#ffak comic

[trashmouthjr]

wormy wormy wrom

[bug-gender-art]

is this anything

galore needs is legs (based on ariel needs legs by neil cicierega)

[wienners]

feast for a king is awesome the start of it feels like I am being ushered into a theater by kosmic who sits us down and goes "hello everyone! come into the theatre! take a seat! welcome to my web comic!!! ok so heres a character introduction :) they are not the main character :) and heres my different alien species and how they work! some are worms and some are bombs :)) arent they cute and cool and silly!! ok heres a 400 page long sex scene where a girl gets fucked through a stab wound in her chest while giving a genderless worm alien a tit job, then the worm alien (who uses all pronouns, is called a queen, and has a massive cock) has to perform surgery on her while her dick is still in her chest because if she pulls out the girl will die. the whole time she's still so horny she's trying to bounce on her dick while her stab wounds getting operated on. then they keep on fucking. ..............ok are the normies gone? all of them? ok awesome. now let's do a flashback scene! Get ready for a lot of those :)

[kosmicdream]

i never posted this here?? for shame.. anyway, the one and only Buttf*cker

[epicswagdivorceguy1]

every single day i think about this comment under ffak page 6394

[bimbo-dynamites-neon]

LORD have MERCY these worms got trauma 🙏

[zevvin]

YOU SHOULD BE READING FEAST FOR A KING (Major TWs)

[ottiliere]

Yooo I just reread ffak, nails my favourite character cool drawing! Whos your favourite ffak character?

I mean it goes without saying that nail is the best character I adore his minwage tragic vehement sulking janitor swagger. I am also quite enamored by spoon. definitely the two characters I look forward to seeing the most in any capacity.

[snackforaking]

Day 41

[y0d00p]

IM FINALLY ALL CAUGHT UP ON AWFUL HOSPITAL aaghhhh i love this comic so much

initially i was only going to pick up from right after crashslob, because everything after that was especially fuzzy in my memory and i couldnt even remember where exactly i actually last was. but it had been so long since i read AH that the conversation with the scissors immediately clouded my whole fucking brain and i realized that actually i did have to start from the beginning again to refresh myself on all this weird shit

with that said, now i want to tackle catching up with feast for a king, and there's a part of me thinking that i definitely don't need to start from the beginning like i did with AH, despite FFAK also having a very rich story and dense lore and being something i haven't caught up with in a while, but i think that part of me is only thinking that because FFAK is 7700+ pages now and i'm mentally exhausted at the moment

i... i'll start after i get home from my trip lol

[dateamonster]

webcomics*! webcomics baby!!! i grew up reading these bad boys like they were the sunday funnies. im serious i would get up early in so i could check my daily roster of webcomic updates before leaving for school.

webcomics sort of feel to me like my generations version of zines. not that both those things arent still around, i just mean that, in the same way that there was this big boom of super creative zine self-publishing in the 70s through the 90s thanks to the increasing access to copy machines, and later home printing, the early 00s-10s was sort of the moment people seemed to collectively realize they could kind of just upload whatever they wanted to the internet and people would actually see it, leading naturally to another boom in indie art and storytelling.

a lot of the comics that popped up around this time were sort of... rough. raw. weird. there were no rules about what a webcomic had to be other than 1) a comic and 2) on the web, so there was some freedom to be as messy or as precise as the author wanted. this led to some real bangers, and some absolute flops. but regardless of how it turned out i think theres something to be admired about the sheer amount of creativity going into these projects that, for the most part, were purely passion-driven without any guarantee of greater recognition or success.

obviously webcomics are still around, but the culture surrounding them has shifted quite a bit. most people who are willing to put in the work of a longform serialized comic In This Economy are also doing so with the hope of being able to profit or at least sustain themselves financially on their work. theres no shame in that! but it has made the webcomic scene more competitive, more polished, less experimental. capitalism at work, you know.

people arent really as incentivized to try new things and dare i say get a little weird with it when innovation doesnt pay the pills. however that doesnt mean that there arent still artists out there who are challenging that.

i got the idea a while ago that i wanted to put together a list of webcomics that have been really influential to me and my own creative efforts, but i realized that list would be a mile long and wouldnt really give me the breathing room to talk about why those works resonate with me. so i decided instead to make a list specifically of my (currently) most beloved, most influential webcomics that i feel like are doing something unique that sort of pushes the boundaries of what is considered a "normal" comic.

presented in no particular order, with all attempts made to be spoiler-free, below:

nasty red dogs and feast for a king by kosmicdream (18+)

delicious, dark, meaty comics. ffak in particular is like this massive sprawling scifi stream of consciousness thick with blood and viscera and. a lot of highly transsexual erotic cannibalism tbqh.

personally i find nasty red dogs a lot more like easy to get into story-wise, but both are just chockablock full of this beautiful grotesque unapologetic and downright indulgent physicality. its pages dripping with every fluid you can think of and some you cant, and its also compelling surprisingly empathetic characters set against a backdrop of otherworldly rituals, cosmic pre-apocolypses, and worlds inside of worlds inside of worlds. body horror heaven lives here.

mr boop and crimehot by alec robbins (very 18+)

if youre at all into weird webcomics youre probably already well familiar with mr boop, and if you arent theres really nothing i can say other than Please give it a shot, but if you havent been keeping up with alecs work since then you might not be as familiar with his current project crimehot. and thats a damn shame because it is all the comedy, unabashed horniness, and surprisingly understated storytelling of mr boop taken to its absolute max.

crimehot is set in a future where nearly every aspect of human life and culture is controlled by an all-powerful all-seeing computer algorithm. but who cares about all that when theres a ragtag team of ultra sexy ultra horny master thieves going on wacky little misadventures together!

alecs style is blunt and simplistic in a way that comes off as juvenile at first glance, and then uses that presumption to completely blindside you with its actual content, reminding me weirdly enough of memeable classic tails gets trolled. in spite of their potential as works of ironic comedy however alecs comics really give me this impression of total earnestness. crimehot in particular is so blatantly un-erotic, with its complete lack of any subtlety, comically exaggerated (and surprisingly diagetic) anatomy, and impossible physical positions, that it circles back around into becoming, indeed, kind of hot. i think silliness can be hot so sue me!

blind alley by adam de souza

departing completely from my last couple recs, blind alley is a cozy, peanuts-inspired comic strip about the day to day lives of the children of blind alley. its also occasionally a deeply unsettling horror-mystery that has just barely begun to show its hand more than two years in. its distinguishing factor to me comes from the fact that the cozy exterior doesnt seem to be there to conceal or divert your attention away from the growing sense of unease that infiltrates its panels on an increasingly frequent basis as the story progresses. it feels more like the two elements live side by side, horror and mundanity, otherworldly creatures and secret conspiracies living peacefully alongside lazy summer afternoons and goofing off with your friends. it perfectly captures the anxiety of knowing that theres something the grown-ups arent telling you, the powerlessness of being a kid.

blind alley feels to me sort of like if those "what if Nostalgic Cartoon was secretly DARK" media theories were actually real, and actually scary. i might be getting ahead of myself as the series likes to take its time and is really only just starting to peel back the layers, but what ive read so far feels makes me feel like this could be something very special.

boy island by leo fox

beautiful beautiful beautiful first of all. the dreamy, surreal visuals? the colors?? oujhjh.. boy island is set in a world split violently in two, divided into boy island and girl island, and surrounded on all sides by a sea of monsters mutants and ghosts, those sorry souls who committed the trespass of trying to cross from one land to the other, or even live outside of either! a boy named lucille must strike out on his own to make it to boy island, but in doing so begins to discover things about the world and in fact himself that reveal an even greater mission.

im making this all sound very dramatic. its a trans story. its about trans people, being trans. its also about surviving the ripples of a world laid out for you by your parents, managing grief for the ones that didnt, and a funny little blue guy named jounce. also did i mention its gorgeous? hot fuckin diggity it is gooorgeous.

vivians ghost by hal schrieve (18+)

speaking of trans comics!! (plot twist: theyre all trans comics suckerrrr) look, all of hals comics are fucking baller and im sure the book zes got coming out will be too, but ive like Imprinted on this one. its attached itself my brain. much like the main protagonist collin has been attached to by his suicide victim best friend and ex highschool bf viv!

the sketchy art style threw me off at first but it quickly becomes part of the charm and meshes very well with the chaotic pace and gutpunch emotional moments. theres a strong element of magical realism that i honestly think comics as a medium were made for. viv is a ghost, and viv is grief, and guilt, and fantasy, and shame, and glorious trans revenge taken form, and hes not even the only apparition in this story, taking the stage alongside cameos by jesus christ, a detransitioners fursona, almanda palmer, and (checks notes) gonzo for a second there i think.

as a disclaimer (or incentive, depending) no one in this story i think is someone you could really call a good person. some of them are in fact plainly terrible. they are all so undeniably fucking fascinating though. and viv himself gleefully inhabits that moral gray area, deliberately and loudly disturbing any image of himself as a pure perfect victim, blurring lines and thrusting both the characters and audience out of their comfort zone. its a challenging read thats not going to be everyone for sure, but i definitely think its worth the read.

(and if this sounds interesting to you but youre not sure you can handle it, hal has other equally good comics that are still heavy on the trans gay relationship drama but much lighter on the childhood trauma.)

what happens next by maximumgraves

if youre reading this on tumblr i hope that youve at least heard of what happens next by now. thee seminal tumblrina art of our time i swear. it starts with a true crime podcast exploring the strange story of griffin and his accomplice milo, trans teen murderers, the latter of which has since been released from the psych hospital while the former continues to serve his sentence. but thats in the past, and in the present milo still has to figure out how to live the rest of his life.

the story moves rapidly, though not necessarily chronologically, in and out of the real world and the online lives its characters frequently inhabit like its guiding you through a twisted dream. its a comic on the internet about the internet from someone clearly well aware of its more poisonous aspects, as well as the addictive quality it can have for someone who has become otherwise isolated from the world.

at the end of the day though the major appeal i think is the characters, how messy and horrible and tragic they can be, which is all you can really hope for from a largely character-driven narrative. to say much more i think would ruin the experience, but ill say what happens next absolutely delivers on its ominous title, and im waiting on the edge of my seat for the next chapter.

preeny has to repeat 6th grade by momodriller

on a Much lighter note, preeny has to repeat 6th grade is a super cute adventure series about a magical little kitty named preeny who on her first day of sixth grade is called upon to go on a great mission. its a sparklefur comic!! ive been really starting to dive into furry art lately, and if youre the kind of person who raises an eyebrow at that statement, fine, whatever, but im talking to the cool people right now so keep it to yourself.

art from within the furry subculture is such insanely creative and passionate stuff, and the focus on this subset in particular, calling back to the early 2000s deviantart xD rAWR s0 rand0m era of online culture, feels so intensely nostalgic it makes my chest ache, despite never being heavily involved in the sparklefur scene myself.

the author states in the comics description that the story takes inspiration from her experiences as an autistic child, and even before reading that man i felt it. what really makes this comic unique to me though is that the majority of characters that appear are based on adoptables the author purchased off of, as she puts it, the children of deviantart. i LOVE that. not only is that probably amazing for the kids, it makes every character feel truly unique and adds perfectly to the overall flavor of the world shes created. there is just not another comic i can think of that feels alive like this one.

broccoli soup by secretpie

ok so i know how we might feel about webtoon comics but hear me out. broccoli soup is probably the first comic ive seen to really exploit the otherwise sort of bland and restrictive format of webtoons, utilizing the excess of white space to enhance the feeling of emptiness that characterizes the protagonist broccoli's time in the blank void they call home as well as to make the sparse use of color really pop in contrast.

broccoli soup is a mysterious series thats a little hard to pin down in terms of genre. a strange little being named broccoli spends their days in a vast blankness drinking tea with their loving yet highly suspicious Best Friend and benefactor, doris. doris has the ability to move between worlds, coming and going as she pleases, while broccoli is only allowed to leave when they are on a mission on her behalf. these missions vary, but the goal is always the same: make everything Polite and Good.

as the story progresses, little by little more friends and more color come into broccolis still new existence. the art style also changes from world to world, which imo is a very nice touch. and! theres music! its an interesting project that dances back and forth between fantastical whimsy and some surprisingly dark moments. and thats the shit i like to see.

thats all for now! though if im lucky there will be many more fun stories and projects to talk about in the future. keep in mind as well that this is like barely half of all the webcomics im currently reading, just the ones that most stick out to me as really doing something special.

until next time yall!!

oh wait sike honorable mentions time

awful hospital by bogleech

the only reason this isnt up there with the rest is bc im woefully behind at the moment. ill get back to it eventually! awful hospital is an interactive multimedia horror-comedy webcomic about a hospital that is. well this hospital is simply sub-par to say the least.

hedgehog's dilemma by mellodilla

this ones still a little new to say much on but so far it looks like a cute series. what most appeals to me is that the art style looks like something that fit in seamlessly with an early 90s newspaper comic strip. in particular it has a strong calvin and hobbes vibe to me. just, you know, about wacky lil lesbian animals living their lives.

ok now im done for real

*for clarity's sake, im using webcomic here to mean "a series of comics that was first published and predominantly exists online" so even if a print version exists, i still consider it to be first and foremost a webcomic. this also includes comics that contain a multimedia or interactive element. if its a combination of pictures and words to tell a story, its a comic.

also my list is probably going to end up massively favoring serialized fiction because thats just what i like to read, but i dont necessarily think thats a required element.

[mimaroon]

welcome to a post of ffak propoganda where gush about the amazing comic @kosmicdream did to convince you to read it (please, I need someone to talk about this with its so good)

1. look at this fucking art. It only gets better the more you read it.

2. 7000+ pages. Perfect to binge.

3. So much trans. All the trans. I love the stabby guy. I love the talking about robotic lifeforms not "passing". I love all of this:

(seriously there's a conversation that goes "wait are those boobs? :00000 You are literally the perfect man" and like fuck yeah)

4. The art. I'm sorry. It's so good. Some scenes feel like I'm watching a slomo animation because of how well everything is done. Especially as the story progresses, you can see the author put more and more details and shit into the characters it is so good.

5. The story?? is so interesting? fucking hekatonkeries that I can never spell. WoRMS. Flashbacks in flashbacks in flashforwards in flashbacks. Guys if you liked homestuck you'll also like this. And if you didn't like homestuck because it was too many words and difficult for you to read through you'll still like this.

6. explosions.

7. space.

8. Worm fucking.

9. KNIVES.

10. it's very good.

[macbethz]

i loveeee ffak comic so much i dont think theres anything else in the world even close to what it has going on

[kosmicdream]

You read six billion demons? I got a webcomic for you pal

[sootyships]

I'ma do this without anyone sending me a fandom bc ik nobody would send me FFAK. and I wanted to do it for FFAK.

The first character I first fell in love with: Aeschylus!

This was the first panel of FFAK that I saw. I was understandably intrigued... The toothy critter is Aeschylus, he's a cutie.

The character I never expected to love as much as I do now: Galore and a few others, but Galore was the first 180°.

This pair of legs becomes a beloved character.

The character everyone else loves that I don’t: Spoon? No fr I assume everyone has about as complicated feelings about him as I do!

The character I love that everyone else hates: ??? Uhh... I don't think there's one!

The character I used to love but don’t any longer: It doesn't really happen in this direction for this comic. Maybe my opinion on Spoon has experienced the most fluctuations but I don't think I ever loved him, so. Maybe Good Leadman, in some way, but it's... also complicated.

The character I would totally smooch: Locket.

Aggressively tried to find a ~cool~ panel of him to put here that doesn't show his face cuz he's not fond.

The character I’d want to be like: They're all fucking disasters. Maybe Crimson, but that's, like. *waves hand vaguely*

Mood. They're a MASSIVE disaster. But they're kinda cool and genderweird, so, y'know. I think I'd make a pretty decent worm...

The character I’d slap: Spoon? Um. No, wait, ANTONY. 100%.

A pairing that I love: Rome/King makes me cackle evilly. The potential for drama makes it entertaining. Also Knife/Spoon? I just want them to be happy, somehow, weehhh. Which has its own massive amount of complications, hahahaha.....

A pairing that I despise: 🤔 I guess... Crimson/Celadon? Look, things are very complicated, okay. Even that's not so straightforward... I don't really do NOTPs, anyway.

+Other fave characters: Nail and Dylan and Fork and Cash and...

[transmandrake]

Feel like talking about art... I worry a lot that I've passed some kind of 'peak' in my art, not per se skillwise but productivity wise.

'I made a 65 page full colour full shading comic chapter and had it printed! Oh my god, I could never do that now', I think. But thankfully in this age I've seen this exact thing happen to so many artists slightly older than me... intense productivity in school, sudden drop in early 20's, figure shit out in late 20's. It makes sense, art was basically the only thing keeping me together for many of those productive years, and I was miserable.

And now, yeah, I'm back in a high stress environment, but this time I'm managing my own progress and am doing things I want to do on some level, that aren't art. Is it any wonder people go on massive hiatuses when theres no longer One Thing they want to do?

And well also. The classic. It is bonkers the amount of people I grew up admiring who crashed and burned in college and then get diagnosed with, well usually several things but especially ADHD. I'd like to think I'm "learning from other's """pitfalls"""" by nipping that revelation in the bud early (healthcare system tho... pls gimme anything... an appointment, maybe...) but I've been ruminating a long time on art advice and life advice and a lot of the time it's not possible to 'skip' on doing the 'wrong' thing.

So much art advice is like 'man i wish i learned anatomy or x thing when I was younger, so much time wasted' and yes it seems true in hindsight, learning anatomy is pivotal to my current art... but I think I had to *get* to a point art and well growing up wise where that was even something I could fully comprehend. Theres lots of things where, yeah, I'm sure sitting 12 year old me down and getting them excited about Bones and Muscles wasn't *impossible*, but there was like 100 mini lessons that have no names I had to learn first. It's like, a skill tree in a video game. You have to learn fireball I and II before great fireball IV or whatever. It's easy to say man, why didn't I learn Hard Thing sooner, I would have been so much better by now, when in order to be able for Hard Thing you had to learn all the smaller easier things it leads to. Going straight for the big guns isn't impossible, but you'll end up having to go backwards at some point. In fact I feel like that's what's happening to me now!

I'm like, why is my art shit conpared to a few years ago, why am I half-assing everything, and you know what I spent 5 years only doing full colour full shading stuff because that was The Inevitable Artistic Conclusion and doing Less would be Wasting My Time! And I think that was the right choice actually. *Because* it made me learn that thought process wasn't true.

Also ummm FFAK by kosmicdream who I am sheepishly not tagging basically rewrote my brain? A 6000+ and not even half finished comic drawn with maximum speed and not sweating the details? And its great? And at no point did I think the story was worse off for not being polished to 100% 'completion'? Preposterous!

Well, not really. Loads of comics are like that. I knew I didn't want to be like them. But hm, its a conscious choice now rather than a feeling of shame at not completing things. The reassurance that, it's okay to not finish things, and it's okay to do less in order to finish things. Balance. FFAK just really punched that lesson into my skull rather than the light jabs of comics I'd loved before. I can count the comics I read as a kid that actually *finished* on like, two hands max. I reevaluated, what do I want to be, perfect incompletion or finished imperfection. And chose both and neither because I'm a vile little contrarian.

Am I going to finish my comic? Finished doesn't exist, so no. Does that mean my tedious perfection is justified as long as the unfinished work is what I envisioned? Also no, because I am not the same person I was when I stopped lifting the pen and my idea of perfection is also always just out of reach. Also it's. A story. I want to tell it. Not look at it.

Like, just... do what you want. What you want will change, you can't put a box around it. But also develop discipline, because that box helps. It's always breaking and expanding and shrinking but the box has to be there. You have to try. But you won't succeed. And that's okay, because that's not the goal. It's a dance, not a house.

You might want to build a place to dance easier but you've gotta dance. And you suck at dancing but you love it. And if you don't love ot anymore, go work on the house until you want to again, and you'll think, why am I building this goddamn house instead of dancing, and you'll keep forgetting that the house exists to dance in. Then someday you come back off the scaffolding and realise, woah, holy shit, dancing here is going to be so much better.

And you think, why didn't I make the house like this in the first place? Well, because you only started building the house when you didn't want to dance, imagine if you made the house perfect, and then stopped liking dancing? Well you'd be me, you'd knock that house down, and you'd rebuild it all shit, because you didn't need the house to dance, you needed the process of building it. You can make that perfect house all the time, but you can only make a shit house once. No matter how you try, you're gonna figure out why the house is shit, and make it better.

And you'll say, why didn't I make this first before! I'm learning so much! And you'll remember why, it's because everyone said 'man, don't make a house like I made it. Look at my new house, its so much better, do that! I wasted so much time on the shit house!' But they didnt. They learned. You made their perfect house with no understanding of why it was perfect. You had to break it, to rebuild it, to retrace the steps, to learn.