#episode: what the world needs now

[cryscendo]

kurt hummel in every performance

6x06 - What the World Needs Now

What the World Needs Now - New Directions and alumni

“Family are the people who embrace you with open arms no matter what.”

[gleesongtournament]

Glee Song Tournament Round 1

[beets]

baby, bi bi bi

[egophiliac]

LEON

LEON YOUR EYEBALLS

[governmentmandatedryujinstan420]

I FORGOT TO THROW OUT AFTER THE EPISODE RELEASED NOOOOOOOOOOOOOOOOO

[r0semultiverse]

Mr. 6 made you do a good show to be released?? 👀 um....

This is already giving serious eye vibes.

A whole show dedicated to public humiliation?

The Mr. Bonzo suit started moving??? 👀 Serious stranger vibes. 🤡

"It actually became a sort of ritual"

I've seen people being like "don't cross tag" but buddy... the writing cross tags itself here I mean c'mon! 😂 Something something ritual of the stranger- okay, I'll keep listening!

Hey, what's with the music?? Hey, who is Terrance Menki???👀

"The police said there were eleven bodies in total and his wardrobe was full of all sorts of homemade costumes." BRO IS ACTUALLY MAGNUSPOD WILLIAM AFTON-

"It certainly had a profound effect on the Mr. Bonzo brand." Oh I'm sure it did, holy fucking shit. 👀

Oh, me using this image is rather ironic now.

"In a lot of ways I’m more his prisoner now than I ever was on my show." WHAT DO YOU MEAN BY THAT? 👀

"The witness statements from three murders over the last five years that claim a person in a Mr. Bonzo costume was at the scene? Do you think there could be a copycat?" Has the fear of clowns manifested as an actual clown-guything?

"Don’t contact us again." "Us?" "Why am I still trapped dealing with all this this- Why won’t he let me go?! Why-" So Mr. Bonzo is absolutely a clown cryptid of sorts with some sort of hold over Nigel.

Oh no, Gwen's about to fuck around & find out, isn't she? 👀

Hey, is Colin still himself & is he supposed to be back?

Hmm, okay, I guess that's him (hopefully).

"Maybe don’t tell them I’ve been on their terminals. They’ll only get the wrong idea." "If Lena asks, I wasn’t here." Seems like everyone's got their own little secret investigations going on, fun! This can only go well! 🙃

One of the episodes absolutely no one shows up to work except Lena is there & is like "where the fuck did everyone go?"

"Time to get some new hires again I guess."

Let's go!! Ruin exploration gang!!

"Like, it’s Saturday night and I’m choosing to hang out in a hole with you. A wet hole. And not the good kind either."

Alice with the absolute best quotes. lmao

That sounds like something with giant wings like a bat or some sort of cloth flapping in the wind. Let's hope it's the latter!

Oh a rusty old filing cabinet! Wait tetanus- 😭

"That carved floor in the big atrium – I don’t know what’s going on with that." Ah so we're just gonna breeze past that then. 😶

These are probably the remnants of old avatar creation test areas like mentioned in the Gerry & Gertrude episode. I'm just assuming here.

A key? Big find! Let's go!

AS I WAS SAYING-

Gwen, it was nice knowing you. 🫡

"Now get out of his house."

Archivist! 👁👄👁

"symbols of ancient otherworldly power"

Wait could this be a timeline where this universe's Jane Prentiss actually did manage to invade the building & succeed? I'm thinking out loud.

21:10 that sounds like critters, insects specifically 👀

"I have memories of weird stuff I saw here, but no context. I want to know what was happening, why they chose us… why they didn’t choose me. Maybe find the bit where everything started to go wrong." I am so captivated & intrigued please recount said memories to us- I mean Alice so we can learn more. Please. 👀

EXCUSE ME, WHO THE FUCK WAS THAT?!? WHO IS "[ERROR]?"

WHY DO THEY SOUND DISTORTED AS FUCK?? ARE THEY FROM THE PRIME TIMELINE OR IS THIS A NEW THING?

ARE WE GAZING OUR EYES UPON A WRETCHED THING FROM THE MAGNUS ARCHIVES?!

edit:

Is Lucia Wright an avatar of The Flesh now (in this universe or from the original timeline somehow)? Because it sure fucking sounds like it! 👀 Well, at least that key was put to good use! 😂

Also, supposedly Mr. Bonzo is a reference to Mr. Blobby.

Gwen, I'd be quaking in my boots too. That thing is terrifying!

Late observation but this universe & story seems to focus a lot on the cryptids & I like the direction it's going in! Loving this plot of cryptid hunters, childhood avatar experiments, a strange institute where our main character has past trauma, & just all of it is so good! 💜

Amazing episode, 10/10, I was at the edge of my seat the entire time! 💜 That Bonzo scene & the sound design were absolutely horrifying, thank you! The ending too! 🔥

[jq37]

Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.

Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.

But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.

Like, if we're supposed to take this as a full story, there are so many bizarre choices:

Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?

Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.

Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.

(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)

Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?

But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:

Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:

The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.

Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.

(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)

(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)

Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.

[lunalikestowriteanddraw]

I NEED the Krew to actually TALK about what happened in episode 46. (Spoilers under the cut)

And I don’t mean them mentioning that it happened but “it’s all fine now because they’re alive!” Because I imagine that shit scarred all of them, one way or another. Frost especially.

I don’t care HOW the conversation happens, but it does need to happen. They each need to have that closure, rather than letting those thoughts and feelings swirl in their minds for all eternity. And I don’t just mean in fanfic or whatever. No, it needs to happen sometime in canon, when they have a moment to talk about it in-depth (so probably post-canon, all things considered).

I just…I need Frost to tell them how it felt, watching as all his friends fall around him, and how he couldn’t do anything. I imagine he still gets nightmares about it, especially for the first few nights after the fact, and I imagine he wakes up from those nightmares and probably goes and cuddles up next to Gricko (after making sure he’s breathing. Even if, logically, Frost KNOWS that Gricko is alive and breathing—he’s snoring, shifting around, whatever—he still needs to check. Just in case), as if to confirm to himself that, yes, they’re here. Theyre alive. He’s not alone.

I need Torbek to talk about how he feels like he’s not good enough in battle. How he kicks himself for not being able to control the Witchlight better, for not being able to bring out the Other. Because maybe, just maybe, if he was somehow able to bring out the Other in that fight, maybe they would’ve had a chance (they still wouldn’t, it would still end the same, and Torbek knows it deep down, but he kicks himself all the same)

I need Gricko to lament about how he thinks he’s not a good enough healer. He’s supposed to keep his friends from dying, and he couldn’t even do that right. Maybe if he had gotten to Gideon sooner, maybe if he had realized that Gideon was already long gone before he pumped his last spell slot into him. How he regrets that Hootsie wasn’t spared. Maybe if he had told her to run sooner, faster, maybe, just maybe, she would’ve made it out alive. Maybe. Or, at the very least, he wouldn’t have had to hear her yelps right before he fell unconscious himself. He’s supposed to be her father, he’s supposed to protect her. But he didn’t. Couldn’t. Just like he couldn’t protect his friends.

I need Kremy to tell Gideon how it felt to watch his best friend, his husband, get ripped apart before his very eyes, and being unable to stop it. Unable to help in any way. How he couldn’t imagine ever living in a world without Gid. After all, what’s the point of living when your reason for waking up each day is long gone? Someone else could pay his debt, surely.

I want Gideon to lament about just how useless he feels. With the mixture of being unable to help Twig in episode 41, turning into a stupid useless dancing mushroom (where he was the slowest because he traded the rhythm in his step away, and his friends had to help push him along), losing some of his fire (sure, he gained it back, but for several hours he felt colder. Weaker.), and then being the first one down during the Jabberwock fight? He’s supposed to be the strong one, the fighter, yet time and time again his friends are the ones protecting him. Keeping him alive while he keeps throwing himself into danger. He could’ve killed the Jabberwock, surely. With the help of Torbek, sure, but it would’ve died! It just got the jump on him, is all.

I just…I need them to talk, when they get the chance to. They deserve that much. To reassure themselves and their friends that everything is okay. They’re alive, and they’re not going to just abandon each other. Not again. Even if they feel weak, or useless, or like they could be so much more if they were just better. They all know now what it feels like to lose their family, their best friend, the love of their life, their everything. And I don’t think they’ll ever let themselves or each other experience that again. Not for a very long time, at least.

[mulders-too-large-shirt]

s2 episode 17 thoughts

whispers softly. man... i need a minute. shaky breath.

okay. i'll start at the top like always. AUGH THE TEARS. fighting them. okay. need to put on some sad songs to accompany the 45-60 minutes it will take to type all this up

so, i sat down ready to see where this was gonna go. in fact i noted that i was incredibly locked in. which i continue to believe that i was.

we see a submarine, which is a type of craft i just do not trust. even before all that went down last summer. too scary for me. but they see something giving off a signal. and despite being a cartographer ship, they have missiles. and they're gonna go towards the thing they see on the radar, because they were told to. which seems wrong.

but then all their power is knocked out!!! and they are ordered to surface. but how will they do that under a ton of ice?!?!

title sequence. i was expecting different than the usual "the truth is out there" but i guess it's just business as usual over here despite it all

back to where we left off: scully's on the phone with real mulder and fake mulder is in her room. she hangs up on real mulder and tells the fake one that it was a wrong number, which had to be confusing to real mulder.

she tells him to put his hands on the wall, and he makes some quip about being shot before and not caring for it, and for a minute i'm like oh shit, that's a very mulder thing to do- what if he is, in fact, real mulder, and it's fake mulder on the phone? but that theory didn't make much sense anyway and also it was quickly put to rest by the fact that he started beating the hell out of scully.

so time skip: real mulder shows up to the scene with his "sister", who says the alien hit man is gonna call and ask to make a trade: scully for his "sister", and yeah, quotes are verbatim, i was still not buying this whole family relation thing

but his "sister" says that she knows how to kill the alien hit man: you have to hit the base of his skull. maybe. she isn't 100% certain. and also you can't miss because their blood is toxic. which we actually did already know!

and he's getting suspicious. why won't she explain exactly where she has been all this time? and what's this deal with her "father"? he's yelling at her at this point and i get it because it's not adding up to me either

she says that the aliens have been trying to establish a colony on earth since the 1940's, and:

"it's their belief that the stewardship of the planet is being forsaken" <- okay yeah. can't argue there. some of us are trying, aliens. i am not one of the mega companies pouring nuclear waste into the ocean. but maybe y'all could do a better job. and she continues:

"and that by default they'll someday become the natural heirs" <- well hey. you were sounding reasonable but now you are not. have we considered that maybe the people already here could give it another go free from the shackles of the 1%? you're acting like it's an estate sale and buddy we're still living in the house. you lost me there, and i was willing to hear you out.

she says that all of the clones worked at abortion clinics to gain access to fetal tissue, so they could combine human and alien dna. which i imagine had to be a good pr boost for abortion clinics (heavy on the /s here)

and the killer is after them because their experiments with mixing alien with human dna were not sanctioned, so they're "diluting the race", which i guess seems like the thing they would be worried about.

he doesn't seem to fully buy it, because he says "that's a good story, but i've heard a lot of good stories lately" which is true!!! our old worstie ambrose chapel was a liar, remember? or at least someone impersonating him was doing some lying!

"i'm your sister, fox, you have to trust me" UM PROOF?? have we done a dna test??? you can't just show up like that!!!!!

skinner knocks at the door... but is it really him? or the shapeshifting hit man????

"why are the lights out?" skinner asks quite reasonably "orders from my ophthalmologist" he says, lying very easily for a man for loves the Truth. but it did make me giggle.

sister approves that it is really skinner! only after they set a trap to get him just in case it wasn't. again i ask why she can tell if it's the man or not but okay. we move past that.

he makes introductions: "this is my sister, samantha mulder" to which skinner replies "WHAT"

and yeah. i would react the same!!!!

(also weird to hear mulder used as a last name. to me that's just the guy. you know?)

NOOO his phone rings. it's scully calling from a payphone. "he says he's gonna kill me if you don't give him what he wants" oh. okay.

there's no time to explain to skinner what is going on so!!! just please trust me, he says!!! and he does. another point for skinner, who is like a strange uncle or cousin to me.

they go to do a hostage trade: "samantha" for scully. and is this the same bridge where they did the hostage deal for mulder at the end of s1? do they only have one bridge for hostage deals. might be a bit much to have 2 in one city.

skinner has a sniper in the bush, ready to shoot at the base of the alien hit man's neck during the exchange. okay save the day mister sniper please.

AUGH HOSTAGE EXCHANGE. it's so tense. i paused here to write how tense it was, which did not ease it in the slightest. the hit man has a gun to scully's head and it's recalling mulder's early trauma with hostage exchanges. they're waiting for the right moment to shoot....

scully's in the car!!!! but samantha tried to use the needle that kills the aliens and she MISSED and the sniper shot was messed up and then there's firing and is it the sniper? or is it the hit man? who is hit? it is very unclear!!!!! both hit man and samantha tumble into the cold water beneath.

he's still at the bridge, staring down into the place he last saw her. scully comes out to join him, and he says "you should be at the hospital" (she has gauze on her head and says she was just discharged)

he's staring into the water, trying to come up with different ways she might have lived

"why didn't you tell me on the phone that it was her?" "i couldn't tell you 'cause you'd never let me go through with it" AUGHHHHHHHHH.

(and knowing how the episode ends. i am glad this happened. but in the moment. this was a gut punch)

she asks how he knew it was really his sister (valid question, one i fear he should have asked as well) and he snaps about how could she ask that, and she's like, dude someone with your face and body just kidnapped me???? so the whole who is who thing is a little murky??

(she actually calmly explains this. without any judgement. judgement added was my own. but you can imagine that after this experience, hearing "he's an alien" might still be a bit of a hard sell)

okay, mr. mulder is on the scene. he has to tell his dad he lost his sister. I lost her, he says. emphasis on the I. as if it was an action that he took. fuck.

and his dad hits back with a "you LET this man take your sister?" and son mulder is CRYING. what the HELL this is too much. the man has suffered too much. i'm given flashbacks to the last time we saw him cry when he thought he lost scully forever.

PAUSE. i just know the actors were eating up these lines. ohhh i know they were sinking their teeth into them the way that good dialogue allows you to. when you tap into the soul of a character, a whole person who isn't even real, because the writing cuts to their heart. yeah yeah yeah i knowww they were rolling with it and it felt Good

back to the scene. his father is giving him a guilt trip about how his mother is going to deal with "losing her again". and he's apologizing and crying when his dad pulls out an envelope

"your sis- SAMANTHA" told me to give you this.

the implication that he lost the claim to be considered related to her????? is sooooo entirely messed up?? that is the kind of thing that ruins a person???? holy fuck??

he's sobbing while opening the letter, and it gives an address where she says they can meet up if they are separated... so maybe she's really still out there??? hope has been installed back into "she's not actually dead" camp

he rolls up to the address and parks in an area labeled "NO PARKING". grief will do this to a guy.

but just as he arrives, scully calls and says they found her in the river. NOOOOOO THE NEWLY RETURNED HOPE.... "whatever you're feeling, you can't blame yourself" she says, knowing that he must be putting his whole soul into Blaming Himself

but... her body is melting??? is it an alien body??? is the melting gonna turn into toxic gas?? scully don't stare at it you're gonna get all thick blood!!!!

back to mulder. this man is experiencing all stages of grief at once on the steps of a women's clinic. he goes in and pulls out a gun and boy i sure hope there are no women inside.

someone is in there. it's... someone with samantha's face??? saying that she knows "she's dead"????? "it was all a lie", he mumbles as he realizes he was played

YESSSS I KNEW IT. i knew that was NOT his sister. i knew it was too weird and coincidental to be true. this makes the grief of losing her dissipate entirely so i do consider this a win beyond me just being able to guess where the plot was going

and i'm thinking, how the hell is he gonna explain all this to scully? like, to mom and dad, you will have to play along with the whole "she died" thing, and while that is by no means easy, it is a concrete thing you can say and do. but scully??? how is she going to react to "someone pretended to be my sister and then got killed"

(i suppose mulder could tell his parents that DNA testing on "samantha's body" proved no relation, but that would still be complicated to walk through, because there was no corpse to prove that, you know, because she dissolved- maybe scully could make some paperwork to make it look real?)

back to the matter at hand: these aliens with the same face are saying that he must save their original source. and he says "i am not your savior" which- tea. set your boundaries king. in fact, had i been there, i would have done the opposite of protecting, and instead start blasting these aliens that pretended to be my long-dead sister.

but they have leverage... they know where she really is...... so he doesn't walk out....

hit man arrives!!!!! armed with his needle!!! and mulder goes to confront him, but he knocks him on his back, and sets a fire- mulder's weakness!!!!!!

scully is making a report. she cannot substantiate his claims of aliens. and she's got a cut on her forehead from hit man taking her. my poor queen :(

back to the fbi agent that died in the last episode. he has nasty cuts allllll over. like he was carved with designs. sorry for that imagery but i saw it and must describe it.

she thinks she can solve this case with the power of SCIENCE!!! what killed this guy, exactly? maybe if we can figure it out, the other pieces could fall into place

so the virus that causes the blood to thicken is inhibited by the cold.... which explains our earlier scene of mulder in the ice tub and her yelling about him needing to be cold...

DEEP THROAT 2.0 ARRIVAL? (sidenote does this dude have a real name? like while this was airing what were y'all calling him...)

he tells mulder that the last alien- the one who was sent to kill the clones, our shapeshifting hit man- has been tracked to alaska, and that you have to pick your battles to win the war. telling him not to go to alaska. can you imagine.

scully goes to his place and knocks but no one answers. and his newspapers on at the doorstep. so she busts out her keeeeeeeeeeeeeeeeeeey..... heart still melts that she has this.......

and HE KNEW SHE WAS GONNA INVESTIGATE???? he sent her an email..... and he's saying how he wouldn't let her risk her life... nooo don't you weaponize the earlier drawing a line thing, that was about chasing a very vague alien lead to an agent's death, not about investigating ur sister...........

she bursts into skinner's office. and then apologizes for doing so.

(i love this so much. such a tiny detail that tells us a lot about her character. that Need to be good and do the right thing and please those whom she looks up to. ohhhhh)

he asks to speak to her off the record, and it seems at first promising... but he won't help her get in contact with mulder. EVEN after she says please!!!! she is gonna cry!!!!!

skinner's bitching about mulder's actions being a violation of his oath, and she's saying that he saved her life, and he comes back with a "if he wanted or expected you to do the same, he would have told you where he was going"

skinner being a jerk... at this point i began to revoke the point i earlier gave him...

he looks deeply troubled though, and i was like, ohhh, mulder must have promised him to not tell her where he was going... i see into your plans, mulder (<- this is not what happened)

back at mulder's place. scully's searching for clues. there's an x taped to the window again, which must be something he just does sometimes. and there's ominous music.

she falls asleep on his couch, and i swear i actually felt my heart melting at this moment. the way she was curled up. subconsciously trying to hold onto a piece of him. only finding rest where he did. i can't even wax poetic about this because i can't put the words into the right shape. but it is gonna destroy me.

someone is knocking... but who?

DEEP THROAT 2.0?!?!

he tries to act like he just went to the wrong room, but she isn't buying it, following him and demanding to know where he really is

SKINNER IS HERE? GETTING ON THE ELEVATOR????? SKINNER ATTACKING D.T. 2.0??? the girls are fighting!!!!!!!

he makes deep throat 2.0 tell him where mulder is, even when skinner is pinned up and deep throat 2.0 is the one holding the gun, and he said "i've killed men for less", but skinner says that if you kill him, he'll be killing 2 men....... this gag seems to have worked

SKINNER is AT THE DOOR to mulder's place where scully is staying. and he is bleeding from MANY wounds. tells scully where he is without elaborating on the blood pouring from all over. okay skinner. you're real for that. you get that point i was tossing around back. and a bonus one, in fact.

so mulder's out on the ice, and usually him wearing a big jacket would spark joy in my heart. and i won't lie, it does a little. but there is also a LOT of tension going on, so it's very brief. feels wrong to rejoice in the simple pleasures of man in big funny coat when he just had to lose his sister and then learn it wasn't even her.

but he sees some sort of tower and he's going in!!! and a dead guy is spotted.

pause. at this point i am sitting here thinking, man, these episodes are good, definitely among the best i've seen so far. who let these men cook? can we get them back in the kitchen with more regularity?

someone is leading him deeper and deeper into the maze of this... station? sub? and i fear he is being led into a trap. but he finds a very very scared man and having a big man point a gun at him doesn't help with the fear, i'm sure. but is it really a sniveling coward... or the hit man???

and JUST as he almost had me fooled and wondering if mulder was gonna really shoot an innocent guy, BAM! hit man reveal.

mulder keeps asking where his sister is, even while being pummeled by this alien with super strength. and he says "she's alive. can you die now?"

mulder shoots at the alien and he misses the back of his neck, so his toxic blood is filling up the space, and things are not looking good at all. and the alien takes him out and drops him on the ice!!!!!

he's going to break the ice and let him freeze or hit him with the sub as it goes down, both very bad endings........

CUTSCENE TO WHERE WE BEGAN!!!!

scully is bursting in, telling this doctor that he has a virus that can only be slowed by keeping him cold, and he isn't buying it, but just as he tries to get her kicked out of the room, his heart stops, so she intervenes.

and she's calling all the shots- get 100 grams of this and that and a drip of this- and this doctor has had his shift hijacked by a better doctor. he implies that mulder might not make it, and she refuses to hear this out.

and she's.... gently stroking his hair... while this is going down........

and sitting by his bed while he's getting better...

(so are the counts for who has been in a coma now tied? justice is served)

and now she's doing the case conclusion:

"several aspects of this case remain unexplained, suggesting the possibility of paranormal phenomena" <- OHHH??? is this what makes scully a believer? are we gonna see some character changes?

"but i am convinced that to accept such conclusions is to abandon all hope of understanding the scientific events behind them" okay!!! we are getting a deeper look into her philosophy here. yes yes yes give me more. and more i was given:

"many of the things i have seen have challenged my faith and my belief in an ordered universe, but this uncertainty has only strengthened my need to know, to understand, to apply reason, to those things which seem to defy it"

and i love it. i love it so much. seeing how she understands the world, why she knows that there has to be an order to it all, and if it seems there isn't, it's just because she hasn't figured it out yet... and science did allow him to get better... the need to fight a good fight in the way she knows how... yeah... that's lovely...

and she's CRYING at his bedside and holding his arm when he finally opens his eyes. her smile. her gentle "hey". it's so innocent, seeing that he is okay, that he made it through the worst part of getting better.

"thanks for ditching me" aughhhhghhhhh.......

he says he didn't find what he was looking for, but he did find the faith to keep looking. ohhhhh. ohhhhhhh...

the way his faith was gone at the start of season 2, but now it's back, there's something worth fighting for, his sister is out there, there is a world worth figuring out..........

man.

at this point my friend was sending me texts and i was like queen i need a minute. i need a minute. to put these things in order. and honestly i STILL do!

it was an absolutely amazing duo of episodes. i truly loved the writing, seeing them pushed to the brink with each other and with themselves. seeing skinner come into fruition. seeing what motivates them both and how they see the world and how it is entirely different but still driven by hope and faith and a need to learn the truth. and the tenderness of it all. of her sleeping on his couch in his absence, thinking maybe he'll be home soon. of running her fingers through his hair while he was being revived. the fury of being blamed for the loss of his sister, the fury with which she screamed at deep throat 2.0 to tell him where he went off to, the fury of mulder realizing he had been lied to and that his sister had never come back at all. but there still being hope despite it all. because there are things worth searching for. and they can do it together.

man. it was a very good episode but your girl is gonna go watch a silly video because it definitely hit me right in the Feelings!!

[catfacedcat]

assortments. of trinkets

[thevioletcaptain]

...i see people are on twitter posting lies for clout again

[cryscendo]

kurt hummel in every performance

6x06 - What the World Needs Now

Arthur’s Theme (Best That You Can Do) - Artie Abrams, Blaine Anderson, and New Directions males + Sam Evans and Kurt Hummel

[gleesongtournament]

Glee Song Tournament Redemption Round

[bacchuschucklefuck]

the never stop blowing up vhs is where cute twinks go to get harmed

[trollsbetumbling]

have some crappy ninjago art cause i was feeling nostalgia and fanfiction fueled hyperfixation coming soon

[ghostlyheart]

All of Nadja's outfits in the WWDITS premiere (5.1 + 5.2)