SON IS RETURNING TOMORROW! rejoicing
IDs are in the ALTs but also under the cut:
ID: Four sets of drawings, all black and white and containing Damian Desmond, alone or alongside Anya or Becky.
First image is a drawing of teenage Damian and Anya. His head is turned away from the viewer and towards Anya. He is sitting down comfortably, resting his arm on one leg. Anya is laying next to him on her stomach with her arms crossed. They are talking, surrounded by speech bubbles with no dialogue inside.
Second image is a drawing of Damian in a jacket reminiscent to the one he wears in Chapter 39/Episode 2 of Season 2. He is looking over his shoulder, pouting and lightly squinting in what is either confusion or mild annoyance. His hair is messy.
Third image contains two drawings of Damian. On the right, he is wearing his gym uniform, looking very annoyed. On the left, he is slightly hunched over, staring blankly with dot eyes.
Lastly, the fourth image is a drawing of teenage Damian and Becky talking. Damian looks very mildly frustrated while Becky is smug and teasing. They are both wearing their imperial scholar capes. Unlike in canon, Damian has glasses. Becky's hair is down and she is wearing a hairpin with a small bomb on it, and star-shaped earrings. End ID
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it's been 8 years and she's still down bad for her neighbor (who wouldn't)
and so there she is: Step 3 Athena! 🌙✨
Step 1 & Step 2 here
(Infos about Athena in every steps except 4 below if you're interested)
(watch out it's long.)
Step 1 -
At 10, Athena is a very curious girl, somewhat nosey and a bit clumsy (main reason why she often has bandages). She likes puzzles, creepy stuff and drawing (but nothing that serious about that hobby yet). While she isn't very shy, she's still uneasy around people she doesn't know and moving to a new town isn't helping. She has trouble accepting changes, and this whole situation is a way too big change.
Athena is very close to her mom during step 1. Unfortunately for her, she doesn't really look like her that much and she's kind of bothered by that, especially because the person she obviously looks like, her "dad", isn't there. Not having a dad isn't really a huge problem for her, but Athena fears a little bit people's opinion on that subject: "Is it weird that I don't have a dad...?".
She's feeling sad and scared about moving out, as she has to get used to a completely different world (in her eyes). "At least I have my mom", she thinks. But if moving in Golden Grove was scary at first, meeting Qiu and Tamarack was a huge help for Athena to feel included.
She thinks Qiu, aka "Autumn", is funny but also a huge show-off, haha. She LOVES to tease Qiu. But Athena's also genuinely worried about Qiu sometimes, because that kid is a huge people-pleaser.
When it comes to Tamarack, man... Athena totally puts this girl on a pedestal. She thinks Tamarack is amazing and pretty. And should Tamarack say anything positive about Athena, you can be certain the latter will go crazy internally. At 10, Athena doesn't realize she actually has a huge crush on Tamarack yet, though.
Step 2 -
At 14, Athena became a sort of troublemaker, she barely cares about rules. She's not mean but she grew to be more blunt and direct than she was as a 10-year-old, this and her current appearance make her seem unapproachable. However she kept her soft side, a side that she ironically doesn't even keep that much hidden but that you still have to deserve. If at 10 she would often have bandages because of her clumsiness, at 14, it's mostly because she's reckless. Some things that remained are her love for puzzles, creepy stuff and drawing, in fact, she started to get interested in visual arts.
In fact, the tough side of her personality grew when her first group friends with Qiu and Tamarack slowly fell apart. She couldn't do anything to prevent that from happening, so she felt like she had to toughen up. But to be honest, she's becoming tired of being the sole link between them, she's barely trying to now. Maybe Qiu and Tamarack won't become friends again. She has to accept it... but maybe Athena still has troubles accepting changes, no matter how old she is, after all.
Despite all that, Athena still treats both of them nicely. She still teases Qiu whenever she can (watch out Athena, the teasing could backfire on you). Her worries about them are still present too, but for different reasons than in step 1. Even 4 years later, Athena still retrieve Qiu's lost papers because they would NOT do it themselves. No matter what, Autumn remains her dear friend and the feeling is mutual.
Tamarack, aka "Tam", is her best friend! ... and the girl she has a crush on, Athena realized it now. Athena doesn't know if Tam feels the same way or not, though. Athena still thinks Tamarack is the most amazing and most talented person out there, she wishes Tam could see it too. She's highly worried about Tamarack potentially leaving Golden Grove at any moment but she tries to hide it from Tamarack. "Tam probably has enough of people walking on eggshells with her", she thinks. Athena dislikes Tamarack's parents for not only never being there for their daughter but also for making her situation so uncertain, only for their own interests (in her eyes).
Another feeling started to grow: jealousy. Athena will feel jealous of anyone who seems a bit too close to Tamarack. Does she think she's no match for Tamarack? Yes. Does that stop her from being jealous? No. She knows she has no right to be, Tamarack is a wonderful girl, it's impossible not to like her, but she can't help it.
Athena grew to be even more bothered by her lack of resemblance with her mother. Some times before turning 14, she started to dye her hair cranberry, just like her mom's hair color (let's say Opal didn't really like to see that her daughter started dyeing her hair at her young age, reaction Athena didn't appreciate, all she wanted was to look like her mom, what's the problem?). Ironically, while Athena wishes so hard to look like her mom, her relationship with her became somewhat strained. As if resembling a completely unknown guy wasn't enough. Living his best life nowhere to be found, uh? Resentment is the word here. Never towards her mom, even if their relationship is not that good at this point, but towards this guy who gave her his physical traits she never wanted and started to despise.
At least she became used to live in Golden Grove.
Step 3 -
At 18, Athena is not the rough troublemaker that she was at 14 anymore. Now she's more like a silly prankster, seemingly always up to something more stupid than before, although she remains reckless and blunt (but less on purpose and more out of habit). Of course, her interest in visual arts remained intact. Her liking for creepy stuff turned into a huge love for horror and its aesthetic.
Her relationship with her mom is getting better than it was 4 years ago. Athena grew out of the resentment she had for her "dad" during step 2 and learned to accept she may not look that much like her mom, but that it doesn't cancel the fact she's Opal's daughter no matter how she looks. Plus "some bits of [Opal] did end up in [her]" after all, right?
Athena's relationship with Autumn is what you could describe as "siblings by hearts", Athena does consider them as the sibling she never had.
Athena and Tamarack are still officially "besties for life", but little do they know that they both ended up falling in love with each other, plain and simple.
Her jealousy and resentment did tone down, but when she thinks back to her 14-year-old self, she feels bad, so bad. For being jealous of Tamarack's friends, for being resentful of a random donor and basically making many things about herself. "Man, I was such a prick. And for what?".
If when she was 14, Athena felt like she was no match for Tamarack because she put Tam on a pedestal, at 18, she now thinks she's simply not good enough as a person for Tamarack. She kind of "accepted" that if Tamarack only wants to be friends, then it's fine, she cannot force Tam to love her back. It's silly to think someone like her could be extra-special in Tam's heart anyway (girl if you knew.), it's nice enough to be her best friend.
Between step 2 and 3, Athena managed to put a label on herself: she's lesbian.
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The Quintessential superhero setting doesn't change much. Regardless of how long it runs, how many fantastic elements are introduced, the shape of the world never bends too far from what's recognizable. Worm and The Venture Brothers are total opposites in how they approach this genre convention.
In Worm this idea of the classic comic book status quo is quickly revealed to be a lie, and a tenuous one; the capes are killing the world by inches, and any sense of normalcy or stability, any gesture in the direction that the superhuman community effectively self-polices or can be held accountable, is cooked up as a PR bandaid over the fact that total collapse is pretty clearly fast approaching from some direction, sometime soon. Small towns keep getting wiped out because someone had a bad day. The economy is collapsing. Superpowered Warlords are springing up in the cracks. This has been happening for thirty years- twice as long as either Marvel or DC's internal timeline's run- and, at story-start, it can't last much longer.
Venture Brothers takes the opposite tack. The world changes without changing. Jonas Venture certainly isn't around anymore; the paradigm of the show's present isn't the same as when the setting hewed closer to the GI Joe Idiom in the 1980s or the gentleman adventurer idiom in the 1800s. Capes come and go, the membership of the Council of 13 slides around. But the NBA trades people around too, and we elect a new guy president every four years. The fantastic has been so totally subsumed by the mundane. No flying cars, no cures for cancer, no space station, no teleportation. No bold move towards a new status quo, good or bad, that doesn't fizzle out into something weak and quixotic. The series ends with the Venture Family skyscraper nearly being dropped on Manhattan before being gently set down right back where the series started. Lucy with the football, again and again. Go directly to hell if you were ever dumb enough to think these people in costumes were every really going to change anything. That tension, the aching implausibility of all of this somehow having amounted to nothing in the end- not even something uniquely bad- powers the entire show. The world is unchanging as the first principle, and all that's left is to find a way to scrape out some personal meaning living under the shadow of that truth.
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