#excited for season 3

[dracofeathers]

TRIGGER WARNING FOR SNAKE! (a cute one though)

Some (somewhat) cleaned warm up sketches I did for a Crowley study prompt on a GOmens server (linked below). I don't' have as much free time around holiday seasons as I'd like for hobbies, but I got these few done for Crowley that I really like. Figuring out a style for him still, but have been having a lot of fun~!

Should I color these some?

Bonus sad snek Crowley, cause I love snakes. You'll probably see that a lot that in my doodles haha.

[werewolfinsheepsclothing]

[ahsokalegend]

Honestly The Owl House is a better show because it’s run time got shortened

[dr-drea]

My friends always recommend their shows to me with "there is a character you might like ;))))" which is an obvious code for: 'this show, despite being targeted at a straight audience, features a queer side character'.

Annoyingly, they always get me there and i end up watching said shows, mostly ignoring the main storyline and rooting for my queer little character, falling in love with them even if they end up having max 10 minutes of screentime in total.

But I always end up watching these shows, because sometimes i discover actual gems. Shows that do an actually decent job at representation, and creating queer characters with the same love to details as the straight ones.

"Never have I ever" is one of these shows. And Fabiola Torres is a gem. I love her so much.

[operationugawts]

Future Hero Shinra and Future Knight King Arthur!

[dyclerc]

HSMTMTS better deliver this time...

[applestruda]

[lonicera-caprifolium]

Okay, so!!!! This post will have spoilers for the very end of Good Omens season 2, but I have a theory about that ending and I'll explain--

Something was bothering me, so I just went back and watched the ending like actually 30 times and I am fully 99.999999% certain they switched places

As they're pulling away after the kiss, they lock eyes and Aziraphale's expression shifts in the teeniest tiniest way, like a confirmation glance, before they shift back (and Michael Sheen is a master, so no chance it's not on purpose)

(Like really, go back and watch how Aziraphale's expression shifts literally *a second* before "I forgive you" cuz the change is SO minute, but entirely different emotionally.)

Aziraphale's hands -stay by his sides- after that, he doesn't clasp them at all, and it's particularly noticeable while he's walking to the elevator with Metatron.

The Bentley only ever plays other music for Aziraphale, but also Crowley drives away slowly, but ALSO Crowley's collar is fully turned down but you -can- see bits of the red underside in several scenes (particularly before he changes in heaven), but you don't see it -at all- after the kiss

And Aziraphale's face IS weird in the elevator like everyone says, BUT. after going back and watching both, I'm pretty darn sure that's cuz it's Michael Sheen's Crowley, it's the SAME as during Aziraphale's trial in season 1.

This also explains why they're on opposite sides than they're usually shown while the end credits roll.

[onlymywishfulthinking]

"I wanted to forget him, and yet it seemed I thought of him always." Anne Rice's Interview with the Vampire s2 - May 12th on AMC/AMC+

[salamie-baby]

Local urban development scheme makes efforts to shelter millions of homeless children across the country within three months

[rileyclaw]

and it’s all thanks to them

[indestinatus]

+ bonus

Season 2 Renewal 🥳 - PERCY JACKSON AND THE OLYMPIANS

[storystrawberry]

Why the hell do people keep hating on Penelope and Colin getting their season? Ok, granted, some people, including myself were excited for Benedict's season.

But can we please not simply dismiss that finally a main character of a romance is plus size? She doesn't have to 'glow up', she doesn't have to be skinny to even be seen as a romantic prospect. She is simply herself and she wears things that make her feel good.

I cannot tell you how happy that makes me.

Anyways, on a lighter note, the stills and the teaser were amazing. The fact that season 3 part 1 is coming out right after my birthday (like immediately after) makes me ecstatic and yet so frustrated at the same time.

[cc-cobalt-1043]

This basically sums up tonight:

[bingiessm]

WARNING, LONG POST

Hello, welcome to the Bridgerton Season 3 trailer over-analysis corner. I am bingiessm--a film student that needs an outlet right now and wants to practice some film analysis--and am here to bring forth the FIRE/FLAME/CANDLE motif that was all over this trailer and I feel will be a HUGE motif throughout this season for Penelope and Colin (Polin).

So within the Polin context, let's look at each shot where a flame of a candle or lack thereof could represent their romantic interest in one another--and in particular the understanding/recognition of it.

This show is going all out putting candles EVERYWHERE--yes it was actual lighting in regency era, but you don't have to have it in the shot. That is a CHOICE. Also a choice to have it lit or not.

Also, "I burn for you" anyone?

FIRST SHOT: somewhat obvious but considering the context of both the mirror as well as other future shots within this trailer, this flame represents the feelings Penelope has for Colin, that she is well aware of and has held for a long while.

I also just have an inkling that she is seeing herself differently in this moment (feeling something for the first time possibly)--the way Nicola looks feels shocked/contemplative, but not scared as if it might be Whistledown-related.

SECOND SHOT: they are outside, talking about Penelope being a "lost cause." WHY IS THERE AN UNLIT CANDLE IN A MARKET STALL, if not to represent some unrealized feelings on Colin's part? It is also on his side of the frame. This is similar to this next one, both of which I believe are earlier in the season, as this is the start of him "helping" her.

THIRD SHOT: Once again, right there on Colin's side of the frame, YOU DID NOT NEED THIS IN THE FOREGROUND. It was a CHOICE to put a candle there again. They could have not had it, yes the shot would have had less depth and this does give a better sense of the space, placing them in a corner of the room instead of in an open space--but they didn't need to make it another CANDLE.

Colin has not fully recognized his feelings for Penelope yet, though they have always been there, and these two shots demonstrate that lack of understanding/feeling, but one that is soon to come with an unlit candle.

FOURTH SHOT: this, in the timing of the trailer, does come before the third, but RIGHT THERE IS A MIRROR AND CANDLES. It is on Penelope's side of the frame, but Colin, the mirror, and candles are what is in focus. She might be center frame, but we are drawn to the light as well as the contrast in Colin's outfit. This could arguably be Penelope's perspective, her burning feelings as he compliments her--also her future (we all want that mirror scene).

FIFTH SHOT: a HUGE TURNING POINT--a small flame, barely noticeable suddenly burning brighter as we focus on Colin in the background. This is so clearly him realizing his feelings for Penelope. It is also at the midpoint/turning point of the trailer when there is a big tonal shift. There is no more talk of Colin helping Penelope, but a larger focus on his perspective of her (all the gazing), the idea of romance, as well as mention of Debling--his rival. It will be a turning point for Colin when Debling--an actual suitor vying for Penelope's hand--comes into the picture. EDIT: Also going to add in, the candle is in a lantern--though that might have been easier to manage filming-wise--which could also represent him still holding back, especially with Debling in the picture.

SIXTH SHOT: This comes right after we hear Debling say "You look especially beautiful tonight, Miss Featherington." One of the many examples of Colin staring at the two of them, being jealous/worried. But right behind him? Oh, more candles. That they totally didn't need to have in the frame. Also, it doesn't look so much like a candle, but they are placed so close to one another that it looks like more of a flame. The lack of focus adds to this.

THEN WE GET TO THIS FINAL SEQUENCE--which imo is a FANTASY SEQUENCE

SEVENTH SHOT: Colin is coming from the darkness, with an unseen flame flickering directly behind him (small ember that he can't see).

EIGHTH SHOT: Penelope, also coming out of the dark, but with another flame on (what in this sequence is) her side of the frame. Though it is somewhat hidden behind these bars--some rough patches/guarded emotions? (probably depends on what point this is in the series).

NINTH SHOT: Penelope, already in the light of these fires, Colin entering with the large burning flame in the background covered by some growth.

TENTH SHOT: Penelope, lit by these fires, breathing heavily. A very clear close-up with so much blur to focus just on her face.

ELEVENTH SHOT: Colin, with a flickering/burning flame literally right behind him, lit by these other fires, staring right at Penelope.

So this whole sequence, in my opinion, is a dream sequence. But, in terms of this flame representation, this is Colin realizing he has feelings for Penelope. We see the flickering from the unseen light behind him in the seventh shot build and become the flame right behind him in the eleventh. It feels so obviously representative of the season. (The fog also seems to lift for him in this sequence, he comes out of the fog to Penelope--I could say more about this sequence and why I do think it is Colin's dream, mostly due to costuming and lighting and the fog as well) ______________________

And thus comes to a close my analysis/evidence of the FLAME/FIRE motif between Polin. I am cutting myself off here because this is a lot and I have an actual film shoot to plan. Thank you if you actually read all this. I love film analysis and Bridgerton is so fun and a stress reliever for me, so this was fun for me to write out.

Anyway, if any more of this fire/flame stuff comes up I might add on later.

TLDR: they are using fire and candles to represent the burning love between these two.

[trapezequeen]

Omega in The Bad Batch Season 3 Trailer