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dimiclaudeblaigan · 1 year

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uh-oh she's gushing about shinon again and it's super long

So you guys know I love Shinaff. BUT!!! I would like to explain to you part of how that came to be, i.e. how Janaff's supports with Shinon were both different and important!!! In other words, a direct exploration of his development involving laguz and how he's turning out for the better post Janaff A support and RD (and how it makes the most sense to have their A support slotted between the beginning of PoR and the end of RD for a full progression of his development)!

First of all, Shinon only has three supports; so unlike most characters, every line counts and needs to hold more weight to his conversations.

Rolf and Gatrie's supports portray different sides of him: the mentor and the friend. What we see in these supports is stuff we essentially already knew about him, but we're given more depth. The thing to note here is, again, we already knew these things about him. This is the man we started with.

What we don't get in these supports is proper development. Janaff is the only support he has that gives him that. Janaff's supports with him are the only ones that gives him any self reflection and improvement. This isn't necessarily a bad thing for the other supports, but it's more that it props up these ones a little bit more.

Also, when you get to RD, Shinon comes off as though he's already gotten this development. He feels like he's grown as a person. While that makes sense, from a player's perspective, we didn't really see that development in him (like we would have with characters like Ike, Mist, Soren, etc)... unless you supported him with Janaff.

In RD, Shinon has Gatrie and Rolf as bonded by defaults. These are basically internal bonds in RD - ones that aren't needed by supports. You can carry over support data from PoR to RD, and characters will receive a bond with the character they A supported. For some, like Ranulf and Ike, these bonds will be there regardless of if they got an A support.

That means that even without supporting them in PoR, Shinon will bonded to these two by default. Janaff is his only other support, so if they reach an A support and that data is carried over to RD, he now has his full list of supports bonded to him. Mind you, that's a liiittle bit of a big deal (and kinda cool to me!) as nobody else can do that (or almost nobody, since I'm not totally positive what Stefan and Volke's situations are and would have to check on that in my game, as the only other characters with an extremely low amount of supports).

So why do I say that's important? Because the only character he won't have by default as a bond is Janaff. You have to go out of your way to get their support bond (and when I say out of your way, I mean it pretty literally if you don't normally use one or both of them, due to how PoR's support system works). Janaff is the only character Shinon has to build up a bond with from scratch, which is something the player has to decide to do.

Gatrie and Rolf are the base - the bare minimum. It's given to you, no questions asked. Shinon doesn't have to develop as a person to have those bonds. When Janaff arrives in 3-7, if they were A supported in PoR (and your data was carried over), he and Shinon automatically have their bond show up in the bond list on each of their profiles as of the turn Janaff is on the map. This also means they can get a double A support, which is, again, something Shinon has very few options for.

Without Janaff, Shinon doesn't get that extremely direct development. In RD it's assumed all the characters had development of some sort (example, Shinon is much more chilled out and takes a much more active role in watching out for the GMs and making sure they're properly funded). However, with the way Shinon's development toward laguz went, you'd think something must have happened for him to change his mind.

However, it's an uncontestable fact that Ike stated everyone in the GMs decided to stay knowing full well they'd be fighting for the Laguz Alliance:

"I told the others they could leave if they didn’t want to work with laguz, but everybody decided they’d rather stay. Don’t worry about it, Ranulf."

If they didn't want to work with laguz (Shinon and Soren would be the primary candidates he brought this up for), they didn't have to go. They didn't have to take part. They didn't have to be there. Shinon decided to stay despite fully aware they would be the only beorc there. That's development already... but if he supported Janaff, it starts to make more sense and feels like a proper linear path for his development.

"But DCB, he was racist toward Lyre!" Sure! He's not perfect and there's still room for growth. In fact, Shinon started out calling her a sub-human but referred to her as a laguz when Gatrie was the only one left to hear him, so he either:

is trying to keep up appearances in front of laguz he doesn't like, using sub-human to their face but not using that term in private anymore (or to laguz he doesn't hate, i.e. Janaff in their A support where he catches himself about to use that term. Though he wasn't quite ready to say "laguz" yet, he stopped himself from using "you sub-humans" and instead said "you guys").

slipped up in using sub-human (from habit*) and called her a laguz when speaking to Gatrie because he's becoming more used to using that term regularly. That is to say, it's becoming more natural for him to say.

If you got his A support with Janaff, it makes sense that he slips up sometimes still but is trying to speak more properly about laguz. Getting out of old habits is hard. Feeling differently about something you've had a steady mindset for (in his case for 27 years as per his support with Janaff) is hard. There will be slip ups.

*It's possible Shinon uses "sub-human" as an insult aimed at individuals he doesn't like while not meaning it toward others (i.e. he doesn't like Kyza and Lyre). Yes, this is a big flaw! He could very well be using a racist term to express distaste toward someone specific but not mean it toward the whole of laguz. It's still racist and shouldn't be done, but the fact that he turned around and said "laguz" only a couple sentences later (if that) means that something is kicking in and some gears are turning.

Again, if you look at his A support with Janaff, he wasn't even at the point of using "laguz" at all! If you consider their A support part of his linear development, he starts as he is in PoR, supports Janaff and goes through their conversations while seeing laguz differently now, and ultimately ends at respecting Janaff. Despite this, he's not ready to use "laguz" yet because he experiences with laguz to date, prior to Janaff, had all been presumably negative enough for him to develop this racist mindset.

Linearly, that brings us to RD. He's suddenly fine staying with the GMs and fighting a war on behalf of the Laguz Alliance, even when he was directly given an out. Next, we have him refer to a laguz as a laguz - something he wasn't able to do yet in PoR.

Does the linear progression stop there? Not if you supported Janaff! Following those things, again, when Janaff arrives in 3-7, their bond will show up in their profiles. These bonds are separate from RD support bonds in that they're basically saying these characters were bonded before the events of RD and thus have special bonuses near each other, regardless of if you support them in RD.

So where does this lead us? Well, like in PoR, we start to lose focus on the GMs as a whole and only end up with focus on a few of them. Our next line of progression can only come from supports again. These are notable and extremely important if he's supported with a laguz.

If it's Janaff you support him with in RD, he gets one of his standard support quotes in battle. Maybe you're thinking that sounds unimpressive and unimportant... but this means he's responding to Janaff as someone he's familiar with and not treating differently from the others (which is not the case when responding to several others, which I'll get to). Normally you'd expect him to treat a laguz differently, but he speaks with Janaff like he would to any beorc.

It gives off an air of familiarity - like they already know each other, are passed all that nonsense and aren't even thinking about it anymore. This is, of course, the case regardless of if you supported them in PoR (but again, I find their PoR supports to be important in terms of a proper, full linear progression of Shinon's development, which is something not every character actually even gets, i.e. they don't get a fully fleshed out and ongoing development story between both games if they're not a main character).

It's almost like it's considering that you may have gotten their PoR supports. It has to leave it up in the air as to whether or not you did, because it'd be odd if he was suddenly treating Janaff like they weren't as familiar with each other after getting their PoR supports. In other words, by default, their relationship in RD is not as bad as it starts in PoR in their C support. It feels like they've already supported and are closer now to be at this point.

So why is it important that he acts no different with Janaff than anyone else? Because he does act different near laguz kings. He's given special, personalized lines to the laguz kings and refers to them sincerely as laguz. Important to note is that the laguz kings only become playable in part four (Tibarn and Naesala) and Endgame (Caineghis).

These are characters he would have absolutely no chance at having any development with in either game prior (even if you consider time spent in PoR, Tibarn and Naesala are not playable until the final chapter and you can only pick one of them. Caineghis, plain and simple, is not even an option). That means his supports with them are the very beginning of their relationship.

This is by part four. There's been development since part three in his character that we don't see. He's now openly referring to them as only "laguz" (remember, he was back and forth earlier in RD). He treats them with respect.

"But DCB, of course he does! They're kings! They're powerful!" But the Shinon we started out with in PoR wouldn't have cared less. To him back then a sub-human was a sub-human. Even as allies, he wouldn't have respected them (re: his C support with Janaff). Instead, here, in RD with these supports, he can talk with laguz directly, refer to them as such, and give them respect.

He also doesn't start out being intentionally racist toward them. He's at the point, by the time he can support the laguz kings, where he skips right past the active "sub-human" bullshit.

What do I mean by that? Well... I mean with Tibarn, he almost says sub-human but catches himself and doesn't just say "you guys" like he did with Janaff in their A support (which came before his C support with Tibarn if you consider his development linear and including Janaff). He corrects himself, and instead uses "a king" - similar to his "you guys" pull back, but outright referring to him as a king is actually a step above that (and again, this is their C support).

King Tibarn. It seems like a sub-hu– I mean–a king such as yourself can hold your own.

He's learning! He's growing! He's maturing! He's realizing he can get out of that mindset! All his experiences prior to PoR, based on his supports with Janaff, would imply he's only ever known that he has to protect himself against them. He never got to actually meet one. When he did, it was hard to pull himself out of old habits for new experiences. He was trying for Janaff, but he wasn't quite there yet. Here, he does something very similar.

With the other kings, he just outright refers to them as kings with no stumbles.

Hey, Lion King! Of anybody here, it seems like you’d be just fine.

Raven King, you seem all right. No need to be babied, I hope.

Mind you, the latter is pretty standard Shinon in personality. It's unrelated to Naesala being a laguz. However, both are these are completely respectful as a person talking to another person.

For his B supports we have:

I thought you were the all-conquering King Caineghis! And yet, you mess up. Bizarre. You better stay by me.

Hawk King, whew, even you mess up sometimes. Kinda makes me nervous. You better stay by me.

Raven King–your fighting? Not good. Just…stay by me and let me handle this.

Bizarre, he says, that one of the strongest people he knows is having trouble. He's actually surprised. No comment about how sub-humans suck or anything, not here!

Similarly, even Tibarn messes up sometimes. He's surprised. He expects basically perfectly from Tibarn (so this presumes he has positive expectations of him from what he knows of Tibarn).

Naesala's fighting isn't good? Well what does PoR Shinon care! Let him die! But that's not RD Shinon (and remember, these quotes could've been anything else considering he got specifically personalized quotes with these three, and personalized quotes for RD supports are somewhat few and tend to be for specific pairs).

Stay by me, he says! The same things he'll say to anyone! To any beorc and to any laguz. Again, personalized quotes did exist and they were there for certain pairs. Those pairs got special quotes specifically for their relationship). He didn't avoid saying "stay by me" just because they were laguz.

Mind you, his support quotes with these three are much more respectful than usual Shinon. He's very, uh, hilariously Shinon (there is a word for this, however at this time I cannot think of it 😔. I am not thinking of sarcastic, I am thinking of... something else. Granted, these lines are directed to Reyson and Rafiel, who technically can't fight... so I'll give him a break on that one) in most of his quotes, and some don't sound particularly respectful ("Prince ___, it’s really hard to watch you fight. Why don’t you stay by me and let me handle this?").

Now for the A supports (and BOY HOWDY I'M EATIN' GOOD HERE)...

You know, I’m not one for making friends and being nice. But, Caineghis, I gotta say, you are one bad laguz. In a good way! Hang in there.

I gotta admit… I didn’t like you when I first met you. But, Prince ___, I hope you make it through all this. I was wrong about you.

You know, I really don’t care who lives and who dies. But, Hawk King, for a laguz– hey, for anyone–you seem pretty decent. I hope you make it.

You know, I never thought I’d say this, but… King ___, I’m thinkin’ you should live. Don’t ask me why! Just a crazy notion. Maybe I like you?

Not one for making friends and being nice in general, with beorc, but he's befriending a laguz? Well now! What would PoR Shinon pre-Janaff say!

If you need me to explain the lines to Reyson and Rafiel to you, I have no hope for you at this point. If you can't read "I was wrong about you" and understand what that means, you might need to go back to school. In fact you definitely do.

For a laguz - no, scratch that because that doesn't fucking matter anymore - for anyone - you seem pretty decent (<-- this is the way Shinon talks to everyone).

Maybe he likes Naesala? Maybe they're friends? Maybe he just admitted he's fond of a laguz? Maybe he just said he likes a laguz??? Gosh jolly, early PoR Shinon is rolling in his grave!

So uhhh, what does this have to do with Janaff? Well, like I said, I feel like their supports slot perfectly into Shinon's development that's going to exist anyway. It's like the middle part of it that you get to see but also may miss out on. It's like jumping from PoR to RD and wondering what on earth happened in between to bring Shinon to that point... and if you consider his A support with Janaff, it makes sense that that's what happened. It fills that gap, and it also slots in perfectly with where he is in his development as a character between two games.

Timeline:

PoR start - Shinon hates laguz. He seems to hate them for reasons unknown. Greil dies; Shinon leaves. Chapter 18 is reached and Shinon is recruited back into the GMs. Despite that the GMs are now working with the Crimean army which has actively allied itself with the beast and bird tribes, Shinon whatevers his way through that fact and rejoins. He'll tolerate, he guesses. Fam is here.

Cue Janaff supports. New birb, who dis, except he's rude! Yes folks, it was Janaff who was rude first (his lines were also very Janaff... who is very like Shinon, so it makes sense that would get a negative reaction from Shinon even if he was a beorc). Shinon is set off and now thinks he was right to hate laguz. Look at this annoying birb face and his dumb lil hat!!! Better threaten to kill him just to be safe...

B support, they're having a conversation and learning from each other because Janaff came over to apologize. He knows he was in the wrong to nag at Shinon just for being an unfamiliar face. Shinon is still pissy though because it's a goddamn birb with a hat!!! Their conversation is a mix of ugh fuck this annoying guy to actually talking things out... and Shinon admitting why he hates laguz - because he's always needed to protect himself from "those half breeds". Sounds like his only experiences were very negative, so he ends up racist. Well, Janaff was also racist until very recently for similar reasons, and he used to think all beorc liked to kill. He, too, had misconceptions that bred a racist hatred. Now, though, with Shinon talking to him, he's realized he was wrong about beorc and is open to seeing things differently. Shinon backtracks, realizing he's having this conversation with the birb with a hat and wonders why.

A support, they talk more and it's getting better... and Janaff not only admits to relating to Shinon - which is a nice touch because they're two sides of the same coin who are both still very much learning about each other's races - and mind you Janaff was racist at 110 years old so he's been doing this shit for a while! It was because he talked with Shinon and learned more about beorc that, on top of what Ike did for Leanne, he's being more open minded now. Janaff, understanding where Shinon is coming from (ignorance and misconceptions), is much more polite and kind to him. Shinon, in response, backtracks when he almost uses the racist term "sub-human" so as not to offend Janaff, leaves off here respecting him and, when Janaff has to leave because the support is over, calls him back because he wants to hear more about the world from him because Janaff has lived for so much longer. Maybe the birb with the hat isn't so bad at all after all!!

From here the GMs fight with laguz allies until the end of PoR. Two or three years pass idk shit's inconsistent I guess, and we get to RD.

By this point Shinon has already been in an army that allied with and fought alongside laguz, and maybe that's tempered his feelings. When given an out from joining the other GMs in their aiding of the Laguz Alliance, and as the only beorc, he chooses to stay with the group.

At this point he's back and forth with "sub-human" and "laguz". There's definitely improvement, but old habits still get out sometimes. Still though, he's progressed from "you guys" to outright using "laguz".

The laguz kings join in the fight against Ashera. Shinon can support them, getting personalized quotes specifically for them (and for the herons). With Tibarn, he catches himself and corrects what he almost said - something he did once before with Janaff as per this linear timeline. That's the only instance left of a mistake in his wording. By now he's not using "sub-human" at all (B and A support with Tibarn or C-A with Caineghis or Naesala), or he's freely and without stumbling using "laguz" with no "you guys" esque backtrack.

This is obviously only one aspect of Shinon's development, i.e. the development of him growing out of racism similar to Janaff, and there are more aspects to him that did develop and grow throughout both games, but this post was specifically to highlight the importance of having Janaff there as part of his growth. Without it, it's like a blank, empty spot in his development where you don't know how it started happening and to such a degree (how did he go from outright using sub-human to using laguz at all? It feels like there had to be something in the middle of that growth, and without Janaff's supports it's just missing.

With them though, it's quite clear how he reasonably went from sub-human to "you guys" to laguz with some slip ups (ones that he corrects himself with if he actually respects the person, in this case Tibarn. He didn't bother correcting it with Lyre and Kyza because he didn't like them, which again, is still a flaw, but that was prior to his ability to support the laguz kings. It would be more reasonable to say he's starting to grow out of using "sub-human" just to specific people as an insult by this point.

Mans ain't perfect, but he's trying and he's working on it. Why is that without Janaff involved in his development? I 'unno, I guess he just had some random offscreen development between the games. With Janaff though? It actually works, fits and makes sense. It feels like that part of his development is meant to be there, as it compliments his development going forward.

that's it that's all i had to say bye now

#Shinon #there is quoted evidence so nobody can say im just bias and making shit up 😤#anyway he's a multi faceted character AND gets development which FE does NOT usually do for non-main characters!#they especially don't usually get BOTH of those things!#Shinon's extremely lucky in that regard (especially bc not even all of the GMs were given this treatment and good fortune)#It's also very fun seeing Shinon and Janaff develop simultaneously. you get Janaff a SINGLE chapter before you can #get Shinon back (actually use him again) and the very first time you can ever use Janaff is ON the chapter Shinon returns #cooooincidence? maybe but I choose not to think so #Janaff feels so integral in Shinon's character growth in this regard #at this point my brain has cemented their supports as canon #anyway they're a great couple they never kiss and they definitely don't admit to being in love #they think y'all are delulu for thinking they're dating but actually they're the ones who are delulu #i have a do not separate policy for them in part four so shinon always ends up in the hawk army #which rly i don't need to do bc it's not like i need as many shrieks as i end up with #so really janaff doesn't HAVE to be with ulki and tibarn but it feels right #also it's like the one time i have everyone from a respective class type (archer classes) in every army #ALSO also I think it's an interesting situation to have Shinon in the final chapter before endgame 1 #maybe it would be cool to write about someday. him seeing the feral drugged laguz and how nastily mindless/cruel/violent/etc they are #compared to the people he knows and starting to realize this was how he used to see ALL laguz #and now seeing it's only these mindless drugged ones and how the people he knows are nothing like this...

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thankskenpenders · 3 months

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The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

#tkp post #tlsc #tlsc beginnings

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californianedgeworth · 1 year

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after playing Yakuza 4 and most of Yakuza 5, Y0's handling of multiple protagonists becomes so much better in comparison. the alternating between Kiryu and Majima's storylines, better interweaving of characters and plots to maintain interest in both perspectives, and the RECAPS when you switch characters. i miss the recaps!!! it handled multiple pov's very well. meanwhile the only connective tissue between all the protagonists in 5 is mysterious shady organization whose members I can't keep track of and that detective guy I forgot the name of. it really feels like there isn't much linking them, and since it's so disjointed the build-up feels worse

#i'm getting to the finale of y5 and all the characters from the beginning of the game are returning and I haven't seen them in 40 hours of #play time and several real life weeks #like i am already kind of uninterested in whatever is going on with Morinaga + co. and not seeing them in weeks hasn't helped #though i love y5's protagonists. getting to play as Haruka is epic. Shinada is my guy now #and I really like some of the side characters like Takasugi and Baba. and I love the absolute excess of side content #but the main story is a bit of a slog. the villains and finale in y4 fell flat for me too #my txtstuff

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myheadphonesareneverloudenough · 2 months

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me when i’m the audiences’ least favourite character and finally get my redemption arc only to be reduced to a stripper joke in the finale. and the woman i would give my life for disappears and i don’t spend any time looking for her, and only reference her once to make someone else happier about their life.

me when i’m a well loved character that audiences love because of my spontaneous acts of chaos and caring soul, only to be shoved aside and have my whole life ruined in the finale.

me when i’ve had so much taken away from me in my life that i had to resort to becoming the villain of my own story just to return to the people i love, only for my love interest which i fought so hard for to be left barely mentioned in the finale, and his absence doesn’t do anything to motivate my actions.

me when i spend years on self improvement before getting sucked back into my dark, self destructive ways and barely any of my so called family notices. and then my entire arc is left unnoticed and does absolutely nothing to my character development.

me when i spend my whole life trying to protect my family and have a clear set of priorities and passions, and then i throw that all away when i see a chance to get with my brother’s wife who’s physically 20 years older than i am.

me when i'm practically sacrificed because the girl i love is is the key to the end of the world, and all i do is turn into a hideous creature without any real sendoff or significant death scene.

me when i've been arguably the most significant character for the whole show just to get zero character development throughout the finale as i'm separated from the rest of the main cast.

me when i was introduced later in the show because of my vital importance to the plot, only to have my personality stripped from me so i can cheat on my fan favourite husband with his brother.

me when i'm a squid that swallows a girl and no one cares to explain why.

#me when season 4 of umbrella academy #the umbrella academy #tua #tua season 4 #tua spoilers #im really confused about the fuckin squid you guys #j screams

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lynnuvo · 2 months

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Of Course a Prince Needs a Princess

Characters: Yandere Prince x Female (Y/N) In which you reincarnate into a fairytale where Yan!Prince wants his happy ending too

𝑃̲𝑟̲𝑜̲𝑙̲𝑜̲𝑔̲𝑢̲𝑒̲

Having a second chance at life in exchange for the death of your previous one came with a crash. You weren't sure how it happened, but you luckily retained your memories and your wit.

It didn't take long to find out you were in a world akin to Cinderella's story--from the stepmothers to the talking mice to the royalty the citizens praised. Unfortunately, you weren't looking to live in a grand castle. Or maybe you were, but not with being married to a man you don't have feelings for. The original couple got together so quick, yet they barely knew each other. That story was definitely as it was: a work of fiction

Your new plan? Put up with the stepsisters, find a job elsewhere, and make enough bank to live comfortably in the village away from your family. You've never heard of laws in Cinderella's fairytale, but you were certain that the kingdom couldn't possibly force citizens to live with toxic family members.

𝑇̲ℎ̲𝑒̲ 𝐵̲𝑎̲𝑙̲𝑙̲

After spending a few months doing chores and odd jobs around the village (the latter for some extra cash), your family finally received news of the fated ball.

You initially didn't plan on going, but you deserved a break. You didn't bother asking for permission to go; your stepmother definitely wouldn't allow it. The main problem was summoning Fairy Godmother.

Luckily, she couldn't tell the difference between fake tears and real ones. You behaved as close to the actual Cinderella as you could recall, and POOF!

With your new attire and coach, you made your way to the most gorgeous castle your eyes have ever fell upon.

It didn't take long for the prince to notice you, but this is where you drew the line at this fairytale life. You rejected his proposal to dance, shocking the other guests. You had to resist a smirk at your step-family's reaction.

Flabbergasted, the prince left you swiftly and moved onto another fair maiden. You indulged yourself in the catering happily, but after your stomach was filled, the stares of passerby began to discomfort you. The prince was occupied with another dance, so you wasted no time leaving the palace early (much to the confusion of the knights who stood guard).

The spell broke while at home with no evidence of your night out, not even the glass slippers. When your stepfamily returned, they bragged about their time and briefly talked about you (luckily not knowing you were the one who was "stuffing their face like a pig starved."). After that day, life returned to normal.

Or at least what you thought was going to be normal.

𝘙͜𝘶͜𝘯͜𝘢͜𝘸͜𝘢͜𝘺͜ 𝘊͜𝘪͜𝘯͜𝘥͜𝘦͜𝘳͜𝘦͜𝘭͜𝘭͜𝘢͜

Beginning that night, Yan!Prince thought about you often. He never imagined a young lady would ever reject his proposal to dance, though he didn't hold it against you. It was just a shocker.

Despite that, you appeared in his mind before bed and after he woke up, while he ate and while sharpening his combat skills. Even if he told himself that that one incident was nothing more than a brief interaction with a citizen of his kingdom, he couldn't forget the color of your hair, your pretty face, and how you paid oh so much attention to the food his family prepared just for that ball.

Upon overhearing the chefs gush about their gratefulness towards their food being appreciated so much, he made up a personality for you: kind but forward, honest, valuing true intentions and love over gold and high status.

Too bad for him, gold was your highest priority. While he began going on strolls into the village in search of you under the impression of catching up with the townsfolk, you continued job-hunting and tending to the house. You even decided to cater to your stepfamily as best as possible--subtle enough so they wouldn't think you were trying to suck up to them.

Surprisingly, your relationship with them improved just a bit. But it was what you needed to get permission to work at a bakery in the village.

Once you discovered he was visiting the village often, you did your best to avoid the bakery window while working and hurry home once your shift ended.

Unfortunately, you both ran into each other just as you closed up shop. In a small panic, you inquired about him for the sake of courtesy. While you two spoke, he couldn't help but notice a striking resemblance between you and the lady who turned him down at the ball. You could tell from his facial expression he was piecing things together, so you abruptly bid farewell and ran away.

He would visit you a lot. After replying to his inquiry that you weren't the girl at the ball, he'd joke about it a lot (there was no other gal in the village like you). It didn't take long for rumors to spread amongst the kingdom that the prince had taken a fancy to you. You hated it. He didn't mind it. In fact, it no longer mattered whether you were the girl at the ball. Something about you pulled him in like a hook. Perhaps it was the determination he observed through the window. Perhaps it was the way you handled children while taking a breather outside as he ate inside. Perhaps it was destiny.

As time passed, you grew more tolerant of him. While you didn't want him to be your romantic partner, you guessed you were okay with being his friend. As time passed, he grew more frustrated you weren't his. His father took note of his unusual agitated self, but he waved it off as stress when thinking of a future bride.

"What about that lady the people are saying you like?"

"Oh, her? She has....a way with herself. It seems that she's not interested in me."

"Perhaps you both need a bit of a push."

Since then, the King made a few visits to the bakery to chat--no marriage mentioned. He wanted to see what you were like. Although you were a kind girl, he confronted Yan!Prince with the truth that he probably wouldn't have a spouse who didn't want him. It broke his heart to hear, but he wasn't ready to let go yet.

You were already preparing your escape long before the ball, but the pace of your plan sped up now that the prince was on your trail. You found out about the closest kingdom from acquaintances and saved up funds to use on your journey.

When the prince discovered you had quit your job via a disappearance, he visited your home. Your stepfamily was in shambles (literally. The place was filthy.) and shared that you had disappeared overnight with your belongings. There was no mistake in it: you had abandoned him.

Framing your escape as a possible kidnapping, he ordered guards and encouraged the rest of the kingdom to search for you. All of his efforts was on the search.

Photography didn't exist, so you were fortunate that the description he gave out about your appearance was vague. Somehow, you made it to the nearest kingdom with a plea to the guards that you made your way there in search of a better life. The Queen was kind and sponsored a place for you to stay for the first five months while you adjusted to your new life in exchange for you finding a job. It didn't take long to do so with your desperation.

In no time, you were living a much happier life in your home, with your new friends, and even someone who kept catching your eye. Talk of the nearby kingdom's drama was entertaining, even more so with the subject amongst them.

Meanwhile, the prince's mental and physical wellbeing deteriorated. Some say the search took a lot out of him. Some say he was so heartbroken, he had no will to live. Maids in the castle whispered about the prince being locked in his room from the outside because he grew violent--so out of character! Disturbed, the King confided in only those closest to him about his woes. Whatever did that woman do to infatuate his son so much! No one could approach him anymore. He ate and drank only when he needed to. His room became a mess. How did such a sorrow fall on the family of royal blood when there was so much potential for happiness to look forward to?

Anyone could guess that were was no point in a happy ending for romantic fairytale if there was no romance to begin with.

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softspiderling · 2 months

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est-ce que je t’aime? | j.v

summary:

“What does dear Jace have to say?”

“I do not like your tone,” you huffed, snatching the letter out of his hands. Daeron chuckled, his eyes gleaming.

“You could become my niece, if this continues.”

“Oh please,” you answered, not even entertaining the idea. “I am too low of a rank for him to even consider marrying me.”

OR; After having spent almost eight namedays in Oldtown, you longed for your return to King’s Landing, to see Jace again. When the day finally comes, you didn’t expect to be thrust in the middle of a war for the crown.

pairing: jacaerys velaryon x reader, platonic!daeron targaryen x reader

warnings: mention of death (Viserys), canonical violence (follows plot of the show up to Storm’s End), otherwise this part is pretty tame!

word count: 8,2k

author’s note: i do not know a single thing about daeron except for the tidbits we have learned in the show. the rest is made up (but imo my Daeron character analysis is pretty great finally my bachelor's in english has proven useful). this is gonna be a two parter! the first part is heavily reader x daeron/team green focused, while the second part will focus on reader’s and jace’s relationship. title is from GIMS' song est-ce que tu m'aimes which also inspired this fic... also @eldrith bc i fear i will be threatened with a gun if i dont... happy reading 🫶🏼

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

“I have a letter from the Queen Alicent and and another one from the Prince Jacaerys Velaryon,” the messenger said, bowing as he stood at the door.

“Thank you Ser.”

Taking the letters, the messenger bowed to take his leave, and you handed Daeron the letter from his mother before settling into your chaise with Jace’s letter.

This was how you and Daeron received news from King’s Landing and Dragonstone. You hated how you had to wait so long to hear news, longing for the time all of you were at King’s Landing together, but you knew that things hadn’t been working out with Rhaenyra and her family nor with Alicent and her children.

You thought that was the main reason Daeron had been sent to Oldtown, to shield him from the tumultuous life at court and you along with him, despite that you had been Helaena’s lady in waiting.

Smiling at the contents of the letter, you tried to imagine Jace’s voice as he told you of Luke taking flight with Arrax for the first time, failing miserably. It had only been two years since you saw him last, but you knew how boys matured quickly in a short span of time, Daeron being the perfect example.

He had only come up to your shoulders when you first arrived in Oldtown, now, he was almost as tall as you.

“Helaena and Aegon were married,” Daeron suddenly said and your hands stilled, lowering Jace’s letter.

You glanced at him, noticing how small his voice sounded. Putting the letter away, you clasped Daeron’s arm, offering some comfort. You knew how hard it was for him to be away from his family and hearing about important news like that through letter just made the distance seem even greater.

“To whom?”

“To each other.”

“What?”

“Look,” Daeron said, handing you the letter his mother had sent him with the official sigil of the Targaryen house. You read through the letter, before sitting back with a surprised sigh.

“Helaena must be devastated,” you muttered, rubbing the side of your temples. You couldn’t imagine how alone Helaena must feel, to be married off to Aegon. He had always been a little crude; you doubted he had changed much.

“I cannot believe mother did not even deem it necessary to bring me home for their wedding,” Daeron said with a frown. “Am I even still her son?”

“Don’t be ridiculous,” you chastised him. “Your mother sent you away for your own good.”

Even as you said those words, you didn’t quite believe them yourself. It had been so long since Daeron has seen his family, you understood sending him away in the first place, but going for so long without a single visit?

With a sigh, Daeron brushed his silver hair back, angling towards Jace’s letter you had left on the table.

“What does dear Jace have to say?”

“I do not like your tone,” you huffed, snatching the letter out of his hands. Daeron chuckled, his eyes gleaming.

“You could become my niece, if this continues.”

“Oh please,” you answered, not even entertaining the idea. “I am too low of a rank for him to even consider marrying me.”

“So you have thought about marrying my nephew?”

You groaned and Daeron only cackled when you shoved him.

“Go sit and write to your mother,” you told him with a sniff of your nose and even though he grimaced at you, he sat down at the wooden desk, grabbing a roll of parchment. Even though Daeron was of much higher rank than you, he had adopted you as some sort of older sister ever since you two got to Oldtown, with you being the only familiar person from home that was still present in his life, apart from his uncles, of course.

It pained you, to see Daeron long for his family, who seemed to have discarded him so easily. You wondered when he would get to his family again as you reached for Jace’s letter to keep on reading;You wondered when you would get to see Jace again.

It was six more years before either of that would happen. However under much different circumstances than either of you had imagined.

“Urgent news from King’s Landing!” the messenger said, his breath short as he handed Lord Ormund a roll of parchment. You and Daeron glanced at each other; you were in the middle of breaking fast, the most important meal of the day in Oldtown; it must be incredible important news for the messenger to disrupt the meal like that. His face was stony as he read the contents of the letter, before his eyebrows raised in surprise. He lowered the letter, his eyes finding Daeron.

“Your father has passed. They are to crown your brother Aegon to be King. You are expected back in King’s Landing.” Lord Ormund’s eyes found you. “Both of you.”

It didn’t take long for Daeron and you get everything ready for your departure, you barely noticed most of your belongings being packed up, still reeling from the news. You couldn’t believe King Viserys had died. Of course you had known from the letters that Daeron had received from his mother that the king had taken quite ill, but still. And he named Aegon as his new heir? You couldn’t imagine Aegon, the boy who teased his brother endlessly to become King of the Seven Realms, but who were you to judge?

Your hand was itching to write to Jace, despite your last letter still being unanswered. You weren’t sure what had changed, but lately you felt like Jace’s letters had become scarce, every answer taking longer than the last. You weren’t quite bold enough to ask why in a letter, fearing a rejection, but maybe when you saw him, you could gauge his mood. You knew you were to see him at King Viserys’ funeral or the latest at Aegon’s coronation, you would see him sooner than your letter would take to get to him. Despite knowing that, your eyes caught on parchment and quill, so you took leave to Daeron’s chamber to distract yourself.

The door to his chambers stood open as you stepped in, the maids moving in a flurry as they packed his belongings, while Daeron was sitting on his bed, unmoving. Gingerly, you moved to sit behind him, but he barely acknowledged your presence, gazing out of the window.

“I’m sorry about your father’s passing,” you told him, nudging him with your shoulder.

“I have been living without a father for quite some time,” he replied wryly, glancing at you. “I suppose it will not feel any different.”

You reached for his hand, squeezing it, hoping to lend him comfort. “I know. But still, I wish he had been a better father to you.”

Daeron only snorted, shaking his head.

“Are you nervous to see your kin again?”

The young Prince let out a laugh, unwinding his hand from your grip to stand.

“Kin? I haven’t seen them in nearly ten years,” he scoffed, starting to pace. “Mother writes to me once in a moon, Helaena’s letters are more confusing than not, and Aegon and Aemond barely write to me on my name day. I have not seen them since my eighth name day.”

“They are still your kin, Daeron.”

“By blood, yes.”

“Is there any other way to be kin?”

You were humoring him, knowing he was frustrated and nervous to see his family but Daeron stopped in his tracks, looking at you.

“Yes. You.”

You raised your eyebrows in surprise and he took his seat next to you again, cradling your hand in his.

“You came with me to Oldtown when you did not have to, gave me a sense of familiarity in this… Farce of a home, lent me comfort in a way my own blood failed to do,” he said quietly, squeezing your hand. “You are my sister in everything but blood.”

“Oh Daeron,” you sighed, pulling him into a hug and letting the younger boy - despite him arguing that he was long a man - find comfort in your arms. Ten and six, and the burden of feeling like you were abandoned by your family. You wished he did not have to feel this way, but you were powerless to change it.

“Swear to me you will not abandon me once we get back to King’s Landing,” Daeron said, pulling away to hold you at an arm’s length, his eyes searching yours.

“I swear it,” you told him, a smile on your face. “Swear to me you will not say any of this to your mother.”

Daeron let out a laugh at that, but you only shook your head, only half-jesting. You know Otto Hightower would fall right to his grave if he had heard Daeron call you his sister. You were high-born, yes, but in no way comparable to a Princess.

A knock sounded on the door, before a squire entered. “Everything has been prepared for your departure my Prince.”

“Very well, we will be right out,” Daeron answered with a nod.

The squire bowed, before leaving again and you squeezed Daeron’s hand, standing.

“I will go fetch my belongings, you go bid farewell to your uncles.”

Daeron nodded, taking a deep breath and squaring his shoulders. “I will meet you outside the city walls.”

You touched his cheek gently before you departed. A knight and two maids followed you with bags of sustenance and personal belongings to the city walls, where a handful of dragonkeepers were eyeing the sky. Lifting your gaze, you saw Tessarion fly over the city in circles, a smile growing on your face, excited to be making the trip back to King’s Landing on dragonback.

You had always loved whenever Daeron took you out flying on Tessarion; deep within you wished to feel a bond as special as a dragonrider had with their dragon. You wondered if Jace would take you flying on Vermax, now that all of you were reconvening for the King’s funeral rite and Aegon’s coronation.

Tessarion let out a screech before coming to land on the small green meadow, and you knew Daeron must be close. Surely enough, you heard footsteps coming closer before Daeron stopped just next to you, knights accompanying him.

“Will you miss Oldtown?” You asked him, but Daeron only shook his head.

“Nothing keeping me here,” he answered, stepping forward to greet Tessarion as she landed, calming her as the knights and maids attached the satchels and bags to the saddle. You let out a deep breath, turning to look at Oldtown for one last time. While Daeron had been right, a part of you was sad to leave, as it had been the place you had called home for the last years.

“Are you sure this is King’s Landing?”

The journey to King’s Landing had been uneventful and quick, a half day’s journey only. When you had arrived, flying over the city, Daeron directed Tessarion into the dragon pit, where the dragonkeepers had been waiting. Maids had then taken you into the Red Keep, and you barely had any time to react as you looked at the adornments that decorated castle; countless dedications to the Seven. The busy Keep you had remembered had now been replaced with empty halls and dark walls.

Daeron glanced at you before looking around. “Surely mother’s doing.”

The maid led you into empty chambers, bowing to Daeron.

“The Queen Dowager will be with you shortly, my Prince.”

Daeron thanked her and she inclined her head at him before turning to you.

“My Lady, if you follow me.”

“Where are you taking her?” Daeron, his hand on your arm to stop you from leaving. The maid paused, glancing between the two of you.

“To her chambers, my Prince.”

“She will stay with me.”

“Daeron, you should see your mother by yourself, I can come see you after,” you assured him but Daeron merely shook his head, his grip on your arm tightening.

“I shall not meet my mother alone.”

“Daeron-“

“Please,” Daeron begged, his voice panicked and you sighed, giving in. Only then did Daeron release the grip on your arm.

The maid still paused but she then decided to retreat, but not without bowing to Daeron again. He started pacing in the room, picking up the small trinkets that littered the desk.

“They just put me in my old chambers thinking it will be like I never left.”

You raised your eyebrows, glancing around before you realized that Daeron was right - you were standing in his old chambers. They had replaced the furniture and added a bigger bed, but it was the same chambers he had stayed in when he was a little boy.

“They have always kept a place for you to return, is that not a good thing?”

Daeron looked at you with a frown when the doors suddenly opened and Alicent stepped in, in tow with Daeron’s siblings and his grandsire, Otto. Alicent beamed at the sight of her youngest son, though her smile wavered when she saw you, before turning her eyes back to Daeron, opening her arms.

“My boy.”

“Mother,” Daeron replied, his voice hesitant before he fell into her arms, hugging him tightly.

Your heart warmed at the sight and Daeron seemed to lose all of the fears he had been carrying - if only for a split second - as he laid in his mother’s arms. You were content to stay back, let Daeron get reacq with his family again, but you weren’t ignored for long, when someone threw their arms around you with so much momentum, it nearly knocked you off your feet.

“Oh Gods,” you laughed, a head of silver hair in your face. “Helaena.”

“I missed you,” the Princess whispered and you hugged her back just as tightly, sighing. She gave you one last squeeze, before Helaena pulled away to muster you, running her hands through the ends of your hair.

“You look well,” she said. “Very beautiful.”

You flushed at her kind words, lacing her hands with yours. “So are you, my Princess.”

Helaena smiled brightly at you. “You must meet Jahaera and Jahaerys.”

“There is time for that later,” Alicent decided, cutting in. Helaena’s smile dropped slightly and she fled to your side as her mother stepped to you. You bowed your head to greet her, but Alicent grabbed you by the shoulders before pulling you into a hug, surprising you.

“Thank you,” she said quietly in the privacy of the embrace. “Thank you for watching over Daeron when I was unable to.”

You wrapped your arms around Alicent. “Of course my Queen.”

She pulled away, straightening her dress and you caught a glimpse of Otto talking to Daeron before Aegon and Aemond stepped into your view.

“My Princes,” you said, bowing. “My condolences for your father.”

“Thank you,” Aemond said. “He was in great pain, The Stranger freed him.”

His voice was monotone, almost void of emotion and you wondered if any of them mourned their father. Aegon nodded, though he seemed more subdued.

“Are you excited to be King, my Prince?” you asked, hoping to change the topic.

He gave you a wry smile, opening his mouth but Aemond gave him a subtle jab in the side with his elbow.

“Uh, yes, of course, my Lady,” Aegon said, clearing his throat. “Now that we have all reconvened, the coronation cannot come soon enough. You are a much better guest than our nephews.”

That made you pause.

“Jace and Luke were here?” You asked, your forehead creasing.

“Yes. Lord Vaemond challenged Luke as heir for Driftmark and the trial was held at court. They left just shortly before father passed,” Aemond told you, his voice even. You hadn’t known that.

“When are they expected to return?”

Alicent exchanged looks with Otto, silent conversation passing between them and you glanced at Daeron, who seemed just as confused. Something was going on, something you weren’t aware of.

“They are not,” Alicent then said and your lips parted in surprise. “Rhaenyra is upset, rightfully so, that her father had chosen Aegon as his heir, so she decided to remain on Dragonstone.”

Your eyebrows furrowed but you decided not to press the matter, only nodding. The topic was quickly brushed off as Alicent wrapped her arm around Daeron, trying to draw him into conversation, asking about his interests. You only listened half-heartedly, your mind still spinning from the news.

“Do you not think all of this odd?” you asked, your voice low. “I know Rhaenyra is proud, but refusing to show up to the coronation or even pay respects to her late father?”

It was the day after your arrival in King’s Landing, the day of the coronation. The day was hectic, the Keep suddenly bustling with servants and maids getting everything ready; you had taken the advantage to sneak into Daeron’s room, something that had gotten much more difficult ever since you got back to King’s Landing.

“Maybe thing’s have changed,” Daeron replied, rubbing his temple. “We have been away for a while, we do not know of the things that have transpired.”

You opened your mouth to argue, but a knock on the door interrupted you, a maid coming to fetch you for the coronation was about to begin. As you walked to the carriage, you were arguing with yourself on the inside, knowing that you were privy of most details, thanks to Jace’s letters. You couldn’t believe Rhaenyra wouldn’t rush to King’s Landing to bid farewell to her father. There must be something else holding her back.

As you got to the Dragonpit where the coronation was held, you were surprised that it was over faster than you had imagined, almost like it was rushed. Then again, this was your first coronation so who were you to say this wasn’t how every coronation went? As Aegon raised his hand to the small folk, eliciting applause, you joined in. The applause ceded when a loud growl shook the entire building. Silence followed, before the floor gave away when a dragon emerged through the stone, countless people falling to their death, trampled by the the huge beast with Princess Rhaenys on top.

Meleys, you thought, stood before the family, and Alicent rushed towards Aegon to shield him, cries and pleads from the smallfolk surrounding you. Criston shielded Helaena, and you grasped Daron’s hand as he only stared at his cousin in shock.

With bated breath, everyone waited - to be burnt, eaten, you weren’t sure. But Meleys only let out a deafening roar, before flapping her wings, breaking through the doors to escape to freedom.

“What in the Seven Hells was that?” you muttered to Daeron. He gave you a shrug, squeezing your hand as he looked you over, making sure you were unharmed.

The small folk on the other hand were fighting to get out of the building, which seemed to be crumbling in on itself, and Criston began to usher everyone out.

You were the last to come down from the stairs, taking Daeron’s hand he was offering to you when a crunching sound from above made you lift your head, seeing a large part of the roof cave in, falling right down heading straight for you.

“Sister!”

Daeron gave a harsh tug of your arm, pulling you behind him, as the large slab of stone fell right in the place you were standing mere moments ago.

“Are you well?” He asked, his voice full of concern as he padded you down.

“I’m fine, Daeron.”

“Daeron.”

You both looked up when Alicent called for him, just to see that they were all staring at you, Otto seeming incredibly displeased as you realized what Daeron had just called you. Seven Hells, you thought, this was precisely what you had been trying to avoid.

“Do you even realize what sort of rumors would be spread if anyone had heard you refer to her as “sister”?!”

You were pacing in front of the study, voices muffled through the wooden door. After you had gotten back to the Keep, Helaena and Aegon had returned to their children, while Otto and Alicent had dragged Daeron into the study. Neither of them sounded particularly happy, their raised voices spilling out of the room. You were wringing your hands, something that you had been doing a lot since you got to King’s Landing. Not even three nights ago, you were in Oldtown wondering if you were ever to return to King’s Landing, now you were back and everything was happening so fast and you felt like you were missing a big part of the story. When did the King change his mind about his heir? Why wouldn’t Rhaenyra and Daemon return to King’s Landing following the King’s death? And why in the Seven Hells did Rhaenys break through the floor with Meleys like she was being held captive? You had so many questions, none of which you had answer to; deep in thoughts, you didn’t even notice someone approaching you.

“Eavesdropping, are we?”

Letting out a small gasp, you jumped to face Aemond, a hand on your chest as he eyed you, unimpressed.

“Gods, you scared me,” you said, shaking your head. “No, I am waiting on Daeron. Your mother and grandsire didn’t want me to come in.”

Clearly.

Aemond didn’t say anything else as he leaned against the wall, his arms crossing over his chest. You eyed him as he stood there, on guard. It was hard to gauge him; you felt like Aemond was waiting for you to make a mistake so he had a reason to get rid of you. You remembered the soft, warm boy he used to be when you first got to King’s Landing. You wondered when he had changed, if it was when Luke took his eye or before.

“I should have known Daeron would cling to you after you had gone to Oldtown with him,” he said, his voice slow. “What is it, that you are planning to do with him? Make him infatuated with you so you can insinuate yourself into our family?”

Your ears grew hot at his implication. How dare he abandon his brother for nearly all his life and accuse you of having improper thoughts?

“Daeron is like a brother to me,” you said, voice indignant. “I care about him and I mislike being accused of such a horrible things.”

“So you vow your loyalty to our family, to Aegon as King?”

The way Aemond phrased the question made it seem like you had a choice and you hesitated, the fight leaving you.

“Of course, he’s the rightful heir, is he not?”

Aemond only gave a nod, taking a step back. You narrowed your eyebrows at him, but the door opened and Daeron stepped out, his face in a scowl.

“What happened?” you asked, but he only gave a brief shake of his head. He inclined his head, and you followed him, a knight on your trail, while Aemond stayed behind. The two of you walked for a while, until you reached the gardens, the knight staying by the edge as you and Daeron took a seat on a bench. He still seemed agitated, so you placed your hand on his shoulder to calm him down.

“They accused me of impropriety,” Daeron muttered. “Said that I was opening our family up for vulnerabilities and rumors.”

“We’re not in Oldtown anymore, Daeron, everything you do here is looked upon,” you sighed.

“What is improper about calling you my sister? You have been by my side since my eighth name day,” he argued. “How can I call a woman my mother when I haven’t seen her since I was a boy? The strangers brothers and sister, when I barely recognize them?” Daeron hissed, his voice rising.

“I know you’re upset,” you said quietly, eyes darting around, not wanting him to get in even more trouble. “It’s hard for them to understand. They are not trying to hurt you.”

“Did they not try to hurt me when they cast me out of the family?”

You sighed, leaning your head on his shoulder, and Daeron let out a shaky breath, staring out in the distance.

“How is my brother faring?”

You shut the door to Daron’s chambers quietly to find Aemond waiting just in front. After you had spent the rest of the afternoon in the gardens, you had thought it best if Daeron laid down for a while before supper, hoping it would calm him.

“It’s hard for him to find his footing here. His life in Oldtown hasn’t been this… Restrictive. It will take him time to adjust.”

Aemond nodded, letting out a sigh.

“I was hoping he would accompany me,” he said. “But I do not think he sounds well enough to go.”

“Where are you going?”

“Storm’s End. To get Lord Borros to vow for my brother.”

What?

“Forgive me but who else would he be loyal to?”

Aemond turned around, looking at you in disdain.

“Rhaenyra. She might think she still has some claim on the throne.”

He paused, eyeing you carefully.

“You should come.”

“Me?”

Aemond’s eye swept over you once more and he nodded.

“Yes, it will look good to Lord Borros if someone outside of our family is there showing support to Aegon,” he insisted. “It will be a short flight on Vhagar.”

“Very well,” you said, a glance on Daron’s closed door, wondering if you should tell him that you would be gone, but it sounded like the trip to Storm’s End wouldn’t be long, so you decided against waking him. You could tell him after.

You followed Aemond to the dragonpit, where a maid laid a cloak around your shoulders as you watched Aemond mount Vhagar, the breath stocking in your throat at the size of his dragon. Vhagar was large and old, barely able to turn in the dragon pit without brushing the cave.

“Come,” Aemond said, offering his hand to you before pulling you into the saddle, instructing you to hold on tightly.

“Soves, Vhagar!”

With a loud growl, Vhagar stepped out of the dragon pit before taking to the skies, her enormous wings stretching out several feet. The ride on Vhagar was much smoother than every ride you had ever taken on Tessarion, and it wasn’t long before you reached Storm’s End, dark clouds following you. Vhagar landed in the courtyard, you and Aemond climbing off.

“Just in time,” the Baratheon knight said, watching the rain pour from the skies just as you stepped under the roof.

“I am Prince Aemond Targaryen, brother of King Aegon II,” Aemond said, fixing his doublet. “I am here to talk to Lord Borros.”

The knight lead him into the Round Hall, where Lord Borros sat on his seat, seemingly having expected Aemond, his four daughters standing idly next to him.

“Prince Aemond, what can I do for you?”

“Lord Borros, I am here to ask you to pledge loyalty to my brother, King Aegon II.”

“King Aegon, you say,” Lord Borros said, arrogance dripping from his voice. “And what do you offer me for my loyalty?”

You were taken aback by his words, but Aemond only smiled, his hands locked behind his back.

“Your four daughters… They are still unwed?”

A smile spread on Lord Borros’ face and he gestured to his four daughters with his arm.

“Indeed. Are you proposing a betrothal?”

Aemond inclined his head. “Not only am I free to marry, but my younger brother, Prince Daeron as well. His lady companion can attest to his formidable character.”

Your eyes widened at Aemond’s words and you glanced at him, anger welling up inside you. So this was why he had wanted you to come. Aemond paid you no mind and you exhaled deeply, turning to face Lord Borros again, putting up a faux smile.

“Excellent, excellent,” Lord Borros said, clapping his hands. “Let us discuss-“

“My Lord!” A knight called, striding into the hall with quick steps. “Another dragon has been sighted, headed straight to Storm’s End.”

“Ah, that must be my nephew,” Aemond replied easily, your heart skipping a beat. Were you finally going to see Jace again? Lord Borros gestured to the side, and Aemond placed his hand to your lower back to push you along; you fought your urge to slap his hand away from you, eyes darting over to the door.

The heavy rain was still pelting outside, nearly drowning out the sound of the steps as a young boy entered.

“Prince Lucerys Velaryon,” the knight announced. “Son of Princess Rhaenyra Targaryen.”

Luke, you thought, looking at the young Prince, now old enough to be delivering messages. The last time you saw him, he was round faced, his dark locks curling around his angelic face. Seeing him lessened the fire in your chest, though you were still angry at this whole situation, and you threw Aemond a look. He didn’t seem like he was paying any attention anyhow, his focus on his nephew who came further into the hall.

Luke’s step faltered when he saw Aemond, before his eyes laid on you. You tried to give him a comforting smile, show him you were a friendly face in a crowd of hostiles, knowing Luke was about to be met with a rejection, but he quickly glanced away, facing Lord Borros.

“Lord Borros...” Luke started. “I brought you a message from my mother... the Queen.”

“Yet earlier this day, I received an envoy from the King,” Lord Borros drawled, his tone less warm. “Which is it? King, or Queen? The House of the Dragon does not seem to know who rules it.”

Lord Borros chuckled in amusement and you could tell Luke was nervous by the way he was shifting on his feet. Aemond seemed to enjoy all of it.

“What’s your mother’s message?”

Luke held out the parchment roll and the a knight fetched it, bringing it to Lord Borros, which he readily accepted, asking for the maester. As the maester quietly recounted the content of the message to Lord Borros, Luke glanced to you and Aemond numerous times, his hand gripping the hilt of his sword. Your eyebrows creased, but the corners of Aemond’s mouth tugged up.

“Remind me of my father’s oath?” Lord Borros spoke, the message seemingly upsetting him greatly. “King Aegon at least came with an offer: My swords and banners for a marriage pact. If I do as your mother bids… Which one of my daughters will you wed, boy?”

Luke hesitated. You pressed your lips together; he had probably expected less of a hostile welcoming. Lord Borros only scoffed at Luke’s silence.

“Go home, pup,” he sneered. “Tell your mother that the Lord of Storm’s End is not some dog that she can whistle up at need to set against her foes.”

Luke inclined his head, disappointed at the rejection.

“I shall take your answer to the Queen; my Lord.”

Luke turned to leave, but Aemond stepped forward, calling out to him.

“Wait, my Lord Strong.”

You glanced at Aemond, letting out a soft breath, nerves pooling in your stomach. Luke turned, despite the blatant insult.

“Did you really think that you could just fly about the realm trying to steal my brother’s throne at no cost?”

Your hand reached out to grasp Aemond, but he slipped out of your grips as he stepped closer to his nephew.

“I will not fight you. I came as messenger, not a warrior.”

“A fight would be little challenge,” Aemond said. “No. I want you to put out your eye.”

He took off his eyepatch and you pressed your lips together, eyes darting between uncle and nephew, knowing this was about to escalate terribly.

“As payment for mine. One will serve,” Aemond added, throwing a dagger in Luke’s direction. “I would not blind you.”

Luke stared at Aemond in shock, his lips parted.

“Plan to make it a gift of it to my mother.”

Luke’s eyes dropped to the dagger on the floor, before he lifted his head. “No.”

“Then you are craven as well as a traitor.”

“Not here,” Lord Borros said, but no one paid him any attention.

“Give me your eye!” Aemond yelled, descending upon Luke, grabbing the dagger from the floor, while Luke stepped back, reaching for his sword. “Or I will take it, bastard.”

“Aemond!” you shouted, panic evident in your voice.

“Not in my hall!” Lord Borros cut in, his voice raised and Aemond stopped, turning back to look at him. “The boy came as an envoy. I’ll not have blood shed beneath my roof. Take Prince Lucerys back to his dragon. Now.”

Luke resheathed his sword, throwing one last look at you before he turned, hurrying out of the hall. Aemond let out a huff of frustration, throwing a dirty look at Lord Borros, exiting the hall without waiting for you.

“Aemond, wait,” you called after him, hurrying to keep up with his long strides. “You’re not thinking about following him on Vhagar in this horrible storm, are you?”

“He cannot get away with it, not again.”

Aemond’s voice was angry and you let out a breath, trying to keep a clear head.

“This is a thing from the past!” you reminded him. “Did you not gain a dragon from it?”

“You were not present when he took my eye!” Aemond hissed, taking a turn before you had reached the courtyard, just in time to see Luke on Arrax, flying out of Storm’s End. It was raining so heavily, you could barely see him, dark rain clouds swallowing Arrax and his rider easily.

Aemond was already walking towards Vhagar, the rain soaking, as you stayed put under the roof, hesitant.

“Are you coming, or staying?” Aemond shouted, climbing on top of Vhagar. You could feel the anger rolling off of him, something that Vhagar no doubtedly was feeling as well with the way she was growling and you wanted him to stay, calm down, but you knew it was no use, so you exhaled deeply, lowering your head.

“I am coming.”

You took his outstretched hand and he pulled you into the saddle behind him; you had barely settled in before Vhagar already leapt up in the sky.

The rain felt like small icy daggers in your face as you ascended higher and higher to the sky, easily catching up to the smaller dragon carrying Luke. Vhagar let out a roar, snapping her jaws at Arrax, as the smaller dragon breathed fire in your direction. It was clear that Arrax was no match for Vhagar.

“Aemond stop!”

Your voice barely carried over the rain, but Aemond disregarded you, his Vhagar as she darted to the left. You tightened your hold on Aemond, nerves coursing through you.

“What is it you’re trying to achieve, Aemond? You yelled, shaking him. “Are you trying to kill him?”

“That boy needs to learn how to fear me,” he only replied, tightening his reins on Vhagar, the distance between you and Arrax growing.

Aemond let out a frustrated growl, urging Vhagar to fly faster and you could feel the adrenaline rising as you almost caught up to Arrax again. You knew you were at a cross roads, and what would happen next would change everything, with Aemond consumed by his anger, and Vhagar following his emotions, someone was bound to get hurt. You had to do something. So as Vhagar descended upon Arrax, her jaws opening, you let go of Aemond, leaping off of Vhagar, almost immediately regretting it as Aemond yelled out your name, before you landed on Arrax, the wind being knocked out of your chest.

The young dragon let out a screech, dropping several feet down with the sudden added weight, just barely escaping Vhagar’s jaws.

“What are you doing?!” Luke screamed, the rain pelting against his face as he held onto his saddle tightly, Arrax roaring.

“Saving your life!”

You scrambled to find anything to hold onto, trying not to fall a gruesome death, your hands gripping onto Luke’s shoulders.

Vhagar’s shadow disappeared, but you knew her and Aemond were lurking inbetween the stormy clouds, you had to act fast. Your eyes were straining against the heavy rain, hand gripping into Luke’s shoulders.

“Do you trust me?”

“Not particularly, no!”

You grumbled, knowing his feelings were warranted, but this was not the time.

“We’re vulnerable. We need to find a spot to lay low, where Vhagar cannot come in.”

“Arrax is faster, I just need to get back home. It’s not that far!” Luke yelled back and you shook your head, even though he couldn’t even see you.

“That’s what Aemond is counting on! Please Luke, I know you don’t trust me, but I am trying to keep both of us alive.”

Luke groaned in frustration before tightening his reins on Arrax.

“Ilagon, Arrax!” Luke instructed. “Īlon jorrāelagon naejot jurnegon syt ruaragon.” Down, Arrax. We need to search for cover.

Arrax roared before you dropped several feet, flying by a range of mountains. You squinted your eyes trying to see anything in the rain, when you saw a cave several feet down.

The opening was small, too small for Vhagar to get in, but large enough for Arrax.

“Luke,” you said, squeezing his shoulder and pointing to the cave. “Down there.”

Luke nodded, leaning down to guide Arrax into the cave, and soon enough, the both of you were back on solid ground.

Arrax whined and Luke whispered to him gently, stroking his snout. “Lykiri, Arrax,” he said, leaning his head against his dragon’s. “Īlon jāhor jikagon lenton aderī, syt sir, ziry iksos daor ȳgha. Lykiri, issa valonqar.” Calm down, Arrax. We will go home soon, for now, it’s not safe. Calm down, my boy.

Arrax let out a soft whine, before curling in on himself, letting out a puff of smoke. With slumped shoulders, Luke sat down against the cave wall. You took off your cloak, laying it down so it could dry off before you sat down next to Luke, even as the boy avoided eye contact with you.

For a while, the two of you sat in silence with the occasional huff of Arrax, listening to the storm raging on outside. You hoped Aemond would cease his need for revenge soon. As a particularly loud thunder sounded, Luke jumped and you glanced at him, your heart aching.

“Are you well?”

Luke glanced over to you, trying to hide his tense shoulder by tightening his wet cloak around himself.

“No. But I’m unharmed,” he replied, his lips unmistakably shivering.

“It is better when you take off wet clothes, otherwise it might make you sick,” you said, leaning over to him to help unfasten his cloak, but Luke flinched away at your touch and your hands froze midair.

“I am sorry,” you said, breath bated. He must still be shaken, after seeing The Stranger right in the eyes. Luke let out a small breath, his fingers tightening in the fabric of his cloak.

“Did you know my uncle came to Storm’s End to kill me?” Luke asked, his voice small. “Did you come to make me lower my guards?”

“Forgive me?”

You knew their family affairs were difficult, strained from what had happened in the past, but you were stunned that he would expect this from Aemond, or you.

“I cannot speak of Aemond’s intentions,” you said truthfully. “Only of mine. I never wanted to harm you, and I did my best to keep you safe as soon as I realized that Aemond was too blinded by his need for revenge…”

Luke sniffed, wiping his cheeks and you moved to sit down in front of him.

“I’m only here to help you,” you assured him, holding your hands up in defense. “Arrax would turn me to ashes if I even touch you the wrong way, right?”

Arrax let out a soft growl at that and Luke gave you a small smile, nodding.

“Yes he would.”

“See, you’re in no danger,” you told him, your hand slowly reaching for his cloak, careful, as to not spook him. “Now take off your cloak and lay it down, it will dry off faster this way.”

Luke nodded, unfastening his cloak and laying it down next to yours before he took a seat beside you. Even though he had grown considerably in the years you had not seen him, he still was the little cheeky boy you remembered from before you had left King’s Landing.

“You have grown into a fine young Prince,” you told him. “I almost did not recognize you when you walked into Lord Borros’ hall.”

Luke quirked a smile at you, ducking his head. “I’m almost as tall as Jace now. He despises it.”

You grinned, pulling your legs close. You could imagine Jace just all too well, squinting at the mirror standing next to Luke.

“How is Jace?” you asked, your chest tight. You couldn’t believe how it was mere moon’s turns ago where you were exchanging letters, wondering why his replies seemed to become rarer.

Luke let out a small sigh, like it was a question that plagued him.

“Jace is… Angry. Ever since my uncle usurped the throne he has been trying to take action, fight for my mother’s claim.”

Your forehead creased.

Usurp?

“Pardon… Are you saying Aegon is not the rightful heir to King Viserys?”

Luke stared at you, mouth agape. “… Yes. He stole my mother’s inheritance.”

You only blinked at him, letting the news sink in as you leaned back against the wall, stumped.

“Now everything is falling into place… Why Aemond was questioning my loyalties, Rhaenys! Gods!” You covered your face with your hands, a gasp escaping your lips. “Daeron. I’ve left Daeron at King’s Landing without telling him that I’ve gone.”

You didn’t want to imagine what story Aemond has spun to make you a villain, to draw Daeron on his side.

“I’m sure all will be well,” Luke assured you, patting your hand consolingly. You only nodded, even though you were making up the worst scenarios in your head. Luke gave you a small smile, turning his hand when a yawn overtook him; Arrax had long curled up, his snores filling the cave.

“You should get some rest,” you told him, glancing over to the entrance of the cave where it was still pouring rain. “It might be a while before the rain ceases. I will wake you, when it is safe to leave.”

Luke semed hesitant, but then gave in, settling back against the wall, closing his eyes. As he slept, you noticed how he looked even younger, too young to be thrust into a war like this. Was this the fate that would meet Daeron, Helaena or even Joffrey? The thought unsettled you.

Time passed for a while, and it seemed like the clouds would never pass, but surely enough, the rain lessened, before stopping completely.

Gently, you shook Luke awake, feeling bad for waking him, but you knew he’d want to go home as soon as possible.

“Luke, the rain has stopped,” you told him, waiting for him to blink at you sleepily before you got to your feet, collecting your cloaks off of the ground. You handed Luke his cloak, fastening your own around your shoulders.

“It should be safe now. Aemond must be long gone.”

Luke nodded, glancing at Arrax and then back at you, hesitating, and you knew what he was thinking. You had been thinking it ever since you got to the cave.

“It is alright, Luke. Arrax is too small to carry us both all the way to Dragonstone. Go.”

You tried to be brave, giving Luke a smile but your voice was shaking, whether it was from fear or cold, you weren’t sure. You were a high born lady, you were in no way capable of fending for yourself. Luke leaving you here would mean a certain death, but he didn’t need to know that. Luke looked at you with big eyes, saying nothing before he walked over to Arrax, whispering to him as he stroked his dragon’s neck gently.

You let out a small breath, taking another look around the cave, resigning yourself to your fate when Luke called your name.

“Come, we need to leave before the weather turns again.”

“Luke, no,” you argued but Luke shook his head.

“You saved me. I am not leaving you behind. I would never forgive myself, and neither would Jace,” Luke said, and you let out a soft chuckle, shaking your head. “Arrax can carry us both, it is not much longer until Dragonstone.”

You ducked your head, a smile on your lips. Rhaenyra really raised amazing children.

“Very well.”

The two of you squeezed into the saddle on top of Arrax, who let out a small huff as he walked to the entrance of the cave.

“Mēre mōrī kipagon gō īlon issi lenton, issa valonquar,” Luke said to Arrax, gently caressing his neck. “Soves.” One more flight until we’re home, my boy.

Arrax leapt into the air, letting out a screech before stretching his wings, making his way home. As you flew through the skies, your eyes darted around constantly, looking for any sign of Vhagar, but it seemed like the coast was clear. Soon enough, you could see the outline of Dragonstone, and just in time; as you had noticed Arrax growing tired the more you lost on altitude.

“Īlon issi bē konīr, Arrax. Sepār mirrī tolī.” We are almost there, Arrax. Just a bit more.

Luke’s voice was gentle as he spoke to Arrax, despite his nerves. You nearly sighed in relief when Arrax flew towards the small opening to the dragon mount, and you thanked all the Gods when both you and Luke climbed off of Arrax onto solid ground again.

“Prince Lucerys!”

A knight came hurrying into the dragon pit, his eyes flickering to you before turning his attention back to Luke.

“Her Grace has been awaiting your arrival.”

Luke nodded, watching Arrax climb into the depths of the cave to get some much needed rest before he turned to the knight. “Take us to my mother.”

The knight bowed, leading you and Luke into the Keep, stopping in the doorway. Rhaenyra was pacing in front of the fire, her face worried. You hadn’t seen her for so long, but she looked almost exactly the same.

“Prince Lucerys, your Grace.”

Rhaenyra ceased her pacing, looking up and the relief was obvious on her face as she ran toward her son.

“Luke!”

“Mother!”

Rhaenyra threw her arms around her son, embracing him tightly and your breath stocked in your throat as you stayed back. You couldn’t believe how everything could have played out so differently if you had not intervened.

Rhaenyra pulled away, cupping Lucerys’ face with her hands.

“What happened?”

“Aemond and Vhagar were already at Storm’s End when I arrived. Lord Borros refused to stand by his oath… When I left Aemond followed me on Vhagar; if she hadn’t intervened…”

Lucerys paused and Rhaenyra glanced over to you; you, who had stayed behind to give them privacy.

You bowed your head, mostly out of respect but also because you had no idea what to do.

“You’re Helaena’s lady in waiting,” Rhaenyra said.

“I was. I have spent my last eight name days in Oldtown with Daeron.”

Rhaenyra gave you a small, grateful smile, but before either of you could continue your talks, shouts interrupted you.

“Mother! Luke!”

You turned around just to see Jace storming into the hall, his hand gripping the hilt of his sword. Your heart stopped in your chest as you saw him again for the first time in so many years, relief washing over his face as he saw his brother stand with his mother unharmed. Then his eyes laid on you, and you gave him a shy smile. Jace only blinked at you, eyeing you from head to toe before his eyes widened; and for a second, you thought he’d be happy to see you. Instead, his forehead creased and his mouth curled downwards.

“What are you doing here?”

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

author’s note: omg the drama...what are we thinking??

#jacaerys velaryon x reader #jace x reader #jacaerys x reader #jace x you #jacaerys x you #jacaerys velaryon x you #jacaerys velaryon fanfiction #jacaerys velaryon fanfic #jacaerys velaryon imagine #jacaerys velaryon fic #jacaerys velaryon #house of the dragon #hotd

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cy-cyborg · 3 months

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I'm begging dragonage fans to do a tiny bit of research about arm amputees before loudly shouting their opinions on the inquisitor returning in the next game Please lol.

Apparently, it was confirmed that the inquisitor, your chatacter from the last game (who looses their arm in the final cutscene of the DLC), will return in Veilguard as a customisable character, similar to Hawke, and they will play an active roll in the story. This has caused a lot of people to start speculating on how they'll handle the inquisitor's missing hand, with most people agreeing they'll have to have a prosthetic to be an active part of the story. Which, while I do think this is the rought bioware will take, isn't true, and a part of me really hopes they leave the inquisitor without a prosthetic arm like in the end of Tresspasser

Partially because we already have a companion with a prosthetic (neve) and it would be nice to see some diversity in how amputation is depicted in such a mainstream game, but also because you dont need a prosthetic to fight as any of the main 3 classes from inquisition.

Mage:

mages just need a staff, the game shows them as 2 handed weapons but it's totally beleiveable that it would be usable 1-handed (Neve also uses a dagger-like weapon in the trailer, you can make a "staff" in inquisition that functions more like an energy sword, and the Mage in the chargers uses a staff resembling a bow, so I think it's more that they just need a focus, the shape doesn't matter as much). A knight enchanter may struggle more 1 handed, but I wouldn't write it off as an option with some modifications made to their main staff.

Warrior:

the easiest to justify, because there are several cases of arm amputees fighting with a sword and sheild in history, and while many did have prosthetics, most weren't functional (meaning they were mainly for aesthetic purposes and didn't actually aid the fighter in any way. There were exceptions, like Götz of the iron hand, who's prosthetic was functional, but most were not). The inquisitor looses their arm just above the wrist*, so they still have most of their forearm. Most sheilds strap to the forearm, so it wouldn't take much adjustment to make that work, and you can use the other hand for the weapon. Obviously, two-handed weapons will probably be off the table, though, lol.

*edit to say, as several people pointed out, i got that wrong, my bad 😅. The inquisitors arm is actually amputated through the elbow, the screenshots i was looking at just weren't very clear and it has been a while since i got to trespasser lol. It would still entirely possible to strap a shield to the upper arm though, with some pretty minor adjustments to the existing straps on standard (as in, those used by non-disabled warriors) tall shields, so the point still stands.

Rogue

this is the one people tend to be the loudest about and the one I understand the most. Obviously duel-weilding daggers won't work (unless you give them something like the hidden blades in assassin's creed on their stump side, I guess) but using a single dagger still would, and is a perfectly reasonable approach, given that's how most irl people used daggers. Archery, though, absolutely can work without a prosthetic, despite what people think. Dragonage has crossbows, not something like Bianca (rip) but a small, single-handed crossbow is an option. Even ignoring that though, amputee archery is a thing irl, and not every arm amputee uses prosthetics for it. The bows are modified to be held in one hand and drawn with the mouth using a kind of pully-system built into the bow that I could very easily see being modified into some dwarven-style contraption in game (some double arm amputees use their feet to draw regular bows, but I don't think that would be pheasable in combat).

Like I said, I think bioware will probably go with a prosthetic, but i hope that they don't. Or at the very least, show them with it sometimes and without it other times (the same goes for Neve, no one wears their prosthetic 24/7, I'd love to see them both take them off around the home base, even just occasionally). A lot of arm amputees in particular prefer to go without one, and arm prosthetics in media are some of the worst offenders of the "perfect prosthetic"/"miracle cure prosthetic" tropes. It doesn't count as "diversity" or disability representation if it doesn't actually change anything other than the look of the chatacter, and im really, really desperate for some actually decent amputee representation in games.

#disability #disabled #disability in games #dragon age the veilguard #dragon age veilguard #dragon age #dragon age inquisition #dragon age inquistor #dai #datv #dragon age 4 #amputees #amputee #amputee representation #disability representation

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punkshort · 5 months

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i know who you are | 9. the end

Pairing: Joel Miller x f!reader

Chapter Summary: Joel leaves overnight for a scouting mission. When he returns, you finally confess your feelings for him.

Chapter Warnings: language, amnesia, slow burn, dry humping, some dead bodies 'n stuff, fluff, feelings, smut (18+ MDNI), piv unprotected sex, oral sex (f receiving), soft!joel, guns?

WC: 9.1K

Series Masterlist

A/N: Two things. One: I don't have the slightest clue how memory loss works and if what I am about to detail in this chapter is even plausible but if television has taught me anything, nothing is impossible only extremely rare. Two: this is the final chapter and it makes me very sad. I wish I could have thought of more storylines to drag this out but at the end of the day, I feel good about how it all came together and I can't thank quite literally hundreds of you enough for reading this each week. It's kind of insane. So, THANK YOU, THANK YOU, THANK YOU! Also, if anyone wants to toss some one-shot/sequel ideas my way, I am all ears. Much love.

Two Weeks Later

"Joel," you whispered, your head tilted back into the couch cushion while his mouth greedily nipped and sucked at your neck. His hips were grinding lightly against your center and you knew if you didn't stop soon, you would be in trouble. "I think we should slow down."

"Mhmm," he mumbled in agreement, reluctantly pulling his hand from underneath your shirt.

"You're lucky it's still cold enough for me to wear a scarf," you murmured into his hair. He sighed against your neck, finally dragging his mouth away and sat up on the couch while yet another movie went unwatched on the TV.

"Can't seem to get enough of you," he said with a grin, his arm stretching over the back of the sofa. You rolled your eyes dramatically but smiled, pushing yourself up and fixing your shirt before looking at the TV. "Brad Pitt's in this?"

Joel tossed his head back and laughed heartily. "Think he's the main character," he told you, and you scowled at him but he could tell you weren't actually angry.

"Well maybe if you didn't distract me every time we try to watch a damn movie, I would know that."

The past two weeks had been downright perfect. Joel couldn't be any happier. Now that things had changed between you, he craved your touch constantly. Part of him wondered if it was his way of trying to make up for lost time because you weren't wrong: he couldn't keep his hands off you. He had no desire to leave the house or see anybody. All he wanted was to stay holed up with you doing absolutely everything and nothing. He shuddered to think how crazy he would become when you were finally ready to take things further. Tommy will have to drag him by the collar from your bed for his patrol shifts.

"What are you thinking about?" you asked him, leaning into his side and tucking your legs underneath you, only half listening to the movie.

"Patrol," he answered while the tips of his ears burned red from embarrassment, like you caught him doing something he shouldn't be doing. He was perfectly fine waiting as long as it took until you were ready, but it didn't stop him from fantasizing about it. And the fact that he already knew what you felt like, what you sounded like, what made you come undone, worked him up even more.

"How are you feeling about getting back out there?" you asked, tipping your head up to look at him. He didn't seem worried but it was hard to tell sometimes.

"Actually, there was somethin' I wanted to talk to you 'bout," he admitted. "And if you don't want me to do it, I won't. I put you through enough shit as it is-"

"Spit it out, Miller," you said, shifting out from under his arm.

"Now that the snow's melted, I wanna take a couple guys and scout the area for any trace of those raiders," he began, watching your face closely. "I won't go far, but..."

"But?" you pressed, raising an eyebrow.

"But I would be gone overnight. Just one night," he assured you quickly when he saw your face.

"Wouldn't the others have already noticed anything out of the ordinary on patrol?" you asked as anxiety began to squeeze your throat. "I don't understand why you need to go out there."

"'Cause I only trust myself to make sure we're safe," he explained. "If somethin' happened to anyone 'cause I led these assholes to our doorstep, I'd never forgive myself. D'you understand?"

You chewed on your lip and glanced down at your lap as you weighed your options. On one hand, you understood where he was coming from. And if no one else on patrol or guard had yet to see or find anything strange, then Joel would most likely not find anything, either. But on the other hand, just simply leaving Jackson was a risk. And even if Joel didn't find any other raiders, he wouldn't mean he would be safe from whoever or whatever else was out there.

Joel pinched your chin and gently tugged your lip from between your teeth, making you snap out of it.

"Can I go with you?"

Joel's face softened. "No, baby. You don't even remember how to shoot a gun. I can't risk it."

Of course, he was right. "Who would you take?"

He smiled and dropped his hand. "Tommy. Neil. George. Couple others offered, too, but I'm not sure how many we wanna bring. Don't wanna stick out like a sore thumb with ten horses out in the middle of the woods."

You relaxed a bit knowing he would be going with some of Jackson's most seasoned patrolmen.

"Okay," you agreed softly. His face lit up and he leaned forward.

"Yeah?"

"Yeah," you sighed, looking over at the TV as the credits began to roll. He hooked a finger under your chin and dragged your eyes back onto him.

"Thank you," he whispered before pressing his lips firmly against yours, trying with all his might to pour every ounce of affection and adoration he had for you into the kiss. You giggled against his mouth as he tried to push you onto your back once again, but you playfully shoved his shoulder before breaking the kiss and scooting away.

"We told Ellie we'd meet her and Dina for dinner, remember?"

He groaned as if he were in physical pain and reached out for you but you quickly stood up, wagging a finger at him. He gazed up at you from the couch with his brown eyes all wide and gentle.

"I mean it, thank you. I don't know what I did to deserve you."

You blushed and bit your lip as you slowly walked backwards towards the stairs. "You can make it up to me one day."

Joel's gaze darkened and he dug his fingers into the couch cushion. "Just say the word, baby. Anytime. Anywhere."

You laughed and turned towards the steps. "Come on, we should get ready for dinner."

"In a minute," he said as you disappeared upstairs. He closed his eyes and took a few deep breaths, trying to will his raging hard on away before standing up and following you.

You inhaled deeply, your body heavy with sleep as you struggled to focus on Joel's voice.

"Sweetheart, I'm leavin'."

With a groan, you rolled over and reached out for him blindly, your eyes still not fully adjusted to the beam of light shining in from the hallway.

He smiled and grabbed your hands, wrapping them around his neck. He felt your fingers dig into the back of his neck and shoulders as you feebly attempted to pull him towards you.

You asked him to wake you up before he left for his scouting mission, so he did as you requested but you were so warm and soft and supple under his touch that he was finding it impossible to leave.

Maybe you planned it that way.

"I'll be back late tomorrow. I love you," he whispered, pressing a kiss against your temple, taking an extra moment to savor it. When he pulled away, your fingers tightened around his neck and you lifted your chin, kissing him with an urgency he hadn't expected from your half-awake state.

"Come home to me, Joel," you mumbled, your eyes squinting at him through the darkness. He pulled an arm from around his neck and brought your knuckles to his lips.

"Promise."

It was so hard to leave but he kept reminding himself he was doing it to keep you safe. Regardless of what Tommy thought, something in his gut told him they hadn't seen the last of those raiders. He brought them into the mountains, and he was determined to be the one to finish it.

"I'm still surprised she let you do this," Tommy said a few hours into their travels. George was leading the group while he and Tommy brought up the rear. The forest was silent, save for the birds just beginning to wake in the branches above. After a long, painful winter, it was a relief to hear the first signs of spring.

"What'dya mean let me?" Joel scoffed, but when he locked eyes with Tommy, who was giving him a look that said he saw right through his bullshit, Joel grinned. "Yeah, alright, it took a little work but she understood."

Tommy nodded and went back to paying attention to their surroundings. They were officially in unguarded territory, the nearest patrol route now miles behind them. The trees had yet to fully bloom so it was still rather easy to see through the woods.

"I think you really freaked her out when you left," Tommy said, "she came runnin' to the house that mornin' in a panic. Thought she wouldn't let you leave her sight again after that."

Joel hummed and turned his head so his brother wouldn't see his smile. He didn't want to worry you, but every time he heard something like that, it reminded him how much you cared, even if you couldn't say it just yet.

"So, you two back to normal now or what?" Tommy pried. Joel shot him a look and he shrugged. "We got a long journey here. We can't talk to pass the time?"

"Yeah, mostly back to normal," Joel finally answered, shifting his weight in his saddle. He could already feel his lower back beginning to flare up. "Takin' things slow. Givin' her as much time as she needs."

Tommy nodded, reading between the lines. "Didn't look that slow the other night after dinner," he muttered under his breath, but Joel still heard him.

"She had a couple drinks, is all," he replied with a chuckle. He scratched his chin as he thought back to a few nights prior when you had draped your arms around his shoulders and your face buried against his neck for the better part of thirty minutes. It was late, all of the families had cleared out after dinner, leaving behind the adults to kick back and cut loose a bit. It reminded Joel of a time before the world went to hell. When he and Tommy would go to a bar on a Friday night, the smell of stale beer and cigarettes in the air while the patrons had to shout over a mediocre cover band playing Lynyrd Skynyrd. It was the first time in a long time he felt relaxed and at ease. He watched his brother and wife across the bar steal kisses around conversations with neighbors, grateful for a night out as Ellie had offered to babysit. He had you at his side, sipping whiskey and making a face before you switched to something else.

As the night dragged on, you got a little closer. Then your hand found his knee under the table and you tilted your head into his shoulder, quietly listening to him discuss the plan for the trip with George. He wrapped an arm around your waist but his focus was entirely on George, too concerned with the map he had spread out over the wooden table. George's wife finally came to collect him, telling him she was tired and he was too old to be trying to keep up with the younger men, shot for shot. She wasn't wrong by the way he stood up and stumbled a bit, leading him towards the door, leaving just the two of you at your table. Once you were alone, your arms snaked around his neck and you tugged him to your lips, your tongue greedily licking into his mouth, the heavy taste of whiskey and gin on your combined breath.

"You sure it was just the drinks? You don't think it had anythin' to do with Angie sittin' two tables over?"

Joel's face flushed and he cleared his throat. It shouldn't turn him on but he couldn't help it. He liked it when you were possessive over him.

"Didn't think it wise to ask," was all he said. Tommy chuckled.

The group made decent time. They had a grid in mind and they almost reached their desired destination by sundown. When morning came, the plan was they would make their way back towards Jackson and cover the northeast quadrant of the map.

As they set up camp for the night, deciding to forego a fire since the temperature was comfortable and they didn't want to risk giving away their location, Neil commented that they hadn't seen anything out of the ordinary so far.

"Not that I mind coming out here, Joel," he followed up quickly, "always a good idea to take precautions and all that."

Joel nodded and focused on spreading out his sleeping bag. "I appreciate you all comin'. Not sure if I say it enough, but I'm grateful."

Neil and George exchanged surprised looks at the unexpected appreciation.

They got an early start the next morning, and as the sun rose higher in the sky and more ground was covered, Joel began to wonder if maybe they would make it back to Jackson sooner than he thought. He really hoped they would. Even if it was just one day, he missed you. He hated sleeping without you. He hated waking up and not finding you curled up against him with your head resting on his chest or his arms wrapped about your waist, face buried against the back of your neck.

He was glancing around the forest, wondering what you were doing right at that very moment when he spotted something orange in the distance. His heart rate picked up and he whistled, catching the group's attention. He pointed through the trees and they all silently slid down from their horses. Checking their weapons, they fanned out and slowly made their way towards the scrap of fabric. As they got closer, Joel could see it was a knit cap stuck in a bush, fluttering in the wind. None of the men saw any other signs of life, each of them silently communicating with hand signals they were taught years ago.

Tommy heard shuffling and he held up his hand, bringing the group to an immediate stop. From his angle, Joel could see that the bush with the knit cap was right outside the opening of a small cave. The way the trees had grown around the rocks, it was impossible to notice it from a distance.

The perfect hiding spot.

He exchanged worried looks with Tommy before they crept closer, his rifle gripped tightly in both hands, ready for anything. The shuffling got louder and clearer and it became apparent that the noise was coming from right within the mouth of the cave. Catching Tommy's eye, he made sure to show him he was putting his rifle away in favor of his hunting knife. He always preferred a silent takedown over wasting ammunition, but just in case it went sideways, Tommy would be ready to cover him.

Joel situated himself next to the mouth of the cave while the other men, spread out amongst the trees, hid and waited. He reached down and grabbed a rock, throwing it about ten feet away to draw out whoever was hiding.

He didn't even need to see it to know what was waiting for him.

When the rock cracked against a tree trunk and he heard the telltale snarl of infected, he tightened his grip on his knife. The runner stumbled out of the cave with a shriek, jaw snapping angrily in the direction of the noise. Joel had run into his fair share of infected over the years. He knew the noise would have drawn the attention of any infected in the immediate vicinity, and when he only spotted one, he almost breathed a sigh of relief.

He took it down silently with a blade to the back of the head, then inspected the body. It looked fresh, the clothes mostly intact. The rest of the men joined him as they peered inside the cave, listening intently for any movement. When they heard none, they began to advance.

The cave wasn't very big but it was enough to house ten men. At least, that's the number of bodies they found, not a single trace of life left.

"Well, shit," Tommy muttered, kicking one of the mangled bodies with his boot. "Guess that hunch of yours was right."

It didn't exactly please Joel to know he was right, but at least it was the best possible scenario. The men were taken out by infected probably within the past week. He counted the bodies five times. Then recounted the backpacks and sleeping bags. Ten seemed to be the correct number. No one was missing, assuming the runner he had just killed was the only raider who had the misfortune of turning instead of dying right away.

They scavenged what they could from the dead bodies before trekking back to the horses.

"Keep your heads up. Don't mean there ain't anythin' else out here," Joel warned.

"The warmer weather must've thawed out some infected," Tommy mused next to him. Joel nodded.

"Probably should warn the others to keep their guard up the next few weeks," he replied. "Maybe add an extra body to the towers if we can."

Tommy nodded in agreement. The winters in the mountains were harsh but at least they saw a decrease in the undead.

"Now let's get the hell home," George said over his shoulder, the rest of the men mumbling in agreement. Joel ducked his chin to his chest to hide his relieved smile. Home.

To say you were happy to see him return was an understatement. It was closer to ten at night when you finally heard his heavy footsteps on the front porch.

"Told'ya I'd come back," he chuckled when you wrapped your arms around him, squeezing him tight.

"I know," you mumbled into his shirt. His heart swelled in his chest and he closed his eyes, breathing deep the smell of your shampoo. You both had a lot of work to do, essentially starting over and building a relationship from the ground up, but it was moments like those that made him believe everything was going to work out.

"Are you hungry?"

"Nah, just need a shower," he said, dropping his pack by the door and kicking off his boots.

"So I take it you didn't find anything?" you asked, trailing up the stairs behind him. He walked into your bedroom to grab a fresh set of boxers and sweatpants.

"Actually, we did," he began, and your heart plummeted. He saw the look on your face and quickly shook his head. "They were dead by the time we got there. 'Bout ten of 'em holed up in a cave. Infected got to 'em first."

"Oh, wow," you breathed, slowly sinking down onto the bed. "Well, at least you have peace of mind now, right?"

"Exactly," he said, giving you a quick kiss before heading into the bathroom. "Be out in a minute."

You heard the water turn on and you glanced over at the red flannel of Joel's that you slept in the night before. Even though it was clean, it still smelled like him. You glanced at the closed bathroom door and bit your lip, your heart fluttering in your chest as you thought things over. The morning he left, you wished you had told him but you were too sleepy and you wanted it to be more meaningful. Then, when you woke up and his side of the bed was ice cold, you felt the dread begin to creep up your spine. What if something happened and you never told him how you felt?

Well, nothing happened. He was home now. Safe and sound. There was no reason not to tell him.

You heard the water turn off and you jumped up to grab his flannel and scurried out of the bedroom, across the hall to the other bathroom, shutting the door.

Joel emerged a few minutes later with his wet hair slicked back wearing just a pair of sweatpants, per usual. He tossed his dirty clothes in the laundry basket and looked around. He noticed the closed door across the hall and assumed you were getting ready for bed so he slid between the sheets with a groan. He closed his eyes and took a moment to appreciate the mattress underneath him instead of the unforgiving forest floor before leaning over to grab his glasses and a book.

When you tiptoed back into the bedroom wearing only his flannel, he didn't notice at first. His focus was on the small print in front of him, blinking a few times and wondering if he needed stronger lenses when you cleared your throat. He glanced up and did a double take, his lips parting in shock when he saw his red flannel hugging your curves, the hem falling just below your ass.

You looked up at him and feigned surprise. "Oh, is this okay? I was cold-"

"Yes," he swallowed, immediately cutting you off, "it's okay."

You smiled and made a show of bending over to fix the sheets. Again, he swallowed tightly when he caught a glimpse of your black underwear and he felt his cock twitch. Before you turned around he made sure to be focused back on his book, although he was most definitely not absorbing any of the words on the page.

Out of the corner of his eye he saw you peel back the sheets and with a sigh, you tucked yourself in. You glanced over at him, admiring his strong side profile and the way his glasses perched on the tip of his nose.

"I missed you," you whispered, and he dragged his eyes from his book to look at you.

"I missed you, too."

You caught the way his eyes flicked down to your chest where you purposely left two buttons undone so you exposed a little bit of cleavage.

"What are you reading?" you asked, and he laughed through his nose.

"I've got no fuckin' idea."

In a flash, his book was discarded and you were in his lap, your mouth hungrily devouring his as he carefully removed his glasses and tossed them to the side. He wrapped both arms around you and held you close to his bare chest, his tongue licking past your teeth eagerly.

"You look so fuckin' good in my clothes," he growled, sounding as if it pained him before biting at your jaw.

"I wore your shirts the whole time you were gone," you admitted, rolling your head back and grinding down on his hips. You bit your lip when you felt how hard he was already. "Almost the whole week. I slept in your bed and-"

"Fuck," Joel groaned, grabbing your face with both hands and feverishly plunged his tongue into your mouth. You moaned and grabbed his shoulders, the intensity behind the kiss growing too hot. You could feel yourself tumbling, free-falling into the abyss with the unspoken words sitting heavy on your tongue, hoping Joel would be there to catch you.

"Wait," you gasped, pulling away, but only a little. Your forehead still rested against his as you both panted for air.

"I know, I'm sorry-" he was about to apologize for taking things too far when you cut him off.

"Do you remember all those months ago when I asked how I fell in love with you?"

Joel nodded. "Yeah."

"Do you remember what you said?"

He tilted his head back, lips parted as he gazed up at you, wondering why you were asking him those questions in that moment.

"Yeah," he replied slowly, "I said you're gonna have to wait to find out."

You bit your lip and with a shaky hand, you traced one of the wrinkles next to his eyes. "Well, I found out."

His chest stilled, breath caught in his throat as he processed your words. His eyes roamed over your face, hoping and praying he wasn't misunderstanding. When you saw him nervously swallow, you smiled.

"I love you, Joel."

His eyebrows pinched together and before you could see the tears welling up in his eyes, he pulled you down for another searing kiss. This time, he went slower. He savored every second, he memorized everything he possibly could about that moment because the way you made him feel hearing those words was unlike anything he ever experienced and he didn't want to take a single second for granted.

"I love you, too," he choked. He could feel you smile against his lips when he pressed his mouth against yours again. "Fuck, I love you so much," he mumbled, his hands falling to your hips, "I'd do anythin' for you."

Your mouth latched onto his throat and you dropped your hand between your bodies, your fingers lightly stroking him through his pants. And once again, you felt his muscles stiffen and freeze.

For a moment, the self-doubt crept in. What if he didn't want to? Was he too tired? Was he not ready? Then his hand covered your wrist and you watched as he slowly dragged your hand up and down, showing you what he liked. Encouraging you to continue. So you did.

His head tipped back against the headboard with a sigh and he squeezed his eyes shut, removing his hand and letting you take control. He wanted - no, needed - you to call the shots. You needed to take it as far as you wanted to take it.

When your fingers dipped below his waistband, he tensed.

When he finally felt your soft touch on his cock, he groaned.

It was better than he even remembered. His eyes were still closed as you worked him up and down, the arousal pooling between your legs the longer you spent just feeling him and not seeing him.

"I want you," you whispered in his ear, and his hips jolted as he whined against your shoulder. You wanted him.

When he opened his eyes, he looked absolutely wrecked. You could see that he was trying his best to hold back, trying his best to make sure you were comfortable, that you weren't feeling pressured, that you really wanted it.

But when you sweetly whispered please, Joel, he didn't hesitate. He flipped you onto your back and pulled hastily at the buttons of his flannel while he cemented his mouth against yours. Your hands drifted to his hair and back, pulling and scratching as you went while he finally flung open the shirt. He instantly latched his lips around your nipple, making you moan and arch your back underneath him.

"So beautiful," he mumbled against your chest. "Tell me again."

You smiled and peered down at him. "I love you."

He breathed a sigh of relief, his exhale fanning over your skin, making your nipples tighten. His rough hands slid down your stomach, thick fingers splayed wide, trying to touch as much of you as possible at once.

You could hear your heartbeat thrumming steadily in your ears when he dipped his fingers below the elastic of your underwear, a deafening sound that made it hard to focus but when he slid a finger slowly through your arousal, your senses suddenly sharpened. The house could have been on fire but you never would have known because all you could focus on was him.

He dragged his open mouth across your chest, teeth grazing over your collarbone, tongue flicking out and tasting you as he went. His lips puckered and sucked at your skin as he pet gently at your entrance, making you squirm with need and tug impatiently at his hair. When he pulled his hand out of your underwear, you made a frustrated little noise that made him smile. He popped his finger into his mouth and you watched, struggling to breathe, as his eyes fluttered closed and he moaned like he had just slipped into a warm bath after a hard day.

"God, I missed that," he whispered, and the look on his face made you actually believe him.

"Joel..." you breathed, plucking feebly at the waistband of his sweatpants.

"Lemme just make you come on my mouth first," and before you could respond, he was shimmying down between your legs and tugging off your panties. When you glanced down and saw how good it looked with his head between your legs, you relaxed and leaned back. How could you argue with that view?

"Oh," you sighed when his tongue first slid through your folds. You tipped your head back and closed your eyes, allowing your muscles to melt under his touch. His hands held your thighs open but he didn't need to bother. There was no possible way you would do anything to stop him. Not when he felt so good, taking his time and expertly lavishing your core with his tongue. And perhaps he was an expert. At least when it came to you, he had five years of experience to fall back on. He surely must have figured out what you liked in all that time.

Your breath was growing ragged and you could feel the heat creeping up your chest. He pressed the backs of your thighs, pushing your knees up towards your chest so he could devour every inch of you, eating messily at your cunt. You pulled your knees back and hooked your hands around each one, your thighs becoming too shaky to hold open with your own strength.

It was a combination of his lips wrapping around your clit and the deep groan that rumbled through his chest that made you come undone the first time. Instant relief flashed through your body and you released your knees, letting your legs fall limply onto the quilt while he eagerly cleaned you up with his tongue.

When he sensed it was too much, he began peppering kisses along your inner thighs, murmuring praise into your skin as he went. You opened your eyes and peered down at him, your breath getting caught in your throat at the sight. His mouth and beard were glistening with your slick, his own eyes remained shut as he mindlessly nipped and kissed your skin, but even from your angle you could see him rutting his hips into the mattress, looking for any amount of friction to relieve the ache.

You reached your arms out to him and he inched up but stopped at your stomach. He sighed and rested the side of his head against your belly, listening to your breath evening out as he closed his eyes and wrapped his arms around your waist. It took you by surprise that he wasn't immediately jumping at the chance to chase his own release when it was clear just a moment before he was dying for it. You glanced down at him and smiled when you saw the look on his face, simply content with just holding and being close to you. Carding your fingers through his curls, you heard him hum before pressing a gentle kiss against your stomach.

It might have been that moment when you realized he was right. What you had was special and rare. You could feel it in your bones, the way a look or touch sent a jolt right through you. The way you felt drawn to him, even from the very first day of your accident, you could sense something in him. You had no idea at the time what it was, but you were beginning to understand now.

"Joel?" you whispered, worried he might have somehow fallen asleep. Then you felt it. The first hot teardrop hit your skin and your heart clenched. "C'mere," you said, tugging at his shoulders. Begrudgingly, he obeyed. And after his arms loosened and he unpeeled his wet face from your belly, you saw the anguish in his eyes. All watery and wide and guilt-ridden.

"I don't deserve you," he said softly, his voice breaking a bit as you cupped his jaw. "Never did and definitely don't now. Not after everything I've done. Don't deserve your forgiveness, let alone your love."

You shushed him and pressed your lips tenderly against his, your thumb wiping away his tears as they fell.

"Don't tell me who I can and cannot love," you said, taking his chin in your hand and giving it a firm shake, like you were punishing him. He chuckled thickly through the tears.

You pulled him down by the back of his neck and kissed him slower, your tongue just barely dipping into his mouth. He groaned when you began to plant wet kisses along his jaw and you noticed with pride that his chest was rising and falling faster than usual while his hips ground into yours.

"Love you s'much," he almost sounded drunk, the feel of your mouth over his skin clouding his mind and mushing his words together.

"Yeah?" you asked before sucking a bruise where his jaw met his throat. "Then show me."

Joel kicked off his sweatpants and boxers with a grunt but when you went to remove his flannel from around your shoulders, he stopped you.

"Leave it on."

Your cheeks flared with heat at the way he looked at you and all you could do was nod and bite your lip.

It felt like time stood still when you first felt him enter you. Like nothing else in the world mattered outside of those four walls. He held your gaze and your fingers dug into his back, each of you savoring the stretch with your mouths hung open, the only sound was the occasional sharp little breath or gasp from one or both of you.

You could see it in his face again and you had a feeling you mirrored his look. It was too intense. Too overwhelming. So much had happened that led up to that moment: all the fear, sadness, laughter, arguments, long talks and shared traumas came crashing down at once. A tear slid down your cheek right when his hips came flush with yours and he leaned down to kiss it away.

"You okay?"

You nodded and wiped another tear away with the back of your hand.

"It's just a lot, y'know?" you sniffled, hoping he understood. And he did.

His eyes glistened and he smiled, his fingers brushing away a few stray pieces of hair from your face. "I know. We've come a long way."

"Yeah," you whispered, blinking back more tears. Your fingertips traced his bottom lip, your eyes flickering around his face, taking in every little crease and dimple. "Kiss me."

He did as you asked, kissing you slow and deep, matching pace with his hips. Your fingers dug into his arms, holding onto him, keeping him close. His hand pushed his flannel back, exposing one of your shoulders while your head tilted back into the pillows, momentarily breaking away for air. You moaned softly when he began to grind his hips against you, providing your clit with some much needed stimulation while he dragged his mouth down the column of your throat and across your collarbone. When he sunk his teeth gently into your shoulder, he felt you clench around him and gasp.

How's that feel?

Do that again.

Tell me you love me.

I love you.

Those sweet, desperate whispers were shared, breathed into each other's mouths, every word dragged out, every touch deliberate and slow. Neither of you in the mood to rush a thing as your fingers tightly laced together next to your head.

His other hand skirted around your back and under his shirt, palm pressing against your spine, pulling you closer to him, if it was even possible. He flexed his hips and you groaned when the tip of his cock hit a spot that had your entire body buzzing.

"Right there," you whimpered into his neck, brows pinched together and stomach tightening as you concentrated on the fire being stoked deep within you. Every one of his powerful thrusts was adding fuel to the flames. Your skin was slick with sweat and you began to regret keeping his flannel on.

"I know, baby. I remember," he whispered, tightening his grip on you. "Fuck, y'feel so good, I can't-"

"Don't stop! Please, Joel, more," you begged, tears welling up and spilling down your cheeks the closer and closer he pushed you to the edge. Your thighs tensed around his waist and his lips kissed the tears away and when you came, crying his name into his skin, he soothed you. He told you how much he loved you, how much he missed being so close to you, reminded you he was right there, that he had you and everything was okay.

Moments later, you felt his body tremble and his hips stutter. In a haze, you loosened your legs from around his waist. His lips captured yours frantically, fast puffs of exhale fanning over your cheek as he got more and more lost in chasing his climax. Your shaking fingers reached up to get tangled in his hair, ensuring his mouth remained firmly planted against your lips, muffling his groans and garbled versions of your name and I love yous, swallowing everything down until he yanked his hips away, spilling himself all over your stomach.

You both broke the kiss and looked down between your bodies, watching as each weak thrust painted your skin with more and more of his release until he finally stilled and shuddered.

After he finally forced himself to stand, he cleaned you up and slipped back into bed, one of his legs sticking out from underneath the covers, still slightly panting for air. You curled into his side, his arm wrapped around you, pulling you snug against him, his nose getting buried in your hair as you listened to each other's breaths even out. You quietly told him about a wound you stitched up at work all by yourself the day before and he told you how proud he was of you. You listened to him tell you a little more about his trip, how relieved he felt now that he confirmed with his own eyes Jackson was safe. At least, for the time being.

The last thing you remembered was him telling you how much he hated sleeping on the ground and how much he missed you while his knuckles soothingly dragged over your stomach but all you could think about was the warm glow that radiated from your skin and the delicious soreness between your legs as you drifted off to sleep.

The next morning, you heard birds singing outside your window. You smiled before you even opened your eyes. Spring was coming. You always loved spring. Something about it made you hopeful and calm, and that morning was no exception.

You awoke still wrapped in his arms and his flannel, your cheek pressed against his bare chest, one of your legs slotted between his, enjoying the peace and quiet the morning brought.

"I thought you died," you admitted quietly once he woke, your fingertips tracing over the scar above his hip. "When you didn't come back that day, I was so worried. So scared my last words to you were something cruel and hurtful."

He hummed and said, "Oh darlin', I'm so sorry," then kissed the top of your head.

"Don't be. In a way, it helped me realize how much I care about you," you replied, lifting your chin from his chest to glance up at him. He always looked way too handsome in the morning. It was hardly fair. "Made me realize I couldn't live without you."

He grinned and rolled his shoulder, stretching out his sore muscles. "Well, if that's all it took, why didn't you say somethin' sooner?"

You giggled and looked back down at his scar, the smile slowly slipping from your face the longer you looked at the pale jagged edges marring his bronzed skin. "God, that day you didn't come back, though," you continued, your brow furrowed as you thought, "I had the worst pit in my stomach. Almost like I knew something was wrong, you know?"

He nodded and closed his eyes, letting you talk, completely at ease listening to your voice.

"It probably didn't help I had woken up that morning from the worst fucking nightmare."

"What nightmare?" he asked sleepily.

You chuckled when you thought about it.

"It's not really funny," you explained, rolling off of him and onto your back, pulling his flannel closed as you moved. "It had started out just like this, actually. It was morning, we were in bed and we were talking... about death?" you said the last part as if it were a question. "I was asking you if you believed in heaven and I told you I was afraid we were going to hell." His eyes snapped open and he quickly rolled his head to look at you, waiting for you to continue. You laughed again and shrugged. "I guess it felt like a premonition or something. Really freaked me out, it felt so real."

"What else?" he asked excitedly, sitting up. You looked up at him and cocked your head to the side.

"What do you mean?"

"What else do you remember? From the nightmare?"

"Oh," you said, pushing yourself up so you were also sitting. You stared at the wall blankly as you thought about it. "You told me we aren't bad people, and even though I told you we had done bad things, I believed you. Then..." you felt your cheeks flush and he sat forward eagerly.

"Then what?" he urged, and when you looked at him again, any trace of playfulness was gone.

"Then... it got a little dirty but I woke up before anything happened. But I do remember you were on top of me and you said-"

"This is heaven right here?" he finished for you, and you looked at him in surprise.

"Yes! How did-"

"That was no nightmare, honey. That happened," he told you, his voice rising. He thought his heart was going to explode, it was racing so fast.

"What?" you whispered, but Joel was already jumping out of bed and tugging on his boxers.

"C'mon, get up! We gotta take you to see Nick!"

"Wait," you said, buttoning up his flannel as he flew around the room, grabbing new clothes for you both. "Joel, this was a month ago, what will going to see Nick do?"

"I-I-I don't know! But we gotta tell him. Maybe there's somethin' we can do if we know you're capable of -"

"Joel, sit down," you said, cutting him off. He froze, having just tugged on a shirt but his jeans were still left unzipped and unbuttoned. You stared at him until he took the few steps towards the bed and sat down on the edge. "I'll talk to Nick next time I'm at work, but I don't want to barge in there and take up his time. You know this is out of his area of expertise."

He looked disappointed but he knew you were right because he finally nodded in agreement and bit the inside of his cheek while he stared at the floor. You put a hand on his shoulder and squeezed, drawing his attention back onto you.

"It doesn't matter, anyway," you said softly. "If my memories come back, then they come back. If they don't, they don't. All that matters is this... right?" you asked, inching closer to him and resting a hand on his thigh. He smiled and enveloped your hand in his.

"Yeah, you're right," he said, staring down at your conjoined hands for a moment. "You wanna go get some breakfast? Maybe talk 'bout it a bit more?"

"Sure," you replied, then leaned forward, kissing him tenderly before standing up. "I should probably shower, though. Last night got a little messy," you said, tossing him a wink over your shoulder. He smirked and watched your ass sway back and forth in his fucking clothes as you made your way to the bathroom. You turned around in the doorway, one hand on the knob, the other braced against the frame as you looked at him expectantly from across the room. "Aren't you coming?"

All the blood rushed directly between his legs and just like that, his excitement for you recalling a memory was replaced by a very different kind of excitement.

"Hell, yes," he said, standing up and shucking off his shirt as he followed you into the bathroom. He grabbed your face with both hands and crashed his mouth against yours, kicking the door shut behind him.

Three Months Later

"Can't believe I'm the one teachin' you how to shoot," Joel muttered in disbelief as you walked back from the line of trees where he had hammered a paper target into one of the trunks. "You were always a better shot than me. Almost better than Tommy, and he was in the goddamn Army."

You laughed and shook your head, still finding it difficult to believe that you ever shot a gun before. From what you remember, you were always afraid of guns growing up.

"Maybe I'm a natural, then."

Enough time had passed and the weather had gotten warm enough where you decided it would be beneficial to re-learn how to shoot. You didn't plan on going back to patrol, but in the world you lived in, it was an important skill to have.

You sat down next to Joel on the fallen tree trunk in the middle of a small field about two miles away from Jackson. He picked up each one of his guns and inspected them, making sure they were clean so there wouldn't be much kickback.

"Have any dreams lately?"

You sighed and shook your head. "Just the one about Ellie, and that was over a month ago."

When you woke up one morning from a dream that felt all too real, you shook Joel awake to tell him about it. It was a simple dream, but it felt intense. You had dreamed Ellie sat you and Joel down at the kitchen table, and full of nerves, explained that she was seeing someone. Someone she cared about deeply. You seemed to catch on quicker than Joel because the conversation lead to where Ellie had to point blank explain to him that she was dating another girl. He seemed surprised but not overly shocked, and when he shrugged it off and still maintained that his only concern was her partner treating her right, her face broke out into a huge smile.

After he confirmed it was a memory, you agreed to see Nick. He didn't end up having much insight on what spurred your sudden recollection that day, just as you expected. But much to your surprise, Joel was perfectly calm. In fact, he made a point of thanking Nick and you even saw him smile at the other man.

And it wasn't just Nick you noticed his demeanor changing toward, either. When kids playing in the street bumped into him, he laughed and waved them off. When Jesse proposed to his girlfriend, Joel was one of the first in line to give him a hearty handshake and wished them well.

You weren't sure if his behavior changed because you were so revolted by it in the beginning, or if he was just happier in general, but you didn't complain.

"Alright, so which one d'you think we're gonna use from this distance?" he asked after he showed you his revolver and then his rifle, explaining the difference between each: how they handled, when to use them, when not to use them, and then finally, how to load and unload them.

You gave him a blank look. "The rifle, Joel. I'm not a complete idiot. I've seen movies."

He grinned and holstered his revolver.

"Good girl. Beauty and brains," he said, and you rolled your eyes.

"Don't start."

"What?" he asked innocently.

"Don't start flirting with me. You'll distract me and I want to take this seriously."

"I ain't flirtin' with you."

"Yes, you are!"

He laughed heartily at your frustrated little pout. "Can you blame me? You're so goddamn cute."

"Joel..." you whined, and he held up both hands in defeat before picking up the rifle.

"Alright, alright. Lemme shoot off a few rounds and you watch my form, okay? Watch my shoulders and where my hands go."

"Okay."

You observed him as he took aim at the target, nearly hitting the bullseye but not quite.

"You wanna give it a shot?"

"Pun intended?"

He grinned and held out the rifle, so you grabbed it and sunk down to one knee, resting your elbows on the tree trunk as you tried to imitate his posture.

"Like this?"

"Mhm," he said, "now take a deep breath and squeeze the trigger nice 'n slow."

Doing as you were told, you inhaled and blinked a few times, making sure your vision was clear and your eye was on the prize. Pursing your lips, you slowly exhaled and squeezed the trigger - only to miss hitting the target entirely.

"Shit," you grumbled, sitting back on your heels.

"You got spooked by the kickback," Joel said, "try again, but this time try not to flinch."

You shouldered the rifle and took aim, once again taking a deep breath and focusing on the little yellow circle in the middle of the target. When you fired off your second round, doing your best not to flinch, you clipped the edge of the paper, but you were no where near the center.

"Goddamnit!" you yelled angrily. Joel chuckled and crouched behind you.

"Here. Lemme help you."

He wrapped his arms around yours and pressed his chest against your back, his hands coming to rest on top of yours as he made some minuscule adjustments to your posture.

"Y'gotta be gentle, see?" he whispered in your ear. Your eyelids fluttered but you managed to nod. "Gotta be patient. Don't let her scare you. Think of her as an extension of you. Like another arm."

"Her?" you teased.

He chuckled, his breath puffing against the back of your neck. "Yeah. Her. I'm respectful and careful with all my girls."

"All?" you repeated, leaning into him a bit. "How many are there?"

"Oh, tons," he said, making you giggle. "But if it makes you feel any better, you're my favorite."

"A favorite over a bunch of guns? I'm so flattered."

"Hey, now. Didn't you just say you wanted to take this seriously? C'mon, focus up," and you knew he was right so you straightened up and pressed your eye against the scope once again.

Joel stayed behind you, his hands on your shoulders to help stabilize your upper body as you squeezed off shot after shot. His advice helped a little, you were at least hitting the paper, but you weren't getting anywhere near his shots from earlier. He could see you were growing frustrated so when you ran out of bullets, he took the rifle and told you to take a break while he reloaded.

"It's okay, darlin'. It's gonna take a bit to get used to it."

You sighed and slumped forward on the tree trunk. "Yeah, I guess," you mumbled.

For the next twenty minutes, Joel coached you while you struggled to remember all his advice at once. Keep your shoulders loose. Don't flinch. Follow through. Breathe. When you pulled the last round into the chamber and took aim, you expected it to go like all the others so you stopped worrying about it and just pulled the trigger.

"Holy shit, you did it!" Joel exclaimed excitedly. You hadn't even bothered to look, so you quickly brought the scope back up to your face. When you saw the small little circle burning a hole through the paper, nearly dead center, you squealed and quickly placed the rifle against the tree so you could jump into Joel's arms. He wrapped his arms around your ribs and spun you around while you giggled into his neck.

"Told you," he said with a wide grin after he put you back down. You grabbed his face with both hands and pulled him into you, crashing your lips together, taking him by surprise. He stumbled forward but wrapped a hand around the back of your neck just as you lost your own footing and fell onto the grass, dragging him down with you.

You laughed against his mouth, still peppering kisses all over his face. He braced both arms on either side of you, elbows digging into the warm grass, smile permanently stretching across his cheeks as he soaked up your affection.

When your laughter died down, you pulled away to gaze up at him, your fingers playing with the dark curls at the base of his neck. The sun was shining over the field and onto his tanned skin, making his sparkling brown eyes look like the color of gold. It took your breath away.

"You're so handsome," you whispered in awe, your fingers leaving his hair in favor of stroking the graying stubble dusting his cheeks. He blushed and shook his head, but before he could protest, you spoke again. "I love you so much, Joel. Sometimes it makes me sad to think we probably wouldn't have ever known each other if the world didn't end."

His eyes softened and he gave you a small smile, tucking a stray piece of hair behind your ear. "I'll always find you. In every life, in every universe. You've got a piece of me," he tapped your chest lightly, "I don't make the rules."

You laughed and laced your fingers together with his. "Like fate?"

He shrugged. "Call it whatever you want. I already told you, sweetheart. We're meant to be together."

You pulled him down for another kiss, this one more gentle. More loving. More intimate. For the hundredth time, you mentally berated yourself for wasting so much time after your accident when you could have been with him like this, being loved and adored and cherished all along. Instead, you both had been searching endlessly for some version of yourself that you weren't sure you would ever find again. But then you realized if you never did, that was okay. Because you got to fall in love with each other all over again, and how many people get to say that?

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changbunnies · 20 days

Text

Hopelessly Devoted To You (18+)

♡ Pairing: Greaser!Bang Chan x fem!Reader

♡ Genre: grease inspired 50s au, some angst and fluff, this was supposed to be a long full length fic but it somehow became just porn with plot lol

♡ Word Count: 11.2k

♡ Summary: You were so excited to see him again– the guy you'd spent your entire summer with, entagled in a fleeting but explosively sweet romance. But the Chris you meet again isn't the one you remember, and now if he wants to win you back he's going to have to prove just how devoted to you he really is.

♡ Warnings: chan is referred to as chris, smoking (cigarettes), some misogyny + toxic masculinity + fuck boy behavior, some 50s references and lingo, 1 instance of reader shoving chan in a fit of anger / sadness, jealous and mildly possessive chan, minor appearances from felix, changbin, minho, and hyunjin (who goes by sam)

♡ Smut Warnings: 1 reference to reader losing their virginity to chan, references / flashbacks to other smut scenes before the main scene, light dom/sub dynamics, switch!chan, pet names (doll, sugar, baby), public sex, car sex, exhibitionism, oral (f rec, referenced m rec), fingering (f rec), nipple play, daddy kink, panty stealing (kind of), squirting, 1 mention of reader having pubic hair, maybe a lil breeding kink??, protected piv

♡ Notes: i've had this sitting in my drafts since december and finally got around to finishing it gfdhgfh this is incredibly self indulgent as grease is one of my fave movies ever and chan as danny zuko is constantly rattling around in my brain. the build up is pretty short (by my usual standards) as i moved the plot along a lot quicker than i normally would so idk if it's my best work but hopefully you enjoy it!

♡ Disclaimer: please read responsibly, and remember that this work is fiction and meant strictly for imaginative fun. the idols used in fics are more accurately faceclaims and personality outlines for imaginary characters, and should not be interpreted as factual representations of existing people.

You remember well the first time you met Chris. Lounging aimlessly at the beach with the sunset on the horizon, his feet in the sand with a silver dog tag necklace hanging low over his bare chest, a cigarette from his previously discarded jeans held between his lips. Fresh from the ocean with beads of water still dripping off his toned body, slicking back his damp hair before fumbling through a different pocket for his lighter.

You watched him bring it up to his face after successfully digging it out, cupping his other hand around it to protect the flame as he lit the cigarette in his mouth. You watched him take a long drag, watched him blow the smoke out from the corners of his mouth, watched him sigh before deciding to towel dry his legs enough to wrangle his jeans back on.

The beach had been quickly growing sparse by the time you spotted him. Groups of friends clearing out to make it to the local diner before all the tables were filled, parents wanting to get their kids to bed before the moon fully rose in the sky, couples on double dates bunching up in one car as they decide to hit the drive-in together.

You yourself were in no rush to leave– you came alone, tired of your parents bickering during what was supposed to be a fun family vacation. You’d stay as long as you could, you’d decided– really soak in the peace the sea brings before returning to your aunt’s beach house, where you were all staying for the summer.

But safe to say, the sight of him enraptured you. He was handsome, devastatingly so– you never expected to see a man with a visage to rival even that of James Dean himself with your own eyes, but there he was before you; and your heart stuttered when he glanced over in your direction.

He had just finished pulling his jeans up and over his haunches when he noticed you, cocking a brow when your eyes met– and you could tell in an instant that he knew you’d been staring at him. His smile made your breath hitch, pretty dimples peeking out on his cheeks as he acknowledged you with a playful wave.

Hesitantly, you lifted your hand and waved back, and he grinned, eyes still locked on yours as he pulled up the zipper of his jeans. He turned back to his belongings on the ground, shook the sand out of his white tee before pulling it on. He grabbed his leather jacket, slung it over his shoulder before turning to look at you once more.

You swallowed, face running hot from his gaze alone– you hoped, as he began walking towards you, that you could play it off as having not put on enough sunscreen before coming here. You were sitting on a towel, legs to your chest with your arms wrapped around them, but you lowered them as he approached you.

He tossed his cigarette to the the side once he was close, letting its flame fizzle out in the sand. He looked you up and down when you stood up, introducing himself with a charismatic smile that made your heart race faster. You stuttered when speaking, and his smile widened, one of his hands going to rest in the pocket of his jeans while the other kept his leather jacket in place over his shoulder.

Chris was the most, to say the least– and when he asked if he’d see you again tomorrow, you promised him he would. You watched him walk over to a beat up, old top down cadillac, throwing his jacket into the car before jumping in– literally jumping in, hand on top of the closed car door as he hopped over it into the driver's seat.

He gave you another glance after starting the ignition, and you smiled meekly as you offered him another wave. Chris grinned, raising his hand to say goodbye before putting it back on the wheel and burning rubber out of the parking lot.

You spent nearly every summer day with him after that. Days at the beach spent splashing each other in the water while you giggled, hopping in his cadillac to go catch whatever new flick was showing, or sharing a milkshake at his favorite diner. He’d hold your hand as you walked through the sand, giggled with you over silly inside jokes while eating burgers and fries, hugged you tight after you gave him a chaste kiss on the cheek at the end of the night.

Chris gave you dimes to pick tunes on the jukebox, and would sing along to your selections with the prettiest voice you’d ever heard. He took you to the county fair, would shoot you goofy grins after kissing you with lips sticky from cotton candy, got on the ferris wheel with you and squeezed your hand when the height made you dizzy, kissing away your nerves when you reached the very top.

He won you a teddy bear from the soda toss, put his leather jacket over your shoulders when the sun set and the air began to chill, wrapped his arm around your shoulder while you were waiting in line to buy some popcorn. He’d lean down to whisper a joke in your ear, and you’d slap his arm with a giggle while he squeezed you closer.

You watched him soup up the engine of his car, and he’d take your hand after a long day of working on it, pull you in to dance with him while the radio blared the hippest tunes. When he was satisfied with the restoration of his cadillac, he started taking you out on long drives, wind whipping through your hair as he drove fast through the back streets of the city.

He’d drive you to secluded hills overlooking the city, where you’d make out until he had to drive you home in time for curfew. He’d park his car far down the street, away from where your family could see him dropping you off– because Lord knows your mother's heart would give out if she saw you spending your vacation with a guy that looked like him.

And through it all, days spent back at the beach where you first met him were always your favorite. You would let Chris lay you down on a towel in the sand and kiss you over and over, until you were both heaving and hot. You lost your virginity to him like that– alone on the beach, towels laid down and moon high in the sky after having snuck out of the window of your guest bedroom to meet him.

He’d whisper sweet words in your ear, make you fall apart with deft fingers and an equally deft tongue. Sometimes, instead of sneaking out to see him, he’d be the one showing up at your guest room's window, grinning at you as you opened it to let him in. He’d fuck you there, in the bed with his hand clamped over your mouth to muffle your moans of pleasure, lest your family discover what it is you’re really up to while "alone" in your room.

Chris would crawl over to you in the passenger seat at the drive-in, sink to his knees and dip his head underneath your long poodle skirt, the flick on screen long forgotten as he pulled your panties to the side to kiss and lick your dripping pussy. Sometimes he’d fuck you there too, parked all the way in back with the windows and hood of the car up to hide what you were doing (as if the rocking didn’t give it away to anyone who happened to look.)

Sometimes, when he parked up the street to drop you off after sharing ice cream at the drive thru malt shop, you’d lean over the gear shift, taking his cock out of his jeans and sucking him off right there, with not nearly enough care for who could possibly see you. He’d give you the sweetest kiss before helping you out of the car, promising he’d see you tomorrow too, and the day after, and the day after that, until eventually your family’s summer vacation had to come to an end.

Chris was a dreamboat that day, as he always was– hair greased back with a few curly strands left over his forehead, loose black tee tucked into his jeans, leather jacket on with its collar ever so slightly popped, his dog tag necklace sparkling when the sun hit it just right. He was leaning against the door of his newly souped up cadillac with a lit cigarette resting between his lips, though he promptly threw it to the ground when he saw you walking over.

“There’s my girl! And ain’t she a doll,” he grinned as he pulled you to his body, kissing you sweetly as you blushed. You weren’t wearing anything he hadn’t seen you in before– just one of your usual white blouses and pretty pink skirts, but he always made sure to tell you that he thought you were the absolute most.

He walked around to the other side of the car, opened the door for you and closed it shut behind you when you got in. He hopped into the driver’s seat after, starting the ignition and turning to you with that beaming smile that made your stomach flip. “What’s the plan today, sugar?” he asked, throwing his arm around you while leaving one hand on the steering wheel.

In the end, you spent the day as you had many times before– driving through the city, hitting up the diner to split a strawberry milkshake, and watching the sunset at the beach; the same beach where you met him, and where the house you were staying in lied just a couple hundred yards away. You were sitting on the rocks, his leather jacket off and resting behind you, his arm curled around your waist.

His jeans were filthy with sand, as was your skirt, but neither of you cared– you just stayed there together, watching the sun sink lower and the waves crash against the shore. Chris kissed you when you looked up at him with watery eyes, agonized over the idea of never seeing him again. He’d given you the best summer of your entire life, and all you wanted was to stay– but you couldn’t. And though he comforted you the best he could, you both knew it was the end.

Chris held your hand to help you off the rocks, gave you a kiss before you turned away to make the walk to your aunt’s beach house. And you both knew it was the end– but not just yet. He came to your window later that night, and you let him in, bringing your hands to his face and eagerly pressing your lips to his.

He walked you back to the bed as you kissed him, laid you back gently and crawled between your legs. He made you cum on his fingers before reaching into the pocket of his jeans, pulling out a condom and tearing it open with his teeth. He rolled it easily down his cock, his jeans having fallen down his legs just enough to let him fuck you.

You reached your hands underneath his shirt, hungrily tracing your hands over every inch of his skin. Your nightgown was bunched above your thighs, legs spread wide to accommodate him. He eventually pulled the top of it down too, exposing your chest to him and leaving your stomach as the only covered part of your body.

Sweat dripped from his brow, his normally perfectly slicked hair tousled from your fingers sliding through it– and you didn't care that the pomade in his hair dirtied your fingers; in fact, it made it feel nicer when you brought your hand to one of your breasts, and rolled your nipples between them. Your stomach flipped when he grinned and called you a dirty girl, running a hand through his hair to grease up his fingers too and tweak the other nipple not being played with by your own.

He kissed you to muffle your moans and desperate whines, and it was nowhere near as effective as when it was his hand clamped over your mouth, but it was better. He had to slow down when fucking you fast unintentionally made your bedframe slam against the wall, and you gasped, praying no one woke up from the sound.

Thankfully, no one came knocking on your door– and though you were both desperate, clinging to one another hard and sliding your tongues around each other’s with fervor, he fucked you slow and deep after that. "Chris, daddy, please– 'm gonna cum," you moaned when he brought his slicked up fingers to your clit.

Chris groaned before kissing you again, and you came with a muffled cry, your nails digging desperately into his biceps. He kept rolling his hips into you through it, your body trembling with sensitivity until he eventually came too, all his cum spilling into the condom.

He stayed for a while after that, holding you close and wiping tears from your eyes with his thumbs. He snuck out in the middle of the night, promised you despite it all that it wasn’t the end– you’d see each other again someday, he just knew it; he wanted you to believe it too.

You got a couple of hours of sleep before morning, and gave your family the best smile you could manage as you tossed your luggage in the trunk of your dad's chevy bel air. You slouched in the back seat, trying not to cry and wishing more than anything you were in Chris’ old cadillac instead.

The Chris you reunited with wasn’t yours, and if it was, then fate was cruel for bringing you back to him.

The Chris you knew wouldn’t have looked at you like that– like you’re a desperate and fast girl, or an overly smitten near stranger hoping to get her kicks from him one last time while his friends snickered behind him. The Chris you knew wouldn’t join in on their snickering, tilting his head with an amused expression, tongue poking his cheek as he combs his fingers through his slicked back hair.

The Chris you reunited with wasn't yours, and the realization that you didn't really know him the way you thought you did utterly broke your heart.

You were back in the city– your parents, after having settled whatever marital disputes they were having, decided to settle down here. They loved their time together in the city when all their little tiffs were said and done, and they could tell you loved it here too.

They thought it’d benefit everyone to set up shop somewhere new, where everyone could reset. Plus, your mom wanted to be close to her sister again– and you certainly wouldn’t complain about spending more time at your aunt’s beach house.

You desperately wanted to see Chris again, and you knew it’d only be a matter of time before you did– unlike you, he grew up in the city, lived here his entire life. And while it’d been months since you parted at the end of summer considering your parents had to do a lot of work to shift the family business to a new location while also looking for a decent house up for sale, it would happen eventually– you were certain of it.

And soon enough you did see him, knew in an instant it was him even at a distance– because you’d recognize his restored cadillac anywhere. He was leaning against the car door like usual, cigarette in his mouth and leather jacket on his back, with a circle of friends around him. You never met his friends– he told you they were pigs, said that you wouldn’t like them much.

Besides, you were only going to be in town a few short months– why waste your precious few days hanging around with other people when you could be alone? That’s what he always told you– and as you tentatively began to walk up the street closer to them, you could tell they certainly did talk more vulgarly than you were used to hearing.

“C’mon man, you gotta let me borrow her,” one of his friends begged in reference to his car, “she’s a real pussy wagon. My chick’ll cream if I pick her up in it.” “Get your own wheels, bozo,” Chris shoved him with a laugh, “I ain’t lettin’ you take my girl on any joyrides.”

“What if you come too? Make it a double date, you know– and nobody’s got bigger tits than Annette. I got dibs, but she’ll be real nice eye candy for you,” his friend persuaded and Chris hummed, as if seriously considering it. Would he really go?

“Mm, maybe,” he grinned, tossing his cigarette to the ground and digging it into the gravel with his foot, “You do got a point. Tell her to bring a pretty friend, and I’ll think about it.” You blinked, stopped walking and simply stared at him. Had he moved on already? It’d only been a few months, but maybe you fell for him harder than he fell for you; the thought of it made your heart sink to your stomach.

His friend cheered and hugged him tight, and Chris pushed him away with another laugh, running a hand through his hair to fix it up as he characteristically did whenever it got even the slightest bit out of shape. In that same moment is when he glanced over in your direction, catching sight of you by pure coincidence.

His eyes widened when he saw you, mouth gaping open for a split second before he called your name in a mix of utter shock and joy. That was more like the Chris you knew– and it gave you hope. You ran up to him, and he to you, bringing his hands to your shoulders and touching you up and down your arms– truly, he couldn’t believe you were here, and he had to touch you to be certain it was real.

“What– what are you doing here? I-I thought you went back home with your folks, I thought–” he was smiling, entirely giddy as he looked you up and down. “We moved! I’m here to stay,” you told him excitedly, bouncing on your heels as you stared up at him.

It made you so, so happy; to the point that the contents of his prior conversation entirely lifted from your mind. It pains you thinking back to how naive and lovesick for him you were– you wish you'd have known better.

“I can’t believe it! I–” he started to exclaim, but then realized his friends followed him, crowding around his back while shooting him inquisitive looks, and he quickly took his hands off you.

He cleared his throat, tucked his hands in his pockets in a gesture meant to bring him back to his aloof state of being, and he grinned– not that pretty grin that made your heart flutter, but a wicked one. “I mean– that’s cool, baby.”

You didn’t like it, your brows furrowing at the change in his demeanor. “Christopher–” you started, but one of his friends spoke up before you could talk much more. “Who’s the chick?” he asked as he looked you up and down, and Chris hesitated. “Oh, uh–”

“Oh, I know!” the friend suddenly exclaimed, hit by an epiphany, “the one from the beach you wouldn’t let us meet– the one who puts out. This her? It is, isn’t it?”

Your face burned red, unpleasant heat crawling over your body as the rest of his friends snickered. He told them you put out? Why would he do that? Your expression crumbled, body trembling with embarrassment and grief, but Chris kept his own cool.

“Don’t worry, doll, I didn’t tell them all the horny details,” he smirked, and his friends' snickers erupted into full on laughs as they slapped his back in amusement. Your body burned hot with indignation, eyes welling with tears as your frustration and anguish boiled over. You shoved him as hard as you could, though it hardly even caused him to take a step back.

“I wish I’d never laid eyes on you, you– you creep!” you cried before turning away, ready to run back home to throw the teddy bear he won you in the trash and sob into your pillows. “That’s not all she laid on him,” one of his friends commented under his breath, the rest laughing and hooting as you sprinted away from them, back down the street.

Chris just watched, body tense and face sullen, heart twisting in his chest. He watched you turn the corner, wiping tears from your eyes before you disappeared entirely out of view, his friends still laughing and giving him pats on the back.

But when he turned to them, he put the smirk back on, and they all hopped into his car to hit the drive-in as if he didn't care about what just happened with you, as if the guilt wasn't going to eat away at him every night.

The next time Chris sees you is weeks later, at a new mom-and-pop shop freshly opened on the edge of the city. He’s there with his friends, all of them jumping out his cadillac before he’s even fully parked, rushing inside to grab a good table.

And when he walks in, it’s not his friends that he sees first but you– sitting at a booth with another guy across from you. There's an empty plate with tiny remnants of ketchup still left behind that he just knows you used for your french fries, and a milkshake between you with two straws stuck in it.

Part of him is relieved you aren’t sharing a single straw with the man like you would’ve done with him, but his gut still twists from the sight regardless. And when you giggle at something indiscernible the guy says, Chris feels liquid hot envy boil in his blood, jaw tightening and fists clenching as he cracks his neck.

“Chris, over here!” his best pal, Felix, calls from across the shop, and that’s when you see him too. You can’t help but look when you hear his name called, eyes widening when they land on him. He tenses, eyes lingering on you for a few seconds longer before he inevitably joins his friends at the table they scouted out in the middle of the room.

He can't focus on anything his friends are saying– the only thing he vaguely hears through the fog in his brain is Changbin begging the others for spare nickels so he can afford the dog-sled delight. It all becomes tuned out noise, because all he can think about is how much he missed you, and how much it pisses him off that you're here with someone else.

It's Chris' own fault, he knows that, and that makes the feeling even worse– like bile in his throat that he can't swallow down. It doesn’t take Minho, the most perceptive of his friend group, to notice that he’s staring at you and to comment on it.

“What, you still hung up on that chick?” he questions, and Chris scoffs as he snaps out of his fog, leaning back in his chair and acting as aloof as he can bring himself to. “What? No, of course not,” he says, but his eyes still linger on you, fingers twitching with irritation when he hears you laugh again, and watches you playfully slap the man’s arm like you would do to his.

Eventually, you hold out your palm to your date, and he watches the guy dig through his pockets to give you something. Chris knows immediately what's happening– you’re waiting to be given a dime or two, and you’ll saunter off to the jukebox to pick a new tune once they’re in hand.

He watches you rise from the booth, waits until you’ve made the walk over to rise from his table, muttering to his friends that he needs to hit the can real quick. He takes a few steps in the direction of the bathroom, and then immediately turns, going straight to you instead.

He props an arm on the jukebox after he approaches, leans against it and looks down at you as you cycle through the record choices. “Hey baby,” he tries, but you ignore him, don’t even spare him a glance as you continue to give the jukebox your full attention.

“Listen– I’m sorry,” he tries again, and you just hum in acknowledgement, still not turning your gaze to look at him. He swallows, glances back at his friends who are perfectly oblivious to what he’s doing, and then back to you. “I just– you know how it is, right? The guys, they expect me to act a certain way, and–”

“That’s why I’m so glad I met Sam,” you interrupt, turning around to look at your date and offer him a sweet wave. Chris hates it, but at least you’re talking to him now– he’ll take what he can get. He still ends up scowling however when your date waves back, and you turn back to the jukebox, still without glancing up at Chris himself.

“What, you like that square?” he scoffs as he looks your date up and down. He’s smartly dressed; pristine khaki slacks and a brown sweater vest pulled over his white button up, his hair in a neatly styled, respectable crew cut– but that’s not your type.

At least, he hopes it's not; because that would make Chris the outlier, and that’s not what he wants to be. He’ll also be damned if he ends up losing you to a goody two shoes like that.

“He’s sweet to me. And I don’t have to question what his intentions are, unlike with you,” you reply, and the emphasis put on 'you' makes his heart sink. While he certainly deserves to hear it, it doesn’t make him any less upset– not with you, but with himself. He really let his pride and reputation get in the way, and he knows he fucked up. But he wants you, and surely you know that, right?

You finally settle on a tune; Those Magic Changes– the one he knows is your absolute favorite. The one he even used to serenade you with once whilst dancing, you giggling away with a cute blush on your cheeks whilst he twirled you around. He sang it more exaggeratedly towards the end, purposely putting on a goofy voice to make you laugh harder as he dipped you down.

He kissed you before lifting you back up, and then again when you were completely upright, your hand on his shoulder and his arm around your waist, your other free hands intertwined. The way you looked at him when he pulled back from the kiss made his heart pound, but he played it cool– shot you that grin that always made your legs feel like jelly, kissing your cheeks when it made your blush deepen.

Chris liked feeling the heat of your blush against his lips, liked having your hands on him even when it was in the purest of ways, liked the way you giggled and smiled at him when he playfully winked at you. The memory strikes him hard when you press the play button to start the song, and he takes a step back from the jukebox, fists clenched at his side.

You look at him then– really look at him. Instantly he feels small, your gaze that once held so much love for him now meeting him with the utmost scrutiny. He fucked up, he knows he did– but what does he do now? He can’t even trust himself to say something without fucking it up even worse.

And the pain of it all hits you too– he can see it in your eyes just before you steel your expression, and do your best to act unaffected. "See you around, Christopher," you mutter as you turn away from him and the jukebox.

You walk back to the booth where Sam awaits your return with a smile, while Chris just stands there, your favorite song blaring painfully loud in his ears as he stares at your back. "..begs you please, come back to me, please return to me, don't go away again," the lyrics mock him harshly.

He doesn't know what to do, but he knows he has to do something, anything, to show you he’s sincerely sorry. He needs to show you he still wants you, needs you to give him another chance– more than he’s ever needed anything.

The next time Chris sees you is once again by coincidence, while he’s sitting alone in the parking lot of the sock hop his little sister just begged him to take her to. He was trying to decide what to do with his time– if he left, he’d have to come back in a couple hours to pick her up, but surely it was better than sitting around outside, bored out of his mind while he waited for her.

He could go in, but sock hops aren’t really his thing– the only time he ever danced was with you, and he didn’t plan on changing that. All he’d do inside is stand on the edge of the room and watch his sister dance, and he didn’t much feel like doing that either. Besides, his little sister was a good girl, and she didn’t need, nor want, his constant supervision.

And he’s just about to turn the key in his ignition and burn rubber when he sees you, arm linked with stupid fucking Sam as he opens the door for you with his free hand. And fuck, he doesn't even care that he's about to crash your date– he just needs to talk you. He jumps out of his car in a rush, pulling open the door to the building and heading straight to the line leading to the dance floor.

Chris’ jaw tenses when he sees you– Sam is leaning down to whisper something in your ear while you wait in the line, and you cover your mouth as you giggle. He hates how similar it is to the days he spent with you at the fair, waiting in line for rides and popcorn. The envy bubbling in his gut makes him feel sick, and he has to take a breath to calm himself down before he approaches you.

He steps to where you are in the line when he feels mellowed out enough, you and your date turning around curiously when they hear his voice call your name. Your eyes widen when you see it's him, but you’re quick to correct your expression before your date notices anything off about you. “Can I talk to you?” Chris asks, not at all acknowledging Sam’s presence beside you.

Even when you divert your gaze to glance at your date’s reaction, Chris’ eyes stay firmly on you, awaiting your answer. “Please?” he follows up, and it makes you swallow. It’s the first time he’s ever taken a pleading, desperate tone with you, and he can tell rejecting him isn’t going to come easily to you– it gives him hope that you'll finally hear him out, maybe even take him back.

“I–” you hesitate a moment, and just as Chris’ new, shiny hope begins to dim, you unlink your arm from your date. “I’ll be right back, just stay in the line,” you tell Sam before shooting Chris a look and walking past him. He follows you back outside, and you cross your arms as you stand against the cold brick of the exterior.

“What do you want?” you cut straight to the point. There’s a million things he wants to say, but his built up jealousy causes him to ask the stupid, burning question first and foremost. “Since when do you go to sock hops?” he questions, and it almost makes you laugh– he’s unbelievable, breaking your heart like that and then pulling stunts like this.

“Since nice boys ask me to go with them. Why, you jealous?” you accuse him and he scoffs, trying once again to play off what he feels. “Me? Jealous? Don’t make me laugh,” he says, unable to help the instinctive reaction to being called out. And he instantly regrets it, but it’s too late to take it back.

“Oh, so you won’t mind if I go back inside then?” you ask as you step away from the wall, starting to walk past Chris and back to the doors. He grabs your arm to stop you, and you look up at him expectantly. “Don’t, I–” he grits his teeth, hesitates for a moment, but ultimately decides to be honest, “I am, okay? So don’t.”

He lets your arm go, and his admission thankfully proves enough to make you stay. You settle back against the brick wall, but you don’t look at him after– instead you look down at the ground, staring at your sleek, black and white saddle shoes instead of meeting his gaze.

It’s silent for a moment, with Chris wracking his brain as he tries to figure out the right thing to say to you. “What you did was terrible, you know,” you end up breaking the silence first, your voice soft.

“I know, I– I meant it when I said I was sorry,” Chris says while moving a step closer to you, and still you hesitate to look at him. “I didn’t believe you. Still don’t,” you reply, and honestly, he can’t blame you– he should’ve been more sincere when he approached you.

But he was being a fucking idiot, still trying to play it cool even though it was just the two of you standing there by the jukebox. And who gave a fuck if his friends happened to look over and saw him talking to you? Why should he care? Is it really so wrong for him to be whipped for you?

Even the first time he saw you again, he should've done all the things he really wanted to do. He should've kissed you and hugged you tight, should've told you how happy he was to know you’re here to stay, should’ve flipped his friends the bird and told them to fuck off if they questioned him. But he didn’t– he cracked under the expectations, and you suffered for it.

There’s a lot he wants to say, but he doesn’t know how to say it– he’s never been vulnerable about his feelings before you, but he wants to try. Even if he screws up over and over again, he’ll keep trying– because you deserve it. And he should apologize again, sincerely, but there’s another question burning in his blood that he has to ask.

“Do you really like that guy? You’re not, like– going steady, are you?” Chris questions and you shrug, finally looking up from the ground to meet his eyes. “That depends,” you tell him, peeling your back away from the wall to stand directly in front of him, holding your hands behind your back.

“On what?” he follows up, and you smile– a small one, but it’s enough for him. “On you,” you answer, and the hope flares back up, drowning out the envy and shame in veins and replacing it with pure, unfiltered glee.

“Yeah?” he grins as he tilts his head, and your smile grows the tiniest bit more as you nod. You may still have your doubts about his sincerity, but the fact that you’re willing to give him a chance is all he needs– he’ll use the time you give him to prove it to you, to make sure you’re left with no doubts that you’re the one that he wants, to promise that he'll never break your heart again.

“Come with me then, back inside– you’re gonna be my date,” he says as he holds out his hand to you. Sock hops may not have been his style before, but they can be for you. “What about Sam?” you question, but still take his hand regardless.

“He can stag it the rest of the night for all I care. You’re mine, sugar,” Chris replies, and it sends butterflies sweeping through your stomach as you giggle in delight. “And your friends?” you ask next, knowing it’s very well possible he’ll crack under the expectations of his rep with them again if they see you together.

“Fuck ‘em,” he replies easily; and you’re both sure it’ll be easier said than done for him to not give a shit what they think, but he’ll do his best. He doesn’t want to do anything to make you regret giving him another chance. “Let’s dance, baby,” he grins at you, pulling you along with him as he steps back inside the building with you in tow.

There’s a thought in Chris’ head that he never before thought he’d ever have– the sock hop was perfect. And well, maybe it’s not the sock hop itself necessarily that he enjoyed, but you– yes, it was most certainly you. The time spent with you was everything he’d been missing, everything he could’ve ever hoped for following your departure from the city and his subsequent abysmal fuck up.

He knew he didn’t deserve any of it– and he was certain you were going to share a more serious talk about it all later, but he couldn’t deny the satisfaction he felt walking back into the building and seeing Sam utterly bewildered that his date was now clinging to his own arm instead.

And he won’t shirk his responsibility to do better by you– he’ll own up to his mistakes, he’ll change, be someone deserving of you. It may take a lot of time and effort to unlearn all the dumb shit he’s taken in over the years, but he swears he’ll try– tonight is just the start of a lifetime of proving to you that he’ll do anything to keep you.

All night, you’ve been positively radiant– and truly, Chris has never felt luckier in all his life. He delighted in the way you smiled at him while dancing, enjoyed the way you squealed in excitement and bounced on your heels when the live band decided to play a cover of your favorite tune, couldn’t help the way a goofy grin spread over his face when you pecked him on the cheek following a slow dance.

You’re the only one in the world who’s ever seen it, you know– the only one who gets to see his dimples, or to hear him giggle. The only one he’s ever sung to and danced with, the only one he’s ever wanted to stay up all night talking on the phone with, the only one he’s ever taken out for more than a quick and simple joyride in his car.

He could feel the inquisitive, disbelieving stares too– Chris has lived here his entire life, and everyone knows the kind of guy he is. And maybe he’s simply lucky– he knows he’s nothing but a delinquent, knows his reputation precedes him, knows he doesn’t deserve the affection of a good girl like you.

Regardless of it all, you love him– enough to give him another chance even when he hasn’t yet done enough to earn it. And effortlessly, you unlock the soft part of him– the part of him that desires and yearns and wants. He burns for you, the only girl in the world his heart has ever raced for, the only who knew who he was beyond the rough surface he projected to the rest of the world.

Now you’re outside tentatively standing next to Chris’ car, waiting for him to come back from confirming with his sister that she’ll hitch a ride home from her friends instead of him. It embarrasses him how she grills him with questions about you– and he answers in the vaguest of terms, having to promise that he’ll fill her in on it all in more detail later, but to please just let him go be alone with his girl.

He’s certain that no one else would believe it if he told them, but his intentions to be alone with you are entirely pure. Now that he’s close to having you as his again, he wants to do right by you– take it slow, kiss you soft and tender, touch you light and chaste, respectfully, sweetly. He wants to take you on dates again, wants to save up all his quarters to buy you something special, wants to devote his every moment to showing you how sincerely he loves you.

He wants you to meet his friends properly (after he gives them a stern warning to be gentlemen in front of you), wants you to meet his parents, and he wants to meet yours in turn. He wants to stop playing it cool and aloof and confident when he feels something– doesn’t want to keep pretending that the way you look at him doesn’t drive him wild, not just with lust but with adoration.

And certainly, you know that Chris is softer than he outwardly appears– you’re not blind to the way his cheeks and ears burn when you kiss him sweet and call him that name that makes his heart skip a beat. And unlike you, Chris knew what he was doing– so it was natural for him to always be the one leading your little song and dance, even when on the inside he felt like he was going to positively combust from the way your eyes sparkled at him.

There’s something you’ve been wanting to try– something that you couldn’t before, because your summer together passed by in a blink, and there was so much you didn’t know when your relationship first began. And Chris has taught you a lot in your time together– maybe more than he even realizes.

He may not know it, but he’s made you into a real insatiable minx. And now that you know he’s willing to beg and plead and grovel for you to take him back, oh how it makes your heart race with the possibilities. How far can you take it? How far is he willing to go for you, to prove that he’s devoted to you entirely? Would he really do anything to keep you?

Chris told you, just a few moments ago as the sock hop was coming to an end, that he’ll do anything and everything to make sure you don’t regret giving him another chance with him. He looked you straight in the eyes, vulnerable and entirely sincere, squeezed your hands in his as countless promises left his lips.

Could he be manipulating you? Is he nothing but a dirty liar? It’s certainly possible– but you’d like to believe the Chris you knew last summer is the truest version of himself. You’d like to believe that the Chris you saw tonight isn’t an act to keep stringing you along. So you want to try something– something bold, something the you of last summer would’ve never thought to do.

You don’t think your shyness will ever entirely evaporate given that Chris is such an utter dreamboat, but he does well enough at playing it cool, so who's to say you can’t do it too? You can be playful and enticing, can play it coy and innocent while you flutter your lashes at him, can smile and pout at him in a way that makes desire spread through his veins like explosive, hot fireworks.

When Chris walks back out of the building you have to make a conscious effort to ignore the butterflies in your stomach– you’ve decided you’re a woman on a mission tonight, after all. The parking lot is sparse now, and the last stragglers from the sock hop all shuffle to their cars, his sister and her group of friends being among them.

Though you only met her briefly, you offer her a pleasant wave goodbye, and she smiles at you as she returns it– though you don’t miss the way she shoots her older brother a look after. A look that says “don’t fuck this up for yourself.” It almost makes you giggle– you like having his sister on your side; you get the impression she’ll chew him out if he doesn’t shape up the way he’s promised to.

Chris doesn’t turn to you until after his sister and her friends have peeled out of the parking lot– you’re not sure if it’s because he wanted to make sure she was going to be safe, or if it’s because he felt like she’d gotten enough of an eyeful of him being affection with you, and he’d be embarrassed if she saw anymore. You like either answer.

“Hi baby,” he says, soft and sweet as he smiles, and it makes your heart once again skip a beat. Even after hours of dancing, he still looks utterly perfect– not a single piece of his greased up hair out of place. You hope you’re faring the same– you didn’t really get a chance to look at yourself in the mirror at the end of the night to know for certain, but you want Chris to think you look divine.

“Am I taking you straight home?” he asks; it’s dark out now, but you still have a fair amount of time before you’re expected back home. And while he’d love to spend more time with you, he isn’t going to assume– this is a trial period, after all; he still has to earn that, he’s sure.

Calling you his earlier was more hope on his end than confidence– he wants you to be his, but he knows he has to earn your trust back first. And he’s going to be a gentleman– any boundary you have, he’ll adhere to, no matter what. He refuses to fuck up with you again.

“No,” you answer short and simple, smiling up at him as you do. But before he can ask you what you want to do until curfew, you’re speaking again. “My shoe's untied,” you pout, leaning back against his car while gently lifting your foot from the ground to show him, “can you fix it for me, please?”

“You want me to tie it for you, baby?” he laughs a little as he tilts his head to the side, thinking you’re just oh so cute when you keep up the pout as you nod. He gets down on one knee easily, and you put your foot right on his knee, watching as he ties your laces back together. When he’s finished, you don’t put your foot back on the ground– you press it right to the middle of his chest.

“Baby?” Chris looks up at you curiously– and there’s a twinkle in your eye he’s never seen before. He almost thinks you’re going to kick him back on his behind, but you don’t– you take your skirt into your hands, and start to pull it up. Slowly, it rises above your calf, your knee, your thigh, until he can see your pretty white panties, with its precious little pink bow in the center.

“S-Sugar, what– what are you–” he stammers, struggling to form words in a way he never has before. You’ve never exposed yourself to him like this– just out in the open, with no barrier between you and the rest of the world. You aren’t in your bedroom, you aren’t inside the car with the windows and hood up– you’re out, in the middle of the fucking parking lot where anyone could see.

Fuck, even the times at the beach, when he made love to you in the sand, were much, much more secluded than this– because those excursions were isolated, close to your aunt’s beach house and happening in the dead of night. And this is very much not– it’s barely even 9 o’clock, and you’re at a public venue; anyone could come by, and for any reason.

“I need your help with something else too, daddy,” you say as you pout some more, clearly acting coy, and he swallows as he stares up at you. “Can you do it, daddy? Can you help me?” You take as much of your skirt's fabric into one hand as you can, keeping it lifted above your thigh while you move your other hand between your legs, pulling your panties to the side to show him your pussy.

The action sends all of Chris’ blood careening to his cock– he can’t believe you’re really doing this right now. “Right– right here? N-Now?” he gulps, taking a quick glance around the parking lot. You’re alone now, but still– he never thought you’d do something so bold. Even just fooling around in the back seat of the cadillac with as much privacy as he could give you made you impossibly shy.

“Yes, here, now,” you tell him, keeping your panties hooked to the side with two fingers, while using the other two to spread your folds apart for him the best you can. You’re trying to entice him, and fuck, is it working. He never thought he’d see you this way, and it’s making him feel so utterly electric– he’s a fucking live wire, and he’ll pour his current straight into you.

Anything you want from him, it’s yours– he doesn’t need any convincing, he’s already impossibly ensnared by the rope that is your desire for him. And fuck, he said he wouldn't do this, said he'd be a gentleman, take things slow and build back up to intimacy with you– but if you're practically begging him for it, how can he resist?

Chris takes your foot into his hand, carefully lifts it from his chest and throws your leg over his shoulder before he crawls closer to you. The concrete of the parking lot ground is brutal against his knees, but he doesn’t give a shit– you need him, and that’s all that matters.

He replaces your hand, keeps your panties shoved aside with his own. Now that your hand is free you use it to hold onto the car door and give yourself some extra support as he starts placing kisses to your clit. His lips always feel so perfect– especially when he licks them first, gets them nice and wet for you; the sensation draws out a pleasant sigh, but you both know it isn’t really enough.

Chris likes to tease you, make you wait until you’re squirming and trembling from all his repeated kisses, gets you so worked up you could beg and cry before he finally gives you his tongue. But tonight is about getting what you want, when you want it– so as much as you enjoy his soft little kisses, you’re not going to let him work you up.

He’ll be the one fraying at the edges, the one desperate and pleading, the one who feels like his brain is filled with cotton, looking up at you from down on his knees with glassy eyes full of need. You let go of the car door, bring your hand to his head and thread your fingers through his hair. You pull back just enough to have his head tilting away from your pussy, making his eyes land straight up at you.

“Baby–” he gasps, and again you meet his gaze with that sinfully deceitful pout. “You said you’d do anything for me, daddy,” you say as you shoot him your best doe eyed look, “Did you mean it? Will you do anything for me?” Fuck, you’ve got him throbbing– you can see his erection straining against his jeans, and it nearly makes you grin in delight.

Still, you don’t crack– Chris always does well at only showing you the version of himself he wants you to see, and you will too. You won’t give him your meek looks or timid declarations of desire for more of his touch– he’ll only see a new you; a confident you who knows exactly what she wants. You’ve learned from the best, after all.

“Well?” you demand when he doesn’t immediately answer, and you watch him swallow, swearing you can see the shiver that spreads down his spine and throughout the rest of his body. “Y-Yeah baby, I meant it. I’d do anything for you,” he tells you, hoping you can’t see how red his face and ears are getting in the low light.

“Prove it– prove you want me, prove you’re good for something,” you say, and again he shivers, breath catching in his throat. “Eat it, make me cum.” Fuck, Chris is reeling– he still can’t even believe it’s really you talking to him this way. His brain feels like a faulty circuit board, all his synapses sparking dangerously as they fire off, ready to ignite his blood and engulf him in an uncontrollable flame of desire.

When you let go of his hair, he wastes no time diving right into your pussy, eating you out like a man starved. He brings his free hand to your ass, squeezes and holds you in place while he shakes his head to get more of you on his tongue, his nose bumping your clit and making your legs quiver.

You bite your lip, doing your best to suppress the loud moan he brings out of you by sucking on your clit. His plush lips wrapped around it, the flicks of his tongue, how expertly he sucks– it’s already so overwhelming, in the best way possible. Chris does his best to sink lower, tries to lick at your hole and get his tongue inside, but it’s hard like this– he’s not sure if he can.

“B-Baby, doll, let me lay you down, in the car, let me–” he pulls away from your dripping center to look up at you, and fuck, he looks ruined in the prettiest way imaginable. His eyes are hazy and pleading, glistening with your arousal from the tip of his nose all the way down to his chin, sweat dripping down his brow. “Need to spread you out, I– please? Gotta taste more of you.”

Shit, you can’t deny you want it– especially not when he’s begging like this. You nod, and he smiles at you in appreciation, a smile that makes your knees even weaker than they already are. You take your leg off his shoulder, and he quickly rises to his feet, giving you a messy kiss before he ushers you away from the car door to open it for you.

You crawl into the back seat, and he follows, slamming the door shut behind him. He waits until you get comfortable, not acting until you're lying propped against the opposite door of the car. Chris hooks your panties in his fingers, pulls them down your legs and tosses them aside into the footwell; it'll be a sweet treat for him when he finds them again later.

He'll keep them, he thinks– stuff ‘em in his pocket and take them back to his room, where they'll lie safe and protected under his pillow. It's a dirty thought, one that'd otherwise fill his gut with shame, but right now all he feels is need– need for you to cum on his tongue, need to give you everything you want and more.

He settles on his stomach between your legs, and it’s certainly not easy, but he manages well enough. One of your legs ends up over his shoulder again while the other stays spread out with the help of his hand holding you under the knee. And finally, his tongue dips into your hole, and it’s pure bliss– maybe even more so for him than you. He’s hungry, utterly ravenous; all he can think, breath, and taste is you, you, you.

“Chris– your fingers, need your fingers,” you whine more shamelessly than you would've otherwise liked, but you know he enjoys it. He separates from you long enough to run his fingers between your folds, making sure they’re nice and slick for you before he presses them to your hole.

He slides one finger in first, bringing his mouth back to your clit while you adjust to the feeling. Your legs are already trembling by the time he adds another finger, and when he starts curling his fingers to hit your most sensitive spot while flicking his tongue against your clit you can hardly even breathe– it’s just so, so good.

Your stomach is clenching, thighs and legs shaking hard, your release building up with an intensity you’ve never felt before. “Oh, fuck, Chris–” you cry when he presses the tips of his fingers into your spot harder. You’re certain that if it wasn’t for the fact that you’re still wearing your shoes, your toes would be curling from the pleasure.

Your pussy sounds so sloppy and messy, and Chris himself isn’t making it any better– he’s drooling so much, his saliva drenching you just as much as your own dripping arousal. You’re breathing hard, and even your hands are shaking as they continue to hold up your skirt to watch him devour you.

“Oh my god, ‘m gonna cum, I’m gonna– fuck, gonna cum for you daddy, please don’t stop,” you’re crying loud– and you know you should at least try to be quieter considering how out in the open you are, but you’re too far gone to care. With your head thrown back, you whimper and moan, high pitched and loud, eyes rolling back as your orgasm takes you.

It feels like it’s endless, the waves of pleasure ceaselessly jolting your body as your vision blurs white; and you feel wet; so, so wet. It’s only when you finally come down from the high and lift your head back up from where it thunked against the car door to look at Chris that you realize why you feel so drenched.

It’s not just your thighs that are dampened– it’s your skirt, Chris’ face and shirt, the leather of his seats; all of it is soaked with your cum. Your face starts to burn hot, and you swallow as Chris stares at you, almost bewildered. “Baby– did you just..?” You squirted for him, because of him– he doesn’t even fucking care how much of a nightmare it’s going to be to clean his car, all he can think about is how fucking sexy it is.

You simply nod, because it’s all you can think to do– you really weren’t expecting this to happen. “Oh my god, baby, you have to do it again, please, you have to,” he practically whines, and his enthusiasm over it makes you giggle. You honestly feel more than a little shy about it, but Chris’s apparent elation makes it worth the tinge of embarrassment.

You reach out for him, take the necklace dangling from his neck into your hands and pull, urging him to come closer to you. He crawls up your body, and you kiss him, sliping your tongue into his mouth and tasting yourself all over him. “Fuck, you’re so dirty baby,” he groans when you pull away, “what are we going to do, huh?”

It makes you giggle again, a soft thing full of mischievous delight. He basks in it, giggles with you before he kisses you again. “Need your cock now,” you tell him when he pulls away, and shit, he’d nearly forgotten how fucking hard he is whilst wrapped up in pleasuring you. He can feel it straining against his jeans, desperate for stimulation of its own.

“Yeah? Want my cock baby?” he asks, grinning at you the way he always had before; you tug on his silver chain again in response. “Don’t forget, you’re giving me everything I want. Everything, okay?” you say once his face is mere inches from yours again, making him look you closely in the eyes. Chris swallows as he nods, the smile you offer him once again making his brain feel fuzzy and floaty.

He looks you over once more, really takes it all in before he scrambles over the front seat, reaching for the glove box where he still has some spares from your time together over the summer. Condom in hand, he settles back over you, and you help him with his jeans while he tears the package open. He spreads it quickly down his length, and you take your legs in hand, holding them under your knees to keep yourself open for him.

The sight of you like that is dizzying– legs open, skirt bunched up all the way to your stomach, pussy wet and glistening, with the hair there matting from how wet you are; you’re perfect. So fucking perfect. He moans as he pushes into you, so slick that you take him with ease. You take his face in one of your hands and pull him down to kiss you, a desperate one that makes pleasure lick over every inch of his skin.

Chris rolls his hips into you slowly to start, while you let go of the leg you're still holding to wrap your limbs around him, keeping him pressed close. He grabs onto the car door, uses it to keep himself steady when he starts to pick up the pace of his hips, harsh breaths and low moans leaving him freely. Neither of you are trying to be quiet, the street lights are burning bright, the hood of his car and the windows are down, anyone could hear you or see you– and the excitement of it all makes the pleasure he feels all the more intense.

“Baby, your tits– let me see ‘em, please, can I see ‘em?” he asks between labored breaths– he needs to see them, has missed them more than is probably allowed. You quickly do as he asks, fumbling with the top few buttons of your blouse to expose yourself to him. You tug down your bra so he can see your breasts bare, and again he groans, bringing his free hand to one of them to brush his thumb over your hardened nipple.

“Oh, you’re so pretty– so, so pretty baby,” he says, groaning when the words make you clench harder around him. It doesn’t take long for the car to start rocking with the motion of his thrusts, his rhythm quickly growing sloppier. He’s been so worked up, and believe it or not, he hasn’t actually fucked anyone since you– he feels so high strung and on edge, and he doesn’t know how much longer he can hold out.

He just hopes he can make you cum again before he does, or at least make you cum with him– he needs you to be happy with him. You can feel his cock twitching and throbbing, you can tell that he’s already impossibly close– so, like the little minx you are, you talk dirty to him, wanting to see him utterly unravel at the seams. “You gonna fill me up, daddy? Make this pussy all yours?”

Chris gasps and shudders, goosebumps erupting all over his impossibly hot skin. He knows he can’t actually– all he’s going to really fill up with his cum is the condom, but fuck, the thought of it is making his head swim. “Y-Yeah, gonna fill you up baby, daddy’s gonna make you so full,” he breathes, and God, that really does it for you.

You bring your fingers to your clit, rubbing in quick, practiced circles. Even through the condom he can feel you gushing and soaking his cock, and it sends him over the edge– as do the sounds of your incredibly pretty whimpers and moans of pleasure. His hips still when he cums, his bottom lip tucked between his teeth as his eyes roll back, head thrown back in utmost bliss.

It takes Chris a few moments to recollect himself and catch his breath, and he slowly slips out of you when does. He tucks his softening length back in his jeans before he helps you fix your bra, and smoothes your skirt out over your legs while you button your blouse back up. “You feeling okay, baby?” he asks, wiping messy strands of hair out of your face.

You’re both covered in a sheen of sweat, faces flushed and hot, hair utterly a mess– it’s obvious, even with your clothes fixed up, what you’ve been doing. “Mhm, are you?” you ask, and he smiles, giving you a quick peck on the lips. “I’m peachy keen, jelly bean,” he replies and you giggle, kissing him once more.

He looks at himself in his rearview mirror when he pulls away, does his best to fix his messy hair while you lift yourself up from your propped position and stretch out your aching limbs. He then takes another glance around the parking lot, and notes that you’re still the only ones here– thank God. He was too enraptured by you to check earlier, and he’s grateful that no one else has showed up.

“Should probably get you home now, yeah?” Chris asks, looking at the clock on his dashboard and noticing it’s now getting dangerously close to your 10 o’clock curfew. He helps you get into the passenger seat when you nod, and you smile at him when he settles in beside you. He turns the key in the ignition, one hand resting on your thigh while the other stays on the wheel, and he drives you home.

Chris parks up the street, like he did all those times at your aunt’s beach house. He watches you walk over to your house, and he smiles when you turn around to blow him a kiss. At 11 he leaves his car, walks up the street to your home, and approaches the only window with a light still on– the window to your new bedroom. And you smile as you open it for him, letting him crawl his way inside.

He sees the teddy bear he won you at the fair sitting right in the middle of your bed, nestled against your pillows, and he smiles, delighted that you still kept it even after he broke your heart. “I love you, baby,” he tells you in a whisper after a sweet kiss, “never gonna hurt you again, I promise.”

“You better keep that promise, mister. Or I might just have to make you jealous again,” you warn and tease him with a cheeky little smile. He strips out of his jeans and tee shirt as you turn off your lamp, lies down beside you after you settle into your bed, runs his hand up and down your back as you press yourself against him. Head on his chest, with your arm and leg tossed over him, he kisses your head and smiles once more– because as he promised, this is just the start of a lifetime.

network tags: @ksmutsociety @skzstarnet

#ksmutsociety #skzstarnet #skz x reader #bang chan x reader #skz smut #bang chan smut #skz fanfic #bang chan fanfic #skz imagines #skz scenarios #mdni + divider graphic credit: @cafekitsune #don't ask me how many times i rewatched the movie while in the process of writing this. (the answer is 10 DFSGDGFG)

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cyberjam · 1 year

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E!42 MILES DATING A SHY!SOFT READER . . . ☆

warnings - black fem!reader in mind but you can imagine it however you'd like, miles having a soft spot for you, pink coquette vibes from reader, profanity, slightly suggestive.

word count - 2.2k | lowercase intended.

main masterlist | proof read?: kinda😭

song rec for fic?: yo love - from "queen and slim: the soundtrack - vince staples, 6lack, mereba <3

ᘏ⑅ᘏ

. . HOW YOU FIRST MET . .

ఇ . . . you two were assigned as partners for a science project that would play a big part in your final grade. you knew of each other but never fully interacted until now.

ఇ . . . miles knew you as quiet, only speaking when spoken to. you were an approachable person with a warm smile. you carried yourself well, and treated others kindly, even if they were undeserving. he was entranced by you to say the least. with how things were currently going in new york, he was surprised that the city hadn't dimmed your light. miles wanted to know more about you and this project gave him the perfect opportunity to do so.

ఇ . . . you knew of miles as well. he had the reputation of being an unapproachable person. easily intimidating others without trying, and keeping his circle of people small. you took a small interest in him as well. you'd catch yourself glancing at him every now and then, trying to break down his character. he didn't seem as mean as everyone claimed but now was finally your chance to see for yourself.

ఇ . . . that project was only the beginning of your and miles' relationship.

ᘏ⑅ᘏ

. . CRUSHING STAGE . .

ఇ . . . miles protectiveness increases the more your relationship grows. he'll cut into situations and defend you before you can fully form a thought. he never hesitates to step in-front of you as a human-shield and tell someone off with a simple phrase.

"ay, watch yo mouth." | "huh? repeat yo'self." | "i know you not talkin'-"

ఇ . . . he starts eating lunch with you. his friends get on him for being a simp but he brushes it off every-time. he enjoys the convos you two have during lunch and would rather sit next to you than a rowdy group of boys who use the lunch food as science experiments.

ఇ . . . he seeks you out. during school, after school, on his nightly patrols, etc. without even fully knowing it himself, miles is always looking for you no matter where he is. he just naturally gravitates towards you. you bring something to miles life that he hasn't had in a long time. peace.

ఇ . . . let's you mess with his hair. when he's over your place he'll let you put your cute baby pink hair clips in his braids and even tie in some hair bo-bo's at the end of them. but only if you take them out as soon as you're done and don't take any pictures. (you still take pictures)

ఇ . . . let's you draw on him. you can't remember when it exactly started but it's became a routine for you to doodle and write on his hands in every class you two share. he'll return the favor, if you ask nicely. he copies whatever drawing you did on his hand to yours so you'd be matching. (he dreams of getting matching tattoos with you.) <3

ఇ . . . scares classmates away. whether it be a glare from across the room or an arm slung around your shoulders, miles is always scaring your classmates away. even if they show the smallest romantic interest in you.

ఇ . . . maintains eye contact. he's always looking for your eyes and trying to remain in contact with them when you talk. he just loves staring into your pretty doe eyes while you ramble about something you like.

ఇ . . . nicknames. miles doesn't want to scare you off by being too forward, so he'll limit his nicknames. the ones he does call you while crushing on you are ma and princesa.

ఇ . . . passes notes in class. he's a bit of a "model student" in class (not talking back, not interrupting or disrespecting classmates, turning in his work early on time. he just wants to be left alone lmao) but he's more than willing to pass notes with you throughout the entire period. you'll catch him up on the newest gossip and he'd update you on the stuff him and his homeboys get into.

ఇ . . . he'll help you study. if you don't know spanish or you're just a struggling student, he'll teach you everything you're having a hard time with at a comfortable pace. he'll quiz you every once in awhile just to make sure you fully understand and don't feel behind in anything. if you've shown a significant amount of improvement he'll treat you by taking you out for your choice of dessert. (it's really just an excuse to take you out on a date without using the word date)

ఇ . . . there's an unspoken rule that you are his. classmates know, your friends know, his homeboys know, hell, even the teachers know. you're the only person miles gives the time of day. you're the only one who gets to walk around with his arm on your shoulders, have his undivided attention, as well as be the reason for his smile. you are his and he is yours.

ᘏ⑅ᘏ

. . DATING STAGE . .

ఇ . . . late night facetime calls. you two are truly never apart. when you're not together physically you're on facetime with each other. he loves when you call him and showcase the cute things you bought for yourself using his card. he also just loves the comfort those calls bring him. seeing you engulfed in a warm blanket fast asleep while he's doing his own thing just makes him feel content. you're able to be there for each other without physically being there and that's enough for him to wait patiently until he's able to hold you again.

ఇ . . . clingy as hell. although, he'll never voice out his wants for your touch he will initiate it. miles will be the one to commence 80% of affection. partly because you're shy and mainly because he can't keep his hands off of you. miles is always touching you in some way. whether it be an arm around your shoulder, a hand resting on your thigh, or a hand rubbing your ass while you're cuddling. he can't resist kissing you either. his lips always finding any available part of your skin to kiss when he feels like it.

ఇ . . . compliments. every chance he gets he'll remind you how good you look. always hyping you up and telling you how beautiful you are. whenever you get overwhelmed by the flow of affectionate words that smoothly flow out of his mouth, you'll cover your face with your hands and turn away from him. it only gives him more fuel in the long run because he loves to see his girl get all shy and cute for him. sometimes he doesn't even use his words. a simple look up and down while licking his lips will leave you weak in the knees.

"that's all mine right there."

ఇ . . . genuinely hates arguing with you. he hates when you're upset with him. there are plenty of times where miles has provoked you to the point you've gotten upset with him and that's usually when he knows he's gone too far. you're his girl, his everything. he can't have you sulking because of him. although, miles does have a bit of a short-temper, he remains calm throughout these situations. he lets you both voice your sides and he won't let the situation go until you come to an agreement. he tends to avoid arguments at all costs. usually murmuring a "you got it, ma." before it turns into something more. after settling long disagreements, he'll engulf you in a hug and give you a gentle kiss on your forehead.

"love you. don't want my girl goin to bed mad at me."

ఇ . . . nicknames! his nicknames will consist of mi vida, mi reina, ma, mami, baby, etc. any term of endearment you can think of he's most-likely called you. usually consisting of 'my/mine'. he's very possessive. your contact name in his phone is 'mi corazon 💘' and you're the only one with an emoji next to your name.

ఇ . . . spoils you. you want it? you got it. although, miles isn't incredibly wealthy, he does have money. he uses it to take care of you and his mom, providing help for the both of you. he helps rio with actual necessities, while with you he provides you with gifts. ranging from shoes, eyelashes, lace fronts, plushies, clothes, or electronics. the most expensive gift he's gotten for you is an ipad and apple pencil. it was for your birthday and he knew he had to get it for you after hearing you fangirl about it nonstop.

ఇ . . . lets you do his hair. he usually only lets rio do his hair, he's a major mama's boy. so, when you were granted the privilege to do his hair you felt honored. he also just loves when you take his braids out and give him scalp massages. he's fallen asleep on occasion because of how gentle and soothing your hands are. he's also tender-headed as hell so, please be careful or you'll get a earful of him complaining.

"damn, ma. why you gotta pull so tight?"

ఇ . . . buys matching sets. he buys you both matching shoes, clothes, and jewelry. he likes the simplicity of being able to match with you and show everyone you're his without voicing it. you two are the couple that matches on christmas. matching christmas tree pants, and santa hats...rio thinks it's adorable. for your 5 month anniversary you were gifted a gold necklace with his name written in cursive and once he helped you put it on he revealed the necklace that was under his shirt that had your name in gold written in cursive. only time you two take it off is when you're in the shower/pool. he'll take it off during prowler business as well, he doesn't want to disclose any of his personal business at work, it's very dangerous for the both of you.

ఇ . . . cant sleep without you. once miles gets a taste of what life is like keeping you close and holding you to sleep, it's hard for him to go without it. he loves cuddling with you and if there were any instance where you two wouldn't be together he would toss and turn all night and look at the ceiling until his body physically shut down itself. it's not the healthiest way to go by so when he starts to show up to school with deeper eye bags than usual, you decide to give him a plushie of his own. he'll buy the plushie little clothes and change them every now and then. he names it after you, and he even bought the exact perfume you wear and sprays it on the stuffed animal before going to bed and cuddling it. he's embarrassed to admit it, so he'll never tell you how much he pampers it. (you don't need him to tho, you've caught him kissing the top of the stuffed animals head before cradling it in his arms and murmuring 'goodnight, mi vida.')

ఇ . . . will go to the barbie movie with you. he'll thrown on a pink hoodie, black jeans, and pair it with some jordan's while you're decked out from head to toe in pink. he's gonna cry at one point during the movie and you have to pretend you didn't see. when you ask him if he liked it he'll shrug his shoulders while sniffling. he def gave his mom a big hug when he got back home. :')

"yeah, yeah...it was alright, i guess."

ఇ . . . talks about you to his mom. mile's didn't speak much of you when he had a crush on you, but he really didn't have to. his mom knew there was something or more so someone occupying his mind whenever he'd come back from school with a slight dazed expression and the tiniest smile.

ఇ . . . graffiti's your initials together. whenever he's bored and has a little extra time on his hands he'll graffiti his and yours initials together. sometimes replacing your last initial with an 'M' for Morales..

ఇ . . . treats your stuffed animals like they're your children. he scolds you if he catches one of them on the floor, he'll name them future child names he has in mind because he def wants to get married and start a family w/ you, he gives them hugs and buys cute little tutu's for them. lowkey will throw a fit if he finds out you gave some of them away.

ఇ . . . buys/sends things that reminds him of you. he'll buy you your fave bag of chips if he sees it in the store, he'll pick up a keychain with your name on it and attach it to his bookbag, he'll send you memes or recommend a tv show because the character reminded him of you. you're really on his mind 25/8.

ఇ . . . bakes with you. he loves baking with you. you two will bake the hell out of some chocolate chip cookies or some brownies. nothing that takes too long or a lot of preparation though, he'll get antsy and kinda touchy which leads to burnt products and a ruined cake pan.

ఇ . . . shows you off/brags about you. his friends and close family members know all about you and your achievements. if you play sports he'll cheer you on and brag about your wins, if you're an artist he'll post your artwork, if you have a small clothing brand he'll wear it and tell people to buy from your store if they ask, if you knit/crochet he'll ask you to make him a bucket hat or a mini version of you and him, if you dance he'll stay up all night on the phone while you show him your new choreography. it doesn't matter what you do, miles will continue to support you and brag about any and every achievement you accomplish. big or small.

ఇ . . . miles morales loves his sweet soft significant other.

currently re-writing my miles morales fic that was 6k words because tumblr decided to randomly delete it 🥲 i'll try to get it out soon! <3

also sorry for inactivity, i've been busy w/ school and work but i'll try to shoot out fics faster when i get the time :) !!

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gimmethatagustd · 8 months

Text

morals on sundays | myg

You're still in love with your ex-boyfriend. Yoongi offers some help to get over him.

○ Pairing: BFF!Yoongi x f!Reader

○ Rating: Explicit/18+

○ Genre: Friends with benefits, angst, smut, fluff

○ 6 / 100 Drabble Challenge (FWB)

○ Word Count: 2,177

○ Warnings: MC's boyfriend cheated on her, post-breakup blues, questionable decision making, fingering so good you'll try to run away from it, pussy eating, too much tongue sucking probably, Yoongi is a boob guy, they have matching Spongebob and Patrick coffee mugs so why aren't they married?? Idiots

○ Notes: Shout out to @sailoryooons for also writing about a daegu boy eating pussy tonight 😌 And, as usual, I wrote this with scrambled eggs for brains and didn't proofread it, so if you see any errors, no you didn't

○ Post Date: January 22, 2024

○ Masterlist | Send me ur thots

○ What was Jai listening to? Imported - Jessie Reyez ft. 6LACK

Lately, you’ve felt like disappearing – not into a crowded city street in another country or down an unlit dirt road into the unknown, but into the warm folds of Yoongi’s hoodie. You’re already halfway there, with your fingers interlaced with his, shoved into the large front pocket, and your face tucked into his shoulder.

“Fuck, I hate taking the bus,” he curses, his words turning into a cloud that disappears into the cold air.

“How much time do we have?”

Yoongi turns his head, and his lips briefly touch the cold curve of your ear.

“You’re mumbling. What’d you say?”

“How much time until it comes?” You squint up at him, cheek still pressed against his shoulder. It’s too warm here to want to move.

“Can’t check the app on my phone unless you give me my hands.”

“No.”

Yoongi chuckles and jostles your head by bobbing his shoulders.

“I thought our date would cheer you up.” His complaint is playful, eyes sparkling in the streetlights when he returns his gaze to the empty road. You should have gotten a taxi.

“I’m gonna die alone. Doesn’t matter how much late-night pizza I eat or how many stupid action movies I watch,” you grumble into Yoongi’s shoulder.

“Even when the action movie lead has a super hot sex scene that’s poorly timed and irrelevant to the plot?”

“Nope.”

“Even when the coolest guy on the entire planet was the one who took you?” Yoongi smiles cheekily, his gaze back on you. He wiggles his shoulders again, hard enough to bounce your head.

Annoyed, you straighten up, hands still shoved in his pockets. The movie wasn’t that bad. The pizza was actually great. You’re just depressed.

“I didn’t think it would take this long…” You whisper into the little space between your body and Yoongi’s. He knows you aren’t talking about the bus.

Yoongi squeezes your hands inside his hoodie. The rest of you might be freezing in the winter night air, but at least Yoongi keeps your hands warm. He keeps your heart warm, too, with his sincere gaze when he looks at you.

“You were too good for him.”

Yoongi’s right. He’s always right.

You’re sufficiently frozen by the time the bus finally arrives. Yoongi pays for you both because he’s trying to make life easy. No bumps in the road, no unnecessary stress. He lets you sit in a window seat so you can stare out at the blurry night scenery and have your sad main character moment for as long as it takes to get to your apartment.

Once you arrive, he follows you inside and heads straight to the kitchen while you slump down the hall to your bedroom. The cold seeps so deeply into your bones that the sweatpants and sweater you change into barely help increase your body temperature.

Maybe it’s because the sweatpants and sweater are your ex-boyfriend’s, and the universe wants to keep your body as cold as his heart was.

In the kitchen, Yoongi uses a wooden spoon to stir hot chocolate in a small pot, your favorite kind that comes in a block of chocolate that melts with milk. It’s likely been years since Yoongi has made you hot chocolate. Cozy winter nights indoors were once commonplace, the two of you alternating between apartments to make each other snacks and treat cuddles like currency. The appearance of your ex put an end to the comfort you shared with Yoongi. It put an end to most things that brought you comfort.

As you expect, Yoongi has two mugs out on the counter. You reach for yours, twisting it in your hands as you wait for him to finish.

“Remember when Spongebob tried to become best friends with Squidward instead of Patrick?” Yoongi asks, turning off the stove. He uses a ladle to pour hot chocolate into his pink mug, then pours some into your yellow one.

“Yes.”

“He was Squidward. I’m just mad I didn’t get to blow up his house–” Yoongi laughs and nearly spills his drink when you smack him in the arm, “–with bubbles! With bubbles. I’m not homicidal.”

Rolling your eyes, you set down your mug next to Yoongi’s, both drinks too hot to drink quickly.

“Thank you,” you mumble, hooking your finger into his hoodie pocket and tugging lightly, the action absentminded. You keep your eyes cast downward because you don’t want him to see your tears if they run. “I’m sorry I’ve been in such a shitty mood. I know it’s been a while, but, it just… I don’t know. I can’t stop thinking about him, and everything fucking hurts…”

Yoongi slips his fingers under your sleeve and circles your wrist, pulling your hand away from his pocket so he can lace your fingers together. They’re so much warmer now, defrosted by the heat blasting through your apartment and Yoongi’s hot chocolate.

“Maybe you could start by not wearing his clothes?” Yoongi offers quietly. “Can’t imagine it’s easy to get over someone when you keep them on your body like that.”

You sniffle and nod. Again, Yoongi is always right.

“Easier said than done…” you mumble, giving him a weak smile when you finally meet his eyes. There’s something there in his expression, something that seems different.

You don’t move away when Yoongi steps closer, even when he has you backed against the counter, even when you feel like you’re going to swallow your heart.

“I could take them off for you,” Yoongi says softly. He lets go of your sleeve to pinch the hem of your sweater, tugging it lightly. “If you can’t do it, I can.”

“Yeah?” You feel out of breath, maybe because you suck in your stomach when Yoongi’s fingers brush against it.

“Yeah,” he echoes, fingers sliding along your ribs as he pushes your sweater up. “So you can get over him.”

It’s a terrible idea, but your stomach flutters when he looks at you with sleepy eyes weighed down by the late hour and lust. He bites his bottom lip, and you feel your resolve slip as easily as Yoongi’s fingers do beneath your clothes.

“I want to.” The declaration is desperate, and for a moment, you can’t do anything but stare into Yoongi’s eyes with an all-consuming sadness that eats at your insides, gnawing on bones and biting holes into your lungs. “God, Yoongi, I want to.”

Yoongi touches his forehead to yours, making you close your eyes because he’s too close and you’re too much of a coward.

“I’m sorry,” Yoongi whispers. His voice is as gentle as his hands on your bare waist, his thumbs caressing your sensitive skin.

You raise your arms for Yoongi to pull off your sweater. He’s confident when he squeezes your tits, doesn’t even seem caught off guard when he realizes you’re not wearing anything under the sweater. He brushes his thumbs over your nipples as he leans in to kiss you, his tongue tasting sweet from the hot chocolate when he flicks it against yours.

“Yoongi,” you call out with an airy sigh that harmonizes nicely with the sound of him sucking open-mouthed kisses down your neck.

“Hmm?” Yoongi hums against the base of your throat, the vibration sending a tingling sensation straight to your clit. He keeps one hand on the counter beside your waist, caging you in, while his other hand cups your pussy over your sweatpants.

“Oh,” you gasp, your hands immediately finding Yoongi’s firm shoulders when he starts rubbing your clit, occasionally dipping his fingers lower to press against your entrance, soaking the fabric.

“These are his, too, right?”

“Y-yes,” you moan as Yoongi pulls down your sweatpants, taking your underwear with them.

You can’t say you never thought about how attractive Yoongi is; it’s hard to ignore. It’s just that Yoongi is your best friend. If anything were to happen between the two of you, you don’t know if you’d be able to survive losing him, too. You love him.

But you also love your ex.

It’s hard to think about that, though, with two of Yoongi’s fingers pumping in and out of your pussy. They’re long, reaching deeper than your own can when you finger yourself, always late at night when you’re lonely. It never feels good after. The clarity always seems to hit too quickly, like being dunked in a pool of ice water.

Three months. That’s how long it’s been since another person touched you, since you found out your ex-boyfriend had been cheating on you. You didn’t realize how much you missed it until you’ve got your head thrown back and your thighs quivering as Yoongi fucks you with his fingers. You nearly climb up the counter, both wanting him to touch you more and trying to get away because it’s too good.

Your ex never searched for the spot that would make your legs shake, but Yoongi does. He curls his fingers against your front wall and keeps up his rhythm, moving with your body when you can’t control where it goes.

“Fuck, right there.” You’re burning up, veins turned to lava that’s rushing toward your core as Yoongi fucks you closer and closer to your orgasm until you’re on the verge of tears because you haven’t been touched in so long and you’re so lonely and you weren’t good enough. You weren’t enough.

“Wanna make you cum,” Yoongi groans, deep and gravelly, between licking a stripe up your tits and sucking your nipples.

“Please,” you moan, “Please, I’m so close.”

Your arousal gushes around his fingers, slicking them up and making your pussy squelch when Yoongi flutters them inside you. He keeps his thumb pressed against your clit, almost too hard. It stops you from bucking your hips, but you can barely stand as it is.

Yoongi’s lips are back on yours, red from sucking your nipples until it hurt. He whispers against your lips and opens his mouth to let you suck on his tongue with a pathetic whimper.

“Not yet, though.”

“Wha– Yoongi, no–” It’s embarrassing how loudly you cry out when Yoongi slips his fingers out of your pussy. You feel the fire in your core simmer until you’re left with a painfully throbbing clit and your juices smeared on your inner thighs.

“Shhh, you know I always take care of you.” Yoongi shuts you up with a bite to your bottom lip. He leans down slightly to squeeze the backs of your thighs and hoist you up onto the counter. “Lean back.”

The cold marble counter sends shivers across your body, but it can’t keep up with the heat of Yoongi’s mouth on your pussy. He kisses your lips so gently that you think you might actually cry before he pushes your thighs back, opening you up.

“Oh fuck,” you moan as Yoongi goes straight for your clit, sucking on it as he swirls his tongue around it. You dig your hands into his hair and tug the strands hard enough to make him moan into your pussy. “Use your, use–”

Yoongi laps at your clit in quick, consistent bursts that fall in line with the tempo he’s fucking you to with two fingers again. His free hand presses against your lower abdomen, keeping your body taunt so you don’t buck into his face or curl inward. It’s bad enough that you can’t stop your legs from shaking when one rests on his shoulder and the other drapes over the crook of his arm.

It’s messy and loud, Yoongi licking and sucking your pussy like he really is trying to empty your mind of everything but the way the tip of his hot, wet tongue feels swirling your clit and the stretch of his fingers when he slips a third inside you and focuses on massaging the sensitive part of your walls. It’s working. He completely consumes your senses, down to how gorgeous he looks staring at you from between your thighs.

Your Yoongi, fingerfucking you and sucking your clit like you’re his favorite meal.

You try not to bang your head against the counter when you finally cum, instead focusing the overwhelming energy into pulling Yoongi’s hair to keep his face in your pussy.

He continues fucking you with his fingers through your orgasm, to the point that you can’t lie still any longer.

“Yoongi, oh my god, Yoongi, it’s too much,” you whimper and gasp, thighs closing around his head until he finally eases his fingers out of you.

Strings of your arousal connect his lips with your pussy until he swipes his tongue along his bottom lip, cutting them off. His bangs are pushed off his forehead and his hair sticks up from you pulling on it, but his eyes sparkle and his cheeks are just as rosy as his pink, slicked-up lips.

“Shit,” Yoongi murmurs, leaning over you on the counter to kiss you. He shoves his tongue in your mouth and lets you suck your juices from it.

You think you taste better on Yoongi’s tongue than on your ex’s.

Disclaimer: All my writing is fictional and for entertainment purposes only. None of these characters are meant to actually represent the real people mentioned in the stories.

All rights reserved © @gimmethatagustd - Do not copy, repost, modify, or translate any of my writing. Do not use my writing for any AI purposes whatsoever. Do not use my fics for anything aside from reading and commenting on them. My fics will only be posted on this Tumblr and on AO3 (gimmethatagustd & daddytaehyungie). Request an AO3 account here.

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#yoongi x reader #bts x reader #yoongi smut #bts smut #yoongi angst #bts angst #yoongi fluff #bts fluff #yoongi fanfic #bts fanfic #jai writes #gimmethatagustd #100 drabble challenge #morals on sundays

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