i was thinking more about characters Performing Gender, but not necessarily Transgressing Gender. I wound up focusing on Ned and Sansa bc I feel like I understand them the most but-
Sansa as a hostage is imo the most obvious (bc it’s so well done) moment of someone clearly Performing Gender but not being transgressive in that performance. Which isn’t to say it’s not a complicated performance; it’s a fine line Sansa walks between weaponizing her gender to protect herself without seeming too fake. She’s trying to placate the Lannisters by playing the perfect, dedicated, air headed betrothed because it’s the only defense she has - if she outwardly rebels, she will be punished in a likely violent and/or sexual way (which isn’t even conjecture - when she says “or maybe he’ll give me yours” Joffrey has her struck with an armored hand). She’s not quite successful in being convincing but that’s because it’s a rather extreme situation; despite no one believing her, she does make herself seem meek and stupid enough that no one suspects she’s plotting to escape with Dontos until she’s well away from KL. The fact that she even has Dontos to confide in is because of Sansa’s relationship with gender! When she saves him, she covers her rebellious slip by playing up Joffrey’s intelligence & his role as King; she reaches for “tools” of her gender AND of ~proper manhood~ to save a life and herself from another beating. Her retreats into the godswood and silence are very much Sansa attempting to recharge from these draining interactions, the same way a knight would need to stop and eat and rest after a fight. She is fighting, constantly, by forcing herself to stay within the narrow confines of a specific type of gender performance as a way of shielding herself from harm.
Ned yelling at Cat is another big one, and I’ve seen the scene referred to as Ned using his patriarchal power to scare Cat, which is a great description. It feels like a Performance because Ned is putting on this terrifying Lord Stark mask in an attempt to get Catelyn to stop asking about Jon (and Lyanna). This is not how he usually acts with those he loves! When Ned is with His People, he is welcoming of questions, curiosity, emotion, even transgressive thought (to a point! the idea that Ned is a feminist because he lets Arya learn to fight is Not accurate but you can’t deny he allows significantly more flexibility wrt gender expression than most of the fathers we meet in this series. the bar is in hell tho). Yet when Cat asks him about Jon’s mother, Ned scares her so well she stops asking & still remembers the moment bitterly over a decade later. And if that snippet we see through Bran’s eyes of Ned praying that Cat will forgive him does come after she asks (like it’s suspected), it’s clear not only that this is a performance he’s putting on & weaponizing against Cat, it’s one he does not like using as a weapon against someone he is close to. After using the power his gender gives him to cause harm, he retreats to the godswood and silence to pray and rest, much like Sansa. A spiritual cleanse, the way a soldier may pray after battle, to reset and reconnect Being A Proper Man to Being A Kind Man.
I think there’s something interesting in that two of the characters most widely defined by how well they adhere to Westerosi gender norms both dislike feeling like they had to weaponize their gender. They are exhausted by the performance, because it’s a performance. This isn’t Sansa getting excited over tourneys, or Ned teaching his sons to fight; it’s toxic masculinity, it’s structural misogyny. It’s something they’re good at, excel at, and connected to something they enjoy but when it’s paired with violence, whether done by Ned or done to Sansa, it crosses over in their minds from an innate part of themselves (The Gender) to a performance necessary due to survival (The Gender Role). And that after these performances, both retreat to nature & god as a way of resting and cleansing from the experience.
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Jack had his grooming consultation and they said he wasn’t afraid of the water or hairdryer at all and he was a very nice boy 🥰
Also they confirmed he has a ridiculous amount of fur for a short haired cat lol
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It's just. Things. Emotions. Feelings. Goodbyes. Watching possibilities pass in front of you like ghosts of another life, another reality that exists out there somewhere. It's suddenly having what was probably an anxiety attack in the middle of the dinner you're having with your mom in a mexican restaurant that's really loud and noisy and having to excuse yourself out to the car when that sliver of control isn't going to be enough to keep yourself together. Trying to hold yourself in one piece through several major life changes happening at once (and feeling like you're failing). Working to curb that severe anxiety that comes around every time the year-mark passes with a new friendship and trying to not react and overreact to even the tiniest whiff of change or the most loudly apparent ones because you don't know what's really a big deal and what really isn't because everything is a big deal right now in every moment.
It's closing the previous act and waiting behind the curtain for the next one to start, except you don't know your lines, your fellow actors and actresses may or may not be coming with you into the next segment of the story, the scenery and sets are being wheeled off and changed, and you're dressed in something new but maybe a little more you.
It's a lot. A lot of things, a lot of words, a lot of people.
And maybe, for once, a lot of reward for patiently waiting for so many years.
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this week sunwoo will release music from his school days that he worked on with cya of onewe!
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JiminxJungKook Are You Sure?! Jeju Disney+ Season2 Episode 3
Inicio viaje el 26 Sept 2023
Run BTS! 2022 Special Episode - Telepathy Part 2
https://www.vlive.tv/post/1-30241242
bts_bighit twt
Run BTS! 2022 Special Episode - Telepathy Part 2 (https://youtu.be/nbRKyymm4Eg)
jmjk mirándose por la ventana del auto
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