#elective affinities

[philosophybits]

No one would talk much in society, if he knew how often he misunderstands others.

Johann Wolfgang von Goethe, Elective Affinities

[loretta-dont-you-oppress-me]

I don't know why, but cosmos is forcing me to tumblr this.

[danipantsu]

Original date: 01-02/2021

Some miscellaneous Snapey doodles and designs based of Elective Affinities by Caecelia

[chicago-geniza]

Saw a post asking about where people's names come from and a fun fact about me is that both my first name and my last name have contested etymologies and nobody knows with definitive certainty what either of them mean or which language they came from. I'm a true cosmopolitan, baby

[genderkoolaid]

no matter how the election turns out, our path forward is the same. engage in your local community, not just through voting but through all kinds of grass-roots activism. learn about indigenous groups near you, their needs, how you can help them. support local black activist groups. form an affinity group. start a community fridge. get to know your neighbors, the ones who are sketchy and dirty and speak weird and are hard to get along with. the way out will always be through community. no supreme victory or crushing defeat; we must choose over and over again, forever, to live through the good and the bad together, as one.

[plaudite-amici]

What do you mean Minna Herzlieb’s foster father was Hegel’s bastard son’s godfather? Does that mean if Goethe and Minna got together Hegel would be his somewhat distantly related uncle or something?

[broareweabouttoviberightnow]

Darry came home to odd shit in his house all the time. To be fair he was related to two 'n the others, well, he couldn't get rid of them now. But other than its occupants, Darry was used to comin' home to cans twisted up to look like little men, knives stuck in the wall holdin' up keys or notes, 'n the odd beer bottle with a candle stuck down in it. His brothers had an affinity for the type of decor that would be home in a kindergarten class 'n Darry had to pick his battles. Glory knows they gave him his choice.

Hell, last month he'd come home to three traffic signs mounted around his living room. He'd promptly forced Soda, Steve, Two, 'n Dallas to return them to wherever the hell they had taken 'em from. They had bitched 'til kingdom come until Darry had threatened to load them up into the truck with those forsaken signs 'n call the damn cops on them himself. Of course, he hadn't meant it. They'd trudged out with one sign between the four of them swearin' they'd come back for the others too. And, naturally, they got caught.

Soda had used his one phone call to beg Darry to pick them up, Steve to whine about how they'd only gotten caught 'cause Darry had made them put them back, 'n Two to make a long series of jokes that ended with Darry threatenin' to leave him there for the night. Dallas had apparently elected to call Tim to bitch instead. 'N Tim had called him. Glory, he should have just left them there forever.

Since both groups were firmly blamin' the opposite party for the events of that night, Darry had elected to save himself the damn headache 'n just let them leave the two signs they hadn't managed to return on their walls. The odd street sign would still sometimes show up, but as long as they weren't important ones Darry simply pretended they weren't there.

So when he trudged into the house 'n glanced at the peelin' wallpaper, he wasn't necessarily surprised to see the new addition. He toes off his boots 'n hangs his keys on the knife buried so deep in the wall none of them can get it out. Darry makes an absentminded mental note to ask one of the men on his crew about it. Pony knew his son 'n he's sure he'd seen worse.

He turns to take a look at whatever was simmerin' on the stove when he catches his name on the piece of paper haphazardly drawn out into a chart 'n pinned to the wall.

In descendin' order the chart reads angelic, good enough, toein' the line, in the shit, Darry's gonna kick your ass, capital F fucked.

"Hey y'all, what the hell is this?" Pony looks up from the kitchen table where him 'n Soda are scratchin' away at old clothes pins. Pony's holdin' a pen knife clenched in his fist, stabbin' away far too close to his fingers for comfort. Darry reaches over 'n adjusts his grip, whackin' him gently on the head.

Steve ducks into the kitchen, brandishin' his own clothespin. He shoots Darry a grin 'n clips it to the chart at angelic. Darry can see his name carved into the side. "Provin' a point is what it is."

"Knock that shit down to fucked- you're pissin' me off." Pony scowls, goes back to his project, lookin' at Darry pointedly as he moves his fingers away.

"Ok. Well. Anyone wanna explain the point to me or am I gonna have to figure it out myself?" Darry sighs, glances into the living room where Two-Bit has been conspicuously silent. He's standin' on the couch, tongue between his teeth 'n brow furrowed as he frantically screws a yield sign into the wall, not noticin' Darry at all. "Two-Bit Matthews!" Two's head whips up at him with a big grin, droppin' the screwdriver 'n leanin' against the wall to block his handiwork like Darry hadn't just watched him for a full ten seconds.

"Darry! What are you doin' here?" Darry rolls his eyes 'n Soda snickers from somewhere behind him.

"Oh fuck, Soda, casserole." Soda scrambles up from the table so fast his chair falls backward. Darry shakes his head 'n sighs.

"Two I live here."

"So... come here often?" Both Pony 'n Steve snicker 'n then glare at each other like it was a cardinal sin that they both find the same joke funny.

"I'm gonna close my eyes 'n if that damn sign is gone by the time I open them I won't kick your ass." Darry drops his head against the door frame 'n shuts his eyes 'n Two mutters fuck 'n dives for the screwdriver. "Now would be an excellent time to explain that shit on my wall, by the way, Pone." Darry prompts, eyes still shut. Glory, he could fall asleep right there in the doorway.

"Oh fuck, oh fuck, oh fuck." Soda opens the oven 'n the distinctive smell of burnin' food pours into the kitchen. Darry raises an eyebrow 'n turns half around.

"Hey, don't open your eyes yet I'm workin' on it!" Two shrieks 'n Darry manages to roll his eyes with them still closed.

"Lordy, fine. Soda, lil' buddy? All good?" There's half a second of silence 'n then Soda snorts a laugh.

"Anyone want Dairy Queen for dinner?" Darry lets out an almighty sigh 'n Soda makes a disappointed sound in the back of his throat.

"Well, worth a shot. PB 'n J guys?" Pony groans 'n Darry can hear the thunk as he drops his head hard onto the table.

"Pone, this shit on my wall?"

"Oh. Steve thinks he's less of an asshole than I am. 'N I think he's a liar. So we're provin' it-"

"Nuh-uh. The kid thinks he's better behaved 'n I think that's horseshit. So we're doin' a chart to prove that he's the one always actin' like a hooligan-"

"Who are you callin' hoologian? Don't you have your own house? Why don't you stop loiterin'-"

"You're just mad Soda actually picked my ass 'n got stuck with you-"

"Glory God almighty. This shit's like, what? A behavior chart? What level is pissin' me off 'cause you're both there right now."

"Darrr-"

"Aw, man c'mon. We didn't mean it." Darry stops noddin' off standin' up to glance over his shoulder at Pony 'n Steve. Their fightin' damn near forgotten they're both starin' at Darry with twin pouts. Darry actually snorts a laugh before he swallows it down, muffles it with a cough.

He fixes them both with a glare 'n jerks a thumb at the chart. "C'mon. Both of you down to, uh," He peeks over his shoulder at the rankin', "in shit. I'm sick of you fightin'." He really doesn't know what he expects but he can tell you what he doesn't. 'N that's for both Steve 'n Pony to glower at each other but shuffle sadly over to the wall to fix their clips 'n then plop back down at the table 'n actually knock it off.

"C'mon, if I have to get knocked down for just ribbin' the kid then Two better get knocked down for that sign shit." Two lets out an indignant gasp 'n clutches a hand to his chest, finally reappearin' in the kitchen with the sign held behind his back.

"What sign?" Darry narrows his eyes at him in contemplation, rockin' his jaw back 'n forth like he always does when he's thinkin'.

"Yeah, alright. You're below Steve 'n Pony." Two's jaw drops open 'n he lets out an indignant wail.

"Woah, woah, woah! C'mon I'll patch the hole I put in the wall." Darry opens his mouth 'n Two barrels on. "In fact I'll even patch the holes from the last one too." Two wheedles, droppin' the sign behind his leg, foldin' his hands together 'n blinkin' up at Darry.

"Fine. You can be on Steve 'n Pony's." Two hoots 'n snatches one of the unmarked pins, scratchin' his name into it 'n slidin' it over Pony's.

"Hey!"

"That's not fair!"

Darry rolls his eyes. "Well, I didn't hear any offers from you two." Two grins smugly at them, Steve flips him off 'n Pony sticks out his tongue.

Soda snatches up his, suddenly very interested in the proceedin's. "Where am I, Dar?" Darry studies him, finger pressed to his lips.

"You can be in toein'. All you did was burn dinner, that's in your nature I should have known better." Darry ruffles his hair when Soda lets out a little scoff. He flounces past Darry, stickin' his tongue out at Steve 'n puttin' his clip the highest of all of them with great flourish.

"Hey Dar, why don't we get somethin' if we don't get bad marks for the week?" Pony sticks his bottom lip out a lil' 'n Darry rolls his eyes.

"Yeah, I'll tell you what you get. Your ass not kicked."

"Aw, c'mon Dar. What if when we stay good we get Dairy Queen?" Darry leans against the door frame. Studies his kid brothers gathered in the kitchen as they all blink back at him 'n suddenly remember somethin' they all have in common.

"How about this, if you all stay in the black you get Dairy Queen at the end of the week." Two 'n Soda let out a whoops 'n Pony 'n Steve grin. Darry puts up a hand to indicate he ain't finished yet. "'N the lowest one has to pay."

A fierce urge to win. Especially against each other.

They all stop, eye each other with sharp-toothed grins 'n mischievous smirks.

Well. For once one of Steve 'n Pony's fights had done Darry a favor. 'N he had a feelin' that stupid chart was about to make his life a whole lot easier.

[weepingwidar]

Pat Steir (American, 1940) - Elective Affinity Waterfall (1992)

[contemplatingoutlander]

Many of the so-called "Christians" who support Trump's reign of greed and scapegoating follow the "prosperity gospel." This article by Tara Isabella Burton explains how aspects of three different movements combined to create what is known today as the "prosperity gospel." The three include:

The 19th century New Thought movement, which claimed that if one set one's mind to something, they could manifest it in real life. This aligned with "the quintessentially American idea that the individual was responsible for his or her own happiness, health, and situation in life."

The Calvinist idea of believing that prosperity was a sign from God that one was predestined to be saved, and hard work was a sign of one's virtue, which led to "the valorization of the 'Protestant work ethic.'" According to Burton, this "specifically Protestant approach to labor [was] integral to the development of capitalism and industrialization."

The rise of decentralized "charismatic Pentecostal churches," in the U.S. According to Burton, these Pentecostals held "the idea that God would manifest Himself to the faithful in concrete, miraculous ways in the 'here and now'" through “'spiritual gifts' (or 'charisms,' from which the term 'charismatic' is drawn)." This in turn, combined with the "decentralized" structure of the congregations, led to the peculiar, almost fan-like devotion of congregants to their charismatic Pentecostal leaders, who often engaged in showy displays of their "spiritual gifts."

[See more under the cut.]

According to Burton:

These three strands collided throughout the twentieth century, as the prosperity gospel came into being. It started — like the “work ethic” Max Weber described — as a way to justify why, during the Gilded Age, some people were rich and others poor. (One early prosperity gospel proponent, Baptist preacher Russell H. Conwell, told his mostly-destitute congregation in 1915: “I say you ought to be rich; you have no right to be poor.”) Instead of blaming structural inequality, Conwell and those like him blamed the perceived failures of the individual. [emphasis added]

Burton claims that it is therefore not surprising that today "two of [the prosperity gospel's] major proponents — Paula White and Wayne T. Jackson — were among the six faith leaders invited to pray with Donald Trump at his inauguration."*

Burton points out that although "a 2006 'Times' poll found that 17 percent of American Christians identify explicitly with the movement," that same poll also found that:

31 percent espouse the idea that "if you give your money to God God will bless you with more money.” [Furthermore, a] full 61 percent agree with the more general idea that “God wants people to be prosperous.” [emphasis added]

Still, Burton wonders if it isn't the underlying cultural influences that created the prosperity gospel that contributed to Trump's election:

It’s difficult to say that the prosperity gospel itself led to Donald Trump’s inauguration. Again, only 17 percent of American Christians identify with it explicitly. It’s far more true, however, to say that the same cultural forces that led to the prosperity gospel’s proliferation in America — individualism, an affinity for ostentatious and charismatic leaders, the Protestant work ethic, and a cultural obsession with the power of “positive thinking” — shape how we, as a nation, approach politics. What is our collective approach to health care, after all, if not rooted in a visceral sense that the unlucky are responsible for their own misfortune? What is our willingness to vote a man like Trump into office but a collective cultural reward for those who brand themselves as successful? [emphasis added]

_____________ *It is a noteworthy that when Trump issued an executive order creating a White House Faith Office, it was Paula White, whom Trump named to lead it.

[hyunsvngs]

𝐧𝐞𝐞𝐝 𝐬𝐨𝐦𝐞 𝐚𝐢𝐫 - seo changbin x gn!afab reader

wc: 6.3k

rating: 18+. MDNI

cw: sex with no strings attached, sexy changbin, changbin’s tummy (deserves a warning because it is so overwhelming), bin is cocky and cute, mentions of body hair, smut (specific warnings under the cut, minors please do not interact!)

synopsis: your situationship - the man of your dreams - gives you full, explicit permission to fuck his frat brothers in your effort of a hot bitch summer. who’s next, after you ruined your best friend in bed?

a/n: part three of the fratboy series, hot bitch summer!:D fratboy bin is on my mind… so sexy. also enjoy the build up of more lore in this one!! this part is really integral to the series :) 

˚ʚ♡ɞ˚

sw: strength kink, size kink, public sex (they fuck in a gym room but it’s locked), pet names (little bunny), a LOT of dirty talk, fingering, spitting, a very brief blowjob, seo changbin has a THICK COCK like SO THICK, maybe d/s dynamics a bit? dom!bin then sub!bin at the end?, creampie, brief cockwarming

˚ʚ♡ɞ˚

Waking up in Minho’s bed after a night of unadulterated pleasure had become a regular occurrence in your life. The man just knew exactly how to push your buttons in exactly the right way, and you more often than not even found yourself staying over in his bed after parties too. Even slightly intoxicated, you had the best sex you’d ever had with him.

His words were still lingering on your mind, though. Could you truly tick off every member of the frat? The SKZ frat itself had only eight members, with frat president Chan being extremely selective in who he let join. Jisung and Changbin were allowed in because they all loved music production, with it being both Chan and Jisung’s major. Changbin simply had an affinity for it and had done it as a side course with his sports and exercise science degree.

Minho, you believed, had formed the fraternity with Chan initially, and he was elected vice president. Hyunjin and Felix were accepted instantly because of their involvement in Minho’s dance society. Jeongin was Minho’s adopted baby that he met through Felix, because the both of them played video games together regularly. Jeongin took it a lot less seriously than Felix did.

Interestingly, Seungmin was accepted because he was rumoured to be the author of the Gossip Girl-esque blog in the university, titled Hall of Fame. This fact had never been confirmed by Seungmin himself, but rumours ran rampant around the school. You often wondered if the anonymous posts were actually him, since they never seemed to include members of his frat. It was as if they’d been selective, only ever about people from other fraternities or sororities. You’d been lucky enough to not have one about you, and that got you thinking - you were a relatively well known figure on campus due to the people you choose to surround yourself with. If it was Seungmin, had you been excluded from the posts because you were friends with Jisung and Felix?

The smell of bacon and eggs wafted through the home into your nose and invaded your senses. You quite literally heard your stomach grumble, needing food after yet another long night of partying, and you stretched before pushing your legs off of the bed to stand up. They felt so weak these days, due to you being fucked by Minho so often. You didn’t even know how to remedy it. You sure as hell weren’t going to stop fucking him.

Hobbling downstairs slowly, you entered the kitchen to be met with the sound of Seungmin and Minho bickering. From what you could gather in your still slightly sleepy haze, Seungmin was angry because Minho had decided to cook for you, him and Jisung, and he refused to give Seungmin any. You blinked through the fog, feeling Jisung place his head on your shoulder. The touch was a welcome one, comforting and by your best friend. Felix sat next to Seungmin across from you, giggling at something Hyunjin had whispered into his ear. 

“Y/N, my baby,” Jisung chirped happily, rubbing his round cheek against your shoulder. You sighed, letting your head loll on top of his. “Good morning. How are you?” 

“Mm, I’ve felt better. My legs feel really weak and tired.”

Seungmin choked on a laugh while eating a spoonful of the bowl of cereal he’d had to make due to the fact Minho refused to cook for him. He pointed his spoon at you vindictively. “Maybe because you’re trying to fuck the whole frat?” A drop of milk dribbled off the end of the spoon and splashed back into the bowl, taunting and slow. Even the milk was roasting you.

It was Hyunjin’s turn to giggle. “Hey, they’re pretty. They’re allowed to fuck us all.”

You groaned, nuzzling your cheek against Jisung’s soft hair. Jeongin had since entered the room, hair sticking up everywhere and a loose t-shirt hanging off of his slender frame. He’d quickly thrown himself onto a chair and placed his head in Jisung’s lap. You noticed Minho adding extra bacon to the pan automatically upon Jeongin’s arrival. Seungmin looked like he was about to have a breakdown, shoving more Frosties into his mouth and chewing angrily. His eyes were narrowed at Minho, yet Minho didn’t even grace him with a glance, simply smirking to himself over the pan. 

Jisung carded his fingers through Jeongin’s hair, making Jeongin flutter his eyes shut and let out a pleased hum. “You know, you could go to Binnie. He works out a lot. He could stretch you out so your legs aren’t as weak.”

Binnie. Changbin. Stretching you out. Oh yeah. Now that sounded good. You turned to Minho, seeing him plating up four plates of food. 

Changbin was probably the man of your wet dreams if Minho didn’t exist. He was a beefcake, to put it simply. You often found yourself ogling his muscles in sleeveless shirts and wishing nothing more than to leave bite marks all over his tan skin. You wanted him to press his full weight to you, feel that delightful sexy fucking tummy against your back as he pounded you with his undeniably thick cock.

Going to the gym with Changbin sounded amazing. Minho brought the plates over quickly, sitting down on your other side. He looked at you, sending a subtle wink. “I think that sounds amazing. He’s coaching the weightlifting society tomorrow. You can grab him after practice.”

Oh, you planned on grabbing him alright.

˚ʚ♡ɞ˚

You arrived at the training room Changbin was supposed to be in around ten minutes after his weightlifting class had been expected to end. It was the morning, sunlight glaring through the window. You’d dressed comfortably, tight gym leggings and a loose t-shirt adorning your figure and a simple pair of old trainers that had probably seen better days. They were stained with droplets of bright paint from the time you and Felix had tried to redecorate your room - it hadn’t gone well, and you’d actually been staring bemusedly at the random patches of different colours before you left the house.

He was situated on the bench press when you walked in, effortlessly pumping out reps of 50 kg as if it was nothing. He didn’t have a spotter, so this was clearly lightweight for him. You thought you could die, heart racing, just standing in the doorway and staring at him. He hadn’t even noticed you yet.

Once Changbin had re-racked the bar, he turned to you, blinking confusedly. It took him a second before a cute toothy smile appeared on his face. “Oh, Y/N! Hi! Sorry, I kinda lost track of time.”

“It’s okay, Changbin,” you smiled, walking further into the room. You made sure to close the door behind you, subtly locking it while he was retying his laces. He was wearing a tight black vest top, a face mask pulled down under his chin and his hair natural, dark and curly. His legs were clad in loose basketball shorts, showing off that he does, in fact, attend leg day. You were shamelessly ogling him, and he brought your attention back to his face with a laugh.

“Bin is fine, or even Binnie,” Changbin grinned. He stood up from his laces and clapped his hands together triumphantly. “Okay, so Sungie mentioned something about your legs. You wanna strengthen them, yeah?”

You blanched. Okay, so Jisung had told Changbin your purpose for being there, but had he told him why? You doubted Changbin would have no idea. He knew, but at least he was being friendly about it. Changbin ushered you over to a mat on the floor, and you obediently walked over to sit down cross-legged on it. He sat next to you, pulling the face mask off altogether and throwing it aside.

“Erm, yeah. I guess so. They’re just really, um, shaky? Weak? I’m not sure,” You mumbled, fingers smoothing down your leggings awkwardly. Could you have less finesse, ever? You’d been awkward with Minho, given he’d walked straight out of your wet dreams after plaguing them like a demon for months, but you surely didn’t have to be like that around Changbin. Changbin hummed, nodding at your explanation. “I don’t think weights would be best. Maybe I just need to-“ Be stretched out. “Stretch. I need to stretch.”

Changbin nodded. “Sounds good. Can I touch you?”

Please. “Yeah, of course.” 

He reached over, his hands pressing at your calves. His hands were wide, with thick, manly fingers that weren’t too long but looked like they’d be such a fucking good stretch. His fingertips were slightly calloused from the overuse of barbells. You wondered what he’d be like in bed - would he put his muscles to good use, pinning you down and making you take it, or would he let you take control like Jisung did?

You sighed, almost inaudibly. What the fuck was wrong with you?

“Okay,” Changbin mused. “They are kinda weak, I can feel it. The muscles are spasming when I touch them. Could you stand up, and touch your toes? It’s a yoga pose, I just wanna see how weak they actually are.”

Yoga? Okay. You had flashbacks to Felix trying to teach you how to do yoga, some random shit he’d learnt from Hyunjin. You’d both done one pose before falling over cackling. Standing up immediately, you bent over to touch your toes. He came behind you, humming again. You tried not to think about how he was now standing behind you, grabbing your hips to correct your position and making you arch your back a little. As if he was going to push into you from behind, slow and thick, quite literally stretching you out-

You were speaking before you could even control it. “Oh, fucking hell.” 

Changbin’s hands paused on your hips. A beat passed, and then two. Then he was laughing.

“Hey, did you seriously just come here because you wanted to tick me off of your sexy bucket list, or did you come here to actually fix your legs?” You shot up, turning around to face him. He put his hands on his hips, still letting out loud giggles. You couldn’t help but let out a scoff and laugh with him.

“Well. I actually do need help,” you rubbed your temples, still laughing in disbelief. Changbin shook his head, rolling his eyes playfully. “Hey, I’m serious!”

“No, no, I believe you. But you wanted to fuck me later, didn’t you?” Changbin accused, pointing a finger. “Maybe I will fuck you. You’re stretching first, though. Bending over for Minho so many times does horrible things to the body.”

You grinned, resuming your position of touching your toes. “Oh, you’d know, would you?”

Changbin flicked your thigh, still giggling slightly. “Shut up, would you? So fucking sassy, heh. I’m going to massage your legs now.”

You felt his hands pushing you into a position where you were laying down on your front. The strong hands on your back and right shoulder made your cunt pool with heat, but you tried to ignore it. Unsuccessfully, because you were instantly thinking of him manhandling you into other positions when you had finally pliantly dropped to the mat. When did you become like this? You were the horniest you’d ever been.

His strong palms began to knead against your calves. The feeling was delicious, actually - he knew what he was doing. You felt instantly relaxed, letting him ease the ache out of your muscles. When he moved up to your thighs though, you felt that incessant need in your core return and you wanted to scream in frustration. He was taking his time, working out every knot in your legs and you just laid there, arms crossed beneath your head for you to rest on. 

All of a sudden, Changbin’s hands were pushing up against the seam where your asscheek met your thigh. You jumped in surprise. “Huh?!”

Changbin smirked, that same cocky smirk you’d got earlier on. “Feeling tense here, you know? Better stretch you out.” You blinked. They’d definitely had a conversation, either him and Minho or him and Jisung - you weren’t sure which you’d prefer.

Fuck it. You squirmed onto your back, looking up at Changbin. He cocked an eyebrow at you, a mischievous smile still on his full lips. “You gonna fuck me now, Binnie?”

Changbin shook his head again, fondly. “You’re insatiable.”

“You love it.”

“Maybe I do,” he spoke, before diving down to capture your lips in his. He quickly had you pinned to the soft mat underneath you, tongue sliding across your bottom lip before caressing into your mouth with intricacy. You moaned, running your fingers through the soft curls on his head. You tried to wrap your legs around his slim waist, but he was quick to shift you, pressing your legs back into the mat with a firm hand. “No.”

“Thought you were gonna fuck me,” you pulled away from the kiss and huffed, hips squirming. Changbin looked appalled.

“I fucking am! Just- you’ll get hurt again. Your legs are sore, remember?” He pressed another peck to your lips, spreading your legs himself manually. He positioned in between them, a promising bulge pressing against your clothed pussy. 

You sighed with pleasure when he started rutting the bulge into you, kissing your neck softly. “There’s no sex position that won’t hurt my legs, Bin.”

“Mm, sure there is. I’ll show you.” 

Well, colour you intrigued. You gripped onto his biceps, fingernails digging into the large muscles when he pressed a kiss to the neckline of your t-shirt. You were quick to push him up slightly to rip your t-shirt off impatiently. He must’ve moved himself, because there was absolutely no chance you’d managed to shift a man of that stature with one hand. Your sports bra was very much less than sexy, and you screwed your face up with embarrassment when you remembered you were wearing it. Changbin didn’t seem to care, because with a quick movement behind your back the bra was unclipped and thrown to the side. 

He immediately latched onto one of your nipples, swirling his tongue around your areola. You whimpered, pushing your chest into his mouth. He hummed against the peaked bud before moving to the other one, using his thick fingers to tweak your already lathered with spit nipple. He was still rutting into you, although the movement had gone slightly lower with his ongoing mouth efforts. 

“Mm- Binnie, wanna see you too. Please.”

Changbin pulled back, his mouth wet with spit and his hair all messed up from your hands running through it with passion. He quickly shucked his vest top off, revealing a delightful set of sculpted pecs and a sexy fucking tummy. You wanted to clench your teeth into his tan skin and leave your mark there. This was made worse when you noticed the delectable looking snail trail of hair at the bottom of his tummy, leading down into something you needed to see very soon.

“Oh my God,” you murmured. Changbin tilted his head in confusion. “Your tits.”

Changbin burst out laughing, before clenching each one in a rhythm. You giggled, wrapping your arms around his shoulders and bringing him back down for another heated kiss. Your bare chests rubbed against each other, his full weight pressed against your frame to hold you down against the yoga mat. You whined into the kiss at the stimulation on your nipples, and he took the opportunity to push his tongue into your mouth in a filthy kiss of swapping spit. His biceps were curled around you, his body pressed tightly on top of you, almost crushing - but you loved it. He was just so much bigger than you.

“You like that, don’t you? Feeling me crushing you,” Changbin muttered into the kiss, stealing little pecks between each word. “I bet you’re fuckin’ soaking. Gonna let me take a look at your pussy, little bunny?”

You moaned, nodding, the pandering to your size kink making your brain blur with arousement. He was pulling off your trainers quickly then, yanking your gym leggings down and leaving your underwear covering your core. He groaned, pushing your legs open softly. You could feel the wet patch on your underwear, slick sticking the fabric back to your cunt everytime you moved. He was no doubt staring at it with lust when one of his hands went to palm his erection through his shorts. 

“Fucking hell, you liked that, didn’t you? You like me calling you my little bunny? You like being smaller than me?”

You nodded eagerly, squirming while he spoke. He was still staring at your pussy, wet patch expanding the more he’d spoken. “Take ‘em off, Binnie. Have a good look,” Changbin sighed, scrunching his eyes shut before nodding. He looked like he could barely control himself. Good. You didn’t want him to. 

His fingers were latching into your underwear then, pulling them down and revealing your pussy, folds sopping wet with your arousal. He gazed down at it, eyes blown wide with lust and his breathing heavy. 

“Fuckin’- Jesus,” Changbin swiped two fingers in between your folds, collecting slick on his fingers. He pushed them into his mouth, moaning at the taste. “So fucking sweet. Look at Binnie’s little bunny making a mess, huh? Do you want a taste?” 

You let your tongue loll out of your mouth, expecting him to push his fingers past your tongue. Instead, he crouched down quickly, swiping his tongue over your core in one thick swipe. He swirled the tip of his tongue around your clit quickly before he was moving just as quick back up to you, gripping your jaw between his thumb and index finger. You didn’t even have time to feel his plush, doll-like lips on your clit, which slightly disappointed you before you realised what he was doing.

Made to open your mouth wide like this, you moaned out unabashedly and loudly when Changbin let your arousal drip from his mouth and into yours. He was watching it enter your mouth. Before you could even swallow it, his tongue was back in your mouth, swiping around the wet cavern and trying to get more of the taste for himself. You let him kiss you for another few seconds, feeling him rutting into your now bare core as he whined into the kiss. He liked it dirty then, you mused.

You pulled away, trying to catch your breath. “Gimme,” you mumbled, thumbs hooking into his loose shorts to try and catch a glimpse at his erection. He pushed your hands away, mumbling incoherently about you being impatient. You huffed, shifting up onto your hands to watch as he pulled the two layers of fabric down altogether. Your jaw dropped. “Oh.”

Changbin looked at you cockily as you took in his length. It was shorter, not as long as Minho’s but he did make up for it more than enough in girth. You thought your jaw would break if you tried to suck him off, and you weren’t entirely sure your hand would even fit around it. Your pussy was going to cry. You wanted it so fucking badly.

A rivulet of precum was leaking from his flushed cockhead, travelling down the veiny shaft and landing in a pleasant thatch of curly, dark hair at the base, wetting the hair. His balls were heavy, full, and you wanted them in your mouth. You wanted it all in your mouth, actually, even if it would kill you trying.

“Pleased?” Changbin quipped. You looked back up at his stupid confident smirk, grabbing him by the wrist and throwing him on the mat beside you. It took all of your strength, but you managed it. He squeaked with surprise, but you ignored him. You were quick to push up onto your knees, shuffling down to be face to face with one of the best cocks you’d ever seen in your life. You needed it, right there in that gym, where you’d probably end up smelling like sweat from a different kind of workout. You were more than glad that you’d locked the door.

You stared at it. “This is going to kill my jaw.”

“You really don’t have to- oh God-“ Changbin was cut off by you sinking your wet mouth onto the tip of his cock. You could already feel the uncomfortable stretch on your jaw, but you were determined, suckling the precum into your mouth and swirling your tongue around the head like it was a lollipop. You let your spit dribble out of your mouth and onto his thick cock, feeling amused when he let out a loud, rather high-pitched moan.

Focusing on the cockhead, you let your tongue dip into his slit to swallow the tiny bit of precum that he’d blessed you with. He looked gorgeous, laying back against the mat with his thick thighs spread and a just-as-thick cock hanging between them. One arm was behind his head, massive biceps tensed as you stared up at him and swallowed the tip of his cock repeatedly. You wanted to see him ruined, but you had a feeling his cock was going to ruin you. His jaw was dropped, plush lips letting out deep sighs.

You tried to bob your head and get more of his dick in your mouth, but you were unsuccessful. It seemed it was just too fucking thick, and you were scrunching your face up in disappointment when you suckled on the cockhead one more time before pulling up. Pumping it absentmindedly, you stared up at Changbin. “Too thick.”

Changbin laughed, pulling you up to lay on top of him with ease. “‘S okay, little bunny. I want to take care of you, if that’s okay?” 

Well, how could you say no to that? You smiled, giving him a quick nod, and then you felt his finger reach down and press against your entrance. It was filling you before you knew it, his thick digit stretching your hole open. Eyes rolling back into your head, you moaned and writhed on top of him, grinding your clit into his tummy. 

“Bin- don’t need prep, fucking-!” He ignored you, pushing another finger in alongside the first one.

“Minho warned me you were impatient,” He scoffed, pumping his fingers steadily. He was scissoring them inside of you, trying to stretch your hole out further than it could possibly go. “I should’ve believed him. I don’t know if you saw, but my dick is really fucking thick. Little bunny can’t take it without prep, okay?”

You didn’t argue, like you had with Minho. You had argued with Minho and ended up feeling like your pussy was being split open by Minho’s thick cock, and Changbin was even thicker. Also, you knew that if you’d tried to argue he would’ve just laughed at you and told you not to argue with him, so being a brat was futile. Bouncing on his fingers, you resorted to trying to relax your hole and let it stretch enough to take him. Taking this dick may kill you, but you’d be damned if you didn’t try your fucking hardest.

Changbin cooed at you, brushing your hair out of your face with his free hand. “That’s promising, little bunny. You’re taking my fingers so well, huh? I think I’ll put a third one in, okay?”

“Mm, yeah, can take three,” Your eyes fluttered shut when yet another finger went up to your hole, pushing up slowly. He moaned when your pussy clenched tight around the three digits, not wanting to stretch further. He was no doubt imagining the tightness your cunt would give him when his cock got inside of it, and you couldn’t blame him - you were imagining the fucking stretch you were going to get. 

“I think I’ll curl them up, yeah? Just like this?” Changbin questioned you, curling his thick fingers up to reach your g-spot. You immediately keened, and Changbin giggled, continuing to hammer his fingertips into the spongy spot inside of you. “Oh, yeah, like that, huh? I know what you’re thinking. Will I make you cum before I fuck you?”

Well, you weren’t thinking anything, fucked dumb on his fingers - but now you were thinking that. Will he make you cum before he fucks you? You weren’t sure if you wanted to or not, being impatient and wanting his dick inside of you, but he seemed to be playing the long game. You bounced on his fingers again, wanting just a bit of stimulation on the bundle of nerves between your legs in a hope that you could cum quickly and get his dick inside you, like, yesterday.

“B-Bin, I need your cock, you can’t make me cum before, need it-”

Changbin let out an ear ringing laugh again, flipping you over so your ass was flat against the mat. He continued fucking his fingers into you immediately, thudding into your g-spot over and over in a fast rhythm. “I can, and I fucking will, little bunny,” You simply nodded, accepting your fate. “Nothing to make you relax like a world-shattering orgasm, right?”

You scoffed. “Well, I’m not gonna cum if you don’t touch my clit, Bin.” He stopped the movement of his fingers, staring at you with a nonchalant expression.

“I’m not going to touch your clit, and you are gonna cum. G-spot orgasm. Heard of it?”

You blinked. He didn’t mean…? “You’re gonna try to make me squirt?!”

Changbin shrugged, pinning one of your legs down to spread you wider. “You may not squirt, but it’ll feel really fucking good. Squirting is an added benefit for me, to be honest,” He looked cocky, a boyish smile on his face. Oh yeah, he liked it messy. You let out a squeak when his fingers started hammering into your g-spot again, fast and rough, making you want to squirm away from the pleasure. When you tried to, his hand was quick to push your hips back down and just make you take it. It didn’t feel like a dominant move, more a petty, playful move than anything, and you found yourself panting and your head rolling back onto the mat.

“Shit, I can’t, Bin,” You whined, fingernails digging into the mat. You were sure you’d leave little crescent moon shaped indents afterwards. You could feel yourself getting close, never having experienced such intense solo stimulation to your g-spot before - fingers could move in different ways to what a dick could. “Bin, Bin, Binnie- Bin, pleasepleaseplease, hnng-”

Changbin leaned next to you, kissing your neck softly. “No need to beg me, little bunny. Cum whenever you want.”

You gasped out, feeling his palm go to press down on your belly. It made the fingers feel even deeper, and before you knew it, your thighs were shaking in one of the best orgasms you’d ever had in your life. 

“That’s it, there you go,” Changbin whispered in your ear, his lips brushing against your ear. You didn’t think you were squirting, but Changbin was completely right, you’d never felt anything like this before. The ecstasy started at your pussy and felt like it was busting out all over your body, making your body shake and your eyes flutter shut. You were whining, moaning, possibly even close to screaming - all just from a few fingers. You came to, your chest flushed and your breathing heavy as you tried to calm down. Changbin was looking straight at you, smiling in that boyish way again and actually looking a bit bashful. “Do you, uh… do you still want more?”

Your eyes flickered down to his erection, still painfully thick and hard. His cockhead was red, leaking. “That’s not even a question, Bin. Gimme.”

Changbin giggled again, letting his fingers slide from your dripping hole. You grimaced at the loss, trying to move your legs back together, but you were shocked when Changbin grabbed you by the waist, lifting you up into his arms. 

“W-What? What are you-?”

He held onto your hips, waiting until your arms were wrapped around his neck securely to stand up. You were suddenly in the air, jaw still dropped while you stared at him in disbelief. He’d really just lifted you up like you were nothing. Your pussy was throbbing again. “Not using your legs, remember? I’m gonna hold you.”

“Y-You- oh.” You gasped when he was holding you close to him, letting one hand drop to position his cock at your entrance. You were being held up completely, one hand at the small of your back to hold you close and not let you fall while his other was finally allowing himself to have some release. Instead of pushing his dick in, his hands went back to your hips, staring into your eyes as he simply let you drop onto his cock, taking it in all at once. “Oh- oh shit, Changbin, it’s so fucking thick!”

Changbin simply grunted, giving you next to no time to adjust before he was grabbing your hips, bouncing you onto his cock. “G-Gonna just fucking use you like my little fucktoy. That… Is that okay, bunny?” He was struggling to get his words out, hands on your hips tightly while he moved you up and down on his cock. Your eyes rolled back into your head, fingers gripping onto his neck tightly. It was such a big fucking stretch, feeling like you were being ripped apart but you loved it, your hole leaking more slick the quicker he bounced you.

“Yeah, yeah, love it, fucking- use me like your fleshlight, Binnie,” You whined, letting your head drop into the crook of his neck. You could smell his sweat, the odour of manliness filling your senses and just proving to turn you on more. He was so manly, made up entirely of thick muscle and a thick fucking cock with a cheerful, loveable personality. The man fucking giggles, for God’s sake. You put your hands on his shoulders for purchase, trying to squirm to ride him yourself, but his tight grip was not one to be matched. 

“I’m not like Minho or Jisung, little bunny, I want to cum inside you and have you - fucking shit -  full of me,” Changbin groaned, pumping you quicker. You could feel his heavy balls slapping against your asscheeks, making you whine. You wish you’d got them in your mouth first. “C-Can I do that? Can I creampie this little pussy, get you to leak me out all day?”

You keened, nodding, eyes blurry. “Mm, yeah, want your cum Binnie. Gonna fill me up? Please, please,” You were babbling, feeling your cunt clench around him tighter at the mention of him filling you up with his cum. Thank God for birth control.

“Told you you don’t need to beg with me. You want me to cream inside of you? This pussy’s so tight, little bunny, it- it’ll be fucking- oh- overflowing, dripping out,” You clenched harder at that, eyes rolling back into your head. You were sure you were drooling on his shoulder. “So tight, so small. Feel so good around my cock, bunny. You’re so small, I can just pick you up like this and bounce you like a toy.”

“‘M not small, Binnie, you’re just fucking strong,” You whimpered. Changbin moaned loudly at this, walking you over to pin you against the wall. You could feel your back slide around on it with the sweat accumulating on your spine, but you really couldn’t give a fuck, focusing on the cock pistoning in and out of your dripping hole. His body against yours would keep you upright if you slid around, his chest nice and sturdy. “So strong, Binnie, shit- you’re so- your arms, your tits, fucking-”

“Yeah? Y-You like them?” Changbin asked, his biceps flexing with the effort of holding your hips up. His cock pumped steadily into you, him almost sounding insecure - you knew it was just the effect of the pleasure you were both feeling.

“Mm, love them. You’re so fucking sexy, Binnie, knew I had to have you,” You tightened your hand on his shoulder to let your other hand go down and rub your clit, rubbing steady circles around the small button. Changbin groaned, his head dropping forward, forehead pressing against yours to gaze down at you touching yourself. You let out loud moans and whines, feeling yourself get closer and closer to your peak. “Binnie, fuck- getting close, oh…”

Changbin nodded against your head, pulling your hips even closer to him to hit you deeper while he bounced you on his cock. You could feel the slick slide of his cock in and out of you, and he didn’t even look anything close to tired despite ramming you up and down on his cock for this long. He had some amazing stamina. “C’mon, pretty bunny. Cream all over my cock, c’mon. Feels good, yeah?”

“Yeah, f-feels so good, Binnie, ah-“ You jolted at a particularly hard thrust, fingers rubbing quicker against your bundle of nerves. “Yeah, yeah, gonna cum!”

“That’s it, you’re so- so fucking good for me. Binnie’s bunny is so good, h-huh? C’mon, let me feel you make a mess on my cock,” Your jaw dropped in a silent scream as your orgasm hit, making a mess of Changbin in a gushing orgasm. He moaned, encouraging you with little coos as you let the pleasure bloom from your pussy and all over your body. 

Changbin didn’t stop thrusting, something that alarmed you a bit, but you could handle it. You let him push you against the wall sharply and start to thrust into you instead, his hips moving on autopilot. You whined through the sensitivity, your walls still fluttering around him as he fucked up into your g-spot. 

You looked down at his cock stretching your hole, seeing the hair at the bottom of his tummy and his pubes wet with your juices. The sight was erotic, primal - it made you wonder if you could cum again. Without thinking too much into it, you dipped your fingers down to collect some of your cum that had amassed in the hair and pressed them into Changbin’s mouth.

He promptly keened into your mouth, tongue swirling around the digits. He let his jaw drop open, your wet fingers dropping out onto his chin. “Mm- gonna c-cum, please, please!” What was with these frat boys and begging you? You were still trying to ignore the sensitivity of your pussy and focus on the pleasure, but you nodded nonetheless.

“Yeah? Cum for me Binnie, come on. Breed me nice and full, yeah?” Changbin whined loudly, his head dropping to the crook of your neck. He was drooling all over your skin, pressing wet, messy kisses into your neck. All of a sudden, his hips halted, and you could feel a new warmth filling you up. He let out one singular whimper, his breath coming in heavy pants as he filled you up. 

You gripped his shoulders, letting him pull his head up to look at you. He gazed at you with watery eyes, before blinking at you and laughing in disbelief. “Jesus fucking Christ, bunny. Fuck!”

You giggled, fingers dancing over his skin affectionately. “Good?” Changbin rewarded you with a scoff, still keeping his arms around you. He carried you over to a bench and promptly sat down, his softening cock still inside you. It was rather comforting. 

“Good? I don’t think I’ve ever behaved like that in my life. I’m normally a bit… softer,” Changbin admitted, his cheeks burning. You cooed, squishing his cheeks in your fingers and making him swat your hands away. “Hey, no!”

“Sorry, Binnie. You’re just super cute.”

“Yeah, well…” He rubbed the back of his neck, timid and bashful. “Anyway, we should get you cleaned up and dressed. Minho’s gonna be here in about-“

A knock on the door interrupted you both, making you shoot up and off his lap. You clearly over judged your own stability though, because you immediately fell to the floor from how weak your legs were. You squeaked, face planting the ground.

Changbin burst out in hysterical giggles, barely managing to pull himself together to tug his boxers back on and go to unlock the door. You briefly wondered what was going on, why he was so ready to answer the door in so little clothes, and… had he said Minho was coming? Oh. The lock was slid open by Changbin’s deft fingers and then the door followed afterwards, opened just enough to allow a body to enter.

“Um. Are they okay? Did you kill them?” You looked up at the familiar voice, seeing Minho standing there in front of your eyes. You blinked.

“What… why are you here?” You managed to get out. Minho simply laughed mirthlessly. 

“Well, someone’s got to take responsibility for you and take you home when you’re fucked boneless, right?”

˚ʚ♡ɞ˚

You laid on Minho’s chest later that day, watching some random anime on his laptop perched on his lap. You weren’t even paying attention, thoughts running rampant. “Minho, is it weird you’re… um, letting me fuck your frat brothers?”

“Letting is the right word,” Minho hummed, fingers scratching over your scalp softly. “You make me feel good. Who would I be to deny my brothers the same pleasure?”

You nodded. It made sense, you supposed. “Yeah. Okay, yeah. But… are we…?”

Minho was brief, a monotone statement. “No more questions. You know what we are.”

You blinked. You nodded again, turning your attention back to the screen.

Whatever you and Minho were, your situationship that you had going on, you were content for the time being. You got to fuck around, live your hot bitch summer, and then go home to the one you wanted the most.

What could be more perfect, really?

˚ʚ♡ɞ˚

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[aaknopf]

The letters of the writer and groundbreaking neurological investigator Oliver Sacks–now collected in a volume that displays on every page his boundless curiosity and love of the human animal in its myriad ways of perceiving the world–include several to the poet W. H. Auden, among other literary lights. We unfortunately have no record of the Coleridge quote Sacks refers to in this missive to Auden of August 18, 1971, but the line he mentions from the German Romantic poet Novalis was surely a favorite aphorism of Oliver’s: “Every disease is a musical problem; its care a musical solution.” We also share below the typescript of Auden’s poem “Anthem,” which the poet had enclosed in his foregoing letter to Sacks, written on August 2, where he ended by saying: “Overleaf a little poem about the Cosmos. Yours ever, Wystan.”

Letter to W. H. AudenAugust 18,1971 [37 Mapesbury Rd., London]

Dear Wystan,

Your letter was forwarded to me a few days ago, and it (or your poem, or you) was the best of palliatives. Does there come a point (if one is very lucky, or has the right gifts, or grace, or works at it) when style, feeling, content, judgement all flow together and assume the right form? Your “Anthem” seems instinctively and effortlessly lyrical, and absolutely natural, like an organic growth; and yet obviously has the most careful and sophisticated and exquisite choice of words—and no feeling of any “joins” anywhere, of artifice, of manipulation. Marvellous. I will treasure it.      Yes, I thought the Coleridge quote was a real find, and so to the point. And I agree (I feel) absolutely with the Novalis one. In some sense, I think, my medical sense is a musical one. I diagnose by the feeling of discordancy, or of some peculiarity of harmony. And it’s immediate, total, and gestalt. My sleeping-sickness patients have innumerable types of strange “crises,” immensely complex, absolutely specific, yet completely indescribable. I recognize them all now as I recognize a bar of Brahms or Mahler. And so do the patients. Such strange physiological harmonies—I hope I can find some way to describe these, because they are unique states, at the edges of being, beyond imaginable being, beneath comprehension, and when the last of the sleeping-sickness patients die (they are very old now) no memory will be left of their extraordinary states. Writing seems more of a struggle now—maybe I’m trying something harder—I find meanings go out of focus, or there is some sort of “slippage” between word and meaning, and the phrase which seemed right, yesterday, is dead today. [. . .] And medical jargon is so awful. It conveys no real picture, no impression whatever, of what—say—it feels like to be Parkinsonian. And yet it’s an absolutely specific, and intolerable feeling. A feeling of confinement, but of an inner constraint and confinement and cramp and crushedness, which is closely analogous to depression (although it is not emotional as such), and, of course, is very depressing. And a painful inner conflict—one patient called it the push-and-pull, another the goad-and-halter. It’s a most hateful condition, although it has a sort of elegant formal structure. But no book that I know of brings home that Parkinsonism feels like this—they just reduce it to an unevocative listing of symptoms. I hope Osbert Sitwell didn’t have it too badly.       I’ve been reading some Goethe (for the first time, really) in the last week or two. Starting with his Italian Journey—thank God I did start with that, or I might not have got any further. And then the Pelican Faust—maybe it’s the same with any translation. I must learn German. And Mann’s fabulous essay on Goethe and Tolstoy. And Elective Affinities. And that great, meandering, affectionate Lewes biography. There is one point (I think in his chapter on Goethe’s philanthropy) where Lewes says that he could “eat Goethe for love”—and I think these are beginning to be my sentiments too.       I hope I can join Orlan on a lightning visit to Vienna. There is nothing I would like more, but I am awfully fretted with my current book, and may not be at liberty (or feel myself at liberty) until I have finished it. I would love to see you in your own Kirchstetten, but if I cannot come I will surely see you in New York a few weeks later. 

Yours ever, [Oliver]

More on this book and author:

Learn more about Letters by Oliver Sacks.

Read “Anthem” and more of W. H. Auden’s poems in Collected Poems. 

Browse other books by Oliver Sacks and follow the Oliver Sacks Foundation on Instagram @oliversacksfdn.

Visit our Tumblr to peruse poems, audio recordings, and broadsides in the Knopf poem-a-day series.

To share the poem-a-day experience with friends, pass along this link.

[koifishstick]

29 courses available at hogwarts university ·˚ ༘

disclaimer 001. this is accurate to my hogwarts university DR. take what resonates, leave behind what doesn't !!

disclaimer 002. this will be long. it's going to feel like it is going on for a very long time-- but you must stay strong !!

disclaimer 003. courses are listed in alphabetical order.

enjoy x

001. ALCHEMY

taught by - corbinus flamel

alchemy is a rare subject that combines magic, science, and philosophy to explore the transmutation of substances. this class delves deep into the mystical art of transforming materials at a molecular level, using both magical and non-magical processes.

students learn to work with magical ingredients and potions, but unlike potions, alchemy is focused on the fundamental transformation of matter. they study the properties of various metals, minerals, and liquids, understanding their magical properties and how they can be combined to create elixirs or even transmuted into new forms.

alchemy also teaches students the deeper philosophical and ethical questions surrounding the pursuit of power and knowledge. with its balance of magic, chemistry, and intellectual rigor, alchemy is a subject for those with a keen mind and a curiosity for the mysteries of the universe. though considered rare and challenging, alchemy provides profound insights into both magic and the natural world.

002. ANCIENT RUNES

taught by - bathsheda babbling

ancient runes is a fascinating and intellectually demanding subject that dives into the study of magical symbols and their meanings. unlike other spell-based classes, ancient runes is a theoretical discipline, requiring students to decode, translate, and interpret runic inscriptions left behind by ancient magical civilizations.

this subject introduces students to scripts such as the elder futhark and their applications in spell craft, enchantments, and warding magic. students learn how runes were historically used in powerful magical artifacts, secret writings, and protective charms, giving them insight into the ancient foundations of wizardry.

rather than focusing on wand work, ancient runes emphasizes language skills, historical context, and magical theory. students often translate old texts, uncover hidden meanings in inscriptions, and study how runes influence modern magic. advanced students may even learn to craft their own runic enchantments, imbuing objects with long-lasting magical properties.

though challenging, ancient runes is an essential subject for those interested in magical archaeology, curse-breaking, or deepening their understanding of spell craft. for students who enjoy puzzles, history, and the mysteries of ancient magic, this class offers a rewarding and scholarly look into the magical world’s past.

003. ANIMAGUS TRAINING

taught by - minerva mcgonagall

animagus training is an exclusive and highly prestigious elective that offers students the rare opportunity to master the art of becoming an animagus—the ability to transform into an animal at will. this class challenges students to tap into their deepest magical potential and learn to control the transformation process, a feat requiring both precision and deep self-awareness.

the class begins with a study of the history and theory behind animagus transformation, including the famous wizards who have successfully undergone the process and the dangers involved. students explore the complex relationship between wizards and their animagus form, discovering how their chosen animal reflects their personality, traits, and magical affinities.

the training involves rigorous practice in magical concentration, self-discipline, and the art of transfiguration. students learn how to shift between their human form and their animal counterpart, gradually gaining full control over the process. the class also covers advanced topics like maintaining human consciousness while in animal form, and how to use the animagus transformation for practical purposes, such as stealth or communication with certain magical creatures.

animagus training is a class for students who are dedicated, patient, and ready for the challenge of mastering one of the most difficult and rewarding forms of magic in the wizarding world.

004. ANIMAL COMMUNICATION

taught by - rubeus hagrid

animal communication is an elective that offers students the opportunity to learn the art of understanding and conversing with magical creatures. with an emphasis on magical zoology and the languages of various magical species, this class dives deep into the mystical bond between wizards and animals.

in this course, students begin by studying the basic principles of magical animal communication, including the various magical frequencies and empathic connections that allow one to "speak" with creatures. they learn how to interpret non-verbal cues, body language, and subtle magical signals that creatures use to communicate. students work with a range of magical animals, from domesticated magical pets like owls and hippogriffs to more complex creatures like thestrals and centaurs.

the class also teaches specific spells and techniques that can enhance one’s ability to communicate with these creatures, fostering mutual understanding and respect. students practice calming distressed animals, negotiating with magical creatures for assistance, and even deciphering ancient magical languages once spoken by now-extinct creatures.

animal communication is perfect for students who are passionate about creatures and want to form stronger bonds with the magical beings of the world. it teaches not just communication but a deeper empathy for the magical creatures that share the world with witches and wizards.

005. APPARITION

taught by - wilkie twycross

apparition is the highly anticipated and complex magical art of teleportation, allowing witches and wizards to instantly travel from one place to another without the need for broomsticks, floo powder, or portkeys. this class is essential for students who wish to master the art of disappearing and reappearing at will.

the process of apparition is difficult and requires a great deal of concentration, coordination, and focus. students must learn to properly concentrate on their destination, “twist” their bodies into the right mental space, and then successfully execute the charm without splinching—leaving behind parts of themselves when they travel. the risk of splinching is high in the early lessons, as the students struggle to control their movements and concentration.

apparition is a rite of passage at hogwarts, typically taught in the sixth year. the class requires intense practice and precision, and failure can lead to accidental and sometimes dangerous results. however, once mastered, apparition provides a convenient and efficient way to travel the wizarding world.

for students with the right mindset and determination, apparition offers a sense of freedom and independence, unlocking a new realm of magical mobility.

006. ARITHMANCY

taught by - septima vector

arithmancy is the magical study of numbers and their mystical properties. arithmancy blends mathematics with magic, exploring how numbers influence the world and impact a witch or wizard’s destiny. students learn to understand the vibrations of numbers, their symbolic meanings, and how they can be used to predict outcomes, create spells, or solve complex magical problems.

in arithmancy, students study everything from basic numerology, assigning meanings to each number, to advanced calculations, such as using numbers to determine compatibility in relationships or to evaluate magical potential. they also learn to decipher numerical patterns in magical phenomena, including the hidden significance behind the number of ingredients in potions or the exact alignment of stars during a magical event.

the subject appeals to those with a love for structure, logic, and analytical thinking. unlike other magical subjects that rely on instinct or wand work, arithmancy offers a more cerebral approach to magic, focusing on theory and precision. it is essential for students interested in fields like magical research, spell invention, and even magical finance.

for those with a talent for numbers, arithmancy is a deeply rewarding subject that offers a unique, mathematically driven approach to the wizarding world.

007. ASTRAL PROJECTION & DREAMWALKING

taught by - wilkie twycross

astral projection & dreamwalking is a fascinating and mysterious elective that teaches students the art of leaving their physical bodies behind and exploring the astral plane or walking through the dreams of others. students learn how to harness their magical abilities to enter states of deep meditation, allowing their consciousness to travel beyond the physical world.

in this class, students first study the theory of astral projection, understanding the nature of the soul, consciousness, and the boundaries between the material and spiritual realms. lessons involve mastering the techniques of projecting one’s astral form, allowing students to travel freely, explore distant locations, and even communicate with otherworldly beings. they also learn to protect their physical bodies while in the astral state to avoid any harm during their travels.

dreamwalking, another key component of the class, teaches students to enter and navigate the dreams of others. students learn to interpret symbols, influence dreamscapes, and even guide others through their dreams to offer comfort or insight.

this elective is ideal for those with a deep curiosity about the mind, the soul, and the unseen layers of the magical world, offering a chance to explore a unique aspect of magic that few truly understand.

008. ASTRONOMY

taught by - aurora sinistra

astronomy is a subject that blends the wonders of the night sky with the magical world. taught in the tallest tower of the castle, this class offers students the opportunity to study celestial bodies, planetary movements, and their significance in both magical and non-magical contexts. students learn to chart constellations, track the phases of the moon, and understand the influence of planetary alignments on magic.

unlike other classes, astronomy is held at midnight, with students gathering around telescopes to observe the vast expanse of the universe. they record their findings in detailed star charts and learn about the effects of celestial events on spell work, potion-making, and even magical creatures. the subject requires a mix of scientific precision and mystical insight, making it unique among hogwarts’ courses.

while it may not involve wand-waving or spell-casting, astronomy plays a crucial role in magical knowledge, especially for subjects like divination and arithmancy. it teaches students to respect the cosmos and its intricate patterns, showing how magic is woven into the very fabric of the universe. for those with a love of the stars, astronomy offers a magical perspective on the wonders of space.

009. CARE OF MAGICAL CREATURES

taught by - rubeus hagrid

care of magical creatures is a hands-on subject that teaches students how to care for and handle magical creatures of all shapes and sizes. the class takes students outdoors to interact with a wide range of magical beasts, from gentle creatures like hippogriffs and flobberworms to the more dangerous and unpredictable ones, like blast-ended skrewts and thestrals.

students learn not only how to care for these creatures but also how to understand their behaviors, needs, and magical properties. lessons often involve feeding, grooming, and sometimes even taming or riding these magical beings. safety is always a priority, but students also gain a deep appreciation for the magical creatures that play a vital role in the wizarding world.

care of magical creatures is a subject for students who are brave, patient, and ready for adventure. it teaches empathy and respect for animals, as well as practical knowledge for those interested in careers like magizoology or working with magical creatures in various fields.

the class offers a thrilling mix of learning and hands-on experience, making it a favorite for students who love animals and want to explore the magical world’s fascinating, living inhabitants.

010. CARTOGRAPHY

taught by - charity burbage

cartography is an intricate subject that teaches students how to create enchanted maps and navigate the hidden corners of the wizarding world. this class delves into the art of charting magical terrain, from the mysterious forbidden forest to secret chambers beneath the castle. students learn not only the traditional art of mapmaking but also how to imbue their maps with magical properties, such as self-updating features, the ability to reveal hidden paths, or to track magical creatures and events.

the class emphasizes both precision and creativity, as students must understand the physical and magical elements of mapping. lessons include using enchanted compasses, studying ancient maps, and learning how to interpret magical symbols that appear only under specific magical conditions. Students also explore how maps can be used for navigation, treasure hunts, or uncovering lost wizarding locations.

cartography is perfect for those who enjoy adventure, exploration, and a deep appreciation for the hidden secrets of the magical world. it's an elective that combines both practical skills and creative imagination, offering students the chance to leave their mark on the wizarding world through their own enchanted maps.

011. CHARMS

taught by - filius flitwick

charms is one of the most essential and exciting subjects at hogwarts, teaching students the art of casting spells that alter objects, influence behavior, and perform everyday magical tasks. charms is a favorite among many students due to its practical applications and engaging lessons.

in this class, students learn everything from simple levitation spells like wingardium leviosa to more advanced enchantments such as alohomora for unlocking doors, lumos for creating light, and protego for magical defense. through practice and precision, they refine their wand movements and incantations, mastering the delicate balance between intent, pronunciation, and wand technique.

charms is a subject that requires patience, focus, and creativity, as even the smallest variation in a spell can lead to unexpected results. as students progress, they explore more complex magic, including summoning charms, memory-related spells, and even silent casting.

beyond its practical uses, charms plays a fundamental role in many areas of magical life, from enchanting objects to performing daily tasks with ease. it is a subject that truly showcases the beauty and versatility of magic, making it an indispensable part of every young witch and wizard’s education.

012. CULINARY ARTS & ENCHANTED RECEPIES

taught by - dobby the house elf

culinary arts and enchanted recipes is a delicious elective that combines the art of cooking with the magic of the wizarding world. in this class, students learn how to prepare meals using enchanted ingredients, magical utensils, and ancient recipes passed down through generations of witches and wizards.

throughout the course, students explore a variety of magical cooking techniques, from brewing potions with culinary effects to creating enchanted pastries that levitate or change flavors. they work with magical ingredients such as firevine herbs, floating fruit, and everfresh vegetables, learning how these ingredients can be used to create both everyday meals and extraordinary magical dishes. the class also covers the cultural significance of food in wizarding society, examining traditional feasts, celebratory recipes, and meals that can have magical properties—like those that enhance memory or give temporary abilities.

culinary arts and enchanted recipes is perfect for those with a passion for food, magic, and creativity. this elective allows students to explore how magic can transform the mundane into something truly extraordinary, all while sharpening their cooking skills and gaining hands-on experience in the kitchen.

013. DEFENSE AGAINST THE DARK ARTS

taught by - severus snape

defense against the dark arts is one of the most crucial and highly anticipated subjects at hogwarts, preparing students to protect themselves against dark creatures, hexes, jinxes, and malevolent magic.

students begin with fundamental protective spells like expelliarmus for disarming, lumos for warding off darkness, and petrificus totalus for immobilizing foes. as they progress, they learn more advanced magic, including counter-curses, shield charms like protego, and ways to defend against magical creatures such as dementors, werewolves, and boggarts. lessons often include practical, hands-on experiences where students duel, confront simulated dark creatures, and test their reflexes under pressure.

the subject isn't just about learning spells—it’s about developing resilience, quick thinking, and the courage to face the unknown. defense against the dark arts plays a vital role in shaping young witches and wizards into capable, self-reliant individuals, whether they pursue careers as aurors or simply wish to navigate the wizarding world safely. students never know what to expect—except that they’ll need to be ready for anything.

014. DIVINATION

taught by - sybill trelawney

divination is the study of predicting the future through various mystical methods, offering a glimpse into the unknown. this subject draws on a range of techniques, including tea leaf reading, crystal ball gazing, astrology, and interpreting dreams. students learn to tap into their intuition and sense the subtle signs and patterns that can guide them toward future events.

divination is a highly symbolic subject, where much of the learning involves interpreting signs, omens, and other obscure messages from the universe. while some students have an innate connection to the prophetic world, others find the subject more challenging or even dubious, as the accuracy of predictions can often be vague or obscure.

despite its uncertain reputation, divination offers valuable insight into the world of fate, destiny, and intuition. while some may see it as unscientific or whimsical, others believe it is an essential way to understand the magic of the universe.

for students with an open mind and a deep interest in the mystical, divination is a captivating and sometimes mystical journey. it allows students to explore the mysteries of the future, even if they don’t always understand them fully.

015. ELEMENTAL MAGIC

taught by - filius flitwick

elemental magic is an awe-inspiring elective that allows students to delve into the ancient and powerful art of controlling the four classical elements: earth, air, fire, and water. this class offers a deep exploration of how magic interacts with the natural world and how witches and wizards can tap into the raw power of the elements.

throughout the course, students learn how to manipulate and balance each element, starting with basic spells to summon winds, spark flames, and control water. as the term progresses, more advanced techniques are taught, such as creating barriers of earth, conjuring thunderstorms, or even using fire for precise magical tasks. students are encouraged to work in harmony with the elements, respecting their power and learning to control them safely.

in addition to practical spellcasting, the class also includes theoretical lessons about the spiritual and symbolic significance of each element in magical traditions. students explore ancient rituals, elemental creatures, and the delicate balance required to wield such power responsibly.

elemental magic is perfect for those who enjoy the challenge of mastering complex spells and have a deep respect for nature’s forces. it is a class that not only tests a student’s magical skill but their understanding of the world around them.

016. ENCHANTED ARTISTRY

taught by - charity burbage

enchanted artistry is a magical elective that combines artistic expression with the wonders of magic, allowing students to create living, animated illustrations. this class introduces students to the enchanting world of visual magic, where artwork comes to life through spells, charms, and creative imagination.

throughout the course, students begin by mastering traditional art techniques, such as sketching, painting, and shading, before learning how to infuse their creations with magic. they are taught the art of animating their drawings, turning static images into dynamic, moving illustrations that can interact with their environment. from creating enchanted portraits that blink and smile to designing magical landscapes that shift and change with the viewer’s perspective, students learn how to harness both their artistic and magical talents.

the class also covers the history of enchanted art, exploring famous magical artists and the evolution of enchanted illustrations in the wizarding world. students practice using a variety of magical tools and techniques, such as the charm that makes a drawing respond to sound or touch, and they explore how these enchanted illustrations can be used in magical books, advertising, or even as a form of magical communication.

enchanted artistry is perfect for students who are passionate about art and magic, offering a unique opportunity to merge creativity with powerful spell work, creating stunning and interactive works of magical art.

017. FLYING

taught by - madam hooch

flying class is a thrilling course on the art of broomstick riding. held on the school’s expansive grounds, the lessons begin with the basics—learning how to summon a broomstick with a firm “up!” and mastering balance, control, and lift-off. students gradually progress to hovering, maneuvering through obstacles, and executing controlled landings. while some take to the air effortlessly, others struggle with the unpredictability of their broomsticks, leading to both amusing and nerve-wracking moments.

flying is not just a skill but an essential part of wizarding culture, used in everything from daily travel to quidditch—the fast-paced and beloved sport of the wizarding world. while only first-years are formally required to take the class, many students go on to join quidditch teams or simply enjoy recreational flying.

for those with a love of speed, height, and adventure, flying lessons offer an unforgettable experience that opens the sky to endless magical possibilities.

018. HERBOLOGY

taught by - pomona sprout

herbology is the study of magical plants and fungi, a vital subject for any aspiring witch or wizard. lessons take place in the hogwarts greenhouses, where students learn to identify, cultivate, and utilize a variety of magical flora.

in the early years, students are introduced to fundamental plants like the shrivelfig and puffapod, gaining hands-on experience in potting, pruning, and harvesting magical herbs. as they progress, they encounter more complex and dangerous species, such as the venomous tentacula, the shrieking mandrake, and the highly valuable gillyweed. each lesson requires patience, care, and a strong stomach, as some plants have defensive mechanisms, potent odors, or even the ability to fight back.

herbology is not just about growing plants—it is deeply connected to potion-making, healing, and even magical defense. many of the ingredients used in powerful spells and elixirs, from wolfsbane potion to veritaserum, originate in the hogwarts greenhouses.

for those with a green thumb or an interest in magical botany, herbology is a rewarding and essential subject that reveals the wonders—and dangers—of the wizarding world's plant life, proving that nature itself can be a powerful form of magic.

019. HISTORY OF MAGIC

taught by - cuthbert binns

history of magic is a comprehensive study of the wizarding world’s past, covering legendary events, influential figures, and the evolution of magical society. the class is known for its vast wealth of knowledge—though staying awake through the lectures can sometimes be a challenge.

students explore key moments in magical history, from the goblin rebellions and giant wars to the international statute of secrecy and the founding of hogwarts itself. they learn about famous witches and wizards, such as merlin, the four hogwarts founders, and various ministers of magic, gaining insight into how magic has shaped civilizations over the centuries.

despite its dry reputation, history of magic is crucial for understanding the roots of magical law, ethics, and conflicts that continue to influence the wizarding world. those who pay close attention develop a deep appreciation for the triumphs and mistakes of the past, learning valuable lessons about power, prejudice, and magical responsibility.

while it lacks the hands-on excitement of other subjects, history of magic remains an essential course, proving that knowledge of the past is just as powerful as magic itself.

020. MAGICAL MUSIC COMPOSITION

taught by - sirius black

magical music composition is an elective that blends the art of music with the power of magic. in this class, students learn how to compose magical music that not only evokes emotions but can also produce tangible magical effects. this class explores the enchanted properties of sound and how it can be harnessed for various magical purposes.

students begin by studying the fundamentals of music theory, including scales, harmony, and rhythm, before learning how magical notes and melodies can influence the world around them. they explore ancient musical spells, discovering how music can summon creatures, enhance spells, or even alter the weather. lessons also cover the enchanted instruments that wizards and witches use to compose and perform magical pieces, such as the harp of the sirens or the enchanted flute of the ancient bardic traditions.

throughout the course, students compose their own magical pieces, experimenting with melodies that can heal, calm, or empower others. the class also emphasizes the emotional and psychological effects of music, teaching students how to harness these qualities to create music that resonates deeply with the listener.

magical music composition is perfect for those who wish to combine their love of music with their magical abilities, offering a unique and magical approach to composition and performance.

021. MUGGLE STUDIES

taught by - arthur weasley

muggle studies offers an exploration of the non-magical world, teaching young witches and wizards about muggles—people who lack magical abilities—and their ways of life. the subject aims to bridge the gap between the magical and non-magical communities, fostering understanding, tolerance, and respect.

muggle studies covers a wide array of topics, from muggle inventions like cars and telephones to their art, culture, and social structures. students learn about muggle history, government, technology, and entertainment, gaining insight into how muggles have built their societies without the aid of magic.

the subject is essential for witches and wizards who wish to interact with the non-magical world, whether it’s for social reasons, work, or simply out of curiosity. muggle studies helps students understand the similarities and differences between the two worlds, breaking down stereotypes and misconceptions that often divide them.

while it may not involve magic directly, muggle studies is invaluable for any witch or wizard hoping to navigate the complex relationship between the magical and non-magical communities. for those intrigued by the everyday lives of muggles, this class offers a unique perspective on a world that’s both familiar and entirely different.

022. MYSTIC HEALING

taught by - madam poppy pomfrey

mystic healing is an essential elective that introduces students to the practice of magical medicine, combining both theoretical knowledge and practical skills to heal injuries and illnesses caused by magical and non-magical means. this class is designed to provide students with the tools they need to safely and effectively use magic to mend wounds, cure ailments, and restore health.

throughout the course, students learn to identify various magical injuries—such as curse damage, potion-related poisoning, and creature bites—and apply the appropriate healing charms and potions. the class covers a range of techniques, from simple spells to heal cuts and bruises to more complex incantations for broken bones, magical diseases, and even curses. students are also taught to recognize the signs of magical maladies, including rare magical illnesses that require specialized treatment.

in addition to practical healing methods, the class emphasizes the importance of empathy, ethics, and responsibility when working with patients. students learn to approach healing with care and sensitivity, understanding the emotional and psychological impacts of illness and injury.

mystic healing is ideal for students interested in pursuing a career in magical medicine, offering a comprehensive education in healing magic while preparing them to make a positive impact on the wizarding community.

023. MYSTIC MYTHOLOGY

taught by - remus lupin

magical mythology is an elective that immerses students in the myths, legends, and folklore of the wizarding world. the class delves into the rich and diverse mythological creatures, deities, and magical events that have shaped the magical community for centuries.

throughout the course, students explore the origins and significance of famous magical myths, such as the legend of the phoenix, the creation stories of magical creatures like hippogriffs and thestrals, and the mystical realms that exist beyond the known world. the class also examines how these myths have influenced wizarding culture, magic, and society, from magical rituals to powerful artifacts.

in addition to studying the traditional myths of the wizarding world, students engage in discussions about the commonalities between wizarding myths and those of muggle cultures, discovering the shared symbolism and universal themes that connect magical and non-magical stories. they also learn how myths have been preserved through enchanted texts, magical storytelling, and even in the stars.

magical mythology is perfect for students with a curiosity for ancient stories and a desire to understand how magic, history, and culture intertwine. This elective not only enhances magical knowledge but also inspires a deeper appreciation for the myths that define the wizarding world.

024. POTIONS

taught by - severus snape

potions is a precise and demanding subject that teaches students the art of brewing magical mixtures with powerful effects. this class requires patience, skill, and an exacting attention to detail, as even the smallest mistake can turn a simple elixir into a dangerous concoction.

students learn to craft potions ranging from the everyday cure for boils to the complex and coveted felix felicis, also known as liquid luck. they master techniques such as stirring methods, ingredient preparation, and the correct timing for adding volatile substances. mistakes can be costly, resulting in cauldron explosions or unintended magical side effects.

though it lacks the wand work of other subjects, potions is essential for fields like healing, magical research, and even defense against dark forces. many of the most powerful remedies and poisons in the wizarding world originate in potion-making.

for those with a sharp mind and steady hand, potions is both an art and a science—one that can unlock limitless magical potential. however, it demands discipline, as true mastery is reserved for only the most dedicated students.

025. TRANSFIGURATION

taught by - minerva mcgonagall

transfiguration is one of the most complex and challenging subjects at hogwarts, teaching students the art of altering the form and nature of objects, animals, and even themselves. this subject requires immense focus, precision, and control, as even the slightest miscalculation can lead to unexpected—and sometimes disastrous—results.

students begin with basic transformations, such as turning matches into needles and teacups into rats, before progressing to more advanced spells like vanishing, conjuration, and human transfiguration. each lesson emphasizes the four key principles: wand movement, concentration, incantation, and willpower. mastering transfiguration is no easy feat, as spells require not just knowledge but a deep understanding of magical theory and energy manipulation.

unlike charms, which enhances objects without fundamentally changing them, transfiguration alters the very essence of an object. it plays a crucial role in many branches of magic, including animagus transformations, dueling, and even magical crafting.

for those who excel, transfiguration offers boundless possibilities, from reshaping the world around them to achieving feats of incredible magical skill. however, it is a subject that demands respect, as even the most talented witches and wizards must practice tirelessly to perfect its delicate and powerful magic.

026. WANDCRAFT & CUSTOM WAND-MAKING

taught by - sirius black

wandcraft and custom wand-making is an exciting and hands-on elective that invites students into the intricate world of wand design and creation. this class delves into the art and science behind crafting wands, an essential tool in the wizarding world. students learn not only how to select and combine the right materials but also the deep magic that infuses a wand with power and personality.

throughout the course, students begin by studying the history of wand-making, including the legendary wandmakers like ollivander and the ancient techniques used to craft wands. they learn about the essential components of a wand—wood, core, and length—and how each choice influences a wand's magical properties. students also explore the delicate balance of these materials, understanding how different combinations create wands with unique affinities to specific types of magic.

the class is deeply practical, with students getting the chance to craft their own wands using enchanted tools, selecting woods from magical forests, and experimenting with various magical cores like phoenix feathers, dragon heartstrings, and unicorn hair. as students progress, they learn how to customize wands for specific magical practices, from dueling to potion-making, and how to care for and maintain a wand over time.

wandcraft and custom wand-making is perfect for students who have a passion for craftsmanship and want to understand the profound relationship between a wizard and their wand.

027. WANDLESS MAGIC

taught by - albus dumbledore

wandless magic is a specialized and highly sought-after elective that teaches students the art of casting spells without the use of a wand. this class challenges students to master the ancient and subtle forms of magic that predate the use of wands, requiring a deep understanding of concentration, intent, and gesture.

in this course, students begin by learning the foundational principles behind wandless magic, including the importance of mental focus and the manipulation of magical energy through one’s own will. unlike traditional spellcasting, wandless magic relies on personal magical strength, physical movements, and a strong connection to one’s own magical essence. students practice casting simple charms, like light-producing spells, and gradually progress to more complex tasks, such as levitation and disarming opponents, all without the aid of a wand.

the class also explores the historical significance of wandless magic, examining ancient wizarding traditions and magical cultures where wandless spellcasting was common. students learn about the limitations and advantages of wandless magic, including its potential for silent, stealthy spellcasting, and its connection to more intuitive forms of magic.

wandless magic is ideal for students seeking to expand their magical abilities beyond conventional methods and who enjoy the challenge of mastering a more instinctive, personal approach to spellcasting.

028. WIZARD COMBAT

taught by - nymphadora tonks

wizard combat is a unique and practical elective that combines physical combat with magical defense techniques. this class equips students with the skills needed to defend themselves in a variety of situations, blending magical and non-magical combat styles.

in this course, students begin by learning the fundamentals of traditional martial arts techniques—such as stances, footwork, and strikes—before incorporating magic into their movements. they learn how to use spells for self-defense, such as stunning spells, disarming charms, and protective barriers, all while maintaining physical control and agility. the class emphasizes fluidity and coordination, teaching students to react quickly and efficiently in both magical and physical confrontations.

the course also covers the history of magical combat, exploring ancient wizarding traditions of martial arts, as well as magical creatures that use combat skills. students practice dueling techniques, learning how to balance physical attacks with spellcasting in a seamless flow.

wizard combat is perfect for students who enjoy active, hands-on learning and want to build strength, discipline, and confidence. it teaches both defensive and offensive magic, empowering students to protect themselves and others, all while honing their magical and physical coordination.

029. WIZARD PRESS 101

taught by - remus lupin

wizard press 101 is an engaging elective that immerses students in the world of magical news, reporting, and the ethics of journalism within the wizarding community. this class offers students the opportunity to learn both the craft and responsibility of magical journalism, with a focus on accuracy, objectivity, and the impact of magic on society.

in this course, students explore the structure of magical news outlets, examining the challenges and rewards of reporting on magical events, ranging from quidditch matches to major political scandals, and even the occasional encounter with dark magic. they learn how magical photographs, enchanted quills, and self-writing parchment contribute to the unique nature of wizarding journalism. students also practice writing and editing their own articles, learning how to use magical tools to gather information, from invisibility cloaks for undercover reporting to pens that record spoken words.

the class also covers the moral and ethical considerations of magical reporting, such as the need to protect privacy, the consequences of sensationalism, and the role of journalists in shaping public opinion.

wizard press 101 is ideal for students who enjoy storytelling, have a passion for current events, and want to contribute to the magical community through responsible, impactful reporting.

[whoatherebigguy]

I recently made some tweaks to Cyclogenesis Zigra's design and I took the opportunity to finally give him a proper ref sheet, so here he is!

Since the design im using for Rapid Ascent is much closer to his canon appearance, I felt comfortable pushing this guy's look a bit further away from his og look.

basic write up for him[big ol' ramble warning lol] + extra doodles below

also going to use this post to clean up/update the little bits of lore ive been sprinkling about for him, while still leaving enough out that it can be revealed in future goofy comics.

[1st doodle is of a younger version of him, around the first time he tried(and failed) to take over the Earth. 2nd is closer to the "present", hes arguing with Viras as they collectively plot to kill the rocket turtle.]

Anyways, Zigra is obviously one of my favourite characters of all time, hence him getting starring roles in both of the continuities i ramble about lol. I try to keep him very in-character when I write him for Rapid Ascent, but he's a little more complicated in Cyclogenesis as he's one of the 4 "main" characters.

Zigra originally "left"[basically got kicked off of] his home planet to explore the galaxy, he was woefully under prepared, but managed to carve out a niche for himself. However, exploration quickly turned into a stream of failed conquests, which eventually landed him on Earth. This part plays out pretty similar to the og film, with the exception being that Zigra isn't really taking it very seriously. Gamera obviously chases him off both times he tries this and, pathetic failure that he is, Zigra ends up deciding to stumble back to his home planet. Only to find that it's been claimed by the Dominion of Zanon. Cue a horrible attempt at a revenge quest, one that results in him spending the next 6 years in a fish tank. He eventually gets unintentionally "rescued" by a splinter faction of the Virian Expanse and agrees to aid in their goals in exchange for one day using their forces to get revenge against Zanon. During this time is when he gets his armor/exoskeleton to help him navigate on land long term, he also gets Character Development. Going from a selfish entitled loner that thinks anyone smaller than him is inferior, to a selfish entitled loner that thinks anyone smaller than him, except 5 particular Virians, is inferior. Unfortunately, this weird little arrangement falls apart when Viras forms and leaves the faction without a real leader. [bit more about Cyclogenesis Viras here if curious!] Zigra elects to stay loyal to Viras as he feels he's too old to go back to his old ways and too tired to start a new life. The two remain allies for the rest of the narrative, despite many disagreements early on. They eventually end up back on Earth, this time looking to take the Atlantean core[which is currently being used to power Gamera] to keep Viras alive. At this point, Zigra isn't really invested in taking over the planet or even killing the rocket turtle, but he'd rather Gamera die than his only friend so he goes along with it. Ultimately this ploy is what finally ends both their lives, fortunately ive got lots of silly little comics to do before that happens.

I'm writing Zigra with an emphasis on being a sentient alien fish, instead of just a giant fish. His main role in Cyclogenesis is: "guy that is objectively Not Great, but has such awful luck that at some point you just kinda feel bad for him." Hopefully his endless loser moments and affinity to make bad choices are somewhat entertaining lol.

Also he becomes part of Iris , but dont worry about that right now

[artstennisracket]

congrats for 500 <33 can i repuest letter w from the sfw prompt list for art donaldson please?

tysm anon! here you goooooo :)

sfw alphabet: w for wholesome habits

pairing: art donaldson x fem!reader

cw: none! just fluffy

When you first met Art, he had a lot of bad habits. He was a student athlete so he never slept, crushed 3 monster energys a day, smoked the occasional cigarette (not as often as he used to), and he had an affinity for getting black out drunk. You were surprised he was able to even function. Let alone actually do well in his classes, but somehow he managed.

You weren’t the pillar of perfect habits but you tried your best to imprint better habits on him. Starting with a real skincare routine that isn’t just hand soap and water. He wasn’t opposed, if anything he was grateful you’d even take the time to do something he just never had time to do. Kissing you forehead and murmuring, “You’re always taking care of me baby.” You guys took a day to go to a drug store and pick out things you thought would work for his skin.

But it didn’t stop there. You wanted him to rework his schedule to have a better sport/life balance. Helping him rework his upcoming semester schedules, having a fair balance between hard classes and electives. Since student athletes get first pick for classes, it was important to also ensure that classes weren’t too early or too late so that he could get enough sleep.

Now the drinking was a little harder. It wasn’t that you wanted him to stop partying. Everyone deserves a break to let go and party with friends. It was just the blacking out so frequently that concerned you. Helping him dial back the amount of alcohol he was consuming in too short of a time period. Teaching him how to navigate peer pressure and not take more shots when he was already drunk.

Teaching him the wonders of being wine drunk. Watching a movie together in his dorm room with your favorite bottle of white wine. Becoming relaxed and giggling about things that aren’t even funny. Becoming extra touchy and maybe also horny. What that would lead to afterwards was his favorite part. And most importantly being able to remember everything the next day.

taglist: @tacobacoyeet @newrochellechallenger2019 @marimacaron @antxnxlla @hanneh69 @urmomsucksfrogs @k4mlg @ctrl-mari @cha11engers @jesuistrestriste @imperishablereverie @shahabaqsa0310 @destinedtobegigi @ghostgirl-22 @artaussi @nozhdyved @asteroid-yuri @sweetheartfaist @jordiemeow

want to be tagged when I post? click here!

[tigerarainbowra-blog]

WALUIGI HEADCANONS!!

My brain is FULL with Waluigi thoughts and I NEED to express them and I want PEOPLE to read about them so I thought I might just make a long ass post expressing all my thoughts so long post incoming!! Also DISCLAIMERS: I might sometimes write in a format that presents those points as if they were fun facts, but THEY ARE NOT FACTS!! Just things I like to imagine about the character, and may or may not be based on ideas in canon. Also these thoughts might be a bit disorganised but I hope it's still easy to read! ANYWAYS!!

I like to think Waluigi is not from the Mushroom Kingdom, but instead comes from faraway, and I like to think it's Sarasaland because I picked some details where he and Daisy are somewhat similar in some aspects (they both have something to do with plants/flowers, they both had this odd thing where their skin tone varied as time goes on, and they both were used as characters to complement other established characters, with Daisy being reintroduced in golf to be Luigi's caddie and Waluigi being made to be Wario's tennis partner). Yeah I know those are very loose and don't prove anything really, but I just think it'd be neat, would give him more potential history with Daisy. Video thumbnail I found showing what I mean with the skin tone inconsistency:

source link: https://www.youtube.com/watch?v=RzBoTM5Wxuk

Him being from far away might explain why he doesn't seem to know anyone (and no one seems to know him), and has a hard time fitting in.

I like to think he lived on a land area close to the Muda Kingdom, making him have a high affinity with water, and making him a very good swimmer. He can swim quite fast and dive extremely deep!

There's a very cool timeline that place Waluigi's first appearance in universe in Mario Party 3 (instead of the game order where he is introduced in Mario Tennis), where he introduces himself and also steals Luigi's island and make his own. I like to think he came to the Mushroom Kingdom itching a ride illegally on Daisy's boat and saw this island first and just went to it and got to work (and yes, he jumped off the boat and swam to it). Also here's the timeline in question check it out it's very cool and well put together:

https://seandwalsh.tumblr.com/timeline

He left shortly after the events of Super Mario Land (where Tatanga hypnotised the whole population of Sarasaland and kidnapped Daisy), after hearing about the heroic feats of Mario, and he also hears about Luigi. This was the point where he decided he was tired of living in shadows and wanted recognition and popularity too.

Unlike Daisy who goes back to Sarasaland when she isn't participating in events in the Mushroom Kingdom due to her role and responsibilites, Waluigi does not want to go back and elected permanent residence in the Mushroom Kingdom.

He found Luigi's island completely left unchecked, as it was mid construction on a day where nobody was there, all the tools and materials were just left here so he just went "well don't mind if I do >:)"

The piranha plants that he works with on his island are not just any random plants, they were native to the island and Waluigi essentially befriended them and convinced them to join him and go against Luigi, who might have gotten rid of them if he was to finish the constructions on his island.

He kept those plants ever since and now keeps raising them, there's a surprising high demand across the kingdom for them, so he makes a living giving plants new homes in various gardens, or doing piranha plant relocation when one spots a plant where it shouldn't be and could be dangerous.

Luigi never really did anything to get the island back because it was just simpler to move back in with Mario and he really couldn't be bothered to try and fix the whole mess, or have to fight over it against Waluigi.

Luigi left some personal belongings on the island that Waluigi just sold off. So yes, this happened:

Speaking of, he didn't expect THAT to actually sell and he even put on a ridiculous price on it for the sake of the joke, and yet somebody DID BUY IT. He sometimes remembers that and jokes about it (he would tell Luigi his fans are freaks) or tries very hard not to laugh at random when it comes to his mind.

The Luigi VS Waluigi rivalry started quickly after Waluigi stole the island, of course. Waluigi also sees Luigi as having an unfair advantage in life because he has Mario as a brother, and he considers Luigi as someone who is just "using his brother's popularity" to be popular in return. Waluigi doesn't have this chance, which makes him want to challenge Luigi and be better than him even more, to prove to him that you can win by your own self and without any help.

Daisy met Waluigi during MP3 and was not aware of him prior to that. She certainly used to despise him (gonna assume mostly because he is mean to Luigi), not sure if that evolved or not, but here are some recent images with them:

Out of topic but that reminds me that it seems Charles Martinet is convinced Daisy's favorite color is purple, it doesn't really add to anything I'm just wondering why or where did he get that? What's the origin of that?? Also Luigi immediately going "nuh huh nope nobody is a fan of Waluigi" omigod man

Back on topic, prior to MP3, Waluigi didn't own anything at all and lived a wanderer's life. Unlike Wario who might steal out of greed and simply because he wants a LOT of precious things, Waluigi started stealing out of necessity (and later on pettiness sometimes), and he got VERY good at it. Speaking of...

He has this ability (that he sees as a curse) to just not get noticed. He can steal something and no one would ever know it was him. It's very ironic since he is so tall, but if he decides he wants to take something discreetly, no one will be none the wiser. This allowed him to avoid a lot of trouble in the past.

Of course since he wants to be popular this is not very handy at all for his goals. He overcompensates by being as showy and boastful as possible to get attention on him. This is also due to the fact that he lived a long lonely life in shadows, he is pulling every attention seeking tricks he can.

However, when Waluigi is not participating in events or in public, and is instead in the privacy and comfort of his island, he does a complete 180. He has always been described as a hard worker:

He is a perfectionist too and can be very hard on himself when it comes to training in anything. All of the boast and fun goes away, and he is at his most serious when training. The piranha plants of the island often help him train and can be pretty concerned about him.

He is his worst critic and has a very negative self talk.

He DOES NOT GIVE UP. If he needs to hit a certain milestone in training, he will try again and again and again until he gets it, even if it takes him all day, or more. And yeah, that moonwalk? That funny spin he does? He spent DAYS getting those right.

sauce: https://mario.fandom.com/f/p/4400000000000282529 , it might be a repost itself though I'm not sure?

Out of topic but it made me think of this and I have to post it now:

BACK ON TOPIC, he is a very sore loser not only because losing obviously isn't fun to him (and also because he plays the games TO WIN), but also because it puts into question all of his hard training. So much so he'd rather blame anyone/anything else but himself. The others do not know this, but as soon as he goes back home after a loss, he IMMEDIATELY trains again and even harder.

He lives the "no pain, no gain".

When alone, he also has moments where he is eerily silent and lost deep in thoughts. Nobody knows what he might be thinking about, and the only ones who saw him like this are his plants. He does it most at the beach of the island he lives on, while looking at the mainland of the Mushroom Kingdom in the horizon.

About the pipeplaza Waluigi's backstory: I like to think "standoffish to everyone's kindness" also means he has a very "loner" and "I'm doing it myself" personality if that makes sense, basically he will refuse help and want to do anything on his own.

Speaking of being a loner, Waluigi is most likely the one guy with the LEAST connections with the other characters in the games. The only one where he has some form of connection is Wario, and even then, it's not a particularly close one (also shoutout thepipeplaza, absolutely goated):

The only reason Wario got close to Waluigi was because he is good at sports and could help him win, as for Waluigi he simply tolerates Wario since it's his best ticket to get into any big events.

And yes, Waluigi is quite lonely...

He doesn't help himself much about that though, he is so stuck in his own self pity he tends to believe it's him against the world, and again, HE REFUSES TO GET HELP!

I don't think he's doing ok??

I forgot my train of thoughts, so time for various random things! Waluigi is about 231cm, here's an image picturing the scale here, with Mario (155cm), an average man at 175cm, and the faded black block behind him is an average door at about 203cm.

Speaking of, I like to think the reason he crouches all the time is so he can pass by doorways without having to worry about whether or not he'll bonk his head. Also the residents of the Mushroom Kingdom are Toads. THEY ARE SMALL, he ISN'T.

There is a course in Mario Kart 8 called Water Park, I like to think that, although you mostly see Wario's Wheel on the course, it was originally Waluigi's idea, and he designed most things in the park, including the robotics. Wario however took care of the largest part of the park such as infrastructure and, of course, the economic aspects.

Speaking of robots, HE LOVES ROBOTS, and studies very hard to make his own machines, that he implements in his own stadiums/courses.

Also yeah, he LOVES PINBALL. The reason he loves it is not only because of the fun, the colors, the funny noises, and the skill required, it's also because it's a solo game! Fits very well with him always wanting to do better (and beat his own highscore) too. It also genuinely gives him a break from being competitive all the time. He cheats at them sometimes by grabbing the entire pinball table and moving it around, but WHO CARES! It's his game and he does what he wants. He also builds his very own pinball games of course, shoutout Mario Party Jamboree!

His favorite aesthetic is neon, or anything that glows in the dark.

Dancing is something he enjoys but trains very hard at. He dabbles in various styles (being very studious), this includes ballet. He is VERY GOOD at it, however...

...He lost in DDR Mario Mix because of one minor mistep which bothered him for the rest of the dance and the day, and again, because he focused too much on winning.

He is ironically at his best when he is not being competitive and is just having fun, but he can't help and be competitive and feel a constant need to prove himself.

He not only raises piranha plants in his garden, he also grows various other things such as his own food (again, self sufficient mindset), and flowers, especially roses and other flowers with a sting.

His favorite piranha plant specie is the piranha creeper: it's spiky, purple, it moves like snakes, and he likes their sneaky nature and thinks it's very cute when they borrow:

If Luigi is scared of anything remotly creepy, Waluigi probably LOVES it. I can see him like the horror genre too. Waluigi would just hold the spider and place it outside ("DON'T-A KILL IT!! do you know how much pests this will take care of???").

He sometimes also like scaring people himself as a prank, he hides and jumpscares people, especially Luigi.

Speaking of, he is VERY GOOD at hide and seek when it comes to being the one who hides. The way he can cram himself into some spots is quite impressive. However, he also suffers the fact that people often forget about finding him.

His perfectionism extends to how he looks by the way, I mean look at his hair, he has the most well combed hair amongst the main 4 (why is it so hard to find a clear image of Wario's hair in 3d??):

When not combed properly, his hair looks like this:

Unlike Wario, Waluigi has very good hygiene (and again with the water, he loves bathes).

His favorite thing is after he is done training hard, he treats himself to a hot bath, complete with various pleasantly smelling flowers from his own garden, clay mask, some music, and would just stay here and relax for a good hour. Coincidentally, his MP4 present room includes his washroom:

Due to living on an island, he owns a small boat to get back and forth to the mainland and his home. He, of course, made it himself. He is also capable of swimming from his island to the mainland and back.

Waluigi studies magic and can teleport small items (such as a rose) magically. He also studies illusion magic and anything considered tricky. He can also summon thorny vines, but only when he is charged up or VERY angry, or water when he is very sad.

In Mario Golf Super Rush, at some point during a boss fight, Wario and Waluigi assist the player by summoning lightning clouds to strike the boss or the ground and produce electric spheres for the player to shoot. While Wario is the one holding the sword, Waluigi is still doing some kind of work, and I like to think that while the sword and Wario provides the lightning, Waluigi provides the rain cloud:

While he despises Luigi and opposes the Mario bros, or can try and sabotage his opponents in competitions, he is actually very chill when not in these conditions.

He can move his ears slightly, they can slightly move towards the source of sound (it's very slight tho), and they flop around when he gets excited and jumps in place.

I feel like I haven't talked enough about the "blame" part of his character there. It's well known Waluigi tends to blame others (or anything other than himself really) when things don't go his ways. He also knows all his hard work HAS to make him good, so in his mind the only explanation that he fails to win is that everyone else is doing, or having, something unfair, and so he jumps into doing unfair things too. However when he is alone and in training, he tends to blame himself for mistakes more.

He does not know he is his own undoing and how much he self sabotages because he is again stuck in the mindset that it's not him, it's everyone else. To him the world is and has always been unfair and against him.

He LOVES PRAISE, and seeks it constantly.

I think that's it for now... although I might have forgotten some points that I might come back to edit in later. Hope you enjoyed my LONG ASS ramblings! Thanks for reading! :)

[ventique18]

Warning: Cringe Sebek moment (we go to the Malleus church every weekend to sing him praises)

Although I, and a lot of people in the fandom really, like exaggerating Malleus as this lovable idiot who fucks up basically everything he does because of his lack of common sense, I looked through NRC's courses and am 90% sure he's their batch valedictorian. And that probability is being modest because his GloMas vignette shows us he's very strict at making sure he does everything perfectly.

Alchemy, Ancient Magic, Animal Linguistics, Art, Astrology, Abbreviated Spellcasting in Ancient and Modern Magic, Chemistry, Culinary Crucible, Defensive Magic, Flight, History of Magic, Enigmics, Musicology, P.E., Poison Refining, Potionology, Practical Magic, and Summoning.

Most of the above are subjects the game doesn't forget to remind us that he's great at, which isn't surprising as he's both a genius and an extremely hard worker. Top it off with genuine curiosity and openness to criticism, and we have the perfect student. Even his random school lines are arrogant wherein he says he doesn't even need to look at textbooks to ace a subject. The only subjects I could see that others would be better than him at are: a) Chemistry because he doesn't seem to care much about science; b) Animal Linguistics as I've never seen him converse with animals? But maybe a dragon has a bit of affinity with talking to them?; c) Culinary Crucible, but this is an elective and one he performed decently at; and d) Flight, because he admits that Lilia is better than him at this. Maybe Art could be listed here as his tastes are rather... unconventional, but I think any competent Art professor could evaluate his particular hyperfixations as truly works of art and passion lol.

The only way he wouldn't be the top student is if his idiotic zero-common-sense flaw takes over his life and he doesn't show up to exams. Which isn't unlikely, tbh. Anyway that doesn't take from the fact that he's extremely, extremely capable, and I find the dichotomy of his raw intelligence versus absolute lack of wisdom to be very interesting.