#emma bloom and jacob portman

[heavensinhell]

think i like you best when you’re just with me and no one else

— cigarettes after sex, k., 2:36 - 2:43

[derpy-thebdayclown]

becoming obsessed with a book series was NOT on my 2024 bingo card!! i didnt even know i could read!!

anyways here is my miss peregrine lineup for the children! ,,,i somehow forgot about the title character and only noticed once i was done lining LMAO— i’ll draw my design for her another time and maybe some other characters. i am sorry miss P i knew something was wrong 💔

kind of iffy on emma, enoch, & jacob but i can tweak them later on if i draw em more BAHAH

anyways my favorite character in the books is horace 🩷🩷 my little fancy prophetic boy . although my favorite designs i did are hugh & fionas :)

i took some inspo from the graphic novels by cassandra jean bc i did really love them!!

anyways i love these books so much if you also like them LET ME KNOW I NEED FRIENDS

extra

[painted-lemon]

no obviously that is two peculiar children playing chess with Miss Hawk there ymbryne caretaker

[zelcii]

millard: today's officially one year since i've had surgery.

hugh: wooo congrats king!! 🏳️‍⚧️🏳️‍⚧️🏳️‍⚧️

millard: surgery on my shoulder??? from when i got shot???

hugh: wooo congrats king!! 🇺🇲🇺🇲🇺🇲

[ravisconverse]

While I can appreciate both the mphfpc film and the books in their own separate sense, I just can’t help but criticise the film for some of the changes they made.

The aging down of Bronwyn and the aging up of Olive got rid of Bronwyn’s protective trait of the two younger girls.

The peculiarity switch between Emma and Olive was also so pointless. I mean I guess that it kind of makes sense with Emma being like the main “love interest” and her being the zephyr kind of fits more with Burton’s aesthetic, but it’s still very annoying, we deserved firey Emma.

The loop day. What was the purpose of changing the year to 1943 instead of 1940? It makes no sense, just keep it at 1940.

The postcard from Alma. In the books it was 15 years ago, which allowed for more doubt as to whether she would be alive or not. Reducing it to 2 years takes that away.

Every time I rewatch the film and I see the Olive/Enoch relationship I feel sick to my stomach. Enough said

Fiona’s entire character was ripped away and rewritten. Yes her backstory may have been considered too dark for the film, but come on you didn’t have to age her down, reduce her peculiarity and take away her selective mutism.

The aging down of Hugh, Millard and Horace really annoy me. Why are they children? I wanted sassy 17 year old Millard who is angsty and studious and sarcastic, Hugh who both loves and hates being peculiar and is devoted to Fiona, Horace being SCARED of his peculiarity.

I also feel robbed that we didn’t get Emma and Millard kidnapping and interrogating Jake when they first meet him. Or the whole thing with Martin and them having to fight the hollowgast. “Will you quit shouting and let me bleed in peace” you will always be famous.

Even though Alma Peregrine wasn’t accurate in the film, I am in love with how Eva Green portrays her, and how clearly her study of peregrine falcons comes into her acting.

[sammi0s]

hi mphfpc fandom ..,

[enochs-g0r3-jars]

Posts the peculiars would make part 4 >:)

[masked-manticore]

made a lil mphfpc comic!

Everything is taken right from book one! >:) go read it if you haven't (and if you have, reread it!!!)

[coffee-is-my-oxygen]

HAPPY LOOP DAY TO ALL WHO CELEBRATE!!!

[coffeeanddimlights]

Your friendly reminder that of all the kids, Hugh canonically has the highest kill count in the books

[cece693]

Replacement (Enoch O'Connor x M! Reader)

I wanted to add something to the relatively small pool of fics for this fandom. All characters are of age and can be envisioned as their book or movie counterparts.

Summary: As a healer, you naturally seek to care for those around you. So it was easy to befriend Jake when he first entered Miss Peregrine's loop, confused and hurt by his grandfather's passing. However, your best friend doesn't see it that way.

It was official. Enoch hated Jake. Not that the other children noticed, or if they did, they were smart enough to not mention it. Maybe it was jealousy. Perhaps he was bothered by how Emma's eyes sparkled with interest whenever the American boy was around. Or maybe, it was the disruption to their routine, as Jake's presence always seemed to stir the loop like a stone tossed into a still pond.

But Olive knew the truth, for she had quickly discerned Enoch's emotions behind the venomous words he threw at Jake whenever he came near. It wasn't about Emma or their routine being disrupted. It was all because of you.

From the moment Jake first stumbled into their world, he latched onto you—an oddball healer with a gentle touch and ability to mend the deepest cuts, both physical and emotional. So when Jake arrived, it was natural for you to be his guide, explaining things in a way that made the strange world of peculiars feel less threatening.

Naturally, Enoch hated it.

Before Jake arrived, you’d spend every minute by his side—looking over his shoulder, letting out a bright smile whenever his creations came alive. Enoch secretly treasured these moments, feeling comfortable in your presence and falling for you more each day. But now? Now it was Jake this and Jake that.

No space was safe from Jake's influence, nor did the American make it easy to escape his presence. It seemed like whenever Enoch and you were together, he appeared from thin air, begging you to help him with something. It was as if the American knew of Enoch's feelings and acted to rile him up, whisking the attention of the only person he actually liked. It's not as if there weren't any other children who would be happy to spend time with the American, why did he seek you out specifically?

Every time he saw you two together, a storm brewed inside him, and a tight knot formed in his chest. Enoch wasn’t stupid. He understood what jealousy was, but this wasn’t just jealousy. This was fear. Fear that you were slipping away from him. Fear that Jake was replacing him.

One day, it all became too much.

Enoch was sitting at the table in the library, flipping through one of his old, tattered books on embalming techniques, though his focus had long since disappeared. His mind, as usual, was on you. He had tried to pretend like nothing was wrong, but the bitter feeling gnawed at him constantly. And then, as if the universe was mocking him, you and Jake walked into the room together.

Jake was talking about something, gesturing wildly with his hands, and you were laughing—a bright, carefree laugh that Enoch hadn’t heard in days.

That was the last straw.

"Seriously?" Enoch snapped, slamming his book shut, startling you both. Jake stopped mid-sentence, blinking in confusion, but Enoch didn’t care. His gaze was fixed on you, his voice sharp and biting. “Do you really have to follow him around all the time?”

Your smile faltered, a confused frown replacing it as you looked at him. “What are you talking about?”

“You know exactly what I’m talking about.” Enoch’s voice grew colder, harsher. His jealousy had festered too long, and now it spilled like poison. “Ever since he got here, it’s like you’ve forgotten everyone else exists.”

Jake shifted awkwardly beside you, clearly unsure of what to say, but Enoch didn’t give him a chance. “You’re spending so much time with him, acting like he needs you for everything. It's pathetic."

Your eyes narrowed, a flash of anger crossing your face. “He’s new here, Enoch! He does need help adjusting. And I’m not just going to ignore him because you—”

“Because I what?” Enoch cut you off, his eyes blazing. “Because I’m not needy enough for you? Because I don't fawn over you like a mutt every second like he does?””

Your mouth opened slightly, stunned by his words. Enoch could see the hurt forming in your eyes, but he was too wound up to stop now.

“Face it,” Enoch continued, his voice colder now, “you just want to feel like you matter to someone, right? Like you have some purpose. Well, here’s the truth—you’re not needed here. Jake can deal just fine on his own and I don’t need a dessolent friend.”

Your face twisted in hurt, and that twisted something deep inside Enoch. You stared at him, your hands trembling slightly at your sides. “You’re wrong,” you finally said, voice breaking. “But I guess I was wrong too, thinking you were my best friend.”

Before Enoch could respond, you turned and stormed out of the room, leaving him and Jake alone. The American looked like he was about to say something, but Enoch shot him a cold glare, daring him to speak.

Days passed. Days where Enoch didn’t see you, didn’t hear from you, and the space you used to fill in his life became an empty void he couldn’t bear to acknowledge. You weren't just avoiding him, you had begun to spend even more time with Jake, much to Enoch's dismay.

He tried to act like it didn’t bother him. He pretended he didn’t care when he saw you laughing as if his absence meant nothing to you. But it did. It hurt more than Enoch was willing to admit. It was only when Olive pushed him to accept his mistake that led him to stand at your door, long after the other house's inhabitants had gone to bed.

Enoch stood there for a long moment, his hand raised to knock, but his usual stubbornness kept holding him back. What if you didn’t forgive him? What if you’d already moved on and replaced him for good?

Taking a deep breath, Enoch knocked.

After a few agonizing moments, the door creaked open, and you stood there, blinking groggily at him in the dim light. You looked surprised to see him, and Enoch couldn’t blame you.

“What do you want, Enoch?” you asked, your voice flat, distant.

“I…” Enoch faltered for a moment, struggling to find the right words. His usual snark and bravado were gone, replaced with something more vulnerable, more uncertain. “I came to…apologize.”

You crossed your arms, leaning against the doorframe, clearly not ready to let him off the hook so easily. “For what?”

“For what I said,” Enoch muttered, not meeting your eyes. “For being a complete prat.”

Your expression softened, but you didn’t say anything, waiting for him to continue. Enoch sighed, rubbing the back of his neck awkwardly. “Look, I didn’t mean it. Any of it,” he admitted, his voice quieter now. “I was just…jealous. Of Jake. Of the time you’ve been spending with him.”

You raised an eyebrow, clearly surprised. “Jealous? Why?”

Enoch hesitated, his heart pounding in his chest. This was it. He could either admit the truth or lose you for good. Taking a deep breath, he finally met your gaze. “Because I like you,” he confessed in a whisper. “I’ve liked you for a long time, and seeing you with him made me feel like I was losing you. Like I wasn’t needed anymore. Like I was being replaced.”

The weight of his confession hung in the air, and Enoch braced himself for your response. He had no idea how you would react, but he had to say it. He couldn’t keep pretending like it didn’t matter anymore. You stood there for a long moment, staring at him, processing everything. Then, slowly, you stepped aside, opening the door wider.

“Come inside, Enoch,” you said quietly. “Let’s talk.”

And for the first time in days, Enoch felt a small glimmer of hope. Maybe, just maybe, things could be fixed after all.

[birdiesflying]

Back w my Twitter mphfpc posts

[moxidi-fanarts-and-sketches]

Happy belated loop day!! After being in this fandom for 4 yrs i finally piled up my notes on their designs

[generalflowerpolice]

Emma: Abe, your grandson is an idiot

Jake: come on, come on, attack

Sorry, I have almost no strength to draw, but let there be little funny sketch

Forgive me for the crooked Jake and Hollow

[jxmimac]

It actually annoys me so much how they changed so many things from the books to the film (I’m talking about Mphfpc btw) because when I first watched the film, and I watched it before I read the books, I thought that it was such a good film and was really good by its own standard but then when I read the books I was so disappointed with the film because of how much it changed for , for the most part, literally no reason at all.

Like with the characters ages, what was the point of changing them? Like seriously what did it add to the plot whatsoever apart from making only about 2 of the characters old enough to actually have a personality

And with Olive and Emma, why the hell did they swap their peculiarities? It did absolutely nothing and they also completely changed Emma’s personality and made her really quiet and essentially took away everything that made her her.

And where the hell did they get the idea to ship Enoch and Olive?!?! Like I want to know who sat down one day and decided: ‘ah yes, we should take this 13 year old boy and ship him with a 6 year old child who have basically never shown any interaction ever, but to make it legal let’s just age them both up a bit.’ LIKE AHHUHSDIHBSEFJJHFIREUHERFIJ

[ravisconverse]

finally braved getting my third tattoo !! inspired by miss peregrine’s home for peculiar children of course <3