP’ presents ‘Amelie Lens’ at ‘Digital Newcastle.’

It had the strongest line up support from ‘Farrago’ and ‘Milo Spykers.’ The sets were unbelievable. Proper hard and driving techno and it was ‘PACKED.’

Still wish I could revisit that night again.

Favorite Festival?

I’ve never been to a festival *shock* * facepalm* although I will eventually go to one.

Whisky or Beer?

Depends but I like well, quite like ‘Jack Daniels. Whisky it is ha-ha.

Perfect night out?

I’m not really into your typical student nights out in Newcastle. I’m more over a raver ha-ha.

My ideal night out would be like ‘APEX’ or ‘LOOP’. Basically, anything Techno.

Who influences you the most?

Pretty simple, RUDOSA.

I honestly think the stuff that he does like hiss DJ school, his own production style, the music he plays in his set. It’s unbelievable. He’s helping so many producers as well like myself.

I sent him a track and he gave me feedback to work on. He’s doing so much for the scene and that’s why I look up to him.

Honestly if it wasn’t my event he was playing at. I’d be all over the dance floor… ha-ha * true story *

Where do you see yourself in 3 years’ time?

I would like to have a full love set sorted by then. I recently bought a ‘Xone96 mixer’ and it connects to Ableton so hopefully 3 years’ time I can perform a full hour or twos set for a side project.

I’d hope by that point to have actually pulled a finger out and actually send an EP off to a decent size label like ‘SUARA.’ It’s a big label but pushes a harder style of techno as a pose to your Drumcode and WATB.

I’d like to have my tracks played out by bigger artists in the scene. But who knows what the future holds.

Any advice for those starting out?

My advice would be don’t pull a ‘Kane Hannay.’

Actually, watch tutorials on YouTube to learn how to do things because that’s probably the reason it’s taken me so long to get where I am with my production. I can’t watch a video without trying something random on Ableton. However, this has allowed me to be creative with my productions.

If you’re DJing and want to be the next ‘Amelie Lens, SNTS,’ or whatever. You need to produce music. Anyone can DJ but it’s your music that sets us apart from the next Artist.

Don’t sign your tracks to small labels. There’s no point in spending days making a tune to send it off to a label where no one will listen. Aim for larger or medium (well known) labels.

And go into your email and send them demo’s off to DJ’s and producers.

Shy bairns get nowt…

Thanks again Kane. Have an amazing evening.

CLIQUE

[kevindurkiin]

The Music Festival Paragon: A Coachella 2019 Weekend OneReview

Music festivals in America are feeling growing pains. Mainstays such as Sasquatch have fallen, and newer events like Okeechobee and Wayhome disappeared as quickly as they appeared. Even the 50th anniversary of Woodstock might not even happen. It’s tough to diagnose the cause of this epidemic, and even the most established festivals have been forced to adapt to survive.

No festival better epitomizes this evolution to thrive than Coachella. This year the festival reached its 25th year, noticeably with less anniversary fanfare than its contemporaries. One can see the difference when comparing its 1999, 2009 and 2019 lineups. Beck, Rage Against the Machine and Tool headlined in 1999. 2009 was led by Paul McCartney, The Killers and The Cure. 2019? Childish Gambino, Tame Impala and Ariana Grande were barely a blip on the music radar 10 years ago. 2019’s lineup truly showcases the music of 2018 into this year, but also looks toward the future.

Photo courtesy of Coachella

Beyond the music, Coachella’s logistics, organization and production are second to none. It’s a well-oiled machine at this point, an incredible feat for a festival held in a smaller region with thousands of attendees across two weekends. That’s not to say Coachella doesn’t have problems; sound issues plagued weekend one this year. But Coachella truly succeeds at providing a top-notch event, justifying its price tag and gradual evolution.

So, the music. The headliner trio represent three pillars of current popular music: a poppy mix of R&B and hip-hop, catchy, synth-laden pop rock and anthemic pop with a soulful, sassy twist. Notice the trend? Pop, pop, pop. Pop has come back in a big way this past year, both critically and commercially, and this trio captured the trend to a T.

Photo courtesy of Coachella

The undercard reflected the diversity of popular music as well. Latin music with J Balvin, Bad Bunny and Rosalía, hip-hop with Playboi Carti, YG and Anderson .Paak & The Free Nationals and EDM with RÜFÜS DU SOL, Diplo and Gesaffelstein. There was no shortage of talent this year, and every artist delivered with satisfying performances. Our highlights include:

Amelie Lens: the rising Drumcode star pounded the Yuma tent with a dominating kick, subtle percussion shifts and heavy bass.

Charlotte Gainsbourg: the French actress/singer brought her Sebastian-produced work to life with a full band and exceptional production.

Bob Moses: the deep/techno duo leveled up to full-blown rock band, alongside an impressive production and a surprising cover of The Prodigy.

Christine and the Queens: the French singer-songwriter-producer perhaps had the most impressive production of the festival, equipped with dozens of talented dancers, sparks and a moving rig.

Aphex Twin: a legendary, mind-bending from a unicorn. There will never be anything quite like this live set.

Nocturnal Sunshine: despite her meager turnout, Maya Jane Coles gave her bass/electro alias a great return party.

Jon Hopkins: the electronic marvel reconfigured his complex, catchy tracks for heavier live edits, and also brought two fantastic dancers with light rods.

Cirez D: Eric Prydz‘s techno alias closed out the weekend with bangers, dramatic build-ups and relentless energy

Some performances fell a bit short. Nina Kraviz attempted to deliver a new live set, ultimately veering far too deeply into performance art. We’re cool with new experiences, but when a set amounts to a seemingly prerecorded mix and odd stage theatrics, we’re left disappointed. Gesaffelstein drew a lot of praise, but we found his new show cold despite his awesome costume and improved production.

Photo courtesy of Coachella

The magic of Coachella greatly stems from its near-flawless experience. Getting to and from the festival is a breeze, whether in car, shuttle or camping on-site. Entry lines never get too long, shuttles run efficiently to and from the festival and hotels and friendly staff help operations run smoothly.

Coachella also provides amenities and services in spades. What other festival can you buy $2 bottles of water? Or go from techno in the Yuma, to a beer garden in front of the Sahara and then to a secret speakeasy behind the Indio Central Market? For food, you can munch on everything from spicy pie to paella. Beer gardens keep alcoholic consumption in designated spots, helping the festival stay clean and relatively orderly.

Crowd control also turns out wonderfully. Despite all the attendees, Coachella never feels that crowded. The seven primary stages coexist peacefully, giving attendees plenty of room to navigate and explore. Smart curating and scheduling also deters camping for the most part, giving fans a chance to get close for most sets.

Photo courtesy of Coachella

Corporate sponsorship is inevitable in festivals today, but Coachella handles it gracefully. Instead of letting sponsors name stages like Lollapalooza, Coachella gives sponsors designated tents or activation areas. American Express, Absolut and Calvin Klein had such tents with free water, charging stations and complimentary merchandise. Postmates handled the festival’s food reservation system, which worked out surprisingly well. Amazon even had Amazon Lockers on-site for festival deliveries. Normally this level of corporate sponsorship would make us puke, but these were designed with attendees in mind.

Coachella’s visual and audio production stand tall among the multigenre music festivals in America. The flagship Coachella Stage continues to utilize massive LED screens, plus giving room for artists to bring their own production. The Sahara tent is a perfect fit for EDM acts, equipped with sprawling screens and overhead lights. The Yuma recreates a club in the festival, supplemented with lasers, countless lights and disco balls…even a shark-shaped disco ball. The Do LaB even expanded to a more open format, still offering guests plenty of shade with performances from rising star and special guests alike.

Coachella’s sound is normally near flawless as well. However, this year faced many challenges in the sound department. Sound bleed between the Coachella Stage and the Outdoor Theatre was a regular occurrence. Same could be said between the Gobi and Mojave tents. It’s great these stages are so close together, but almost all quiet or reflective moments in sets were ruined by sound bleed. Mic issues and feedback problems also affected artists, notably Billie Eilish. Artists like Childish Gambino and Anderson .Paak were also criminally quiet.

Photo courtesy of Coachella

Despite the increased sound problems, Coachella’s sound worked wonderfully when the stars aligned. There’s nothing that will match the Yuma’s encapsulating bass, nor the Sonora’s rock-oriented sound system. Coachella tends to focus on fixing issues year to year, so we expect organizers and production staff to focus on refining the sound for next year and beyond.

Finally, Coachella’s art still dazzles. The art presence is the only area where it felt like Coachella was honoring its past for its 25-year anniversary. Previous favorites Poetic Kinetics and Debo Vabo returned with sequels to two beloved art pieces of the past. Poetic Kinetics brought its traveling astronaut back, this time looking dirty and weathered as if returning from a long space voyage. Debo Vabo created the best art piece of the festival: H.i.P.O. Imagine performance art underneath a comical rocket, beneath it glassed rooms with men in hippo costumes. As the night progressed, these hippos experimented, bickered and even danced. Their commitment was excellent, and it was always a treat to see the hippos do their thing.

Coachella remains the top multigenre music festival in the US. There might be some kinks to work out, but overall the festival marks the near-perfect vision of the ideal music festival. Coachella sets the tone for music festival season every year, and we don’t see that changing anytime soon. Maintaining momentum may be harder than reaching it in the first place; Coachella maintains exceptionalism every year, and we’re excited to see what comes next.

Cover photo courtesy of Coachella

This article was first published on Your EDM. Source: The Music Festival Paragon: A Coachella 2019 Weekend OneReview

The Music Festival Paragon: A Coachella 2019 Weekend OneReview published first on https://soundwizreview.tumblr.com/

[livesets-dj-mixes-edm-podcasts]

Download Lucas & Steve - Tomorrowland 2019 (Weekend 1) (Boom, Belgium) for free now!

Artist: Lucas & Steve Show: Lucas & Steve – Tomorrowland 2019 (Weekend 1) (Boom, Belgium) Quality: 320 Kbps 48000 Khz Genre: Electronic

Discover more Tomorrowland 2019 live sets & radioshows here

Lucas & Steve – Tomorrowland 2019 (Weekend 1) (Boom, Belgium) Tracklist

[0:00] Lucas & Steve – With You (Intro Edit) [SPINNIN’] w/ Dave Armstrong – Make Your Move (Acappella) [EYEZCREAM]

[4:08] DJ Snake & MERCER ft. Jermaine Dupri – Let’s Get Ill [GEFFEN]

[5:39] Adam Beyer & Bart Skils – Your Mind [DRUMCODE] w/ FISHER – Losing It [CATCH & RELEASE]

[8:01] The Intern – I’m On Fyre [SELF RELEASED]

[8:34] RetroVision – Get Down [MUSICAL FREEDOM]

[9:49] Lucas & Steve X Brandy – I Could Be Wrong (Club Mix) [SPINNIN’]

[11:36] Kygo ft. Sandro Cavazza – Happy Now (Lucas & Steve Remix) [ULTRA]

[13:28] Sam Feldt X Lucas & Steve ft. Wulf – Summer On You (Club Edit) [SPINNIN’]

[14:54] Lucas & Steve X Deepend – Long Way Home [SPINNIN’] w/ Lucas & Steve X Deepend – Long Way Home (Lucas & Steve Club Mix) [SPINNIN’]

[18:20] Going Deeper & Cybermode – Trump It [HEXAGON]

[19:20] Avicii ft. Aloe Blacc – SOS (Lucas & Steve Remix) [UMG]

[22:56] Lucas & Steve – Why Can’t You See [SPINNIN’]

[25:01] Ummet Ozcan X Lucas & Steve – Higher [SPINNIN’] w/ Fedde Le Grand – Put Your Hands Up For Detroit (Acappella) [DATA]

[25:46] David Guetta ft. Anne-Marie – Don’t Leave Me Alone (Lucas & Steve Remix) [WARNER BROS.]

[27:20] Lucas & Steve vs. Axwell & Sebastian Ingrosso & Steve Angello & Laidback Luke & Deborah Cox – Source vs. Leave The World Behind (Lucas & Steve Mashup) [AXTONE&THINSP;/&THINSP;SPINNIN’]

[31:16] Avicii vs. Sagan – Levels vs. Dance With Me (Lucas & Steve Mashup) [LE7ELS&THINSP;/&THINSP;FUTURE HOUSE MUSIC]

[33:24] Daft Punk – One More Time [DAFT LIFE] w/ Madison Mars X Lucas & Steve – Lunar [SPINNIN’]

[35:31] Robin Schulz ft. Erika Sirola – Speechless (Lucas & Steve Remix) [WARNER]

[37:07] MOTi & Vigiland vs. Calvin Harris & Dua Lipa – Mad Love vs. One Kiss (MOTi Mashup)

[38:55] W&W X Lucas & Steve – ID [SPINNIN’]

[40:32] ID – ID

[41:39] Steve Angello & Laidback Luke vs. Benny Benassi – Be Satisfied (Swedish House Mafia Bootleg) [MIXMASH&THINSP;/&THINSP;ULTRA] w/ Lucas & Steve x Mike Williams x Curbi – Let’s Go [SPINNIN’]

[44:36] Lucas & Steve – Up Till Dawn (On The Move) (Club Mix) [SPINNIN’ REMIXES]

[46:25] Stromae – Alors On Danse (Dubdogz Remix) [MUSICAL FREEDOM] w/ Teamworx – Clap Back [PROTOCOL]

[47:52] Nicky Romero & Teamworx – Champion Sound [PROTOCOL] w/ Calvin Harris ft. Florence Welch – Sweet Nothing (Acappella) [VICTORY DANCE]

[49:51] Armin van Buuren & Lucas & Steve ft. Josh Cumbee – Don’t Give Up On Me (Armin van Buuren & Lucas & Steve Club Mix) [ARMADA]

[edmlivesets4u-blog]

Listen or download Lucas & Steve - Tomorrowland 2019 (Weekend 1) (Boom, Belgium) for free now!

Artist: Lucas & Steve Show: Lucas & Steve – Tomorrowland 2019 (Weekend 1) (Boom, Belgium) Quality: 320 Kbps 48000 Khz Genre: Electronic

Discover more Tomorrowland 2019 live sets & radioshows here

Lucas & Steve – Tomorrowland 2019 (Weekend 1) (Boom, Belgium) Tracklist

[0:00] Lucas & Steve – With You (Intro Edit) [SPINNIN’] w/ Dave Armstrong – Make Your Move (Acappella) [EYEZCREAM]

[4:08] DJ Snake & MERCER ft. Jermaine Dupri – Let’s Get Ill [GEFFEN]

[5:39] Adam Beyer & Bart Skils – Your Mind [DRUMCODE] w/ FISHER – Losing It [CATCH & RELEASE]

[8:01] The Intern – I’m On Fyre [SELF RELEASED]

[8:34] RetroVision – Get Down [MUSICAL FREEDOM]

[9:49] Lucas & Steve X Brandy – I Could Be Wrong (Club Mix) [SPINNIN’]

[11:36] Kygo ft. Sandro Cavazza – Happy Now (Lucas & Steve Remix) [ULTRA]

[13:28] Sam Feldt X Lucas & Steve ft. Wulf – Summer On You (Club Edit) [SPINNIN’]

[14:54] Lucas & Steve X Deepend – Long Way Home [SPINNIN’] w/ Lucas & Steve X Deepend – Long Way Home (Lucas & Steve Club Mix) [SPINNIN’]

[18:20] Going Deeper & Cybermode – Trump It [HEXAGON]

[19:20] Avicii ft. Aloe Blacc – SOS (Lucas & Steve Remix) [UMG]

[22:56] Lucas & Steve – Why Can’t You See [SPINNIN’]

[25:01] Ummet Ozcan X Lucas & Steve – Higher [SPINNIN’] w/ Fedde Le Grand – Put Your Hands Up For Detroit (Acappella) [DATA]

[25:46] David Guetta ft. Anne-Marie – Don’t Leave Me Alone (Lucas & Steve Remix) [WARNER BROS.]

[27:20] Lucas & Steve vs. Axwell & Sebastian Ingrosso & Steve Angello & Laidback Luke & Deborah Cox – Source vs. Leave The World Behind (Lucas & Steve Mashup) [AXTONE&THINSP;/&THINSP;SPINNIN’]

[31:16] Avicii vs. Sagan – Levels vs. Dance With Me (Lucas & Steve Mashup) [LE7ELS&THINSP;/&THINSP;FUTURE HOUSE MUSIC]

[33:24] Daft Punk – One More Time [DAFT LIFE] w/ Madison Mars X Lucas & Steve – Lunar [SPINNIN’]

[35:31] Robin Schulz ft. Erika Sirola – Speechless (Lucas & Steve Remix) [WARNER]

[37:07] MOTi & Vigiland vs. Calvin Harris & Dua Lipa – Mad Love vs. One Kiss (MOTi Mashup)

[38:55] W&W X Lucas & Steve – ID [SPINNIN’]

[40:32] ID – ID

[41:39] Steve Angello & Laidback Luke vs. Benny Benassi – Be Satisfied (Swedish House Mafia Bootleg) [MIXMASH&THINSP;/&THINSP;ULTRA] w/ Lucas & Steve x Mike Williams x Curbi – Let’s Go [SPINNIN’]

[44:36] Lucas & Steve – Up Till Dawn (On The Move) (Club Mix) [SPINNIN’ REMIXES]

[46:25] Stromae – Alors On Danse (Dubdogz Remix) [MUSICAL FREEDOM] w/ Teamworx – Clap Back [PROTOCOL]

[47:52] Nicky Romero & Teamworx – Champion Sound [PROTOCOL] w/ Calvin Harris ft. Florence Welch – Sweet Nothing (Acappella) [VICTORY DANCE]

[49:51] Armin van Buuren & Lucas & Steve ft. Josh Cumbee – Don’t Give Up On Me (Armin van Buuren & Lucas & Steve Club Mix) [ARMADA]