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Why Sewer Ejector Pumps Can Fail Sooner.
After conducting a thorough investigation into the premature failure of sewer ejector pumps, several key factors have emerged that explain why these pumps might break down sooner than the manufacturer's warranty period:
Improper Installation.
One of the leading causes of early pump failure is improper installation. If the pump is not installed according to the manufacturer’s specifications—such as incorrect pipe sizing, inadequate venting, or poor alignment—this can cause strain on the motor and moving parts, leading to accelerated wear and tear.
Power Surges and Electrical Issues.
Power surges or fluctuations in the electrical supply can damage sensitive components within the pump, such as the motor or control panel. Even if the surge lasts only a second, it can burn out circuits or compromise the motor's efficiency. Without surge protectors or proper grounding, this can lead to premature failure.
Clogs from Improper Materials. Sewer ejector pumps are designed to handle waste and certain types of debris, but when improper materials—such as feminine hygiene products, wipes labeled as "flushable," or other non-degradable items—are flushed, they can clog or damage the pump. Over time, these clogs can cause the motor to overwork, leading to an early breakdown.
Lack of Regular Maintenance. Routine maintenance is often overlooked. Failing to check and service the pump periodically can result in small issues going unnoticed until they become larger, irreversible problems. Sediment buildup, worn-out seals, or deteriorating gaskets can all contribute to pump failure, especially in areas with hard water where mineral deposits may accumulate.
Overworking the Pump.
Many sewer ejector pumps are not designed to run continuously. If the pump is overworked due to improper sizing, such as being undersized for the household’s waste output or running too frequently, it can result in overheating and breakdown. Ensuring the pump is appropriate for the expected load is essential for longevity.
Environmental Factors.
Harsh environmental conditions such as excessive moisture, flooding, or extreme temperatures can affect the pump’s lifespan. Excessive moisture can cause corrosion of internal components, while extreme cold or heat can affect the motor and seals. Additionally, if the pump is exposed to corrosive chemicals or gases in the sewage, it can degrade faster than expected.
In most cases, premature failure of sewer ejector pumps can be traced to installation errors, misuse, or lack of maintenance. To ensure a pump reaches its full lifespan, it is critical to follow manufacturer guidelines, perform regular maintenance, and avoid flushing materials that can cause clogs. These preventative measures can help avoid costly repairs and ensure the pump functions efficiently for its intended lifespan.
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#flushable#Why Sewer Ejector Pumps Can Fail Sooner.#After conducting a thorough investigation into the premature failure of sewer ejector pumps#several key factors have emerged that explain why these pumps might break down sooner than the manufacturer's warranty period:#1. Improper Installation.#One of the leading causes of early pump failure is improper installation. If the pump is not installed according to the manufacturer’s spec#inadequate venting#or poor alignment—this can cause strain on the motor and moving parts#leading to accelerated wear and tear.#2. Power Surges and Electrical Issues.#Power surges or fluctuations in the electrical supply can damage sensitive components within the pump#such as the motor or control panel. Even if the surge lasts only a second#it can burn out circuits or compromise the motor's efficiency. Without surge protectors or proper grounding#this can lead to premature failure.#3. Clogs from Improper Materials.#Sewer ejector pumps are designed to handle waste and certain types of debris#but when improper materials—such as feminine hygiene products#wipes labeled as or other non-degradable items—are flushed#they can clog or damage the pump. Over time#these clogs can cause the motor to overwork#leading to an early breakdown.#4. Lack of Regular Maintenance.#Routine maintenance is often overlooked. Failing to check and service the pump periodically can result in small issues going unnoticed unti#irreversible problems. Sediment buildup#worn-out seals#or deteriorating gaskets can all contribute to pump failure#especially in areas with hard water where mineral deposits may accumulate.#5. Overworking the Pump.#Many sewer ejector pumps are not designed to run continuously. If the pump is overworked due to improper sizing#such as being undersized for the household’s waste output or running too frequently
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#FRP Enclosures#Fiberglass Reinforced Polyester#Enclosures#TRIBOX#LT control panels#Solar Box#Metering Box#Terminal Box#Distribution Box#Junction Box#Pole & Wall mounted Box#GRP#SMC#electrical components#electronic components#ev#electricvehicles#solar#cable glands#emobility#solarsolutions#electricvehicle#exhibition
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Moon and Pebbles!! Yippee
oh the woes of being a flesh creature surrounded by supercomputer gods,, I got sad drawing him hhh
more about them under the line :>
Moon! She, like Suns, was one of the first successful projects and were both more of test models/therapeutic companions than anything else. They were both restructured to fit their new functions but Suns has obviously undergone more significant changes... Moon is kept inside to assist with research and computational stuff. She's a lab cat. She's generally looks more like a normal creature, and has a friendly appearance because her creators (i guess it would be the ancients) would be seeing her frequently and would rather a friendly face, something that is easily perceived as nonthreatening, as opposed to Suns weaponry and NSH's extra limbs and spikes. She doesn't have the screen face like NSH, so expressing emotions comes mostly from body language. Moon is not outside at all so there is no need for solar panel components like Suns or NSH. She has internal stored power that can last for quite a while but still needs to be recharged? I imagine the neuron fly drones would also assist in that department. The drones still function somewhat like her portable processing servers/braincells. She has also programed a defensive protocol into them, they can create small bits of electricity to use in dire moments. Initially programmed to keep track of NSH's samples that sometimes escapes him.
Pebbles is a purposed organism. He is a whole entire organic cat. He was born in the lab, in a chaotic time when resources were low. He has a mark of communication. He also has a brain chip where he can access (basically) the cloud where the others upload information. He is also a lab cat so this is crucial to his role. He did try and remove it once when he was younger and it backfired horribly and now he has a mechanical ear and eye. He still feels out of place for obvious reasons, being the only creature of organic origin amongst his peers.
He is closest to Moon who had a role in caring for and raising him. She did not know a thing about caring for a living being but did her best. Pebbles does not like being confined to the facility. The suggestion and influence the brain chip has on him sometimes clashes with his thoughts. He is very aware of the limitations it puts on him to not leave. He envies NSH and Suns a lot for being able to do what he can't. He often downloads the maps they create and read NSH's sample studies in his spare time. He also likes seeing the lizards NSH brings back, from a distance.
I think in the time that Pebbles exists, NSH is not very active. Due to the low resources and chaotic season, NSH is often in low power mode. Which means less expeditions outside and more time just, half asleep. And when the weather becomes more sustainable, NSH would be sent on long outings to gather as much as possible before being powered down again. So instead of hearing stories from NSH, he sought out Suns and UI instead. (Actually I think everyone is kind of low power mode here, Suns does not wander as far).
erhm i think he tries to leave the place and then gets sick or something,,,im still thinking..
#rain world#rw downpour#five pebbles#looks to the moon#rw iterator#rain world au#sorry pebbles is in the most inopportune position at any given moment#i got sad drawing him because of all the shit he may or may not go through#raintarts
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Ok so you're looking at the aftermath of Helene and you're thinking "shit, how would I keep my phone charged? What about my neighbors?" and you have some outdoor space and some cash. Your friendly formerly off grid sheep farmer is here to help.
You need this set up right here:
To that you will need to add:
Y connectors:
The 100aH (amp Hour) deep cycle battery of your choice - lead acid AGM will be cheaper, lithium (LiFePo) is more expensive but lasts much longer.
Finally, you need a small pure sine wave inverter like this one: https://a.co/d/70vRd79
Plug the panels into the Y connectors then into the single wire to run to the charge controller. They are now connected in parallel. Take them outside to a sunny spot and face them south and prop them up at about a 45 degree angle. This isn't perfect but it will be good enough.
Connect your battery and charge controller. Connect the panels to the charge controller. All of the places to do this are labeled and all you need is a Phillips screwdriver. I recommend doing it once in a non-disaster situation so you know you can do it but you'll be fine. Boom, you are getting electricity from the sun!
The inverter draws power even when it's not running so don't leave it hooked up when you're not using it. When someone needs to charge their phone, put those alligator clips on the matching color battery posts, turn the inverter on, and plug in the phone/radio. Voilà! A single 100aH battery is not going to run a bunch of things but it will help keep cell phones charged without using up the gas in your car.
The panels are weatherproof but everything else needs to be protected by the way so you'll need to set this up in a shed or garage or in the house. Lead acid batteries can produce hydrogen gas when being charged but just having one isn't a big risk.
FAQ:
Yes, you can permanently mount the panels to your roof if you own your home etc. They're designed for that!
It is true that places sell "solar generators" - those are a charge controller, battery, and an inverter in one box at a very high price point. When a component goes bad you will be unable to replace the component and must replace the entire $1000 box. They are also not upgradeable or expandable, this is.
You do not have to buy Renogy, I recommend them because they kept me in electricity for the years I was off grid.
You do not have to buy the kit, you can buy the components of it as and when you can afford them!
Remember to keep your battery on a trickle charger.
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We urgently need to move away from fossil fuels, but electric vehicles and other green technology can put their own pressures on the environment. That pressure could be eased with a new magnet design, free from rare-earth metals, that was built with AI in just three months. Rare-earth metals are essential components in modern-day gadgets and electric tech – including cars, wind turbines, and solar panels – but getting them out of the ground costs a lot in terms of money, energy, and environmental impact. As a result, technology that doesn't use these metals can help us transition towards a greener future more quickly. Enter UK company Materials Nexus, which has used its bespoke AI platform to create MagNex, a permanent magnet requiring no rare-earth metals.
Continue Reading.
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Dandelion News - March 22-28
Like these weekly compilations? Tip me at $kaybarr1735 or check out my Dandelion Doodles! This month’s doodles, like every third month, will be free to the public, so take a look!
1. Crucial and heartwarming: see world’s first-ever wild jaguar translocation in Argentina
“Miní[, an offspring of rewilded jaguars,] is the first-ever release of a wild-born jaguar that’s been translocated for conservation purposes. […] Miní has joined two previously captive female jaguars [in a park] where a small, all-male wild population had been dwindling.”
2. Illinois Gov. Pritzker stands up for LGBTQ+ community in fiery HRC speech
“The governor particularly spoke out for transgender youth, saying we must not sacrifice the most persecuted for the most popular. [… “]Bullies respond to one thing, and one thing only, a punch in the face.”
3. The UK’s First ‘Stork Village’ Takes Flight
“For the first time in more than six centuries, white storks are calling Britain home again thanks to a dedicated conservation initiative to save the species. […] At the end of 2024, breeding numbers saw egg-straordinary results with 27 nests and 53 baby storks, doubling the previous year’s numbers.”
4. A quiet shift: The grid is being redefined by household consumers who no longer need it full time
“With rising adoption of rooftop solar, batteries, and electric vehicles, households are gradually altering their relationship with the grid. […] This redefined relationship doesn’t signal rejection — it reflects the growing capacity of households to meet part of their own needs.”
5. Europe’s Wolf Population On The Rise

““The recovery of wolves across human-dominated landscapes of Europe has been continuing during the past decade, with their population growing to over 21,500 individuals by 2022—a 58% increase in a decade,” the authors wrote. [… O]n average wolves killed 0.02% of livestock each year.”
6. Hospitals awarded funding for solar power work
“The investment of £8.5m by state-owned Great British Energy will enable rooftop panels and solar car ports to be installed at [several hospitals]. […] "Together, these panels will generate estimated savings of more than £635,000 a year."”
7. Nebraska Boards Sponsor Grain Bin Rescue Equipment, Training for Fire Departments
“[Nebraska Corn and Soybean boards are] donating two grain rescue tubes and two training sessions to fire and rescue departments in Nebraska. [… T]he initiative aims to equip rural fire and rescue teams with the knowledge and tools to respond to grain bin entrapments effectively.“
8. Sugar beet pulp fibers show potential for nutritional supplements and sustainable plastic alternatives

“New technology can separate the fibers in the sugar beet pulp left over after sugar production. Part of the fiber can be used as a nutritional supplement due to its anti-inflammatory properties[… and a]nother part of the fiber, the cellulose, can be made into components to replace, for example, plastic.”
9. Osmotic Power: The Next Wave of Renewable Energy
“Sweetch Energy’s technology could [produce] around 20 or 25 W/m2, a significant leap compared to the 1 W/m2 achieved by previous membrane devices. Moreover, by utilizing a biosourced material readily available within the industry for their membranes, the company anticipates the cost of materials would be reduced to one-tenth of the current price[….]”
10. Renegade Colorado Farmer Pushes Deeper into Unconventional Agriculture
“The grasshoppers stayed in the [pollinator] strips, and that triggered praying mantis to come in and eat. […] An agrivoltaic system […] has reduced moisture consumption by significant levels[….] “Local food nationwide is how to counter the industrial scale food industry.””
March 15-21 news here | (all credit for images and written material can be found at the source linked; I don’t claim credit for anything but curating.)
#hopepunk#good news#conservation#jaguar#big cats#illinois#us politics#lgbt+#lgbtq#trans rights#stork#britain#birds#electricity#electric grid#solar panels#wolves#wolf#animals#solar energy#agriculture#grain#fire department#sustainability#plastic#renewableenergy#osmosis#clean energy#farming#research
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Some old art of my Owlk engineer, Eris, designing the Stranger's solar sails! Enjoy a big ramble about him and his job because I love this silly man:
Eris works on the design team for the Owlk space program, specialising in energy and propulsion technologies for the ships, satellites, and probes. Having a design philosophy of functionality and beauty, Eris enjoys going all-out with his work. He has received special recognition for his solar panel designs in particular, which borrowed from the unparalleled efficiency found in photosynthesizing plants.
When designing the Stranger's solar sails, Eris took inspiration from plants, but also the opening of insect elytra; the ballooning behaviours of silk-producing invertebrates, in which they sail from tree to tree using electric fields and air currents; and how flying creatures will use thermal updrafts to soar higher while expending less energy. Already familiar with how solar energy impacts technology from his work on solar panels, he proposed the use of this energy to propel the Stranger through space.
As travelling the distance between stars presented the major roadblock in the plan to reach the Eye (regarded as the Interstellar Propulsion Problem), Eris was lauded for his contributions, promoted to being one of the main engineers overseeing the Stranger's design.
More information about his general design process below!
When designing for a project, Eris uses all of the tools at his disposal. His first weapon of choice is always his pencil, and he will sketch out potential sources of inspiration on paper until the design concept begins to take form. Based on the initial project parameters he's been given, he drafts up a blueprint for his components.
Next, he must further conceptualise his designs. This is where the most valuable tool of the trade comes into play—the Vision Torch! Vision Torches serve many purposes for Owlks, from allowing them to nonverbally communicate to creating photographs from memory alone. Owlk engineers LOVE Vision Torches for how easy they make effectively communicating ideas. They allow concepts to be visualised in 3D, basic functionality to be shown through animations, and are even able to interface with computers. Eris might even 3D print a model using a Vision Torch to help him visualise his concepts as he works.
The space program is extremely collaborative, and Eris works on just a small part of the overall project, so being able to easily share ideas with others and see how all the individual components of a satellite or ship interact is vital. When discussing with more than a single other Owlk, Eris can use a Vision Torch linked to a holographic display to present concepts to a crowd. Concepts can also be tweaked in real time this way!

[Here's an example from the game of Owlks building the simulation with Vision Torches and a holographic display!]
With a Vision Torch, concepts can also be directly uploaded to a computer terminal. This is where a lot of the real work gets done - calculating weight, materials needed, stress testing in simulations, calculating trajectories, making precise tweaks to finalize the design, you name it. This also allows other Owlks working closely with Eris to access the most current design for their own tests.
This is an iterative process - as other Owlks finalize their components, as weight limitations are further restrained and material needs are calculated, Eris often has to go back to an earlier step and rework his concept. Fortunately, he thoroughly enjoys getting to be creative in his work (and doing math) and treats every project as a puzzle that needs to be solved! The only time when he's not excited to go back to the drawing board is when a last-minute adjustment from his peers means he needs to work long hours to get his work done in time for launch.
#outer wilds#outer wilds spoilers#echoes of the eye#echoes of the eye spoilers#outer wilds oc#my art#eris#my workaholic son#someone needs to tell him to take a break#please
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The Pirate King of the North: Part 10
Main Themes: Villain Sanji, Alternate Universe, Zosan Ship
Warning: Long post ahead with One Piece spoilers. Contains strong language and explicit content.
Part 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 (Special) | 19
It was an early morning start for everyone aboard the Polar Tang.
Zoro and Sanji had spent the night together in the bubble ship parked on deck for a much needed quality time, much to Niji's dismay. The helmeted blue-haired commander found them ass naked in their hiding place at first light and woke them up. He was finally able to finish Sanji's claw gauntlet fitting which took no time at all. While he was there, he saw an opportunity to improve the ship's primitive maneuvering system to ensure that the bulky vessel has the capability to take sharper, faster turns in case of any events of unexpected knock up streams.
After getting kicked out of the bubble ship by the demanding Niji, Zoro ran back to their room to dress up and finish packing for the trip. He had nothing but his underwear on him after getting his clothes torn up during his crazy night of passion with the blonde. He received a lot of stares and some light-hearted teasing from the crew during his walk of shame but he wore it with a shameless smirk. In his mind, it was all worth it. Though he makes it a point to try and patch up the garment that his friends worked so hard to make for him later.
Sanji stayed in the ship, also naked after having his clothes somehow lost in the process. He has entrusted the swordsman to fetch him his travel pack that he'd prepared the night before so he sat waiting on one of the passenger seats, snuggling himself in Niji's long cloak to keep warm. As much as he appreciates his brother's thoughtfulness by offering him his cape, and the extra effort he's putting in to improving the ship, he still holds a grudge on him for picking on his beloved Marimo, especially after last night's progression in their relationship. He glares down at the blue-haired commander who is currently in deep concentration, fine-tuning the steering wheel from the pilot seat.
Zoro returns wearing fresh new robes and holding two travel packs over his shoulders. He begins hauling them into the ship while standing outside by the door to respectfully keep his distance from the blonde's brother who is hard at work. He starts arranging bags under the side consoles to ensure that their possessions are secured and out of the way. Sanji gratefully grabs spare clothes from his own bag from where he sat.
Before dressing up, the blonde suddenly realises the perfect opportunity for revenge–in front of the very man his brother had picked on. He leans back against his seat, hugs his knees up to his chest, and strokes a lock of hair, trying to play it casual.
Sanji
So Niji, how's our chef Cosette doing?
Caught completely off guard, Niji yanks the steering wheel off its panel, tearing wires and other components that he'd meticulously been working on for the last hour. His face had suddenly gone scarlet red and blood trickled down his nose.
Sanji smirks at his brother's reaction. He leans his cheek against the palm of his hand and tilts his head innocently, watching the man practically start hyperventilating. He could have sworn he saw tiny sparks of electricity emit at the tip of his blue hair.
Zoro looks shocked and pissed at the commander for breaking Nami's old bubble ship.
Niji
I–hah–why would I…she's a servant. Loyal and… dedicated and… talented and…. How… why would you–hah–what possessed you to think that I would know–?
Niji looks down at the panel where he'd ripped out the steering wheel and then at his hand where he's gripping it. His tight hold around the handles had contorted its shape. Slowly, he realises what he'd done. He drops to his knees and starts repeatedly banging his head against it in frustration.
Sanji
So…I take it she's well then?
Niji pauses his movements to shoot him a furious glare behind his goggles, his cheeks still reddened.
Sanji hears a faint sound of their host captain from a distance talking to his crew while approaching the ship. He sounded excited for a change as they're finally lifting off to Skypiea. When Law hopped up onboard, he froze at the sight of seeing the Pirate King practically naked in his seat and the commander holding onto the broken steering wheel.
Law
What the hell is this? Why are you tearing apart my bubble ship?
I don't even know what's going on with you, Mr. Prince-ya.
Niji
I can explain–!
Zoro and Sanji
Niji broke the ship.
Law practically had smoke coming out of his ears. He rolls up his sleeves.
—
Sanji
That's not… where I thought that was going to go….
Niji
Really now?
Zoro, Sanji and Niji all had bumps on their heads from the fuming captain. They all stood in pain behind Law who is making a final speech to the Heart Pirates crew before separating from them until they return from Skypiea. He wanted to make sure that everyone is fully aware of their plan to meet back near Jaya, and told them to stay under the radar by not staying in one place too long. They're to keep a constant eye on their long distant transponder snail in case there are any emergencies.
Niji had repaired the damage he’d done and replaced the disfigured steering wheel for a makeshift one. He still managed to do the maneuver upgrade that he wanted right on schedule so Law's punishment on him wasn't as harsh.
Sanji soothes his painful bump with a hand, wondering if he should have done his act of revenge another day. At least he has clothes now and his claw gauntlet fitted properly with its blades retracted.
Zoro had no idea what exactly just happened but given how much he'd been getting punished by Law recently, he just accepted his fate.
They sail the Polar Tang until it reaches a good distance away from Jaya to avoid any unwanted attention during take off. Niji launches himself in the air to scout ahead, hoping to travel high enough to potentially find the floating island by eye and watch out for any unwelcoming shifts in weather. They're to keep tabs with him through transponder snails. Bepo reported that there may be a storm later in the day but if they reach the sky island before late afternoon, they should be safe.
Zoro, Sanji and Law follow by bubble ship shortly, waving farewell to the rest of the Heart Pirates from inside as they lift off. The blonde volunteered to pilot as he claimed to have done it before. This proved evident when he started up the engines, inflated the float bubble and launched the vessel without a fuss. Before they know it, they reach their desired altitude just under the stratosphere where they reconvened with the commander as planned.
Zoro and Law watched the two siblings, surprised at how quickly their dynamic switched as they expertly navigated the skies together. Past all their snide jabbing and teasing, Sanji and Niji operated like two veteran mercenaries who clearly had years of experience in their arsenal. Niji flew ahead and continuously sent advice through his den-den mushi, and Sanji made executive decisions based on his brother's reports and piloted the ship expertly. They managed to avoid troublesome cloud formations without a navigator, thanks to their collaborative teamwork.
Law
How do you know how to fly so well, Mr. Prince-ya?
Sanji
Err…I'm the only one who doesn't fly in the family so I tend to take a bubble ship for myself when I need to.
Niji interrupts through the transponder snail.
Niji
Correction–he chooses not to. He can, if he just wears his–
Sanji
Commander, we talked about this.
Niji
Tch.
Zoro was looking at Sanji curiously, clearly wanting to hear more about the whole subject of flying but the blonde wants to avoid the uncomfortable topic so he quickly shifts the conversation. He clears his throat.
Sanji
Marimo-kun, can you please remind us what we're on a lookout for?
Zoro
We're trying to find South Birds or one of its variants. They're native to Skypiea and a lot bigger up here. They should help us find the island.
Otherwise we should see thick solid clouds with houses or a jungle on them. It's pretty big so it's hard to miss.
Sanji
Did you get that, Commander?
Niji
Got it.
There is a painful stretch of silence as the ship floats aimlessly in the sky. This part of the troposphere should be thinning out of clouds but today seems to be an odd exception as it's more fogged up than usual. Zoro notices Sanji gradually getting worried after an hour with no news. He starts impatiently tapping his fingers on the steering wheel while his feet twitch restlessly, his hand almost reaching out for the den-den mushi several times but ultimately acts against it.
Zoro
Hey…is everything okay?
Sanji
Y–yeah…. I just… don't worry about it.
Law
If you’re that concerned, we should call him.
Sanji
Maybe…. Give him more time. He might be in the middle of something.
After several more tense minutes, they hear a long squawk from a distance behind them. Zoro, Sanji and Law turn their heads to find a large bird, more than twice the size of their bubble ship, writhing mid-air. Around its body, a familiar blue-haired man gripped around its neck, trying to force its wings closed with his legs. He carries it with difficulty towards the bubble ship, his boots kicking off pulses in different directions to try and gain some semblance of stability.
Law
What the hell–?
Sanji starts laughing out loud as the bird throws its head wildly in every which way. It relentlessly flaps its wings and kicks its sharp talons out madly, desperate to free itself from the commander's death grip.
Niji stops just in front of the ship while still wrestling with the bird.
Niji
Is this–?? OWW!!!
The commander only just manages to dodge the bird’s attempt to eat his face, but the side of his face gets whacked with its powerful beak with a loud crack.
Niji
IS THIS IT, SWORDSMAN?!?
Zoro
Err…
Zoro looks back and forth between Niji and the giant bird dumbfoundedly, still trying to take in the comical scene before them.
The blonde shuffles through his pack calmly.
Sanji
Does anyone else have a camera?
Niji
Fuck–! Answer already!! Is this a South Bird or what?!
Zoro
Yes…?
Niji
Why do you sound so unsure?!
Zoro
It's been a while, okay?! And I can't see the crest properly! Can’t you hold it still?
Niji
FUCK YOU, YOU BROCCOLI HEAD! You come out here and do it then!
Zoro
It's MARIMO!!!
Sanji
Yonji’s going to love this.
Sanji finally pulls out a photo camera and snaps a couple of shots of the action, cheerfully kicking his legs from his seat in delight.
Sanji
And for the fridge….
He turns his seat around and takes a nice photo of Zoro laughing at Niji. He also manages to catch one of Law who can't help but bear a small entertained smile on his face under the shade of his cap.
Law
Oi! Watch the talons! Back off, Commander or it will pop the bubble!
Niji briefly dips out of sight but manages to recover. Zoro takes his time thinking, his hand massaging his jaw as he digs through his memory banks while watching the commander wrestle the giant bird.
Sanji
You know, I've seen them in a book.
Niji
So what?! Is this it??
Sanji
…It was a black and white print. I don't know if the colour matters.
Niji
Oh, for fuck's sake! Don't give me useless information!
Law
Zoro-ya, just say something already!
Zoro
Curls made a good point…. Was it more blue or more pink…? Is the face really that long? I can't remember.
Law slowly pulls out the feather from his pocket that Corazon had left behind for him, very carefully taking his time to avoid damaging it. He holds it up in his hand for everyone to look at.
Sanji
It's a little more pale than the one Niji’s holding.
Law
Maybe it was younger?
Niji
I hate all of you.
Zoro
I think… I think it is a South Bird.
Niji finally releases the furious bird from his grip. He dodges its angry pecks and swooping before it flies away from them. His clothing had suffered huge scratches throughout his body.
Sanji
Great job, Commander! Need a break?
The blue-haired man flops over the side of the ship, half hanging off the edge as he catches his breath.
Sanji turns the vessel to follow the bird. Thanks to his brother's earlier modifications, they're able to keep up with it without an issue.
After a few moments, Niji pulls himself up to sit on the side of the ship with his feet dangling over the edge, all the while keeping a close eye at the pursuit. He clenches his fist over his chest, still feeling breathless and the altitude isn’t doing him any favours.
Sanji notices the commander’s state and he narrows his eyes at his damaged helmet. A large piece at the front is cracked so badly that it’s just about ready to fall off at any moment.
Zoro offers the blue-haired man his flask of water. Reluctantly, Niji accepts and drinks from it, too tired to say no.
Sanji
I need you to go home, Commander.
Niji
No, I can make it. I promised I'd get you to Skypiea–
Sanji
No, Niji. Not this time.
After another swill, the commander wipes his mouth with the back of his hand and glares at Sanji.
Sanji
We'll be fine, alright?
And…you still have that other mission. You can't dally.
Niji doesn't turn his head but behind his goggles, Zoro notices that he shifts his eyes between him and the blonde. Ultimately, the blue-haired man sighs exasperatedly and throws the half empty flask back to him.
Niji
Fine. But I'm not happy about it.
Sanji gives him a weak smile to try and reassure him.
Sanji
I know.
The blonde turns his attention back towards the South Bird. When he notices that Law gazes away from him as well, Niji takes the opportunity to quickly grab Zoro's arm and shoves something metallic and cold in his robe’s long sleeve, out of everyone else's sight.
The swordsman was initially freaked out but picked up on his discretion. He raises a brow curiously at him.
Niji releases him and gives a thankful nod. He turns his attention back to the blonde.
Niji
Later, Your Highness.
Sanji
Thank you for all your assistance, Commander.
And…get home safe. That's an order.
Niji
Ugh… don't be gross.
He angles himself on the bubble ship, facing the opposite direction where the group is heading. With a kick of his Raid Boots, he sends a strong pulse of force against the surface of the vessel, giving them a rapid boost forward towards the bird. The passengers onboard see him take off into the distance the other way.
Sanji melts in his seat from relief.
Law
What was that other mission, Mr. Prince-ya? …Or is this one of those on the “need-to-know basis” things that you mentioned?
Sanji purses his lips, seriously considering Law's question. After a while, he answers.
Sanji
I sent him to infiltrate Doffy’s ranks…discreetly.
I don't know if I should have done it earlier but…Doffy’s just been too quiet and I don't like it.
Law has a surprised look on his face but decides against arguing about it, detecting the man's genuine concern about the situation and risking his own brother to investigate. In his head, he weighs all the things that the blonde had done to help him during their quest so far. He hated him a little for not following through on any one of his plans, but he can't ignore the fact how effective Sanji has been. He decides to do the unthinkable and put his faith on him.
Law
Do you think there's a possibility that we're in danger?
Sanji
I always think that we’re in danger. How much exactly…is hard to say…. I don't like working blind, doctor. That's why I'm taking the risk. But this means that I have to trust my brother to do the right thing. You've seen him prove himself in the short time he's with us. I hope that's enough to give you comfort.
The doctor eyes the man up and down, considering his words and trying to get a better read on him. He crosses his arms and looks away silently. To him, it sounded like the blonde was trying to convince himself more than anything that he's made the right call.
Zoro felt that cold texture in his sleeve. When he peeks under his robe, he sees a dark canister with the number “3” on it. Confused but thinking it might be important for later, he shifts it somewhere more securely in his haramaki.
—
As they travel, the sky becomes too hazy to see through. After what seemed like hours of obscured vision similar to that of a whiteout during a blizzard, the South Bird descends just as the passengers in the bubble ship start to lose their patience. The fog parts before them and, up ahead, they see a vast sea of clouds stretching far beyond what the eye could see.
Zoro
THERE! The White Sea!
Sanji
Holy shit.
Law
How is this possible…?
The South Bird that they’ve been following disappears somewhere in the horizon as Skypiea finally comes to their full view. As they near, they see a small settlement that consists of tented dwellings, various totems of cultural significance and a tall structure that looks like a wooden watchtower poking out near the edge of the dense jungle.
Zoro
Odd…we should have seen someone by now. The last time I was here, someone was collecting tolls.
Sanji
Hmm…what do you think, doctor? Where should we land?
Law lays the map on the console in front of the blonde and points near the edge of the island.
Law
Let's dock at this shoreline near that village. If that's what I think it is, they would have seen us by now from that watchtower. I want to make sure that we’re not intruding on anyone's territory before we can properly introduce ourselves. I don't know what they're like but I'd like to avoid any political dramas if we can help it.
Also, we need to check our fuel before we get too far. We need to have enough to go back with.
Sanji follows his direction, and lands the ship near a sturdy tree, not bothering to deflate the bubble in case they need to take off soon again.
When they disembark, Zoro immediately secures the bubble boat using its mooring line, then sets to work to check on the state of the ship while Law walks off to investigate the nearby houses for any locals.
—
After a loo break and doing some warm up exercises, Sanji is feeling excited for the new adventure. All his worrying about his brother had overshadowed the fact that he hadn't gone out to properly stretch his legs in a mission for a long time. But now, after seeing a few of the local flora and fauna that he'd never seen before, the blonde is positively enthusiastic for whatever is in store ahead. He approaches the tired-looking captain who is hunched over with the swordsman on the side of the bubble ship, trying to read the map in their possession.
Sanji
Alright, Traffy!
The blonde claps and rubs his hands together in excitement, practically bouncing on his step as he closes in on his companions.
Sanji
I am at your disposal, ready for anything! Just say the word! So what's the plan? I'm assuming you have a well thought through plan? Let's hear it!
Zoro walks to stand behind Sanji with a bright smile on his face, supporting the blonde's statement. He puts his hands on his hips, looking like he's also ready for anything the doctor throws at them.
Law kept still, remaining hunched over the piece of paper, his expression hidden behind the shade of his cap.
Zoro
I uh… feel bad for pretty much wrecking every part of your plans leading up to today so…I'm with Curls. We'll do everything you say. By the book.
Without moving his body, Law turns his head slightly towards them, still hesitating to show his face.
Sanji
Traffy? You okay?
Law
I…
Law finally straightens up to look at his companions eye to eye. He has a morbid look on his face.
Law
I…I don't have any plans.
Zoro and Sanji's jaws drop in disbelief as the doctor rubs the back of his neck shyly. They see his ears redden from embarrassment.
Law
I usually just…wing this part somehow. But I'm stuck without my guys…. I don't actually know how we've come this far….
There was an awkward pause then Sanji suddenly bursts into a fit of laughter and Zoro grins widely at the doctor. Between difficult breaths, the blonde speaks.
Sanji
I was–so, so prepared to do everything right by you!!!
I thought–the doctor is alright–he's great–he saved my life. I need to make up for it–show how much I appreciate him–
He falls to his knees, tears flowing freely from his face. His laughter has become so unhinged that even Zoro's shoulders start twitching from the contagion.
Sanji
And now–now we ask for it and you DON'T have anything?! BWAHAHAHA–!!
Law’s expression darkens just as gradually as Sanji's laughter gets more out of hand. When the doctor finally snaps, Sanji receives well-deserved smacks on his head and the bumps that come with them.
—
After Law tells him that the settlement is weirdly deserted, Zoro suggests that they make their way to Upper Yard, remembering the treaty between Skypiea’s citizens and the tribe of Shandia. They had the joint intention of reclaiming the land that the former God, Enel, once took control of. He thinks that maybe they had all moved there as their new home.
Law supported this as they simply just need more information at this point to see if anyone remembers any Marines or someone of Corazon’s description visiting. He makes an executive decision that they walk to the place, not wanting to miss out on any opportunities that might come their way and use up any more fuel than they already have.
They each carry their own packs and walk towards the general direction where the swordsman pointed to on the map, though Law doesn't have high hopes given the man's directional skills. The bubble ship was left behind after being relocated in the jungle, covered in leaves and other floor debris to keep it out of sight.
Eventually, they come across their first obstacle–a wide river of clouds that separates their side of the land and where they need to be. The moving puffs of cloud before them makes it look like water flowing between solid ground.
Zoro
You can swim in it but from what I remember, there are these things called err… hmm….
Law kicks a pebble into the river. It creates a ripple that spreads right through to the middle, causing a disturbance under the surface. A giant length of scales erupt through the puffs of white then the creature slithers away as quickly as it came.
Sanji
Woah! It's like…what–a Seaking in the sky or something?
Zoro
Sort of. There’s a lot of Sky Fishes. But there’s also Sky Sharks and these giant worms with teeth.
Law
So…no swimming then. That's not a problem.
Zoro
We passed by a big tree with vines. We can swing across–
Law
Don't bother.
The doctor brings up his hand and conjures his Room ability. With a couple of flicks, he teleports Zoro and Sanji to the other side, swapping places with jungle debris in the area. He follows them himself shortly after.
Sanji
Give us a warning next time!
The swordsman and the blonde struggle to stand from the ground, feeling woozy from the sudden vertigo.
They continue their journey forward, stopping often whenever they find an interesting specimen that they each want to look at. They felt like children with short attention spans, getting distracted at everything new everywhere they go. Sanji having a camera also meant more delays whenever he wanted to stop and take pictures. When Law told him to put it away, the blonde snarled and said it was the gift from his Heart Pirates crew. They had made him promise to snap shots of their adventure on their behalf. Law didn't bother him about it since then.
They come across two more gaps to hurdle. Each time, Zoro insists that they swing on a vine but they get teleported before they could say anything about it. Sanji's starting to get sick of being moved from one place to the next so carelessly. After the third time, he finally snaps.
He grabs Law's wrist just as he was about to use his Shambles ability again. The doctor glares at him angrily for the interruption.
Sanji
NO! NO MORE. I'M SICK OF THIS! I almost threw up last time!
Law
What the hell, Mr. Prince-ya?! Get your hands off me!
Sanji pushes Law on the chest childishly.
Sanji
You're taking the fun out of it!!!
Law
The…fun?
Sanji
We're adventuring pirates! We're supposed to go through struggles and find ways to overcome them! Not just…whatever the hell you're doing!
Law
You're complaining about…lack of struggle.
Sanji
You're making it too easy!
Zoro
Traffy, I know I said I'd do everything you say but…I kinda agree with Curly.
Law
…You just want to swing.
Sanji
Let the man swing!
Zoro crosses his arms and nods his head in agreement. Law slaps his forehead in frustration at the whole notion.
Law
It would be faster if–
Zoro and Sanji
NO!!!
Law
Oh, for the love of–FINE!!! How do you propose we cross–
Flailing his arms forwards, Law gestures at the wide river separating them from the next piece of land. The distance is almost twice as long as the length of the Polar Tang.
Law
This?!
Sanji places his arms on his own hips and smirks.
Sanji
I propose a game.
Law
A game?
Sanji
Something that I like to play with my siblings when we're out on joint ventures. It'll be fun, I promise!
Slightly intrigued, Law crosses his arms and listens intently.
Law
Alright…. Let's hear it.
Happy with Law's willingness to listen, Sanji claps his hands together enthusiastically and begins to make hand gestures as he talks.
Sanji
We each hurdle obstacles however we want BUT we have to make it as cool as possible!
Law
…“As cool as possible”.
Sanji
Yes!
Law rolls his eyes looking unimpressed but the blonde continues.
Sanji
There's three of us, so we'll each take a turn playing judge on who gets from point A to point B the coolest way possible. When we reach our final destination, the one with the most points wins!
I’m talking flair–the badassery–even the underappreciated, underrated skills–the whole thing! It's the time to show off what you got and be creative!!!
There's about a million things Law wants to say about the silly game–how unnecessary it is and how many faults there are in the rules. Before he can say anything, the swordsman interrupts.
Zoro
Do I get to swing?
Sanji gives him a wink.
Sanji
To your heart’s content, baby.
Zoro
Let's do it.
Sanji
YES!
Law
Seriously, Zoro-ya?!
Zoro
It sounds more interesting than… “shambles” all day.
Uhm…no offense.
Law groans but waves his hand in dismissal.
Law
Do whatever you want.
Sanji squeals in excitement.
Sanji
That’s the whole point of it!
Zoro
So what’s the prize?
Sanji plays with his goatee thoughtfully. Then his expression darkens as his lips thin into a devilish smile.
Sanji
How about…a favour?
Zoro furrows his brow at that.
Law tips his head at the idea. He takes a step forward towards the blonde.
Law
Go on…
Sanji
Any time, anywhere in the world, no questions asked. The winner gains the favour from the other two contenders so that he may call on them at a time of his choosing–together or separately.
Zoro
Oh… Curls… I don't know…
The doctor unexpectedly chuckles, his tone just as dark as the blonde’s smile. He holds out a hand, which Sanji takes without hesitation. The swordsman looks between the two of them nervously.
Law
You’re on, Pirate King.
#pirate king of the north#villain sanji#op fanfic#one piece fanfiction#one piece fanart#opfanart#vinsmoke sanji#roronoa zoro#trafalgar d water law#vinsmoke niji#one piece#heart pirates#zosan#zosan fanfic#warlord zoro#vinsmoke niji x cosette#old trafalgar law#old sanji
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Net Zero policymakers the world over appear to be unaware that electricity is generated after oil and that renewables only produce (unreliable) electricity, not the products and fuels needed to support the world’s population. So, Ronald Stein has penned an article to remind them.
Everything that needs electricity, including iPhones and computers, is made with petrochemicals manufactured from crude oil, coal or natural gas.
Even the “green” agenda needs hydrocarbons. All electric vehicles (“EVs”), solar panels and wind turbines are built with products, components and equipment made from crude oil derivatives.
Getting rid of crude oil would eliminate electricity, the more than 6,000 products in demand by hospitals, airports, communications, transport and the 8 billion people on this planet.
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Tune Up
A short for the robot-fuckers, based on a dream i had last night.
~
Her workspace is pitifully small, more a cubbyhole than a proper access point. You have to kneel down to the floor to see her, twisted up with her knees to her shoulders, arms through the middle, slender fingers tapping away at her console. She's been complaining about claustrophobia, and that's not supposed to happen. So you unplug her network cable and pull her out onto the floor. She sprawls out, clearly grateful to be out of there. She's a strange model. Definitely repurposed from sex work, but the modifications are extensive, and you doubt most people would be interested at this point, what with most of her torso open to the air, giving her better airflow for all of the overclocked processors.
She still has a pretty face. And a clearly functional pussy. Bright blue labia is an interesting choice, and you wonder idly who made it.
You spread out your tools and prepare to start making adjustments, but as soon as you touch her, she's got you flipped over onto your back, straddling your waist and staring right into your eyes. You look to the human techs around you, and none of them comments, except for one who shrugs at you. This is just something she does, evidently. Whatever, you've worked in worse conditions.
You put your hands into her, start opening panels. She puts her hands on you as well, eyes never wavering. The soft pads of her fingertips travel across your face, your neck, shoulders, and pause over both breasts long enough to give your nipples a playful squeeze.
You jump a little, and feel your face grow hot. Is she trying to make this more difficult? Or is she just having fun? You apply a gentle electric current to a troublesome component, and she moans. It's the first sound she's made, and you silently give your compliments to whoever fine tuned her voice box.
You keep working, and every new tool you apply, or component you touch, seems to excite her more. She's grinding into your stomach with that designer pussy, and you can feel how soft and pliant it is. A tiny bit of lubricant leaves a wet spot on your shirt.
It's embarrassing to work with an erection, but you can't really help it. She must have been good at her old job. When you pause to grab a new tool, she abruptly lifts herself up and re-positions, letting her unbutton your pants with unnatural speed. You stop, thinking you should chastise her, tell her to cut it out. But no one here is paying this show the slightest bit of attention. And her hand does feel so good on your cock. So what the hell, if she's gonna have fun with this, you might as well have a little yourself.
She slides her plush blue pussy up against your shaft, and you have to bite your lip to keep from gasping. You keep working, but you can't help a little whimper when she slips you inside. It's warm inside, and wetter than any human you've known. You start to wonder if the client is going to charge you for this, but you're frankly beyond caring.
She works up a rhythm while you try to finish your adjustments, her voice getting louder. One of the techs does take a moment to watch, but you decide you don't mind. It is getting a little bit hard to focus on your task though.
She tries to pin one of your arms to the floor, and you decide she's gotten slightly too unruly. You push your free hand deeper into her mechanical guts and grip her exposed spinal support. You know just where to push your thumb...
She gasps in the way only robots can, full of static and pitch distortion, and you feel massage motors clamp down on your cock. But her fingers loosen, and the strength has gone out of her. Determined to finish, you push yourself up and flip her over. Final adjustments are made. Panels are closed up. And now you are just thrusting into an overstimulated, pliant fuck doll. You can't really justify continuing, seeing as you're on the clock. But how the hell would you ever be able to stop at this point?
That one tech is still watching, and possibly touching herself, you're not sure. You grunt with what you realize is a lot of pent up frustration as you feel yourself getting close to orgasm. Your instinct is to pull out and unload onto her belly, but there is no belly to cum on, and you really do not want to have to do a deep clean of all the components you just tuned. So you let go inside, pumping her as full as you can after years of estrogen treatments, losing your balance as you cum harder than you have in months.
Her arms are there to catch you. She's smiling up at you, satisfied, maybe even just a little bit affectionate. You spend a long moment relaxing into her embrace, regaining your composure. A text notification pops into your peripheral view, and you open it into your left eye screen.
Thanks for the tune up ;)
If only every job was this rewarding.
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That just had to happen on this blog. I hope the waiting anon is still here. DPax tickle kink "Now look. Told you I'll find something to clean your dusty hole!"
With a cheeky grin, Orion went for a slot in his forearm and took out something oblong and thin.
"Don't lie to yourself, yours is no better," D-16 muttered and looked at the object in the dusk of the storage room Orion had led him to for a "very private talk."
The only source of light was a narrow lattice at the top of the door, and pale yellow light came in slits across the floor. The substation box near the wall was humming softly.
The object he examined turned out to be just a metal stick ending with a tuft of soft fibre. A brush. Probably stolen from the maintenance station D hadn't had time to visit properly for a few weeks, opting for quick rinsing in the washracks.
"This isn't going in. There's a reason why we have to use a vacuum to clean out cog holes," D said.
"Or you just don't want me to find out that you're ticklish there. C'mon, you already trust me with your... other hole."
"Cut it, Pax!" D shrugged. "Fine, fine, just do it. And I don't think I'm ticklish."
Orion changed a hold on the brush and stepped closer, pointing the tool right at the center of D's chest. D took a deep vent and prepared to think of anything other than the part of his body he disliked thinking about the most. One that brought him only bitterness he wasn't willing to admit even to his friend.
And his spark jumped like it got zapped. The loud "ah!" that tore from his voice box was so loud that Orion pulled back and gave him a concerned look.
"Does it hurt?" he asked.
"Yes... No, it doesn't. It's not pain. Try again, just be careful, alright?"
Orion nodded. The brush went in slowly and swiped over the side of the cavity so lightly that it could be a waft of air. But it was a touch, right to the sensors and electric contacts that were supposed to make a contour with a T-cog, if it hadn't been for the defect miner bots were born with.
D didn't gasp or jolt like the first time, more due to being prepared than the feeling being any less intense and odd at the same time. Only his eyes flared up for a moment, and he clenched his fists, hoping that Orion wouldn't notice. D didn't need a new thing to be teased about. Because the fuck was he ticklish.
Orion circled the hole once more and went deeper, giving a bottom the slightest swipe. It gave D's self-restraint a crack, and with a short shudder, he made a sound between a laugh and a whine.
It was so weird. So close to his spark and the delicate components surrounding it, it felt like playing with bare wiring. And besides the spark, the stimulation echoed at the back of his processor, where the circuit responsible for transformation probably located. And in his interface array.
Heat welled up in his hips, and he straight up giggled. Orion gave a pleased hum and tickled that spot again. D shivered and pressed his back against the wall, in case his leg struts gave in. Maybe he giggled—again!—but falling on the floor was something he had no plans to do in front of Pax.
"You like it when I touch you there, don't you?" Orion asked, his voice surprisingly lacking any mockery.
He stopped for a moment, and D used the pause to breathe. Not that coolant wasn't running already through his tubing. His valve cycled wetly under its paneling, and his spike pinged for being let out, too.
"You're getting off."
"Nonsense." D diligently looked to the side, as if it made his blatant lie more credible. "Okay, you were right, I'm ticklish. So don't drag it."
"You make the same sound when I play with your little valve."
"I don't... Ugh!"
The fibre danced over one of the hidden sensors, and D shook, laughing and bending his knees. A drop of lubricant hit his valve cover. He grabbed Orion's hand holding the brush, and the torture stopped. The following seconds were filled only with the substation's low drone, and finally D mustered enough courage to look at his friend. Orion stood so close, his eyes glowing bright blue, mouth slightly open. There was something still mischievous and so Orion-Pax in his expression, but otherwise he looked just equally turned on.
When he went for a kiss, D met him with matching enthusiasm. Still feeling on the verge of overstimulation, D let a knowing hand find its way between his legs and palm him open. While occupied with Orion's glossa, he didn't notice his other hand travelling down, until the brush ticked the underside of his activated spike.
D half-choked, half-moaned into the kiss while the tool went up his shaft to the lubrication nozzle, already sending thick beads down his length. And then it went down, until the fibre found the sensor right over the opening of his valve. Orion swallowed his needy whine and found a manual lock for his own panel. Despite his mind being a mush, D reacted immediately and took a hold on the spike the moment it left its housing, and was rewarded with a moan.
The brush hit the floor when Orion pressed D's upper body closer to the wall, pulled his hips forward, and lifted his leg up to get to the welcoming valve. D grabbed his shoulders for balance and relaxed as much as he could, to take Orion's spike deeper. The "cleaning" process left him so edged that the overload was already building up, and the girth catching on two the large node inside wasn't helping.
Orion, eager for an overload himself, fucked him in quick thrusts, letting out shout breathy sounds, like he was punched in his fuel tank. And then he pressed into the tightening channel with all the force. The pressure triggered D's processor to go staticky, and the excessive wetness to run over his own midsection and the root of Orion's spike. Still holding D's leg, Orion stilled to empty his lubricant reserves onto the bottom of the valve he couldn't reach in their position. And, with a relieved sigh, he dislodged.
With his small subroutines still rebooting one by one, D let Orion maneuver his leg to place it carefully on the ground. Serene in his post-overload, he didn’t notice a grin slowly spreading over the lips he was kissing minutes ago.
"You made a mess." Orion ran a finger over a glistening trail on D's inner thigh. "What I said about cleaning your other hole?"
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Demon reader domming Gabriel or V1? Pick your fancy
Love your work btw! <3
//having to use it/its pronouns over and over again is so hard it really reads kind of stilted but i did my best//
It's worn from battle, metal components grinding and whining with the effort to keep moving. This is not a common type of exhaustion, not something it truly 'feels', but every part of it's mechanical frame is telling it that it needs to resist moving or fighting. V1 can only suppose it's what a human would have felt when they were tired, but it wouldn't know for sure. Humans are long gone and it doesn't process things the way one would. There is only it's processor that tells it, loudly and clearly, that it must rest and recharge, not an ambiguous feeling to be parsed out.
It would be easier to rest if you weren't hovering over it, your hard exterior cracking with your movements. You move based on instinct, natural impulse, rather than any real thought. At least it's what V1 can only assess from your actions. You came after it relentlessly, uncaring of the bullets hitting you or your fellow demons, until the machine was unable to continue fighting. Your hard exterior is nearly unscathed, sturdy despite the bullets you've taken at such close range. Even now, you stand, a shuddering, shambling shadow in the depths of hell, over it's prone form. Your 'feet' on either side of it's torso. The itch of 'frustration' lingers in V1's processor, wanting to push beyond the limitations of it's frame. If this is how it must end, though, then so be it.
But you drop down to your knee joints, letting your entire weight collapse upon it's already weakened frame. V1's system makes a strained noise at the sudden pressure, metal armor buckling and grinding together with a shrill clanging. You seem to be processing your next move, taking time to assess the robot's state. Even now it's unable to fully detect just how much you can assess, your mental capacity indecipherable to it. Some demons seem to be conscious, fully aware, but often it's just for a moment. Whether they are more beast or man is indistinguishable to V1.
Until you start undulating on top of it.
Your jerking, inelegant movements are unmistakable after you repeat them a few times in quick succession. V1 makes no move to push you off, cannot move to push you off. It's still fully analyzing just what it's seeing. By the time it makes clear just what your intention is, there is a charge building beneath it's armor, building beneath where your own primitive plating meets it's metal. The pressure of your body upon it's frame, although a strain on overworked joints, is… nice. Grounding. Firm. A reprieve from the constant movement and struggle. V1 doesn't rise to meet you, nor move to aid your objective, but it relishes the tingle of electricity zipping from within it's pelvic girdle to the surrounding systems.
You make guttural, keening noises, mournful and near hysterical. They ring about the area like a mother's cry. V1 remembers something, only briefly, but it's gone in a second; lost amidst the scattering of data it has picked up. So many moments lost. Perhaps this, too, will join them. V1's own systems whir and rumble, pleasantly to it's own audio sensors, in a cacophony with you. It's digits flex and grapple your thighs where they spread around it's waist, single-mindedly focused on the increasingly powerful lance of charge through it's system. There's a snap of a cable, overstressed and sensitive; an arc of electricity follows, leaping from V1's pelvic panel to shock you, drawing out another wailing cry as you bear down upon it.
There's the burst of static and fragmented color across V1's optical input as the charge reaches a peak, scrambling even it's ability to hear for a moment. Long enough for you to finish riding out whatever you had been seeking. It has to reset, HUD filled with data reports. You are gone by the time it is able to clear it's vision.
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When the coronavirus pandemic hit in 2020, Roxana Borda Mamani had to leave Mexico, where she was studying for her degree and return to her remote village in the Peruvian Amazon. At the time, the Indigenous community in Alto Mishagua had neither an internet connection nor a reliable energy source.
“How am I going to study?” Borda asked. “With energy from the sun,” replied her friend
Borda began researching the components of an off-grid solar energy system: photovoltaic (PV) panels, a battery, an inverter and a charge controller. Five years later, her community has a 400W solar system powering a 24-hour satellite internet connection and charging points for phones and torches next to a small school that was set up thanks to the new energy source.
The children of Alto Mishagua, who are benefiting from the solar panels that brought a 24-hour satellite internet connection and a school to their village. Photograph: Roxana Borda Mamani
“Our idea was to be independent [and] promote the autonomy and self-management of the energy and communication systems,” says Borda. The project is called Aylluq Q’Anchaynin, which means “the energy of the community” in her native Quechua.
The Achuars’ solar-powered boat glides along the Capahuari River in Ecuador. Photograph: Hana Begovic/Kara Solar
In the Ecuadorian Amazon, the Indigenous Achuar people decided they wanted solar power after consulting their elders and communal guayusa tea ceremonies. They have developed solar-powered boats that glide silently down the Capahuari River, learned how to operate and maintain them, and improved local education and their community tourism work thanks to solar panels being set up in 10 different communities.
This has also helped strengthen Achuar communities’ resistance to oil drilling on their land, says Nantu Canelos, director of the Kara Solar Foundation. “We’re building a future on our own terms.”
#solarpunk#solar punk#community#indigenous knowledge#jua kali solarpunk#informal economy#solar power#indigenous communities#empowerment#peru#ecuador
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The Difference Between Low, Medium, and High Voltage Switchgear
Switchgear plays a critical role in the generation, transmission, and distribution of electrical power. It ensures safe and efficient operation by controlling, protecting, and isolating electrical circuits and equipment. But not all switchgear is created equal — low, medium, and high voltage switchgear are designed for different voltage levels and applications.
Understanding the differences between these types is crucial for electrical engineers, electricians, project managers, and anyone involved in power systems. In this article, we break down what sets them apart in terms of voltage range, components, applications, design, and safety considerations.
What is Switchgear?
Before diving into the differences, let’s clarify what switchgear is.
Switchgear refers to the combination of electrical disconnect switches, fuses, or circuit breakers used to control, protect, and isolate electrical equipment. It is essential for de-energizing equipment for maintenance and for clearing faults in the power system.
Classification by Voltage Level
Low Voltage Switchgear (LV)
Voltage Range:
Up to 1,000V AC (typically 400V/690V in 3-phase systems)
Key Components:
Miniature Circuit Breakers (MCBs)
Molded Case Circuit Breakers (MCCBs)
Residual Current Devices (RCDs)
Contactors and relays
Busbars, metering, control panels
Applications:
Residential and commercial buildings
Data centers and office spaces
Light industrial automation
Control panels and motor control centers (MCCs)
Characteristics:
Compact and easy to install
High frequency of operation
Relatively simple maintenance
Often enclosed in modular panels
Standards:
IEC 61439
NEC (National Electrical Code)
Medium Voltage Switchgear (MV)
Voltage Range:
1kV to 36kV (sometimes up to 72.5kV)
Key Components:
Vacuum circuit breakers (VCBs)
SF₆ (sulfur hexafluoride) insulated switchgear
Current and voltage transformers (CTs, VTs)
Protective relays
Grounding switches
Applications:
Electrical substations
Large factories and industrial plants
Railways and airports
Renewable energy farms (wind/solar)
Characteristics:
Higher insulation and safety requirements
More robust protection systems
Often installed indoors or in compact outdoor enclosures
May use gas-insulated or air-insulated designs
Standards:
IEC 62271–200
IEEE C37 series
High Voltage Switchgear (HV)
Voltage Range:
Above 36kV (commonly 66kV, 132kV, 220kV, up to 765kV)
Key Components:
SF₆ circuit breakers
Air blast or oil circuit breakers (older systems)
Gas-insulated switchgear (GIS)
Disconnectors and earthing switches
High-end protection relays and SCADA integration
Applications:
National and regional power transmission networks
Power generation plants
Interconnecting large substations
Critical infrastructure (e.g., large data centers, airports)
Characteristics:
Complex installation and high-cost infrastructure
Requires rigorous safety procedures and specialized training
Often installed outdoors or in GIS (Gas Insulated Switchgear) format
Includes extensive monitoring and automation
Standards:
IEC 62271–100 (HV circuit breakers)
IEEE C37.06
ANSI C37 series
Safety Considerations
Always follow local electrical codes, use personal protective equipment (PPE), and conduct routine maintenance regardless of switchgear type.
Conclusion
Choosing the right switchgear type is critical for ensuring safe and efficient power distribution. Whether you’re designing a residential panel or a high-voltage substation, knowing the difference between low, medium, and high voltage switchgear helps you make informed decisions about equipment, safety, and performance.
Mastering this knowledge isn’t just good practice — it’s essential for anyone serious about a career in the electrical field.
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New research has found that 4,642 species of vertebrates are threatened by mineral extraction around the world through mining and quarrying, and drilling for oil and gas. Mining activity coincides with the world's most valuable biodiversity hotspots, which contain a hyper-diversity of species and unique habitats found nowhere else on Earth. The biggest risk to species comes from mining for materials fundamental to our transition to clean energy, such as lithium and cobalt—both essential components of solar panels, wind turbines and electric cars.
Continue Reading.
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SPOTLIGHT ON: Murderbot Fanimation Project Backgrounds!
(Part 3 of 3) (Jump to part [1] [2])
They may be the literal background of the finished product, but the backgrounds done for the Murderbot Diaries Fanimation Project deserve their time in the spotlight!
Part of what makes the Fanimation stand out as much as it does is the love, care, and attention to detail that the artists poured into the backgrounds. The team stuck closely to the source texts when designing the spaces, producing some beautiful pieces of art that deserve appreciation on their own.
You can watch the Murderbot Diaries Fanimation Project here.
In this final part, we look at some of the backgrounds that we animated to give them that extra wow factor. Some of the shots in the Murderbot Fanimation have backgrounds completely made in 3D - the opening shot and the post-credits scene, for example. But the shots in this post are mostly 2D imagery, with some 3D components and clever editing that bring them to life.
Deltfall Habitat - Background art and motion editing by @broken-risk-assessment-module , habitat model created by TechnicalToad and rendered by @theash0
"I climbed the ladder up to the roof hatch and popped it. The armor’s boots have magnetized climbing clamps, and I used them to cross over the curving roofs to the third habitat and then around to the second."
Milu Storm - 3D model of the corridor by TechnicalToad, storm effect created by @theash0 using, among many other elements, an effect created by @chimaerakitten
"Swirling, towering clouds, filled with electrical discharges, obscured any view of the surface. [...] It was immense, and wrong, and terrible and beautiful all at the same time. I stood there for what I later clocked as twenty-two seconds, just staring."
Docking Bay Door - Background, foreground, and door textures illustrated by Vanessa. 3D door composited and animated by @theash0
"Gurathin knelt beside an open maintenance floor panel next to the gate, tools scattered around, and Ratthi held a light for him. The panel was painted with an emergency feed marker label that in a selection of different languages read 'Manual Release.'"
Docking Bay Corridor - Illustrated by @nirelaz , motion editing by @theash0
"Our shuttle slot was six locks down, glowing emergency lighting showing me Mensah standing beside it holding a small energy weapon."
Bonus higher-quality stills of those last two to appreciate the detail:
(Docking Bay Door by Vanessa)
(Docking Bay Corridor by @nirelaz - you can find more of the backgrounds Nirelaz did for this project here)
#murderbot#the murderbot diaries#mbfanimationproject#behind the scenes#murderbot fanart#all systems red#rogue protocol#exit strategy#background art
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