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#excited for season 2!!!
beansprean · 1 year
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Do you like good omens? I can imagine some Amazign interactions with Crowley and lazlo
i love good omens!!! i have surprisingly never really drawn them (one of those shows that gives me everything i want, so i feel less of a need to supplement) but that could def change if my brain decides to latch on! DEF feel free to send me your imaginings heheheehehe
crowley and laszlo would get along FAMOUSLY i feel - irreverent fancy lads who love to talk! aziraphale would enjoy his stories as well, though i think they would both be scandalized by his Tales of the Flesh lmao
surprisingly i think nadja and az would get along fairly well when steering clear of sex and violence talk lol - i can see him mentioning some historical event offhand, her struggling to repeat a word in response, and then him launching into a detailed story that has her RIVETED only to realize by the end that oh! she was actually nearby there at the time, she remembers! and they both laugh it up and bond enough that she can convince him to watch mamma mia 2: here we go again!
aziraphale would very much like guillermo when he is in familiar mode and feel he is a kindred spirit but guillermo would be so annoyed by him internally. feigned politeness and pained smiles and condescending stares that go right over az's head. crowley would think he is boring af until he does something unhinged and then he's delighted by him (az is horrified and scrambling for an excuse to cancel their teatime plans)
they would both find nandor exhausting. but he's also the only one of the vamps who remembers the byzantine empire, so.
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applestruda · 8 months
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THEYRE HERE
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ato-dato · 1 year
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I wish gay people were real :(
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aurabora · 6 months
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i’m being so serious rn if assad zaman isn’t rawdogging eric bogosian on my tv screen in s2 i am going to raise anne rice from the grave and telling her that AMC is writing fanfiction and she needs to sue them
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maiaczy · 5 days
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Sometimes taking a leap forward means leaving a few things behind.
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bowtiepastabitch · 2 months
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So because I'm normal and well adjusted I was scrolling Michael's media tab on twitter just enjoying how pretty he is and....
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....no nightingales
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I am distraught. The omens. They were not fucking good.
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fuzziiwuzzii · 3 months
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⚠️blood⚠️
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HAVE YOU HEARD OF DANIEL MOLLOY?
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fuckyeahgoodomens · 10 months
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David Tennant playing an ancient otherworldly being who's incredibly excited about something space related - 2023 Edition :)
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forrpercyy · 2 months
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drew this so fast in honor of the season 2 teaser IM SO EXCITED FOR S2!!!
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minjimunji · 3 days
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Welcome home thalia grace
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The Endless siblings and Dream being the stylish bitch he is:
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Meanwhile his consort:
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Okay, so!!!! This post will have spoilers for the very end of Good Omens season 2, but I have a theory about that ending and I'll explain--
Something was bothering me, so I just went back and watched the ending like actually 30 times and I am fully 99.999999% certain they switched places
As they're pulling away after the kiss, they lock eyes and Aziraphale's expression shifts in the teeniest tiniest way, like a confirmation glance, before they shift back (and Michael Sheen is a master, so no chance it's not on purpose)
(Like really, go back and watch how Aziraphale's expression shifts literally *a second* before "I forgive you" cuz the change is SO minute, but entirely different emotionally.)
Aziraphale's hands -stay by his sides- after that, he doesn't clasp them at all, and it's particularly noticeable while he's walking to the elevator with Metatron.
The Bentley only ever plays other music for Aziraphale, but also Crowley drives away slowly, but ALSO Crowley's collar is fully turned down but you -can- see bits of the red underside in several scenes (particularly before he changes in heaven), but you don't see it -at all- after the kiss
And Aziraphale's face IS weird in the elevator like everyone says, BUT. after going back and watching both, I'm pretty darn sure that's cuz it's Michael Sheen's Crowley, it's the SAME as during Aziraphale's trial in season 1.
This also explains why they're on opposite sides than they're usually shown while the end credits roll.
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onlymywishfulthinking · 8 months
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"I wanted to forget him, and yet it seemed I thought of him always." Anne Rice's Interview with the Vampire s2 - May 12th on AMC/AMC+
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ato-dato · 1 year
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Good omens 2: divorce time
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hipsterfrankcastle · 6 months
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logging onto tumblr dot com to see what the freaks have to say about the ghoul in fallout
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darksvster · 2 months
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okay i was asked to post this on tumblr since i posted a mini essay about it on twitter so here it is, i added some more examples and elaborated on my points that i couldn't over twitter.
so, when i first watched episode 207 i thought it was weird how religious rhaenyra was, until ryan condal mentioned the cult imagery. now i think instead of the show making her paranoid and neurotic in the final arc, they're going to make her more of a cult leader figure.
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i think rather than leaning into her paranoia and the idea of a "hysterical paranoid mother" after she loses her sons, they're going to have her drink her own kool-aid more and more. it's interesting that this is what emma and ryan discuss in this scene with the dragonseeds in the inside the episode.
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i think it's interesting that instead of the show positioning her like "a leader amongst the smallfolk," this episode positions her in a darker light, like someone who is manipulating the people there for her own goals. and when vermithor turns on the bastards, she doesn't let them run, the guards keep them barricaded in.
she is literally enraptured by the fire in these scenes. now that she knows it's possible for others to claim the dragons, she has been vindicated and wants more. this is not a merciful queen who is reaching out a hand to the smallfolk, she's throwing stuff at the wall and seeing what sticks. after all, these are just smallfolk. bastards with no honor. ryan literally describes the scene as a ritual sacrifice.
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and who do you conduct sacrifice for? the gods. but in this case, the gods the seven or the old gods, they aren't even just dragons, but the fact that rhaenyra sees herself in the dragons. she says as much in the literal pilot of the episode when viserys asks her what she sees when she looks at the dragons. she understands the power they wield.
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she knows that their power lies in the dragons. but she doesn't reflect viserys' belief that they are a power that man never shouldn't have trifled with. she leans into the chaos and fire and blood of the dragons, we see that in the sowing, clearly.
rhaenyra inherited the worst of both viserys and daemon and that will lead to her madness. she's got viserys' strong belief in prophecy (one now exacerbated by her desperation).
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we see that faith in the prophecy falter but never truly fade. rhaenyra has always taken is seriously, to the point that everything she's done this season is in response to the prophecy. her pacifism isn't just due to avoiding bloodshed. she makes it clear to jace that before plunging the realm into war she had to know there was no other option because of the burden of the prophecy.
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even though daemon has never believed in prophecy or superstition. she's also got daemon's desire and lust for power and strength (something she confessed wanting specifically because daemon is a man when she was speaking to mysaria).
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it's a great deconstruction of the chosen one archetype to have her drink this koolaid and believe herself the chosen one only to have that belief corrupt her. emma d'arcy speaks on this in their interview with gq when discussing rhaenyra's growing fanaticism.
I think something that has been happening for Rhaenyra throughout the series is a growing religious fanaticism. After her father’s death, there is this desire to be connected to him in some way. And losing him happens at the same moment as having her throne usurped. And so that thing that would have been such a direct connection to him is also stolen. So in lieu of that, there’s that searching [through] the histories. I think imagining that at some point her name will feature next to her father’s is in some way comforting, and I find it very moving to see a person who in grief has committed themselves to the history books. As the series goes on, I think we see her more and more invested in her faith. She returns to the old gods. I think all of these actions are in search of her right; the thing that she thought she had received from her father, she is looking for evidence again and again. And part of it, I’m sure, is a choice. I think sometimes in times of loss, we can choose the anchors that we are going to cling to, and her faith becomes one. But I think there’s a narcissism in it. I think her connection with her religion is about wanting to reinforce a divine right. And I think, looking at [episode] seven when this miracle takes place, and this man claims Seasmoke, I think she feels that it’s a gift from the gods. I think it’s what allows her to ride roughshod over Jace’s very legitimate concerns about his own status. I think it’s what allows her to stage a massacre, essentially. She feels that she is riding on the wings of her faith. But her faith, and her belief that she is the ruler that is supposed to sit on that throne, are completely enmeshed.
They continue:
What is going through Rhaenyra’s mind as she watches the Targaryen bastards be devoured and torched alive? I think she feels like a god. I think she feels super proud. I mean, I think it’s uncomfortable. I think there’s something, actually, also that ties into the religiosity — even being back in proximity to dragons, to that fire, is to somehow be living her birthright. To be soaking up the divine, somehow. And do you think that she feels as though the decision to essentially stage a massacre, as you say, is vindicated when the two new bastard dragonriders are found? Totally. Without a shadow of a doubt. I mean, it’s horrendous, but I think she is now this sort of emboldened fanatic, [and] I think she’s experiencing events within a far bigger timeline. She’s imagining the history books. And you know, what’s happening right in front of her is awful. But in 300-400 years, what will be documented is possibly a very short war; a huge civil war that was averted, that this was the first ruling queen, that this ruling Targaryen queen expanded the Targaryen’s ability to have dragons within their armoury.
emma's read on this supports what we see on screen when it comes to rhaenyra's newly found zealousness. the religious aspect could lead her to do things that might have been seen as atrocities by her. it could lead to mysaria abandoning her, her riders turning on her, and we would see more of that targ madness.
gods are mentioned several times in 207. first by addam, who says that the gods are calling him to greater things. rhaenyra has never been the extremely religious sort but, in this scene, she looks like she's had a moment of clarity.
importantly, rhaenyra doesn't know who addam's father is, or hugh's or ulf's. this is simply the first time in history that a non-targaryen (at least in her eyes) has claimed dragons. it's something that she believed impossible. it can feel like destiny to the desperate and she's been extremely desperate after losing daemon, rhaenys, and continuous loss after loss with no hope of recourse.
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mysaria says that rhaenyra is lucky addam chose to bend the knee to her rather than himself. and her reply is that it is ordained. this religious vocabulary being used is intentional!
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her complaint against the lowborn is that there is an ancient fealty from highborn houses. she essentially implies that bastards do not have honor. mysaria corrects her by pointing out that her legitimate half-brothers aegon and aemond aren't exactly delights, but that doesn't make rhaenyra see the light. instead she recognizes that there's fealty to be had from lowborn people too. the order of things have changed, as mysaria says, so she realizes that she can lift up people who have been historically stepped on and give power to the powerless, calling them her army of bastards.
but when jace calls this out, predicting that someone (perhaps hugh?) could lay claim to her throne if she legitimizes these bastards if not by name then by offering them the power of gods. obviously, jace's concern is real, his entire legitimacy lies on both viserys' past support and also the fact that he has a dragon of his own. if any bastard can claim one, what does that make him? but rhaenyra's response isn't logical. she believes that the throne is part of her and her son's destiny. their right.
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for years, on some level, rhaenyra has believed that even though people have insulted her sons, they are full-blooded targaryens. she says herself that if she was a man she could father a dozen bastards, and as heir, she gives birth to three without hesitation. these aren't strongs or velaryons to her, her sons are targaryens.
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but even when jace essentially begs his mother not to give commoners dragons, bringing up her past sins and pointing out his own struggle knowing that he's harwin strong's son, her response is somewhat cold. she says now that the gods have laid this in front of her and she has no choice.
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the dragonkeepers call what she's doing blasphemy and note that it isn't the gods who brought the dragonseeds to her, but she herself has done that.
Dragonkeeper Elder: This is an abomination. You sent an Andal before a dragon. The judgment was delivered. Now you would send more. Rhaenyra: Ser Steffon Darklyn was the blood of the dragon. Dragonkeeper Elder: It was a blasphemy. He was no dragonlord. Neither are these. Rhaenyra: And yet the gods have set them before us. Dragonkeeper Elder: You have set them before yourself! The dragons are sacred; they are the last magic of Old Valyria in this sad world. They are not pieces on a board for the games of men. Our order will take no part in this.
to the dragonkeepers, she's using these bastards and dragons like chess pieces in her war. but to rhaenyra, who has seen addam claim seasmoke, it seems like this is a divine right — a sign from the gods. and that's proven again when hugh claims vermithor.
addam claiming seasmoke changed everything for her. she talks about claiming a dragon as a transformation, and, in many ways, this claiming has transformed her as well. she tells the dragonseeds that their purpose now is the end the hardships of war.
she paints a lovely image promising them peace at the end, but it is a wholly false image. with vermithor and silverwing now in her arsenal, there will be more suffering, more bloodshed. there are no promises of peace now that the war has been given to the dragons, not until everyone is dead. and if that happens, well, the gods willed it, not her.
in this moment, when she says "may the gods bless you" i have to wonder, is she talking about the seven? or the valyrian gods? or the dragons? i don't think she's fully in deep, but i can see the set up for a much darker storyline for rhaenyra rather than the book plot. every time her beliefs are proven or something impossible happens, that could reinforce her zealousness.
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i have always said that rhaenyra is a combination of viserys and daemon, and i think that still. i think that she has both of their madnesses within her. as she loses more, the only thing she'll have to hold onto is that prophecy and the divine right she believes in now.
even this scene from the finale promo has over-the-top messiah, chosen apostles, last supper vibes. her saying "i have entrusted you with a power only few have known" as if she wasn't desperate for them and had no say in who the dragons chose. i love it!
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honestly i'm totally here for it, i think it's an exciting direction to take. i don't think rhaenyra was always like this, she might have had the proclivity for it growing up under viserys' wing, but it's the war that's pushed her to this point. desperate people will turn to things like faith in order to guide them when the real world disappoints. i think it's a far more nuanced look at a sort of "madness".
and i'm here for the conflict that will happen with daemon as a result. i think daemon will be in direct opposition to this. he's NOT the type to follow cult leaders. this will be their conflict on top of the existing power struggles. this, to me, is far more interesting of a struggle as opposed to nettles causing romantic tension. this show has a tendency to lean away from harmful stereotypes about women. pitting woman against woman is one of them, as is the hysterical woman.
daemon dying for her could be a form of devotion, or perhaps even a command from a delusional rhaenyra who believes he will survive it. daemon could end up drinking the kool-aid too after the devastations of the war or simply realize that this is the last thing he can offer to someone who is too far gone to be saved.
THIS IS THE FIRE I WANT FOR RHAENYRA. this is the mad queen setup that we could have had! targ exceptionalism and completely going off the deep end as a way of coping with an unwinnable conflict. without viserys, without rhaenys, no one is there to temper the fire within her.
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