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ameagrice · 27 days

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percy jackson x fem reader

chapter thirty-five | when I say ‘hell’, you say ‘nah’

Being tied up and gagged sitting beside a barbecue spitting hot oil at you, was not on the agenda.

And yet you sighed, tied up to a barbecue. Across the porch, Nico sat the same way, bound to the railing. To your left, Grover mirrored him, tied up in the sun. He was sweating, and looked incredibly tired. You wished you could do something about the situation you got caught in, but the truth was, you couldn’t do a thing. Percy got you here, and only Percy could get you out.

“Lovely day!” Geryon flipped sausages. A bit of piping-hot oil landed on your cheek. You flinched, but he didn’t pay you any notice. “Lovely day…Eurytion, get those banners higher!”

Streamers and party balloons were tied up and taped to the windows by Eurytion, who you deducted to be a spineless man. He’d tied you all up at Geryon’s instructions and relaxed on the bench under the window, in the shade.

You tried desperately to think of a way you could contact anyone. Chiron, perhaps, who could advise you on what to do now that Percy had gotten you tied up and held hostage. Maybe even Sally Jackson, since she always knew what you could do. Her advice hadn’t failed you yet. But there were no water sources or reflective surfaces to make a rainbow, and you could reach your bag chucked out of the way down on the grass, anyway. Eurytion had been kind enough to put your dagger in your bag, rather than throwing it away. That was something.

Eurytion and Geryon ate barbecue food, put more on the grill, and ate that, too, until the sun had set relatively low. The whole time, you tried not to hyperventilate at the thought of Percy being eaten by monster horses. You tried not to think of the high possibility you’d be sold off like a piece in a thrift store. You tried not to, but your mind ran wild. Grover communicated with his eyes, probably as tired as you were after your struggle to get out of the ties. You hadn’t any idea what he was communicating, though—the sun beamed in your eyes.

You were beginning to think he wasn’t coming back at all, a hopeless sort of sadness setting in, when a desperate, boys voice rang out above the barbecue and Geryon’s terrible singing.

“Let them go!” Percy’s voice raged. He ran up the porch steps and rounded. He locked eyes with you, and then Grover and Nico. “I cleaned the stables. So let them go.” Relief lifted the weight off your shoulders, that Percy was still breathing.

Geryon lifted off his cooking apron and dumped it over the porch rail. “Did you, now? How’d you manage it, sonny?”

Breathing deeply, Percy explained. “The water from the river. I…controlled it. Cleared the stables out completely.”

Geryon nodded appreciatively. “Well, then, Mr. Genius, smart move. You could have at least poisoned the naiad that resides in there, but hey-ho.” The staticky radio on the bench next to Eurytion played an Elvis Presley song, cutting out here and there. Polk Salad Annie felt a little bit too upbeat for the unpredictable crowd.

“Let my friends go,” Percy seethed, not appreciating the insinuation that he hadn’t done enough. “We had a deal.”

Geryon chuckled. “See, the problem is, and I’ve been thinking about this very deeply; if I let your friends go, I won’t get paid. They’re staying.”

Your eyes widened so much you might have looked comical. Percy turned gray. “You. Promised.”

“Ah, but you didn’t have me swear on the River Styx, did you? Therefore, it was not binding. Always remember, Percy, when you’re conducting any business, you should always swear on the River Styx. A binding oath is worth everything, alrighty?”

A beat of silence hit as Percy drew his sword. Riptide reflected the gold of the sun, strong at your friend’s side. Orthus, standing at Grover’s head, growled deeply.

Geryon waved Percy off like he was a knat. “Eurytion, he’s annoying me. Kill him.”

Grover and yourself protested as much as you could with your mouth’s somewhat bound too. Geryon looked away and slung a packet of bacon on the grill. At the same time, Percy inched closer to you, angling Riptide to the ties on your ankles. Orthus pounced and snapped at him, forcing Percy to move away. Saliva dripped from the dog’s mouths in a disgusting puddle near your feet. You couldn’t help feeling a little angry at him. For the first time, Percy had truly put your life at risk, and his way out of it failed to be effective.

“Kill him yourself,” said Eurytion, crossing his arms loosely.

Raising his dark brows, Geryon uttered a calm, “Excuse me?”

“You heard me! You keep sending me to do your dirty work. You pick fights for no proper reason, and I’m tired of dying for you. You want the kid dead; kill him yourself.”

Tensely, the scene reminded you of a movie, like a cowboy facing down his enemy. You wanted to laugh, but honestly you felt a little too heat-exhausted and scared.

Geryon threw down the metal tongs. “How dare you defy me? I should be rid of you this instant!”

“And who’d look after your cattle then? Orthus, heel.” The dog left you, settling at Eurytion’s side.

“Whatever! I’ll deal with you later, after the boy’s gone.”

Then the scene

went

wild.

Geryon picked up two carving knives and threw them with such fury in Percy’s direction that they went haywire; he raised Riptide and deflected one away, over the rail, the other landed between Eurytion’s feet. Orthus barked aggressively, and Elvis Presley went crazy on the radio. Though obviously tired, and looking sweaty and pale (and in need of a shower after the stench of the stables), Percy went on the offence, raising Riptide and aiming right for Geryon’s head. He ducked and moved aside, causing the sword to go right through his middle chest. You looked away, praying to your mother you didn’t gag, because the way you were feeling in the sun, it would not be good. Geryon yelled in pain and thudded to the deck. You anticipated the familiar sound of crumbling to ashes and dust the way monsters usually do, but it didn’t happen.

“Nice try,” he growled. “Thing is, I obviously have three hearts. It’s the perfect backup!” You looked back just in time to witness him kick over the barbecue that had been boiling all day long. The metal grates fell away, as smoking coals spilled out. Being so close to it, one caught your cheek as it dropped, others burning around your feet. You screamed, and couldn’t stop it. Grover yanked uselessly at his bindings, while Orthus approached him in a low crawl. Elvis didn’t give a shit that you found yourself in a stressful situation. Eurytion stepped back down the porch steps. Nico looked visibly terrified. After all, he was only a kid.

Percy struck Geryon in the chest again, but he only laughed in his face. The dark-haired boy ran the sword through his stomach but it did absolutely nothing. Percy persevered, usually, so watching him take off inside the house was a kick to the stomach. He couldn’t leave you here, surely? Your cheek itched painfully from the burn of the coal and the oil and the sun, you were tired and hot and stressed. Sooner rather than later, you might explode.

Geryon launched the large barbecue fork through the open doorway, and it landed in something with a terrible clunk. “Your head’s gonna go there, Jackson, next to the bear!”

In the doorway, Percy appeared carrying a large bow and notched an arrow, shocking since he couldn’t so much as hit a target a metre away at camp. Geryon berated him verbally with cruel remarks and laughter, but Percy was not to be deterred. The monster didn’t need weapons to charge toward Percy, who dove sideways. Before he could react, Percy let the arrow fly. It shot straight through Geryon’s arm in a bloody mess, and right through his bodies to the other side, landing in the wall inside the house. The ranch grew still and quiet, Geryon turning. “You can’t shoot,” he struggled to talk. “They told me you can’t.” In a sickly shade of violent green, he fell to his knees heavily and promptly turned to ashes, grains as small as sand. Silently, all that remained was a pair of jeans, a huge shirt and boots.

Percy turned, dropping the bow to the deck, clattering. In his pocket Riptide had returned. He cut your mouth free first, careful of the stinging cheek, knowing somehow that freedom of speech was what you wanted now.

You coughed to clear your throat, and brilliant-gray met sea-green. “Glad you’re still breathing, Percy Jackson.”

He swallowed, cutting through the binding at your ankles. “Glad you’re still here, B.”

You collected your backpack and dug straight for a bottle of water, sipping slowly as Grover and Nico were released. Casting the bottle away into your bag, you stood to build up the barbecue again, and offered the last packs of burgers to the gods as a thanks for helping Percy actually get a good shot…and not somehow shooting you, instead (which he had nearly done, once before).

Nico said Eurytion should be tied up, and Grover agreed on the grounds that his dog had tried to kill you all. Murder wasn’t in your books, and you didn’t want to become a subject of interest, but the old man had done nothing while you cooked under the sun and was going to allow you to be handed over to Luke. So…something had to be done.

“Why don’t we just…” you thought, “I don’t know, actually. Could just tie him and make a run for it before he breaks free?”

“Or we could contact Chiron?” Suggested Grover. “Maybe he could do something about this?”

You waved him off. “Chiron would be too nice.”

Percy raised his brows. “And just tying some up is isn’t being too nice?”

“Alright! I’m just saying, murder is a bit far. He isn’t completely guilty. He didn’t really do anything to us.”

“Didn’t do anything for us, either,” retorted your friend. Percy flicked his hair from his face, sweaty and sun-kissed.

Nico gasped with an idea. “We could kill him, and then I’ll go and judge him in the Underworld.”

You clicked your fingers, pointing at Nico. “Ha ha, that’s not what we’re gonna do.”

“Look,” breathed Percy, pocketing Riptide-now-pen. He held out a hand to Eurytion as he spoke. “How long will Geryon take to reform and come back?”

“Couple hundred years,” the farmhand shrugged. “He ain’t one of those quick reformers.”

“Oh, thank you Zeus,” you mumbled. The sky rumbled, perfectly clear.

“You said you died for him in the past, didn’t you? How’d that happen?”

Eurytion explained his immortality, chosen way back when in his half-blood era. Percy stood beside you leaning on the fencing, raising his hand to shield his bright eyes from the blinding sun. In turn, his shadow blocked you, dimming the feel of burning on your face.

“You can change things ‘round here,” offered Percy, “be nice to the animals, not selling them. If we leave you here, you’ve got to stop trading with the Titans.”

Eurytion thought about it hard, and long. He sat silent, just pondering, until eventually he nodded. “I can live with that.”

“Hey, if you get the animals on your side, maybe when Geryon comes back, he’ll be working for you. Tables—turned.”

Eurytion hummed, chuckling low in his throat. “I wouldn’t mind that,” he grinned. He waved off in the distance. “Now go. I haven’t had peace and quiet in years. And the girl looks like she needs a hospital. Seriously, you look sick.”

“That’s rude.”

“You’re not gonna stop us?” Grover pushed away from his seat. You leaned your elbow on his shoulder.

“Hell no.”

Despite his calm, laidback demeanour, you couldn’t help feeling suspicious. Raising your bottle to your warm cheeks, cooling them a little, you asked the question stuck on your mind. “He said somebody paid for our safe passage. The only person I can think of down here who could have done so would be Hera. She met us in the maze. She gave us some not-so-helpful advice. You seen her anywhere?”

Eurytion shrugged. “I don’t know what he was talking about. And I ain’t seen any gods round here, lady.”

“What about Luke, and his army? Did you actually tell them we’re here?”

He scoffed with humour. “Did I hell. We were waiting until after the barbecue. So to answer your indirect question, missus, they don’t know about Mr. Nico.”

The boy himself glared right at you with such passion it almost physically burned. Two options were here and two only.

“You can come with us and get out of here,” you offered. “Or you can stay on the ranch for a while. Either way you’d be quite safe.”

Nico’s face warped to one of fury. His skinny fists clenched at his sides. “I’m not going anywhere with you! Safe? What do you know about being safe? You got my sister killed!”

You practically saw red. Shoving your bag into Percy’s fumbling arms, you leaned down to face Nico, who ground his teeth loudly. “Alright, you little shit—let’s get one thing straight before we go anywhere: I did not get your sister killed. I’ve thought long and hard about it, and ultimately I’ve decided that Bianca had her own brain, and her own free will. I didn’t make her do anything, and I didn’t push her. It was a tragic accident, okay?”

“Nico,” Percy stood beside you, laying a warm hand on your shoulder and urging you back from the kid who didn’t move. “She’s right. Please believe her. Believe us. None of this was anybody’s fault. Staying here would be fine, you don’t have to come with us if you don’t want to. But if Kronos finds out about you, he’ll take you, and he’ll do anything to get you on his side. It won’t be good, Nico, trust me.”

Nico turned his face away. “I’m not on anyone’s side. And I’m not scared of any of this.”

“You really should be. Bianca wouldn’t want any of this.”

He turned back. Nico’s eyes swam with tears, and you felt a little bad for popping off. “If you knew my sister, you know she’d want to come back! If you cared about her, you’d help me to bring her back.”

“A soul for a soul, right?”

“Yes!”

Percy looked troubled. “But if you didn’t want B, and you didn’t want me, then who?”

“I’m not explaining anything to either of you!” He exclaimed. When a tiny tear tread down his cheek, Nico raised his hand to wipe it away aggressively. “I’m going to bring her back. She’s my sister. I need to…I need her.” He rubbed his eyes viciously.

You deflated. Nico tried to look brave, and act older than he was, but his eyes were rimmed with red as he rubbed at them, and he choked on his tears. All of a sudden you wanted nothing more than to sit him down and talk to him, apologise for shouting when he was so upset. You wanted to kick yourself for acting impulsively, and shouting at a child as they cried. At fifteen years old, you should have known better. You reminded yourself terribly then of your father.

“Why don’t we ask Bianca what she wants?”

Nico’s face stilled. “I’ve tried,” he said miserably. “She won’t answer.”

“Try again,” shrugged Percy. A cold breeze shocked you, suddenly. In the distance, storm clouds were rolling in out of a perfectly sunny day…. “I have a feeling she’ll answer with me here.” He sounded very confident in that, and for what reason?

“Why would she?” Asked Nico.

“Because she’s been sending me messages,” Percy shifted on his feet at the sudden onslaught of confused looks. “I’m sure she has. She’s been warning me of what you’re doing. She wanted me to protect you.”

Nico wiped his eyes furiously. “That’s impossible.”

“Why is it?” Percy offered. “Besides, didn’t you say you’re not afraid? Let’s try it. We’ll need a lot of food, and a pit. You got anything like a grave around here?”

—

The grave happened to be dug especially by yourself and Grover. You never were one for gardening, and you find yourself slacking towards the end of the grave-digging.

“Come on,” urged Grover, sweaty and tired. “Just—we can do this. We’ve got this. Positive thinking. Deep breath in…”

You want to tell Grover that positive thinking won’t influence positive actions, because your limbs feel like lead. But together you finish the grave, and your friends pull you out of it. You waited until dark, the five of you and the dog, to call on the dead. With crates of root beer at the ready, Nico paced back and forth, anxious. You sat at the edge of the grave and dangled your legs in, exhausted beyond belief. Every now and then you had to kick away a bug. Grover sat on his heels, sleeping on the crates of root beer.

“Minos should be here by now!” Came Nico’s tiny voice, his dark eyes full of worry. The moon was high and full and bright. Percy’s infinite gray streak shone in the light, a patch among dark, dark hair. “It’s dark enough. It’s late enough…”

“Maybe he got lost,” suggested Percy. Nico glared furiously.

Percy crouched beside you and clapped you on the shoulder, digging his fingers in as a means to try and show you he was there. Maybe he knew you well enough by now to know you were getting irritated and agitated, waiting and tired and forcing your eyes to stay open.

Little Nico grew fed up himself, and wrenched a bottle of root beer from the crate, pouring it into the pit. Grover jerked away, and began helping. With food in a pile from the forgotten barbecue, Nico’s hands dashed out hungrily, and threw them into the pit too, chanting in Ancient Greek. To anyone else, the sudden chill of the night air and the aura that settled with Nico’s chanting might have been terrifying, or uncomfortable. You found the grim ordeal that was summoning the dead to be a rather interesting situation. Something satisfying in raising what once was. A reminder that things never truly died.

It didn’t take long for someone to come forward. Unfortunately, it wasn’t the right someone.

A dark shade of blue, a thin and whispery figure that mirrored who it was once, kneeled at the edge of the grave and reached in. The image somewhat shimmered, and when you looked hard enough, features showed through; deep-set eyes, hardened and somewhat angry; facial features showing crows feet around the eyes, dark brows…

“Minos!” Yelled Nico, suddenly on guard. He brought forth his sword, aimed at the ghost. “What are you doing?!”

“My apologies,” he said, though there wasn’t a hint of sorry in there. Slowly, the ghost’s image grew a bit more real, more colorful. “The sacrifice seemed too good to leave be. Almost in solid form—it’s nice to see myself again.”

“You are disrupting the Ritual! Leave, now!”

Minos paid him no mind. You’d long since jumped away from the edge of the grave, and joined Percy’s side, but something about the ghost ignited in you a want to take Nico’s sword and run the loser through with it. He turned to the two of you, running his eyes in a way that had you almost wretching.

“Percy Jackson!” He hummed. “My, my. The sons of Poseidon never seem to get any better.”

A rude and untrue comment, because you’d seen old images of Greek heroes, and Percy was the best by a million. Not that you’d say that out loud, or anything.

Percy had a lot more self-control than you did in the moment, because he simply took a deep breath, and said, “We’re looking for Bianca. Get lost.”

“Do you really believe Daedalus will help you?” Minos taunted, tilting his head. Nico had begun chanting again, kneeling at the edge of the pit with Grover kneeling dutifully at his side, taking care. “He cares nothing for you, half-bloods! You certainly cannot trust him. He’s cursed by the gods, and guilty of murder. You want somebody like that on your side?”

“Who did he kill?” Asked Percy.

“Don’t change the subject!” Minos spat, a confirmation that he was talking bull, really. “Stop hindering Nico. Don’t persuade him to abandon his goals!”

“We’re helping Nico,” you touched your dagger tucked away in the pocket of your pants. “He’s a child. Leave him alone.”

The ghost settled by Nico’s ear, leaning down to mutter. Nico visibly flinched and squeezed his eyes shut. “Don’t listen to them, Nico. Let me protect you, not them. I’ll turn them to madness as I did the others. Just say the word.”

If Minos wasn’t already dead, you swore, you’d have killed him there and then.

“Was it you?” Barked Percy. “Did you hurt Chris Rodriguez?”

Minos rolled his eyes lazily, turning around to face Percy. He got in real close to his face; Percy’s arm shot out in front of you and urged you backwards, away from the vile ghost. “The maze is my property,” he hummed. Percy refused to back away. “Those who intrude on it deserve madness.”

Nico turned furious, whether at Minos’s lecturing, or his interrupting. Either way, he turned to the ghost and ran him through with his sword. “Go away, Minos! Leave us!” His voice turned sad and desperate, like he was tired of this too. “Bianca! Come on!”

It was heart-wrenching, watching Nico beg for his dead sister. It wasn’t fair.

But she’d heard him. Bianca came forth, a silvery wisp of light from the dark trees in the distance, growing closer. You didn’t feel wary of her, and Percy dropped his sword, Nico backed away to give her space, and Grover shuffled away from the edge as Bianca knelt to accept the offering in the pit. When she got to her feet, she was a solid hue of silvery-blue form, the image of herself in life. It was like the chatter grew quiet, the chaos turned silent, when Bianca smiled sadly at her brother. Nico had grown still, and pale.

He wasn’t the first one she spoke to, though. “Hello, Percy,” said Bianca, her voice like a lullaby. Her body flickered like the stars would, before it stilled.

“Bianca…” One look at Percy had you reaching for his hand, clasping it between both of yours. He was choked up. You didn’t blame him one bit—you hadn’t known Bianca well at all, and she’d killed herself in the process of saving you all, but even seeing her again like this had your throat burning. “I’m—I’m so sorry.”

“You have nothing to apologise for, Percy. I made my choice.” Somehow, she seemed older, calmer, and a whole lot more at peace, as if this didn’t phase her and her death was simply an article she’d read in a paper and let pass over her, at the back of her mind. “I don’t regret it, either.” Her eyes, a mirror of Nico’s own, fell on you. What did you look like to her, you wondered later? Holding back your own teary eyes the way Percy did.

She turned to face her brother quickly, and his name fell from her lips. She turned sad.

“Oh, Nico.” She raised a hand to cover her mouth. “You’ve gotten so tall.”

“Why didn’t you answer me any sooner!” He exclaimed. “I’ve been trying to find you for months!”

“I was hoping you’d give up, Nico. Please give up.”

Heartbroken, Nico reached for her, but his hand passed right through. “Give up?…I’d never!”

“I need you to do this, Nico. Trust Percy. Trust her.”

“No! She let you die! They’re not our friends!”

Bianca’s ghostly hand reached out to touch Nico’s cheek, but she fizzled out too quickly, and never made contact with him. “You must listen to me now, because this is important. Holding grudges is bad for children of Hades. It’s our fatal flaw, and you must forgive.”

“I can’t. I’ll never.”

Bianca struggled, exhaled. Her eyes betrayed every feeling in her body—anguish, anger, sadness. “Percy has been worried for you, Nico. I let him see what you were up to so that he could help you. You understand, don’t you?”

“It was you, then,” shuddered Percy. “You were sending me those messages.”

Bianca nodded softly. “I was.”

Nico demanded her attention. “No, listen!” He screamed and went to grab at her again. “Don’t help him! Help me! This isn’t fair!”

Bianca kneeled to be face-to-face with Nico. “You’re so close to the truth now, Nico. Believe me. It isn’t them you’re angry at; it’s me. And it’s okay to be angry, do you understand? You’re allowed to be upset—”

“No!” He heaved a great cry.

“You’re mad because I left you, to join the Hunters. And you’re so angry because I died and left you here. It wasn’t my intention, and I’m sorry.” Bianca’s voice turned thick with emotion. “But you must try to accept this, now. I cannot come back. And you must stay with them.” She nodded at you and Percy.

“I just want you back,” Nico sobbed. Bianca, on her knees, looked as if in a great deal of pain. She swallowed hard, and her voice was shaky.

“You can’t have that, Nico. This is how it has to be. And one day, we’ll be reunited again properly. Trust me. Believe in that. I’m never too far away, even when you can’t reach me. But for now, you have to let me go. Can you do that for me, Nico? You’re so strong…you’re so brave.” She turned suddenly to look over her shoulder at something the rest of you couldn’t see. “I must go now. Your powers are attracting unwanted attention. I have to go back.”

“Wait!” A terrible, pained cry ripped from Nico’s throat. “Please don’t go!” He heaved. “Please stay! Don’t leave me here!”

“I love you, Nico.”

You understand Bianca then, and her decision. It was why you dropped Percy’s warm hand and took up Nico’s cold, limp one. He heaved and cried, and didn’t protest when you lay your free hand on the side of his head, and gently pulled him to you. You raised your gaze from Nico’s teary, reddened eyes, squeezed tightly shut, to Bianca’s mirrored gaze. A single, shiny tear trailed down her translucent face, and you tried to convey one last message: Nico would not be alone.

She nodded slowly, and sniffled once. Getting to her feet, Bianca managed a sad smile, and lowered her eyes to Nico once more. He was the last thing she saw, as she trailed out of the mortal world for the final time. Bianca di Angelo simply faded away.

Just because she’d told him to trust you, didn’t mean he trusted you right away. That night, Nico sat out on the porch alone, talking to somebody that wasn’t there, crying to himself. You’d tried to talk to him, but had no luck. Nico demanded to be left alone, so you left him. When you returned two hours later, he’d fallen asleep on the bench, a hand tucked under his cheek. Percy dug out a blanket from one of the bedrooms upstairs, and you’d covered Nico over as the night air grew chilly. Your heart felt heavy, but the day’s trials didn’t prevent you from falling asleep quickly. The boys took the sofas downstairs, and you picked a spot at the bay window with a comforter and pillows. Sleep took you the second you laid down your head.

Your mother decided it was a good time to pop up and say hello, apparently.

You recognised the setting immediately as New York’s Public Library. Beyond the windows lining either two walls, the sky was black as could be, no stars or anything showing through. The lights and the slightly dusty chandeliers on the ceiling of the grand roof were golden, more yellow than usual, and the tables stretching the length of the hall were empty as could be, the dark stretch of tile down the middle aisle echoing your footsteps the further you walked.

At the end of the wall, standing beneath the clock small in the grand wall, was a tall lady, casual as could be in jeans and a pretty sweatshirt. This didn’t defer her from wearing a sword in a scabbard at her hip. Long, light hair was tied back in a practical bun, tight and secure. In her hands was a heavy book, and her brilliant gray eyes scanned it furiously. She didn’t look up from it until you’d paused at her side, peering up at the taller woman, admiring her. Strange, how the gods technically had no DNA, and yet you were her mirror image. The same jawline, the same nose, definitely the same eyes. She was pretty, really pretty, and she carried herself with confidence.

It would have been nice to be acknowledged, however similar you were.

“Mom?” You voiced into the quiet library air.

“Chapter eighteen of The Iliad—what do you know of it?”

You raise your eyebrows, curiously. “I don’t know off the top of my head, exactly. There’s a fight over Patroclus’s body, isn’t there? Real dramatic, like. They’re worried about going to fight the Trojans. Achilles worries about the outcome of Patroclus going out to join the fight.”

“Do you notice any similarities between this and our life?” She quips. Your mom huffed at something she read, and snapped the book shut. The cover was battered leather, the title almost rubbed away. It was old, but no dust rose from it.

You shrug, and feel somewhat nervous. “We’re history repeating itself?” You offer. “Is this to do with Bianca, last night? The fight over what happened to her, fighting over what she wanted for her end?”

Mom hummed, and threw the book over her shoulder. You had a sudden desire to catch it, but as you went to grab it, as it hit your hands, heavy as hell, it disappeared, as though she’d never thrown a thing. Your mother turned to watch you, bringing your brows together, spinning in a circle to look for this damn book like a stupid dog chasing its tail.

“The fight for life is always happening,” said mom, factually. “What happened to Bianca di Angelo was a negligible accident. She could have been saved.”

Frozen, you shakily exhaled. Gray met the mirror image.

“She could have been saved, but it was her destiny. You understand, don’t you, daughter? That what is meant to be is meant to be. So even though you could have saved her life one way or another, she was supposed to die.”

You scoff, and surprise yourself at the burning in your eyes. “People aren’t supposed to just die, mom. When their time comes, when they’re old, then sure. Not like this.”

“Was it not Bianca’s time? Who decides when it is right to die?”

“What’s the point of this?” You snap. “Did you bring me here just to take a dig at me?”

“Everybody has their time. I’m here to tell you to your friend that he should stop meddling in things. Leave things well alone.”

“Great advice. After we’ve sorted things. Bit late to the party.”

“Not entirely.” She tilted her head. “Before I go, just one thing—tell Percy Jackson to let the dead rest, when the time comes.”

“That’s ominous.”

“That’s life,” mom hummed. “I’ll let you go, now. The boy is trying to wake you up.”

When you come to, Percy is knelt beside you. Sunrise is in your eyes, and Nico is shouting downstairs. You gather your things, and prepare to make your way back into the maze.

—

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hooked-on-elvis · 14 days

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"Mr. Songman" (1973-1975)

Recorded on December 12, 1973 at Stax Studios, Memphis · Released on January, 1975 · Album: Promised Land.

MUSICIANS Guitar: James Burton, Johnny Christopher, Charlie Hodge. Bass: Norbert Putnam. Drums: Ronnie Tutt. Piano & Organ: David Briggs, Per-Erik Hallin. Vocals: Kathy Westmoreland, Mary (Jeannie) Greene, Mary Holladay, Susan Pilkington, Voice, J.D. Sumner & The Stamps. OVERDUBS Guitar: Dennis Linde, Alan Rush. Percussion: Rob Galbraith. Piano: Bobby Ogdin. Organ: Randy Cullers. Vocals: Ginger Holladay, Mary Holladay, Mary Cain.

Elvis and Donnie Sumner. C. 1972.

RECORDING SESSION Studio Sessions for RCA December 10–16, 1973: Stax Studios, Memphis The group Voice was becoming a permanent fixture on the Elvis scene. Their deal with the singer included a publishing arrangement, and accordingly they brought songs — their own and those of their friends — to the session. Lamar Fike, watching his territory being encroached upon by the newcomers, was irked. “Who wrote this piece of shit?” Lamar gasped while Elvis was recording a Donnie Sumner tune, “Mr. Songman,” as unadventurous in its way as anything from Freddy Bienstock’s stable of English writers. But Elvis stuck with his new friends (and to the Colonel’s design to increase publishing income), even going to the length of releasing “Mr. Songman” as the B-side of a single. Excerpt: "Elvis Presley, A Life in Music: The Complete Recording Sessions" by Ernst Jorgensen. Foreword by Peter Guralnick (1998)

In late 1973, Donnie Sumner, pictured here second from the right left, along with tenor Sherill Neilson, pictured at the lower left, and Tim Baty, pictured behind Donnie Sumner, formed a new group called Voice.

"MR. SONGMAN" — RELEASES The song was released for the first time on the album Promised Land, on Elvis' birthday, January 8, 1975. In April the song was released as B-side single ("T-R-O-U-B-L-E" is the A-side track).

Elvis Presley: Promised Land (1975); Singles "T-R-O-U-B-L-E"/"Mr. Songman"

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"Mr. Songman" — LYRICS Songwriter: Donnie Sumner Here's another dime for you, Mr. Songman Sing the loneliness of broken dreams away if you can Yes, it's only me and you, Mr. Songman Take away the night, sing away my hurt, Mr. Songman In your ivory covered house safe behind your walls of glass You keep staring back at me like a memory from the past Won't you sing me away to a summer night, let me hold you in my arms again I know memory's not re-living but at least it's not the end Here's another dime for you, Mr. Songman Sing the loneliness of broken dreams away if you can Yes, it's only me and you, Mr. Songman Take away the night, sing away my hurt, Mr. Songman Won't you sing me away to a summer night, let me hold her in my arms again Take away the night, sing away my hurt, Mr. Songman

Elvis arriving at the Stax Studio in Memphis, TN, for a recording session. 1973.

TAKES — "Mr. Songman" Elvis occasionally sang it on tour during 1975 and 1976, but I couldn't find any recordings unfortunately. However, here's TAKE 1 which was sung in a different way than the master, and I LOVE IT! I hope you enjoy too.

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#Spotify #Youtube #elvis presley #elvis history #elvis music #elvis discography #promised land #1975 #elvis songs #“Mr. Songman”#the voice #elvis #70s elvis #elvis at stax #elvis the king

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thegettingbyp2 · 8 months

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Smut prompt 17 or 11, Austin Butler

We Can Be Quick

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You felt your eyes fill up with tears as you watched your boyfriend making his speech after winning a Golden Globe for his role in Elvis. He’d worked so hard on that film and you couldn’t be prouder that he’d won. When he made his way back to you after accepting the award, he put the award on the table before cupping your face in his hands and pulling you in for a deep kiss, making everyone around your cheer.

‘You did it, baby,’ you said into the kiss, pulling back to grin at him. Austin hummed happily as he pulled you closer to press one more quick kiss to your lips before pulling your chair out for you.

‘I couldn’t have done it without you,’ he replied, pressing a kiss to the back of your hand before you both turned back to the ceremony.

You were watching the ceremony when you felt Austin’s hand land on your thigh, slowly but surely moving up your thigh under the table. You were quick to put your hand on top of his, trying to stop his movements before anyone noticed. Austin chuckled quietly at your attempt to stop him and leaned in to whisper in your ear. ‘What are you doing?’

‘Stopping you before you get us caught,’ you whispered back, ‘there are people and cameras everywhere,’ you reminded him.

‘I really don’t care, you look hot and I’m trying not to fuck you senseless right now,’ he replied, taking your earlobe between his teeth and tugging gently.

‘There’s not much longer and then we can go home,’ you replied, cupping his cheek in your hand and running your thumb across his lips. ‘Surely you can wait until then?’

‘I’m not too sure I can, you clearly don’t know how good you look right now. We can sneak into the bathroom and be back before anyone knows were missing. We can be quick now and then we can take our time when we get home.’

‘Austin,’

‘Come on baby,’ he murmured into your ear, kissing your jaw, ‘I won. Help me celebrate?’

The feeling of his lips brushing against your jaw and the scent of his cologne filling your nose had any and all self-restraint you had flying out the window. You leaned in to kiss his cheek before letting your hand drop onto his thigh, squeezing gently. ‘Bathroom,’ you said before standing up and making your way out of the auditorium.

The moment the two of you were in the bathroom, Austin had you pressed up against the wall as his hands started to gather your dress at your waist, while your hands tangled in his hair as his lips pressed against yours. Austin’s head fell into the crook of your neck as his hand slipped into your panties, groaning when he felt how wet you were. ‘This all for me?’

‘Well, I am dating a Golden Globe winner now, can you blame me?’ you teased, making Austin chuckle before lifting his head from your neck.

‘Fuck, I love you,’ he muttered, pressing a smacking kiss to your lips before lowering one hand to pull himself out of his trousers and line himself at your entrance. ‘I promise I’ll make this up to you when we get home,’ he said before pushing into you, burying himself to the hilt in one thrust. You cried out as he gave you a couple of seconds of adjust, your head falling onto his shoulder as he started a rough pace that had the breath leaving your body with every thrust.

Your teeth sunk into the skin of his neck in order to keep your moans from getting too loud as you felt your back being pushed further up the wall with every thrust. Your arms wrapped around his neck and one of his arms wrapped around your thigh, bringing your leg up and around his waist, letting him hit a deeper spot inside you that made it even harder to keep quiet.

‘I’m close, baby,’ he murmured into your ear, kissing the side of your head as he began to thrust even harder, letting go of your thigh and taking your clit between two of his fingers, rubbing and pulling at the bundle of nerves until you were squeezing his cock like a vice as you came around him, digging your teeth harder into his skin.

Austin thrust into you three more times before stilling inside you as his cum painted your walls. The two of you stayed wrapped up within each other for a few moments before he carefully pulled out and helped you stand back on your feet, letting you adjust your dress until you looked presentable again. While you were trying to tidy yourself back up, you hadn’t noticed Austin wander over to the mirror, trying to fix the mess you’d made of his hair.

‘Baby, I love you,’ Austin began, still looking in the mirror, ‘but how the fuck did you manage to cover me in this many hickeys?’ He turned to you and you couldn’t stifle your laughter when you looked over at him and saw that his neck was covered in bite marks you hadn’t realised you’d left and your lipstick had stained the white collar of his shirt.

‘What?’ you replied, eyes wide as you fought to keep the smile off of your face. ‘I needed something to muffle my moans,’ you said, smirking as you turned back around.

‘There’s no way I’m going to be able to go back into that auditorium like this,’ he chuckled, walking over to you and wrapping his arms around your waist, pulling you into his chest. ‘So, why don’t we head home and I can give you a matching set of hickeys?’

#austin butler #austin butler smut #austin butler imagine #austin butler x reader

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precious-little-scoundrel · 11 months

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Let’s Fall Out of Love

Divorce Part 1

Fully co-authored with @elvisabutler 💋

Thanks: are due to so many friends on here who helped craft this timeline and concept and helped me hone the motivations into something I trust our readers will find evocative and sympathetic. Y’all know who you are, thanks for being my buddies

Warnings: 18+ for thematic and sexual material. Strong language and bitter accusations between spouses, mentions of drugs, divorce proceedings, lying to spouses (for their eventual good???) mentions of past infidelity, Colonel Parker being the worst, poor Elvis being in a bad place with his health and mentally -and dub con smut. It is in no way non con but the context, the lack of voiced or implied consent and the aggression make it dubious. It is fairly clear both parties are engaging in hysterical bonding, still the scene is dubious as is the language used by the man regarding a wife having no say in it. So please heed that.

Note: it was the attempt of the writers to craft a rather cinematic experience with this fic, one aim was to skip times and have plenty of fade to black moments. Please note the time stamps above each scene to keep track of progression. Anything that is not clarified in this chapter will either be clarified in the next part or else in others. You’re of course welcome to ask questions.

|| 10th, APRIL 1977 ||

Divorce. Lil Tink is divorcin' him. Lil Laney is gonna be his ex-wife.

The thought rattles around in his aching brain as he chases her up Graceland’s stairway, past the portraits of their children and the plaques celebrating their successes and haunting likenesses of younger selves. Both of them home for a brief stint after Vegas Showrooms and California Courtrooms.

Home -it won’t be his home much longer, she’s gonna see to that.

Divorce.

It had taken up half his year already but he was so sure, so damn sure all she needed was to make a fuss and threaten like she does and then it would cool down, smooth over. He was ready to humor all sorts of shit and then she went and pushed for more. More money, more assets, took out a damn lien. His Tink who happily chucked half of custody at him without a fight has now drug this little show on for months, all for a couple more bucks.

She’s takin' everythin' he's worked so hard for, takin’ it all, going back for more even, just to make sure she can still be taken care of in the conditions and standards he had raised her to.

Spoiled lil middle class girl grown into a spoiled, hardened rich woman.

“Till death do you part”, he hurled the promises at her over the phone, as soon as that court order had landed in his hands -but if ya ask Elaine, he's been dead more times than she can count. Maybe he's dead to her in everythin' but body. Ain't that the other joke, he feels half dead even in body.

"Elaine Presley! Turn 'round when I'm talkin' t'ya! Ya know I hate it when people do that” As if she’s required to listen to him or required to pay attention after two decades of focusing so much of her attention and time and energy on a man who has forgotten all of that. On a man who’s forgotten that he’s married to her. That’s forgotten he has children with her, a life he promised her, and not to his manager who's twisted so much of what was between them into this. Whatever this is.

"Why?" She spits still climbing stairs she's climbed a thousand times before. Faintly she hears Marie playing in her room and a surprising amount of silence from Jack's and her heart twists. They don't need to hear this. None of her children do but her youngest- oh her youngest deserve to think their father is still something resembling a good man.

"Why?" As if Elvis is some sort of parrot, he repeats the question back at her. His confusion colors his face, warring for control with his anger and frustration as he follows her through the padded master doors. "Why? The hell kinda question is that?”

“I told you come by and grab those things you said you needed so badly.” she hauls open one of his drawers and the thing squeals on its track from her violent tug. “So do that. If you wanted to chat then we coulda chatted somewhere else. Or, you know -a year ago? Ten?”

“I’m just askin’ why.“ He embraces her own wording and tries to get nearer her, hem her in against the dresser like he’s done countless times before in this very room with dazzling success.

Elaine slips away between them like water and he’s left bracing himself on the smooth wooden top.

“I’m not actively trying to be a shrew.” she murmurs as she turns away and goes to the other side of the room, opening the wardrobe, “No matter what you believe. I told you that you’ll be welcome in this house no matter what, so that’s why.’I’m not allowing you to come around -you just can, it’s your mama’s house still, for all I’m concerned.”

“No, no I mean- why’re you throwin’ this away?” He emphasizes it with his hands, a pleading gesture that sweeps the whole room and its host of sacred memories. He’s used this before but that was back when he figured it was all one big tantrum. Signing custody papers has rather shaken that hope, delusion, comfort.

Tink purses her lips and he notices her face has gone so white this summer, rarely in the sun and addicted to wearing black like some melodramatic Prima Donna. She does look stunning in the papers all decked out in veils and heels, he’ll give her that. He doesn’t know when she turned from being the heart of the operation to the glamor of it all -and he the opposite.

“What’s my favorite color these days?” she asks him instead.

He stares at the sable color he’s seen her wearing for months now and sighs in exasperation, “Shit I dunno -black?” he swings, knowing it’s a miss the second he says it.

“I can’t do this anymore.” she informs him, like color has broken up a twenty year long marriage and he grinds his teeth so hard he thinks he cracks a filling. The pain adds to his headache that matches the pounding in his chest and the roaring in his ears builds to such a degree he’s honestly terrified for them both.

“Stop this.” he warns her, quite sure she knows the red hot fit she’s stoking with her callousness and hurt that she won’t help him out of it like she used to, that she’ll let him go into a blind rage and then blame him for it, no doubt. “I know when you’re lyin’, woman, and I ain’t ever seen a more lilly livered liar than you right now.” he snarls and tries a last appeal that comes out as a barb anyways, “You wouldn’t be goin’ on so rash if your daddy were still alive,” he jabs a finger at her, “guess I can be grateful he ain’t, so he’s not breakin’ down my door for explanations ‘bout a offense you won’t admit to me!“

Elaine absorbs this blow with a wavering face before the nonchalance cloaks her features once more and Elvis would resort to smacking it off her if he were a different sorta man. “Black is practical, that’s why I wear it. It’s not my favorite though.” she simpers, clutching at the shoe she’s picked up from the floor, something for her hands to worry, to hide her own anguish at having to keep him in the dark. To lie repeatedly to him as he breaks apart, she didn’t know it would cut him up so much.

It’s a mess, this web of connections that used to prop them up, used to be a community. Now it’s a den of tattle tales and if one of them suspects she’s anything but angry at Elvis, that this this divorce and seizing of assets isn’t a scorned wife gone nuts, but rather a calculated endeavor to get at his manager once and for all -well Charlie will spill to Vernon and Vernon will spill to Elvis and Elvis will have all the fuel he needs to plead her right back into complacent heartbreak in his arms -before he goes on tour again and murders himself from the workload.

“I’m on orange kick, actually.” her voice is hoarse.

“Then I’ll buy ya some fuckin’ orange curtains and you’ll stop divorcin’ me.” he jabs a tinged finger at her and he looks like he might fall over, his face is so flushed and sweaty, from pills and passion. Elaine readies to catch him, break his fall if he tips. At least here there’s carpet, unlike the hotel hallway that busted his head last year.

“I’m rather in the mood to buy my own from now on.” she lies and sweeps past him to get to the closet.

She never gets past him. His hand darts out and engulfs her dainty wrist, tugging her back and in a spin like he practiced in his movies so many times, a romantic, gallant, possessive gesture that lands her smack against his broad chest, locked in with an arm around her shoulders.

"Buy your own, hm? Gonna sell my mama's house to do that? Gonna sell ya children's home to do that?"

“Elvis, you get your damn hands off me.” she bites back, throwing her weight on his forearm that might as well be made of steel, so little room does she gain from her effort.

"Never minded my hands on ya before. Even 'fore I married ya, it was fine for me to touch ya. To inspect that lil house of yours to make sure it could have all those lil babies ya wanted. Gave 'em to ya didn't I? Gave ya every last one and two've ‘em are even still with ya till they leave." Never mind that Jack's been bouncing between here and California in an effort to do what he's wanted to do since Elvis would play sharks in the bed with him. "But now you're wantin' my hands off. Goin' on 'bout gettin' new curtains yourself."

His words are punctuated with spit and a hissing anger Elvis doesn't normally indulge in. The bitter anger she used on the road with champagne making her head float in a sea of lies and wants and needs and a twisted sort of love till she had to call it. She can feel her jaw tensing up at his calloused fingers finding their way under her chin, tapping at first to try and have her look up at him before clenching around it and tilting it upward instead.

"Who is it, Laney? Who's the person who's gonna take care of ya? Gonna help ya buy those curtains? Get Marie those cameras? Help Jack and Rosie pay for those commie schools of theirs?" With each passing word Elvis’s voice drops lower and lower in octave until he's reaching levels Elaine's never heard. Against her will, her body shivers in his arms. A sneer crosses his lips- a twisted version of his raised lip that everyone knows and loves. That raised lip she's kissed before with laughter and jokes on how "if you keep doing that your face'll stay that way, Naughty." It shouldn't be there like this and yet it is. "That why ya dragged me to our lil Ella Bella's weddin'? Figured the Martins could spoil our daughter rotten away from you and your new caretaker? Your new piggybank? Don't get shy on me now, Laney! Who's the lucky sonuvabitch who gets to have my wife?"

Elaine's learned how to be composed in every situation with Elvis. She'll shoot at the Colonel over love handles and movies that killed her Elvis's spirit. She'll titter at army wives mocking her house and implying she couldn't keep up with being Mrs. Presley and growing a second set of twins in two years. She'll handle losing little Joesphine with a body that betrayed them all and with a smile on her face because Mrs Kennedy had just lost hers and then John died and the US can't handle their Irish Catholic and their Southern Baptist Camelots falling to pieces all at once. But this, this is too much. This is her soon to be ex husband mocking her. Like she'd have had time to find someone else who would take care of her, like taking care of Elvis and their children allowed her to seek any other comfort than in the aging movie star her husband sought to emulate once upon a time before realizing he's just a man too. The aging movie star she considers one of her nearest and dearest friends and who'd- who would be her caretaker if she let him.

Knowing her luck it'd end up worse than this.

No, this is Elvis throwing out an insult to her character, the one he'd have defended till his dying breath except for when she turns on him like Red and Sonny did. Their book's gonna be coming out sooner rather than later and- she's made it obvious he can't trust a soul any more.

It won't do either one of them any good to react. It's not going to help her escape from his grip that's a vice around her. It won't help him see what she's doing and how she’s doing it for him. But she is only human just as he's only human and her lipstick covered mouth opens in defense of her own honor.

"What makes you think you deserve to know?" He can't see through everything to see why shes doing this, so why should he get an answer. "You won't have to worry, we'll all be taken care of. And you can be rebranded! A seasoned entertainer who's free as a bird to do whoever and whatever he wants. Or oooh -maybe the colonel will pick you out a new wife. Pretty little fool to take my place, without trappings like children -or brains."

“I chose my wife.” it sounds like a beg, anger and hurt battling for the upper hand in Elvis’ heart, his hand squeezes her chin stronger, watching her lips pucker just that little bit. Such a soft mouth has no right being so stern and derisive as it’s been these past months, once upon a time he knew how to make it gasp and smile with a word, a kiss, a mere glance. “I chose you, and you promised. It ain’t me breakin’ that promise, ain’t me sayin’ I can’t do this no more -I-I-I’ve spent my goddamn career givin’ you all this, I gave up w-women for you, I gave up movies for you, when you come to me with what’s wrong I do my damndest to fix it. Now you won’t tell me nothin’ but orange curtains, and if I thought those’d fix us I’d be out the damn door right now, headed to find you the best in the country. I would, Laney, you know I would. I’ve given-“ he stops to gasp in a ragged breath, unsure of what part of himself he hasn’t poured into his Tink, entrusted to her once caring little hands, vulnerability poured like so much oil into her heart for safe keeping, his flaws and secrets tucked safely in the little nooks and crannies of her generous mind. “I’ve given-“

-So Damn Much.

“I’ve given you my life.” His Laney stares back at him entirely unmoved, her eyes hard and sharp with their ebony liner, the squish of her lips beneath his fingers barely dismantling her disdain for him, “And seven children from my body. I never said you weren’t a good man,Elvis, or that you're not generous, but we both know we don’t want to go toe to toe in measuring costs for twenty years in heaven. And I’m saying, -I can’t do it anymore.”

“Anymore?” it’s bothered him all these months, that word and he wonders what she thinks she’ll have after this, like they’re not so intertwined and connected that, like twins, they will forever feel what the other feels, want what the other wants, a string tied between them from countless, immeasurable amounts of time spent merged as one, “I ain’t ever not gonna be in you, woman, once mine -always mine. What’s there for ya after this, huh? Seven children -twenty years! -Goddamn I’m in you!” he shakes her at that and sees a spark of something he knows light up her eyes.

Elvis slides a hand from her shoulders, down over her sternum and feels her heaving intake of breath at the missed feeling of his hands on her, down past the tie at her waist, down to the planes of her firm belly, just a little swell and some soft skin that speaks of the souls they once made with their love. He presses his hand, large and warm and cupped to that precious sanctuary, kneading it, lifting it, weighing it just that little bit in his palm.

The little house is empty.

Elvis outright laughs at his mistake then, a booming, jarring laugh at having forgotten just who he’s got in his arms. He can feel Elaine’s violent shuddering along the entire length of him at the strange sound in their gloomy bedroom. Or maybe it’s from the dig of his fingertips at her womb, like he’ll claw inside it from the outside if he’s barred from plundering her the natural way.

Sweet Miss Phipps, Elvis thinks, with her hungry mind and starved body, so damn eager to be possessed, to be made good use of, to be pumped full and burdened with child again and again. He shoulda kept her swollen this past decade, prioritized her hunger over the tours and then, maybe then, she’d not have gotten notions like this.

“God gave me a remarkable woman.” he murmurs to himself in realization, his hands loosening their grip on her jaw to run the backs of his fingers against against the soft swells of her cheeks and Elaine’s heart speeds up in recognition of the shift in his demeanor, that thrumming resolution taking over his body behind her and helplessly her own responds to it.

As if she's another person, someone she would counsel to resist, to stay strong, Elaine feels her face turn towards the caress of his ringed fingers, towards the admiring touch that’s been her joy to wake to a million times, a touch that’s brought her purpose and comfort for twenty years. Her mouth falls open with a surrendering quiver and she makes no move to avert her mouth when his fingers sweep over her face and across her lips in a revenant mapping of his wife’s well known features. Her tongue darts out to taste even a sliver of his salt, she tastes metal instead as his ring glides by. It’s a heady feeling for anyone to realize Elvis Presley intends to fuck them, it’s entirely heightened by a familiar knowledge of his capabilities and a divinely witnessed right to his person.

It’s no villain staring down at Elaine, pressing himself to her -the distance has been necessary all these months to keep her anger and fear prominent, to remind her of the need for such dire action as divorce, the slightest, kindest of touches from him would dismantle that resolve, that garish image in her imagination. Now she’s close to the finish line, so close he’s fully panicking and she can feel the lightness of soon being free of her deceit. He’s no villain, he’s just a good man who has hurt her, who hurts himself more often and worse than how she’s hurting him. And soon they’ll be able to save each other. Just not today.

His hand slips to her throat and he kneads it, contemplating the give and delicacy of her pale flesh, and her responses, the languid subjugation of her body to his touches, just like he’d taught her in this very bed across from them.

She sees when his eyes flick up from her throat to their marriage bed and it’s like a million hummingbirds erupt in her belly in disbelief, in panic, in a frantic sort of hopeful missing.

“Elvis-“ she doesn’t know if she’s trying to warn him, trying to remind him of the wrongness of what he’s thinking, or if it’s a beg for him to ignore her sensibilities, to take her and make her that new little wifey with the carefree face and the mindless little head.

His face is dark and flushed like he gets when he’s aroused, his features seeming to get richer with the heightened intensity of his feelings and she can feel the sweat break out behind her through his silk shirt, slicking up her own back through the gauze of her dress. Elvis’ eyes drop back to her face, remaining there with a million intentions painted therein but not a single flicker of wavering shows.

Elaine had no reason to be as startled as she was when she felt his hands drop to her waist and spin her around, picking her up beneath the ribs with his astounding strength and tossing her like he would rag doll on his karate mats. She landed with a silly bounce amongst the bedding. It could have been romantic if he had any blue left to his irises as he looked down at her, sauntering to the foot of the bed himself and surveying her where she lay.

“Wife.” he greeted before taking hold of a footsie in each hand and spreading them apart for him to step between her legs.

"Elvis." A whisper as if saying his name any louder would unleash something they might both come to regret. As if it'd cause the dam she's locked her emotions in this entire ordeal will finally break. If she calls him husband it's over. He knows her inside and out, every crevice and dip in her body and soul has been mapped by him. The lie will come apart with a simple utterance of his title that he still has in this moment. The title he still has for three more weeks.

"Elaine." Her name comes out in a shaky breath that she can tell he's attempting to control, to rein in. Those blue eyes she's fallen in love with more and more as years had gone by are an inky void, pupils covering every inch they can and not just because of some pill he had to take or because she had watched him die right in front of her. Both their tongues dart out to wet lips and catch errant drops of sweat before she hears the *clink* of his belt.

That noise isn't new to her, the jangle and clanging of the metal a familiar sound. In the quiet of the room, in the quiet of the house? Of their home? It steals a breath from her lungs as sure as his body pressing down on her would have. The belt sounds like one of the heaviest ones he owns and a shiver unbidden rolls through her body as the cacophony of that gaudy belt gets louder and louder in her ears. Each breath takes effort, forcing air between the two of them that threatens to stifle any calming thought or action. A final puff of air- of his breath- warm and humid runs across her hair, forcing a loose strand of it to move.

Elaine doesn't. Elaine doesn't move an inch even as his belt finally comes off in a subdued flourish and a minor curse. Her eyes focus on the gaudy little harem lamp above them even as Elvis drops the belt ever so gently next to her body. It still clangs against the rings of his hand and its own golden links.

Sweaty and warm, his bejeweled hand moves to cup her cheek. "Mrs. Presley." he breathes her title into her lax mouth like it’s Holy Spirit anointed before slotting his mouth against hers with firm conviction in the rightness of his claim to her.

"Elvis."

It's not fair that all this force, all this passion, all this wanting that has -if she’s being honest- waned for her at times over the years is coming out of him only now, now when he thinks he’s lost her. Now that he’s more fool than he’s ever been. They’ve been alone too often in their marriage, if not separated by miles and oceans, separated by intent and interpretations of it.

“Still mine, for a few more months you’re still mine. Ain’t nothin’ you can do about it. You jus’ take it, jus’ take me, Laney”

And if she weren’t blinded herself by a heartache the proportions of which were only matched by losing a child, she might think every grip and clash of their bodies tells her he wants her every bit as bad as she wants him.

Still.

Mindless and hazy she waits for him to notice how every give and shudder of her own frame declares her want for him. He thinks he’s forcing the matter -but all he’s doing is giving her some false hope to curl around and cry over when the fissure finally splits apart.

I wanted you. But I thought I was alone in it, she thinks she hears them both saying it with every lewd squelch and pant.

It’s cruel confirmation of how entwined they’ve become, how much knowledge of the other they’ve collected over the years that he can make her writhe even under these circumstances, have her shattering beneath him effortlessly like older, kinder, gentler times. It’s made worse when she can feel him slow, stopping partway in that familiar way when he’s edging himself, intending to make her go round the loop once more, the familiarity of it makes her want sob, not from any hurt of the present, but at the notion this may be the last time she feels it -they both want this to last. And that unity is a mocking thing, all context considered.

He’s sweaty and she’s trembling, there’s so much warmth coming off his angry frame that she feels like curling inside the furnace and letting him make her forget anything beyond this physical connection that was never in doubt, the sheets are cold and dry and foreign against her back by comparison and she thinks of sleeping alone amongst them for the rest of her life. Elvis seems to sense this weakness of hers, one he wished he supported sooner, taken advantage of back when she looked so indestructible but was privately fraying at the seams, trying to hold the whole fairytale together. He shoulda done this sooner.

Old dog, new tricks, maybe, but Elvis has always been clever, opportunistic even, and he keeps his thrusts shallow and tantalizing as his wife gasps back to life beneath him and he keeps her close, his hands wound into her hair, hairy forearms beneath her shoulders, her ankle caught somewhere near his ear and his sweaty nose dripping onto her cheek.

“C’mon now Tink, you’ve thrown your fit,” he reasons to her in a coo that is underscored by the cajoling gait of his hips rocking into her, it has her clenching around those first few inches of him again, “ya made your point. Don’t -don’t do this to us baby. You c’mon back now. Ain’t anythin’ out there that’d satisfy you like us. Ain’t nobody else needs ya more dan hims does, satnin, don’t leave hims, baby.”

A good fuck, that’s all she needed, he’s sure of it. Or a couple of ‘em. He shoulda started dishing them out in Palm Springs but he’d been so angry when she filed and she’d been so cold. A couple of good fucks, that’ll solve it.

And to be heard. Which -she’s gotten that, all of America’s been hearing how he can’t keep his own wife.

Whatever bit of sentimentality he’s feeling right now, the sort that makes him wanna spill over how pretty she looks, vanishes in the angry tumult of his recalled humiliation. It fires him up instead and he snorts in his breath above her like an angry bull, perfectly capable of making her pay, making her see some sense, too. The longer she doesn’t reply the more this feeling surmounts the gentler ones and if Elvis were being honest, he knows denial had given way to rage and now bargaining and he’s full on panicking, trying to keep a woman who he shouldn’t have to chase.

She’s his wife.

“Elaine?” even to his own ears he sounds frantic and rough.

She is crying beneath him now, he thinks, that’s not all sweat making her face shine and her lips are taut like when she’s trying to hold it in and he wonders why the hell she’s the one crying. He feels like crying, he’s being left without an explanation or a pot to piss in. And all that while he’s still perfectly capable of proving he’s the best she’ll ever get. It’s like she’s agreeing with him when her hips start to move on their own accord, disagreeing with his teasing thrusts and instead she impales herself up on him, rough and sloppy to the rhythm of her fits of crying.

“I loved you.” Elaine sobs into his neck and he could wring hers for the confusion of it, for the way he just doesn’t get her after a lifetime of trying and how only this, this communion, this passion, this fucking is the only thing they make great sense at. Back when it had a purpose, back when it was to bring joy, to make a baby or five, and even now -to tie her to him somehow.

He folds her body viciously and plants his foot on the bed, thrusting so hard into her with all that wild abandon he knows she’d been jealous of him expending on his audience and not his family. “You greedy lil bitch, you love me,” he growls, “-what a revelation.”

‘Just an ounce of all that passion would go a long way, Elvis’ -he can hear the echo of her stupid little voice even now.

Passion? You want passion, Tink? He doesn’t think he’s ever been so passionately furious when he’s climaxed before ever in his life. For once it’s quite obvious he’s not ‘made love’, war maybe, but not love -and ain’t that another joke, he’d meant to make her love him again.

Elaine tears at his back with her fingernails and hears him snarling at her that he won’t stop, can’t stop, why can’t she stop this nonsense? She grips him harder, she seizes herself as he starts to slow, claws at his back with each vicious pump -seems they’ll both be shifting in their seats next time in the courtroom.

“Elaine?” he sounds so broken, like he does those times when they bring him back from heaven’s gates, it’s mumbled into her neck again like always but this time there’s no drugs to blame, not directly, not if she’s honest. She’s the one killing him. This little plan of hers to save him, just might finish him.

She prays God will be kind, prays he’ll keep her man alive long enough for her to finish this ugly business and restore his freedom, prays that maybe the hot slosh of spend coating her womb won’t be a waste. That she’ll have something of him left, just once more, please just one more. Something left of the man she married. Something to remind her of why they married and of what it was like to be happily married. Maybe just once more she wants to carry his entire world inside her.

“No, Elvis. I-I’m sorry, no.”

When he pulls away, it's not just sweat coating his lashes and his face. This plan of hers might just finish them both.

_______________________________

Every day in that courtroom is another layer of pride and image stripped away from Elvis and her and their perfect Southern Camelot. Every day is another headline for the papers with pictures of Elvis making a fool of himself in a way that can’t be smoothed over by anyone. Every day has cameras being shoved in Elaine’s face as she leaves with another hickey on her neck, bruising and blossoming in a way that looks grotesque when she sees it on the news later that night. The black outfits don’t help the contrast.

Every other day is being thrust against a bathroom stall’s wall with heels digging into Elvis’s back.

“E-Elaine-" He’ll stutter out, the feel of her clenching around his cock making it hard to focus or maybe it was the bite of her nails through his dress shirt. "You stop this. Been grovelin' 'n I deserve to have my wife listen."

"Ex. Wife." Elaine will huff out, words slurring into a quiet mewl as his cock brushes that one spot.

"Wife." An argument and a fact that he'll hammer home until the very last second he can. She never corrects him after the first time, too worried the knowledge would crush him to the point of everything finally giving out.

Jesse has taken to looking askance at her, worried and haunted little looks with fluttery hands at shoulder level that remind her of Elvis before he married her. If she had Elvis’ grit she’d ask her son if he had something to say and tell him to say it.

As it is she just pats his elegant hands, a man’s hands, she realizes, and thanks him profusely for his support, for being there at court with her day after day, missing practice and missing dates, letting a youthful spring and summer slip on by. They’ve been at this for close to a year.

“It’s nothin mama.” Jesse insists, almost offended at the idea he’d be anywhere but by her side.

________________________________

|| 5th, JUNE 1977 ||

When Ann makes her call, Elaine’s heart fills with all the old butterflies and girlish excitement of a past decade. They’ve kept in touch, of course they have, but between the touring, the marriages, and the unspoken acknowledgment of life falling apart from one and coming together for another, there’s less common ground to chat about compared to the days when Elaine used to share her husband and two little vixens named Thumper and Tink got to pick him apart in gleeful adoration like girls with their crush.

“Can I come by?” Thumper asks her, soft and kind but without the playful undercurrent that precipitated all her other visits.

“Well of course you can, you know you can.“ Elaine puzzles, finger worrying the wire in a nervous tick that has nothing to do with anticipation, dread pools in her belly instead.

There’s no children to greet Ann when she comes to the door, Marie at school and Jack away at his apprenticeship in California, Jesse has taken to spending his days in the studio when he’s not needed elsewhere, Daisy on the road and Rosalee in College, Ella married and attempting to assimilate with her in-laws. It feels like a ghost house compared to what Ann recalls. Maybe it’s just the passage of time but something terribly wrong and lonely strikes her at the lifelessness of the grand house, like it’s become haunted without a single death.

Unless it’s the death of the Presley’s as a whole. That would do it.

Elaine stands at the top of the stairs like old times, but there’s no gambit of children to wait for and so she speeds down the stairs at a breezy gait, smiling soft and subdued even as she refuses to be coy with her hug. She wraps Thumper up in a deep embrace and Ann squeezes her back, saying a million things at once by their clutching hold, murmuring little half sentences of condolences and “missed you’s”.

“What’d you come for?” Elaine asks her at the dining table after having supplied ice water and coasters for her guest. Ann turned down the saltines Elaine devoured with peculiar relish.

Always a straight shooter, Elaine. It makes Ann sigh and smooth out her skirt, clearing her voice to repay her candor with like. “I came to see what on earth was going on. To see if you were ok. And, I guess I came to see if it’s really happening. Nobody really thinks it’s happening. Or -I don’t know.”

“It’s happening.” Elaine replies with grim resignation.

“I don’t understand because Elvis says you’re the one divorcing and I always thought if one-“ Ann stops herself to scoff, “-I actually never thought either of you would ever divorce. You’re sincere?”

“It’s happening.” Elaine repeats, shielding her saltine chewing with a manicured hand. The action also flashes her still worn wedding band.

“So it’s not a threat?” Ann marvels, “When Roger insisted it was true, I thought it must be some drastic measure, something to get Elvis’ attention. His cooperation, you know, something to just-“

“-I’ve tried many drastic measures to gain that.” Elaine responds, “ all of them failed. I’d never ‘threaten’ something as horrible as this.“

“But…you’d do something…this horrible.” Ann murmurs, scared to play devil's advocate but utterly confused.

“You don’t know what I’ve been dealing with and, what you saw in the early days of residency, even the stuff on the film sets, it’s like aspirins compared to what he’s on now.”

“So it’s the drugs?” she whispers, heartsick, “You can’t handle being…around them? Around him?” she asks, then adds after careful consideration, “I have noticed you seem, seem still very tactile with him. I see the-“ she waves her finger at Elaine’s collarbones, “-I see the marks. Are you scared of him?”

It is unthinkable of Elvis. It really is, and Ann knows her face must show disbelief even when presented with her friend's mottled skin, and she hates herself for doubting a woman’s account, but if Elaine were to say she’s scared, Ann isn’t sure she’d be able to buy that. Not of Elvis. Even under the influence.

“Gosh no.” Elaine scoffs, a beat too late. “I just can’t do it anymore. All of it. Just the typical little things that build up in a marriage, I suppose.”

She tries to grin and Thumper thinks it’s the weakest acting she’s ever seen. Elaine more convincingly played a virgin in their home movies when deepthroating cucumbers for Elvis’ enjoyment.

“How’s Roger? Elaine asks, through with defending herself and Ann feels lost, adrift and unable to get near like she once did.

“Roger is fine.” Ann replies, “He sends his best. How is Ella?”

“Tell him I’m sorry they brought your name up, last week.” Elaine sighs, no apology offered to Thumper. They both know she’d be offended at an apology for being associated with them. “Ella is decidedly pregnant, that’s what she is.”

“Is she?” Thumper coos, followed by an alarmed quavering of hope and concern on her face. “Elaine, that’s-“ it is wonderful despite the circumstances but Elaine’s brittle posture suggests a to-do about it might sink her. “Congratulations, Grandma Tink.” Thumper settles for, daring to reach across the table top, seizing Elaine’s hand and squeezing its saltine dusted elegance.

“Thank you.” she whispers hoarsely, “She calls me everyday. Reminds me of you and me back when … her man he -he sounds sweet. Of course he’ll be gone awhile and so I’m all she has got to talk to about throwing up each morning and watching things swell.” None of this is how they expected or intended, Elvis and Elaine should both be hovering about and annoying their first grandchild before they’re even out in the world. Instead Ella’s perched down in Texas, no doubt terribly homesick, and Elaine’s talking about grandbabies like it’s another addition to the carport. “Tell Roger we’re sorry they brought your name up. Please tell him.”

“We don’t care.” Thumper insists and Elaine hopes that’s an accurate representation of Roger’s feelings. “He only asked-“ Ann stares out the front windows and down the drive towards the gates, summer colors brilliantly lush outside the house, she’s seen this view so many times it hurts, “-he asked that I make sure that…any…videos, and such, were disposed of.” she winces as she gets it out, once her manager, always her manager that man. “I wasn’t sure which of you to ask about them.”

Elaine stares at her intensely as if trying to read her soul. “I’ve most of them upstairs. Ruined by pregame juice mainly but the labels are sentimental so I’ve kept them.” Ann wonders if they’re ruined at all, and if they are she wonders if it’s by orange juice or by something far more lewd. Elvis never had great aim, “I’m sure Elvis has the ones we sent him under lock and key. Either way, you know neither of us would endanger you. You know that, Thumper.”

“Yes, yes I do.” Ann breathes, resting her chin in her hand, mournful at having insinuated otherwise.

“So you can tell Roger they’re not a worry.” Elaine prods with the shadow of an old smirk, “And you never know, in future it might not be so hard to track Naughty and I down at once.”

“Oh?” Ann squints at her in confusion.

“Mhmm.” Elaine just hums and shrugs her shoulders, the purple little mark on her clavicle shadowing with the movement. “Are you saying the night, Thumper?”

Ann leaves that evening more bewildered than when she arrived. “You were right, Roger,” she tells her husband as she settles beside him late that night, “she didn’t tell me a thing. Not really.”

___________________________

|| 9th, JUNE 1977 ||

“They’re gonna stop pressin’ ‘bout Thumper,” the murmur of his voice registering before the hand on her arm does as they both find themselves heading to the bathroom. It’s a flimsy sort of an excuse and one she’s beginning to think the papers and the news cameras see through.

“That’s good.” Her voice is a little too airy but today’s been a back and forth of yelling and excuses and all Elaine’s thinking about is how one of Daisy’s bandmates called her up from a payphone telling her that they almost couldn’t wake her for the show. The show she shouldn’t be doing but the show that Elaine let her do because she’s been playing being an adult for so long that who was she to argue against it?

“Told her we’d make sure it was- nothing came out. Roger was worried about it. For her image and for his, maybe.”

After all, it’s one thing to just be married to Ann-Margret, another thing entirely to be married to Thumper who’d rolled in the hay literally and figuratively with the Presleys at their lowest point. He’s never minded her continued friendship with them but that was before whispers of infidelity turned into whispers of sexual romps that were taped and stored or pictures that were taken and used as masturbatory material. He's never minded until Joe E, bless his soul, implied he might've seen copper locks in a video from Circle K that Elvis had shown a few of the members of the Mafia. Not that the court or anyone could find such a video.

The lock to the bathroom clicks behind Elvis and he turns around, raising an eyebrow. “Now hold on a minute, she- Thumper thought we’d- I’d never-”

“She didn’t. Roger was concerned. She knows us well enough, Elvis.” Still reassuring him as if they’re not going through what is turning out to be the messiest divorce the world has ever seen and likely will ever see. “I told her as much and she felt bad about asking.”

About the tapes and the photos, not so much about their divorce, Elaine reasons. As much as she wants to fault one of her oldest friends -it’s understandable. That was the purpose of the divorce. To come out of left field and appear to all concerned as if the faithful wife has finally grown unable to force herself to put up with Elvis Presley any more. The Colonel wouldn’t question that and had wanted it for years, if anyone were to ask him. Ann- their lil Thumper wouldn’t have been able to keep her plan a secret, her loyalty to Elvis and Elaine would have put her in a spot that Elaine didn’t dare want to shove her into. No, it was better for her to question the same as everyone else. Maybe if this went well they could all have a laugh about it in Hawaii. Or at the very least, Ann could forgive her.

“Don’t know why she didn’t jus’ ask me, ‘m the one who-'' Elvis's voice trails off when it hits him. Why would she ask the person who likely doesn’t hold most of them. Who’s fixin’ to lose everything in a divorce he desperately doesn’t want. “Least she knows now."

Elaine should agree with him, she should agree with him that at least Ann knows now, but she only knows part of the story. She only knows that the man she fell in love with on a movie set and his wife she maybe sometimes loves as more than a friend won’t damage her the way they’re damaging each other. How even Elaine had to joke that maybe it would be easy to run into them together in the future. Even during these hellish days in court they can’t escape each other’s orbits.

Pretending to not love and care for Elvis is an impossible task when what she’s doing is because her love and her care for a man who is sometimes brutish and stupid and selfish is so overwhelming it threatens to choke her.

At her silence, Elvis allows himself to crowd into her space, hands grasping at her hips ever so gently. "How's Rosalee?"

They're both too tired to fight in this bathroom, their energy having been spent outside of it for everything else. Asking about his favorite daughter, the one who's lived and breathed for her daddy for years feels safe.

"Not- she's not very good, Elvis. It's been- she hasn't really been the same." Since what happened. If things were different maybe she'd be taking the time to relax at home and maybe Daisy wouldn't have run off from guilt and - no. Elaine can't dwell on that even as her eyes start to water.

"It's hard on them." His tone isn't accusing, instead managing to just state a fact. This whole divorce has been hard on all of them. Even if Elaine's the one instigating everything he sees how unhealthy she looks. Feels how her body seems to be breaking down in ways that aren't as flashy as his body but the signs are there.

God knows he's not always been the most pious of men in action, that somehow all his good intentions and gospel songs haven’t managed to pull him back as he skidded down the road to hell, yet he’s got such a hankering to hide in the cleft of the rock once again. Acknowledge he’s a man, a failing man, a wayward husband, a prodigal son.

He finds himself reaching for Laney’s hand, palm up in a way she recognizes without a word. She clasps it without hesitation, in a time worn manner they’ve used before marriages, births, trips, shows, bedsides of sick and dying friends and here in this tiled little haven of the courthouse where they’re allowed to be as vulnerable and broken as their Heavenly Father knows them to be.

They bow their heads and Elvis finds himself begging his Almighty not for a return of fortunes but merely a cessation of tragedies. Elvis’ hand twitches, a pinky disentangling from Tink’s clasp and tickling her belly, like a presentment, like a benediction of nothing more than a heartbroken hunch on his part.

_____________________________

|| 29th, JULY 1977 ||

Elvis regrets answering the door to his penthouse the moment it swings open to reveal Johnny Cash with that sort of frantic and half crazed look in his eyes that Elvis thought he'd given up at the beginning of the decade. Wasn't that a hoot, the two of them swore up and down they had gotten clean for their women, the loves of their lives- the ones that God blessed them with to live out their present and future everlasting lives with- only to fall back into those old habits. What a cosmic joke.

"You're a fool, Presley." Short and to the point in a way that only Johnny can manage. Elvis exhales, wondering what exactly he's done to God to earn one of his oldest friends calling him a goddamn fool at the closest thing he's got to a home nowadays. His lil Schnucki comes to visit him, and Jesse's called once or twice but ever since that- ever since he realized how serious his Laney was about leaving him- Graceland ain't his home anymore.

"Ain't gonna say anythin'? No fight left in you?" The door to the penthouse is kicked in and if Elvis was any other person, or Johnny was any other person Elvis might've jumped. As it is, all he manages is a shrug as he pinches his nose. His head's achin' and his eyes hurt and all he wants to do is sleep. Take something to make every whisper floating in his head die down. An older brother telling him how he's ruined his life isn't remotely something he's got the patience for. Not after today's courtroom.

"Whatcha want me to say, John? Ya know everythin', so whatcha want me t'say, hm? Laney's leavin' me, takin' what she wants and leavin' me poorer than I met her."

Not monetarily, no, Elvis figures he could handle that better than the reality of his Laney, his Tink, the bjggest part of his soul other than his mama leaving him. Elaine's leaving him a man with barely any soul left in him to fight and go on. And he swears- lord he swears he felt something different about her recently. Something swelling that shouldn't.

"What I want'ya to say is that I'm gonna go back to my hotel and me and June are gonna tell each'otha that this whole thing's jus' you all been stubborn as a pair o'mules. Cause if it ain't, I gotta be real concerned June's gonna up and do the same thing on me." Johnny's always been someone who doesn't let Elvis get away with half the things everyone else does. Maybe it's because of how they started things together or how Johnny knows that half the reason he's got June is because of Elvis. Or maybe it was some misplaced need to be a brother to Elvis- to fill in a spot he figures his twin would've.

"June ain't gonna-" Elvis starts before Johnny uses the two inches he's got on Elvis to his advantage, staring the other man down as he cuts him off.

"Lane wouldn't've. Shouldn't've. Yet she is. This ain't- this ain't 'bout whatever damn excuse she's got. Can't be. There's somethin' you ain't tellin' everyone."

More and more Elvis has to laugh at his life and how everyone seems to think he's got some power over his Laney. That this whole divorce and the way he's embarrassing the both of them day after day is just another show. A snow job as the colonel would put it. This would be so much easier if that was the case. It isn't the case though, it isn't the case and Elvis feels his laughter escape him like the boom of a cannon.

"If there's anythin'- The whole damn country thinks I'm an idiot who can't keep his wife and here- I don't need you to be thinkin' 'm an idiot who don't know some grand plan his wife's cooked up. Ain't no plan. Ain't nothin' I ain't already groveled about and cried about in those hallowed halls. Laney jus' don't want me any more."

A silence settles between the two men at that revelation with Elvis breathing sounding so labored that even through the haze of his own drugs Johnny levels a look at his friend. It’s only after he’s sure that the other man won’t pass out and die on him that he actually speaks.

"You- You ain't me. She ain't Vivian. She- Elvis there ain't no way she's- that ain't it. You're both- you two can't keep your hands off each other even divorcin'. She- she still wants ya.”

“She wants my cock, John. Wants my money. Wants my house. My mama’s house. Know I said it was hers the moment we got hitched but- it wasn’t ever supposed to be hers. It’s- It’s ours.” Elvis isn’t one to break down, not in front of certain people and Johnny might be one of his friends that are near and dear to him but he doesn’t want to lose it in front of him. Doesn’t want to cry and blubber like he has been in the courtroom, pleading and begging for Elaine to just see sense. “We don’t- She don’t love me any more. T-That’s all there is to it. No grand con-spear-ah-see. Jus’ my wife wantin’ to be my ex-wife. Don’t know if I blame her. I ain’t-”

“You been a better husband than I was. Better husband than a lotta men. If- if 'Lane wanted to leave ya? She'd have done it back in the 60s. When you were carryin' on wit' what's her name- Swedish girl- fire hair. But she went 'n made friends wit' her. That woman's supposed to be yours till Kingdom Come 'n beyond. This doesn't make a single lick of sense and ya know it!"

One would think that nothing could echo in this penthouse and yet somehow Johnny's booming yell, filled with bass that Elvis is sure have made men greater than him bend and cower, echoes and reverberates in his ears. A stark reminder that Elaine and him seem to affect everyone around them for better or worse. Elvis's heart pumps a little harder as he tries to wrap his aching head around everything for what feels like the millionth time.

"I-I know it don't. This- you know these things don't take this long, John. I've-I been draggin' this out. Stickin' my damn heels in the mud. Anythin' to get her to come back, to see what- anythin' to not lose her. And she's jus'- ain't none of it workin'. Daisy up'n'ran off, Rosalee jus' wants me to be near her mama or her mama near me. Jesse's lookin'-"

"That what it is? Her doing it for the kids?” Johnny’s question has him tilting his head, not entirely unlike the millions of dogs Elvis’s children have had over the years. He ought to be offended Johnny cut him off so easily and without a care in the world and yet Johnny’s one of the few people he’d let do that. “She’s doin’ this for your kids.”

For once, Elvis has to look at Johnny and guess at what he means whether it’s because the man is too stunned to put it into words or because he doesn’t want to even entertain the idea, Elvis doesn’t know. He can hear his heartbeat going a bit too and a bit too hard in his ears as he answers.

“Ya mean- have i been failin’ them too? Have a been as bad of a father to ‘em as ‘ve been a bad husband?” The laugh that leaves Elvis sounds more like a sob than anything else. Johnny purses his lips even as he listens. "Ya mean how I found out I'm havin' a grandbaby through Laney? Or how Daisy's worse than you’n’I together on whatever she's takin'? Or how my boys acted like superheroes for their sister? How my lil Schnucki had- how I had to find that out from the Harrisons and my boys? ‘N I wasn’t there to blow those fools’ heads clean off their necks?”

Johnny realizes right then he’s made a mistake coming here. Or maybe just made a mistake pressing this point like it’s honestly any of his damn business. “You haven’t-”

Elvis cuts him off with a wave of his hand as he steps away, trying to feel less like a caged animal. “That’s right, I haven’t. I haven’t, John. Haven’t been there, haven’t given ‘em what they need. I had one job. Take care of all of ‘em and love ‘em. Failed so- I don’t blame her, John. I- I love her. Ya know I do. You know this sorta love but I can’t, I can’t make her love me again. S-she ain’t gonna love me again. Not the way she has.” His breath comes in short pants as his hand shakes and his leg jitters like he’s a man twenty years and nearly ten children younger. “I tried fixin’ this. The kids- the kids tried fixin’ this. But they can’t- can’t get through to her, these days! They’re all beggin’ and cryin’ and torn up and the Tink I know wouldn’t’ve lasted a week after causin’ such hurt to our babies. Well this new edition of her’s done made it close to a year.”

Johnny opens his mouth to speak only for Elvis to hold up a finger and force himself to take a deep breath, like Laney told him to those times after she thumped his heart back to life for him. Laney’d get what she wants if he died but he’s got a grandbaby he’s gotta see. Wants to try and see. “A year. Been nearly a year and it ain’t workin’. Nothin’- been tryin’ to remind her’ve what we had. What I give t’her. It-” Elvis starts to trail off, the fight that Johnny had put inside him slowly deflating till all he’s left with is the shell of a man who’s bone tired. Bone tired and losing everything no matter what fight he puts up. His shoulders slump.

Watching someone who’s as larger than life as Elvis Presley seemingly fold in on himself feels wrong in Johnny’s mind, but it gives him the answer he needs. It gives him the answer he’s looking for when it comes to just what’s going on with this whole divorce and what’s going on with Elaine and Elvis. His legs cross over to where Elvis is in only a few steps and without missing a beat, his arm wraps around Elvis’s shoulder. Elvis might not be his brother in blood but they’ve gone through enough that- that he wouldn’t leave him out in the cold without a hint of comfort.

“You gotta make peace wit’ it, then. Gotta- The Lord ain’t gonna want to see the two of ya fightin’ till ya keel over and die. Gotta give- If what she wants is to not be your wife any more, ya gotta give it to her. Just to make peace.” His voice isn’t much louder than a low rumble and yet Elvis can hear him clear as day.

“She won’t be my Laney any more. Won’t be my Tink.” A response as if he's a child being denied his favorite toy. Johnny doesn't stop himself from huffing out a laugh.

"But she'll still be Elaine, your children's mama. It ain't like you won't ever see her, EP." But that’s not the problem, that’s never been the problem and from the way Johnny’s looking at him, he knows that. “But ya gotta- it’s not doin’ either of ya a bit o’good to be draggin’ it on and on. Not after everythin’. Been livin’ ‘part for so long-” Johnny trails off, hand moving to rub at his eyes as he shakes his head. “Nothin’ you’ve done’s fixed it. Might not be meant to be fixed in those ways.”

“I-I- I don’t have anythin’ to fall on, John. I leave her it’s jus’ me and-” The medicine I got coursin’ through me, is what he should say. “I don’t know how to not be her husband.”

A silence settles over the two of them, punctuated only by Elvis’s heavy breaths and Johnny’s sharp and quick ones until Johnny settles himself against the wall, crossing his arms and raising his leg to press against it.

“Never said ya had to stop actin’ like you were.”

__________________________________

|| 6th, AUGUST 1977 ||

It’s a supreme irony that after a year of wishing for a cessation of that old stubbornness, that bitter pride of his, when such submission comes in the form of a mute and sullen husband opposite in the courtroom, Elaine feels her heart hammer in her chest, bewildered and terrified as he concedes one settlement after another in quick session.

Jesse gasps beside her at the change, even looks ready to beg her to reconsider her greediness as 90% gets handed over without a hint of the raging qualms her opposition has been voicing for five months.

Only Colonel Parker appears scared as shit, angrily grabbing at Elvis’ limp arm and trying to interrupt his directions with the lawyers. Each new verdict gets waved through by a lazy flick of a bejeweled hand and Elaine thinks the repetition of the gavel granting her all she wants could make for a decent backbeat in the studio.

After an agreement to give up 90% of his catalog, Elaine and Jesse both share a look, heartbroken and relieved that he’s really, truly, finally given up.

It’s obvious to all that it’s a bodily wearing out, Elvis looks awful and no amount of jewelry or eyeliner or Snow Job paraphernalia can hide the fact Elaine’s husband is a sick man. Even the papers who’ve found him easy pickings for ridicule and blame suddenly find some heart for his obvious suffering, even if the compassion is wedged between headlines about his expanding waistline and her latest money grab.

“What’s with you?” she demands and this time it’s her hand around his wrist, the unsteady clop of his boots following her heels after the click of the bathroom latch. When she drops his wrist his gold studded hand lands heavily by his thigh, he makes no move to crowd her, to grip her hair and kiss her like old times. “What was all that about?” she finds herself angry instead of relieved, mimics his lazy hand waves and scoffs in his face. She knew and planned on this day coming, but it doesn’t make it less unsettling as she takes in the victory of her spirit over his. He’s her man after all, her daddy and her provider, tough and proud and one of a kind and she’s beat him at the game of wills. She can feel her eyes pooling and angrily runs a hand under her nose as he stares at her with a blank, droopy expression.

“M’tryin’ to make peace.” Elvis shrugs, it was Johnny’s advice. Whatever it took, even if it meant giving in, he’s the man of their house and he’s here to make peace. Maybe if they end on a kind note he’ll be thought of, invited into the inner circle even even, by the time Ella pops out their grandbaby. “Never cared about the fuckin’ catalogue Tink, was only ever about buyin’ time to convince you to stay.”

The colonel’s panic at this latest settlement, one that finished the final prying open of his carefully constructed facade, one that’s exposed him to years of investigations, jail time maybe -though few outside of Elaine, Mr. Corleone and the FBI know that yet- is like sipping a mojito after a long day baking in the sun for Elaine.

Two decades of her saying he wasn’t right and Vernon telling her to go mind the carpet bill, change a diaper, redo a curl.

It should be refreshing, it should be a tonic to the way she feels shaky most mornings and ravenous in the evenings. Instead she finds herself trembling and laying an icy hand to Elvis’ burning forehead, registering the unnatural heat even in this chilled bathroom. It’s not just the stupid velvet coat, one blue eye is far more dilated than the other now she’s pulled his glasses down. He flinches from it, whether from the brightness of the bare bulbs or her touch, she isn’t sure.

“What’ve they got you on?” she sounds like a frog, throat all constricted and voice thin. She cares, she still cares so much and it could’ve been just yesterday she folded her handsome young groom into that bathtub in Germany and held him through the shakes. She wishes she could ask him ‘why do you always waste my love?’ But somehow, even after all her cruelty, that feels a little mean. “Baby, talk to me, what’s -“

Elvis grabs her hand, gently this time and he folds it with her other in both of his, a tan, sparkly little cage, she wonders how long it’ll take him before he pulls his wedding band off. Will he discard it before they make it out of the courthouse today? “Don’t you fret yourself, lil mama, those days are over.” he rumbles as he squeezes her hands and she wonders if he means days of fretting or drugs, they coincide often enough, “You jus’ take care of y’self, ok?” he sucks in a trembling breath and his glasses pinch between her fingers in his squeeze, “Without me there to nag ya bout it I-I -you take care of y’self.”

“Oh Elvis-'' she whimpers, moving closer, wanting to beg for some forgiveness, all clever plans and well timed revelations beginning to fray as she watches him rally his old magnanimity despite his grief.

_____________________________

|| 28th, SEPTEMBER 1977 || >>

He’s not alone in this concern, Elaine doesn’t know if she has Jesse or Daisy to blame for the way Marlon shows up in Memphis like that Yankee son of a bitch belongs that land bound. There’s never been a reason to see Brando except on one coast or another and it’s jarring for Elaine, seeing him take up space that’s so uniquely Elvis’ property, even if it’s under her name.

To see him in her home. Her true home.

She’s no good at hiding her nerves or the exhausted paranoia of wondering how Elvis will react when he hears of this visit. Marlon reads her like a book and leans against her kitchen counter, acting like Mary isn’t throwing them a million side eyes over the biscuit batter, and asks after her well being.

“Pretty terrible, thanks. And you?” she shrugs, wringing out a dish towel over and over. She doesn’t know when she became so fidgety, nowadays it seems she’s always betraying her nerves with restless hands and she never had that trouble before. Always a baby to hold if she needed the excuse, she guesses.

Her last baby is nine years old. And so she wrings out her dish towels and stares back at an old lover with the weary openness of a woman who doesn’t really care anymore. Elvis has been her one goal, and saving him is killing her as effectively as it is him. Those last days she wasn’t sure he was going to keep making it into the courtroom, shifting in his chair not from her nails furrows but from the repeated shots in his rump. The ones that have killed him a few times over.

Jesse made a visit to him in Vegas. Elaine doesn’t know what he said but her boy has barely spoken since. She asked her son how his father was, quite aware she doesn’t know the particulars from his fevered attentions in the handicapped bathroom of the Santa Monica courthouse. Her man would crawl out of his grave for the chance to make love one last time, it’s not a good gauge. Jesse said he keeps the curtains closed constantly. That he’s not letting anyone up. Charlie barely let Jesse up. His eyes are bad, so bad the curtains stay closed, otherwise Jesse couldn’t tell, couldn’t get a good look at him. He didn’t stay for the concert. Cissy says his voice has held up this time, at least.

“Pretty terrible.” She tells Marlon, because he’s always been more friend than lover, and that’s why he’s in Memphis when it’s a fool's errand anyway.

For all Marlon will speak his mind about this that and the other on things he cares about- yet God does he *care* about Elaine and so he bites his tongue at the first thought that pops into his head. *You've been pretty terrible for years and now you decided to care and do something about it*.

Instead: "You look terrible."

Which is a gross oversimplification of his feelings, but Elaine doesn't watch as his eyes slide over her pale and wan cheeks that look thinner than he's ever seen them. She doesn't watch how his eyes drift downward to breasts that are pressing against the dress she's wearing.

They remind him of when she was pregnant with Marie. They remind him of her breasts when she cried out beneath him against her tiki bar. If he closes his eyes he can picture them bouncing in front of his face, begging for him to bury his face in them. The boy- her oldest boy was right. Marlon doesn't even need to look at her stomach and yet some sick twisted masochistic tendency compels him to as if that'll change things.

It's small. Smaller than he figures any of her bumps have been and yet it's there. Mocking and growing at its own pace.

Proof that Elaine Phipps wants to remain Elaine Presley till one of them dies and maybe even beyond. Marlon can't help the way he exhales through his nose, unable to look away even as Elaine talks,

"Marlon, are you even listening?"

No. But he needs to.

"Mind wandered off, you know how I get, Elaine." He straightens up and tries to stay alert, “So, all this really fixed things for ya, eh?” he quips sardonically and she smiles, rolls her eyes, fully aware he’s not mocking her, he’s mocking the hopelessness of it ever working.

“Yeah. It’s all coming up roses.” she snarks.

“I uh-“ he stipples his fingers on the counter and weighs his next move, “-I heard that Colonel Parker’s recently landed in some seriously hot water. Something about the audits during the divorce and how certain things don’t match up. Got it from the papers, you know how long they stretch a few vague facts. I had to read two whole pages to get ‘fraud’ and ‘debts’ out of them. Anyways, I thought you’d find that nice -hot water, all that.”

“So hot it’ll boil his coat of lies right off with any luck.” Elaine seethes and her sudden passion takes Marlon by surprise. Stirs an old appreciation for just how much verve is always bubbling beneath her doll-like exterior. His fingers itch to let out the excess in a gush around his fingers. “Illegal alien.” She expounds, warming to her argument in the way of someone long overdue a listen, “Would you believe it? All those endless homebound tours -runing Elvis into the ground on the same circuit simply because that greedy fool couldn’t tag along. Couldn’t step outside the country. Always wondered why he never crashed our time in Germany, knew he would if could. Fake, heartless, toad.”

“Fuck him.” Marlon agrees vehemently and Elaine looks up with the same appreciative eyes of a decade past when she got no arguments from him, unlike all the menfolk surrounding her most days. Marlon abides by a simple rule: if it pisses Elaine Presley off, he needs no further research to say it ain’t shit.

“Yes, well, I’ll leave that to the Justice Department, I’ve done my bit.” Elaine sighs, her little victory crow short lived and even with his bias for the unattached Miss Phipps, Marlon can see how hollow her achievements are without Elvis to pat her pretty head for them. “It’s been weeks and I- I’m afraid he’s angry Marlon.” they’re not talking of the Colonel now, Marlon can tell by her love-sick face, “I knew he would be, with the divorce and probably with framing Parker but -he was so kind that day. So kind I thought he might’ve forgiven or just, I don’t know but now, now he won’t even answer my calls. Marie hasn’t gotten through either and -it’s not like him, Marlon, it’s not.”

“You got something pressing to tell him?” Brando asks and doesn’t even bother to hide the way his eyes flick back over her ripening form, pondering if her boy hadn’t been silly after all, going on about her not noticing. If he were a woman, a pretty woman like Elaine still is, Marlon would be weighing those growing tits each day with pride and mesmerization -but then again, Elaine’s had more on her mind than appreciating her own assets like a horny old star who never learned to aim for his own league.

“No I only wanted to-” she bites her lip as if unsure or else what she wants is unspeakably optimistic for a woman who just threw it all away. “I missed his voice.”

_______________________________

<<< || 16th, AUGUST 1977 ||

The knock at the door startled them both. Elvis pulled his back from it and faced it like he was gonna defend his wife from the mob he suspected was outside. Old habits die hard.

“Y’all?” Jesse yelled through the thick wood, “There’s half the city crowdin’ outside, there’s not gonna be a path to squeeze through soon.”

“Yeah alright son, thank you.” Elvis cleared his throat as he dropped her hands, straightening his posture fully. “You ready?” he asked dully, eager to get the worst moment of his life over.

“I gue- I- yes.” she stumbled over her meaning and smoothed out her black jacket.

"Daddy?" Jesse's voice was heard over the wood once more and both Elaine and Elvis took matching deep breaths, sweat droplets falling on Elvis’s eyes with a wince.

It's not pity that had Elaine putting the glasses back on Elvis’s eyes, her fingertips brushing against his temples in a simple gesture she's done a million times before. No, it's her last hurrah as his wife, her last action as his wife. They may have signed the papers within the past hour and legally she may be Elaine Phipps once more but until they walk out of this bathroom and this courthouse she was Elaine Presley, wife of Elvis Presley. A low hum reverbated against her chest before she pulled away, a soft smile across her lips.

"There there, Mopey, all better," she whispered in the sort of tone she only uses for the children when bandaging a hurt. "Let's- let's go face the music."

“Got me more nervous than any curtain I’ve been behind,” he joked even as it falls flat and his breath comes quicker and quicker. This was the beginning of their new life as separate entities. As an ex-husband and an ex-wife.

The door wasn’t that heavy when he shut it earlier and yet it felt as if someone had remade it out of concrete as Elvis tried to push it open once the lock clicked open. He could already see the flashing bulbs from the cameras and the press of the mass of people outside waiting for them. They were no stranger to crowds but this one was one none of them wanted to face. A look was exchanged between the three of them as their shoes clicked against the floor of the courthouse, a silent acknowledgement to try and get to their waiting cars as soon as possible.

"Jess! Mama!" Elvis and Elaine looked up through the mob of people as they pushed and pulled at each other trying to catch a glimpse of the former couple with their oldest son. They found themselves half blinded by flashes of cameras and the sun's own light, trying to find the source of the bellowed words. "We're over heyer!"

Jack then. Jack who was growing more and more into Elvis’s twin if not in bulk but in charm and whose shout sounds something like Sargent Presley’s in the army. Elaine looked at Elvis, biting her lip as she did.

"Soundin’ more like me everyday." Elvis commented as if he was commenting on the weather. It had never been hard to talk to Elaine. Yet in this moment, Elvis found himself at a loss for words. And from the way Elaine was looking at him, the feeling was mutual. Matching pink tongues darted out to wet dry lips and Elvis opened his mouth, his arm outstretched as if he was going to grab at Elaine's only for his oldest son to pop up between them, taking Elaine's arm without a second thought.

"I've got you mama. I gotcha, let's go."

The look he leveled at Elvis made every single moment in this courtroom for the past five months seem like child's play. To have his oldest son look at him like he did with any suitor that tried to come Elaine’s way, hurt. But that was his life now wasn't it? That's Elvis Presley’s life without Elaine Phipps. That's Elaine Phipps's life without Elvis Presley, protected only by her sons and her daughters from a man she once called husband. The man she once loved with every fiber of her being or so Elvis thought. Make peace with it, Johnny said. Make peace with her, Johnny said. Elvis didn't think that it would feel like this.

“I know you do, Jesse. Let me say goodbye to your father.” Elaine said as softly as she could in order to avoid the prying ears of every journalist between here and her car. “Jack and your siblings aren’t going anywhere. Not in this crowd. Even if Jack’d run them over to protect me.”

A smile unbidden crossed Elvis’s lips at the joke between their eldest and Elaine. She wasn’t wrong, but that was his boys and their love for their mother in a nutshell, wasn’t it? Capable of murder to protect her the same as him. She- she would be alright even if- even if what he suspected to be true was.

“Jack drove us here, all of us.” She explained as her eyes flitted across his form one last time to check for imperfections and for signs he might be needing anything. “I’ll make sure Ella calls you about-”

“It’s fine, Elaine. Made my bed, gotta lie in it now.” His eyes scanned across the crowd, even as he winced from the light of the sun and the flashes even through his sunglasses, finally settling on his car with Colonel Parker in the passenger seat, waiting for Elvis with a look of pure displeasure and mild panic on his face. “Gotta get him and I outta here ‘fore I give him a heart attack.”

Elaine’s face hardened at the words, and Elvis, in a fit of nostalgic responsibility for her happiness, moved to place a soft kiss against her cheek, squeezing at her hands as he did.

“S’been the joy of my life knowin’ you, Miss Phipps.”

🥀🥀🥀🥀🥀🥀🥀🥀🥀🥀🥀🥀🥀🥀🥀

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denimbex1986 · 8 months

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'If, in between big heaving sobs, you don’t leave All Of Us Strangers humming Frankie Goes To Hollywood’s The Power Of Love, then check your pulse: you too might also be a departed figure from the afterlife.

Writer-director Andrew Haigh’s hauntingly beautiful film understands the power of nostalgia, and how much of it is rooted in sound. “I think almost every single song that comes out was scripted," he recently told IndieWire. "I knew what that music was before I even started, and I made sure we got the rights to it before we started. Everything was sort of designed with that in mind. [The movie] is about the power of music, weirdly, to drag us back into the past.”

Here’s all the key needle drops from the film (watch out for some spoilers along the way):

Setting The Scene in Adam’s Flat – Fine Young Cannibals: Johnny Come Home

While stuck with writer’s block, Adam cues up this archetypal slice of ‘80s pop to transport himself back to the era. As Roland Gift’s falsetto cries out ‘Johnny/We’re sorry/Won’t you come on home’, is it this 1984 track that causes Adam to revisit his own home, and find out if his parents were also sorry for what happened in his childhood? Or is it Build by The Housemartins, that he also spins, that has him yearning for the past once again?

The Christmas Tree Decorating Scene – Pet Shop Boys: Always On My Mind

The family don’t yet know it – well, apart from Adam, that is – but this is the last time they’ll all be together, a picture perfect moment as they decorate the Christmas tree. As they do so, they start to sing along to the 1987 Pet Shop Boys cover of Elvis Presley’s Always On My Mind. The lyrics (Maybe I didn't hold you/All those lonely, lonely times) echo the repressed nature of some middle-England families of that age, but have an extra poignancy and subtext for Adam and his dad. It seems to be at points cathartic, as they sing what they could never express at the time.

The Nightclub Scene – Joe Smooth: Promised Land

Once voted number 4 in DJ Mag’s Top 100 Club Tunes, there’s no dance floor that this song can't fill. The song speaks of unity, of how there’s peace and comfort when we join forces with others – and whether it’s the song or just the bumps of ket Adam and Scott hoofed up in the club toilets, for one moment, Adam is happy, enjoying a transcendental moment among the sweaty, smiling faces in the crowd. If the film is all a dream, we hope that this is one event that actually came to pass for Adam in reality and not just the breakdown afterwards.

The Meltdown Scene – Blur: Death Of A Party

Used to great effect, the one song in the soundtrack from the ‘90s (1997 specifically, from the band’s self-titled album) is a slowed-down, twisted and distorted nightmare, as Adam either falls into a terrifying k-hole, or falls screaming further back into his delusional hallucinations. Perhaps both! Either way, the art-school band track perfectly captures that moment on a night out when it all gets a bit dark.

The End Scene – Frankie Goes To Hollywood: The Power Of Love

“I’ll protect you from the Hooded Claw,” Adam tells Harry in the final scene, “Keep the vampires from your door.” He is, of course, quoting from the Frankie Goes To Hollywood 1984 song, The Power Of Love. It’s not the first time that the song appears in the film, as Adam plays it earlier in the story, and it’s on the TV on the night Harry tries to drop in.

The song would also have extra significance for Adam, who, we learn, lost his parents in a car crash on Christmas Eve. Although not intentionally created as a Christmas song, when the nativity-theme video for the track was released, alongside the religious iconography for the single's artwork, it was placed in the Christmas canon forevermore and hit number one in the charts in 1984. Each new festive year, as Adam heard that song, it will have transported him back to that tragic Christmas as a child when he lost his parents.

It’s a total gut punch of a song to use in the ending minutes of the film, as the lyrics implore us to ‘make love your goal’. This ethos is reflected in both the ending of All Of Us Strangers and in the beginning of the music video, with light emanating from a giant star. Equally, the warm, fire-like lighting that Haigh bathed many of the romance scenes in seems to reference the lyrics ‘Flame on, burn desire/ Love with tongues of fire’, as Adam’s joy with a partner finally illuminates his dark world. Ultimately, as the pair fade into stars and the credits roll, the lyrics sing out: ‘Love is the light/scaring darkness away’.

Back in 2012, Frankie Goes to Hollywood frontman Holly Johnson spoke about his deep attachment to the song. “I always felt like The Power of Love was the record that would save me in this life," he told The Guardian. "There is a Biblical aspect to its spirituality and passion; the fact that love is the only thing that matters in the end.” A mantra that we hope Adam takes with him, wherever he floats off to in the ether.'

#Andrew Haigh #All of Us Strangers #Frankie Goes to Hollywood #The Power of Love #Blur #Death of a Party #Fine Young Cannibals #Johnny Come Home #Joe Smooth #Promised Land #Pet Shop Boys #Always on My Mind #Build #The Housemartins #Elvis Presley

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from-memphis-with-love · 5 months

Text

A Cowboy for Clementine - An Elvis Presley AU Cowboy Fanfic

Summary: Clementine looked to Elvis, her expression coolly determined. "If there's nothing else, I'll go unpack and change. See you at the barn."

With that, Elvis turned on his heel and strode off, spurs jingling. Clementine released a breath she hadn't realized she'd been holding. Lord, what had she gotten herself into? Wrangling cattle was one thing. Wrangling a surly cowboy with an itchy trigger finger and an apparent grudge was quite another. She had a feeling this Elvis Presley would prove as untamed as the land itself.

Word count: 26,000 (first four chapters)

Chapter 1

The stagecoach lurched and swayed as it wound its way through the rugged mountain pass. Inside, Clementine Olivetti gripped the worn leather seat, her knuckles white from the effort. She peered out the dust-caked window at the forbidding landscape rolling by—jagged peaks, skeletal trees, sun-baked earth. A far cry from the cobblestone streets and genteel townhouses of New York.

What am I doing out here? Clementine thought, not for the first time since beginning this journey west. Traveling across the country to take ownership of some rustic ranch she'd never laid eyes on, bequeathed by an uncle she barely knew. It was rash, reckless even. Very out of character for the practical, level-headed Clementine. A girl who always had a plan.

But perhaps that was precisely the point. To do something unexpected, impulsive for once. To break free from the comfortable confines of her predictable city life. There was a certain romantic notion to it all—a young woman striking out on her own to start anew in the untamed frontier. Like something out of the dime novels she and her best friend Bonnie used to giggle over late at night.

Bonnie Mae Blakely. Her vivacious partner in crime since childhood. The yin to Clementine's yang—bold where she was cautious, impetuous where she was measured. They had shared so many dreams and secrets over the years. When Clementine told her about the surprise inheritance, Bonnie had squealed and hugged her fiercely.

"Oh Clemmie, it's just like a storybook! A rugged ranch out west, waiting for a plucky heroine to make it her own. Promise you'll write and tell me every adventure! And maybe I'll even come visit once you're all settled."

Clementine smiled at the memory, picturing Bonnie's pretty face alight with excitement. In truth, having her friend's unconditional support had given Clementine the courage to undertake this journey. To believe she could reinvent herself and start fresh, even without any family left to tether her to New York.

Her parents had passed on years ago and she had no siblings. Just an uncle out west she scarcely remembered from childhood. The letter from the lawyer informing her of Uncle Ned's death and his bequeathing of Windy Creek Ranch had come as a shock. Almost as much as his written words, which she now withdrew from her handbag to read once more:

"Dearest Clementine,

If you are reading this, then I am gone and the Good Lord has finally called me home. I regret that I did not make more of an effort to be a presence in your life. But know that not a day went by that I did not think of you and wish for your happiness.

I leave to you my most prized possession: the Windy Creek Ranch. Six hundred and forty acres of prime grazing land nestled in the heart of cattle country. It isn't much to look at, but it has potential. Like a rare gem in the rough just waiting to be polished. I built this spread from nothing, with just grit and determination. I know you have that same strength within you.

There is a small town close by called Crossroads. You'll be able to purchase any supplies there and the townsfolk are generally amiable. But be warned, there have been rumors lately of cattle rustlers and claim jumpers looking to prey on the local ranches. Trust your instincts and keep your wits about you.

I wish I could be there to guide you as you begin this new chapter. But I take comfort knowing the ranch is in capable hands. Take care of it and it will take care of you. Never forget, you are my niece. We are made of tougher stuff than most.

Yours, Uncle Ned"

Clementine folded up the letter, blinking back tears. She barely remembered Uncle Ned—a grizzled, wild-eyed man who would occasionally blow into town like a tumbleweed, his clothes smelling of leather and horses and endless sky. Her father's eldest brother. A dreamer. An adventurer. Everything her straight-laced father was not... and did not approve of. The brothers had a falling out when Clementine was just a girl and Ned rode off into the sunset, never to return.

She used to envy his freedom, his daring. While her days were filled with needlework and piano lessons, she imagined Uncle Ned out there living a thrilling life. Herding cattle, exploring the wilderness, sitting around a campfire under a canopy of stars. It all seemed terribly romantic to her younger self.

But as she grew older, Clementine came to accept her lot. Became the obedient daughter, always striving to please, to fit the mold of a proper young lady, accepting decisions made for her and on her own behalf. She buried those yearnings for adventure deep down where they couldn't hurt her. Convinced herself that she was content with her sensible, uneventful existence.

Until that letter arrived and reawakened something within her. A spark. A hunger for more that she could no longer ignore. It was high time Clementine Olivetti started living life on her own terms. Even if that meant venturing into the unknown wilds of cattle country to claim her unexpected inheritance—a ranch that would be hers and hers alone. The prospect both thrilled and terrified her.

The stagecoach hit a particularly deep rut, jolting Clementine from her musings. She clutched her carpet bag closer and said a silent prayer that her worldly possessions would survive the journey intact.

As if reading her thoughts, the driver called out, "Almost there, miss! Crossroads is just up ahead."

Clementine's heart rate quickened. This was it. No turning back now. She took a deep breath, squared her shoulders, and prepared to meet her destiny. Whatever that may be.

The stagecoach rumbled down the main thoroughfare of Crossroads, kicking up clouds of dust in its wake. Clementine peered out at the rustic frontier town, all wooden storefronts and hitching posts. Rough-hewn men ambled down the street in dungarees and cowboy hats. Bonneted women swept front porches and corralled children. A distant clang rang out from the blacksmith and the mouthwatering scent of baking bread wafted on the breeze. Quaint yet industrious. A town where everyone knew everyone else's business and no secret stayed buried for long.

The coach rolled to a stop and the driver hopped down to assist Clementine. A few coins were plunked into his hand. She stepped out into the bright sunlight, stretching her travel-weary limbs. Her legs wobbled a bit, unaccustomed to solid ground after so many hours.

"Miss Olivetti?" a voice inquired. Clementine turned to see a short, wiry man hurrying toward her, his bald pate gleaming.

"Yes, I'm Clementine Olivetti," she replied.

"Hezekiah Gruber, attorney at law," he said, pumping her hand enthusiastically. "We exchanged telegrams about your inheritance. My condolences for your loss."

"Thank you, Mr. Gruber. It was a shock to us all."

"Your uncle was one of a kind, that's for sure. Now then, I imagine you're eager to get out to the ranch and take possession. I won't keep you but let's get your signature on a few documents at my office to make it all official-like."

Clementine followed him down the creaking wooden sidewalk to the lawyer's storefront, noting the curious glances directed her way. She was used to it—a fashionable girl with a funny surname drew attention even back east. She could only imagine the gossip her arrival would stir up here.

"Here we are," said Gruber, ushering her into his cluttered office. "Won't take but a minute to get you squared away."

He shuffled some papers on his desk and handed Clementine a pen. She dutifully signed her name on the dense lines of legalese, the gravity of the moment not lost on her. With a few strokes of ink, she was now the rightful owner of Windy Creek Ranch. Her future.

"It's all yours, Miss Olivetti," said Gruber, blotting the documents. "I'll file these with the deed office today. In the meantime, let's get you on your way to your new home. I'll have Jebediah bring 'round the rig."

"The rig?" asked Clementine, perplexed.

"For your baggage. Unless you were planning to carry those trunks to the ranch yourself?"

Clementine blushed. Of course. This wasn't New York where deliveries arrived directly at one's doorstep. What would Bonnie say if she could see her now, preparing to rattle off in a dusty wagon toward an uncertain future? Probably clap her hands in glee and tell her it was the start of a grand adventure, the kind they'd always dreamed of having.

"Much obliged, Mr. Gruber," Clementine managed, her smile bittersweet. "I'm afraid I have a lot to learn about life out here."

"You'll get the hang of it," he assured. "Now remember, if you run into any trouble out there at Windy Creek, you just send word. I've been looking out for the place since your uncle took ill. I'd hate to see it fall into the wrong hands."

Something in his tone gave Clementine pause. Was that a note of warning? But before she could inquire further, Gruber had ushered her out into the dazzling daylight where a rickety wagon waited.

A grizzled old man sat hunched on the bench. He squinted at Clementine and gave a gap-toothed grin. "All aboard for Windy Creek Ranch!"

Trepidation pricked at her insides but Clementine forced a smile, determined to meet each new challenge with pluck and poise. She clambered up beside Jebediah, her trunk secured in the wagon bed.

"Much obliged," she told the driver. He clicked his tongue and snapped the reins. The mules lurched forward and they set off at a bone-rattling pace. Clementine gripped the sideboard, already regretting her choice of footwear. Perhaps button-up kid boots weren't the most practical for a cross-country trek.

The road out of town quickly turned to a rutted dirt track winding through a patchwork of ranches and farmsteads. Jebediah kept up a steady stream of chatter, pointing out local landmarks and the neighboring spreads.

As Crossroads receded behind them, the landscape opened up into a vista of endless grassland and rolling hills. Herds of cattle grazed in the distance, mere specks on the horizon. The air smelled of sage and leather and something else... of possibility.

"That there's the Circle J, belonged to old Joe Abernathy nigh on forty years 'til he passed on last spring. His boys run it now. And over yonder's the Triple Cross—biggest outfit in the county, but too big for their britches if you ask me."

She thought again of the cryptic warning from Mr. Gruber. Claim jumpers and cattle rustlers, he'd said. The untamed frontier was full of dangers she knew nothing about. As if sensing her unease, Jebediah spoke up.

"Yep, Windy Creek is a right fine piece of property. Yer uncle was real proud of what he built out there. 'Course, ranch life ain't for the faint of heart. Takes grit and know-how to make a go of it."

"I'm a quick study," replied Clementine with more confidence than she felt. "And I'm not afraid of hard work."

"That's good 'cause there'll be plenty of it," said Jebediah with a dry chuckle. "Between the repairs and the brandin' and the drives, ranch folk earn ever' penny of their keep. And that's assumin' the weather cooperates and the rustlers keep their distance."

"I've heard tell of such threats," said Clementine carefully. "Have there been many incidents hereabouts?"

"More'n there oughta be," said Jebediah. "Buncha no-good varmints that'll stop at nothing to line their own pockets. Thievin' cattle, cuttin' fences, raidin' homesteads. Even murderin' folk that get in their way."

Clementine suppressed a shudder, trying not to let her imagination run away with grisly scenarios. If only Bonnie were here to bolster her courage with a saucy quip or two. Her friend had always been the brave one, ready to take on any challenge with a laugh and a toss of her auburn curls. But Bonnie was thousands of miles away, living her own life. This was Clementine's adventure now. Her dream to chase, for better or worse.

"Still, a body can't borrow trouble," continued Jebediah. "Windy Creek's got a solid crew of hands to help you protect what's yours."

Clementine nodded, somewhat reassured. She knew there would be cowhands and ranch staff to assist her, though Uncle Ned's letter had been scarce on specifics. No matter. She would learn everyone's roles and prove herself a capable mistress. How hard could it be?

The wagon crested a hill and suddenly the breathtaking expanse of Windy Creek Ranch stretched out before them—640 acres of pristine range, just like Uncle Ned had said, framed by distant blue mountains under an endless dome of sky. Clementine's heart swelled at the sight of the whitewashed ranch house, the red-roofed barn, the towering windmill spinning lazily in the breeze. Cattle dotted the pasture, fat and healthy. Chickens pecked in the dust and a pair of ranch hands paused in their work to regard the newcomers with frank curiosity. It was more beautiful than she'd dared imagine. Raw and wild and brimming with promise. And it was all hers.

Clementine drank it in, marveling that this was all a part of her uncle's spread. Her spread now. Doubt niggled at her again. What did a city girl know about running a cattle operation? About negotiating with cowhands and driving livestock to market? There was so much to learn, so much riding on her getting this right. She couldn't afford to fail, not when Uncle Ned had entrusted her with his legacy.

As they rolled to a stop in the front yard, Clementine gathered her skirts, preparing to descend with as much dignity as possible given her ungainly boots and the long journey. But before her foot touched the running board, a rifle shot cracked the air. Clementine yelped as a bullet gouged a tree trunk mere inches from her hand.

Heart pounding, she whirled toward the source to see a tall, black-clad figure emerge from behind the water trough, his features obscured by a low-pulled Stetson. He racked the lever of his Winchester with fluid ease and took aim again.

"That's far enough," he growled, his voice rough as saddle leather. "This here's private property. State your business or hit the road."

"Don't shoot!" cried Clementine, throwing up her hands. "I'm... T-this is my ranch now. I've c-come to take possession."

The man lowered his rifle a fraction but kept it at the ready. "That so? Got any proof?"

With shaking fingers, Clementine fumbled to produce the deed from her handbag. "It's all here. Signed and notarized."

She held out the document but he made no move to take it, his stance unwavering. Clementine bristled at his rudeness. Of all the welcomes she'd imagined, being shot at by her own ranch hand was not one of them.

Jebediah, who had wisely taken cover, peeked out from behind the wagon bench. "Now Elvis, what's the big idea? This here's Miss Clementine, Old Ned’s niece and heir."

Elvis? Clementine looked again at her antagonist. Was he one of the hardworking ranch foreman Uncle Ned had spoken so highly of? He certainly hadn't mentioned the man's alarming propensity for gunplay.

"Never heard of her," said Elvis flatly. "And I ain't about to hand over the keys on the say-so of some pretty city gal. Could be anyone—a rustler scoutin' the place or worse. Ned never said nothin' 'bout no niece."

Clementine scowled at his dismissal. "Yes, well, I suspect there's quite a lot Uncle Ned neglected to mention all around. Starting with the presence of an armed squatter on my property!"

Elvis darkened at that but before he could retort, a hulking bear of a man in a sweat-stained union suit came lumbering out of the barn.

"What's all the ruckus?" he called, scratching his fiery beard. "I heard shootin'."

"Stay back, Red," ordered Elvis. "We got us a trespasser."

The big man squinted at Clementine and broke into a slow grin. "Well I'll be hogtied. If it ain't Miss Clementine in the flesh! Spittin' image of ol' Ned, ain't she? 'Specially 'round the eyes."

"You know her?" demanded Elvis.

"'Course I do! Ned's been braggin' on his pretty niece comin' to take over the place for weeks now. Clear 'fore he passed."

Red was a huge bear of a man with a shock of fiery hair and a bushy beard to match. Clementine thought he looked like he could lift a steer with one hand. He stepped forward, his face split by a friendly grin. "Pleased to meetcha, Miss Clementine. I'm Moses Redding, but everyone calls me Red on account of, well..." He gestured to his hair self-consciously.

Clementine couldn't help but return his smile. "A pleasure, Red. I look forward to working with you."

Realization dawned on Elvis' stony features. "Hellfire," he muttered. "Reckon that's my cue to start packin'."

"What on earth are you talking about?" said Clementine.

Elvis met her gaze, resigned. "Way I figure, a fine lady owner ain't gonna want the likes of me hangin' around. Know when I'm not wanted."

Comprehension clicked into place and Clementine gasped. Good lord, Uncle Ned hadn't just failed to mention a few cowhands. He'd neglected to tell her about the man living on the ranch itself! This Elvis character had obviously made himself quite at home in her absence, acting the lord of the manor. And now with her arrival, he assumed he was out of a job and a place to lay his head.

She ought to be livid at the presumption. Ought to send him packing that instant for his insolence and trigger-happy reception. But something in his defeated posture and faraway look stirred an inconvenient pang of sympathy in her breast. Curse her soft heart. As satisfying as it might be to give him his marching orders, the fact remained that Windy Creek was woefully shorthanded. She couldn't afford to lose a single man, especially not one who knew the spread top to bottom. Elvis had been Uncle Ned's right hand. It stood to reason he would be valuable in her transition to ownership, prickly attitude notwithstanding.

Clementine drew herself up, mustering an air of unruffled authority. "That won't be necessary, Mr... Elvis, was it? I've no intention of displacing anyone, provided they pull their weight. If you've been a loyal employee to my uncle, I see no reason why that should change on my watch."

Surprise and something like relief flickered across Elvis' rugged features before he could school them into impassivity. "That so?"

"It is," said Clementine firmly. "I'll need all hands on deck to keep Windy Creek thriving. Starting with a thorough tour of the premises and a briefing on daily operations. As the new owner, I plan to take a very active role in management."

Elvis looked as if he wanted to argue but thought better of it. He gave a curt nod. "Whatever you say, boss lady. Reckon we best start in the barn then. Red can see to your bags."

"Very well," she said crisply. "I'll change into suitable attire and meet you at the barn in half an hour."

Elvis looked mildly impressed by her ready acquiescence, but his expression quickly shuttered. "Suit yourself. But I should probably introduce you to the rest of the gang before you get too high on that horse of yours."

He turned and hollered over his shoulder. "Slim! Rusty! Get on over here!"

Two men materialized from various corners of the ranch yard, ambling over to join them on the porch. The first was a wiry old-timer with a weathered face and a wad of chaw bulging in his cheek. The second was a gangly youth who couldn't have been more than eighteen, all freckles and awkward limbs.

"Boys, this here is Miss Clementine Olivetti," Elvis announced. "Ned's niece and the new owner of Windy Creek. She aims to learn the ropes, so I expect you to show her the same respect you would've shown Ned. We clear?"

The men nodded, touching their hats respectfully. The old-timer spat a stream of tobacco juice and nodded curtly. "Slim Jackson. Been wranglin' beeves since before you was born, missy. You need any pointers, you just holler."

The young man ducked his head shyly, scuffing a boot in the dust. "Rusty Calhoun, miss. I'm real sorry about your uncle passing. He was a fine man and a heck of a boss."

"Thank you, Rusty. I hope I can live up to his example." Clementine turned back to Elvis, her expression coolly determined. "If there's nothing else, I'll go unpack and change. See you at the barn."

But Clementine was no shrinking violet. She had not traveled hundreds of miles to be cowed by one ornery ranch hand, no matter how unsettling his smoky gaze or how broad his shoulders. She would meet this challenge as she intended to meet all others—with grace, gumption, and a stubborn refusal to back down.

Elvis looked Clementine up and down appraisingly as she approached.

"Well now, don't you clean up nice," he drawled. "Those dungarees suit you. Almost take the city polish off."

Clementine wasn't sure if it was meant as a compliment or an insult. Likely both, knowing this man. She tilted her chin and replied evenly, "I believe in dressing for the occasion. So, show me around the barn?"

Lifting her chin, Clementine marched after Elvis, determined to assert her authority and begin this new chapter on her own terms. Ranch life was already proving far more complicated and unpredictable than she'd bargained for. But she had to believe that with hard work, an open mind, and perhaps a bit of that famous Olivetti pluck, she would find her way.

She thought fleetingly of Bonnie, no doubt going about her day back in New York, blissfully unaware of the upheaval in her friend's life. What would she make of all this—the sprawling ranch, the motley crew of cowhands, the arrogant and mysterious Elvis? Clementine could almost hear Bonnie's laughter, could picture her delighted grin and twinkling green eyes.

"Oh Clemmie, it's better than any dime novel!" she would say. "Handsome cowboys, wild horses, wide open skies... and you, the unlikely heroine out to prove herself and tame them all! Just think of the adventures you'll have!"

The corners of Clementine's mouth twitched with an unbidden smile. Trust Bonnie to see the romance in even the most daunting of circumstances. Perhaps there was something to that unshakable optimism. With any luck, Clementine would live to write her friend a bushel of thrilling letters detailing her exploits as the mistress of Windy Creek Ranch.

Provided she survived her first day as Elvis' employer, of course.

Clementine forced down a flutter of trepidation as she neared the looming barn door. Steeling her nerve, she stepped across the threshold into the cool shadow, the pungent scents of hay and horses and honest sweat enveloping her. Her heels sank into the earthen floor, the faint clucking of chickens and a few falling feathers drifting from the loft above.

Elvis stood at the far end of the aisle, backlit by a shaft of sunlight. He had one hip cocked against a stall door, arms crossed over his chest as he watched her approach with an inscrutable expression. Clementine tried not to notice the way his chambray shirt pulled taut across his muscled torso or how his worn denims hugged his lean thighs. She had no business admiring the physical attributes of a subordinate, no matter how undeniably attractive.

He started further into the barn, glancing over his shoulder with a smirk. "You alright there, princess? Need me to fetch you a fainting couch?"

Clementine glowered at him behind his back.

"Welcome to the heart of Windy Creek," he said as she drew near. "This here's where the magic happens."

Clementine arched a brow. "Magic?"

Elvis' mouth twitched, his eyes glinting with something suspiciously like amusement at her primness. "Figure of speech. I mean this is where we break the horses, mend the tack, store the feed. Pretty much everything that keeps the place runnin' starts and ends right here."

He pushed off the stall and gestured for her to follow. "C'mon, I'll show you the layout. Reckon you'll be spendin' a fair bit of time in here, seein' as how you're aimin' to be a hands-on boss and all."

Clementine chose to ignore the note of condescension in his tone and fell into step beside him. For the next half hour, Elvis led her through the barn and corrals, rattling off details about everything from the hay inventory to the farrier schedule to the breeding records of the small remuda. His taciturn demeanor thawed by degrees as he spoke of Windy Creek's prize bloodlines and the foals he hoped to see come spring. It was clear this ranch was more than a job to him; it was his life's work, his pride and joy.

Despite herself, Clementine found she was hanging on his every word, absorbing the intricacies of a world so different from her own. The easy confidence with which Elvis navigated this domain, the surety of purpose in his every move, was oddly compelling. She could see why Uncle Ned had trusted him implicitly.

As they circled back to the main barn, Elvis nodded to a large fenced pasture dotted with grazing cattle. "That there's the heart of the herd. 'Bout 300 head of prime Hereford. The real moneymakers. They'll be your bread and butter once we drive 'em to market come fall."

Clementine shaded her eyes against the glare, marveling at the sea of dun backs and lowing faces. Never in her life had she been responsible for so many living creatures. The weight of it settled on her shoulders like a tangible thing.

"And you're certain we have enough hands to see them safely to market?" she asked, her brow furrowing. "I won't pretend to be an expert, but it seems an awful lot of ground to cover with just the few men I've seen so far."

"We're a lean crew but we're solid," said Elvis. "Me, Red, a couple fellas who drift through as needed. Ain't never lost a steer yet and don't aim to start now." He cut her a sidelong glance. "Course, an extra pair of hands come drive time is always welcome. You any good with a horse?"

Clementine's cheeks warmed at the challenge in his eyes. "I'm a fair rider," she said, lifting her chin. She had ridden in Central Park quite a few times when she was younger. "Though I'll admit it's been a while since I've sat anything beyond a sedate little mare on a bridle path."

"Ain't nothin' sedate about the mounts we raise here," said Elvis with a slow grin that did funny things to her insides. "But I reckon we could find you a steady cow pony, get you back in the saddle."

"I'd like that," said Clementine, pulse quickening at the thought of flying across the open range with the wind in her hair. Yearning for speed and freedom and a taste of the untamed life that had always been denied her.

Something shifted in Elvis' gaze, his eyes darkening as they dipped briefly to her mouth. "Bet you would."

The air between them thickened, charged with a sudden crackling tension that raised the hairs on Clementine's nape. For a long, suspended moment, neither of them moved. Clementine hardly dared breathe, caught in the snare of Elvis' penetrating stare. What was happening? Why did it feel as if the very ground had tilted beneath her feet?

Then Elvis blinked and the spell was broken. He took a measured step back, features shuttering. "Best we get you settled in the house," he said brusquely. "Red's probably fixin' to break down the door wonderin' where we got to."

Clementine swallowed, her tongue darting out to moisten her suddenly dry lips. "Of course," she managed. "After you."

They walked in silence back to the ranch house, a palpable charge still shimmering in the scant space between their bodies. Clementine's mind raced as she tried to make sense of the strange, heated little moment in the barn. Surely it was just a trick of the light, an odd fluke of exhaustion and overwrought nerves. There could be no other explanation for the way her skin had flushed and her stomach fluttered under Elvis' intent gaze.

She was just tired, that was all. Tired and overwhelmed and in desperate need of a bath and a good night's sleep in a proper bed. Everything would seem much more manageable in the clear light of morning. Including a certain confounding cowboy who seemed to swing between hostility and allure at the drop of a hat.

By the time they reached the house, Clementine had convinced herself she had imagined the whole unsettling interlude. Elvis deposited her on the front porch with a perfunctory nod and a promise to have one of the hands bring up a hip bath and hot water. Then he was gone, striding off towards the corrals with that swagger that drew entirely too much of her attention.

Clementine pushed through the door, resolved to put the perplexing man out of her head for the time being. She had more pressing concerns, like acquainting herself with her new living quarters and trying to impose some order on the chaos of this abrupt upheaval.

But as she climbed the creaking stairs to the second floor, dusty carpetbag in hand, she couldn't shake the feeling that her true adventure was only just beginning. That Elvis and Windy Creek Ranch might wind up changing her life in ways she had never dared dream.

With a flutter of nervous anticipation, Clementine stepped across the threshold of her new bedroom, ready to embrace whatever challenges and surprises lay ahead. She could only hope she proved equal to them.

As Clementine explored her new bedchamber, she couldn't help but feel a sense of awe at the rustic charm that surrounded her. The room was simply furnished with a sturdy oak bed, a weathered dresser, and a washstand bearing a chipped porcelain basin. Faded calico curtains fluttered at the open window, letting in a breeze that carried the scent of lavender and distant pine.

It was a far cry from her cozy apartment back home, with its gas lamps and indoor plumbing and nosy neighbors just a thin wall away. But there was something undeniably appealing about this rough-hewn space, with its sense of history and hard-won comfort. She could almost imagine Uncle Ned sitting on the edge of this very bed, pulling off his boots after a long day in the saddle.

A lump rose in Clementine's throat as she thought of her uncle, of the legacy he had entrusted to her. She still couldn't quite believe he was gone, that she would never again hear his booming laugh or see the twinkle in his eye as he regaled her with tales of the wild west. He had been a larger-than-life figure, a beacon of adventure in her otherwise orderly world.

And now he had given her the greatest adventure of all. A chance to build something of her own, to carve out a place for herself in this untamed land. It was a daunting prospect, but also an exhilarating one. For the first time in her life, Clementine felt truly free. Free to make her own choices, to chase her own dreams, to become the woman she had always longed to be.

Oh, there would be challenges aplenty. She was under no illusions about that. Running a ranch was backbreaking work, and she had no experience with any of it. She would have to learn everything from scratch, would have to earn the respect of the men who worked for her. Men like Elvis, who seemed determined to undermine her at every turn.

Clementine's mouth tightened as she thought of the infuriating cowboy. He had made it abundantly clear that he thought she was in over her head, that a city girl like her had no business trying to run a cattle operation. Well, she would just have to prove him wrong. She would work twice as hard as anyone else, would study and practice until she knew this ranch inside out. She would show Elvis and everyone else that Clementine Olivetti was more than just a pretty face in a fancy dress.

With renewed determination, she set about unpacking her trunk. She carefully hung up the simple frocks and sturdy boots she had brought for work, then tucked away the few more fashionable items she couldn't bear to leave behind. Her fingers lingered on a photograph of her parents on their wedding day, their faces alight with joy and promise. She placed it gently on the dresser.

A knock at the door startled Clementine from her reverie. "Come in," she called, smoothing her skirts self-consciously.

The door swung open to reveal a plump, motherly woman with greying hair and a flour-dusted apron. She bobbed a curtsy, her lined face creasing into a warm smile.

"Beggin' your pardon, miss, but I thought you might be ready for some supper. It's been a long day for you, I reckon."

Clementine's stomach rumbled at the mention of food. She hadn't eaten since breakfast, too nervous to do more than nibble on the journey. "That would be wonderful, thank you. Mrs...?"

"Jameson, miss. Ida Jameson. I've been cookin' and cleanin' for Windy Creek nigh on twenty years now. Ever since Mr. Ned hired me on after my dear Henry passed."

"I'm so pleased to meet you, Mrs. Jameson," said Clementine sincerely. "I hope you'll be patient with me as I learn my way around. This is all quite new to me."

"Oh, don't you fret none. We'll get you settled in right quick. Ain't nothin' to runnin' a house once you get the hang of it." Mrs. Jameson's eyes twinkled with kindly amusement. "And don't mind that Elvis none. His bark's worse than his bite. He's just used to havin' things his own way."

Clementine felt her cheeks heat at the mention of the exasperating foreman. Did her consternation show so plainly on her face? "I'll keep that in mind, Mrs. Jameson."

"You do that, miss. Now, let's get you fed afore you faint dead away. I've got a nice beef stew on the simmer and fresh bread just out of the oven."

Clementine's mouth watered at the thought. Suddenly ravenous, she followed Mrs. Jameson down to the kitchen, the delectable scents wafting up the stairs making her stomach growl audibly.

The kitchen was a large, homey space, dominated by a massive cast iron stove and a long wooden table that could easily seat a dozen. Bunches of drying herbs hung from the rafters, jars of preserves lined the shelves, and a motley collection of skillets and kettles dangled from hooks on the walls. It was a far cry from the convenient, modern kitchens Clementine was accustomed to, but there was a cozy charm to it that put her instantly at ease.

Mrs. Jameson bustled about, ladling steaming stew into a blue willow bowl and cutting a thick slice of crusty bread. She set the meal in front of Clementine with a flourish, then poured a tall glass of cool, creamy milk from a stoneware pitcher.

"There you are. Eat up now, and don't be shy about askin' for seconds. Lord knows there's plenty to go around."

Clementine breathed in the savory aroma, her eyes fluttering shut in anticipation. She couldn't remember the last time a simple meal had looked so enticing. Murmuring her thanks, she dug in with gusto, the rich flavors exploding on her tongue.

For a few blissful minutes, there was no sound but the clink of Clementine's spoon against the bowl and the occasional appreciative hum as she savored each mouthful. Mrs. Jameson puttered about, wiping down counters and setting a pot of coffee to brew, a small, satisfied smile on her face as she watched her new mistress eat.

But the peaceful moment was shattered by the sudden bang of the screen door flying open. Elvis strode into the kitchen, his spurs jingling and his hat pulled low over his brow. He drew up short at the sight of Clementine, his eyes narrowing imperceptibly.

"Mrs. J, we got any of that stew left? I'm powerful hungry after wranglin' that new string of horses all afternoon."

"Sit yourself down, Mr. Elvis, and I'll fetch you a bowl," said Mrs. Jameson placidly, seemingly impervious to the sudden tension in the room.

Elvis hesitated, his gaze flicking between Clementine and the empty chair across from her. For a moment, she thought he might make some excuse and flee, but then he shrugged and sank down onto the bench, his long legs stretching out beneath the table.

Clementine kept her eyes fixed on her bowl, her appetite suddenly deserting her. She could feel Elvis watching her, could sense the coiled energy radiating off him like heat from a stove. It made her skin prickle and her heart thump erratically in her chest.

Mrs. Jameson set a heaping bowl in front of Elvis, then tactfully withdrew, muttering something about needing to tend to the laundry. Clementine silently cursed the woman for abandoning her, even as she understood the impulse. The air between her and Elvis was thick with a strange, charged energy that made it hard to breathe, let alone carry on a normal conversation.

For a long moment, neither of them spoke. Clementine pushed a chunk of potato around her bowl, acutely aware of Elvis' every move as he tore off a hunk of bread and sopped up the rich gravy. She could hear the soft, wet sounds of his chewing, could catch the faint scent of horse and leather and sweat that clung to his skin.

It was all suddenly too much. Too intimate, too unnerving. Clementine pushed back from the table, nearly upending her milk glass in her haste. "Please excuse me," she mumbled, not meeting Elvis' eyes. "It's been a long day and I'm quite exhausted."

She fled the kitchen before he could respond, her cheeks burning and her pulse pounding in her ears. She didn't slow down until she reached the sanctuary of her bedroom, the door slamming shut behind her with a satisfying bang.

Clementine leaned back against the solid oak, her chest heaving as she tried to catch her breath. What on earth was wrong with her? She had never been one to let a man fluster her, had prided herself on her poise and composure in even the most trying of circumstances. But something about Elvis made her feel off-balance, unsettled in a way she couldn't quite define.

It was more than just his rough manners and challenging attitude. There was a rawness to him, a sense of barely leashed power that sent a thrill down her spine even as it set her nerves on edge. When he looked at her, she felt stripped bare, as if he could see straight through her proper facade to the wild, yearning heart beneath.

It was terrifying. And if Clementine was being honest with herself, it was also strangely exhilarating. All her life, she had played by the rules, had done what was expected of her. She had been the dutiful daughter, the demure debutante, the efficient employee. But here, in this rugged land so far from everything she had ever known, she could feel those old constraints falling away. Here, she could be anyone she wanted to be, could chase dreams she had never dared voice aloud.

Even if those dreams involved a certain brooding, impossible cowboy with eyes the color of a stormy sky.

Clementine pushed off the door, shaking her head at her own foolishness. She was being ridiculous. Elvis was just a man, no different from any other. A bit rougher around the edges, mayhap, but certainly not worth losing her head over. She had more important things to worry about, like learning to run this ranch and proving herself worthy of her uncle's trust.

With a resolute nod, Clementine began to undress for bed, her fingers deftly unfastening the long row of buttons down the back of her bodice. She slipped the heavy garment off, sighing with relief as the cool air hit her sweat-dampened skin. She reached for her nightgown, a simple cotton shift that fell to her ankles in soft folds.

But as she lifted the garment over her head, a sudden gust of wind from the open window sent the curtains billowing inward, the fabric brushing against her bare skin like a lover's caress. Clementine shivered, gooseflesh rising on her arms and legs. For a moment, she imagined it was Elvis' hands on her, his callused fingers tracing the curve of her spine, the hollow of her throat, the swell of her breast...

With a gasp, Clementine wrenched the nightgown down, her face flaming with mortification. Good heavens, what was she thinking? She must be more tired than she realized, to let her mind wander down such inappropriate paths. Elvis was her employee, nothing more. To allow herself to entertain such lurid fantasies was not only foolish, but dangerous.

Flustered and out of sorts, Clementine crawled beneath the patchwork quilt, the bed creaking beneath her weight. She thumped the pillow a bit harder than necessary, then lay back with a huff, staring up at the shadowy rafters above.

Sleep. That was what she needed. A good night's rest to clear her head and settle her nerves. Tomorrow would be a new day, full of challenges and opportunities. She would rise with the sun, would throw herself into the work of the ranch with all the energy and determination she possessed. And if her thoughts should happen to stray to a certain dark-haired, blue-eyed cowboy, well... she would just have to deal with that when the time came.

With a sigh, Clementine closed her eyes, willing her racing mind to quiet. But even as she drifted off to sleep, she couldn't shake the feeling that her life was about to change in ways she had never dared imagine. That Elvis and Windy Creek Ranch would test her in ways she had never been tested before.

And that maybe, just maybe, she was ready for the challenge.

Chapter 2

The shrill crow of a rooster jolted Clementine from a dreamless sleep. She sat up with a start, momentarily disoriented by the unfamiliar surroundings. Then memory came flooding back - the long journey west, the startling confrontation with Elvis, the strange, charged moment in the kitchen the night before.

Clementine groaned, flopping back against the pillows. She had hoped that a good night's sleep would clear her head, would settle the unsettling flutter in her stomach whenever she thought of the taciturn cowboy. But if anything, the light of day only made her confusion and trepidation worse.

How was she supposed to face him this morning, after fleeing from him like a frightened rabbit? He must think her a complete fool, a silly city girl who couldn't handle the slightest hint of rough manners. And what must the other ranch hands think, seeing their new boss so easily flustered by their foreman?

Clementine set her jaw, a spark of determination igniting in her chest. No. She refused to let Elvis or anyone else rattle her. She was Clementine Olivetti, mistress of Windy Creek Ranch. She had faced far greater challenges than one surly cowboy, and she would face this one with the same grit and grace that had gotten her this far.

With a resolute nod, Clementine threw back the covers and swung her legs over the side of the bed. She winced as her feet hit the cold floorboards, the chill of the early morning air raising gooseflesh on her arms. Shivering, she hurried to the washstand and poured a measure of tepid water from the pitcher into the basin. She splashed her face and neck, the bracing coolness helping to chase away the last vestiges of sleep.

As she toweled off, Clementine caught sight of herself in the small, spotty mirror hanging above the washstand. Her reflection stared back at her, wide-eyed and a bit wan. The long journey and the stress of the previous day had taken their toll - there were shadows beneath her eyes and a pinched look to her mouth. But there was also a new resolve in the set of her chin, a glint of steel in her gaze.

She was not the same woman who had left New York. The old Clementine would have balked at the idea of manual labor, would have blanched at the thought of getting her hands dirty. But the new Clementine, the Clementine who had crossed a continent to claim her inheritance, was ready to roll up her sleeves and get to work.

With that thought firmly in mind, Clementine set about dressing for the day ahead. She chose a simple frock of sturdy blue calico, the skirt full enough to allow for ease of movement. Over it, she layered a crisp white apron, the bib protecting her bodice from any stray bits of dirt or debris. She pulled her hair back into a practical bun at the nape of her neck, then topped the ensemble with a wide-brimmed straw hat to shield her face from the sun.

Looking at herself in the mirror, Clementine felt a surge of satisfaction. She looked like a woman who meant business, a woman ready to take on whatever challenges the day might bring. With a nod of approval, she turned away from the glass and made her way downstairs.

The kitchen was already a hive of activity when Clementine entered. Mrs. Jameson stood at the stove, stirring a pot of bubbling oatmeal with one hand while flipping pancakes with the other. The air was thick with the scent of frying bacon and fresh coffee, making Clementine's stomach rumble in anticipation.

"Good morning, Mrs. Jameson," she said, taking a seat at the long wooden table. "That smells heavenly."

"Mornin', Miss Clementine," the housekeeper replied, casting a smile over her shoulder. "I hope you slept well. I know the first night in a new place can be a bit unsettlin'."

"I slept just fine, thank you," Clementine lied, not wanting to admit to the restless thoughts that had kept her tossing and turning half the night. "Is there anything I can do to help with breakfast?"

Mrs. Jameson looked scandalized at the very idea. "Heavens no, miss! You just sit right there and let me take care of everything. It's my job to make sure you're well-fed and rested, not the other way around."

Clementine opened her mouth to protest, but the housekeeper cut her off with a stern look. "I mean it, miss. You've got enough on your plate as it is, learnin' the ropes of runnin' this ranch. Leave the cookin' and cleanin' to me."

Chastened, Clementine sat back in her chair, feeling a bit useless. She was used to being busy from sunup to sundown, to having a full day's work ahead of her. The idea of sitting idle while others bustled about made her itch with restlessness.

But before she could dwell on it too long, the kitchen door swung open and Elvis strode in, his spurs jingling with each step. Clementine's heart gave a traitorous leap at the sight of him, her skin prickling with awareness as his gaze landed on her.

"Mornin', Mrs. J," he said, tipping his hat to the housekeeper. Then, almost as an afterthought, "Miss Clementine."

"Good morning, Elvis," Clementine replied, proud of how steady her voice sounded. "I trust you slept well?"

Elvis shrugged, hooked his thumbs in his gun belt. "Well enough. Got a full day ahead, so I reckon I'll sleep when I'm dead." His blue eyes glinted with something that might have been amusement, or might have been challenge. "You ready to get your hands dirty, boss lady?"

Clementine lifted her chin, meeting his gaze squarely. "I am. Just tell me where to start."

Elvis' mouth twitched, as if he were fighting back a smile. "Reckon we'll start with the chickens. Gotta collect the eggs and feed the birds 'fore we do anything else."

Clementine's nose wrinkled at the thought of mucking about in a chicken coop, but she nodded gamely. "Lead the way, then."

Elvis cocked a brow, looking almost impressed by her easy acquiescence. He jerked his chin toward the door, then strode out into the morning sunlight without a backward glance.

Clementine hurried to follow, her heart hammering with a mix of nerves and excitement. This was it - her first real test as mistress of Windy Creek. She could only hope she was up to the challenge.

The chicken coop was a ramshackle affair, all weathered wood and rusting wire. It stood at the edge of the yard, a few dozen scrawny birds pecking and scratching at the dirt around its base. They scattered as Elvis approached, clucking and flapping in agitation.

"Little bastards," Elvis muttered, kicking at a particularly bold rooster who dared to dart across his path. "More trouble than they're worth, most days."

Clementine eyed the birds warily, keeping a safe distance as Elvis unlatched the coop door and ducked inside. She could hear him moving about, the soft cluck and coo of the hens as he gathered their eggs. A moment later, he emerged, a basket hooked over one arm.

"Here," he said, thrusting the basket into Clementine's hands. "Hold this while I scatter the feed."

Clementine took the basket gingerly, peering down at the warm, speckled eggs nestled in the straw. They were still faintly damp from the hens' nests, and they gave off a rich, earthy scent that made her think of new life and green growing things.

As Elvis scattered handfuls of cracked corn across the yard, the chickens swarmed around his feet, pecking and jostling for position. Clementine watched in fascination as they darted and fluttered, their beady eyes bright with greed. She had never seen anything so vibrantly alive, so utterly unconcerned with human affairs.

"They're quite something, aren't they?" she murmured, almost to herself.

Elvis glanced up at her, surprised. "What, the chickens? I suppose so. Never gave 'em much thought, to be honest. Just another chore to be done."

Clementine shook her head, a small smile playing about her lips. "There's a lesson in that, I think. They don't worry about yesterday or tomorrow. They just live in the moment, taking what they need and letting the rest go."

Elvis straightened, dusting his hands off on his chaps. He regarded her with a new intensity, as if seeing her for the first time. "Ain't you just full of surprises, Miss Clementine."

Clementine felt a flush creep up her neck at his words, at the way his gaze seemed to linger on her face. She ducked her head, suddenly fascinated by the eggs in her basket.

"We should get these inside," she said briskly, turning back toward the house. "Mrs. Jameson will be wanting them for breakfast."

She could feel Elvis' eyes on her back as she walked away, could sense the weight of his regard like a physical touch. It made her skin tingle and her stomach flutter, made her feel alive in a way she never had before.

But she couldn't let herself dwell on it. Couldn't let herself get distracted by the way he made her feel. She had a ranch to run, a legacy to uphold. And she would do it with or without Elvis' approval.

With a determined set to her shoulders, Clementine marched up the porch steps and into the kitchen, ready to face whatever the day might bring. And if her thoughts kept straying to a pair of piercing blue eyes and a crooked, knowing smile, well...that was nobody's business but her own.

As the morning wore on, Clementine found herself thrown headlong into the daily rhythms of ranch life. After breakfast, Elvis put her to work mucking out stalls in the barn, a task that left her sweaty and aching but oddly satisfied. There was something soothing about the repetitive motions, the earthy scent of hay and horse, the soft whickers and snuffles of the animals as she worked.

Next came a lesson in saddling a horse, Elvis' hands guiding her through the intricacies of cinches and stirrups. Clementine tried not to think about how close he stood, how the heat of his body seemed to seep into her skin through the layers of her dress. She focused instead on the task at hand, on the supple leather beneath her fingers and the solid weight of the saddle as she hefted it onto the horse's back.

By the time the sun reached its zenith, Clementine was sore and sweat-streaked but buzzing with a sense of accomplishment. She had never worked so hard in her life, had never pushed herself to such physical limits. But there was a deep satisfaction in it, a pride in knowing that she was capable of more than she had ever imagined.

As they made their way back to the house for dinner, Elvis fell into step beside her, his long legs easily matching her shorter strides. Clementine glanced up at him, surprised to find a glint of approval in his eyes.

"You did good today," he said gruffly, as if the words pained him. "Reckon you might just have what it takes to make a go of this place after all."

Clementine felt a warm glow of pleasure at his praise, even as she bristled at the note of surprise in his voice. "Did you doubt it?" she asked archly.

Elvis' mouth twitched, his eyes crinkling at the corners. "Let's just say I had my reservations. But you're full of surprises, Miss Clementine. Reckon I'm gonna have to keep an eye on you."

There was something in the way he said it, a hint of challenge and something else, something that made Clementine's pulse skip and her skin tingle. She met his gaze squarely, refusing to back down.

"I suppose you will," she said, her voice steady even as her heart raced. "But I intend to keep an eye on you as well. We're in this together, Elvis. Whether you like it or not."

For a moment, Elvis just stared at her, his expression unreadable. Then, slowly, he nodded, a glimmer of respect in his eyes.

"Reckon we are," he said, his voice low and rough. "Reckon we are."

And with that, he turned and strode off toward the barn, leaving Clementine to watch him go, her heart hammering in her chest and a new determination burning in her veins.

One morning, Elvis gathered the ranch hands for the afternoon's work—a cattle drive to the south pasture to check on the herd and survey the fence lines. Clementine insisted on going along, despite Elvis' skeptical look and Slim’s poorly concealed grin.

Elvis gestured to a small bay mare tethered nearby. "That there is Nutmeg. She's gentle as a lamb and sure-footed on any terrain. Figured she'd suit a greenhorn like you."

Clementine eyed the saddle and tack warily. She knew she was badly out of practice. But she'd be damned if she let Elvis see her falter.

"Lovely," she said brightly, untying Nutmeg's reins and leading her out into the sunlight.

Now came the tricky part. How in blazes did one mount a horse unassisted whilst wearing trousers? Clementine's mind raced as she tried to recall the particulars. There had been talk of a mounting block or some sort of assistance from a groom...

Before she could make a bigger fool of herself, a large, work-roughened hand appeared in her peripheral vision.

"Allow me," Elvis murmured, his breath tickling her ear.

Clementine stiffened but managed a jerky nod, steeling herself as he gripped her waist and practically tossed her into the saddle as if she weighed nothing at all. Good lord, the man was strong as an ox!

"There now," Elvis said, sounding faintly amused. "Snug as a bug. Let's hit the trail."

He swung aboard his own horse, Rising Sun, with effortless grace and set off at a brisk trot, leaving Clementine scrambling to gather her reins and urge Nutmeg to follow. The mare fell into step readily enough, but the motion of the saddle had Clementine lurching and sliding like a sack of potatoes. She clung to the horn for dear life, her teeth rattling and her hat threatening to fly off with every jolting stride.

“You alright there, city slicker?” Elvis offered with a smirk.

Clementine scowled at him, her face flushed with exertion and embarrassment. "I'm perfectly fine, thank you. It's just been a while since I've ridden."

"I can see that. You're bouncin' around up there like a flea on a hot griddle." Red, Slim, and Rusty chuckled.

Clementine's temper flared. "Well, forgive me for not being born in the saddle like some people. We can't all be insolent, arrogant cowboys!"

Elvis' eyes narrowed, his smile fading. "Careful now, missy. That insolent, arrogant cowboy is the only thing standing between you and a long walk back to the house. Might want to mind your manners."

“Aw hell, Elvis, leave the little lady alone,” Slim attempted to diffuse the budding argument.

Clementine knew she should back down, should swallow her pride and apologize. But something about this man just rubbed her the wrong way, stirring up a reckless, contrary streak she didn't even know she possessed.

"Oh, I'm sorry," she said sweetly to herself, not expecting anyone to hear her. "I thought I was the boss around here. My mistake."

Elvis' jaw clenched, his hand tightening on the reins. "Boss or not, out here you're just another greenhorn. And greenshorns who don't listen to good sense often end up buzzard bait. So you can either stow that snippy attitude and let me teach you a thing or two, or you can take your chances on your own. What'll it be?"

Red, Slim, and Rusty slowed their horses down, holding their breath and waiting for her answer. Clementine glared at Elvis, her pride warring with her common sense. As much as it galled her to admit it, Elvis was right. She was out of her depth out here and antagonizing her only guide was foolish at best, deadly at worst.

"Fine," she bit out. "Teach away, oh wise one. I am your humble student."

Elvis snorted, shaking his head. "You sure don't make it easy, do you? Alright, first things first—loosen up on them reins. You're holding 'em like you expect Nutmeg to bolt any second. She ain't going nowhere, trust me."

Clementine forced her white-knuckled grip to relax, letting out a shaky breath as the mare flicked an ear back curiously.

"Good. Now, stand up in them stirrups a bit. Let your knees absorb the motion 'stead of your backside. And keep your heels down for balance."

Clementine did as instructed, wobbling precariously for a moment before finding a rhythm. To her surprise, the ride smoothed out considerably, Nutmeg's rocking gait almost pleasant now that she wasn't being jounced to pieces.

"Well, would you look at that," Elvis drawled. "She can be taught. Keep that up and we might make a passable rider out of you yet, Miss Clementine."

Clementine felt an absurd flush of pleasure at his gruff approval. Honestly, what did she care what this uncouth lout thought of her? Still, perhaps it wouldn't kill her to bend a little, to put aside her wounded pride in service of the greater goal. She needed Elvis' cooperation if she hoped to make a go of this venture. Catching more flies with honey and all that.

Red’s mare caught up to hers, and he gently squeezed Clementine’s arm. “Don’t pay old Elvis no mind. He’s always a little ornery in the morning.”

The four of them rode on in relatively companionable silence, the raw beauty of the landscape stealing Clementine's breath. Towering buttes and mesas rose up from the sun-baked earth, their banded layers glowing red and gold in the slanting light. Gnarled junipers dotted the hillsides, providing scant shade for the cacti and scrub brush that clung tenaciously to the rocky soil. In the distance, a band of wild mustangs kicked up dust as they fled across the flats, tails streaming behind them like banners.

It was a harsh, unforgiving land, but stunning in its austerity. Clementine tried to imagine her uncle Ned riding these same trails, his weather-beaten face creased in a smile as he surveyed his domain. She may not have known him well, but she sensed a kindred spirit—someone drawn to challenge and adventure, to pitting themselves against an untamed wilderness and emerging the victor.

Well, here I am, Uncle Ned, she thought. Following in your boot prints at last. I just hope I'm up to the task.

Lost in thought, Clementine scarcely noticed when Rusty reined in his horse at the crest of a rise, his keen gaze scanning the horizon.

"There," he said, pointing to a distant smudge of brown against the green and gold. "The herd's just over that next ridge. About three hundred head of prime Hereford, Ned's pride and joy. Let's ease up on 'em slow and quiet-like. Don't want to spook 'em into a stampede."

They approached the grazing cattle cautiously, Clementine's heart thudding with anticipation. Her first real look at her newfound livelihood. What would Ned have thought, seeing her astride a ranch horse, ready to take the reins of his empire? Would he be proud or appalled? Amused or aghast?

"You sure you're up for this, Miss Clementine?" Red asked, his blue eyes twinkling with mirth. "Ridin' herd ain't no picnic, 'specially for a greenhorn."

Clementine lifted her chin, giving him a cool smile. "I'm tougher than I look, Mr. Redding. And I'm a quick study. I'll be just fine."

The cattle regarded the riders placidly, chewing their cud and swishing their tails at the flies. Up close, they were even more enormous than Clementine had imagined, their heavy bodies and wickedly curved horns dwarfing the horses. She felt a flicker of unease, remembering tales of cowpokes gored and trampled by unruly steers.

As if sensing her trepidation, Elvis murmured, "Easy now. They're more scared of you than you are of them. These are good, docile beasts, well-used to human handling. Just keep your movements slow and predictable and you'll be fine."

Clementine nodded jerkily, fighting the urge to wheel Nutmeg around and gallop in the opposite direction. She trusted Elvis' expertise, even if she didn't particularly like or respect the man himself. He'd kept this herd thriving for five years—that had to count for something.

They meandered through the milling cattle, Elvis pointing out choice specimens and explaining the finer points of branding, breeding, and husbandry. Clementine did her best to absorb the onslaught of information, her head fairly spinning with talk of bloodlines and feed supplements and market prices.

One thing was becoming crystal clear. She was hopelessly out of her depth when it came to the day-to-day realities of running a ranch. Short of a miracle or divine intervention, Windy Creek would be bankrupt and in ruins within a month under her ignorant guidance.

Clementine's throat tightened with despair at the thought of failing her uncle, of losing this land that meant so much to him. And what of the people who depended on Windy Creek for their livelihood? Red and Slim and Rusty and the other hands she had yet to meet—how could she face them if her incompetence cost them their jobs, their homes?

No, it was unthinkable. She needed help, loath as she was to admit it. She needed Elvis.

Clementine was just working up the nerve to broach the subject when the quiet afternoon exploded into chaos. One moment the cattle were grazing peacefully, the next they were bellowing in alarm, eyes rolling and hooves churning the earth. The cause of their distress soon became apparent—a pair of snarling, yipping coyotes had burst from the underbrush, harrying the herd's flanks in search of an easy meal.

"Damnation!" Elvis swore, spurring his mount towards the threat. "Slim! Red! Rusty! Get after 'em 'fore they scatter the herd!"

Clementine watched in amazement as the cowhands sprung into immediate action, whooping and hollering as they rode to head off the predators. Red in particular was a sight to behold, his enormous frame dwarfing his horse as he thundered after a fleeing coyote, his lasso whirling overhead.

In the midst of the pandemonium, Clementine lost sight of Elvis. She reined in Nutmeg, heart in her throat as she scanned the milling herd for any sign of him. Panic clawed at her insides as horrible visions flashed through her mind—Elvis thrown from the saddle, trampled beneath a hundred hooves, bleeding and broken on the unforgiving ground...

A flash of movement caught her eye and Clementine shrieked in alarm, instinctively wrenching Nutmeg to the side. Too late, she realized her mistake as a coyote darted from the brush directly underfoot, spooking the mare into a wild, twisting buck.

Clementine felt herself slipping, her tenuous grip on the saddle horn failing as Nutmeg crow-hopped and whirled beneath her. She had one instant of sickening clarity, the knowledge that this was going to hurt, before the ground rushed up to meet her with stunning force.

The impact drove the air from her lungs in a whoosh, black spots crowding the edges of her vision. Dimly, she registered the thud of approaching hoofbeats, the bawl of frightened cattle, someone shouting her name with increasing urgency.

"Clementine! Clementine, goddammit, answer me!"

Rough hands seized her shoulders, rolling her onto her back. Clementine blinked up at Elvis' ashen face, his blue eyes wide with fear.

"I'm... alright," she croaked, wincing at the stabbing pain in her ribs. "Just had the wind knocked out of me."

"You're hurt," Elvis said roughly, his fingers coming away from her temple sticky with red. "What the hell were you thinking, pulling a stunt like that? You're lucky you didn't break your damn fool neck!"

"I was thinking that I didn't particularly want to be some coyote's dinner," Clementine snapped, struggling to sit up. "What was I supposed to do, let it take a chunk out of Nutmeg?"

"Better the horse than you!" Elvis shot back. "Christ almighty, do you have any idea what it would've done to me if you'd been killed on my watch? On your first day here?"

There was something raw and desperate in his voice, an emotion Clementine couldn't quite name. She stared at him, struck speechless by the intensity of his reaction.

Before she could formulate a response, the sound of pounding hooves announced the return of the other cowhands. Red reined up hard beside them, his ruddy face creased with concern.

"Miss Clementine! You okay? We saw you take that spill and feared the worst!"

"I'm fine, Red," Clementine assured him, accepting Elvis' hand up with as much dignity as she could muster. "Just a little tumble. No permanent damage."

Rusty looked skeptical, eyeing the bloody gash on her forehead. "That's gonna need some doctorin'. We best get you back to the house and have Juanita take a look."

"I said I'm fine," Clementine insisted, swaying slightly as a wave of dizziness washed over her. "There's no need to fuss."

Elvis made a wordless sound of frustration, scooping her up into his arms as if she weighed no more than a sack of flour. "Stubborn woman! You're gettin' patched up and that's final. Rusty, ride back to the ranch and tell Juanita to put the kettle on and set up a place on the porch.”

"Yessir, boss!" Rusty wheeled his horse and took off at a gallop, stirring up a cloud of dust.

"Slim, you get this heard settled and head on back when you can. Red, you lead Nutmeg back. I'm takin' Miss Accident-Prone here home before she finds more trouble to get into."

Elvis plunked Clementine onto his saddle and swung up behind her, caging her in with his long arms. She opened her mouth to protest the indignity of it all, but a stern look from those flinty blue eyes had her subsiding into sullen silence.

The ride back to the house seemed to take an eternity, every jolt and jostle sending fresh sparks of pain through Clementine's battered body. She could feel the heat of Elvis' chest at her back, the tickle of his breath ruffling her hair. It was unsettling, being in such close proximity to him. Like trying to relax with a loaded gun at your temple.

By the time they reached the ranch yard, Clementine's head was throbbing and her stomach was churning alarmingly. Black spots swarmed her vision as Elvis lifted her down from the saddle, his hands exceedingly gentle for all their strength.

"Easy there, darlin'. I got you."

Clementine leaned into him, too woozy to protest the endearment. He smelled of leather and sweat and something uniquely male, a scent that made her pulse flutter in a way that had nothing to do with her injuries.

She was only vaguely aware of being carried up the porch steps and settled onto a low cot, clucking female voices buzzing around her like concerned hens. Cool hands smoothed her brow, a damp cloth dabbing at the sticky mess at her hairline. The sting of alcohol made her hiss, flinching away.

"Hush, child," crooned Juanita, the middle-aged Mexican woman who served as the ranch’s de facto doctor-slash-veterinarian. "This will clean the cut, keep it from putrefaction. Drink this now, for the dolor de cabeza."

A cup was pressed to Clementine's lips, bitter tea laced with something sharper, medicinal. She gulped it obediently, desperate for anything to dull the relentless pounding behind her eyes.

Gradually, blessedly, the pain receded to a distant ache, her limbs growing heavy with languor. Clementine felt herself sinking into the downy embrace of the cot, the muted sounds of the ranch fading to a distant hum. Just before oblivion claimed her, she thought she felt the calloused touch of a hand smoothing her hair, the gruff timbre of a voice rumbling something that sounded suspiciously like "rest now, wildcat."

But it was probably just a dream, a product of her exhausted, concussed brain. Elvis Presley would never be so tender, so solicitous. Not to her. Not in a million years.

Clementine slept, and did not dream at all.

She awoke slowly, surfacing from the depths of unconsciousness like a diver ascending sunlit waters. Her head felt muzzy, her mouth dry as cotton, but the pain had faded to a faint, distant throb. Blinking gummy eyes, she struggled to focus on her surroundings.

She was lying on the cot on the front porch, a patchwork quilt tucked around her legs. The sun was setting in a blaze of orange and pink, the long shadows of the outbuildings stretching across the yard like grasping fingers. Somewhere nearby, a lone cicada buzzed in the cooling air, a herald of the approaching dusk.

"Well now, look who's back among the living."

Clementine turned her head, wincing at the twinge in her neck. Elvis was seated in a rocking chair a few feet away, his long legs stretched out before him and his hat tipped low over his eyes. He looked relaxed, indolent even, but Clementine could sense the coiled energy beneath the languid facade, the watchful tension of a predator at rest.

"What happened?" she croaked, struggling to sit up. "How long was I out?"

"Couple hours," Elvis replied, leaning forward to hand her a tin cup of water. "You took a pretty good knock to the head when that mare bucked you off. Juanita cleaned you up and dosed you with one of her concoctions. Said you'd be right as rain after some rest."

Clementine sipped the water, frowning as memory returned in fits and starts. The coyote, Nutmeg's panicked thrashing, the sickening weightlessness as she flew through the air...

"The cattle!" she exclaimed, slopping water down her front in her agitation. "Did they scatter? Was anyone hurt?"

Elvis shook his head, a faint smile playing about his lips. "Nah, we got 'em rounded up and settled quick enough. And other than a few bumps and bruises, everyone came through just fine. Except for you, a'course. Damn foolish stunt you pulled out there."

Clementine bristled at the censure in his tone, even as a tiny part of her acknowledged the truth of it. "I was just reacting on instinct. I didn't want Nutmeg to get hurt."

"And I didn't want you to get dead," Elvis retorted, a sudden edge to his voice. "Do you have any idea how close you came to dying today? How it felt to see you layin' there in the dirt, bleedin' and still as a corpse? Christ, Clementine, you 'bout stopped my heart."

Clementine stared at him, caught off-guard by the admission.

She flushed, both at the scolding and the backhanded compliment. "Yes, well, I suppose I've learned my lesson about playing the hero. Ranch work is a sight more dangerous than minding a shop or keeping accounts."

To her surprise, Elvis chuckled. "Reckon that's true enough. But you showed some real grit out there today, greenhorn or no. Not many city gals would have stuck it out like you did."

His praise, grudging as it was, warmed Clementine down to her toes. She ducked her head to hide her pleased smile, suddenly very aware of his nearness, of the way his knee brushed her hip through the quilt.

"I guess I'm tougher than I look," she said, aiming for nonchalance.

"Guess you are," Elvis agreed. Something in his tone made Clementine look up, her breath catching at the intensity in his blue eyes. For a long, charged moment, they just stared at each other, the air between them fairly crackling with an unnamed tension.

Then Elvis blinked and looked away, clearing his throat gruffly. "Best you get some more rest," he said, rising from the rocker. "I'll have Ida bring you up some supper later. Holler if you need anything."

And with that, he was gone, leaving Clementine alone with her whirling thoughts. She lay back against the pillows, her heart racing and her skin tingling where his gaze had lingered. What on earth had just happened? One minute Elvis was his usual gruff, scolding self, the next he was looking at her like... like...

Like a man looks at a woman he desires, a traitorous voice whispered in her head. Clementine shook the thought away, scandalised. Surely she was imagining things, seeing more than was there. She and Elvis were like oil and water, always rubbing each other the wrong way. He tolerated her for the sake of the ranch, nothing more. The idea that he might feel something deeper, something tender and passionate and real... it was impossible.

Wasn't it?

Clementine groaned and turned her face into the pillow, suddenly exhausted. Her head ached abominably, and her heart felt like a bird beating its wings against the cage of her ribs. She needed sleep, needed time to sort through the jumble of her emotions and the strange, unsettling effect Elvis Presley seemed to have on her good sense.

But even as she drifted off into a fitful doze, Clementine couldn't shake the memory of his eyes on hers, intense and searching and full of something that looked achingly like longing. It haunted her dreams, that look—a promise, a challenge, a invitation to something thrilling and terrifying and utterly forbidden.

Something Clementine knew she shouldn't want... but lord help her, she did.

She wanted it with every fiber of her being.

Over the next few days, as Clementine recovered from her injuries, she had ample time to reflect on her growing feelings for Elvis. It was maddening, the way he seemed to invade her every waking thought. She would be in the middle of some mundane task—shelling peas with Ida in the kitchen, or mending a torn shirt in her room—and suddenly his face would swim before her mind's eye, those piercing blue eyes and that crooked, knowing smile making her stomach flutter and her cheeks heat.

It was ridiculous. It was inappropriate. It was... inevitable, if Clementine was being honest with herself. From the moment she'd first laid eyes on Elvis, standing tall and proud on the porch of Windy Creek Ranch, she had felt the pull of him. The attraction, the fascination, the infuriating urge to crack that stony facade and see the man beneath.

But it was more than just physical allure. As the days turned into weeks and Clementine settled into her new life at the ranch, she began to see glimmers of the real Elvis: the loyal friend, the tireless worker, the unexpected jokester. Oh, he could be maddening, with his gruffness and his stubborn pride. But he could also be unexpectedly kind, unbelievably patient, and downright entertaining when the mood struck him.

Like the time he'd caught her trying to sneak a peek at his guitar, the one he kept propped in a corner of the bunkhouse. She'd been sure he would scold her for snooping, or worse, laugh at her clumsy attempts to pluck out a tune. But instead, he'd just shaken his head and smiled that crooked smile of his, then sat down beside her and showed her how to hold the instrument, his callused fingers guiding hers over the strings until she could pick out a passable melody.

Or the night he'd found her crying in the hayloft, homesick and overwhelmed and halfway convinced she'd made a terrible mistake in coming to Windy Creek. He hadn't said a word, just sat down beside her and pulled her into his arms, letting her sob into his shirt until she was spent. Then he'd tipped her chin up and looked into her eyes, his own gaze fierce and tender all at once.

"You're doing just fine, Clementine," he'd said, his voice low and rough. "You're right where you're meant to be."

It was moments like those that made Clementine's heart ache with a longing she couldn't quite name. A yearning for something more than friendship, more than partnership.

Something that felt suspiciously like affection.

But it was impossible. She and Elvis were too different, too stubborn and set in their ways. They would drive each other mad within a year, Clementine was sure of it. And even if by some miracle they could make a go of it, there was still the ranch to consider. Windy Creek needed her, needed Elvis. They couldn't afford any distractions or entanglements.

No, it was better to put such foolish notions out of her head. To focus on her duties and her goals, and let her heart's desire remain just that—a secret, wistful dream.

But oh, how she dreamed.

As the weeks passed and Clementine grew stronger, she threw herself into life at Windy Creek with renewed determination. She rose with the sun each morning, joining Mrs. Jameson in the kitchen for a hearty breakfast before heading out to tackle the day's chores. She rode herd with the cattle, mended fences with Red and the boys, even tried her hand at roping and branding.

She still felt hopelessly out of her depth at times, but she was learning fast. And she had Elvis to thank for that. He was a patient teacher, though a demanding one. He pushed her hard, expecting nothing less than her very best effort. But he was also quick with a word of praise when she got something right, or a steadying hand when she faltered.

Slowly but surely, Clementine could feel herself changing. Growing tougher, more resilient. The blisters on her palms turned to calluses, the ache in her muscles to a pleasant sort of soreness. And though her prim city dresses were a thing of the past, she found she didn't miss them all that much. There was a freedom in denim and calico, a practicality that suited her new life.

She knew she still had a long way to go before she could truly call herself a rancher. But for the first time since arriving at Windy Creek, Clementine felt like she might actually belong here. Like she was exactly where she was meant to be.

And if her gaze still strayed to Elvis more often than it should, if her heart still raced at his nearness and her skin tingled at his touch... well. That was her secret to keep. Her cross to bear.

But lord, what a sweet burden it was.

One evening a few months later, as the sun dipped low on the horizon and painted the sky in shades of gold and pink, Clementine found herself alone with Elvis on a bluff overlooking the ranch. She'd gone up there to get away from the noise and bustle of the house for a while, to let the peace of the prairie soak into her bones and ease the remnants of the day's tension.

She hadn't expected Elvis to follow her. But then, he seemed to have a knack for turning up wherever she was. A coincidence, she told herself each time. Just a quirk of ranch life, two people whose paths were bound to cross often. It didn't mean anything.

But as Elvis came to stand beside her, his shoulder brushing hers as they looked out over the rolling expanse of Windy Creek, Clementine felt that old familiar flutter in her chest. The hitch in her breath, the skip of her pulse.

It meant something. It had to.

For a long moment, neither of them spoke. The only sound was the wind rustling through the grass, the distant lowing of the cattle in the pasture. Clementine breathed it in, let it fill her lungs and settle in her bones. This place, this land. It was a part of her now, as vital as her own beating heart.

"It's beautiful," she murmured, almost to herself.

Elvis hummed in agreement, his gaze never leaving the horizon. "Never get tired of this view. No matter how many times I see it."

Clementine glanced at him, struck by the wondering note in his voice. "You really love this place, don't you?"

Elvis nodded slowly. "It's in my blood. Has been since I was old enough to sit a horse. Used to dream about having a spread like this, a place to call my own." He paused, his jaw working as if wrestling with some inner debate. Then, quietly, "Never thought I'd find someone to share it with, though."

Clementine's heart stumbled, then began to race. Surely he didn't mean... no. He couldn't have.

They rode home in silence.

Chapter 3

The sun beat down on Clementine's back as she rode across the pasture, her eyes scanning the herd for any signs of trouble. It had been just over a year since she'd arrived at Windy Creek Ranch, and in that time, she'd learned more about cattle and cowboying than she'd ever thought possible.

She'd also learned a thing or two about herself. Like the fact that she was stronger than she'd ever given herself credit for, and that the wide-open spaces of the West felt more like home than the bustling streets of New York ever had.

As she turned her horse back towards the ranch house, Clementine couldn't help but smile. Despite the long days and the hard work, she'd never been happier. She had a purpose here, a place where she belonged.

She had Elvis.

Of course, he was as quiet as ever. Truly, the strong and silent type. But somewhere along the way, through all the disagreements and teasing, a comfortable companionship had grown between them, and Clementine was grateful.

She dismounted in front of the house, handing the reins off to one of the ranch hands. "Take good care of him, Johnny," she said, giving the boy a pat on the shoulder. "He worked hard today."

Johnny grinned, his freckled face beaming with pride. "Yes, ma'am, Miss Clementine. I'll give him a good rubdown and some extra oats."

Clementine nodded, grateful for the enthusiasm and dedication of her crew. Over time, the workers at the ranch had become like her family. In addition to Red, Slim, and Rusty, there was Johnny, the eager young newcomer; Hank, the grizzled old-timer who'd been working the ranch since before Clementine was born; Juanita, the no-nonsense veterinarian who kept the animals healthy and her affable husband Gerónimo; Ida, the motherly housekeeper and cook whose fried chicken was legendary around these parts; and a handful of other steady, reliable hands.

She made her way into the house, sighing with relief as the cool shade enveloped her. She had just taken off her gloves and settled down at her desk to go over the day's receipts when a letter caught her eye. It was postmarked from New York.

Clementine smiled as she unfolded the pages, eager for news from home. But before she could read more than a few lines, the door burst open and Elvis strode in, his face grim.

"We got trouble," he said without preamble. "Rustlers hit the Falling Tree Acres last night. They're missing a dozen head."

Clementine's blood ran cold. Rustlers. The scourge of the open range, the nightmare of every rancher west of the Mississippi. She had heard the stories, had listened to the ranch hands swap tales of cattle thefts and midnight raids. But she had never thought it would happen here, in their peaceful valley.

"Are you sure?" she asked, her voice barely more than a whisper.

Elvis nodded grimly. "They found tracks this morning, out by their western pasture. Looks like the bastards cut the fence and drove off a dozen head in the night. Took ‘em 'til now to make sure there weren't no stragglers."

Clementine sank back into her chair, her knees suddenly weak. A dozen head. It didn't sound like much, but she knew that every animal counted, that even a small loss could be devastating to any ranch.

“What’ll they do?” she asked, hating the tremor in her voice. "What if the rustlers come here?"

Elvis sighed, running a hand through his dark hair. "Ain't gonna be easy. These rustlers, they're smart. They know how to cover their tracks, how to disappear into the wilderness like ghosts. We could spend weeks chasin' 'em and never see hide nor hair."

Clementine's heart sank even further. Something had to be done, but... weeks of fruitless searching, of neglecting the ranch and the rest of the herd? They couldn't afford it, not now. Not when they were just starting to find their footing. Then again, they needed to do something about it—prevent any losses before they happened.

But then, a sudden thought struck her. A memory of something her uncle had said, long ago, when she was just a girl. Something about the importance of neighbors, of community, of banding together in times of trouble.

"What about the other ranchers?" she asked, sitting up straighter in her chair. "Surely we're not the only ones who have been hit by these rustlers. What if we joined forces, pooled our resources and manpower?"

Elvis looked at her in surprise, as if the idea had never occurred to him. "You mean, like a meeting?"

She took a deep breath, her mind already racing. "Yes," she said, standing up from her desk. "Let's get the word out. I want every rancher in the valley here tonight. We need to figure out a plan."

Elvis nodded, his jaw tight. "I'll send Rusty and Johnny to spread the news. You want me to ride over to Big Sky, let them know?"

Clementine hesitated, remembering the last time she'd seen Nathaniel Hawthorne. The man had been cold and dismissive, making it clear that he didn't think much of a woman running a ranch. But Big Sky was one of the largest spreads in the area, and they needed all the help they could get.

"No," she said finally. "I'll go myself. It's time Nathaniel and I had a little chat."

Elvis's eyes narrowed, but he didn't argue. "Alright then. I'll hold down the fort here, make sure everything's ready for tonight."

Clementine nodded, grateful for his support. She knew that Elvis had his doubts about her plan, but he trusted her enough to follow her lead. It meant more to her than she could say.

She rode hard for Big Sky, her thoughts churning as she tried to come up with a way to convince Nathaniel Hawthorne to join their cause. The man was as stubborn as a mule, and twice as mean. But if they had any hope of stopping the rustlers, they needed Big Sky on their side.

When she arrived at the ranch, she was surprised to be greeted not by Nathaniel, but by his son Aaron. The young man was a few years older than Clementine, with sharp hazel eyes and a no-nonsense air about him.

"Miss Olivetti," Aaron said, his tone cool but polite. "I'm afraid my father is indisposed at the moment. What can I do for you?"

Clementine dismounted, dusting off her hands on her skirt. "I'm sorry to hear that," she said, though she wasn't entirely sure she meant it. "I've come to talk to him about the rustler problem. We're calling a meeting tonight, and I was hoping Big Sky would be represented."

Aaron’s eyes narrowed, and Clementine got the sense that she was being sized up. "I see," the young man said finally. "Well, I can't speak for my father, but I'll be there. Big Sky takes the rustler threat very seriously."

She rode back to Windy Creek feeling accomplished, like they might just have a chance against the rustlers after all. But as the sun began to set and the ranchers began to arrive, Clementine felt her confidence waver.

The main room of the ranch house was crowded, the air thick with tension and the murmur of voices. Clementine looked around at the gathered men, recognizing most of the faces. There was Jake McAllister from the Circle B, his weathered face set in a scowl. Tom Hawkins from the Rocking H, his fingers drumming an agitated beat on his thigh. Hank Brewster from the Lazy J, his shoulders slumped with weariness. Of course, Jake Dawson from Falling Tree Acres was there, too, hopping mad. And a half-dozen others, all looking to her for answers.

Her own men were there as well—Red and Slim and Rusty, their expressions grim. And a few more she'd come to rely on over the past year: Jeb Thompson, a grizzled hand who could coax a calf from the orneriest of heifers; young Billy Turner, eager to prove himself; and Lyle Davis, quiet and steady, with a gift for gentling horses.

But there was one face Clementine didn't recognize—a woman, standing slightly apart from the rest. She was tall and slim, with honey-blonde hair and sharp blue eyes. When Elvis saw her, he stiffened, a flicker of something unreadable crossing his face.

"Katie," he said, his voice carefully neutral. "Didn't expect to see you here."

The woman—Katie—smiled, but it didn't reach her eyes. "Desperate times, Elvis. My father and Aaron sent me in their stead." Aaron Hawthorne. Katie was Aaron’s brother, and Nathaniel’s daughter.

There was a story there, Clementine could tell. A history between Elvis and this Katie Hawthorne. But now was not the time to dwell on it. They had bigger problems to deal with.

As if on cue, Tom Hawkins spoke up, his voice tight with anger. "We all know why we're here. These rustlers are bleeding us dry, and something needs to be done about it. But I think we ought to wait and see." A murmur went around the room, heads shaking and fists clenching.

"And what good would hunkering down do?" demanded Sam Johnson, his fists clenched at his sides. "They'd just pick us off one by one, like lambs to the slaughter. No, we need to take the fight to them, hit them hard and fast before they can hit us again."

"Are you out of your mind?" Hank Brewster's voice cut through the din like a knife. "You're talking about going up against armed men, men who won't hesitate to put a bullet in your back. It's suicide, plain and simple."

"I say we let the law handle it," said Hank Brewster, his tone weary. "It's their job, ain't it?"

Jake McAllister snorted. "The law? You mean Sheriff Hodges? That old drunk couldn't find his own ass with both hands and a map. We'd be better off hiring a pack of coyotes to guard the henhouse."

A ripple of uneasy laughter went through the room. Clementine frowned, her patience wearing thin. They were getting nowhere with this bickering. Soon, the men all erupted into argument, voices rising and tempers flaring. Clementine looked from one angry face to another, her heart sinking. This was exactly what she'd been afraid of—that the ranchers would be too divided, too set in their ways to find common ground.

"We have to do something," she said, her voice ringing out clear and strong. "We can't just sit back and watch everything we've worked for be taken away."

"And what do you suggest, Miss Olivetti?" Katie asked, her tone faintly mocking. "That our men go out there, guns blazing, and get themselves killed?"

Clementine opened her mouth to retort, but Elvis beat her to it, his deep voice cutting through the din like a knife.

"Seems to me," he said slowly, "that we don't have much choice in the matter. Either we take the fight to the rustlers, or we sit back and watch everything we've worked for get stolen out from under us. I don't know about y'all, but I ain't too keen on the second option."

A heavy silence fell over the room, broken only by the occasional cough or shuffle of feet. Clementine could see the indecision on every face, the warring impulses of self-preservation and solidarity.

But then, slowly, heads began to nod. Shoulders straightened, jaws set with determination. "The man's right," Jake McAllister said grudgingly. "We can't just sit back and let them pick us off one by one. We have to stand together, or we'll all fall alone."

There were murmurs of agreement from around the room, a sense of purpose beginning to take hold. Clementine felt a surge of pride and gratitude, her eyes seeking out Elvis's across the sea of faces. He met her gaze steadily, something warm and reassuring in the blue depths.

"Alright then," Elvis said, his voice ringing out with confidence. "Let's get to planning. We'll need every able-bodied man who can ride and shoot. We'll track the rustlers to their hideout, and we'll make sure they never trouble us again."

The meeting broke up soon after that, the ranchers dispersing to make their preparations for the evening. As she was lighting a candle, Clementine caught a glimpse of Katie Hawthorne deep in conversation with Elvis, their heads bent close together as they spoke in low, urgent tones.

Something twisted in Clementine's gut at the sight, a flare of jealousy that she didn't quite understand. But she pushed it down, focusing instead on the task ahead. There would be time to worry about Katie Hawthorne later.

Later that evening, Clementine found herself wandering the quiet halls of the ranch house, her mind too full of worries to settle. She was just about to open the cupboard when she heard a noise from the living room, a soft clink of glass on wood.

Curious, she padded over to the doorway, peering into the dimly lit room. Elvis sat at the table, a half-empty bottle of whiskey in front of him and a troubled expression on his face. He looked up as she entered, his eyes widening in surprise.

"Clementine,” he said, his voice rough. “What are you doing up?”

She shrugged, suddenly feeling self-conscious in her nightgown and robe. “Couldn’t sleep. Too much on my mind, I guess.”

Elvis nodded, his gaze dropping to the glass in his hand. "I know the feeling," he said, taking a swig of whiskey.

Clementine's heart clenched at the weariness in his voice, the vulnerability he so rarely showed. "You don't have to go tonight, you know," she said softly, reaching out to lay a hand on his arm. "The other men can handle it. You've done enough already, Elvis. More than enough."

He looked up at her then, something fierce and determined in his eyes. "Ain’t no way," he said, his voice low and intense. "I promised your uncle I'd look after this place, Clem. I ain't about to break that promise now."

Clementine felt a rush of warmth at his words, a flutter of something deeper and more complicated than gratitude. But she tamped it down, focusing instead on the danger ahead.

"It's going to be risky," she said, her voice wavering slightly. "I don't want you getting hurt on my account, Elvis. I couldn't bear it if something happened to you."

He covered her hand with his own, his skin warm and rough against hers. "Good thing I ain't planning on gettin’ hurt, then," he said, a small smile tugging at the corners of his mouth. “Besides, it’s just a search party. We ain’t gonna do no shooting tonight. We’re just gonna track the rustlers, that’s all.”

Clementine laughed, the tension draining out of her in a rush. "Well, I suppose I can live with that," she said, her eyes sparkling. "Just promise me you'll be careful out there, alright?"

"I promise," Elvis said, his voice solemn. "And you promise me, Clementine. You’ll be waiting when I get back?"

She nodded, her throat suddenly tight. "I promise," she whispered, meaning it with every fiber of her being.

They sat like that for a long moment, hands clasped and eyes locked, the silence stretching out between them like a promise of its own. And then Elvis cleared his throat, releasing her hand and standing up from the table.

"Best get some rest," he said, his voice gruff. "Got a long day ahead of us tomorrow."

Clementine stood as well, her heart racing as she followed him to the door. "Goodnight, Elvis," she said softly, her hand on the knob. "And thank you. For everything."

He paused, his hand coming up to brush a strand of hair back from her face. "Anytime, Clem," he murmured, his eyes soft. "Anytime at all."

And then he was gone, the door closing softly behind him, leaving Clementine alone with her thoughts and the pounding of her own heart.

The ranch house was quiet that night, the usual bustle and chatter replaced by a tense, watchful silence. Clementine wandered the halls like a ghost, her mind spinning and her heart aching.

She couldn't shake the feeling that something was wrong, that some disaster was looming just beyond the horizon. And she couldn't help but wonder if she had made the right choice, staying behind while her men out to face the danger alone.

She found herself in the kitchen just as dawn was breaking, staring blankly at the coffeepot as it burbled and hissed on the stove. She couldn't remember how she'd gotten there, or why she'd come. All she knew was that she needed something, anything, to take her mind off the worry and the fear.

And then, like a miracle, Elvis appeared in the doorway. He looked haggard and worn, his face lined with exhaustion and his eyes shadowed with some dark emotion. But he was alive, and whole, and Clementine felt her heart leap with relief.

"You're back," she breathed, stepping forward to meet him. "What happened out there? Did you find them?"

Elvis shook his head, his jaw tight. "No. We rode hard all night, followed their trail as far as we could. But they're clever bastards, know how to cover their tracks. We lost the scent somewhere around Coyote Creek, and by then it was too dark to go on."

Clementine's heart sank, disappointment and frustration welling up in her throat. "So what now?" she asked, her voice small. "What do we do?"

Elvis sighed, running a hand over his face. "We start again the day after tomorrow, at first light. Keep searching until we find them, or until we can't search no more."

He looked at her then, his eyes dark and intense. "I need you to be strong, Clementine. I need you to keep this place running, keep the men in line. Can you do that for me?"

Clementine swallowed hard, forcing down the lump in her throat. "Of course," she said, her voice steadier than she felt. "I'll do whatever needs to be done, Elvis. You know that."

He nodded, something like pride flickering in his gaze. And then, to her surprise, he reached out and pulled her into his arms.

Clementine stiffened for a moment, unused to such displays of affection from the taciturn cowboy. But then she melted into him, her hands fisting in the back of his shirt and her face pressing into the warm, solid strength of his chest.

"I'm scared, Elvis," she whispered, the words muffled against his skin.

He tightened his hold on her, his chin resting on the top of her head. "I know, darlin'. I'm scared too. But we can't let that fear control us, you hear me? We gotta be strong, for each other and for this ranch."

Clementine nodded, drawing in a shuddering breath. And then, before she could lose her nerve, she tilted her head back and pressed her lips to his.

The kiss was quick and chaste, a gentle exploration that made her heart race and her blood sing. Elvis made a low, desperate sound in the back of his throat but before things could go any further, he tore himself away, his breath coming hard and fast. "I’m sorry. I shouldn’ta done that." he said, his voice rough with wanting. "We can’t. I ain’t gonna take advantage of you.Not when we both don't know what tomorrow might bring."

“I—you’re right.” Clementine knew it, even as her body screamed in protest. She stepped back, wrapping her arms around herself as if to ward off the chill of his absence. "I'm sorry," she said, her voice trembling. "I don't know what came over me. It's just... the thought of losing you..."

"Shh." Elvis placed a finger over her lips, silencing her.

"Don't talk like that. We're gonna make it through this, you and me. And when we do, we'll have all the time in the world to figure out what this is between us."

Clementine nodded.

He leaned in, pressing a soft, chaste kiss to her forehead. "But for now, we gotta focus on the task at hand. We gotta be strong for the ranch. Can you do that for me, Clem?"

She looked up at him, her heart in her eyes. "I can. I will."

He smiled then, a real smile that crinkled the corners of his eyes and made her heart skip a beat. "That's my girl. Now, let's get some rest. We got a long day ahead of us tomorrow."

The first rays of the sun were just beginning to paint the sky in shades of pink and gold when Clementine stepped out onto the porch, a rifle slung over her shoulder, two pistols at her hip, and a steely glint in her eye.

The ranchers were already gathered in the yard, checking their tack and loading their saddlebags with grim determination. Elvis stood at the center of the group, his black hat pulled low over his brow as he issued last-minute orders and instructions, saddling his mount quickly and efficiently.

He looked up as she approached, his eyes widening in surprise and something like consternation. "What do you think you're doing? I thought I told you to stay put," he demanded, striding over to block her path. "You ain't comin' with us, Clementine. It's too dangerous."

She lifted her chin, meeting his gaze squarely. "The hell I'm not," she said, her voice ringing with conviction. "This is my ranch, Elvis. My land, my cattle, my responsibility. My men. And I'll be damned if I'm going to sit back and let someone else fight my battles for me."

He opened his mouth to argue, but she cut him off with a sharp gesture. "I know what you're going to say," she said. "That I'm just a woman, that I don't know how to handle a gun or ride with a posse. But you're wrong, Elvis. I've been learning this past year. I can shoot as straight as any man here, and ride twice as quick."

Red’s face split into a big, knowing smile. Elvis elbowed him, and his ruddy companion stood ramrod straight. She saw the flicker of surprise in Elvis’ eyes, too, the grudging respect that warred with his instinctive need to protect her. But she wasn't about to back down, not now, not when so much was at stake.

"I'm coming with you," she said, her voice low and intense. "And that's final. You can either accept it, or you can try to stop me. But either way, I'll be riding out of here at your side, come hell or high water."

For a long, tense moment, Elvis just stared at her, his jaw working as if he were chewing on a particularly tough piece of rawhide. Then, slowly, he nodded, his eyes glinting with something that might have been pride, or exasperation, or a little bit of both.

"Alright, then," he said gruffly. "But you stay close to me, you hear? And if I give you an order, you follow it, no questions asked."

They rode out in a thunder of hoofbeats, the sun high overhead and the wind whipping at their faces. Clementine could feel the adrenaline coursing through her veins, the thrill of the hunt mingling with a cold, creeping fear. She knew that they were riding into danger, that there was no telling what they might face out there on the open range.

But she also knew that she was not alone, that she had Elvis and the others by her side, ready to fight for what was theirs, and that knowledge gave her the courage to keep riding.

They rode for hours, following the rustlers' trail across the rugged terrain. The sun beat down on them, the heat shimmering off the rocks and the scrubby brush. Clementine could feel the sweat trickling down her back, the dust caking her face and hair. But she hardly noticed, her mind focused on the task at hand, on the need to find the stolen cattle and bring the thieves to justice.

It was nearly sundown when they finally caught sight of the rustlers' camp, a thin plume of smoke rising from a hidden canyon up ahead. Elvis called a halt, his hand raised in warning.

"We'll have to go in on foot from here," he said, his voice low and tense. "Can't risk them hearing us coming."

Clementine nodded, her heart pounding in her chest. This was it, the moment of truth. She slid from her saddle, her legs stiff and sore from hours of riding. She checked her rifle, making sure it was loaded and ready, then fell in behind Elvis as he led the way toward the canyon.

They crept through the underbrush, the only sound the crunch of their boots against the dry leaves and twigs. Clementine could feel the tension in the air, the sense of impending danger. She knew that the rustlers would be armed, that they would fight to keep their stolen herd. But she also knew that they were outnumbered, that the posse had the element of surprise on their side.

As they neared the edge of the canyon, Elvis held up a hand, signaling for them to stop. He peered over the edge, his eyes narrowing as he took in the scene below.

"They're down there, alright," he said, his voice barely more than a whisper. "Looks like they've got the cattle penned up in that box canyon. I count six men, maybe seven."

Clementine swallowed hard, her mouth suddenly dry. Six men. Six armed, desperate men who would stop at nothing to keep what they had stolen. She knew that the odds were in their favor, that they had the rustlers outnumbered and outgunned. But she also knew that anything could happen in the heat of battle, that there was no guarantee that they would all make it out alive.

She looked at Elvis, saw the grim determination in his eyes, the set of his jaw. And she knew that he was thinking the same thing, that he was weighing the risks and the rewards, the need to protect their own against the danger of the unknown.

"What's the plan?" she asked, her voice steady despite the hammering of her heart.

Elvis took a deep breath, his gaze still fixed on the canyon below. "We'll split up, come at 'em from both sides. Jake, you take half the men and circle around to the north. Tom, you take the other half and come in from the south. Clementine, you're with Jake. I’ll go straight down the middle, try to draw their fire and give the others a chance to get in close."

Clementine felt a sudden, sharp fear at his words, a sense of dread that she couldn't quite shake. She knew that Elvis was putting himself in the greatest danger, that he was using himself as a distraction to give the others a chance. And she knew that she couldn't let him do it alone.

"I'm coming with you," she said, her voice brooking no argument.

Elvis looked at her, his eyes widening in surprise. "Clementine, I don't think—"

"I'm not asking, Elvis," she said, cutting him off. "I’m coming."

For a moment, Elvis just stared at her, his expression unreadable. Then, slowly, he nodded, a flicker of something like pride in his eyes.

"Alright then," he said, his voice gruff. "Let's do this."

They made their way down the steep slope of the canyon, the loose shale and gravel sliding beneath their feet. Clementine could hear the low murmur of voices from the camp below, the soft lowing of the penned-up cattle. Her heart was pounding in her ears, her palms slick with sweat on the grip of her rifle.

As they neared the bottom of the canyon, Elvis held up a hand, signaling for her to stop. He peered around the edge of a boulder, his eyes narrowing as he took in the scene.

"Alright," he said, his voice low and tense. "On my signal, we move in. You stay close to me, you hear? And if things start to go south, you get the hell out of there and don't look back."

Clementine nodded, her throat too tight to speak. She knew that he was trying to protect her, that he was willing to lay down his life to keep her safe. And she knew that she couldn't let that happen, that she would fight to her last breath to keep him alive.

Elvis took a deep breath, his hand tightening on the grip of his pistol. Then, with a nod to Clementine, he stepped out from behind the boulder, his voice ringing out across the canyon.

"Drop your weapons and let the cattle go!" he shouted, his pistol leveled at the nearest rustler. "You're surrounded and outnumbered. There's no way out!"

For a moment, there was silence, the only sound the low moan of the wind through the canyon. Then, with a shout of defiance, the rustlers opened fire, their bullets whizzing past Clementine's head and shattering the rock at her feet.

She dropped to the ground, her heart pounding in her chest. Beside her, Elvis was returning fire, his pistol barking in the still air. She could hear the shouts and curses of the rustlers, the panicked bellowing of the cattle as they milled about in their makeshift pen.

Clementine leveled her rifle, her hands steady and her aim true. She squeezed the trigger once, twice, three times, watching with grim satisfaction as the rustlers fell, clutching at their wounds.

But then, out of the corner of her eye, she saw something that made her blood run cold. Elvis, locked in hand-to-hand combat with one of the rustlers, his gun lying forgotten on the ground.

The man was huge, easily a head taller than Elvis and twice as broad. He had a knife in his hand, the blade glinting wickedly in the sun, and a feral grin on his face as he bore down on the smaller man.

Clementine didn't hesitate. She got up from her position, charging towards the two men with a shout of fury. She leaped, tackling the rustler around the waist and sending them both tumbling to the ground.

They grappled in the dirt, the man's knife slashing at the air as Clementine tried to wrestle it from his grip. She could hear Elvis shouting her name, could feel the impact of bodies hitting the ground all around her as the battle raged on.

And then, with a final, desperate twist, she wrenched the knife free. The man lunged for her, his eyes wild with rage and desperation, but Clementine was faster. She plunged the blade into his chest, feeling the sickening give of flesh and bone.

The rustler's eyes went wide, his mouth opening in a silent scream. And then he was falling, his body hitting the ground with a dull, final thud.

Clementine staggered to her feet, her breath coming in great, heaving gasps. She looked around wildly, taking in the scene of carnage and chaos.

All around her, the canyon exploded into chaos. The posse had burst from cover, guns blazing as they bore down on the rustlers. She could hear shouts and screams, could smell the acrid tang of gunpowder on the air. Bullets whizzed past her head, kicking up puffs of dust at her feet.

It seemed to go on forever, that nightmarish battle in the heart of the canyon. But in reality, it was over in a matter of minutes. The rustlers, outnumbered and outgunned, threw down their weapons and surrendered, their hands raised in supplication.

Clementine sagged with relief, her knees suddenly weak. She looked around, taking in the scene of carnage—the bodies sprawled on the ground, the wounded men groaning in pain, the cattle milling about in confusion.

And then her gaze fell on Elvis, and her heart stopped.

He was lying on the ground, his face pale and his eyes closed. There was a spreading stain of red on his shirt, a wound in his chest that pulsed with each labored breath.

"No," Clementine whispered, stumbling forward on numb, leaden feet. "No, no, no."

She fell to her knees beside him, her hands shaking as she pressed them to the wound, trying desperately to stem the flow of blood. Elvis's eyes fluttered open, glassy and unfocused.

"Don't you dare," she said fiercely, her tears falling hot and fast on his face. "Don't you dare leave me, Elvis Presley. Not now, not like this."

"Somebody help me!" Clementine shouted, her voice raw with desperation. "Please, he's hurt, we need to get him back to the ranch!"

The others crowded around, their faces grim as they took in the sight of their fallen comrade. Tom Hawkins knelt down on Elvis' other side, his fingers searching for a pulse.

"He's alive," he said, his voice tight. "But he's lost a lot of blood. We need to get him back to Windy Creek, and fast."

Clementine nodded, her vision blurring with tears.

“Put him on White Lightning!” Rusty cried, “Clem’s horse is the fastest.” She watched as the men lifted Elvis onto the back of her horse, his head lolling limply against his chest. She wanted to go to him, to gather him into her arms and will the life back into his broken body. But she knew that she couldn't, that she had to be strong now, for him and for herself.

"I'll go with you," said Jake, swinging up into his own saddle. "Red and Tom, you, round up the herd and head on back. The rest of you, tie the rustler up. We'll meet you there."

The ride back to the ranch was a blur, a nightmare of dust and sweat and clenching fear and Elvis’ limp form cradled against her chest as she urged White Lightning onward. She could feel his blood soaking through her shirt, could hear the rattling wheeze of his breath in her ear.

But she refused to give up hope, refused to let the fear and the despair take hold. Elvis was a fighter, a survivor. He would make it through this. He had to.

They reached the ranch just as the sun was setting, the sky painted in shades of orange and gold. Clementine leapt from the saddle, shouting for Juanita and the ranch hands as she half-carried, half-dragged Elvis inside.

"Help him!" she demanded, her voice tight with fear.

Mrs. Jameson hurried over, her face creased with worry. "They took him straight up to his room, miss. Juanita's with him now, doing what she can to stop the bleeding. But he's in a bad way, I won't lie to you."

The next few hours passed in a haze of activity and dread, the ticking of the clock on the mantel the only sound in the silent house. Juanita worked tirelessly, cleaning and stitching and bandaging, her face set in grim determination.

It had been hours, and Clementine had no news. "I need to go to him, Ida" she said, her voice barely above a whisper. "I need to be with him."

The housekeeper nodded, her eyes soft with understanding. "Of course, miss. You go on up. I'll see to the hands and the stock."

Clementine managed a grateful nod, then turned and fled into the house, her heart pounding and her breath coming in short, sharp gasps. She took the stairs two at a time.

She burst into Elvis' room without knocking, her eyes wide and wild as she scanned the dimly lit space. He was lying on the bed, his shirt torn open to reveal the ugly, seeping wound in his chest. Juanita was bent over him, her hands bloody as she worked to staunch the flow.

"How is he?" Clementine asked, her voice thin and reedy to her own ears. "Will he... will he live?"

Juanita looked up, her dark eyes unreadable. "I don't know, Clem. He's lost a lot of blood, and the bullet's still in there. I've done what I can to clean and bind the wound, but he needs a real doctor, and soon."

Clementine nodded, her throat too tight for words. She sank down onto the edge of the bed, her hand reaching out to brush the sweat-soaked hair back from Elvis' brow. He was burning with fever, his skin hot and dry beneath her palm.

"Oh, Elvis," she whispered, the endearment slipping out before she could stop it. "What have they done to you?"

She sent Red to fetch Doc Jamison from town, his saddlebags laden with all the medical supplies they could spare. And then there was nothing to do but wait, and pray, and hope against hope that Elvis would pull through.

The sun rose and set, the hours bleeding into days.

Clementine sat by Elvis's bedside, holding his hand and whispering words of encouragement. She barely slept, barely ate, her whole world narrowed down to the rise and fall of his chest, the fluttering of his eyelids, the faint pulse at his wrist.

And then, on the eighth day, a miracle. Elvis's fever broke, his breathing easing and his color returning. He opened his eyes, blinking up at Clementine with a weak, crooked smile.

"Hey there, darlin'," he rasped, his voice hoarse from disuse. "Fancy meeting you here."

Clementine let out a sob, tears of relief and joy streaming down her face. She threw herself into his arms, burying her face in his neck and breathing in the warm, familiar scent of him.

"Don't you ever do that to me again," she whispered fiercely. "You hear me, Elvis Presley? Never again."

He chuckled softly, his hand coming up to stroke her hair. "Yes, ma'am," he murmured. "I promise."

The next morning, Clementine awoke to Elvis screaming in agony. Before long, Doc Jamison was at his bedside, procuring a large needle from his medicine bag and injecting it into the patient’s arm. Clementine watched with bated breath as Elvis slowly settled back into a comfortable sleep, floating in the twilight of morphine.

She sat at his bedside, keeping vigil, praying for him. At one point, he whispered something.

"Marry me," she thought she heard. "Be my wife, Clementine."

Chapter 4

Clementine sat at her desk, sorting through the mail that had arrived the previous week. Among the various bills and correspondence, one letter caught her eye. The familiar handwriting on the envelope made her heart skip a beat. It was from Bonnie.

With trembling fingers, Clementine opened the letter and began to read:

"My Dearest Clemmie,

I hope this letter finds you well and thriving in your new life at Windy Creek Ranch. I miss you terribly, and the city feels empty without your laughter and companionship.

I have exciting news! I've decided to take a break from the hustle and bustle of New York and come visit you at the ranch. I long to see the beautiful landscapes you've described and meet the intriguing characters you've mentioned in your letters.

Expect me to arrive within the fortnight. I cannot wait to embrace you and hear all about your adventures.

Your loving friend, Bonnie"

Clementine clutched the letter to her chest, a wide grin spreading across her face. The prospect of having Bonnie at the ranch filled her with joy and excitement. She couldn't wait to show her best friend around and introduce her to everyone, especially Elvis.

Elvis. The thought of him made Clementine’s smile falter.

Since his injury, their relationship had been somewhat strained. She had been tending to him diligently, changing his bandages and ensuring he was comfortable. However, every time she tried to bring up his morphine-induced mumblings, Elvis would change the subject or feign exhaustion. It was starting to worry her.

A knock at the door startled Clementine from her thoughts.

"Come in," she called, setting the letter aside.

To her surprise, Katie Hawthorne stepped into the room, her blonde hair perfectly coiffed and her blue eyes sparkling. She looked stunning in a sage green day dress that complemented her fair complexion.

"Good morning, Clementine," she greeted, her voice polite but cool. "I hope I'm not interrupting anything important."

Clementine forced a smile, trying to ignore the twinge of unease that Katie's presence always seemed to evoke. "Not at all, Katie. What brings you here?"

Katie walked over to the desk, her posture poised and confident. "I was hoping to visit Elvis. I heard he's recovering well, and I thought he might appreciate a familiar face."

Clementine's stomach churned at the thought of Katie spending time alone with Elvis. She knew there was a history between them, but the details remained a mystery. "I'm sure he would appreciate that," she managed to say, her voice even. "He's in his room, resting."

With a nod and a polite smile, Katie left the room, leaving Clementine alone with her thoughts. Unable to concentrate on her work, Clementine decided to take a walk around the ranch to clear her head.

As she stepped outside, the warm sun and gentle breeze greeted her. The sound of laughter caught her attention, and she spotted Red and Slim engaged in a lively conversation near the stables.

"Miss Clementine!" Red called out, waving her over.

Clementine made her way over to them, eager for a distraction. "You're just in time. Slim here was about to share a story about the time he singlehandedly fought off a pack of coyotes."

Slim grinned, puffing out his chest. "It's true! I was out on the range, minding my own business, when suddenly..."

But as Slim launched into his tale, Clementine found herself only half-listening. Her mind wandered to the conversation she had overheard earlier between Katie and Elvis. She had been passing by Elvis' room when she heard their voices, low and intense.

"Elvis, I know things ended badly between us," Katie had said, her tone sincere. "But I want you to know that I still care about you. I always have."

"Look, I appreciate you coming to see me, but things are different now," Elvis had replied, his voice firm but not unkind.

Katie had scoffed. “I know you don't mean that—”

“Katie, I’m not the same man I was back then.”

"I know that, Elvis. And I respect it. I just... I don't want us to be strangers. We have too much history for that."

There was a pause, and Clementine could picture Elvis considering her words. "You're right. We can be friends, Katie. But that's all we can be."

Clementine hurried away before she could hear Katie's response, her heart racing and her mind reeling. What exactly had happened between them? And why did the thought of them together make her feel so unsettled?

Feigning a stomachache, Clementine gently extracted herself from Slim and Red and started back for the house.

Lost in her thoughts, she didn't notice Ida approach until the older woman placed a gentle hand on her shoulder. "Miss Clementine, you look troubled," Ida said, her kind eyes filled with concern. "Is everything alright?"

Clementine sighed, offering Ida a weak smile. "I'm fine, Ida. Just a lot on my mind, I suppose."

Ida nodded, understanding dawning on her face. "It's about Mr. Elvis and Miss Katie, isn't it?"

Clementine's eyes widened. "How did you know?"

Ida chuckled softly. "I've been around long enough to notice things, Miss Clementine. And I can see the way you look at Mr. Elvis, and the way Miss Katie looks at him too. Frankly, I’d look at him that way too if I were younger,” she chuckled.

Clementine felt her cheeks heat up. "I don't know what you're talking about, Ida."

The housekeeper smiled knowingly. "It's alright, Miss Clementine. You don't have to pretend with me. I know it's not my place to gossip, but I feel like you should know the truth about Mr. Elvis and Miss Katie."

Curiosity got the better of Clementine, and she found herself leaning in closer. "What truth, Ida?"

Ida glanced around to make sure they were alone before lowering her voice. "Mr. Elvis and Miss Katie were engaged to be married once, years ago. They were young and in love, or so they thought. But then Miss Katie got it into her head that she wanted to see the world, experience life beyond the ranch. She left Mr. Elvis behind without so much as a goodbye, broke his heart into a million pieces." She sighed, shaking her head. "It was a terrible thing to see."

Clementine's heart sank. "I had no idea," she whispered, her voice trembling.

Ida patted her hand reassuringly. "Mr. Elvis was never the same after that. He threw himself into his work, closed himself off from the world. But then you came along, Miss Clementine. I've seen the way he looks at you, the way he smiles when you're around. You've brought light back into his life."

Clementine felt tears prick at the corners of her eyes. "But what about Katie? She's beautiful, and wealthy, and she knows this life. How can I compete with that?"

"Miss Clementine, you listen to me. You are a smart, strong, and kind-hearted young woman. You have brought so much good to this ranch, and to the people who live and work here. Don't you ever doubt your worth."

Clementine nodded, blinking back her tears.

The housekeeper smiled warmly. "Now, why don't you go and check on Mr. Elvis? I'm sure he could use some company."

Taking a deep breath, Clementine squared her shoulders and made her way back upstairs. She waled down the hall to Elvis' room, her heart pounding in her chest. She raised her hand to knock on the door, but hesitated when she heard voices coming from inside.

"... and do you remember that night by the creek? The stars were so bright, and you held me so close. I felt like I could stay in your arms forever." Katie's voice was soft, tinged with nostalgia.

“Sure do.” Elvis’ deep chuckle reverberated through Clementine’s bones.

"Hold still," Katie's voice was soft, almost tender. "This poultice will help with the pain."

There was a moment of silence, followed by a sharp intake of breath from Elvis. "Ouch! Careful, Katie."

"Don't be such a baby," Katie chided, her tone playful. "You've had worse."

Then, a sigh.

"Katie, we can't keep doing this. I told you things are different now." Elvis sounded tired, his voice strained.

"Are they? When I'm with you, it feels just like old times. We sure had something special, didn’t we, Elvis? Don't you miss it?"

Clementine's stomach churned as she imagined Katie sitting close to him, her hands gentle on his skin. She knew she shouldn't be eavesdropping, but she couldn't seem to make herself move.

There was a long pause, and then Elvis spoke, his words hesitant. "I... I don't know, Katie. It's been so long. I’m not the same man I was before."

Katie's voice turned pleading. "But you could be. We could be happy again, Elvis. Just like we used to. If you just give me a chance—"

Another pause, heavy with unspoken words. "I can't make any promises, Katie. But... I won't deny that being with you brings back a lot of memories. Good ones."

Clementine's heart raced, her palms sweating as she listened to their exchange. Did Elvis still have feelings for Katie? Was she just a temporary distraction, a way to forget his past heartbreak?

“Why, Elvis? Why can’t you make any promises? Is it... because of her?” Katie asked, Katie asked, a hint of bitterness creeping into her voice. "The city girl who's come to play at being a rancher?"

"Don't do that, Katie."

Katie scoffed, the sound sharp and brittle. "Oh, Elvis. Can't you see? She doesn't belong here. She's not one of us. Sooner or later, she'll realize that and go running back to her fancy city life. And where will that leave you?" She got up, dusting herself off. "Sometimes, you're a damned fool, Elvis Presley."

Clementine backed away from the door, her mind reeling. She couldn't bear to hear any more, couldn't face the possibility that Elvis might choose Katie over her. With a choked sob, she turned and fled down the stairs, out into the yard where she could breathe, where she could think.

Shaking her head, Clementine decided to focus on the one thing she could control—her work. She made her way downstairs and out to the barn, determined to throw herself into the daily chores and put all thoughts of Elvis and Katie out of her mind.

As she mucked out the stalls and fed the horses, Clementine found herself falling into a comfortable rhythm. The physical labor was soothing, allowing her to clear her head and focus on the task at hand. Before she knew it, she was hours deep into her tasks, the sun was setting, and it was time to head home.

She was so absorbed in her thoughts that she didn't hear the sound of hoofbeats approaching the front yard until a familiar voice called out, "Clemmie!"

Clementine turned her head, her eyes widening in disbelief. There, sitting in a stagecoach, was Bonnie, her fiery red curls blowing in the breeze and her green eyes sparkling with mischief in the golden hour.

"Bonnie!" Clementine exclaimed, dropping her pitchfork and rushing forward to embrace her friend. "What are you doing here? I thought you weren't arriving for another week!"

Bonnie laughed, hugging Clementine tightly. "I couldn't wait that long to see you, darling. I hopped on the first train out of New York and made my way here as fast as I could."

Clementine stepped back, taking in the sight of her best friend. Bonnie looked radiant, her cheeks flushed from the ride and her smile as wide as the sky. "I can't believe you're really here," Clementine said, shaking her head in amazement.

Bonnie grinned, linking her arm through Clementine's. "Well, believe it, darling. I'm here, and I'm ready for an adventure. Now, show me around this ranch of yours. I want to see everything!"

Clementine laughed, feeling lighter than she had in weeks. With Bonnie by her side, everything seemed brighter, more manageable. She led her friend around the ranch, introducing her to the horses and the cattle, showing her the sprawling fields and the cozy bunkhouse.

As they walked, Clementine found herself pouring out her heart to Bonnie, telling her all about Elvis and Katie and the confusion she felt. Bonnie listened intently, her brow furrowed in concentration.

"It sounds to me like you're in love with this Elvis fellow," Bonnie said finally, her tone matter-of-fact.

Clementine sputtered, her cheeks turning crimson. "What? No! I mean, I care about him, of course, but love? That's ridiculous."

Bonnie raised an eyebrow. "Is it? Clemmie, I've known you since we were in pigtails. I've never seen you this worked up over a man before. And from what you've told me, it sounds like he feels the same way about you."

Clementine wilted. "But this Katie… She's beautiful, and accomplished, and she understands this life in a way I never will."

Bonnie took Clementine's hands in hers, her green eyes fierce and determined. "Now you listen to me. You're smart, and strong, and you have the biggest heart of anyone I know. If this Elvis character can't see that, then he's a fool."

“Thanks, Bon. You always know just what to say. What would I ever do without you?”

“Shrivel up and die of sadness and boredom, most likely,” her best friend laughed. “Now, let's go find some trouble to get into. I've been cooped up on that train for far too long."

Clementine laughed, feeling a rush of affection for her friend. "I think I know just the thing. How do you feel about a little horseback riding?"

Bonnie's eyes sparkled with excitement. "Lead the way, darling. I'm ready for anything."

As they made their way to the stables, Clementine spotted Red and Slim leaning against the fence, deep in conversation.

Red's eyes widened as he took in Bonnie's fiery red curls and sparkling green eyes.

Bonnie smiled, holding out her hand. "I’m Bonnie, Clementine's friend from New York."

Red took her hand, holding it a beat longer than necessary. "New York, huh? What brings a city girl like you out to our humble ranch?"

Bonnie laughed, her eyes sparkling. "Oh, you know. Adventure, excitement, the chance to see my best friend in the world."

Red grinned, leaning in closer. "Well, I can certainly promise you adventure and excitement, Miss Bonnie."

Slim rolled his eyes, elbowing Red in the ribs. "Ignore him, Miss Bonnie. He's all talk and no action."

Red chuckled, his cheeks flushing slightly. "I don't know about that, Miss Bonnie. I do my best to make all our guests feel welcome."

Bonnie raised an eyebrow, a smirk playing at the corners of her mouth. "Is that so? Well, I guess I'll just have to see for myself."

As Bonnie and Red continued their flirtatious banter, Clementine felt her spirits lift. It was good to see her friend getting along so well with the ranch hands.

Suddenly, a shout rang out across the yard. "The fence is down! The cattle are escaping!"

Clementine's heart raced as she saw the herd of cattle stampeding through the broken fence. "We have to round them up!" she cried, running towards the stables.

Red and Slim were already saddling up their horses. "Miss Clementine, you take the north pasture," Red called out. "Slim and I will head south. Rusty, Billy, head east. We'll meet up at the old oak tree." He looked back at Bonnie. “You alright to stay here a spell?”

Bonnie nodded as Clementine swung herself up into the saddle, her face set with determination.

They rode hard, the wind whipping through their hair as they chased down the errant cattle. It was a minor crisis, but it forced everyone to work together to resolve the issue.

Finally, after several hours of hard work, they managed to herd the last of the cattle back into the pasture.

Exhausted but triumphant, Clementine, Red, and the rest of the ranch hands made their way back to the house for a very late dinner, where Bonnie was helping prepare a bountiful spread.

As they entered the dining room, Clementine was surprised to see Katie sitting at the dining table.

"Katie!" Ida exclaimed, setting down a steaming pot of stew. "I'm so glad you could join us for dinner."

Katie smiled, her flaxen hair gleaming in the candlelight. "Thank you for asking me to stay, Miss Ida. It's always a pleasure to share a meal with friends."

Clementine's stomach churned at the sight of Katie, memories of the woman’s earlier conversation with Elvis still fresh in her mind. She took a seat at the table, trying to ignore the way Katie's eyes seemed to be searching around the room. For him.

Bonnie leaned over to Clementine, her voice low. "So that's the famous Katie Hawthorne? I can see why she's got Elvis all twisted up."

Clementine sighed, nodding. "Yeah, they were going to get married until she up and left one day. They’ve got... history."

Bonnie raised an eyebrow, her expression skeptical. "I see."

As they sat down to eat, Clementine found herself seated across from Katie. The blonde gave her a polite smile, but there was a guardedness in her eyes that made Clementine uneasy.

"Clementine, I hear you had quite the adventure today," Katie said, her voice cool but not unkind. "I'm glad to see you're settling into ranch life so well."

Clementine forced a smile, determined to be civil. "Thank you, Katie. This year’s been a learning curve, but I'm enjoying the challenge."

Katie nodded, taking a sip of her water. "It's not an easy life, but it can be a rewarding one. If you're cut out for it."

Clementine bristled at the implication, but before she could respond, the door opened and Elvis stepped into the room. He was moving slowly, his face still pale, but there was a determined set to his jaw.

"Elvis!" Ida exclaimed, her face lighting up. "It's so good to see you up and about!"

"Elvis, darling, you're here," Katie purred, patting the seat beside her. "Come, sit with me. We have so much to catch up on."

Elvis hesitated, his gaze flickering to Clementine before he nodded and took the offered seat. Clementine felt a stab of jealousy, her appetite suddenly deserting her.

"Evening, everyone. Sorry I'm late."

He made his way to the table, his steps measured and careful. As he neared Katie, she reached out and touched his arm, a look of concern on her face. "Elvis, are you sure you should be out of bed? You're still recovering."

Elvis patted her hand. "I'm fine, Katie. Just a little sore, is all. Nothing a good meal and some good company can't fix."

He settled into the chair between Katie and Clementine, his leg brushing against Clem’s under the table. She felt a flush creep up her neck at the contact, her skin tingling where they touched. She forced herself to focus on her plate, not wanting to give away the effect he had on her.

As the meal progressed, Bonnie regaled them all with tales of her adventures in New York, her quick wit and easy charm winning over even the most taciturn of the ranch hands. Red, in particular, seemed taken with her, his eyes rarely straying from her face.

Even so, Clementine couldn’t focus on anything but the strange situation she found herself in. Even as she laughed and chatted with the others, Clementine could feel the weight of Katie's presence, assessing and calculating. It made her feel off-balance, unsure of her place in this world that Katie knew so well. Her stomach roiled.

She couldn't help but notice the easy familiarity between Elvis and Katie, the way they laughed and reminisced about old times. It was clear they shared a deep bond, a history that Clementine could never hope to match.

"Do you remember old Samson's face when he caught us sneaking out of the barn that night?" Katie giggled, her hand resting on Elvis's arm.

Elvis chuckled, shaking his head. "I thought he was gonna skin us alive. But you sweet-talked him out of it, as usual."

"What can I say? I've always been good at getting what I want." Katie's eyes sparkled with mischief, her lips curving into a seductive smile.

Clementine's heart sank as she watched their interaction, doubt gnawing at her insides. Did Elvis still harbor feelings for Katie? Was he considering rekindling their romance?

Bonnie, ever observant, leaned across the table to whisper in Clementine's ear. "Don't let her get to you, Clemmie. She's just trying to stake her claim."

Then, never one to let an awkward moment pass, Bonnie eased back into her chair with a mischievous grin. "So, Elvis, I hear you’re quite the foreman," she said, her voice carrying across the table. "Tell me, what's a handsome cowboy like you doing running a ranch all by your lonesome?"

Elvis choked on his stew, his eyes widening in surprise. The other ranch hands snickered, their faces red with barely suppressed laughter. “Nice to meet you too, Bonnie.”

“No, really! Do pray tell,”Bonnie grinned.

"Well, I... uh..." Elvis cleared his throat, clearly taken aback by Bonnie's forwardness. "I'm not running it alone, y’know. I have a whole team of hardworking folks helping me out."

Bonnie nodded, her expression serious. "Of course, of course. But still, it must get lonely out here sometimes. Don't you ever wish for a little companionship?" She wiggled her eyebrows.

Clementine kicked Bonnie under the table, her face flushing with embarrassment. But Bonnie just laughed, clearly enjoying the effect she was having on the usually unflappable Elvis.

As the dinner wore on, Bonnie kept up a steady stream of witty repartee, peppering Elvis with questions about life on the ranch and his plans for the future. The other ranch hands could barely contain their laughter, choking on their food as Bonnie's New York City directness clashed with Elvis's stoic cowboy demeanor.

At some point during the night, while everyone was in their sixth fit of laughter in a row, Bonnie cleared her throat and made an announcement. "I've been thinking," she said, her eyes twinkling with excitement. "I'd like to stay at the ranch for a while longer, if that's alright with you, Clementine."

Red, who had been hanging on Bonnie's every word throughout the meal, sat up straighter in his chair. "That's great news, Miss Bonnie," he said, his voice eager. "I'd be more’n happy to show you around the ranch, if you'd like."

Bonnie smiled, her cheeks dimpling. "I'd like that very much, Red. Thank you."

Clementine nodded, forcing a smile. Her best friend in the world was always welcome. But even as everyone laughed around her, she felt melancholy. Doubts lingered, gnawing at her heart. Somewhere between the second and third course, she felt lightheaded. She stepped out onto the porch, taking a deep breath of the cool night air. The evening's events swirled through her mind—Bonnie's arrival, the weird tension at dinner, sitting next to Elvis and nearly jumping out of her skin when his knee touched hers...

"Clem?" a familiar voice called out softly from behind her.

She turned to see him standing in the doorway, his handsome face illuminated by the warm glow of the lanterns.

He came to me, she thought, a smile tugging at the corners of her mouth.

"Y’know, I wasn't sure if you'd be joining us tonight, Elvis, what with you still on the mend and all."

He stepped out onto the porch, his spurs jingling with each movement. "Aw shucks, you know me. I never could resist a party. 'Specially not with that firecracker friend of yours lightin' things up."

Clementine laughed. "Bonnie sure is something, isn't she? Hope she didn't put you too much on the spot in there."

Elvis leaned against the railing beside her, a slow grin spreading across his face. "Nothin' I can't handle. Your girl's got a tongue quicker'n a rattler's strike, but she means well. Kinda reminds me of someone else I know." He shot her a wink.

"Wonder who that could be," Clementine teased, bumping his shoulder playfully with her own. She took a moment to really look at him, warmth blooming in her chest. The past weeks had been hard on him, but he was finally starting to look like his old self again—color in his cheeks, that familiar glint of mischief in his blue eyes.

"I'm real glad you're feeling better, Elvis. We were all so worried about you, you know."

He ducked his head, suddenly bashful. "Shucks, ain't no need for worryin'. Can't keep a stubborn ol' mule like me down for long."

"I have never met a mule half as stubborn as you, Elvis Presley," Clementine ribbed.

"You got me there," he conceded with a chuckle. Then his expression softened. "I never did thank ya proper, Clem. For takin' such good care of me when I was laid up. Ida told me how you were always there, changin' my bandages and makin' sure I took my medicine... I 'preciate it. More'n you know."

Clementine felt a sudden lump in her throat. "Of course, Elvis. There wasn't anywhere else I would've been. I couldn't have bared it if... if we'd lost you. Windy Creek just wouldn't be the same without you."

Elvis looked at her intently, something flickering in his gaze that made her heart skip. "That so?"

"It is," Clementine whispered, feeling pulled in by some invisible force between them.

Elvis reached out, tenderly brushing a stray curl behind her ear. His fingertips lingered on her cheek and Clementine's breath hitched. "Clem, I..."

Just then, the sound of raucous laughter erupted from inside the house, breaking the spell. Elvis dropped his hand and they both took an unconscious step back, the air suddenly thick with words unsaid.

Clementine cleared her throat, trying to calm the riot of butterflies in her stomach. "We should probably head back in soon. Wouldn't want Bonnie to commandeer the whole evening."

"Heaven forbid," Elvis agreed, the corner of his mouth quirking up.

But neither of them actually moved. Clementine and Elvis lingered on the porch for a moment longer, not quite ready to rejoin the clamor inside. The night air was cool and sweet, the distant sounds of crickets and lowing cattle a soothing backdrop to their companionable silence.

Elvis fished in his pocket for a moment before withdrawing a battered harmonica. At Clementine's curious look, he just grinned and brought it to his full lips, blowing a few soft, experimental notes.

"Huh, I didn't know you played," Clementine said, pleasantly surprised.

Elvis shrugged, his eyes twinkling in the low light. "There's a lot you don't know about me, darlin'. I'm a man of many talents."

"Is that so?" Clementine arched a brow, fighting back a smile. "And here I thought I had you all figured out. The strong, silent type with a heart of gold."

"Aw shucks, you'll make me blush," Elvis teased. He leaned back against the porch rail, cradling the harmonica loosely in his hands. "Nah, I ain't nothin' special. Just a cowpoke who likes a good tune now and then."

"I don't believe that for a second," Clementine said softly. "I think you're a lot more than you let on, Elvis Presley."

He looked at her then, something raw and unguarded in his gaze. "Maybe so. But I could say the same about you. When you first blew into town with your fancy city clothes and your high-falutin' ideas, I reckoned you wouldn't last a month out here."

Clementine huffed out a laugh. "Gee, thanks for the vote of confidence."

"Lemme finish," Elvis chided gently. "What I'm tryin' to say is you surprised me, Clem. You're tougher than you look. Stronger. You've taken to this life like you were born to it, and you ain't afraid to get your hands dirty or speak your mind. It's a rare thing, and I admire it. Admire... you."

Clementine felt a flush creep up her neck at his words, her heart suddenly racing. "I... I don't know what to say. Thank you, Elvis. That means a lot, coming from you."

He ducked his head, suddenly bashful. "Ain't nothin' but the truth. Windy Creek's lucky to have you."

"I think I'm the lucky one," Clementine said softly. "I never knew how much I needed this place, these people, until I found myself here. It's like... like I finally found where I belong." She laughed self-consciously. "Listen to me, getting all sentimental. Bonnie would never let me hear the end of it."

"Secret's safe with me," Elvis promised with a wink. "But I know what you mean. This ranch... it has a way of gettin' under your skin, makin' you feel like a part of somethin' bigger. It ain't always easy, but it's a good life. An honest one." He raised the harmonica to his lips again, blowing a few mournful notes that seemed to hang in the night air.

Clementine closed her eyes, letting the music wash over her. When it faded away, she opened them again to find Elvis watching her, an unreadable expression on his face. "That was beautiful," she said honestly. "Will you teach me to play like that?"

Elvis's face split into a delighted grin. "You want to learn? Well alright then, c'mere." He beckoned her closer until they were standing side by side, shoulders almost brushing. He handed her the harmonica, arranging her fingers on the holes. "Now, purse your lips like you're gonna whistle, and blow real gentle-like."

Clementine did as instructed, letting out a breathy, off-key squeak. She dissolved into laughter. "I sound like a dying cow!"

Elvis chuckled, shaking his head. "Nah, that was good for a first try. You just gotta adjust your embouchure a little, like this—"

“Embou-what?”

“Embouchure. What, you don’t speak Eye-talian?”

“I’m pretty sure it’s French.”

“Oh.” The two erupted into laughter, a deep belly ache that had them soon doubled over the porch railing and wiping tears from their eyes.

“Your mouth position, silly girl. Look at me, teachin’ a fancy New York City girl something!”

Clem playfully slapped him on the arm. “I am not fancy!” She bent her leg to show him her well-worn, mud-covered boot. “See?”

Elvis laughed and brought his own hands up to cup hers, guiding the harmonica back to her mouth. This close, she could feel the heat of him, could catch the faint scent of leather and soap and something uniquely Elvis. It made her head swim pleasantly.

Under his careful tutelage, Clementine managed to produce a passable chord. She beamed up at him, giddy with the small success. "I did it!"

"Sure did," Elvis praised, his eyes warm and proud. "Stick with me, kid, and you'll be a regular vir-tu-o-so in no time. Or... is that another word I gotta teach ya?”

“Ha ha. Very funny.”

They stayed like that for a while, huddled together in the pool of lantern light, trading the harmonica back and forth as Elvis taught her a simple melody. It was a rare moment of peace, a stolen pocket of time where the rest of the world and all its troubles fell away.

As the moon climbed higher in the star-strewn sky, Clementine finally straightened up with a sigh. "I suppose we really should head back in. Bonnie's liable to send out a search party if we stay out here much longer."

Elvis huffed out a laugh. "Lord have mercy. I don't think I'm ready for another interrogation quite yet." He hesitated for a beat, then reached out to take Clementine's hand in his. "Clem, I... I just wanted to say..."

But before he could finish the thought, the porch door banged open and Bonnie's vibrant red head poked out. "There you are! I was starting to think you two had run off together." Her green eyes sparkled with mischief as she took in their linked hands and close proximity.

Clementine felt a blush stain her cheeks and she stepped back self-consciously, dropping Elvis's hand. "Bonnie! We were just... Elvis was showing me how to play the harmonica."

"Uh huh," Bonnie teased, waggling her eyebrows suggestively. "Well, hell, don't let me interrupt. I just came to tell you that apparently Ida's famous peach pie is being served, and if you don't get in there soon, Slim's liable to eat the whole thing himself."

"We'll be right there," Clementine promised. Bonnie flashed them a knowing grin and a jaunty salute before disappearing back inside, leaving them alone once more.

Clementine turned back to Elvis, an apology on her lips, but he just shook his head with a rueful smile. "Never a dull moment with that one around, is there?"

"Welcome to my world," Clementine said dryly. "I love that girl to pieces, but subtlety's never been her strong suit."

"Seems to me she's just lookin' out for her best friend," Elvis mused. "Can't fault her for that. You're lucky to have someone who cares about you so much. Hell, we all care about you."

For a suspended moment, they just stared at each other, the air heavy with unspoken longing. Elvis's gaze dropped to her mouth, his thumbs sweeping over the delicate arch of her cheekbones. Clementine's lips parted on a shallow inhale, her body thrumming with anticipation.

But before either of them could close that final distance, a sudden crash sounded from inside the house, followed by a peal of laughter and Red's booming voice calling out an apology.

The spell was broken. Elvis released her and stepped back, clearing his throat roughly. "We should, uh... we should probably get in there. Before they tear the place down around Miss Ida's ears."

"Right," Clementine agreed, trying to calm the riot of her pulse. "We wouldn't want that."

Elvis held out his arm to her, a small, crooked smile on his lips. "Shall we, boss lady?"

As the evening wound down, Katie stood up, smoothing her skirts. "Well, I should be getting back to Big Sky. Early morning tomorrow." She turned to Elvis, a soft smile on her face. "Walk me out?"

Elvis hesitated, glancing at Clementine. But then he nodded, pushing back his chair. "Of course."

Clementine watched them go, her heart sinking. She knew it was foolish to read too much into a simple gesture of courtesy. But she couldn't shake the feeling that something had shifted, that Katie's return had stirred up old feelings best left buried.

Bonnie, sensing her friend's distress, reached over to squeeze her hand. "Don't worry, Clemmie. He'll come around. He just needs time to sort through his feelings."

Clementine nodded, trying to take comfort in her friend's words. But the doubt lingered, a small, insistent voice in the back of her mind.

“Yeah, well, maybe by then I’ll already have moved on.”

Clementine sat at the card table, trying to focus on the game of poker in front of her. But her attention kept drifting to the table across the room, where Elvis and Katie sat huddled together, laughing and whispering like old friends.

She couldn't help but compare their easy intimacy to the tender moment she and Elvis had shared on the porch just a few nights ago. The way he had looked at her, the gentle brush of his fingers against her cheek... it had felt so real, so meaningful.

But now, watching him with Katie, Clementine couldn't help but wonder if she had been reading too much into it. If the connection she thought they shared was nothing more than wishful thinking on her part.

"Clemmie? It's your turn, darling." Bonnie's voice snapped her out of her reverie, and Clementine blinked, realizing she had been staring off into space.

"Oh, right. Sorry." She studied her cards, trying to remember what game they were even playing. Across from her, Red and Lyle exchanged knowing glances, their eyes flickering between her and the other table.

Clementine felt her cheeks burn with embarrassment and frustration. Was she really so transparent? Did everyone on the ranch know about her foolish, unrequited feelings for Elvis?

She was just about to make a halfhearted bet when the door to the bunkhouse swung open and Ida bustled in, a letter clutched in her hand.

"Miss Clementine, I'm so sorry to interrupt, but I completely forgot to give you this earlier. It arrived with the afternoon post." She held out the envelope, her face creased with a smile.

Clementine took the letter, recognizing Joseph's familiar handwriting. She had been corresponding with her old friend for weeks, sharing stories about life on the ranch and seeking his advice when things with Elvis got complicated. It had become a comforting routine, a way to stay connected to her old life while embracing her new one.

She opened the envelope, expecting to find another friendly, chatty letter full of news from home and words of encouragement. But as her eyes scanned the first few lines, Clementine felt her stomach drop.

"Oh no," she muttered under her breath. "Oh no, no, no. I’ve really made a mess now."

"Clemmie? What is it? What's wrong?" Bonnie leaned in close, her voice low and concerned.

Clementine looked up, her face pale. "It's Joseph. He's... he's coming to Windy Creek. Says he's booked a ticket and everything."

Bonnie's eyes widened. "Joseph? As in, your Joseph?"

Clementine nodded miserably. "I've been writing to him, just as a friend. I never thought he'd actually come out here. Oh, Bonnie, what am I going to do?"

Bonnie reached out, squeezing Clementine's hand. "Don't panic, Clemmie. We'll figure this out. It's not like you invited him, right?"

Clementine shook her head. "No, of course not. But... what if Elvis finds out? What if he thinks..." She trailed off, her gaze drifting back to the other table where Elvis and Katie sat, still deep in conversation.

Bonnie followed her gaze, her expression thoughtful. Even she had to admit it: "Clementine, honey, I don't think you have anything to worry about on that front. Elvis is clearly still hung up on Little Miss Perfect over there."

Clementine sighed, her heart sinking. Bonnie was right. Elvis had made his feelings for Katie abundantly clear. What right did she have to be upset about Joseph's visit when Elvis was practically fawning over his ex-fiancée right in front of her?

Still, the thought of her former beau showing up unannounced, stirring up old memories and complications... it was enough to make Clementine's head spin.

She took a deep breath, trying to calm her racing thoughts. "Okay," she said, more to herself than to Bonnie. "Okay. I can handle this. It's just a friendly visit from an old friend, right? No big deal."

Bonnie nodded, a mischievous glint in her eye. "Exactly. And who knows? Maybe a little competition is just what Mr. Stubborn over there needs to pull his head out of his rear and realize what he's got right in front of him."

Clementine couldn't help but laugh at that, some of the tension easing from her shoulders. Trust Bonnie to find the silver lining in even the most awkward of situations.

Across the room, Elvis glanced over at the sound of Clementine's laughter, his brow furrowing slightly. He couldn't shake the feeling that something was amiss, that the letter Ida had delivered had upset Clementine in some way.

But before he could dwell on it further, Katie was leaning in close again, her hair brushing against his cheek as she whispered something in his ear. Elvis forced a smile, trying to focus on the conversation at hand, but Katie’s perfume smelled so good.

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thatbanditqueen · 6 months

Text

Come Hell or Come Sundown

A Charro! One-Shot

Summary: It is the summer of 1968 and Elvis finds himself in a New Hollywood, no more production code, just a ratings system with the promise of more sex and violence. This is good, because Elvis is in transition too! He is hot off the set of his TV special and ready to make a gritty western he can be proud of. Things are going well, he's making friends on location in Arizona, but then first they cut some of the violence, and now he's not so sure there is going to be any sex scenes in this movie. What's next, are they going to make him sing to his horse?

Inspired by the cut nude bath scene and the notes in Donna Lewis' diary that there were originally sex scenes scripted in Charro!

A response to the writing prompt: "Cowboy Elvis"

Warnings: References to past sexual harassment, minor drug use implied and kissing.

WC: 13.4K

Thanks to my lovely writing support group @vintageshanny @ellie-24 @be-my-ally @lookingforrainbows @from-memphis-with-love @missmaywemeetagain @shakerattlescroll @peskybedtime and to @whositmcwhatsit for alpha-ing most of this. It is been a crazy two months, I won't go into it, but if you are still reading my stuff let me know it.

July 29, 1968

Apacheland Arizona

Ina leaned against the back side of the sound stage listening to the cactus wren sing their sunrise melody for the desert. Off in the brush she saw a lizard scurry away. It was early, but the air was already beginning to heat up and hung there thick with promise. She took a sip of her coffee, savoring the light, sweet taste, her heart full of hopeful anticipation for the sweet day ahead.

She ran her fingers down over her blouse, enjoying the smooth empty feeling underneath where round flesh had been a month ago.

This picture had been the answer to her prayers, a sign that she could still land a part as the love interest role. It was a role she knew well, one she had been playing for ten years in vehicles designed to showcase male stars: John Wayne, Paul Newman, Jerry Lewis, and now Elvis. Ina rarely got a leading role in a picture focused on a couple or a strong female character, but she accepted it was still a good salary and it kept her busy on and off between modeling gigs.

Lately, however, the on and off had been more off, and her agent, Mickey, had started talking about auditioning for roles as older sisters, aunts, and even, gasp, mothers.

But then she got this and bam! She had knocked over her phone with excitement as Mickey described this project as a “modern, gritty western.” She’d even agreed to the nudity, accepting her agent’s advice that this was going to open up even more doors now that the production code was gone and the film industry had a new rating system that allowed for mature content.

The first American western with a sex scene. That’s how Chuck, this director, had pitched his script in their first meeting, while also assuring her it would be tasteful and artistic and mainly shot using her facial expressions. She hadn’t cared, signing anywhere they wanted if it meant staving off cinematic spinsterhood for as long as possible.

And then, after carefully examining every dimple in her bottom that night, Ina had launched into a month-long disciplined regimen of ballet classes, black beauties and one meal a day. Ina took a deep breath and inhaled the earthy, floral aroma of the Arizona desert, letting it fill her with confidence. Her tummy was svelte, her skin glowed with a healthy bronze tan, and she was ready to conquer the shoot ahead. She had a feeling about this picture. A good one.

Hollywood was buzzing about the TV special Elvis had just finished shooting. Apparently it was raw and gritty and unvarnished, just like the script for this film. And Chuck, her director, was the king of the westerns, who had been promoting Charro! in the trade press as Peckinpah meets Leone with more sex appeal and heart.

Ina looked out at the orange glow of the desert sky at sunrise one last time as she stomped out her cigarette butt and murmured to herself with hushed excitement.

“What a glorious start to a glorious day.”

She headed back inside and made her way around the back of the set where she bumped into Elvis’ stunt double and friend, Jerry. Ina grinned, she couldn’t help it, Jerry’s serious eyes and rugged shoulders made her heart skip a beat.

“That was some party last night, huh?”

Jerry looked down, his low chuckle heavy with the weight of words unspoken as they both reflected on the prior evening. Ina was sure she saw an echo of her own desire in the warmth dancing behind Jerry’s blue eyes.

“You should talk, Sandy Koufax. Charlie’s grateful he can still see.”

Ina gulped, covering her mouth.. “ Oh no! Is he really hurt? I felt so bad, I was aiming for his stomach.” Ina said, twirling her hair. “Although I didn’t feel nearly as bad after watching Elvis go after Alan with the whole bucket, intentionally, over and over. He really took it to the next level.”

“Oh, that’s just how the bossman lets off steam.”

“That’s one way to put it. Say, where is the old steam engine, anyway?”

“He just went out front to get some dirt on his clothes.”

Ina raised her eyebrow.

“He wants to make sure he has that real cowboy look.”

“Huh, Elvis Strasberg. Who knew?”

Ina thought of Elvis out rolling around in the dirt and tried not to giggle. This got harder and harder as she looked into Jerry’s eyes, which were also twinkling with amusement.

In a moment of vulnerability Ina decided to let down her guard and step closer, trailing her fingers over Jerry’s upper arm. His muscle flinched slightly under her hand and it made her feel a little flight of butterflies in her tummy.

“Too bad,” she murmured in what she hoped was a sexy, flirtatious voice. “I was beginning to hope maybe you’d have to step in for him today.”

Jerry’s eyes widened for a split second, as he ran his hand through his hair. “Uh, well, as far as I know his scenes today aren’t dangerous at all.”

“That’s what you think.” Ina smiled, walking backwards for a few steps to enjoy the slight blush coloring Jerry’s scruffy cheeks.

She couldn’t be sure, but she felt there was a spark between them, and it made her feel young and giddy. Fifteen years of having her body and self worth surveyed and scrutinized and picked apart had left Ina unsure of her seduction abilities. First it had been photographers and advertising executives, then producers and directors had joined the throng out to shatter her confidence. For some women, the brutality of the business helped them create a calloused, impenetrable outer shell and distorted sense of self worth. For Ina, it had done the opposite, and she frowned as she felt the familiar knot of insecurity tighten in her stomach and vowed not let her self doubt stop her from having fun this time. No, before the end of this shoot she’d get Jerry alone and find out if he was as quiet and soft spoken in bed as he was on set.

Twenty minutes later, Ina was still smiling to herself when she slunk into a chair in make-up and pulled her thick, terry cotton robe tighter around her body.

“Look at you,” Bertie gushed as she toyed with Ina’s long, brown hair. “Excited for the scenes today?”

Ina paused and looked at herself in the mirror, letting out a nervous sigh.

“As ready as I’ll ever be.”

She awkwardly smiled up at Bertie, and told herself to relax even as her shoulders inadvertently rolled upward and she tugged at the hem of her robe.

“You know five, even three years ago, you would kiss, passionately, then the camera would pan to the bedside table and come back into focus with you smoking. But now, Blow Up, Bonnie & Clyde, the new rating system. It’s a whole new ball game out there. I’m not sure - “

“Oh, you’re gonna be fine.”

Ina looked down and studied the top of her cleavage, she felt strangely ambivalent about the nudity and the sex scenes they were shooting. She was proud that they wanted her to do them, it bolstered her self esteem and made her feel longed for and desired, special. But she couldn’t shake that nagging feeling deep down that she would get on set, bare it all and then have the director and DP exchange hushed whispers before pulling her off and recasting her role. She met her own gaze again in the mirror and tried to squelch her self doubt.

“I know, I know, and it’s all very tasteful. I trust Chuck. Still, I’m the one wearing a see-through robe. All Elvis has to do is take off his cowboy hat before he carries me to the bed. He might be shirtless in the second scene, but for the most part all we’ll see is a little bit of his ear.”

Bertie nodded into big rounds of hair she was smoothing over with oil and pinning into place with bobby pins lodged at the side of her mouth.

“Yeah, well, with most guys I’d be fine just seeing the ear, cuz women’s bodies are just more beautiful. But with Elvis, I kinda wished they’d have him nude too, you know?” She clicked her tongue and winked at Ina in the mirror,

“You should get Betty Friedan on that, it would really be a movement for sex equality. Though I bet he’d give you a private show if you asked him, Bertie. He’s making his way through the crew, two at a time I hear.”

Bertie wiggled her eyebrows into the mirror.

“Yeah, I heard about that, two of the pretty Mexican extras, right? They can have him, I just want to look at him. I don’t think I’d survive if he touched me.” She flipped her long red hair over her shoulder and bit her lip. “I don’t know how you are going to make love to him all day.”

“Oh, well, when it’s work, you sort of detach yourself. I mean, yes, Elvis is very handsome, but he doesn’t really send me, you know? You should have seen him last night with his guys. Like a pack of wild animals.”

“Oh?”

“Yeah, I think Jerry is the only one who has ever opened a book, or doesn’t eat with his hands.”

Ina tried not to move as she watched Bertha pin another round hair piece in place.

“The stunt double? He sure has that silent type thing going for him.” Bertie squinted her eyes at Ina as she stuck a few more pins in. “Ahhhh, let me guess, that’s the type you go for. Over Elvis. Are you telling me that you wouldn’t, you know, play patty cake with Elvis if he made the move? I thought he always dated his leading lady, maybe those extras are just the appetizer before the main dish..”

Ina sat up, admiring the tower of rolled hair Bertie had constructed on top of her head. Satisfied, she leveled Bertie with a friendly but stern look.

“Things can get sticky when you bed your co-star. And giving in just encourages them. You shoulda seen Jerry Lewis trailing me around off set like a creep. like I owed it to him.”

Ina grimaced, remembering Lewis’ sweaty brow as he had pushed her against the wall of her dressing room and promised that she’d like it, that she didn’t know what she was missing. She shuddered, thinking of him and all the others: the photographers who’d grinded into her as they straddled over her during a photo shoot. The producers who had invited her to an audition and then cornered her alone. She felt sick to her stomach and reached out for the random half drunk bottle of Coke on the vanity in front of her to wash away the bad taste in her mouth.

“You ok, Miss Balin?”

“Please Bertie, call me Ina. After that party last night I think we’re all on a first name basis.”

“Ha, yeah, I guess.” She turned Ina around to finish her make up. “You know, I think you might be the only woman here who doesn’t want to sleep with Elvis.”

“Thank god Elvis seems to be somewhat of a gentleman, because I’m not looking to be another notch on his belt, I’ve worked too hard to stay in this business without a casting couch reputation, and I plan to keep it that way. Plus, with all the bed hopping that happens on location, and then having to run scenes together if things get, you know, weird. Better to keep things professional between us.”

“On the other hand, a lonely stunt man...”

Ina winked, she could feel the giddy excitement bubble up just thinking of Jerry. She tried to stifle it and stay aloof as she spoke.

“A month is a long time, even a lonely stuntman deserves some company.”

A cough interrupted their giggles and the women turned to see Elvis leaning against the doorway, one hand on his belt. He squinted his eyes, looking at them with exaggerated suspicion as he wiped his hand over his forehead leaving a dark streak of dirt above his brow.

“Uh huh, and just what’d I stumble into here, huh? You two look like you are up ta no good, boy, I tell ya what.”

Perfectly lined smoky eyes sat below Elvis’ dirty forehead and more dirt billowed off his trousers as he strode toward the two women, his hands hanging off the top of his corduroy trousers. Bertie shot Ina a cautious glance in the mirror that warned her not to laugh, even as the sides of her lips seemed to hold back a chuckle.

“I’ve seen that look before Iny Niny.” Elvis said. “Right about the moment ya took aim and fired at poor Charlie Hodge, square the eyes.”

“I really didn’t mean to hurt him! Really.” Something about Elvis’ easy charm made it impossible not to smile broadly. “I - we - we’re not up to anything, you. Just chit chat. I was saying how I almost didn’t recognize you when I got here yesterday. On account of that beard you got, Presley.”

“I almost don’t recognize myself, honey.” He paused and looked in the mirror, taking a step closer as he rubbed the dirt into his forehead more. “That’s probably a good thing, maybe this picture actually has a chance to be something.”

Ina sat up as Bertie dusted her with a last round of hair spray and swiveled her chair around to face him.

“Oh, now don’t say that, there’s a reason you’re the star here. I love your movies.”

Ina may not have actually seen them all, but she knew of Elvis’ desire to be in more serious dramas. It was a common topic of conversation in Hollywood when his name came up. Ok, well, one of the common topics. Maybe not as common as his reputation for fucking his costars, she mused to herself, but still, as someone who had even less clout to be picky about projects, she sympathized with that ever present double bind of needing the money, not wanting to be seen as difficult, and yet, also yearning for more creative fulfillment.

Their eyes met and he nodded to himself, pursing his lips, as if he were reading her mind,

“Huh, so you're the one.” He grinned and took his cowboy hat off, running his hand through his hair as he tried to fill the awkward silence. “Well, sorry but I can’t issue you a refund, Iner Niner. All I can promise is that this ‘un will be better than some of the stinkers, I reckon.”

Ina smiled big, thinking of the desert sunrise this morning, all the good omens. “I don’t know if I would ever describe an Elvis film as a stinker. But I do have a good feeling about this film.”

Elvis scratched his beard, a naughty blush lighting up his cheeks as he took in the very sheer negligee peeking out from under her white terry cloth robe.

“Huh, feeling better and better the more I look- I mean listen to you, INy”

Ina felt a chill up her spine as she looked into Elvis’ dancing eyes, lingering on his face with newfound appreciation. There was something about the way the stubbly beard he had grown out for this role accentuated his jawline and made him seem more rugged, more handsome than he had looked when he played the polished romantic lead in his previous films. She felt a flutter of something unfamiliar stir in her belly; she had never been gaga over Elvis before.

And you are not now, she told herself, it’s just the characters and the scenes you know you are shooting today. Besides, he flirts with everyone, why he’d been flirting with you and every woman in the bar last night even when he had one or two extras on his lap.

Elvis arched his eyebrow, and Ina pulled her robe closer with a nervous laugh.

“Yeah, I think you’re gonna be seeing a lot more of me today.” She chuckled. “I was just telling Bertie I remembered when all I had to do to film a sex scene was lead a cowboy into my wigwam, and let the camera cut to smoke coming out of the top. We left the rest to the audience’s imagination.”

“Yeah, I think I remember that one.” Elvis whistled as he plopped into the make-up chair next to her. “Well, don’t worry, we’re only gotta pretend to make love with an audience of a hundred or so crew members watching, so no pressure.”

They laughed nervously, and then one of the production assistants peered around the door and called to Ina that the DP was ready to work out the lighting for her fully nude bath scene. She stood and gave Elvis a friendly pat, smiling inwardly as she looked over her shoulder to see Bertie trying to wipe the dirt off his forehead.

“See you out there in the ring, Presley.”

“Ok,” he smiled.

Ina studied him for another beat, wondering if the way his beard framed his lips made them look even bigger and more luscious, but she couldn’t be sure.

Striding from the building with wardrobe and dressings back to the soundstage, Ina considered how Elvis had managed to meet and completely defy her expectations. She had never seen him at awards shows, premieres or parties, nor ran into him around town or at the studio canteens. Indeed,he had a reputation for keeping to himself in Hollywood. All she knew was the second hand information she got from people who had worked with him and the Hollywood rumor mill. There were so many contradictory descriptions of him that no, she had not known what to expect when she arrived in Arizona and discovered an Elvis she barely recognized under the scruffy beard he’d grown.

When Chuck, the director, had brought her over to introduce them, he had been shy and sweet, sheepishly sticking out his hand with an affected deep “Hullo, I’m Elvis Presley.” But then by the end of the rehearsals yesterday they had become more comfortable with each other. Something about kissing Elvis inbetween jokes she knew he was making to make her feel at ease had broken the ice between them. And he had started in with the nicknames almost immediately, helping to bring her into the camaraderie that had been established with the crew before her arrival.

The run through yesterday had gone well, all jokes aside, and he had shown himself to be respectful and kind, never pushing or trying anything when they were in each other's arms. It’s probably good that he’s sleeping with some of the extras, Ina thought to herself. That way there would be no pent up sexual expectations and she could just focus on being a professional and perhaps even friends with Elvis.

Yes, she could be friends with him. Ina had only been in Apacheland for a little over 24 hours, but she could tell from Elvis’ warmth that they had established a solid rapport and chemistry for their roles. She felt as safe as she could with him as she readied herself for her first nude role on film.

“Today is going to be a good day,” Ina repeated to herself as she opened the door and entered the sound stage.

Ina was walking along the corridor behind the set when she heard Jerry’s voice on the other side of the plywood and hurried to catch him and flirt a little more. But then he said her name and she stopped, listening, as she realized he was speaking with one of Elvis’ other friends. It sounded like Charlie.

“I saw y’all. Why, she had her hands all over you, ya big stud. You really ain’t gonna try to bury the hatchet in that briar patch?”

“Oh, you know how Crazy can be. All I did was apologize to Alma and Flor for blocking the doorway last night and he ‘bout split in two. I ain’t about to try no funny business with his leading lady.”

“But you heard him call her Groucho, said he could barely stand to kiss her with that mustache above her lip. Said she was so manly, you could almost mistake her for one a the cowboy extras in drag. Like a goddamn drag queen who forgot to shave, is what he said.”

Ina felt the blood drain from her face and she began to tremble, tracing her fingers above her smooth upper lip, the one she diligently waxed every two weeks. They might as well have punched her in the gut with a steel two by four. She could almost taste something metallic at the back of her throat, where a lump formed.Tears threatened to spill from her eyes, and it took all her willpower to push them back as she stood there paralyzed while Jerry and Charlie chatted away.

“Aw, well he was off his rocker, she isn’t nearly as bad as that dog from continuity he had in his room at NBC, you know, with the big knockers?”

“Nah, I think In-ahhs pretty cute myself. If she’d been pawing my chest I’d be on that like white on rice, man.”

“Heard you like drag queens, Hodges.”

“Aw naw man, see, now that ain’t fair. Sides, that’s Lamar.”

The busy sound of the crew talking and moving around the sound stage echoed up into the lights with Charlie and Jerry’s laughter, but Ina could hardly hear anything except the pounding of her heart through her whole body. Air. She needed air. Ina hurried out a side door, her mind was racing and there was no way she could stomach the idea of filming a sex scene with Elvis now. Jerry and Charlie’s words had fractured the fragile veneer of confidence she had spent the last month building up. Dieting, ballet classes, early nights, slathering her face in cold cream and plunging it in ice first thing in the morning, staying away from alcohol and ice cream. She had worked so hard to get to a place where she had been able to look in the mirror and tell herself she could do this. Now all her self doubt had returned tenfold.

Facing the desert, she lit a cigarette and muttered under her breath, her voice cracking as tears rolled down her cheeks.

“Oh god oh god, why did I take this role? Why do I embarrass myself again and again?”

Ina pressed her hand to her throat as she sucked in deeply, willing the nicotine to steady her shaking body. She longed to run off, get in her car, and maybe drive to that bar down the road Bertie had told her about, the one where all the baseball players went.

The very idea of male attention was like a salve, and it helped her slow her breath as she slumped against the warm, concrete wall of the sound stage and looked out at the desert, focusing on the hills in the distance.

It was like looking out at a completely different view than she had faced that morning. The land was now desolate and unforgiving in the July heat, and the jagged peaks of Superstition mountain loomed like a giant, dark fiery sentinel in the sky. Her chest rose and fell with each inhale and exhale of smoke, her fingers trembled as she tried to quell the turmoil churning inside her.

Just when she was sure she couldn’t walk back inside, she smelled a hint of sage in the dust, it filled her nostrils with renewed energy. The wind whispered in her ear that she was stronger than she knew, she had trudged harder paths than this. She could put one foot in front of the other.

The door next to her exploded open and there was the fresh face of the young, blonde PA who had called to her in wardrobe.

“Oh, there you are Miss Balin, we’re ready for you.”

Ina sucked in another drag of her cigarette and took a deep breath. She could do this. Elvis and his entourage were a bunch of childish idiots. Fuck them.

True to his promise, the director, Chuck, kept the set closed for the nude bath scene Ina was shooting first. It was just him, the cinematographer, his assistant, the boom operator, and three female PAs. One to hold the clap board and two to help Ina in and out of the tub. The scene was blocked so the camera only captured her naked from behind with the side of her breast visible as she donned a sheer blue robe lined with black lace. They would run it from the top, then Chuck would run over and tell her how stunning she was and ask for another take as she shivered. It took eleven takes in all before he and the DP were content they had the footage they needed.

Ina reclined in her chair, trying to warm up during the short break before the next scene. She was rehearsing the dialogue as people trickled in to shoot her first love scene with Elvis, and she suddenly became paranoid that other crew members had heard Jerry and Charlie’s story about Elvis’ calling her a drag queen. She sat up and looked around. Suddenly every hushed whisper was about her, every glance her way was filled with pity. She gripped the side of her chair and told herself to get it to-fucking-gether.

The next scene was meant to occur directly after the bath, when her character, Tracy, discovers Elvis’ character, Jess, rummaging around in her bedroom looking for his gun. They would argue, then kiss, then argue more before he carried her to the bed. After that, he would remove her robe and begin to kiss her neck, stop and then put his hat on the bedpost, before the camera moved in for an extreme close up of her face as they made love.

Then they would break the set and set up for the second sex scene that was meant to take place at the end of the film when Jess has been victorious against the band of outlaws and takes her to Mexico with him to start a new life across the border.

Ina squeezed her hand, using her thumb as a metronome as she said her lines. “I must look new to you - toooo you - I MUST look NEW to YOU now.” She had these little games she had learned in acting class to vary the rhythm and emphasis over and over until she was comfortable in the dialogue, in the character, and it rolled off her tongue naturally, without having to think about it.

Elvis' voice rang out high above the buzz of the crew and all the words she had ever known fell out of her head. She felt her sphincter clench up tightly instinctively as if on cue at the sound of his chuckle, and a frown formed on her lips. The air was suddenly ripe with the smell of sweaty bodies and stale coffee and cigarette smoke.

Looking over her shoulder, just the sight of him surrounded by his flunkies made Ina’s stomach sour. A spark of defiance bloomed in her belly at his smug face and she longed now to walk up to Elvis and slap him sharply across the face before telling him off for being such a rotten two-faced charming bastard. But instead she popped another black beauty to fight off the hunger she had sensed growing in her belly and steeled herself to give the performance of a lifetime.

Elvis passed by her chair as she stood, a crooked grin pushing the apples of his cheeks up above his beard.

“Well, might as well get it over with.”

His despondency made Ina bristle. She was completely incapable of stopping the prickly voice that sprang out from her throat.

“We don’t have to shoot these love scenes.”

Elvis paused in his stride toward the set and looked back at Ina, his brow furrowed for a moment before he grinned again, bigger and wider.

“Huh? Course I want to shoot ‘em, love scenes are my specialty.”

Ina narrowed her eyes at his stupid, smirking expression as he glanced around at his friends as they whistled and chimed in with a chorus of stupid affirmations.

“Uh huh.”

“That’s right.“

“On and off the set”

“Well, you seem anxious to, what was it, get this over with?” She said cooly, leveling him with a glare. “So then it must be me. Maybe we could just cut them from the film altogether. CHUUCK?”

Elvis’ face began to scrunch up in a frown as Ina’s voice rang out like a knife, cutting through the chaos of a live shoot. The sound stage had been buzzing with activity as the crew readied the set, but now everyone had stopped what they were doing and turned to stare at the two leads.

Elvis’ eyes zoned in on Ina and his face clouded with concern as his hands tightened against his body in clenched fists.

“Now see here - “ then he paused and took a deep breath, smiling big.

That broad, smooth, movie star beam.

“Aw, now I think we got are wires crossed someplace.That’s jus my ole stage fright talkin’, honey. Gets me ev’ry time like a sonabitch. Didn’t mean nothin’ by it, Iny Tiny, come get over here. I feel very honored to work with you. I been sayin’ all week, haven’t I, Chuck? That I couldn’t wait for Ina to get here, class up this joint’?”

Ina looked at where Chuck stood, hands at his hips as he nodded, a terrified grin plastered on his face.

“That’s right, that’s right. Why, that's what we’ve all been saying, Ina, we couldn’t wait for our Tracy to get here.”

Chuck dug a handkerchief out of his pocket and wiped it over his big, balding head as he spoke slowly, as if talking to a spooked horse. Ina

“I think I know what’s going on, my dear.”

Chuck looked over at Elvis and then put his arm around Ina, guiding her toward her mark.

“You’re nervous. We’ve just spent two hours during the bath scene. And this sort of - um - delicate, shall we say, yes, delicate feminine performance is new to you, isn't it?”

“Well, yes, I suppose, but I - “

Chuck put his finger to Ina’s mouth

“Say no more, my dear. It’s natural to feel vulnerable in this situation. But let me assure you, everything is being shot in the most artistic technique possible. And you, well, just look at you, huh?” He spun her around in the center of the set.

“Ina, you are a dream. My living, breathing Renoir painting. And I want you to know, that was my inspiration for your room here. The colors, the outfits, a Parisian chorus line meets the Old West. The colors, the costumes, they are meant to evoke the Belle Epoch, you know? You are wearing the same outfits Degas’ dancers wore, did you know that?”

“Uh huh, you mean if they wore anything?” Ina added in a clipped tone.

“See, and that’s exactly it! The original work of art is, of course, the beauty of the female form.”

“Cain’t argue with that.” Elvis smirked, but Ina shot him a withering look which threw him off again and once more he was frowning and searching her face.

Chuck noticed none of this and kept talking.

“And you are an exemplary example of the female form, a perfect specimen of a woman.”

“Well, I assure you I am no drag queen.”

Elvis coughed nervously, his hands clenched in fists at his side. The quick, sharp look he shot Joe did not escape Ina’s notice and she knew then that he had said the things Jerry and Charlie had been laughing about. She narrowed her glare at him, telegraphing her contempt as he stuttered and tried to regain control of the conversation.

“No - ah-uh -er - siree, honey, you’re the real deal, got more class than the rest of this outfit combined. Why, I reckon I’m more nervous ‘bout this scene than you are.”

Chuck nodded vigorously.

“Yes, we are all nervous shooting something that is, as I said, delicate like this. And your character is unsure in this scene, she loves Jess, but is torn, because she’s worried he is still the bandit she sent away. Channel your feelings into the scene and let’s make beautiful artwork here today.”

Ina rolled her eyes. “Ok, ok, I’m ok. Like he said, let’s just get it over with already.”

Elvis grinned as he walked around the set door to his mark.

“That’s the spirit, Iny Beany.”

Chuck yelled action, directing them through the scene as the cameras rolled.

“You see him rooting through your stuff, and you think of how long it's been, how he left you without a word. You hate him because you love him, but you wish you didn’t and you are trying to keep it all bottled up. Beautiful. Indifferent. That’s it Ina, that cool, icy glare, it’s perfect.”

It was not hard for Ina to muster a cool, icy glare for Elvis as he looked down at her. Every time they started, one of the PAs would come over and spray her body and chest with water for continuity with the bath scene that was just supposed to have occurred in the storyline.

In the third run through, she couldn’t help herself when Elvis’ foot knocked into hers. She thought of that guilty grimace she saw move across his face at the words “drag queen” and she stepped on his foot. Hard.

“Perfect! Perfect Ina, you’re nailing it!” Chuck called out from where he was watching the monitor.

“Nailing me is more like it,” Elvis said, jumping back, a hurt pout on his face. Then he reached out and stroked the side of her shoulder.

“Say, you sure you ok? You’re not sore at me for something, are you? It’d be better if we just clear the air. If I said something this morning, or did something in passing, honey, I’m sorry. But you gotta tell me.”

Ina looked in his big blue eyes, searching hers, seeking a connection. She glanced off behind him, at the brocade pink wall paper. The air smelled of bath water, sweat and cheap aftershave. Chuck was right, she thought, this could be a cheap Parisian brothel.

“I assure you, I am fine.” Ina forced her mouth into a tight smile. “Just watch where you’re going and we’ll be fine.”

He squinted his eyes at her, but seemed to decide against whatever it was he originally wanted to say, and stepped back with his arms up in surrender. “Okay. Alright. Whatever you say, Iny, my mistake. Let’s try again, I bet we’ll get it right somehow.”

They went through the whole scene three times, up until the part where Jess lifts Tracy up and carries her to the bed. Elvis’ eyes narrowed as he stepped toward her, uttering his lines in a stern, serious voice. But when he picked her up and hoisted her in the air, she heard Charlie’s obnoxious laughter in the background and their words from earlier began to play through her head again on a loop.

The shrill sound of his laugh sent a sharp bolt of pain down the center of her head and suddenly she felt as if ginger ale was bubbling up on to the top of her brain. She wasn’t sure if she could hold it together anymore.

There was the taste of bile again at the back of her throat. She swallowed, running through all of the tools she had learned in the Actor’s Studio such as telling herself she was Tracy and trying to channel her anger into the tension between Tracy and Jess. She was, after all, supposed to be fighting Jess’ advances at first and pushing him off before giving in. But she could barely look at Elvis and instinctively jerked back when he placed her on the bed and began to move his fingers over her sternum.

Her head throbbed and she could feel more tears welling up. She had to get out of there and take a little break, so she cried out, “CUT!”

Elvis jumped back, a panicked look on his face.

“Did I hurt you, Iny Beany? Wanna do it again, just to practice, from the mark by the bed?”

“No.,” she hissed under her breath, pushing him away. Maybe she didn’t need a break, maybe they could just skip this scene altogether.

“No, no no. I’m sorry, I just can’t do it. Chuck, do we really need a full love scene? We’re not making Belle du Jour here.”

Elvis had his hands on his hips, a stricken look on his face while Ina stood, straightening what was left of her dignity and snapping her fingers for the PAs to bring her thicker robe.

“Ina, darling, we just went through this.” Chuck’s transatlantic accent was getting thicker and higher-pitched the more he spoke. “And I hate to bring this up, you know I do, my dear, but it's in your contract.”

“Contract or not, I can’t do it. I just can’t.”

“My dear, what can I do to make you comfortable?” Chuck pleaded.

“Nothing. I would rather make love to a rattlesnake than to that man.”

Elvis stood taller, his fingers balled up into fists as his leveled, polished voice began to transform into a Southern snarl.

“Yeah, uh huh, well I had about enough of this bull shit. Rattlesnake, huh? That can be arranged, honey, why, I’ll get it myself.”

“Well, I bet it will be small and limp, just like you.”

He staggered back when she hurled those words at him, flustered and mumbling as he looked around the set to see who had been in earshot and heard her yell out the words ‘small and limp’ at him. The answer, of course, was everybody. Because everybody in the crew was watching.

They had, of course, originally gathered around because Charro! was making film history with today’s shoot.

All the popular European films being released had sex scenes, James Bond was having sex. Several recent westerns had initially included nude scenes, but studios had cut them at the last minute.

But 1968 marked the dawning of a new era. The MPAA had a new rating system. Bonnie & Clyde had proven last year that audiences not only had a stomach for violence, but wanted sex. And like Bonnie, they wanted it much more than they got it. And so this picture, and about a dozen others in production, were all racing to give it to them.

Even if the plan was to pan to a hat and then just Ina’s face, Charro! was going to make history.

Or rather, it would have made history. Instead, the entire crew watched in horror as Ina threw up her hands and stomped off in protest while Elvis coughed loudly, took a deep breath, and then announced to the crowd

“Don’t worry, folks, we’re gonna get Arthur Rankin in here and he’s gonna recreate these scenes with claymation. Make a little Elvis the Rednosed Cowboy.” His voice rang out with forced cheerfulness, followed by a ripple of nervous laughter that spread through the soundstage.

“Boy, I tell ya what, now that would be a historical milestone, huh Chuck? Bet audiences would pay double ta see a stop motion love scene.”

The director nodded as Elvis patted him on the shoulder with a forced, playful candor and then strode out of the studio followed by his entourage.

Elvis’ motel room was dark, save for the television, an ever present companion, and the table lamp that cast shadows against the wall outlining Alma’s silhouette. The light captured every curve of her body as it lay sideways across the bed next to him. His fingers tapped absentmindedly over her bronze thigh, but his mind was otherwise occupied and failed to register the coquettish look she was giving him as she pouted and ran her hand over his arm.

He was thinking of his first film and the time had asked his co-star, Richard Egan, the secret to good acting.

“You. You already got it kid, in spades. Why do you think they renamed this picture after your song? Just be you, unaffected, unadulterated. You’re a natural.”

But what good had natural ability been without opportunity? He’d had such high hopes back then, hopes to be in real movies about real people, stories with an edge that packed a punch. And for a time, it seemed like he was. Dramas in which the singing was a plausible part of the premise.

But somewhere along the way the edge had been sanded off and his plans had all gone wrong. He’d gotten himself typecast as the type of character he hated, a romantic lead who broke into song during an appointment with the IRS. Those roles were fine for Rock Hudson, but not for him. He knew he could do better. Better than dumb musicals, better than all this.

He had those same high hopes for this picture when he first read the script.

“Guess I should be happy this western’s actually being filmed in the goddamn desert and not in some California shrub valley,” he mumbled, balling his hands into fists as he spoke.

“What was that, baby?”

Elvis looked up at the woman lying next to him, he had forgotten she was even there. Her warm body next to him had become just another amenity of the room, like the mini fridge or the Gideons Bible. The puzzled look on her young, naive face reminded him how truly alone he was.

Oblivious to Elvis' existential crisis, Alma decided maybe he needed some prompting after their kisses had dissolved into still silence. She moved her hand to Elvis’ thigh, stopping when he flinched and jumped up almost as if he were trying to escape her touch. She frowned, then flipped her hair as she adjusted and lay prone over the polyester orange bedspread, fashioning a come hither look on her face. She could tell he was rattled by the onset fight and was trying everything in her bag of tricks to laugh it off and redirect him to something better. Her.

“Ha, small and limp. That bitch has no idea what she’s missing. It took all my self control not to cry out in front of everyone that you have an anaconda in your pants, Elvis.”

A grimace passed over his face, and Elvis started to button up his shirt and mumble to the floor.

“Don’t, baby - just-” He softened his voice at the rejection he saw in her eyes. “Honey, I can’t stand it when women do that.”

“What, what am I doing wrong?” Alma sat, her face falling as she scooted back against the pillows.

Elvis pulled on the red bandana around his neck and paced the other way, looking back at her as he tucked his shirt back into his clean, brown corduroy pants. His shoulders stiffened.

“Insincerity. I can’t, I jus hate it when women go overboard trying to puff up my ego. I’ve had my share of lovers, no one ever complained. That’s not the point.”

“It isn’t?”

“Nah, honey. What that bitch is really saying is she don’t take me serious, I’m not man enough for this fucking role, for her New York high society standards. Fat lot of good any a that did her, thinks I don’t know she’s been in what, five pictures? Jerry Lewis? Try twenty five, sister. Give me a goddamn break. She’s wound so tight, she could start a fight in an empty house, I tell ya what, boy, and that’s the god honest truth.”

He began to pace the room, wringing his hands over as he walked.

“This un’ is gonna be different, Chuck said, more raw, Chuck said, more real.” His voice trilled between a high falsetto and a deep growl. “Then first they cut the violence, and now this bullshit. What’s next? Bet they gonna try and have me sing to my fuckin horse!”

He punched the wall. “Fucking cowboys don’t fucking sing!” He screamed to the ceiling, then began to pace again, his hands now balled up in fists.

He turned and looked at Alma. “You ever see John Wayne sing? Gary Cooper? ‘Fore they walked over to the OK corral to shoot the bad guy?”

He punched the wall again and then turned and tried to compose himself when he saw Alma flinch.

“Ok ok ok ok.” He took a deep breath. “I - uh - this picture’s got me all keyed up.”

“Want some grass? Flor has some killer grass, make you forget today even happened.”

“Nah, honey - now, good lil girls like you should know better than to mess with that stuff.”

Alma pulled her hand through her hair and struck what she thought was a glamorous, come hither pose.

“Want me to give you a blow job? Help you relax?”

Elvis frowned. “Man, like a goddamn cat in heat and twice as willing. Don’t you think of nothing else?”

Alma sat up and started to put her clothes on, her voice as low as her hopes for the evening.

“You’re the one who invited me up here and had me undress while you watched. I’m just trying to do what I thought you wanted.”

“Well stop tryin’ to think, you’ll wear yourself out.”

Alma grabbed her shoes and opened the door, finding Joe on the other side with one hand about to knock and another holding up a tray of food in his hands.

“Oh, hey -”

“Hey yourself.” Alma said with a huff and a very aggressive hair flip, her long brown tresses smacking Joe’s cheek.

Elvis shrugged as Joe looked after Alma, whistling to himself.

“Man o man, EP, you got the prettiest girl here. What’s up her butt?”

“I don’t know - Something up with the chicks on this picture, man, stuck up and crazier than a sack full a possums.”

Elvis looked at himself in the mirror hanging on the wall across from the bed as Joe mumbled about how many crazy women they had met on their journeys, half-listening as he stroked his beard and reassured himself that he looked just as fit as Clint Eastwood. And more handsome. He winked at himself and straightened his belt buckle, then looked over at Joe.

“Now hold on a second, son, jus’ what in high heaven is that?”

Elvis lifted his hands from his left hip and pointed at the cheeseburgers and fries Joe had laid out on the table, fixing him with a dark glare.

“You said dinner, EP, brought you dinner.”

“Tryin’ to get me back in the 200 club like you? Don’t think I haven’t noticed you been auditioning for the part of lardass of the group.”

“But last night - I thought you -

“I thought, I thought - you ain’t thought shit, and that’s the problem. I’m supposed to be shirtless on film tomorrow and you fixin’ to get me fat as a boarding house cat.”

Joe frowned, furrowing his brow for the split second it took him to plaster a smile back on and nod. Now he understood what was up Alma’s ass, and what was about to be up his too if he didn’t turn this around.

“Right, boss, my mistake, tell me what you want and I’ll go get it.”

“What I want, what I want. Ain’t nobody cares what I want, and that’s the goddamn problem. Save a whole lotta time and money if you just thought to ask first.”

Elvis put his hands on his waist and cried out an inaudible growl to the ceiling.

“Jus… just bring me a caesar salad. A big one.”

Joe hurried out and Elvis went over to cover up the burgers, but the smell was too tempting, so instead he sat down and began to devour them one after another, mumbling to himself in between bites.

“Goddamit, if I look fat tomorrow it’ll be Joe’s goddamn fuckin’ fault.”

There was a knock at the door, and he yelled for whoever it was to come in as he went to wash up.

“Joe told me to come get rid of the - uh - food tray.”

Charlie’s voice trailed off as Elvis emerged from the bathroom and followed Charlie’s eyes to the table and the plates that were empty, save for a handful of cold fries.

“Well, have at it - wait.”

Elvis stepped back and looked around, grabbing one of the guns from the night stand and put it in his belt. He had all this nervous energy running up and down his body, he needed to just get out of this room, out of this motel, get as far as possible to just breathe some fresh air and think. He snapped his fingers at Charlie.

“Grab Gee Gee, we’re going for a drive.”

Charlie’s face softened into a big goofy, excited grin. “Okee dokee artichokee, where we heading?”

“Anywhere that ain’t this goddamn motel, numb nuts.” Elvis started to head down the exterior stairs, running his hand over the warm, wrought iron bannister. He looked back over his shoulder and clapped.

“Bring the cigars, too, then meet me at the car. Chop chop.”

A renewed sense of purpose guided his steps as Elvis walked down the corridor of motel rooms that lined the pool,and he ran his hands up and down the front of his shirt. He mulled over what he wanted to do that didn’t involve eating more hamburgers. Or eating anything.

When he looked up, he realized he had stopped outside Ina’s room. There, through the curtain, he could see the back of her through the curtain where she sat on her bed, talking to someone on the phone.

“No no no, Mickey, of course I understand. Yes, well, I don’t know, I think you have to have been on top to get back on top, but your meaning is not lost on me. I get it. Yes. Opportunity of a lifetime. I know. Elvis Elvis. Don’t worry. I’m gonna go make it right, right now.”

She looked up at the ceiling and wiped the sides of her eyes, summoning a mask of quiet cheer Elvis recognized well as she clutched the phone tight.

“Yes, no - I’ll be a good girl, Mickey. I promise. I know, I know, no bread.”

He was transfixed, enjoying the power he felt watching her unaware, and pressed closer to the glass, careful not to draw attention to himself. A small front section of her long, flowing hair fell out from behind her ears and she absentmindedly began to twist it nervously. She looked like a fragile little girl, like a beautiful flower someone had stepped on. The sight of her anxiously talking away pulled on his heart strings.

He shook his head. What the fuck had happened? Why was she so angry at him? He'd played the part of the funny, affable host from the minute they met, introducing her to the crew and having Gee Gee get her screwdrivers as they all yukked it up in the bar. He'd about busted his gut when she lobbed a handful of ice at Charlie and knocked him over the back of the couch.

He stood there watching as her big brown eyes lit up while she told her agent how nice the desert was. He almost believed her. Goddamit, why couldn’t she just be a good girl and get along? She’d been sweet and flirty in make-up and then what, an hour or two later, her claws were out and she’d aimed them at him.

He whistled and thought about the fickleness of women as he turned to walk the long way around the pool.

Thirty seconds later he heard the thud of a door opening followed by Ina’s voice calling out for him.

Elvis stopped, his hands moved out as if to balance himself as he swiveled around, slowly, to face her. A sense of dread settling in his stomach. Up above him, he saw Charlie and Gee Gee making their way down the staircase, while to his left a group of crew members were heading for the pool. The smell of chlorine wafted through the open air hallway.

He cautiously trudged back toward the doorway to where Ina stood, each footfall a slow thump of his cowboy boot against the hard concrete sidewalk.

“Oh good, I’m glad I caught you, Elvis.” She swallowed, there it was again, that cheerful mask settling over her face as she exhaled a nervous laugh. “Could I talk to you for a minute?”

Elvis straightened up, looking around again before pulling on the red bandana at his throat. He definitely didn’t want to be alone with Ina. She was unpredictable and he couldn’t stand the awkward energy that flickered between them. However, he also didn’t want another public scene and he could already hear their names being whispered by some of the crew at the pool.

So he did what he always did with an audience, he mustered a wide, beaming smile and spoke in a nonchalant, cool voice:

“Hey honey, you ain’t gotta worry bout me, I’m all good. You get your beauty sleep and I’ll see you tamarra onset an - “

Ina’s lip trembled, she looked like she might fall apart at any moment.

Shit he thought, unable to stop himself from walking over to her and stroking her shoulder.

“There there, been a rough day. This desert heat, I tell ya what, baby, does things to ya head. Now go ahead and listen to ol’ Elvis -”

Ina put her hand over his where it squeezed her shoulder.

“Could we just talk - just for a moment?” Her eyes pleaded with him. “Alone. I - I won’t take much time, I just - I’d like to apologize and clear the air if you’ll let me. Otherwise, otherwise I won’t be able to sleep and then you’ll be making love to a haggard old zombie first thing in the morning.”

Elvis' eyes softened and he looked around once more before nodding. “Ok.”

As soon as the door closed he was an obedient puppy letting her lead him by the hand to sit on the bed, where he took off his cowboy hat and toyed with it in his lap.

Ina stepped away, backing toward the dresser where she lifted herself to sit next to the TV, but then changed her mind. She felt like a ship adrift, unmoored and out of her comfort zone. Sitting and swinging her legs about was too casual, she decided, so she stood back up and swept the hair that had fallen out of her high ponytail behind her ears.

Just make it short, sweet, earnest, she reminded herself, you’re no stranger to eating humble pie. Indeed, Ina reflected on the number of times she had apologized unnecessarily just to smooth things over with her mother or sister, a producer, an ad executive. This was one of the first times she felt she actually had behaved badly and now she was lost for words. If only there was a script for life.

“I - um - thanks for seeing me - I - I - I.”

All the words left her head when she found Elvis’ dark blue eyes studying her beneath his long lashes. He was rotating his cowboy hat in his lap. The smell of the heavy floral cleaning products the maids had used lingered in the air, stronger now that the air conditioner cycled on with a heaving, mechanic whomp. She swallowed again, and counted to ten, trying to ignore the way the back of her neck seemed to prickle as a chill went down her spine. She steadied herself, forcing her eyes to connect with his.

“Elvis, I am so very sorry. I mean it. I - I - I - ’ve never lost it before onset, it is so unprofessional I can barely stand to look at myself.”

She felt a release of tension as she watched his hands relax. He took a deep breath and stroked his beard.

“You don’t have to worry about me, Ina, I been making two to three pictures a year since 1933. I can roll with the punches, ain’t nothing I can’t handle. ThoughI gotta admit you threw me off back there.”

The register of his voice changed from rougher to softer as he looked down at the floor and then back up at Ina’s face.

“Be honest, did I do anything to offend you or make you mad at me?”

His softer side was almost harder to withstand and his eyes seemed to penetrate her very being, seeking out the secrets she kept hidden in her heart. She shook it off with another nervous chuckle,

“No, no, this was 100% me. I’ve been so nervous about these love making shoots. Chuck’s is telling everyone back in Hollywood this is the first the first film with a sex scene - “

“Isn’t it?”

“Well, I mean, since the production code, maybe, but they’ve shot plenty of them. It’s just that the studio always pulls out at that last minute -”

Ina covered her mouth and gasped when she watched Elvis’ lip curl up at her words but said nothing. He didn’t need to. The glint in his eye said it all and when he waggled his eyebrows up and down Ina laughed out. She was grateful for the levity, it seemed to crack through Elvis’ cool bravada and made this conversation easier.

“Stop, you know what I mean.”

She blushed, and looked out her window, watching as the silhouettes of two people walked by. It was getting dark, she needed to wrap it up.

“But yes, today I was nervous, I haven’t been eating or sleeping much, but I promise you - “

Her voice wavered as she turned back to find his steady gaze.

“ - um - no more fights, no more difficult behavior. I am so grateful for this opportunity to work with you and I just hope you can forgive me for my lapse of judgment.”

Elvis stood up, his fingers were once more busy fiddling with his cowboy hat and he spoke in a low whisper.

“Ok. I forgive you. So long as you really ain’t mad at me.”

The breath hitched in Ina’s throat when Elvis looked up at her, biting his lip in a way that made the top jut out a bit as he searched her face once more, as if she were a puzzle he needed to solve.

She gulped. “I - uh - I - no, I just need some sleep - I “

“Honey I can’t help feeling like you’re holding something back here, and if we’re gonna get along, I need you to be completely honest with me.”

Ina looked away. Damn him, he was like one of those fortune tellers back on Coney Island who she had believed as a kid. As a teenager she had learned the truth: they had no supernatural talents, they were just extremely gifted at reading their marks. Like Elvis was reading her right now.

“Oh, I may have been upset about something but it doesn’t matter, it was silly and stupid, like me. I - I was wrong, and I apologize. I’ll happily apologize to you in front of the whole crew tomorrow if you want. Really. If that is what it will take to make amends with you Mr. Presley.”

Elvis clenched his fists.

“I don’t give a damn about a public apology or the crew or any of that. But I can’t bear it when a woman is sore at me and won’t say why. Ticks me off to no end.”

Tension hung in the air, and Ina sighed. Recounting the whole ordeal made it seem so juvenile now, though it still stung.

“I - I am, I heard some of your friends talking. They -”

“Which friends?”

“Jerry, Jerry and Charlie. I told you, it’s like high school and I can’t believe I let them upset me.”

“Well now you started, better lay it all out for me. Go on.”

“I - I well, I heard them laughing about how you had said I looked like - like drag queen that needed a shave. And they were calling me Groucho and saying I had big feet.”

Ina let her shoulders drop and forced a smile, but she couldn’t stop her hand from pulling on the necklace at her chest.

“Ha, actually now that I say it is kind of funny, you see I - um - I usually have a great sense of humor. Any of my friends would tell you. Some of them are drag queens, actually. They’d probably feel more slighted being compared to me. Your boys just, they - they just caught me right before I was filming my first nude scene and well - “

Ina’s voice trailed off as she watched Elvis get up and pace towards the bathroom growling.

“Those fucking nitwits, pulling a stunt like that and gummin up tha works -” he turned and his face fell at the pained look on Ina’s face. “You know I never said nothin’ like that.”

Ina quickly shook her head, summoning the calm veneer that usually came so easy to her. She immediately regretted telling Elvis, now she felt as raw as she did after she had a full waxing appointment at the salon.

In her heart she knew he was lying, she knew from the way he had grimaced, albeit it briefly, on set when she’d said she wasn’t a drag queen.

Yet there was something earnest and pleading in his eyes that made her question her own grip on reality. This got worse when he bit his lip and looked up at the ceiling, all vulnerable and apologetic, as if searching for the right thing to say. It made her stomach flip up into her throat. Then looked at her, his eyes wide with a newfound warmth as he sought a connection from across the room, as if he were seeing her for the first time. Ina knew right then that she needed to get him out before anything changed.

“Oh, yeah, sure, I know. And, well it doesn’t matter anyway, right? I mean it’s none of my business what you think of me - like I said, I knew some knockout drag queens, so it’s a compliment really. Ha so - “

Elvis stode over as she spoke and grabbed her hands, his thumb delicately soothing the top of her knuckles. The spicy smell of his aftershave entered her nostrils as he spoke in a low, soft voice.

“Here’s the thing now, Iny Beany, I just need you to know though that I didn’t say none a that. Ya right, them boys still in high school, and they been playing pranks like we’re still in high school. I guar-an-TEE you they knew the assistant had just called for you, and they set that whole thing up to ruin my first sex scene shoot. Have half a mind to fire 'em. They need to learn some goddamn respect."

Ina found herself transfixed, unable to step away or pull her hands from his. She looked him over. He somehow looked like a cowboy who had let a bunch of drag queens dress him.

He wore a fresh pair of dark green slacks, a thick leather belt and a long sleeve white linen shirt. Over his hands sat several jewel-encrusted rings matched by the two necklaces that lay underneath his red bandana, tied much like a silk ascot through a cravat. His foundation make-up was impeccable, and his hair was styled in a high quiff perfectly slicked back above his forehead. It made him look cavalier and polished at the same time.

Then there was the way his smokey eye makeup was now smudged around his waterline made him look even more ruggedly attractive. Sweat glistened underneath his beard, almost like glitter. There, in the dim light of her motel room he looked like the prettiest cowboy she had ever seen.

“Know what I mean?”

Ina shook her head, realizing she’d gotten caught up staring at his scruffy chin and lost track of what he was saying.

“Um, I’m sorry, what did you say?”

A sly grin tweaked up the corners of his lips.

“I said, you cain’t listen to a word outta those boys' moufs, ‘specially Charlie. His elevator don’t go all the way up, if you take my meaning.”

Elvis stepped in closer to her, cautiously, waiting to see if she stepped away or flinched. But it was all Ina could do to just keep breathing, each stroke of Elvis' thumb over her hand now sent a bolt of electricity down her chest.

“How I could I say something like that about you, Iny? Ya so beautiful, I could barely look at you too long before turning into mush.”

Ina rolled her eyes, but she could feel her own resolve waver as his hand moved to her hips and a blush crept over her face.

“Stop, you don’t have to lie to me.”

He shook his head, his nose tickling over hers.

“How can you say that Iny Meany? You have no idea, no idea what you do to me.”

Ina’s heart skipped a beat when she felt his thumb at the indent of her girdle. The air between their bodies seemed to crackle now with heat, and he pulled her closer, nuzzling his nose over hers. A tear rolled down her face and he lifted his finger to catch it.

“Ssshhhh, s’ok baby, s’ok. I got you. And I promise ain’t no one gonna talk like that about you again.”

He pressed his cheek against hers and she pushed back,willfully embracing the harsh scruff of his beard. She could feel herself teetering on the precipice of something dangerous. If she crossed this line with Elvis it would change the dynamic of their work together, it would change her reputation. She had vowed to herself she wouldn’t be susceptible to his charms, him, of all people. He was so obvious, so cliche. And yet here she was, nuzzling her nose back along his.

Emboldened, Elvis gently pressed his lips to her skin, peppering her jaw with light kisses. Ina eagerly moved to give him access to her neck and he instantly took the hint and suckled at her nape, pausing to grin as she moaned out a high, breathy unladylike moan.

Her chest heaved as their lips met and the faint aroma of mustard filled Ina’s nostrils.

“Oh my god, you taste like hamburger.”

Elvis chuckled, unsure of himself for a moment. Ina enjoyed watching him become self conscious.

"I’m sorry baby, you want me to go brush my teeth?”

She shook her head, pulling him closer and speaking between kisses.

“No - mmmm - it’s amazing — mmm - haven’t had a mmamburger in months.”

Elvis let out a nervous laugh.

“Ok, ya kook, I’ll be sure and eat hamburger every day.”

"Ha! I'm gonna hold you to that, Presley."

His fingers brushed over her thighs as he lifted her onto the dresser and Ina trembled.

“You ok? Just say the word, and I’ll stop.”

She shook her head, stopping was the last thing on her mind. Though she suddenly thought of crew members at the pool who’d seen her call Elvis into her room to apologize.

“I wonder what everyone outside thinks we’re doing in here.”

“Hmmm, whatever they’re thinking, I guarantee it's not nearly as good as what I’m thinking.”

“Elvis - I - I don’t want to have sex.”

He arched his eyebrow.

“Whoo now, who said anything about sex?”

“I mean, of course I want to have sex with you.”

He stoked her thighs, a faint smile on his face.

"Relax Iny, we’re just having some fun. Don’t overthink it. We ain’t gonna do nothin’ you don’t wanna do.”

Ina released a nervous giggle. “OK, you see, I um, well, actually the thing is that I sometimes break out when I - I do it.”

“Really? You know that Max Factor stuff will cover anything.”

“Ha! I know - I just think tonight, no matter what I say later, we should just keep it simple.”

“I gotcha Iny girl. Sweet. Simple.”

Ina’s pulse quickened at the way he leaned into her chest, his hands worked up from her thighs. She felt like a giddy teenager as she smiled gleefully into his face, her right hand fiddling with his ear.

“You have a great earlobe, you know that? I can see why you’re a movie star.”

“Huh. That right? Cuz of my earlobe?”

He leaned in and kissed the top of her nose.

“Oh yeah, it's very photogenic. I see why this is the only part of you in frame during the sex scene. I mean the rest could as ugly as Boris Karloff -” Ina waved her other hand in front of Elvis face. “But this lobe, right here, it’s a million dollar lobe.”

Elvis chuckled. “That right?”

“Uh huh. I hope you have it insured - oh god.”

Elvis' right hand moved over her breast, flicking her nipple.

“Hmm, well, maybe I should stop whateva this is and go call the colonel, get him right on that, uh huh.”

He moved as if to leave, smirking at how quickly Ina pulled him back into her arms.

“Don’t go.”

She squeaked out, voice cracking.

“You sure? You don want me to fetch a rattlesnake to kiss instead? See if you like making love to his earlobe?”

“Stop.”

Ina swatted him, straightening the line of his bandana.

“Please don’t repeat what I said earlier, I was tired and nervous and upset and I hate myself for that whole scene. I really am sorry, Presley.”

“I know, baby, I know. I'm just teasing.”

He pressed his lip son hers once more and Ina rocked forward into him, following the slow, tender rhythm of Elvis’ body. She felt like a buoy, still unmoored and adrift in the ocean, but now she didn’t want to come into shore. She wanted to stay like this, swaying back and forth to the ebb of Elvis’ tide, delighting in the wet smack of Elvis’ lips every time they smashed into hers. Again and again.

Her whole body buzzed when his fingers trailed down to her hem and absentmindedly began to work their way under her dress. He had notched himself between her legs, fitting snugly against her knee caps. She made a small squeak of surrender as she opened her hips to bring him in closer. The taste of onions and pepsi and meat filled her mouth as he took her with the tip of his tongue, slowly owning and consuming her completely.

Elvis moaned into her and deepened their kiss.

Ina lost herself in the sweet supple cushion of his lips. His hands moved over her bosom, fanning the spark in her belly into a flame. Then his fingers moved under her skirt and feathered over the warmth of her panties. Ina felt the bulge begin to swell at her thigh and then Elvis jerked back.

Every cell in her body cried out to pull him back into her embrace and then until he was inside her and they were melting into each other. Vows and boundaries be damned. Thank god he had some sense of self control.

“Whooa, whoa whoa.” He muttered slowly, almost painfully.

Ina nodded, licking her lips as she met his eyes.

“You ok?’

“Yeah, you?”

Elvis took a deep breath. “Course, honey, I - I - I just think we better put the breaks on for tonight.”

“Yeah, sure, no. Totally. This was exactly what I wanted.”

He wiped his mouth, shooting her an impish smile, like he knew exactly what she wanted.

“Guess I should clear out, huh?”

“You don’t have to leave, I mean, I enjoy your company. Is what I mean. But if you are looking to get lucky, then yes, I suppose you should find one of those extras you've been playing patty cake with.”

“Huh, okay, well I'll be on my way then. Catch ya later.”

But he didn't move, just stayed there hovering above her. His forehead leaning into her as he pushed in even closer, pressing the air out of her lungs.

“You do have a reputation to keep up. I understand.”

"Mhmmmm."

Elvis shook his head and went to sit on her bed, up against the head board.

“Look, I'm willing to put my reputation aside, jus for one night. I promise, no funny business. Clothes stay on.”

He smirked.

“Unless you’d feel more comfortable without your dress on.”

Ina hesitantly moved to perch next to him. She could still taste the mix of Elvis’ salty sweat on her tongue as she wiped her raw lips.

“That’s awfully accommodating of you, Presley.”

“What can I say, Iny Beany, I’m an open minded guy. Always say, if a girl wants to take her own dress off, who am I to say she can’t?’

“Well, if it’s all the same to you I think I’ll keep mine on. For now. There’s still time for you to make an exit.”

“Aw, now shut up with that exit junk already and get in here.”

Elvis pulled Ina down into the curve of his arm, and she sighed, embracing the cozy warmth of his body and rubbing her hand over the trim stretch of his stomach as he spoke to her in a soft, friendly voice.

"Alright now, I want you to tell me everything there is to know about you. How did the hell you end up in a god forsaken Elvis Presley picture, huh?”

“Hmmm, poor life choices? But Elvis, I thought you liked this film? I thought you were the one who made it happen.”

“Aw, well, sure, the first script was pret-tee fantastic. It was gritty and had guts, ya know, but then these damn producers been wittlin' it away to nothing, man. Chuck cornered me this afternoon once you'd left and started in on nagging me to sing the title song.”

“You don’t want to sing? Just the title? it would be so good.”

“So you like the way I sing, Iny?”

Elvis’ eyes danced but then he remembered what they were talking about and was solemn once more.

“Yeah, naw man, that would set it up as another Presley musical, the next they’ll be trying to get me to sing to my horse. No self respecting cowboy sings, you ever heard of a singing cowboy? Never seen John Wayne sing.”

“OK, sure, but what about Roy Rogers, Gene Autry, Hank Williams was the Driftless Cowboy, right?” Elvis leveled her with his blue eyes and pinched her side.

“Hmmm - guess you got me there. But it’s 1968, I’d like to see Gene Autry sell a movie in today’s economy. My boy my boy. Today it ain't no joke. Can you see him in The Good, The Bad and The Ugly?”

Ina tilted her head in agreement back onto Elvis' shoulder, she felt the same way she did sinking into a pair of comfy, worn-in slippers, and founding his chest as relaxed and welcoming,

“Trust me, I get it, I’m just grateful I don’t have to do a rape scene in this film.”

He squeezed Ina tighter, kissing her cheek.

“Yeah, me too, honey, real grateful. Boy. Don’t know why anyone want ta see that.”

“The old west ain’t what it used to be.”

“You can say that again.”

Elvis' arms closed around Ina tighter as they murmured the hours away, comparing diet pills, LA taco huts and favorite movies while their limbs easily intertwined into one another. The closest he got to undressing her was the moment around midnight when he stealthily undid her pony tail and played with her hair while she pretended to be miffed. Then he kissed her forehead and told her he had done her a favor, because it looked better this way, and she should just be a good girl and do as he said. Which got him a light slap and a big “HA!”

They spent the next hour enjoying a playful, cozy respite together in the dim orange glow of Ina’s hotel room. It was well past one in the morning when he gave her a parting kiss that turned into a series of parting kisses before he snuck back up to his suite.

Shooting began the next day at 7 a.m., and you could have knocked the director, Chuck, over with a long, pink gaudy boa feather as he found Elvis and Ina in good spirits ready to work. They exchanged playful barbs and their onscreen chemistry sizzled when they went through each sequence, pausing between takes for Ina’s chest to be spritzed while another batch of assistants dabbed Elvis’ forehead with dry unused coffee filters. The industry’s secret weapon against perspiration.

Elvis found Ina in her dressing room during a break and their lips met with stifled giggles as they kissed now with away from the ever present surveillance of the crew, laughing and talked into each other’s mouths.

“Oh my god, now you taste like bacon. I swear Elvis, you’re gonna have me off my diet and then I’ll swell up like a balloon and then Charro! will be a very different film about a cowboy and his pregnant saloon madam.”

“Baby, you gotta let yourself have one hamburger now and then, trust me now, I been doing this longer than you. It will help the cravings.”

Ina kept her mouth shut as she calculated that she had been in this business just as long as he had, since she began modelling at 15 in 1955.

“Ok. I give in. I have no willpower around you. I will have one hamburger this week.”

“Tonight, honey. Imma have you for dinner.” He winked. “Over for dinner, I mean. I’ll have one a my guys come get you and bring you up to my room later. ”

“Ok. Dinner. Tonight. Your room.” She grinned as she chased the taste of bacon on his tongue and the salty scent of his body as it enveloped her until a knock on the door brought them back into their roles on set as Jess and Tracy.

That night Elvis went through his usual routine after a shoot, which began with a shower to wash off the desert and the dust and the sweat of the set off his body. He took extra care in how he dressed, selecting a light blue dress shirt and a white suit, capping off his outfit with a small black porkpie hat. He doused himself in aftershave and the smell of Old Spice smacked Joe in the face when he came in to set up Elvis’ calls to Memphis and LA.

Once Elvis hung up his phone he leaned over and banged on the wall for Joe to come back in.

“You want me to get that sweet little Mexican gal boss? Alma?”

“Did I tell you to do that? That gal ain’t nothing but a big phony, naw man. Wait for me to tell you what to do, son."

Elvis stood up and went to slather more after shave on, exchanging one ring for another at his toiletry bag.

"Go down stairs and invite Ina up to join me for dinner.”

Joe let out a loud cackle. “What, Groucho?”

Elvis paused, taking in the look of disbelief on Joe’s face. His heart sank and he rubbed his hands over one another as he remembered how they all were howling at his jokes about her a few nights ago.

He hadn’t even really meant it. He’d just said those things after watching Alma and Flor look at Ina with envy during rehearsals. All he had wanted was to put them at ease, make them understand he was attracted to them. Saying what he thought they wanted to hear. But then the boys had chimed in and now they all thought she was a dog.

Elvis forced a low chuckle and ran his hand through his hair.

“Nah, man, not Ina - I meant Flor. Goddamn it, this picture messin’ with my head.”

He swallowed hard, thinking of the way Ina's beautiful big brown eyes looking up at him. They their legs had seemed to fit together, the way conversation had seemed to flow effortlessly. He smiled to himself thinking of the way she had blushed when he snuck into her dressing room. How her breasts had felt beneath as they ran their love scenes. He pushed away the pang of guilt for now and tamped down his desire to hold her once more. Maybe he'd sneak down to her room later if he could get away. But for now he had an image uphold. These guys looked up to him, and his control over them as their boss rested on the how cool they thought he was.

He snapped his finger at Joe.

“But I don’t wanna hear y’all calling her that no more. Tell the others. Like I said this morning, y’all shitwads talking like that is what got me in trouble in the first place.”

And with that, Elvis spent another night surrounded by people and utterly alone.

I don't really think I did Ina justice here, look at how great they looked together. We were robbed of their sex scenes.....

taglist:

@i-r-i-n-a-a @ab4eva @eliseinmemphis @richardslady121 @artlover8992 @ashtag6887 @karolshungary @j-v-9-2 @waiting4brucewayne2adoptme @notstefaniepresley @dollette02 @dkayfixates @everythingelvispresley @velvetelvis @moonchild-daniella @lialocklear @obsessionisthecure @louisejoy86 @arrolyn1114 @literally-just-elvis-fics

i don't really have a taglist for one-shots and I apologize if you don't want to be tagged, just let me know and I'll take you off.

#elvis presley #elvis fanfiction #elvis fanfic #elvis smut #elvis presley fanfiction #elvis #new hollywood elvis #charro!#banditqueenwrites

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