#even though I don't think it's necessarily what they're going for. Though sometimes I do. And that sucks.

[corvuscorona]

GUIDING PRINCIPLES:

jack is Literally Just An Earth Guy (no strong Earth Memories)

astos' haterism is powerful enough to eclipse his desire to have coherent conversations if he doesn't Watch Out

when u love someone their haterism becomes one of ur favorite flavors

????? IT'S JACKSTOS JUNE

[death-rebirth-senshi]

I always forget da2 is advertised as a "rise to power" story because it never feels like it. What rise. What power.

I know there's probably some commentary about how nothing changes for Hawke regardless and being in a position of "power"/fame more like kind of sucks but also. No?

[multigenderswag]

I'd like to talk for a bit about the genre of post that's like "sure you're a boygirl fagdyke genderfreak but do you respect [trans identity]?" I think these sorts of posts do address a lot of important points, such as:

Even if you're genderqueer and going "gender isn't real! smash the binary!" there's a real possibility you haven't unlearned or might still be upholding some very transphobic sentiments, and you should do some introspection about that

Some people only want acceptance for their trans identity but don't want to do the work to deconstruct what gender looks like, stop holding other people to their own gendered expectations, and unlearn their internalized bigotry about different trans identities

Sometimes the [trans identity] is specifically relevant to the identities referenced, such as people who will do surface level acceptance of "boygirls" but then call multigender people problematic for using "contradictory" terms like male lesbian, or asking "are you normal about intersex people?" to point out the prevalent intersexism in the multigender community.

But if the [trans identity] or intersex identity being asked about isn't related to multigender community issues, it seems a little strange to consistently single out labels like boygirl and fagdyke that tend to be used by multigender people in these posts. All kinds of trans people can be transphobic about other trans identities. All kinds of trans people are capable of fighting for their own acceptance but not anyone else's. But these posts are pretty frequently just about boygirl fagdykes.

It reminds me of posts about a "theyfab named Sock being transmisogynistic." Are there transmisogynistic FTX nonbinary people? Yes, no one is immune from perpetuating transmisogyny. But these types of posts are still exorsexist.

Similarly, though I'm not saying the pattern of "sure you're a boygirl fagdyke genderfreak but do you respect [trans identity]" is necessarily exorsexist or transmultiphobic, since like I said they do address important points, some of which actually are multigender community issues. But people do use those types of posts to be really transmultiphobic and exorsexist, but in an "acceptable" way, because the boygirls are transphobic so it's okay to hate them.

Some examples in the notes of this sort of post asking 'are you normal about trans women?":

This assumes that multigender identities are only an online thing, only a young person thing, that all multigender people look cis in real life, that no multigender person has experienced real transphobia.

Again, this assumes that no multigender person "looks like a freak" for their gender, that they never struggle with transphobia offline. And straight up saying they have a "huge issue" with girlboy genders.

Multigender labels aren't "performative titles," they're our genders. This person is just straight up admitting they think our genders are fake, that they're only "titles" and not real fucking identities.

"I tend to Not like multigender people" okay so we're just saying the quiet part out loud now

By all means, keep talking about intracommunity transphobia. It's important. But don't throw multigender people under the bus to do so.

[luveline]

could i request teacher!reader with hotch? like maybe she’s jacks teacher

thank you for your request! fem!reader, 1.2k

You're a teacher: you're always tired. Overworked, underpaid, everybody knows how it goes. And maybe you've let yourself go because you don't have any real material hopes for the future beyond getting Macy Danish to read at a first grade level, but how were you supposed to know that Jack Hotchner's father would be so overwhelmingly attractive? It's not fair. 

He's handsome though older than you'd been expecting, but that isn't the cut and dry of it. When he comes in, it's alone, in a well-fitted suit. He's tall and remarkably dark-eyed, shaking your hand without trying to impose any authority, as some of the fathers tend to do, and when you call him Mr. Hotchner, he says, "Aaron, please," but continues to call you Ms. L/N.

"Aaron," you say, pulling your skirt under your thighs as you sit down. You're dressed in nice clothes for the parent-teacher conferences, but you could've covered your sleeplessness better. "Jack is the nicest boy in class. He's actually my loveliest kid. Um…" You search through your notes for the preliminary assessment of Jack. "Sorry, two seconds." 

"Take your time. I know what it's like to dig through a mountain of paperwork every day." 

"Jack mentioned you work in the government, he calls you a special agent," you say, smiling. "You get the bad guys." 

"I am a special agent. Supervisory." Aaron is conscientious enough to pretend he doesn't notice your surprise. "I'm chief of the behavioural analysis unit." 

You can't even begin to guess what that entails. "Oh," you say breathlessly. 

"I understand that it sounds fantastical." 

"It sounds impressive," you say, floundering to correct yourself. Behavioural analysis? It must be obvious to him how nervous he's making you, then, and when you realise that, you get worse. "I'm so sorry about this. I should be more organised. I usually am." 

"That's alright. Take your time." 

Does he always speak that way? His voice is like fucking silk? Is he messing with you?

You yank the notes you made for Jack from the pile and flatten them across the desk. "Okay, sorry. Like I was saying, Jack is really the nicest kid, him and his friend Molly. They're both lovely, and teachers shouldn't have favourites, please don't tell the other parents, but they're my favourites." You smile at him quickly and return your eyes to the paper. The words swim in front of your eyes. "Jack can read better than you could ever hope for a first grader, he's immensely intelligent for his age group. He's patient. He'll explain anything to anyone if they ask him too, and he does it well." 

"I'm glad to hear that," he says, again so softly. 

You pick up one of your skinny biros to have something to fidget with. He's a very good looking man, but you're a good teacher. You can focus on what to say. Some parents need good things only. Some need reassurement that they're doing a good job. Aaron is harder to read, but you know what he needs, too. 

"He can be lonely," you say, looking him in the eye. "I don't think that that's down to any fault. I'm sure you know better than I do why he might feel that way." You know about his mom's passing over a year ago. You've seen grief in children too many times. "He… I understand if this isn't okay with you, but he eats lunch with me sometimes. I encourage him to sit with his peers, of course, but I think he runs out of energy pretty quickly." 

Aaron nods thoughtfully. His brows quirk into a furrow that you're afraid is directed at you. 

"I don't think he necessarily has trouble connecting with his friends." 

"What do you think?" 

"I think something awful happened to your family, and Jack will feel it for the rest of his life, but that it won't stop him from being great. It already isn't. And… he clearly has a father who loves him and who he admires. You're his second favourite topic." 

"What's his first?" he asks. 

"He's really into Fruity Fridays," you say with a laugh. "I bring in fruits you don't get often in America. Someone would've had to sign a form." 

"No, I remember signing it. He likes that?" His smile is golden. "I can't get him to try new things." 

"He had all the leftover gold kiwi last week." You rub your lips together. Time is ticking. You have nearly thirty parents to see tonight, but talking to Mr. Hotchner has been so normal. He's a regular person in a sea of inattentive helicopter narcissists. It's a relief and a half to meet him and know a kid as gentle as Jack is in good hands. "Mr. Hotchner, I have to tell you, I'm really relieved to meet you." 

"Aaron," he corrects.

Your tone drops too low. "Aaron." 

"I'm more than relieved," he says. "I knew that this year would be harder for him. I didn't know… I'm grateful to you, for being so kind with him." 

You look down at your notes, flushed from head to toe despite your airy skirt. Crossing your legs, you shake your head. "It's my job." 

"To let him take up the only break you get all day?" he asks. 

"It's not like that. Jack doesn't bother me." You fold your notes in half. "I can see his role model measures up." 

"I could say the same thing." 

The next time you see Jack, bright and early Monday mooring shepherded by his aunt Jessica, he's very happy to see you. You offer him a hug and pat his back when he wraps his arms around your hips. "Hello, Jack. Was your dad pleased with your drawings?"

Jack smiles at you. "I have a note for you." 

"You do? Can I see? Where is it, honey?" 

Jack takes off his backpack and pulls out the note and a tupperware container. "Oh, wow, did you make treats for the class? Jack, that's so nice!" 

"No. Dad said those are for you. He said you should have nice for nice, or something," Jack informs you. 

"You'll share with me, though? I can't eat them all by myself," you whisper. 

He nods with enthusiasm and runs off to put his backpack in his cubby and his coat on the hook. You look down at the cookies and note, which is actually an envelope. 

You open it with your thumbnail. The writing is Aaron's usual tight cursive.

Dear Miss L/N, 

I hoped to thank you again in person, but work makes that hard. I appreciate everything you do for Jack. There are teachers who work, and there are teachers who go above and beyond. I can feel confident anywhere in the country knowing Jack is being taught by the latter. 

Gratefully yours, 

Aaron Hotchner. 

P.S. Please don't feed Jack too many cookies. They're not for him. 

You keep the letter even if it's lame to do so. When is the next parent teacher conference, anyways?

[lynk-zee]

hey lynnie,

Ok so there's this tweet "(my gf can) dress slutty I can fight" by a guy right. I don't necessarily think he means dress slutty on purpose but like if his gf wants to express her fashion in a more sensual way, he supports and defends her right to do so. Could you do a scenario where MC/reader know she looks good and flaunts it and the lads don't mind? They're also willing to step in and remind any entitled creep to stay in their place. I'm really curious to see Rafayel's thoughts on this but all would be great.

“Dress Slutty, I Can Fight.”

Rafayel always wants you to feel good about yourself. He’ll buy you lavish jewelry, designer clothes, and ask you to give him a fashion show so he can see them on you. That being said, fashionable clothes sometimes is less about the type of fabric and more about the lack there of. And he’s here for it! He walks with you on his arm with pride, wearing whatever you want, flaunting your assets, and strutting your stuff. He thinks you’re gorgeous, like a work of art! And art is meant to be admired.

Though, when it comes to creeps checking you out longer than appropriate, he gets a bit protective. If he notices someone checking out your ass in that skimpy little outfit of yours, he cop a squeeze, smirking right at the perp. As if saying “look what I have that you don’t”

If his glare doesn’t deter the creep from looking at you, Rafayel will call him out in front of everyone.

“Do you mind? I know my partners hot as fuck but keep your eyes to yourself, damn!”

Usually it doesn’t escalate from there, the perp feeling thoroughly embarrassed from being called out like that in public. But if it does, Rafayel will handle it.

“It’s okay, babe. I can fight”

Zayne absolutely loves spoiling you with the money he makes as a surgeon. Which mostly consists of clothes! Whatever you want, just point and he’ll get you it every color. Absolutely loves when you dress however you want. His main goal in life is for you to live as comfortably as possible. So if looking all dolled up in pretty makes you happy, go for it!

When you’re dressed up, he’d always have his hand on the small of your back, guiding you this way and that under his careful watch. He’s gotta keep his baby safe. If someone is staring at you for two long, they’d be frozen solid by Zayne’s evol.

Just kidding. More like frozen solid by his icy glare. Much like Rafayel, Zayne would make it public because he knows that most people will get intimidated by a large crowd.

“Could you not stare at my partner? We are trying to enjoy our night out.”

If the creeps too persistent, he’ll clench his jaw and place his jacket on you.

“Sorry, dear— could you give me a moment? That man over there seems like he wants to talk.”

Zaddy

In all seriousness, Zayne really wouldn’t resort to violence because he has standards to uphold. But he definitely would stand his ground and tell the creep off. Your comfort is his utmost priority. He won’t let some filth make you feel self-conscious.

Xavier’s all for your slutty era. You look beautiful, he’s enjoying the view, it’s a win-win in his books. What he doesn’t enjoy is the amount of unwanted attention you garner when you dress up. Yes, it’s not your fault that you’re beautiful, he would never fault you for that. He’s just sick of the guys staring as if they have the right to. Absolutely not.

So, he marks the shit out of you. Your neck is covered in hickeys, branding you as his. They can look all they want, but with his arm around your waist and his marks on your neck, you’re his and his only. Wear less, he doesn’t care. He’ll just make sure his hand print on your ass peaks out from under your shorts.

If it gets too bad, we know Xavier would step in right away to stop it. He’s pretty blunt without meaning to, so when it’s intentional—sorry to any guy who even breathes in your direction. Sometimes you have to step in though because you know it’s game over if Xavier swings. But Xav will always protect you, so dress however you want. He just wants you to be happy.

“Ignore those creeps, my love. I’ll take care of it.

[everyonewooeverywhere]

MDNI 18+ BLOG -> ageless blogs and minors WILL BE BLOCKED

pairing ✭ bf!jongho x f!reader

synopsis ✭ when you come home from a less-than-perfect day, your boyfriend is nowhere to be found, but you don't want to call him and ask him to come home while he's out with friends. even though he'd drop everything if he knew you were struggling.

content/genre ✭ smut 18+ MDNI, established relationship, non-idol!au, hurt to comfort, slightly angsty, relatively fluffy (certainly the fluffiest thing i've ever written here)

word count ✭ 2.5k

note ✭ so this was something i really needed to write for myself, i think. for those who don't know (which is all of you lol) i have adhd. where i see it the most in my own life is chronic procrastination. it's something i've had to learn to cope with a lot throughout my life. a lot of times, when i feel the need to avoid feeling the stress of my personal life, i'll scroll on instagram or tumblr forever. which then leads to a heaping ton of guilt in the following hours as i try to make up for lost time. it's a wonderful cycle.

anyway, this is to say, that coping alone can be incredibly difficult. don't get me wrong, i have a handful of wonderful friends (who go to school across the country) and an angel of a therapist, but i often romanticize having someone there to help drag me out of those hopeless cycles. and not because i think i need someone to do it for me, but having that person is a really comforting thought. and, today, that is jongho i guess 😀

that being said, this mc doesn't necessarily have adhd, but they are certainly experiencing something that i experience very frequently as a byproduct of it.

like, is this smut? yeah, but im allowed to be emotional 😗

warnings ✭ mc is stressed af, protected sex, really soft sex (they're in love 😤)

✭✭✭✭

It was a terrible day. One of the worst you’d had in a while. Nothing seemed to be going your way. You’d ripped your favorite pair of tights this morning when getting ready in a hurry after waking up super late. You’d locked yourself out of the apartment. The seven dollar coffee you’d bought for yourself to cope with aforementioned events had spilt all over your desk, ruining the book you had just received as a gift from a coworker. And, to top it all off, your boss had demanded you to stay late to finish what was supposed to be his job.

So when you finally made it back to your apartment, after waiting in the lobby forever waiting for your landlord to let you in, you wanted nothing more than to collapse on the couch with your boyfriend and fall asleep in his arms. 

You were plagued with fatigue as you slipped out of your work shoes and made your way through the kitchen and into the living room, not finding him anywhere. The bedroom the two of you shared was also completely vacant. Nothing had changed since you’d left this morning. He hadn’t been home all day.

Maybe he’s just working late, you thought, slightly defeated knowing you’d have to wait for him, not knowing how long it would take. 

Trying to take your mind off of it, you scrolled on your phone for a completely indiscernible amount of time, feeling completely defeated with the day you’d had. Moving in with Jongho months ago has been an incredibly helpful step for you. Before the two of you had lived together, you were a master of procrastinating your own feelings. Constantly letting yourself rot away in your bed and letting the day pass you by. Only to be plagued by that crushing guilt that came with letting a day go by unproductively. Living with Jongho had given you someone to hold you accountable. To pull you out of bed because sometimes it was impossible to do it on your own.

But on nights like these, where your boyfriend was nowhere to be found, which was not a common occurrence, you felt yourself slipping back into the endless cycle of losing yourself in your phone for countless hours. 

Hours passed and the sun was almost completely down before you received a text from your boyfriend.

| jongho 🐻🤎: hey love, sorry i had to stay late for work today. i’m gonna go get some drinks with my coworkers.

| jongho 🐻🤎: that ok?

God, you felt so helpless. How horrible and controlling of a partner would you be to tell him ‘no?’ Did he ask? Yes, but you desperately didn’t want to be the girl who always needed to be by her boyfriend’s side. Telling him he couldn’t go out with his friends would make you feel like such a nuisance. You stared at the screen for a good two minutes, biting your thumb, trying to think of how to respond.

| jongho 🐻🤎: y/n? 

| jongho 🐻🤎: i can see you read the message. is everything alright?

Before you could even draft a response, his name flashed across the screen. Taking a deep breath, you slid your thumb across the screen, answering the call.

“Hi,” you picked up.

“Hey, what’s wrong?” You could hear some of his coworkers in the background. He must already be at the bar. 

You held in a sigh, “Nothing, I’m alright. Why?”

“Y/n, you read and didn’t respond to my message. Like you were overthinking a response."

You didn’t say anything. Overthinking yet another response.

“Love, I don’t even want to be here that badly. If you need me to come home, I will. But you’ve gotta tell me.” He was being so patient with you. So much more patient than you thought you deserved, though he would certainly disagree with that.

You took a deep breath, nearing tears, “I–” this was so incredibly hard, “Can you please come home? I didn’t really have a great day.”

“Of course, I’ll be there in about thirty minutes. Do you want me to stay on the phone?”

“No, it’s alright. I just need to see you.”

“Ok, just hang in there alright. Why don’t you hop in the shower, and we can watch a movie when I get back. I’ll pick up some takeout on my way, too.”

When you hang up, you force yourself to get out of bed and get in the shower. It’s so rewarding and feels so relaxing that you can’t imagine why you ever couldn’t get out of the bed in the first place. But, of course, you say that every time. 

✭✭✭✭

By the time you had gotten out of the shower and dried your hair, Jongho had made it home with the takeout he’d promised in hand. 

When you left your bedroom, you saw him sitting on the floor in your living room. He’d lit a candle on the coffee table and set the food down with it. You could tell he’d changed out of his work clothes into a hoodie and basketball shorts, mirroring your almost identical outfit. He didn’t notice you at first. He was chatting to someone on the phone, seemingly a friendly conversation, and not one you wanted to interrupt. When he saw you, though, you heard him say goodbye to whoever was on the line. 

Throwing his phone down on the couch, he got up from the floor and met you at the door of your bedroom. Pulling you into a big hug, he placed a kiss on the top of your head. 

“No pressure, but, if you wanna talk about your day, we can.”

You shook your head, “Not really. I just wanna eat, I think.”

The two of you ate, sitting in comfortable silence on the floor in your living room. You noticed as you took in the scene around you, that Jongho had turned off all the overhead lights in the room. Leaving only the candlelight and the string lights around the ceiling to illuminate the room. There was something about warm lighting that made everything feel so much more cozy and comfortable. 

Your boyfriend wasn’t the most physically affectionate individual, but he never failed to make you feel loved. He always noticed the small things. He was hyper aware of your emotions in the least patronizing way possible. It was little moments like bringing home food for you and turning the cool-toned overhead lights off that reminded you that this man knew you better than anyone.

And that wasn’t something that happened overnight. He tried harder than anyone you’d ever met to know you. Your likes, dislikes, discomforts, phobias, and even your little habits. He knew it all. What he knew most is that you desired so bad to have someone to pull you out of your slump. Which is why he had come home early.

“I’m sorry you couldn’t stay out with your friends,” you whispered, staying focused on the food in front of you.

“I didn’t come home because I felt any obligation to. It’s not that I couldn’t stay out with my friends. It’s that you needed me here at home, and I wanted to come home and comfort you.” He ran a hand over your hair as he finished up his own food. 

That was another thing you loved about him. He wasn’t saying this because he wanted to make you feel better. He wanted you to know that you were not alone. That you were free to feel your feelings, and he’d always be right beside you to comfort you through them.

“Thank you,” you looked up at him, “I love you, you know that, right?”

“How could I ever forget? I love you, too, y/n.”

✭✭✭✭

After the food was gone and the coffee table was cleared, Jongho had put on a movie laid down on the couch, holding out his arms for you. When you finally sat between his legs and leaned into his chest, he pulled a quilted blanket over the two of you, wrapping his arms around you.

You paid very little mind to the movie playing on the TV. Instead you were focused on the rhythm of his breathing, the steady beating of his heart, and the minor movements his chest would make when he let out a soft laugh whatever he was watching.

He played with your hair, running his fingers through the strands, softly brushing his fingers over your neck with each pass. This position couldn’t have been more comfortable. Being with the man you loved as he comforted you in the way he knew best with absolutely no complaint was more than you could’ve ever dreamed of.

Jongho would claim that it was the bare minimum, but you always felt the need to let him know how much he really amazed you. 

When you reached your hand up to his cheek to brush your thumb over the skin, he looked down at you, completely forgetting about the movie playing. He grabbed your hand from his cheek and kissed your fingers, your palm, the back of your hand, the inside of your wrist.

Pulling yourself up to his face, you kissed him as softly as he’d done to your hand. Everything was so soft. From the way he kissed you to the way he caressed the skin under your hoodie right above the waistband of your shorts. From the hand you had in his hair to the way he lifted you to sit more comfortably in his lap.

He kissed your neck just as softly. You sighed contently. Fully basking in the way he took care of you. His movie was fully disregarded at this point as he gripped the bottom of your shirt.

Looking into your eyes he asked, “can I take care of you, love?” You nodded, helping him lift the sweatshirt over your head. 

Before you could even comprehend the nakedness of your chest, he lifted you into his arms and carried you to your shared bed. Laying you on your back. Your bare skin taking immense comfort in the softness of your sheet. He pulled his shirt over his head and threw his pants off to the side.

He immediately went back to kissing you. Hands moving from your cheeks, down your neck. His thumbs caressed your collarbone as his lips brushed the crook of your neck and then your shoulder. You shuddered when one of his hands took your breast. His lips met the other one, causing you to let out a breathy moan and weave your fingers through his dark hair.

He continued to kiss and touch every inch of your torso. When he got to your waistband, he left a small kiss under your belly button. His big brown eyes meeting your own as he pulled your shorts and underwear off together. Tossing them to the side of the bed. 

Lifting one of your legs onto his shoulder, he kissed your inner thigh, still meeting your eyes. The eye contact wasn’t broken until his thumb met your clit. Brushing over it slightly, making you toss your head back into the pillows under you. His mouth replaced his thumb, slowly teasing you. 

With his free hand, he took your own hand, the one that wasn’t gripping his hair, and threaded his fingers through yours. Thumb brushing over the back of your hand.

He felt so good. His tongue working so hard to make you feel pleasure. Everything was so gentle, but felt so euphoric. His fingers pumping in and out of you as he sucked on your clit. You felt like you could’ve floated away with the way he caressed your hand and your thigh. It wasn’t long before you were washed with a wave of pleasure. Everything was hot. You felt it rush through you from your ears down to your cunt. He kissed your thigh one more time after you came, fingers pushing you through the finale of your orgasm. 

Your breathing was ragged when he made it back up to your face, kissing you tenderly. Reaching a hand beneath the pillow under your head. He pulled out a condom. Before he could open it, you plucked it out of his hands, tearing it open as he stripped himself of his own underwear before you rolled the rubber onto his length. He groaned at the touch.

“You ready?” He asked, grabbing your arm and kissing your wrist.

You nodded, smiling, “yes. please, baby.”

When he pushed into you, you gasped and threw your head back again. He kissed your neck and shoulder, slowly thrusting into you. On most occasions, you’d beg him to go faster, but his subdued nature in this moment was so incredibly comforting. His thumb massaged your clit.

He kissed you deeply as he thrust into you. Completely overtaking your lips with his own. His kisses were so full of passion that your head spun. His adoration for you was so evident from the way he looked into your eyes when he stopped kissing you. Your foreheads pressed together, separated only by a thin layer of sweat. 

“I love you so much, y/n,” he says, just above a whisper. So close that you can feel his breath tickle your lips when he says it.

You moan softly, feeling yourself reach a second high, “I love you, too.”

It’s only a matter of minutes before you reach your orgasm. You grip his shoulders tight as he coaxes you through your climax. Walls fluttering around him as he finishes inside the condom. 

He kisses your lips once more before pulling out. He pushes himself off the bed to throw it away. When he comes back, he slides back into bed with you. Breath still slightly ragged. 

You laid on his chest, listening to his heart beat once more.

Running a hand over his stomach, you said, “Thanks for coming home early today.”

“Of course, love. You know I’d drop anything to come home to you if you were struggling.”

“I just feel like such a nuisance asking for you to come home,” you groaned.

He ran a hand over your hair, “I will never ever see you asking for help as a nuisance. Sometimes you just need a little push. Or sometimes you just need to lay in someone’s arms. I will always be there to do that for you. No matter the circumstance, ok?”

You wanted to protest, tell him he was too much, too good to you, but he kept going, “I trust you. I know that when you ask me to come home, it’s not because you're insecure or controlling. It’s because you need help, and I want you to always feel comfortable asking for it.”

He’d left you just a little bit speechless. All you could respond with was a gentle kiss on his lips.

For him, though, that was more than enough.

✭✭✭✭

note ✭ ok this shit got really personal 💀 but i did really enjoy writing it. it's not often that i write a whole oneshot in one sitting but i did today (other than my minor break to eat dinner).

also, i was actually between writing this for vernon or jongho because i felt like they both kinda fit the vibe (sorry if the knowledge that this could have been a hansol fic makes anyone sad), but maybe i'll write something similar for him next time i'm feeling it

again, i hope you enjoyed this! thank you so much for reading 💗

mwah~

[a-hazbin-reader]

Hehehehe what about Vox and a fem!S/O that makes it a habit to fluster him or smother his techy butt in affection? I really just wanna take care of this stressed and overworked man whdiskansoskns-

Oh I suppose we can throw him a bone~

Vox X Reader Headcanons

✅️Romantic

❌️Platonic

TW: None I think??

Description: ☝️⬆️

Vox is probably the most stressed out of all the V's, not necessarily because of his workload but because of his temperament

A lot of little things get to him even though he tries not to show it

So he really appreciates having you as his S/O, especially on those days where he's losing his shit, because your affectionate nature helps him focus on something else

On those days, you manage to get him to lay down and accept a back massage from you, and you only tickle his sides a little

You couldn't help it

Sometimes, he actually falls asleep only to wake up to you lying on top of him, arms wrapped around his chest

Or you kiss the side of his screen and hug his neck while he vents to you, holding you securely in his lap

He doesn't want solutions, he just wants you to listen and keep cooing at him like you agree with him

Sometimes all he needs is just a hug from his favorite person in the world and you are more than willing to give it

He could die happy wrapped in your arms and breathing in your scent, your fingers gently caressing the edges of his screen

He loves how affectionate you are with him, knows that he would probably been driven mad by now if it weren't for you in his life

But if you do it in public or around the V's?? He's absolutely mortified and will actually just fizzle out right then and there

Not that you care, you'll take care of him

He's on tv doing his show? No matter, you blow him kisses from behind the camera until he's too flustered to go on, ending it earlier so he can go to you

Definitely doesn't cash in on all those smooches you were blowing his way

Not you interrupting a meeting with the V's because he forgot his phone, you practically demanding a kiss goodbye before you go

"Y/N, we're in a meeting I can't just-"

"I won't leave without a proper kiss!"

Smooch

Not Valentino hooting and hollering at you two as you grip onto your mans and really kiss him

Vox is so dazed by the time you scamper off, flopping back into his chair and hardly registering anything being said

...he definitely had his phone in his pocket before he left...he just didn't check after you pulled him in for a hug...

Did you pickpocket him just to kiss him at work!? In front of his friends!?

And now his screen went dark

The two of you are going out somewhere? You insist on holding his hand and kissing it at every opportunity, gazing up at him innocently

He chokes on his own spit

Even when you aren't awake you're so affectionate

Vox tries to get out of bed and get an early start on the day? Not unless he's taking you with him, your sleepy arms wrapped around him like a vice

More often than not, Vox is seen carrying you around while he sips his coffee, you peacefully dozing against him

You always rub your face on him, practically purring in your sleep because you're so content to snuggle him

He's blushing the entire time while trying to keep a neutral or annoyed look on his face, sipping his drink while scrolling through the news

If anybody mentions it then they're fired

If you ever wear lipstick or anything like that? You bet Vox is stumbling out of closets and rooms covered in kiss marks, blushing furiously

You look so innocent when you step out behind him, like you didn't nearly take his soul

Don't worry, you'll clean him up~

You give him affection and love so freely that it's difficult for him not to be embarrassed, not used to such a thing

He does try to reciprocate but it's not nearly as easy for him as it is for you, but he wants you to know he feels the same

So every once in awhile when you two are alone, he'll pull you into his lap and kiss the back of your neck in an attempt to hide his blush

"You know I'd be so lost without you, right?"

Now he's just asking for you to kiss him until he's begging for mercy

"Y/N W-WAIT!"

I had a lot of fun with this one! I hope it was okay!

[funnycreatortimetravel]

Whenever I rewatch the Madoka Magica episodes + the two recap movies, I always feel that the sentiment "Homura did nothing wrong," shines through the most here and less so Rebellion (I'll get into this later) even though ironically, the Rebellion movie is where that infamous saying was coined.

-Homura cannot DO any wrong when everything sort of already goes wrong no matter if she intervenes or not. Mami dies whether or not Homura intervenes (she goes crazy when she finds out that magical girls are all destined to turn into witches and then goes on a murder-suicide rampage, she's killed by Walpurgis, she gets caught off guard, etc.) All of these deaths happened on Mami's accord and not Homura's, so of course there's no wrongdoing to be had.

-Even if you argue that Homura could've been nicer to her, Mami automatically assumed that Homura had the worst intentions for Madoka and the others, so she never really gave her a chance even WHEN Homura went through the effort of finding a grief seed solely to befriend Mami (which Homura does in most timelines FYI.) The moment Homura isn't Mami's sweet little junior student anymore, Mami is automatically on defense and even calls her a loser just because she doesn't want Madoka to make a contract, and Mami just assumes that it's because Homura doesn't want competition (which makes no sense because Homura offered her a grief seed.)

-Mami does the same thing to Kyoko in the Different Story Manga; Once Kyoko's parents died and she became distraught, she didn't want to follow Mami's ideals anymore and this leads them into getting into a physical altercation (sound familiar?)

-Mami has never been a person you can just causally talk things through to. If she believes you don't share the same ideals on things, she can and will fight you. She doesn't fight Sayaka or Madoka because those two largely agree with her on everything, but Kyoko and Homura? They're free game if they so much as look at her sideways.

-Mami also says that making a wish should be something you seriously think about and not just dive in willy nilly, but then turns around and tells Madoka that she should wish for a cake if she still hasn't figured it out all because Mami doesn't want to be alone.

-I'm going to give Mami the benefit of the doubt and assume she wasn't being serious, but she knows how impressionable Madoka is and regardless of how serious or not she is, she's still fine with Madoka making a wish and becoming a magical girl just so she won't be lonely anymore.

-Homura tries her damn hardest to befriend Mami (she offers her a grief seed as I mentioned earlier, she listens when Mami tells her to go away without a fuss, and she warns Mami of the witch Charlotte only to be ignored and tied up) and the only thing she gets in return is Mami's unwarranted hostility. And once Homura is proven right and Mami is beheaded in front of Madoka and Sayaka, causing an insurmountable amount of trauma to them, she still quietly grieves for her even when all Mami did was assume the worst with no evidence.

-I don't necessarily blame Mami for assuming that Homura didn't have the best intentions since she's a veteran and I'm certain has had other negative run-ins with magical girls, but it's not like Homura even provided enough evidence that she would be like them. Mami was just being territorial due to force of habit (she's fine with other magical girls so long as they stay her juniors as evident in Rebellion when the moment Homura "turns different," she's highly suspicious and is ready to go guns blazing.) She doesn't even give Homura a chance to explain herself in either the show or the movie and that's one of her biggest flaws; she's so perfectionist that she can't even see what's in front of her sometimes.

-Despite this, Homura still values her as her old mentor and is hurt when the person who saved her all those timelines ago calls her a loser to her face. She even says that Mami has the softest heart of all and wishes she could forget how she trampled over her and other's feelings, (even though when you look back, Mami was the one who hurt her feelings rather than the other way around.)

And yet she still says this...

-"And it hurt me..." Homura admitting that shows just how much she cares. The fact that she's able to admit that it wasn't what Mami said that hurt her, but the fact that shattering Mami's optimistic viewpoint with the reality of the magical girl system was what hurt.

-Homura knows about Mami's tragic backstory with her parents and also knows that Mami, "doesn't have any other family to speak of," which shows she's been very close to Mami at one point, even seeing her vulnerable side just like Madoka did when Mami had that breakdown shortly before she died to Charlotte.

-She also "envies Mami" because Madoka states that she'll remember her even after she dies. Homura is obviously envying Mami because Madoka will forever see Mami in a good light in death while Madoka is afraid of her, but she could also just be envying Mami because, well, Mami died and left Madoka feeling attached to her while Homura thought she was going to die without ever being able to be close to Madoka as she once was. Context clues people, context clues.

-If you look at the different story manga, which I and many others consider canon, Homura clearly still has PTSD from Mami's murder-suicide attempt, which is the main reason why she tries to be gentle with her and listen to her when she's ordering Homura around.

-And she also notes that Mami never "held her hand," like that. Regardless of what Homura thinks, she clearly still wants or wanted that intimacy with Mami. She still saw her as an older sister figure and I know it crushed her heart when Mami said something so cruel to her.

-She also declines when Mami believes that Homura is going to kill her, even though her soul gem is stained and she technically is on her way to becoming a witch. Instead, Homura imparts some words to her.

-In the case of Sayaka...Whooo boy, it's like ten times worse than Mami. Sayaka is so caught up in her ideals that she hates anything too wild and selfish, but also weak and passive. She craps on Kyoko for being immoral and then also craps on Madoka AND Homura for not doing enough (she says that Madoka has a lot of potential but doesn't do anything with it and says Homura is too unskilled to fight effectively.) She views herself, or at least tries to, as the ultimate magical girl of justice who's moral, selfless, and most of all, strong. She doesn't view Homura, at least the one in the past timelines, as someone strong enough to be a proper magical girl.

-Sayaka holds everyone to the standard of Mami Tomoe, someone who's graceful, strong, and selfless, but she never gets the chance to realize that that version of Mami Tomoe isn't the real one and the standard she holds herself and others don't exist, which is why in every single timeline, she ALWAYS ends up witching out. It's also why in every timeline, she's antagonistic to Homura no matter if it was her timid self or the one hardened by trauma.

-She blames Homura in one timeline for attempting to warn them about Kyubey, accusing her of trying to split the group up, but then in Magia Record, when Homura DOESN'T tell them about Kyubey because she's seen how pointless it is, Sayaka gets on her case for not telling them sooner and accuses her of not telling because Homura "finds it funny." She literally can't win, no matter how quiet and out of the way she is.

-And it doesn't get better once Homura becomes "stronger" (or at the least the facade of becoming it) Sayaka just thinks that she's one of those magical girls who kills only for herself (and while Sayaka's not ALL the way wrong as she will kill solely for Madoka, she also doesn't understand that the system is designed to be like that and that's the fault of Kyubey and not Homura.)

-We're never actually shown Homura saving civilians, but we also don't see her sit idly by and let them get hurt either. Homura's viewpoint is that magical girls aren't morally obligated to be heroes and she's right; magical girls are cattle being harvested and the "good" they do is only delaying the inevitable once they witch out. No matter how noble and pure Sayaka was or wanted to be, she was eventually going to witch out and harm others, even if she wanted to save people.

-The nature of magical girls is equivalent exchange; whatever "good" is done, an equal amount of or even more bad is sure to come of it. Sayaka was going to keep killing innocent civilians as a witch until someone put her out of her misery, and that was what Homura was going to do. Sayaka doomed herself the moment she made a contract with Kyubey, and more importantly, she doomed innocent civilians, and she doomed her friends.

-Sayaka's witching out leads Mami to go crazy and attempt to kill everyone, Madoka making a contract in several timelines to save Sayaka from witching out (she does so in the Different Story Manga and Sayaka still ends up hurt) and Kyoko dying either from suicide during her confrontation with Octavia or dying from the wounds she sustains from the battle. Not to mention Sayaka witching out breaks Madoka's psyche, which is what Homura is trying to avoid.

-It would be one thing if Sayaka just died on her own accord, but she always brings others with her down her descent into despair, whether it's by killing civilians as a witch or being mean to Madoka and making her feel as though Sayaka's witching out was partly her fault.

-That's why Homura was in the right to "put her down" essentially, and even though she said she would, she couldn't bring herself to because somewhere deep down, she still cared for Sayaka. She apologizes for blowing up Sayaka in one of the first few timelines when she witches out and she blames herself for Sayaka making a contract in the TV series timeline, even saying that she should've protected Sayaka as much as Madoka even though Sayaka has never been anything BUT mean to her in the beginning. She takes responsibility for the girls' downfall even though it was inevitable.

-Another thing is her kinship with Kyoko. Because Kyoko and Homura both grew up in religious homes (Homura with catholic school and obliviously Kyoko's father being a preacher) they have the closest views on what it means to be magical girls. Note how I didn't say similar, but closest. Homura and Kyoko's wishes were for someone else, and as a result, they firmly believe that their wishes are for the sake of those people and won't pretend to be heroes or the like. The only difference is that Kyoko is much wilder and rougher because her wish directly led to the murder-suicide of her family (cough cough, like a big sister figure that killed her OTHER found family.)

-It's also the reason why Homura and Kyoko became so close in Rebellion. Kyoko was the only magical girl, apart from Madoka and even SHE sometimes didn't trust Homura, to kill Walpurgis. Kyoko agrees to fight with Homura and even though she is purely doing this for her benefit, she at least gives Homura a CHANCE and hears her out, even offering her a pocky stick. She was willing to team up with her and was also the first person that Homura felt comfortable talking to in Rebellion when she felt that something was up.

(I'll go into further specifics in another post since I ran out of image/video usage. Damn this app 😭.)

[n3ptoonz]

Hello! Can you write Baraka, Syzoth, Kenshi and Liu Kang reacting to an s/o who likes to trace their tattoos. (Also tattoos are hot)

hiya and i certainly can anon! (i fully agree. whenever i see THAT raiden skin i literally want to jump through a closed window)

mk1 hcs: how baraka, syzoth, kenshi, and liu kang react to their s/o tracing their tattoos

warnings: none; fluff

Baraka

Would be confused at first. He had lost most of his sense of humanity since his affliction, so he'd think you just got bored or wanted his attention

When you explained how his tats were interesting and wanted to know the reasons/origins of them, he was genuinely surprised. Nobody has ever asked him such a thing, let alone pay that much attention to him or his tattoos

Now he doesn't mind it and lets you do as you please. He purposely wears sleeveless shirts around you all the time just so you'll get the idea to trace his tats later

Syzoth

Since the first noticeable tattoo is on his face, he'd get startled the first time you did it. You were waiting for him to wake up one day and became interested in them suddenly

He'd ask what's so cool about tattoos in the first place since he's not originally human. It's not that he doesn't value them, but to him they are more important in the sense of they reminded him of his family (i made that shit up don't quote me), not necessarily "cool" and you had to explain you took interest in all the above

Now he fully welcomes it and would probably go as far as being around you more often to get you to notice and engage in some form of physical touch that ends up in tracing his tattoos

Kenshi Takahashi

I feel like sometimes he didn't like his own tats. Being a former Yakuza and all, he wouldn't get why you think they're cool. You tell him despite their origin they objectively look really cool and make him look even cooler/finer and now he's a happy camper

Whatever his thoughts were slowly vanished out of his own mind. Though he can't really see them anymore, he likes that someone he's in love with is for one not scared away by his past but also thinks they make him look cooler? After a while he'd start appreciating them himself

Also the type of man to walk around the house either shirtless or a tank top more often because "he gets hot easily" righttt righttttt. He loves the sensation of your touch on his body too. I'll never stop advocating for him appreciating other senses more post losing his sight!!!

Liu Kang

He has a lot of tats so like, he's going to think you're asking for a lil alone time wink which he doesn't oppose to but sometimes you simply just find interest in appreciating his ink

He will not shy away from telling you the origins and history behind each and every one. He'd even show you the ones he got for fun. He may be a god, but he was human first who lowkey liked to have as much fun as his comrade, Kung Lao, he was just better at hiding it

He now offers you to do it while you're cuddling or just chilling around each other; in reality he looks forward to it since he's never heard of such a fascinating with something like tattoos and it brought you two closer

a/n: i hope this was good enough! i've been writing so much lately just in general my brain is kinda mush ngl but i ain't no bitch! plus i gotta think more for smut so i went for fluff lol

[anantaru]

— he doesn't want you to leave

including kazuha, scaramouche, heizou, itto x gn! reader

genre: fluff, little kisses, they're whipped honestly, tiny bit of gossip bf kuni

— kazuha

speaking truthfully, kazuha simply cannot resist you for the life of him.

in fact, once he had officially secured you as his ever so beautiful s/o, he make sure to show you his gratitude in tiny whispers of sweet words and pleas.

additionally he'd make it his duty to shower you in both, physical and emotional affection.

doubtless, he can't help himself, being wiggled in your embrace feels like heaven, it's surreal, sometimes kazuha is certain he's actually hallucinating, but then your body warmth is dashing into him and that's when he knows it was real.

sometimes whenever he sleeps over, the moment you wake up from your slumber the next day, his arm will most likely be lazily thrown over your hips.

once he's all woken up as well, kazuha will immediately pull you softly to his chest, greeting you with a tired, sleepy smile through lidded eyes.

"five more minutes, please."

your body was enduring additional applied pressure from his arm as you turned around to face your boyfriend, staying near and deepening the profound intimacy from each other.

the easygoing pumps under his ribcage were pacifying and settled a great way to enjoy the romantic love between you both.

upon giving him what he desired at last— that being the five additional minutes he had requested, you, with enough persuasion on your own person, spoke again.

"we can't stay in bed forever kazuha."

well, well, believe it or not but kazuha was actually trying his hardest to get out of bed the whole time but how come you were especially comfy today?

you must be playing tricks on him!

"five.. more minutes please." his voice was a little unclear still, the tiredness was continuing to be laced around his words with his sleepy expression being immediately perceived by you.

what if, and that was just a little thought crossing his dizzy thoughts, what if you stayed in today?

just a couple more hours longer doing nothing at all except of laying in bed.

kazuha wasn't a fan of letting go of you right now, not today, not when you're so secure, so pleasant and cozy in his arms.

locked up in each other, you dozed off again without much persuasion required, the work responsibilities that had been shared by you were nothing more than a fleeting dream out of many.

— scaramouche

"what do you think you're doing?"

his voice slightly broke and before you knew it, scaramouche had already wrapped his arms around your waist, as if he was actually scared you'd leave him behind, haltering your attempt to break free from his hold.

"i told you i can't stay all day kuni."

still unsure of the words he had just heard, scaramouche tilted his head in both confusion and doubt, raising his brow to show the visible puzzlement caused by you.

"are you playing stupid with me again? it's still too early to go home."

ah yes, you figured, it's that time again, even though he wouldn't necessarily admit it to you, and if he did, he'd flip the narrative a tiny bit just to not make a fool out of himself.

scaramouche was a thoroughly clingy boyfriend, it cannot be denied, not with the way he was now melting you into his chest again.

tight, so very much tight you could certainly perceive his scent now, it was especially dominant around his neck.

to add to it, it was a floral aroma, but being held natural, not sweet, he absolutely despised anything sweet it made him sick to his stomach.

"you can just say you don't want me to go kuni, it's okay."

to be fair, he tried, but you couldn't help yourself and loved taunting the hell out of your boyfriend every now and then, more so when it was a slightly uncomfortable topic like that.

obviously you cherished the way he was with you, it didn't matter to you that kuni could become quite clingy either, if anything you were beyond flattered that he felt so comfortable with your presence that he needed you to stay.

"that's not what it is and you know it." slightly averting his eyes with a huffed out irritated sigh, he continued his sentence.

"i wanted to finish the story i told you but you had to cut me off."

his hands travelled on your back to playfully sway over the skin, finally meeting their proper place as he cupped your cheeks at last, drawing your head closer, "so keep your pretty eyes on me."

a fleeting kiss, just one, placed on your puckered out lips as he quickly made you rest your head on him again, not wasting anymore time.

"so where was i? oh, yeah, so the seventh harbinger has a terrible personality!"

— heizou

"would you still love me if i was a worm?"

no ifs or buts, heizou demanded a clear answer now, even the mighty detective from the tenryou commission yearned to be pampered and reassured by his s/o every once in a while.

maybe it was because of the obvious fact on how exceedingly tired from work he had gotten, or of the cosy warm way you had him tucked in your arms.

in each others embrace the world seemed to have stopped completely, pure and free, mind at peace without a single negative emotion crossing you.

some people were natural huggers and heizou perceived you as one of those, it felt as if you wrapped him in sheer love, like a sun leisurely warming up your skin on a sweet summer day.

"yes, i would." confidently stating said fact, he slightly tilted his eyes to meet yours in a sceptic expression, "you're lying."

without any question you dramatically let go off him, obviously teasing and messing with your boyfriend but the second you were attempting to do so, he had already clasped himself on your back, keeping you close.

"i would love you if you were a worm, i'd keep you in my pocket."

oh really now, you rolled your eyes and snickered at the unusual declaration as you slowly cradled your head back to allow heizou to properly hug you again.

"you're lying." confidently, you mocked his answer from before, savoring the feeling of contentment in your bones when he swayed himself closer.

"i would hug you all day, doesn't matter to me if you're slimy." you felt his body gradually press against your own and you obliged, laying yourself back into the bed, letting your muscles loosen up.

with a kiss on your forehead he welcomed you back, sometimes heizou wished to stay like this forever.

laying in bed all day while doing absolutely nothing sounded heavens made to your boyfriend.

"i‘d still love you if you were a worm heizou." - "you're still lying."

— itto

your boyfriend itto, or how he wants to be referred to, as arataki "the one and oni" itto was famous for his warm, bear hugs.

with his arms tightly cradling your body, itto swore there wasn't anything better, no other scenario could rival this momentary moment of peace. (maybe winning a beetle fight but hush)

"itto i really need to go now, i still have so much work to do."

he pouted at your words, more so did he not accept them in his mind.

without a sentence following, you lightly placed your hand onto his cheek to make it easier for you to kiss him before attempting to stand up.

"no wait!" obviously you knew how dramatic he could become whenever you had to take your leave, itto would leave nothing untouched, he'd put all of his might into the challenge of making you stay just a bit longer, so he can cuddle you a little bit more.

"i didn't tell you but, *cough*, i have again, *cough*, lost a part of me during a deadly fight."

narrowing your brows with light wrinkles making themselves visible on your forehead, you crossed your arms around your body, confused by what he meant, "what fight?"

in a single motion, itto dramatically dropped back on the mattress, his hand laid flat on his chest, right above his heart as he squealed out in pain, absolutely crushed.

"a beetle fight, please save me."

the silence was loud, truly and itto didn't open his eyes either, clearly he was waiting for a response from you.

his heart was at last, stabbed with the last inch of hope in him to make you stay as he peaked at you from squinting eyes, watching him flabbergasted.

"ormaybeiwantyoutostaylonger."

©2022 anantaru do not share, copy, translate

[jesncin]

Caped Crusader, "Safe Diversity", and Catwoman

We're at a point where it's expected that a new incarnation of any story previously with a white-dominated cast would be reimagined with a "more diverse" cast. This can mean racebending them, genderbending them or making them queer, but for the purposes of this analysis we'll be focusing on racebends. Most of the time, executives will take the "safer" routes with diversifying their cast- pick a couple of unproblematic supporting characters to be incidentally "diverse this time". Other times, there might be "braver" takes where more prominent characters (perhaps even the main character) are racebent. This doesn't necessarily mean racebending prominent characters is an inherently better thing to do.

I've been more than critical of MAWS' portrayal of BIPOC characters but especially their Asian Lois before. Sometimes BIPOC representation is just a decorative palette-swap change for these shows. Caped Crusader however, is different. It's more complicated- but it's rooted in very similar problems. Unlike MAWS (though I can only speak for S1), CC is far more willing to take on political topics: classism, sexism, police corruption and brutality, even beauty standards in the entertainment industry! Yet, in choosing to portray these topics in their stylistically anachronistic 30s-40s set piece- it makes it so the show's reluctance to discuss race intersecting with any of these topics far more apparent.

(spoilers for all of Caped Crusader)

Take for instance, episode 2: "...And Be A Villain". The story is about Basil Karlo, a less than handsome actor who wishes his appearance wasn't holding him back from both love and playing roles saved for better looking people. He makes a deal with Jack Ellman, an experimental makeup artist who turns him into Clayface. This story is set in motion when Miss Yvonne Francis, a beautiful actress, goes missing. Miss Francis is a woman of color (brown skinned, unspecified) played by Lacey Chabert: a white actress. CC goes for a generally colorblind casting what with Stephie (a white girl) being voiced by Amari McCoy (a Black actress) but it always feels icky when a white actor voices a character of color. Prominent characters of color in CC are more accurately casted. However I do think animation should be wary of using their medium to get away with their show appearing more diverse than the actual talent behind it.

The episode's theme is pretty clear on how unfair the entertainment industry is in regards to who it prioritizes in leading roles. Basil is constantly emphasized as a tragically talented actor whose appearance is holding him back. "With your talent you should be a leading man, Basil." Yvonne says to Basil in a flashback. Meanwhile as Alfred is watching through movie clips featuring Yvonne and Basil together, he comments "while lovely to look at, Miss Francis is no Gloria Swanson." So Yvonne has the looks, but not the talent and still gets prestigious roles because that's showbiz. The only time this is weirdly inconsistent is when Yvonne calls out Basil/Clayface in the finale, saying:

"I don't believe your performance. You're chewing on scenery. Relying on makeup effects to enhance weak characterization. It's insincere, Basil. It's not real."

I honestly feel like this scene was just meant to quickly "subvert" Yvonne being a damsel in distress by having her call out Basil's acting. It's a moment that isn't reinforced by anything the episode set up. After all, according to Alfred, she's not as good an actor compared to Basil. That's supposed to be how they foil each other, so this moment feels unmotivated. Again, I get what they're going for, that Basil's performance ironically relies on his newfound appearance so much that even a bad actress like Yvonne can spot his meager acting. But it doesn't work when our protagonists were actually convinced by his imitation of others. She's still a damsel in distress character regardless of her having a bit of attitude when calling her captor out.

What I don't understand is: why make Yvonne a woman of color if this was the story you wanted to tell? It's not like they're paying homage to how her voice actress looks, after all. Why, in your story set in purposely anachronistic 30s-40s era noir, did the character who was meant to represent the epitome of "not talented but gets by the industry because of her conventional beauty and pretty privilege" a woman of color? We're missing the very obvious conversation here where Tinsel Town is a white industry with white biases to what it considers attractive. It doesn't matter how many attractive actors of color exist, they're still pigeon holed into stereotyped and often racist roles (especially back then), and have to work twice as hard to get the opportunities their white colleagues get. Why is Basil, a white man, the only one afforded a marginalized narrative when Yvonne is quite literally a woman of color right next to him? The episode is especially painful to sit through when Basil is afforded so much sympathy compared to Yvonne.

"He didn't have the right look. He didn't have the right face."

"The camera is kind to some, but cruel to others."

This is transparently a colorblind narrative. Yvonne is written and even casted as a white woman. The CC crew just decided she should be a WOC likely because "wouldn't it be neat if the beautiful actress in this story is POC" without thinking about how that would drastically change a narrative already critical of the showbiz industry based on appearances. It's not intersectional and flattens the narrative to being selective of the prejudices Tinsel Town has. This episode is a great example to what CC generally does with diversity. It's not afraid to be critical of society, but it gets oddly squeamish with discussing how race intersects with these topics- opting mostly for a palette-change type of representation.

It's not entirely fair to say CC doesn't ever touch on the topic of racism. It sort of does: if you read between the lines for why the mayor gives Jim Gordon his commissioner role, and more prominently with the Gentleman Ghost (a rich aristocrat ghost that steals from the poor, believing wealth is his right) being offended that his mansion is sold to Lucius Fox (saying "and you would sell it to rabble like this?")- racism is somewhat present in the world of CC. We see the women in this show experience misogyny, but it's ambiguous if any of their struggles are intersectional with that of race. But that's... just about it. Racism isn't discussed more than it is alluded to, whenever the writers decide it's relevant. Because of this, CC has a spectrum of hits and misses when it comes to integrating characters of color in their reimagined cast.

Here's how I would visualize that spectrum using canonized instances of Asian Lois Lane. I should emphasize that representation of people of color doesn't entail the narrative owing us "a racism arc" or what have you. This spectrum is more used to measure how much racial identity was integrated in the characterization of the character: whether that be cultural identity or history. Being a person of color isn't just "person who goes through racism".

This is how I'd personally place the prominent characters of color in CC on my "spectrum of racebends" chart. Generally most of the characters of color (whether reimagined that way or were originally POC already) are fairly harmless in how they were integrated into CC's world, but none of the characters feel bespoke as a reimagining of the character and are interchangeable with their white counterparts. To quote cartoonist Juni Ba (in a discussion on CC):

"...stripping characters of color in these time period stories of any cultural, [a]esthetic or social signifiers that’d make them true to the groups being represented. Instead they dress, act and speak very western."

In my opinion, the only character that is an exception to this is Linton Midnite (or as he's popularly known as: "Papa Midnite"). Midnite is a character so interlinked with Haitian culture and mysticism that even CC couldn't erase that aspect of his identity (important note: historically, the portrayal of Midnite since his creation is riddled in racism, but that's not my place to discuss here). Midnite at most speaks with an accent, dresses more nonconformingly compared to the western standard dress of all the other characters, and practices occultish stuff (though I don't think there was anything culturally specific in that episode, please correct me otherwise if someone has more insight!). That's a lot more cultural representation than just about any other character of color in CC. Midnite can't be changed to a white character, his African identity is too interlinked with who he is.

There are a few characters I consider in poor taste to be POC- that being Arnold Flass, Yvonne Francis (who we've covered already), and Harley Quinn (who will be getting her own post, as her case is complicated). So let's talk about cops, then.

I tend to be indifferent about media choosing to diversify cop characters because it feels like choosing the most "respectable to society" role for a marginalized character to play. Cops uphold bigoted systems of power at the end of the day, so that's a very comfortable place to represent your marginalized characters. It's why we keep getting gay or lesbian cops, which Batman media absolutely perpetuates as well with Renee Montoya. It's hard to cheer for two women of color being allowed to date and kiss in public when one of them is a cop, y'know? But this doesn't mean re-imagining cop characters doesn't have narrative merit.

In regards to Jim Gordon being reimagined as a Black cop, I'm gonna refer to La'Ron Readus' video on "Fixing the Batman's Copaganda problem" where he goes into detail about the missed potential of Black!Jim Gordon from Reeves' The Batman (2022). Generally, I felt that opportunity was missed in CC as well. While I love that Barbara Gordon is in CC, nothing about her being a WOC is integrated into this version of her. It felt like if either character was white, the story wouldn't be that different. The bigger issue here is the choice to racebend Arnold Flass- a previously white, blonde, cunningly smart, and brutally corrupt cop.

CC follows some of this in their version of Arnold Flass- he's paired with Harvey Bullock (also a corrupt cop). While Bullock is the brawns of the duo, Flass is the smarts. He's cunning and even implied to be willing to frame Bullock if the worse comes to it. It isn't an inherently bad idea to racebend a corrupt white cop into a Black cop. If the writers want to tell a story about how the police force assimilates people of color into the system and forces them to be just as if not more brutal than their white counterparts, then by all means tell that story.

But that's not what CC gave us. By rarely acknowledging race, we don't get to have a conversation or themes surrounding that delicate intersection of identities. We just have "diverse Flass". Look at these panels from Year One for example, can you imagine how Flass' casual disrespect for Gordon by constantly calling him "Jimmy" could be re-contextualized with a race change? Unlike other characters who just feel like missed opportunities for not integrating race into their characterization, Flass is an elephant in the room. To not acknowledge his race in themes of police corruption and brutality is to white wash the narrative with diverse paint.

I personally think the stronger narrative decision would have been to racebend Bullock as Black instead of Flass. Flass could still be the conniving cop, but he encourages Black!Bullock to be the more "violent brute" who does the dirty work for him. It would put a newfound racial layer to how Flass considers Bullock disposable. Then we could have some kind of commentary on how the police force encourages a system of abuse that makes even fellow POC turn on each other. It'd also make it so a certain scene would be better in optics.

I have many criticisms for the scene where Batman holds a gun to Flass in the finale of CC. It's a narratively unmotivated (see my criticisms for CC's Two Face here for elaboration) and weak moment that relies on metatextual shock value to cover up how underdeveloped this take on Batman is. But it's also just very uncomfortable optics-wise. It's a common and valid criticism that Batman as a character can very easily fall into copaganda, with his status, goals, and collaboration with the police force. In many ways, Batman is often written to be committing his own kind of vigilante police brutality.

Caped Crusader wants to be a deconstruction of a Batman tied to power and hellbent on his mission to eliminate crime. But because CC occasionally omits race from its narrative, the scene where Batman holds a gun to a Black cop-a man stripped of his ability to fight back-just falls flat for me. There's no acknowledgement in this scene that Batman basically gets to be an anonymous cop, "warning shots" and all. Batman shoots at an unarmed Black man several times. It's meant to be shocking to us how Bruce is willing to stoop to such a level and indulge in gratuitous gun violence, but it honestly hits too close to real incidents where this is racially the case for me to enjoy the narrative point of this scene.

You know a character who would be perfect for calling out Batman's many privileges? Selina Kyle. Let's talk about Caped Crusader's biggest downgrade.

I've heard just about all the arguments in favor for CC's reimagining of Catwoman and none have convinced me that this was in any way a good take on the character. I see people saying that this Catwoman is a return to her golden age roots, and there's a lot of misconception surrounding that assumption. So bear with me as looking at Catwoman's history is necessary to discuss race and how a character evolves.

Catwoman debuted in the 1940s as a jewel thief who disguised herself as an old lady. She was just called "The Cat" and would not don her more feline appearance until later. True to the mystery woman femme fatale trope she was inspired by, her backstory was left unknown for a long time. 10 years later, in Batman #62 it is revealed that after a plane accident bonked her head, the now named Selina Kyle got amnesia and went on a crime spree. Giving her leeway to reform and be an ally to Batman. This would historically inform how Selina Kyle toed the line between good and evil as an anti-hero.

Her origin would be revisited in 1983, in the Brave and the Bold #197. Although not canon to the mainline universe, it is still a crucial development for her character's history. In this story, Selina reveals that she lied about having amnesia to get out of facing punishment. Her true story was that she entered a life of crime to escape an abusive relationship with a rich man. The only loss her husband understood was material loss, loss of property, so stealing was how Selina fought back.

This crucial re-examination of her character transformed her from shenanigans inducing femme fatale, to a marginalized fighter. Shortly later in 1987 in Batman Year One, Catwoman is reimagined as a street-hardened sex worker in poverty. She is inspired by the Batman to become a vigilante for her own goals and gets annoyed that she's assumed to be his sidekick.

The moment Catwoman became marginalized by power, was the point where she became worthy of solo-character status. She was not only a compelling foil to Batman-capable of going toe to toe with him and make him question his motives even though she did not share his privilege-she could lead her own adventures reflecting a side of Gotham Bruce Wayne's perspective doesn't. She actively makes the setting of Gotham stronger because of how she's evolved as a character.

Catwoman's character would continue to evolve, with some iterations reimagining her as a latina woman and others where she's canonically bisexual.

While Catwoman has been portrayed by Black actresses before, I want to focus on the most recent and prominent iteration of a race-swapped Catwoman. When Matt Reeves' The Batman (2022) featured Zoe Kravitz as Selina Kyle, an explicitly biracial character within the text of the story, we see another step this character evolves. I think La'Ron Readus' video on "Why Race-Swapped Characters Are Not The Full Story" does a fantastic job of explaining why this is a narratively great race swap. To summarize (though I do encourage watching his video as he goes into depth about 2022 Batman's Jim Gordon as well among many other examples) and add analysis of my own: Selina being the byproduct of an Italian crime lord and a Black sex worker is a brilliant marriage of her original backstory (being connected to and abused by powerful men) and her modern backstory where she's poverty stricken (and tangentially related to a sex worker if we're talking about Batman Year One).

We understand why someone of her background would have an affinity for stray cats because of how she lost her mom at a young age, she is sympathetic to fellow people from the lower class, and explicitly calls out privileged white people- including Batman who attempted to over moralize Selina's partner as a sex worker.

"All anyone cares about in this place, are these white privileged assholes."

It's especially that last line that makes it so Selina's character isn't interchangeable with her white counterpart. She's a textually rich character to contrast Bruce in Batman 2022, and we can see how years of history and evolution has brought such an empathetic character to the screen. Interestingly, Readus feels that while 2022 Selina was an example of a race-swap that works, he believes it was great by coincidence, because of the miss that was Gordon's characterization in the same movie. I think with Reeves as a collaborator on Caped Crusader, that assumption was correct.

Selina in CC is back to being a rich socialite, but (unlike her Golden Age counterpart) she's not married into wealth- she's got generational wealth (with a dad serving jail time for tax evasion). Worse yet, she's taking what little remains of her money and spending it on superficially imitating the Batman to create her Catwoman persona. She even has her own reluctant Alfred, a Catmobile, the works. Selina steals things because. She likes shiny things. And is something of a kleptomaniac. Catwoman is instantly discovered to be Selina because of course she's not as good as Batman is with keeping a secret identity (another key difference from her Golden Age counterpart, whose backstory was shrouded in mystery for a decade).

It is laughable to me that CC touts that their version of Harley Quinn has an origin of her own outside of the Joker, only to turn around and make a Catwoman that is completely tied to copying a man as her origin (did they decide Harley's goofyness as a character needed to be replicated in Selina for some reason? In their supposed dark and edgy show?). What a strange choice to fixate on the part in Year One where Selina didn't like being mistaken for Batman's assistant despite being inspired by him and turn it into a quirky bit. It feels like such a regressive take that frames Selina as a sillier, whimsical version of Bruce that just spends money on a whim because women just aren't smart enough to know how to keep track of their money. They're too busy looking for shiny things to steal. The fact that both 2022 Batman and CC have a scene where Selina is looking through her many bills she's yet to pay is wild to me. How am I supposed to care for a Selina that has the expendable wealth to create a Catwoman costume, car, and gadgets, but delay paying her maid? One of these versions of Selina is far more sympathetic than the other.

Again, I get what CC is going for. Batman is characterized to be hellbent on catching criminals, Catwoman is supposed to serve as some kind of reflection of his obsession. They're both self destructive in their goals, but one is vengeance and the other is chasing thrills. But is that really as interesting a foil as having Catwoman be marginalized, just as skilled, and making Batman second guess himself? Is it a take that strengthens Gotham as a setting by shedding light on its lower class characters? Is it a take that makes her worth revisiting as a perpetual rogue and not a one off episode where's she's basically a shenanigans-inducing nuisance to Batman? Evolved takes on Catwoman have talked about her desire to seek thrills and paired it with how she dismantles power. So it's not like CC's take is particularly unique, it just lacks all the depth that usually surrounds Selina's thrill seeking.

In a show that is frankly desperate to make it so Bruce doesn't have a personal relationship to his rogues gallery because he's too busy being "A cold, remorseless avenger of evil, seemingly more machine than man. Forged in the fire of tragedy, every fiber of his being is dedicated to the eradication of crime." (according to promo) that's how we end up with Barbara as the foil and humanity to both Harvey Dent and Harley Quinn. How the show focuses on the police force more than Bruce. It feels especially pointed that Catwoman is characterized this way. When she doesn't contrast Bruce, she becomes less personal to him as a character that is poverty stricken but still matches up to him in skill. She can't challenge him or his worldview, he can't find her fascinating as an equal, all of their chemistry and intrigue is erased.

All this to say that of the characters revealed for CC, I was honestly surprised that Selina wasn't one of the many characters racebent. CC followed up on a Black Jim and Barbara Gordon, two characters that have been race swapped before in previous media. Most prominently! Harley is Asian in this iteration, something never done before. So why is it that Selina doesn't follow up on the many times she's been portrayed by Black actresses?

It's because it's an actual good racebend if written well. It wouldn't be a "safe" racebend because writing Selina this way means you'd have to acknowledge racism, and it would be much more noticeable if you didn't. There is no canonized version of Asian Lois Lane that parallels her relationship to Superman as an immigrant. But there is a version of Selina as a Black woman who directly calls out white people and is aware of systemic power. It's in something as prominent and mainstream as Matt Reeves' 2022 Batman. So instead it just reads as cowardice to me that CC couldn't follow up on this evolution of Selina.

Not only does it weaken Catwoman and Batman's relationship to regress Selina this way, but it actively weakens Gotham as a setting and the very themes of Caped Crusader. I personally think all the energy that went into Harley Quinn should have been shared with (or straight up gone to) Selina Kyle. Because unlike CC's take on Harley, the way Selina Kyle's marginalization intersects with race and queerness would have actually critiqued Gotham's class corruption effectively. As a Black queer woman, Selina would be among the most vulnerable people in Gotham. We don't have prominent characters in CC that truly reflect the lower class, there are these unnamed characters Harvey Dent sits next to on a train. There are some orphans with Batfam names. A proper Catwoman reimagining that takes advantage of her evolution would have filled this gap in their narrative.

But that's not how "safe diversity" works. CC would rather racebend and canonize the queerness of a character like their take on Harley Quinn. A WOC who gets to kiss a cop and call out powerful men, but not in a way that makes white people uncomfortable.

If I could edit the Sandman quote that "The great stories will always return to their original forms" for Superheroes, I'd say "The great stories will always return to their most resonant forms" because without iterations we don't get characters like the Kents, Alfred or Catwoman as we know her today. Classics are good to look to, but we like these characters because they evolve. In my opinion, none of CC's takes on these characters of color feel resonant. They're not definitive to the level of Mister Freeze's tragic love story in BTAS, among many standout narrative choices in BTAS that continue across media iterations.

In my opinion, CC isn't as thoroughly clumsy as MAWS is in regards to POC representation and race-swaps (all characters of color in MAWS get put in the left side of that chart I made. In the Sunken Place. Where they all Missed The Movement). However, I can't help but see Caped Crusader's take on the world of Gotham as nothing more than an anecdote in the evolution of Batman's story for the modern era. "It's BTAS but superficially more diverse and with less compelling narrative choices."

[thatnarcissisticfeel]

I think that a lot of people without NPD have a really poor understanding of "narc supply" or the specific type of positive attention that pwNPD crave. Even the egotypicals who are allies, the ones denounce narc abuse and anti-NPD ableism, don't fully grasp it.

There's this false idea that NPDs like to be worshipped and showered with compliments all of the time, and I mean, yeah, most of us would eat that shit up, but I know that for myself and a lot of other pwNPD it's deeper and much more, I guess, personal?

I don't really know how to describe it, so I'll give an example: As a kid, no one really paid attention to my creative endeavors, my accomplishments, my feelings, etc. And if they DID pay attention, the attention was negative. I could always do better, I could always be smarter, stronger, etc. This came from peers and adults alike. So I developed a coping mechanism where I would tell myself that everyone else was wrong, that I'm actually the best person around, etc. I don't have to explain what disorder I ended up with as an adult as a result of all of that. :P

But anyway - the wound of constantly being ignored at best and insulted at worst is still there. You know how when you're in a group chat or a conversation with multiple people and no one ever pays attention to your comments, while paying attention to everyone else? Yeah, that shit hurts EVERYONE, but especially pwNPD. Even the smallest acknowledgment can be "narc supply."

You know how when you achieve something really cool and everyone ignores you - but the people who ignore you will be quick to praise OTHER people?

You know how when you post art/edits online and everyone ignores you - but the people who ignore you compliment someone else's post in the exact same thread?

You know how when you ask your friend to read your favorite book or listen to your favorite artist or whatever because of how much it means to you, and they never do it, but then they read/listen to everyone else's favorite thing at everyone else's recommendation, and how much it pisses you off? (Hurts even more if you have the SAME favorite book/artist and someone reads/listens to it at the other person's recommendation and not at yours.)

Yeah, yeah, yeah, I could go on and on. That shit would bother anyone, us narcissists aren't alone in being hurt by that, but my G-d, it impacts pwNPD in such a specific way.

But let me flip it around to the positive!

A narcissist doesn't necessarily get their "supply" from someone telling them that they're the coolest person in the world and that they're a god. (Though if you do want to say that to us we probably won't complain!) Sometimes they get their "supply" from something as simple as someone acknowledging their achievements, and giving specific praise on what the achievement was. ("It's so cool that you won a prize in the music recital. The song you played sounds like it was really difficult and I loved your stage presence.")

Being told, "Wow, you did such a great job on your artwork, I love the colors!" goes a very very long way for a narc, especially when said narc is used to being IGNORED for their art.

Hearing, "it's so cool that you like that book, I'll have to read it and tell you my thoughts!" can help a narcissist's interests feel acknowledged.

You might be reading this and thinking, "well, isn't it just basic human interaction to compliment your friends or try out their interests"? And, well, maybe it is, but the whole point of NPD is that most of us grew up without receiving that type of attention, so now we're very very desperate for it - and very, very, VERY sensitive to when it doesn't happen, or is even perceived to not have happened. Something as small as being talked over in a group chat can set us off, but something as small as a simple, "hey, it's so cool that you did this, I love it." can win us over.

And to be completely fair, most of the time us being "ignored" isn't completely intentional. Like, I get it, yeah, sometimes timing just doesn't work out for person A to read my favorite book at my own rec, but by the time person B is in their life, person A can read it, and it's not anything personal. Sometimes the content I make just isn't someone's ~style~ and they support me, they really do, they just don't know what to say. Sometimes someone forgets to respond, or doesn't get a notification when I send them something I made or tell them about something I did. (There is less excuse for being ignored in face-to-face/offline convos though.) But because of the trauma of us constantly being ignored as kids/teens, the smallest little thing hurts and as a result we seek and crave attention EVERYWHERE.

So now, to give in to narc stereotypes of begging for attention: If you're a person without NPD and you genuinely want to help the narcissists you have in your life, the second best thing you can do for us is checking in to make sure we're not overlooked. Try to be sure you're not ignoring us, and if we do something cool, try to compliment it, even if it's something you don't fully "understand." Ask us about what we've been up to lately, what we're proud of about ourselves, and agree with us that what we've done is pretty cool. I mean, you'd do that for any friend, right? It's really not all outlandish for a narc to want that.

(If you're curious what the FIRST best thing you can do for a narcissist is, it's giving us a million dollars unlearning your anti-NPD ableism and calling people out who use narcissist as an insult as a synonym for abuser. Even in "offline" spaces, even when we're not around, even doctors/therapists. Even "narc" abuse survivors.)

[mesetacadre]

one thing that eventually strikes you after not a lot of time exposed to them is the sheer shallowness of most liberals' reasoning. Usamerican democrats are not the only kind of liberal of course, but their incessant presence means this post is mostly based on them. Liberalism in itself isn't necessarily shallow, even if idealism is, IMO, a very limiting framework. But it is overwhelming how simplistic and even childish these people can get.

It's less that they argue with what you say but rather throw a series of phrases and simple ideas that sound related to what you said. It's uncountable the amount of times liberals' reply to posts of mine talking about electoralism and the marxist position on it (which is more nuanced than "don't vote") just boil down to "but trump", even though most times I'm not even talking about the US, or "well what else do you propose doing" and then ignore the many times I've talked about that, sometimes in the very same post they're replying to. And there is no depth here, there is no substance to take apart in the first place. What I'd consider a respectable liberal explanation on voting; civicism, the idea of representative democracy, how you have to make yourself heard, etc, do actually have some substance and an ideological background. But there is none in this case, none whatsoever. Lesser-evilism is probably the most complicated idea the common USamerican democrat will defend, but that framework only makes sense in actual dichotomies without any alternative choices, which electoralism never is. That's why they like the trolley problem so much, as well. It's an illusion of depth that falls apart as soon as it's constrated with reality.

Let's take another example, liberal opposition to revolutions. The developed liberal opposition to them goes along the lines of the violation of private property and an outright rejection of a class-based analysis of society, of course this argumentative line will vary depending on who's talking. But the vast, vast majority of usamerican democrat liberals who even engage with revolutionary ideas in the first place will not go there and instead, never thinking outside the context of the US of course, will argue nonsense and essentially just call you bloodthirsty, and parrot truisms like "at the end of the day, it will be the common people and/or minorities who suffer the most".

There are no traces of actually engaging with what the other person says, they have lodged themselves in the narrowest worldview possible and will not even let their gaze stray from it, let alone venture out of it. No intellectual curiosity, no willingness to think about other contexts than the US post-2016 and maybe Reagan's years. I can't decide if this attitude is more pathetic or pitiful. Not even expecting them to agree with me, that's their prerogative. There seems to be just no desire to ever change an opinion

[ginnyluna]

I've been thinking about Reyna lately. Specifically, about her romantic interests. Like, how she was supposedly in love with Jason before the swap, but did nothing when he disappeared, and then developped a crush on Percy in like three days. I know i'm not the only one thinking it's a bit weird and out of character for her, and i had a thought on that.

Headcanon alert: Maybe becoming Praetor isn't just about leading the legion. Why are there always two praetors, a boy and a girl? What if New Rome expects their praetors to get together, after their service? You gotta understand, yes there are many citizens in New Rome, but the thing is, there are very few actual demigods, those people are almost all legacies, several generations after an actual demigod, and almost none of them have any real power anymore. Maybe New Rome needs to insure they keep having powerful warriors to fufill their leadership positions. What better way to insure that than artificially putting two of their most powerful warriors together?

It's not necessarily obvious, more like an unwritten rule, but when two praetors are chosen, they know it comes with expectations. Praetors are good at meeting expectations, after all. And New Rome's senators are there to remind them of those expectations. To make things easier, when picking their next two praetors, sometimes, the Senate chooses two teens who are already a couple, if both are powerful enough. Sometimes, they may pass over a potential praetor if they explicitly refuse to be a part of this kind of engagement, or if their parents want to protect them from that. And sometimes, the Senate picks two powerful orphans, one who spent his entire life following the rules and trying to meet expectations, and one who just lost her family and would do anything to belong to a new one - bonus points if one is an extremely rare son of Jupiter, they'll definitly want to insure that this specific genetic will be passed on to the next generation.

So. I don't think Reyna was ever in love with either Jason or Percy (at least, to me, it really didnt' feel like it when reading her pov chapters). I think maybe she was just expected to be, so of course she tried to be. Reyna has always been a rule-follower, after all, she always does what is expected of her, she understands the hierarchy's needs. And maybe she longs for a family of her own, too, and Jason is a really good guy, it would be a really good match, so if that's what the legion expects of her, why not go for it.

Edit: more under the cut

Also, it would kinda explain Reyna's reactions, i think? Even though she's not in love with Jason, she still likes him, they're friends, and they have both unexplicitly agreed to this match when they accepted the role of praetors. So when Venus tells her that Jason will never end up with her, Reyna just... doesn't get it? Why wouldn't they end up together, that's part of the deal, right? Why would Jason change his mind? Reyna probably already knows he's not in love with her like she's not in love with him, but that's never been a problem for her, and it wasn't gonna be a problem for him either when he took the praetor badge, so what changed? Does he actually dislikes her that much?

So yeah, she's a bit hurt by that. She thought they had an agreement (unspoken, prehaps, but still, for her it was quite clear).

But then Jason vanishes. No one really knows what to do, they don't even know what happened, did he leave? was he kidnapped? is he dead? Of course Reyna is worried, he was her friend, but she has an entire camp to run, all by herself now. She also thinks, that's what Venus meant after all, doesn't matter if he's dead or if he left willingly, he'll never be a part of her family, the family she's been longing for. Reyna probably thinks she's cursed to be alone now, the forever-alone single praetor, what a depressing thought. But then comes Percy.

Percy is powerful. He's another very rare demigod. He's brave, strong-willed, a natural leader - all important qualities for a potential praetor. So when he succeeds his quest, brings back the golden eagle and saves Camp Jupiter, of course he is chosen to replace Jason. Reyna thinks, is this her second chance? Percy is also handsome, funny and kind, he would be just as good match as Jason.

But when Percy agrees to become praetor, he has absolutly no idea what expectations comes with it - it's not like anyone ever takes time to explain, everybody just usually knows about it, it's tradition and what not. So when he tells Reyna he already has a girlfriend, of course she's disappointed, her hopes for family and a sense of belonging are shattered, again.

My point is, what Reyna had for Jason and Percy, it was never about love. It was mostly about rationalizing New Rome's expectations, and a little about wanting to belong, to be a part of a family of her own.

[skaruresonic]

The common rebuttal to "this reads like fanfic (derogatory)" is "read better fanfic," which is true in certain cases, but on the other hand, there is some grain of truth to the idea that you can tell when someone's primary mode of literary analysis is fanfic instead of... well... literally anything else. It's okay to like or even prefer fanfic, but if you want to take your craft seriously you also need to read books, dude. Published books will teach you a lot of stuff fanfic doesn't, like proper dialogue formatting and how to introduce your reader to unfamiliar characters. Even the crappiest book (well, if it's not After or 50 Shades, which started off as fanfic to begin with lol) will have been subjected to some sort of editing process to ensure at least the appearance of proper grammar. That's not a guarantee with your average fanfic, and hence why you can't always take all your writing cues from fanfic because it's "so much better" than commercially published original fiction or whatever. Frankly, fic writers tend to peddle some absolutist and downright bad takes sometimes. "Said is dead" is a terrible rule, though not because said is invisible and a perfectly serviceable tag; that's just part of it. Dialogue tags are a garnish, not a main dish that can be swapped out for more ostentatious words. If your characters murmur and mutter instead of simply saying stuff, your readers are going to wonder why nobody speaks up. "'I'm explaining some very plot-important shit right now lol,' she elaborated," likewise, is a form of telling. Instead of letting the reader extrapolate that "she elaborated" via the contents of the dialogue itself, you're telling them what to think about it. And that's why it's distracting: your authorial hand is showing. Writing is an act of camouflage. You, as the writer, need to make your presence as invisible as possible so as to not intrude on the reader's suspension of disbelief. That's the driving reason behind "show, don't tell." And overall, everyone could stand to cut down on the frequency of their dialogue tags anyway. Not every exchange needs "he said" or "she whispered" attached as long as you establish who is doing the talking before the exchange. Some people will complain of confusion if you go on for too long without a dialogue tag, and that definitely is a risk, but at some point you also need to resist the temptation of holding the reader's hand. If they can't follow a conversation between two people, chances are they weren't meeting you halfway and paying that much attention in the first place. In fact, you don't even necessarily need action beats in between every piece of dialogue, as Tumblr writing advice posts will often suggest as a fix. Pruning things often cleans them up just fine.

Another fanfic-influenced trend in writing is, I guess, beige prose? A heavy focus on internal narration with lots of telling. It's not a style I can concretely describe, but every time I click on a non-mutual's writing, I feel like it always has, like. This "samey" voice to it. There's no real attempt to experiment and use unique or provocative language, or even imagery half the time. It's almost a dry recital of narration that doesn't leave much room for subtext. I see this style most often in fanfic where you can meander and wax poetic about how the characters feel without ever really getting around to the plot. And it's like. DO something.

Other tells that the author is taking their cues from fanfic mores rather than books: >>too much minute description of eyes, especially their color and their movement >>doesn't leave much room for subtext (has a character speak their every thought aloud instead of letting the reader infer what they're thinking via action or implication) >>too much stage action ("X looked at Y. Y moved to push their seat in. X took a deep breath and stepped toward Y with a determined look on his face. 'We need to talk,' he said.") >>tells instead of shows, even when the example is about showing instead of telling ("he clenched his teeth in agony" instead of just "he clenched his teeth") >>has improper dialogue tag formatting, especially with putting full stops where there should be commas ("'Lol and lmao.' she said" instead of "'Lol and lmao,' she said." This one drives me up a wall) >>uses too many dialogue tags >>"em dashes, semi-colons and commas, my beloved" - I get the appeal but full stops are your friends. Too much alternate punctuation makes your writing seem stilted and choppy. >>"he's all tousled brown hair and hard muscle" and "she's all smiles and long legs." This turn of phrase is so cliche, it drives me up a wall. Find less trite ways of describing your characters pls. >>"X released a breath he didn't know he'd been holding" >>every fucking Hot Guy ever is described as lean and sinewy >>sobbing. why is everyone sobbing. some restraint, pls >>Tumblr in general tends to think a truism counts as good writing if you make the most melodramatic statement possible (bonus: if it's written in a faux-archaic way), garnish it with a hint of egotism, and toss in allusions to the Christian God, afterlife, or death. ("I will stare God in the face and walk backwards into hell," "What is a god to a nonbeliever?") It's indicative of emotional immaturity imo, that every emotional truth need be expressed That Intensely in order to resonate with people. >>pushes the "Oh." moment as the pinnacle of Romantic Epiphany >>Therapy Speak dialogue. why is this emotionally constipated forty-something man who drinks himself stupid every morning to escape gruesome war memories speaking about his trauma like a clinical psychologist >>"this well-established kuudere should Show More Emoshun. I want him to break down crying on his love interest's shoulder from all his repressed trauma" - I am begging u. stop >>"why don't the characters just talk to each other?" "why can't we have healthy relationships?" I don't know, maybe because fiction is not supposed to be a model for reality and perfect communication makes for boring drama?

>>improperly using actions as dialogue tags ("'Looks like we're going hunting,' he grinned") >>why is everyone muttering and murmuring. speak up >>too many adverbs, especially "weakly" and "shakily." use stronger verbs. ("trembled" instead of "shook weakly") >>too many epithets ("the younger man" or "the brunette detective") >>too many filter words ("he felt," "she thought," "I remembered")

>>no, Tumblr, first-person POV is not the devil; you're just using way too many filter words (see above) and not enough sentence variation to make it flow well enough. First-person POV is an actually pretty good POV (not just for unreliable and self-aware narrators) if you know what you're doing and a lot of fun crafting an engaging character voice. Tumblr's hatred of first-person baffles me, and all I can think is you would only hate it if your only frame of reference was, like, My Immortal. Have you tried reading A Book? First-person POV is just another tool in your toolbox, and like all tools, it can be used properly or improperly. But it's not inherently a marker of bad writing. The disdain surrounding it strikes me as about as sensical as making fun of the concept of characters. Oh, your work has characters in it? Ew, I automatically click off a fic if it has characters in it. like what.

[jennamoran]

The Far Roofs: Systems

Hi!

Today I’m going to talk a little bit more about my forthcoming RPG, the Far Roofs. More specifically, I want to give a general overview of its game mechanics!

So the idea that first started the Far Roofs on the road to being its own game came out of me thinking a lot about what large projects feel like.

I was in one of those moods where I felt like the important thing in an RPG system was the parallel between that system and real-world experience. Where I felt like the key to art was always thinking about the end goal, or at least a local goal, as one did the work; and, the key to design was symmetry between the goals and methods, the means and ends.

I don't always feel that way, but it's how I work when I'm feeling both ambitious and technical.

So what I wanted to do was come up with an RPG mechanic that was really like the thing it was simulating:

Finding answers. Solving problems. Doing big things.

And it struck me that what that felt like, really, was a bit like ...

You get pieces over time. You wiggle them around. You try to fit them together. Sometimes, they fit together into larger pieces and then eventually a whole. Sometimes you just collect them and wiggle them around until suddenly there's an insight, an oh!, and you now know everything works.

The ideal thing to do here would probably be having a bag of widgets that can fit together in different ways---not as universally as Legos or whatever, but, like, gears and connectors and springs and motors and whatever. If I were going to be building a computer game I would probably think along those lines, anyway. You'd go to your screen of bits and bobs and move them around with your mouse until it hooked together into something that you liked.

... that's not really feasible for a tabletop RPG, though, at least, not with my typical financial resources. I could probably swing making that kind of thing, finding a 3d printing or woodworking partner or something to make the pieces, for the final kickstarter, but I don't have the resources to make a bunch of different physical object sets over time while I'm playtesting.

So the way I decided that I could implement this was by drawing letter tiles.

That I could do a system where you'd draw letter tiles ... not constantly, not specifically when you were working, but over time; in the moments, most of all, that could give you insight or progress.

Then, at some point, you'd have enough of them.

You'd see a word.

That word'd be your answer.

... not necessarily the word itself, but, like, what the word means to you and what the answer means to you, those would be the same.

The word would be a symbol for the answer that you've found, as a player and a character.

(The leftover letters would then stick around in your hand, bits of thought and experience that didn't directly lead to a solution there, but might help with something else later on.)

Anyway, I figured that this basic idea was feasible because, like, lots of people own Scrabble sets. Even if you don't, they're easier to find than sets of dice!

For a short indie game focused on just that this would probably have been enough of a mechanic all on its own. For a large release, though, the game needed more.

After thinking about it I decided that what it wanted was two more core resolution systems:

One, for stuff like, say ... kickstarter results ... where you're more interested in "how well did this do?" or "how good of an answer is this?" than in whether those results better fit AXLOTL or TEXTUAL. For this, I added cards, which you draw like letter tiles and combine into poker hands. A face card is probably enough for a baseline success, a pair of Kings would make the results rather exciting, and a royal flush result would smash records.

The other core system was for like ... everyday stuff. For starting a campfire or jumping a gap. That, by established RPG tradition, would use dice.

...

I guess technically it didn't have to; I mean, like, most of my games have been diceless, and in fact we've gotten to a point in the hobby where that's just "sort of unusual" instead of actually rare.

But, like, I like dice. I do. If I don't use them often, it's because I don't like the empty page of where to start in the first place building a bespoke diced system when I have so many good diceless systems right there.

... this time, though, I decided to just go for it.

--

The Dice System

So a long, long time ago I was working on a game called the Weapons of the Gods RPG. Eos Press had brought me in to do the setting, and somewhere in the middle of that endeavor, the game lost its system.

I only ever heard Eos' side of this, and these days I tend to take Eos' claims with a grain of salt ... but, my best guess is that all this stuff did happen, just, with a little more context that I don't and might not ever know?

Anyway, as best as I remember, the first writer they had doing their system quit midway through development. So they brought in a newer team to do the system, and halfway through that the team decided they'd have more fun using the system for their own game, and instead wrote up a quick alternate system for Weapons of the Gods to use.

This would have been fine if the alternate system were any good, but it was ... pretty obviously a quick kludge. It was ...

I think the best word for it would be "bad."

I don't even like the system they took away to be their own game, but at least I could believe that it was constructed with love. It was janky but like in a heartfelt way.

The replacement system was more the kind of thing where if you stepped in it you'd need a new pair of shoes.

It upset me.

It upset me, and so, full wroth, I decided to write a system to use for the game.

Now, I'd never done a diced system before at that point. My only solo game had been Nobilis. So I took a bunch of dice and started rolling them, to see ... like ... what the most fun way of reading them was.

Where I landed, ultimately, was looking for matches.

The core system for Weapons of the Gods was basically, roll some number of d10s, and if you got 3 4s, that was a 34. If you got 2 9s, that was a 29. If your best die was a 7 and you had no pairs at all, you got 1 7. 17.

It didn't have any really amazing statistical properties, but the act of rolling was fun. It was rhythmic, you know, you'd see 3 4s and putting them together into 34 was a tiny tiny dopamine shot at the cost of basically zero brain effort. It was pattern recognition, which the brain tends to enjoy.

I mean, obviously, it would pall in a few minutes if you just sat there rolling the dice for no reason ... but, as far as dice rolling goes, it was fun.

So when I went to do an optional diced system for the Chuubo's Marvelous Wish-Granting Engine RPG, years later, to post here on tumblr ... I already knew what would make that roll fun. That is, rolling a handful of dice and looking for matches.

What about making it even more fun?

... well, critical results are fun, so what about adding them and aiming to have a lot of them, though still like rare enough to surprise?

It made sense to me to call no matches at all a critical failure, and a triple a critical success. So I started fiddling with dice pool size to get the numbers where I wanted them.

I'm reconstructing a bit at this point, but I imagine that I hit 6d10 and was like: "these are roughly the right odds, but this is one too many dice to look at quickly on the table, and I don't like that critical failure would be a bit more common than crit success."

So after some wrestling with things I wound up with a dice pool of 5d6, which is the dice pool I'm still using today.

If you roll 5d6, you'll probably get a pair. But now and then, you'll get a triple (or more!) My combinatorics is rusty, so I might have missed a case, but, like ... 17% of the time, triples, quadruples, or quintuples? And around 9% chance, for no matches at all?

I think I was probably looking for 15% and 10%, that those were likely my optimum, but ... well, 5d6 comes pretty close. Roughly 25% total was about as far as I thought I could push critical results while still having them feel kind or rare. Like ...

If I'm rolling a d20 in a D&D-like system, and if I'm going to succeed on an 18+, that's around when success is exciting, right? Maybe 17+, though that's pushing it? So we want to fall in the 15-20% range for a "special good roll." And people have been playing for a very long time now with the 5% chance of a "1" as a "special bad roll," and that seemed fine, so, like, 20-25% chance total is good.

And like ...

People talk a lot about Rolemaster crit fail tables in my vicinity, and complain about the whiff fests you see in some games where you keep rolling and rolling and nothing good or bad actually happens, and so I was naturally drawn to pushing crit failure odds a bit higher than you see in a d20-type game.

Now, one way people in indie circles tend to address "whiff fests" is by rethinking the whole dice-rolling ... paradigm ... so you never whiff; setting things up, in short, so that every roll means something, and every success and failure mean something too.

It's a leaner, richer way of doing things than you see in, say, D&D.

... I just didn't feel like it, here, because the whole point of things was to make dice rolling fun. I wanted people coming out of traditional games to be able to just pick up the dice and say "I'm rolling for this!" because the roll would be fun. Because consulting the dice oracle here, would be fun.

So in the end, that was the heart of it:

A 5d6 roll, focusing on the ease of counting matches and the high but not exorbitant frequency of special results.

But at the same time ...

I'm indie enough that I do really like rolls where, you know, every outcome is meaningful. Where you roll, and there's never a "whiff," just a set of possible meaningful outcomes.

A lot of the time, where I'm leaning into "rolls are fun, go ahead and roll," what it means to succeed, to fail, to crit, all that's up to the group, and sometimes it'll be unsatisfying. Other times, you'll crit succeed or crit fail and the GM will give you basically the exact same result as you'd have gotten on a regular success or failure, just, you know, jazzing up the description a bit with more narrative weight.

But I did manage to pull out about a third of the rolls you'll wind up actually making and assign strong mechanical and narrative weight to each outcome. Where what you were doing was well enough defined in the system that I could add some real meat to those crits, and even regular success and regular failure.

... though that's a story, I think, to be told some other time. ^_^