#flash forge finder

[gentrychild]

O great Owl and thou noble fic-finding rats I come because I have failed to find that which I need.

There is a work, apart of your Anyone universe, where Izuku is writing a Quirk Analysis Paper and he wakes AfO up so he can see a mutation quirk which enlarges AfO's arm. I have combed through all of Anyone and then through your side works that take place in this universe. But I found nothing.

The only thing I can think is that it was a tumblr post or a fanfic one of your blog mates wrote for you. But alas, I am still here.

In exchange I swear that if my firstborn ever starts stealing quirks I will buy all the therapists, and if that fails I will leave him to your fic-finders with no rivers in sight. And they may nibble on him for all of forever.

With reverence and sincerity, -me

I have some bad news and good news for you. The bad news is that his is something I wrote and posted on Tumblr, and you will never find it again even if you scroll through the entire Anyone tag. The good news is that you must be especially lucky as I found it by pure luck in a file I had forgotten.

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Izuku, sitting on his bed, books and notebooks opened on all of its surface, clicked his pen. Once, twice, thrice, the sound echoing in the silent apartment without doing anything to bring the answer the teenager desperately needed.

Usually, deadlines weren’t a problem for him. For some obscure reasons, the teachers in his high school were trusting him no matter what he did and forging his mom’s signatures to excuse his many absences had become the routine. However, he needed to finish this paper for tomorrow morning, so Hebisuga could read it and save her grade in Meta Analysis. That way, she would stop worrying so much about this subject, focus back on her Japanese, and write once again her ridiculously good flash cards that she always accepted to share with Yuuto and him.

But right now… Izuku’s brain just wasn’t cooperating.

He got up, his back protesting as he stopped hunching over for the first time in a couple of hours, and he left his bedroom. His notebook in hand, he walked past the bathroom and knocked at the door of the master bedroom, currently invaded by the bane of his existence while his blissfully ignorant mother was away.

The door opened in the second, All for One appearing in front of him, his hair messy and his face showing the trace of the pillow but no sign of sleepiness. The villain was one of those persons who immediately passed from sleep to alertness while Izuku needed three cups of coffee to be semi-conscious.

“What is it?” the villain asked. “Did you-“

“Show me your mutation quirks, please. Preferably the one that can offer some kind of protection.”

“What makes you think that-“                                                                       

Izuku clicked his pen once again and just stared at the quirk-stealing-fiend.

All for One finally obliged, making his arm grow in size, muscles growing until it had gruesomely swollen up, and he even added some spear-like bones. Bewildered, he answered every questions Izuku had about the drawbacks, the weight, how much he could still move his arm, and so on.

Because if analyzing quirks was his passion and could become a job, words in a book didn’t mean anything to Izuku. He needed to ask questions, to make theories, to see them in action.

Once he was done and had all the elements he needed, he thanked All for One and walked back to his room without offering any explanation. But of course, his roommate didn’t need one.

“Did you just use me to finish your homework? At three AM?”

[fantomcomics]

What's Out This Week? 11/15

Upcoming events:

11/19 - Anti-Imperialist Collage Workshop!

11/20 - Scott Pilgrim Book Club & Netflix Watch Party!

Alien #1 - Declan Shalvey, Andrea Broccardo & Javier Fernandez

EVERYONE WILL HEAR YOU SCREAM! •  In deep space spins a world infected by the universe's greatest killers. Most people - sane people - would construct a barrier thicker than the hulls of ten Nostromos and leave it to rot. •  But where most people see a death trap, Weyland-Yutani sees the biggest payout in the history of civilization. And if it costs a few human lives to secure? Those come cheap here. •  Corporate corruption, personal betrayals and extraordinary violence - Declan Shalvey and Andrea Broccardo's next and greatest Alien story starts here!

Catians #1 - Cortney Cameron & Luyi Bennett

Stray cat Felix leads a happy life skimming milk from his human friend Rose's convenient store, until the local protection racket turns violent. To save Rose's life, Felix breaks his vows and shares an ancient secret. Unfortunately, Rose uses her newfound knowledge to mix revenge and forbidden magic, unleashing a monstrous abomination that forces the mysterious Council of Cats to launch a global quest for the Relics of the divine Great Cat.

Deadpool: Seven Slaughters #1 - Rob Liefeld & Greg Capullo

Seven kills in seven days! Welcome to a week in the life of Wade Wilson, the best mercenary Marvel's ever had (just ask him)! From facing off with rival killers to top secret assassinations, DEADPOOL has a lot of work to do in this blood-soaked oversized issue full of fan-favorite creators past and future!

Dungeons & Dragons: Fortune Finder #1 - Jim Zub, Joe Jaro & Max Dunbar

In the city of Sigil, an amnesiac hero only known as "Finder" tries to uncover who they are and why they're being chased by planar beings intent on capturing them-or worse. But as their tumultuous journey unfolds, they discover that their fate is tied to grand forces that dictate reality itself throughout the planes! A shocking surprise lurks around every corner in FortuneFinder, a miniseries inspired by the new Dungeons & Dragons sourcebook Planescape: Adventures in the Multiverse.

Speed Force #1 (of 6) - Jarrett Williams & Daniele Di Nicuolo

Wallace West and Avery Ho: the young speedsters have been Teen Titans, Justice Leaguers, and above all, members of the Flash Family. As they become aware of mysterious changes happening to the Speed Force, they race to Keystone City, where they encounter old friends, new threats, and a chance to forge their own paths.

Geiger: Ground Zero #1 (of 2) - Geoff Johns & Gary Frank

The saga of THE UNNAMED continues! GEOFF JOHNS and GARY FRANK return to the apocalyptic world of GEIGER for a special explosive two-issue origin epic.

What happened to Tariq Geiger in the days after the nuclear bombs first dropped? How did mankind survive the UNKNOWN WAR? Who is the mysterious Russian scientist Dr. Molotov and why is he hunting Geiger? And how does this tie all the way back to the American Revolution? Get ready to put on your hazmat suit and find out!

GI Joe: A Real American Hero One-Shot - Bob Mcleod & Herb Trimpe

Celebrate the return of G.I. JOE: A REAL AMERICAN HERO with the definitive edition of its historic first issue! This issue restores Larry Hama's original, unedited dialogue, which has never before seen print!

Godzilla Rivals VS Mechagodzilla #1 - Mark Martinez

IS YOUR CITY BESIEGED BY KAIJU? DO YOU LIE AWAKE AT NIGHT ANXIOUSLY LISTENING FOR THE MONSTER SIRENS? HAVE YOU HAD ALL YOU CAN TAKE OF GIANT LIZARDS, MOTHS, PTERODACTYLS, AND SHRIMP? THEN CALL TRACER TECH TODAY! OUR STATE-OF-THE-ART ANTI-KAIJU TECHNOLOGY HAS ALLOWED DOZENS OF CITIES AROUND THE WORLD TO FEND OFF THE THREAT OF MONSTER ATTACK.

San Palomar, California. It's a sleepy city with not much going on. That is, until Tracer Tech built their new corporate headquarters there, displacing lifelong citizens and forcing out local businesses. But what is the source of Tracer's amazing, almost alien technology, and why has it put San Palomar in Godzilla's sights? And what can a couple of local kids like Alex and Jaz do to protect their city when the King of the Monsters and its robot doppelgänger clash?

Lotus Land #1 (of 6) - Darcy Van Poelgeest, Caio Filipe & Alex Eckman-Lawn

In a Vancouver of the future painted with ultramodern decay, a groundbreaking advancement in technology promises an end to entropy itself.

But when an attack on this mysterious "Keeper Program" threatens the lives of everyone tied to it, retired Police Detective Bennie Strikman is called to investigate one last case.

The Ministry Of Compliance #1 - John Ridley & Stefano Raffaele

Thirty-seven years ago, Earth was secretly invaded by an alien force known as the Devolution, and they have been shaping the direction humanity has been going in ever since to prepare us to be assimilated into their empire.

The Devolution has thirteen ministries, each responsible for manipulating a different aspect of human life. The Ministry of Compliance, the most feared of all the ministries, led by the fierce Avigail Senna, makes sure all the ministries stay in line and remain focused on the Devolution's mission. As it appears the Ministry's mission is on the verge of being completed and Earth will be assimilated, things begin to go terribly wrong, and a conspiracy among the ministries breaks out that Avigail must deal with head-on.

Outsiders #1 (of 12) - Jackson Lanzing, Collin Kelly & Robert Carey

Never the End. A universe of secrets is about to come to light. Batman protects Gotham City from evil. Batman Inc. protects the rest of the known world. But what of the unknown world? What of the ancient evils in hidden tombs and forgotten tragedies from a magic-and-mad-science fueled super-heroic century? Using his fortune, Luke Fox launches a new organization dedicated to shining light into the world's darkest corners. His first recruit: Kate Kane, the Batwoman--who will re-embrace her military background to protect Luke's dream and encounter every bit of strangeness the DCU has to offer. And just wait until you meet the Third Man...or learn what universe-shattering secret they've discovered buried under Antarctica. Outsiders is the return of comic book archaeology, digging into all the forgotten corners of DC's history to preserve, record, and better understand the true nature of the DC Multiverse...and the forgotten stories that make up its fabric.

Red Light #1 (of 4) - Sarah Cho, Priscilla Petraites & Jeff Dekal

Lacy is an A.I. sex worker in a futuristic Red Light District. And Lacy knows exactly what her clients want - better than they know it themselves. Housed in a high-tech brothel under the watchful eye of the mysterious Mister, Lacy has little in her manufactured life besides work. All that changes when she befriends Natalie, an orphaned child who comes into her care. Now Lacy and Natalie are on a mission to escape the Red Light District, only to find themselves flung headlong into the mystery behind Lacy's creation.

Superior Spider-Man #1 - Dan Slott & Mark Bagley

A Superior Reckoning! SPIDER-MAN faces a NEW VILLAIN from his SUPERIOR past. As she fries New York with all the power of a living star, DOC OCK makes a life-changing discovery! MARK BAGLEY and DAN SLOTT continue their Spider-Man run with this 10th-ANNIVERSARY celebration of everything that made Spider-Man Superior.

Street Fighter 6 Evolution Special #1 - Capcom, Matt Moylan, Hanzo Steinbach, Tovio Rogers, Jeffrey Chamba Cruz & Genzoman

The new era of fighting games continues with three short-stories starring six World Warriors! Featuring Rashid, Cammy, Dee Jay, Luke, Jamie, and the debut of an all-new Street Fighter 6 character.... the deadly A.K.I.!

365 Days To The Wedding GN Vol 1 - Tamiki Wakaki

A sweet "fake engagement" romance about quiet coworkers by the creator of The World God Only Knows! The J.T.C. travel agency is looking for someone to manage its brand-new branch in Irkutsk. But for employees Oohara Takuya and Honjouji Rika, they'd rather just stay home in Tokyo! Thankfully, they've discovered a way out-their manager has narrowed down the recruits to bachelors, so what if they just... got married? The problem is they barely know each other at all! Can they convince their office they're engaged just long enough for the transfer to finish up?

Cat On The Hero's Lap GN Vol 1 - Kosuke Iijima & Shiori

In this hilarious fantasy adventure, will the hero triumph against the evil demon king, or face defeat... because he can't fight with a cat on his lap?! Our brave hero, Red, has embarked alongside his companions on a journey to defeat the great demon king. Or at least, that was the plan. But then a cat sat on Red's lap and fell asleep. There's no way he can fight monsters like this! As it turns out, Red's greatest enemy is right on top of him!

Curses GN - George Wylesol

"Sometimes I think I see things. Out of the corner of my eye, behind a door, I catch a glimpse of something. It's like a curtain caught in the wind, and then it's gone." From hospitals to hell to the wilderness, George Wylesol's short stories take place in liminal spaces where nothing is as it seems; the surreal becomes real; and something is lying in wait around every corner. As our main characters navigate through corridors, passageways, and highways, they sink deeper and deeper into everyday strangeness that slips into peculiarity, creating an internal journey from normalcy to the supernatural.

Dai Dark Box Set Vol 1 - Q. Hayashida

Introducing the first box set for this hilarious, gruesome, unforgettable tale where dark magic and space action collide! Zaha Sanko's body has great and terrible powers-they say that possessing his bones will grant you any wish, even the desire to become ruler of the universe. But Sanko is still a teenage dude with his own life, and he isn't about to let every monstrous lowlife in the galaxy rip him limb from limb. He and his skeletal buddy Avakian will use their dark powers to fend off any murder attempts while they search space for whomever put this curse on Sanko's bones... because killing them might end the madness. (And then Sanko can celebrate with his favorite spaghetti.) This beautiful box contains Vol. 1-4 of the manga and one double-sided poster.

The Dangerous Convenience Store GN Vol 1 - 945/gusao

This hit Boys' Love webtoon/manhwa (comic) is coming to print in English for the first time! Yeo Eui-joon needs cash, so he works part-time at a convenience store-where the clientele includes hoodlums and mobsters. He's tired of being yelled at while ringing up booze and trying to talk his way out of extortion, but he's not tired of seeing a certain good-looking gangster walk in the door. Gunwoo is huge, gruff, and intimidating at first... but he seems to care about Eui-joon's well-being, and is quick to knock aside anyone giving Eui-joon a hard time. After Eui-joon gets a peek at the enormous condom size Gunwoo buys, a little spark of attraction might just grow into a big, fiery love story!

Disturbed: Dark Messiah TP - Tim Seeley, Angel Hernandez, Esau Escorza & Ryan Christensen

In the not so distant future, firefighter Griffin DeSanto has found himself a man out of time, stumbling into a harsh world of poverty, automation, and subjugation. Technology rules and a tech empire built on suffering keeps the population in check through surveillance and mechanized policing. Though lost, Griffin is never alone, he was brought here for a reason, and The Vengeful One is his guide.

Gunhild GN Vol 1 - Fred Tornager

Her travels lead mainly to many foes, but a few enemies become friends, persuaded by Gunhild's unwavering determination and burning passion for her own cause. Being a tiny Jotun against a big, powerful world, Gunhild must fight smart and learn a trick or two from Loki to earn the title of godhood. Certainly, Gunhild will stop at nothing to forge her own fantastic path and make her dream come true.

The History Club HC Vol 1 - Bret Baier & Marvin Sianipar

From Bret Baier comes the first book in a thrilling new time-bending graphic novel series about kids who use their love of history to thwart an evil time traveler's scheme to change the past! Becca, Zack, Cam, and Thomas are best friends who may seem like an unlikely group on the surface but who have something very important in common: a love of history! Together, they make up their school's history club that has an all-important secret mission: stop the villainous History Twister's plot to destroy the past, forever altering the future. Knowledge of history is their superpower as they chase the Twister through time. After all, who knows what would have happened if Alexander Hamilton had lived and Aaron Burr had died in their infamous duel? It's up to the History Club to save the world from utter destruction!

Jim Henson's Labyrinth: Beyond The Goblin City TP - Delilah S Dawson, Gustavo Duarte, Jeff Stokely, Ross Curry, Jonathan Case, Adam Smith, Lara Elena Donnelly, Sas Milledge, Daniel Bayliss, Pius Bak, French Carlomagno, Jeff Stokely, Kyla Vanderklugt, Samantha Dodge, Gustavo Duarte & Mike Allred

Featuring the secret history of Sir Didymus and the untold story of one of Jareth's Masquerade guests, in addition to stories featuring fan-favorite characters like Ludo, Hoggle, Sir Didymus, and the Goblin King himself.

This epic collection showcases imaginative tales from critically acclaimed writers and artists, including Jonathan Case (The New Deal), Delilah S. Dawson (Star Wars: Phasma), Gustavo Duarte (Bizarro), Roger Langridge (Snarked), Katie Cook (Star Wars: ABC-3PO), Jeff Stokely (The Ludocrats), S.M. Vidaurri (Labyrinth: Under the Spell), Sina Grace (Superman: Kal-El Returns), Michael Dialynas (Wynd), Sarah Webb (The Storyteller: Sirens), Boya Sun (5 Worlds), Lara Elena Donnelly (The Amberlough Dossier), French Carlomagno (The Dead Lucky), Pius Bak (Eat The Rich), Samantha Dodge (Catwoman: Soulstealer), and many more!

Collects Jim Henson's Labyrinth: Shortcuts and Jim Henson's Labyrinth: Under the Spell.

No Touching At All GN - Kou Yoneda

On the first day of his new job, the shy and introverted Shima suddenly finds himself trapped in an elevator with an extremely hungover man, who turns out to be none other than his new boss, Togawa. Though Shima is initially put-off by Togawa's rude and shameless behavior, he can't help but be drawn in by the man's compassionate side, and he soon finds his thoughts are completely consumed by the charismatic man. Unfortunately, painful experiences from his past continue to haunt Shima, and ultimately prevent him from taking the first step. Even when Togawa makes his feelings for the young man blatantly clear, despite also having agonizing memories and an unpleasant past of his own, Shima still hesitates to open himself up to the man. How will things turn out when a love is so obvious that it can felt, but the individuals in question can't express it directly?

Osamu Dazai's No Longer Human GN - Osamu Dazai & Chika Ito

This manga version of novelist Osamu Dazai's masterpiece No Longer Human, the #2 bestselling novel of all time in Japan. Yozo Oba, a young man growing up in Japan in the immediate aftermath of World War II, is tormented by a failure to find any value in himself or in human relationships, despite being surrounded by women who love him. He creates the persona of a buffoon who mocks himself while entertaining others. But inside he is tortured, and as he moves from childhood to adulthood he becomes addicted to sex and alcohol. Largely autobiographical, No Longer Human explores Dazai's own sense of failure and alienation which drove him to self-destruct with alcohol and numerous suicide attempts.

Power Rangers Universe TP - Nicole Andelfinger, Simone Ragazzoni & Derrick Chew

WHAT IS THE TRUE ORIGIN OF THE PHANTOM RANGER?

On a journey across time and dimensional space, writer Nicole Andelfinger (Dragon Prince: Bloodmoon Huntress), artist Simone Ragazzoni (Odessa), and colorist Mattia Iacono answer the questions fans have been asking since the beginning!

A mysterious pod crashes to earth, while the Legendary Ranger Teens take on thrilling new forms, powerful against their foes and dangerous to themselves, and even contend with a corrupted former ally. Can they save their friend and protect the Morphin Grid from destruction?

Discover the truth behind the Phantom Ranger, the Morphin Masters, Power Rangers, and the Morphin Grid itself in the series that will unlock the secrets of the Power Rangers Universe!

Saigami GN - Seny

The girl known as Ayumi is a troubled European teenager who feels lost, like a stranger in her world. Her father left when she was little, while her mother's work means she is never around. A love of manga and books keeps her happy, while honest-to-goodness friends seem to be something only other people have. But this is not the case in the fantasy land known as Aesztrea. In this strange new world, there are dragons, creatures, and warriors who can wield power beyond our wildest imagination. When Ayumi arrives in Aesztrea, she learns that she may also be a Saigami. This warrior class of supernatural and superhuman abilities is one of the most honored and respected people in this new world. For the first time in her life, her potential is limitless, and she has seemingly found a place and a people where she can belong. But not all is right in Aesztrea, Ayumi will have to face her own demons to get to the bottom of this and determine who she wants to be.

Sakura Saku GN Vol 1 - Io Sakisaka

Saku Fujigaya would like to thank the boy who helped her, but all she has is a note signed "Ryosuke Sakura." She discovers that a boy at her high school, Haruki Sakura, has an older brother named Ryosuke. She asks Haruki to deliver her thank-you letter to Ryosuke, but why does he refuse?

Sheep Princess In Wolf's Clothing GN - Mito

In this beautifully illustrated yuri/Girls' Love fairy tale, a wolf-woman butler must tutor a sheep princess who's not as soft as she looks! Aki Rikujo, a Wolfa, works as a butler at the royal castle in the land of Sheepa. Her quiet and peaceful days get shaken up when she saves the life of Princess Momo Shiudafaris. The shy sheep princess immediately latches onto Aki who, before she knows it, becomes the princess's private tutor. Momo wants more than just math lessons from Aki, and even sneaks into the wolf-woman's bedroom to seduce her! Aki soon realizes that, under the timid woolly exterior, Momo is a wild animal!

The Star Seekers GN - HYBE & Tomorrow X Together

When assailants interrupt Star One's comeback stage, the boys spring into action...all except Eugene! Though he helps as best he can, his lack of magic limits what he can do. That is, until the strange stray cat he picked up appears in a flash of light and offers him power...

Whatcha snaggin' this week, Fantom Fam?

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[captainkurosolaire]

Prompt#3 ~ Black & Gold

Previous - ♫Kill All The Lights♫ - Reference

Daybreak lustrous skies collapsed around a smooth sea-vessel being drifted across waves and winds alike. A Hyur dangerously juggled knives between deftly skilled hands under thoughts. Fixated into the empty serene ambience, as fliers of the free brushed by with piercing squawks. That frequency traumatically recalled screams from his origins, pleading soul's begging to be saved, helplessly taken, before the same root of an evil deathly hand felt almost like it was able to rip through spiritually and still threatening wedge to loom out and squeeze fearfully grasping his own heart still. He purposefully remained always busy trying to forget his demon's left alive. The bustling lifestyle was still in desire to forge forth, to somehow climb over a daunting wall. But he wasn't immune to the soul-carved scars of his former. Desperate to acquire victory, power, enough that could mark a dent into an impenetrable Fortress. he spent existence never knowing any peace, remaining restless, nerved. A victim chained to the past that even ate his future. Causing an imbalance tensing that nearly brought his juggling to skewer him, gravely to wound. -- until he felt the fabric of chest wear, be tugged backward from his Captain in clad leather. With a conditional care, while emerging with his found answers. "Judas, matey ye alright?" A startled breath came, before a composing inhale showed how close the dirk was to piercing him, the same thing he used to betray so many who jeopardized his mission even gave the same endangerment to him. Naturally when that question came, it was often a lie to themselves firstly before it drew with air, "I am... Did you come to a conclusion, upon how things are different?" While also famously trying to subvert and bury it with a new topic. Although Captain wasn't remarked or touted for his book smarts, people often were comparable in their own stories they told a lot. He was very instinctual and keenly driven. He silently however accepted but still felt the hairs stick up on his tail, not confident in the inflection given. Because these same thing's weren't beyond him either, often can recognize problems when battling them too. Trailing before subsiding and putting his arm over the railing of the ship. "Aye. It's different because I am. When I reached out and you were goin' under 'Bellum' as some shadowy projection, willing t' earn n' lick fortune off selling slaves when we both know, that's not fer us. Repeating th' same steps of our enemies, stooping to them, how does it help? I took you on despite it all because something within me, felt I was capable to be the difference back then. I risked everything even despite possibly dying by yer hands, it would've been worth either way. I owed you, I promised ye t' ferry back to that place. N' we'd settle it all... I wasn't enough back then." He'd admit from the resonate truth of harsh gravity.

"Youth, careless dreaming, I hadn't been hurt or crushed enough, or bled enough, as often the price ov' freedom' cost. To know how to fight, understand how to evolve. Essentially, I couldn't swim against the current ov' our destination, because I wasn't kickin it. Doubt drowns us, anchor limits. -- Our worst enemies are us. It psychs us out, causes us to hesitate. Th' most damning' thing... It kills us with fear of unknown, or I dub it, 'un'... But these things are crafted by us. It's an insignificant version of us. Happiness can only be achieved if we battle against that louder voice in our noggin, thinking it's impossible to vanquish. It doesn't help, it festers, grows like a parasite, or becomes massive from the closest of our other failures, or stacked mates who are inflicted with the same setting, doubt can continuously poison and spread, tarnish, slaughter a whole crew to early seabed graves. Honestly... A sea who really does swallow us." He exhaled pandering with a stroke of fondness to his ship that came from the ashes of his Crimson Phoenix, now the Worldly Finder. The namesake changes alone represented a lot. The polished Midlander who often was the grounding keeping his Captain afloat, was reminded again that supporting or building one another wasn't an action of one-sided development. When operating any vessel, in-order to thrive, achieve it required multiple, a crew. He couldn't do anything alone, it needed to be felt. Understanding patience of growth, accepting things were often when thinking of our dreams they were like being weighed on scales. We often assume just because we can't measure up to what's so far above us on the opposite side, there's no feasible way to equal, or hoist above it. But life isn't a voyage, often recommended or taken alone. Heaps of fortune, wealth, abundance of accomplishment came by accepting every weather, and braving it. Judas frowned briefly before flashing blue. "I see... Then I believe we can commence our real beginning and voyage together. I will follow and entrust everything to this and you. If you can give me the same. I'm wanting to learn to swim as well." He kept the symbolic meaning and extended an agreement of dealing open-palm awaiting handshake. Where once or often, someone who once betrayed would be something to be cautiously, he held the mentality that it wasn't personally done, if anything it hurt the Hyur more, which resulted in him also falling off the handles. Captain saw that the pit of snakes for plummeting into bite was because of his antics of being tense to charm wild, was to be composed to also frantically not give it a reason to fear. He met the extending bonding shake before hooking as a pact sworn. "I'll Captain th' Fates." A new pledge etched. Confidence radiating with a heating warmth to nestle within. "And I'll ensure your back isn't without the wind, I may provide." Each giving off their own sentiments almost like a brotherhood forged and committed deeply invested with a kindred oath. Branding smile's of golden, met.

[animexalchemist]

Keyblade Theorising II

So after posting about the Kingdom Key and Riku’s role in giving it to Sora, someone asked me what I made of Kairi’s keyblade. The result? A bloody essay. Read on for more mad theorising!

Note: contains spoilers for KHIII!

So Kairi gets her keyblade in KHII and it happens thusly: she jumps down to save Sora, gets surrounded by heartless, and they immediately bury her. She calls out for Sora to help her as the heartless’ darkness begin to consume her and then there is a bright flash of light. This bright flash of light immediately kills all of the heartless and then Riku is holding out a keyblade for her (and really, this whole thing can be paralleled with how Sora got his keyblade in KHI). Clearly the light that vanquished the darkness is Riku’s. Think about that: Riku’s light despite him taking the form of Ansem, where darkness is currently winning in Riku’s internal dark/light battle.

Riku’s light, eh? Pretty damn strong.

So I have two theories about where her keyblade came from, and I’m not saying one is better than the other. I’m just kinda laying down my thoughts.

1.) This is Aqua’s keyblade

We know in BBS that Kairi accidentally touching Aqua’s keyblade meant that she inherited it. Which… I always thought was complete bullshit and ran counter to everything that had been established about how bequeathing ceremonies worked (Terra actually performed it for Riku, where Kairi just touched Aqua’s blade and that counts??), but supposedly Kairi’s heart was worthy of the blade which is why it’s legit. I don’t think that this keyblade was forged of Kairi’s personal light because none of the other princesses of heart were able to call forth a keyblade, and the manner in which she gained her keyblade suggests that it didn’t come directly from her, but from an external source.

So let’s assume this is Aqua’s keyblade. We know thanks to KHIII that at some point while Aqua was trapped in the RoD, she lost her keyblade. She had it in II.5, which covers the events of KHI, but lost it at some point during KHII. So it could be that Kairi being in danger called forth the keyblade that was ‘bequeathed’ to her by Aqua, and that’s where it came from, thus in effect leaving Aqua keyblade-less. Aqua ‘losing’ her keyblade shouldn’t be a thing, given that keyblades are connected to the wielder, but if Luxu literally lost his ability to keyblade once he passed it on then this would explain why Aqua suddenly lost her ability to keyblade: it passed on to Kairi, leaving Aqua behind.

This once more shows how powerful Riku really is. Aqua is a full on Keyblade Master but once she has lost her keyblade, that’s it. She’s defenceless. She cannot make another. And yet Riku, if my earlier observations hold any weight, has at least two keyblades in the Kingdom Key and Way To Dawn (later Braveheart).

How did Aqua’s keyblade seek Kairi out? Aqua put her own magic in Kairi’s necklace and given the things we have seen in this series so far, it isn’t too much of a stretch to believe the keyblade zoned in on this magic and ended up with Kairi.

But then why was Riku the one holding it? The fact he could hold it at all, when keyblades typically reject anyone but their true wielder, leads to my other idea.

2.) This is yet another keyblade forged from Riku’s light

So, in effect, this is the THIRD keyblade that Riku is sustaining. The bright light happens, Riku’s light, and suddenly he’s holding yet another keyblade that he quite literally hands over to Kairi. When he gave the Kingdom Key to Sora, it was more of his heart choosing to do so. But he just up and hands her this one. And I think it’s likely due to similar reasons as to why he gave one to Sora: Riku wants to keep Kairi safe.

Despite KHIII utterly ruining any relationship these two had, KHI and KHII actually did a decent job of making it seem that Kairi and Riku are friends. Riku in KHI is literally doing everything in his power to get Kairi’s heart back. He even says that he’ll work with Maleficent and embrace the the darkness more if that is what it takes to save Kairi (whether this is truly genuine or only part of the truth, in that he says this as an excuse to get closer to darkness, is up for debate). The last thing he says in KHI? “Take care of her [Kairi]”. And in KHII, when Kairi and Naminé are surrounded by Nobodies and shit looks dire? Riku swoops in to save the day, and subsequently spends a lot of his time protecting Kairi (he literally wraps his arms around her to protect her from Saïax’s berserker mode). So it isn’t wildly out of character for him to try and give her a means to protect herself, as he did for Sora, by giving her a keyblade. The only difference being that, while the Kingdom Key was actually Riku’s keyblade that he’s passed on, this seems to be a keyblade he forged specifically for Kairi.

Extra: I didn’t know this as I initially typed these musings as I haven’t read the manga, but a friend pointed out that in the manga Luxu seems shocked that Kairi had a keyblade and (with a sort of begrudging respect) asks Riku how the hell he managed to make one for her.

Kairi’s Keyblade: What’s In A Name?

So Kairi’s keyblade is called Destiny’s Embrace (in English) or Destiny’s Place (in Japanese). This emphasis on destiny is interesting to me. Sora, essentially a non-wielder who gained the ability to wield thanks to Riku’s heart choosing Sora over himself, was never ‘destined’ to wield the keyblade. Or, at least, not destined to wield the Kingdom Key (destined to wield Kingdom Key D, however… see this link to another theory that I think holds water). Whereas Destiny’s Embrace suggests that Kairi was always destined to become a keyblade wielder, which is… odd, given that her ‘inheriting’ of the keyblade from Aqua was a fluke. But what WASN’T a fluke was Aqua putting a charm on Kairi’s necklace and saying it would take her to someone that would keep her safe. She was destined to be protected, and sure enough, if Riku did make this keyblade for her, then this destiny is fulfilled. Interesting again to note that Riku, not Sora, was the one protecting her in this instance.

Kairi’s Keyblade: The Paopu Keychain

Why is it that Destiny’s Embrace has a paopu keychain? I have a few ideas, some of which are more plausible than others.

1.) Riku wanted to share a paopu with Kairi

Wow, what a rogue idea! Full (and probably obvious) disclosure: I’m a SoRiku shipper and read a lot of the KHI moments of Riku getting jealous and bitchy as him being jealous that Sora didn’t like him, but let me just take my SoRiku goggles off for a hot second and… put my KaiRiku ones on?? It’s not as crazy as it seems.

As mentioned earlier, a huge part of Riku’s motivations in KHI was protecting Kairi and getting her heart back, and he even thanks Kairi for coming to the island and inspiring him to seek a world beyond Destiny Islands. During his race with Sora in KHI, he says that if he wins then he wants to share a paopu with Kairi (again, let’s say that this wasn’t actually Riku just trying to razz Sora and there was a part of him that did genuinely want to share it with her). If Destiny’s Embrace really is a keyblade that Riku forged for Kairi in order to keep her safe, then the paopu keychain is essentially him finally getting to share a paopu with her as per his request in KHI.

Now, of course, paopu fruits don’t necessarily have romantic connotations all the time. It could be that he just wanted to keep the two of them close, like how Kairi gave Sora her way-finder. Regardless of if this is read as romantic or platonic, Kairi’s keychain being a paopu fruit is symbolic of her relationship with Riku— and I would also extend it to Sora as well. If Riku gave both of them keyblades, he’s kind of like some secret guardian watching over those that matter to him and wanting to keep them safe. He is the origin of all of their keyblades, and in this way binds the Destiny Trio together.

‘Ah, but Alchemist!’ I hear you cry. ‘Riku no longer wants to protect the THINGS that matter, as KHIII made it very clear he cares about one person and one person only: Sora.’

Fair point. I think KHIII did Kairi and Riku’s relationship SUPER FUCKING DIRTY, but it’s also true that Riku’s number one priority is and always has been Sora. Giving Kairi a paopu fruit to keep the three of them together does make sense for his character, but when push comes to shove, Riku would probably push Kairi off a cliff if it would save Sora (I mean come on, RIku would throw HIMSELF off a bloody cliff if it would save Sora, and take King Mickey along with him for good measure). So maybe the keychain means something else.

2.) Kairi’s ‘destiny’ is a solitary one

So why does Kairi have a complete paopu fruit all to herself, but the combined halves of Sora’s Nightmare’s End and Riku’s Mirage Split together make a whole paopu fruit?

We know that if two people share a paopu fruit, they will remain part of each other’s lives forever. In effect: their destiny’s become entwined. The Gayblade being formed of two halves to form a whole, and being a keyblade that both Sora and Riku share, is a clear illustration that Sora and Riku’s destiny’s are entwined. By sharing this keyblade with its paopu imagery, they essentially seem to be sharing the same destiny. But Kairi has her own fruit, and it isn’t being shared with anyone. This makes for a rather tragic reading of her character, but one that seems to make sense given the events of KHIII:

If the Gayblade paopu is symbolic of Riku and Sora sharing the same destiny, the paopu of Destiny’s Embrace is symbolic of Kairi’s destiny being a solitary one. Her destiny is one that she will have to face alone, with no one to share it with her.

I’m sure you are all aware of the star-crossed quality that characterises SoKai; Sora even explicitly states this at the end of KHIII when he vents his frustration of always being separated from Kairi just when it looks like they can finally be together. Then there’s the fact that Kairi seems to have been left on her own in some alternate Destiny Islands at the very end of KHIII, so this all points to her destiny being apart from those of her close friends. Her ‘place’ (Destiny’s Place) is separate from them. And this is rather apt, given what her name means: Kairi means ‘ocean’, of course, but it also means ‘separation’.

We can take ‘separation’ in many ways: she tried to separate Sora from Riku in KHI by suggesting they take the raft together, and she seemed to keep them separated again in KHIII with the now infamous paopu scene. But really, the separation is felt most keenly on her end. Sora and Riku were friends long before she washed up on Destiny Islands, and they’re always going off and having adventures without her and leaving her behind. In KHII she very fervently states her desire for the three of them to stay together from now on, and almost immediately after she is separated from them AGAIN. The Destiny Trio is an uneven trio in a lot of ways, and while I could also write about the ways Riku is excluded from it, Kairi is excluded from it just as much if not more so. And that is why a single paopu fruit just to herself is fitting: no one to share it with, a destiny that she will have to face by herself.

3.) Kairi is whole but Sora and Riku are incomplete

And this is the batshit crazy side of this epically long journey through my thoughts, but while I’m here I may as well put it down. What if Kairi, having a whole fruit, is symbolic of her having a full and complete destiny, being a full and complete person? What if the two halves of the Gayblade actually mean that apart, Sora and Riku are ‘incomplete’? Yes this is all cute and romantic in one sense, but what if they are literally incomplete? Admittedly this idea is fuelled purely by Yozora, who seems to be a combination of the two of them. But I don’t really want to get into what the fuck Yozora could possibly be (An ultimate fusion of them both? Their illicit lovechild? Some dude who just really loves cosplaying Riku but made it ‘edgy’?) and so I’ll just end this one right here. I don’t have much stock in this particular reading but eh, thought it worth shoving down anyways while I’m here.

[pinkcatbasement]

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Game of Thrones: Alderaan -  The Castoffs

From a prompt by @sl-walker Ahsoka showing up on Alderaan as a survivor, meeting Maul and Obi-wan. 

NOTE: There are some adjustments in relative ages here from canon and my ‘verse. Ahsoka is 14, while Croft and Dani are 25. Obi-wan is 30. This is canon to sl-walker’s verse only if she says it is. Maybe someone will continue it...hint, hint.

Maul spins as Obi-wan is about a step slow on the block with the composite staff. Maul hears the smack of his new wooden staff on the back of the Jedi’s calf. Kenobi goes down in a heap.

Maul twirls his gift from a member of the Corellian Security Service and holds it in the ready position under his arm. His eyes take in the sight of his opponent slumped on the ground, the borrowed staff across his knees.

Maul waits patiently for his erstwhile teacher and sparring partner to rise for another round. His eyes narrow as he realizes that Obi-wan cannot meet his eyes. Maul centers himself as he wonders if the remaining Council has decided that he is too dangerous to try and teach.

He decides to forge ahead. “Obi-wan,” he says, his voice dry even to his own ears, “you are usually more of a challenge.” He grins tightly. “A little bit more.”

Obi-wan starts, then has the grace to look sheepish. “I am sorry, Lord Maul,” he says formally. He manages to rise with only a slight hitch due to his screaming calf. “I am a bit distracted.”

Maul nods. “What is it? Anything that I can help with?”

Obi-wan quirks a smile. “I don’t know. Perhaps you can help me hide a body.”

Maul doesn’t smile, but allows a tiny hint of amusement in his voice. “I think that the area of the sproutlings of the Wood might be good. No one will be able to explore there for quite some time. How big is the body?”

The Jedi’s blue eyes widen for half a second, but his ginger mustache twitches slightly after that half-second. “About your size. Much more hair and much more Corellian snark.”

Maul takes a deep breath as he wonders whether he should be relieved or not that he is not the reason for Obi-wan’s distraction. Instead, he smiles slightly. “Ah. The Corellian that you brought back briefly that helped out in the wood. He didn’t seem to say much, snark or not.”

Obi-wan nods. “I know. He was...reserved. I only know him a bit, but Padawan Croft has a bit of a reputation for being somewhat stubborn; something his Master knew how to deal with, very effectively.”

“Yeah. She also knew how to talk to me without talking down to me.”

Maul looks up and Obi-wan turns at the quiet voice from the entry of the salle. Maul recognizes a bit of the same drawling inflection that sometimes marks Dani’s speech, particularly when she is angry. He watches as Obi-wan gathers himself. Maul allows him a moment as he turns his gaze full on to the new arrival.

His gaze is met with calm green eyes that examine him just as intently. Maul realizes that the Corellian has much less hair than he did the first time he had seen him. His dark and gold mixed hair and beard are neatly and closely trimmed. Croft is dressed in only the leggings and undertunic of a Jedi, in dark blue. A leather lightsaber belt with a row of sharp teeth decorates his hips. He sees Obi-wan’s eyes lock on the device on the opposite side from Croft’s lightsaber. A very large Corellian blaster. 

“Forgive me, Padawan Croft, but I might have missed the memorandum. The one that told you could sever your Padawan braid and relax the dress code,” Obi-wan says, his own voice bereft of moisture.

Maul’s eyes widen as he notices this, as well, but doesn’t know the significance of it.

For the first time, there is a hint of a crooked grin over Croft’s features—just for an instant. “Didn’t think that I needed it anymore. Didn’t think I needed the trappings of childhood.”

Obi-wan digests this. His eyes harden. “That’s interesting. Especially since you seem to be doing a good job of acting like a child.”

Croft’s own eyes flash with anger. For a brief moment, Maul feels a slight tremble in the Force. He realizes that neither he nor Kenobi had sensed Croft’s arrival. He turns his head to the side as a much brighter light intrudes into his sense. He notices a smaller being standing behind Croft, as if trying to be as unobtrusive as possible.

He turns his concentration to the volley of words. “I knew that you had tremendous responsibilities, Master Kenobi,” Croft says. “I figured you had enough teaching responsibilities with your pet project.” At this, he looks pointedly at Maul.

Kenobi steps in front of Maul. “That is none of your business, Croft. Master Windu left it to me as to decide what to do with you; whether you could take the trials of Knighthood, or continue to train under me. You are making it very easy to choose.”

Croft is silent for a moment. “I don’t know if that is your decision any more, Obi-wan,” he says quietly, but with a definite edge. “I don’t know if I owe allegiance to the Jedi any more, or its little rules. I think that I may only owe anything to the Code; to live my life by it.”

“Taliesin,” Obi-wan says softly. “What do you think you will do? We need to stick together.”

Croft looks away. Maul is struck by the sadness that flows over his features. Sadness tempered with resolve. “I have heard that Master Ti might still be alive in the Cron Drift. Just rumors, but I think that I need to check them out.”

Kenobi’s voice is gentle. “Taliesin, I have heard so many rumors about Jedi out in the galaxy. We can’t go chasing after all of them.”

Croft’s anger flares, again for that brief second. Maul marvels at his shielding, if that is what it is. “I know ‘we’ can’t. ‘We’ aren’t. ‘I’ am,” he says, the sharp edge back to his voice.

Maul watches as he and Obi-wan stare at each other, both refusing to back down. Maul hears a word in a high, very clear voice.

“Bait.”

He sees a small orange hand touch Croft on his arm, as its owner steps around. A small Togruta, her Jedi robes appearing to be too large for her stands next to Croft. The lightsaber on her waist fits her, he notices. He watches as a mixture of fear and awe play over her features as she looks between Obi-wan and Taliesin. Maul notices another emotion flash as well. A smirk grows as her eyes lock with Croft’s. Understanding passes between them.

The understanding of survivors. His eyes lock on the headdress of sharp teeth that adorns her forehead. Teeth very similar to those on Croft’s gunbelt.

The young girl, who couldn’t be more than thirteen or fourteen, steps away from Croft. She stands straight; Maul realizes she is taller than he thought, but very skinny. He smiles as she bows to Kenobi.

“Master Obi-wan. I am Padawan Ahsoka Tano. I am at your disposal, but I do beg that you consider my clan-master’s ideas.”

Maul looks at Obi-wan. Being exposed to the Jedi for the time that he had, he had come to recognize some of his emotional cues. Maul sees amusement, mixed with sadness, playing over Obi-wan’s handsome features, before a warm smile joins them. Obi-wan bows in return.

“Hello, Padawan Tano. I wasn’t aware you had been chosen.”

Ahsoka looks down, her eyes closing. “Yes,” she says. “Master Plo had chosen me, just before...” She trails off. “He was my Finder,” she finally whispers.

Maul sees Obi-wan blink rapidly, as if something is in his eye. “I know, little one,” he says quietly. His face seems to brighten as he sees Croft move behind Tano and place his hands on her shoulders.

The young Corellian, who is maybe a half-decade younger than Obi-wan, looks down at Ahsoka with pride. “Master Obi-wan, I ask that you take Ahsoka as your Padawan.” He closes his eyes, clearly struggling with something. “I am not experienced enough to teach her. I can take care of myself, but she deserves someone who can teach her.” He grins.“She is stubborn, argumentative, a know-it-all who absolutely has to have the last word, but she is powerful in the Force. She will be a much better Jedi than I ever could be.”

Maul sees the powerful eyeroll from the future of the Jedi.

Maul realizes that tears are now flowing from the Corellian’s eyes. Ahsoka turns, protest on every centimeter of her face. Croft winks at her. She pulls him into a tight embrace.

Maul watches as Obi-wan takes several deep breaths. Maul knows that he struggles with his own path, much less the fate of other Jedi. He has sensed that Obi-wan is tired, that he has been lost since the Cataclysm.

“You’re right in some respects, Taliesin,” he says. “I don’t know if we have an Order any longer. I don’t think that I can make your decisions for you. And I think that you already have proven that you have been a good teacher for Ahsoka, even if you aren’t her Master.”

“I think that there is only one thing that I can actually do for you.” Maul’s eyes widen as Kenobi draws his saber and ignites it. Maul sees Ahsoka ignite hers as well.

Croft drops to his knees without a word.

“I guess since you cut your own damned braid off, this might go quicker, if less dramatically,” Obi -wan says as he walks slowly towards Croft.

He reaches Croft, who looks up expectantly, but without fear. Obi-wan swings his saber and gently mock-taps on either side of Croft’s head. “By the right of the Council, by the will of the Force, I dub you—“ He stops as Croft gestures.

“I was born Jame atin Blackthorn,” the Corellian says quietly.

Maul watches Obi-wan pause, then nod.

“I dub you, Jame Blackthorn, a Knight of the Jedi Order of the Galactic Republic.”

Blackthorn is barely able to stand before a small predator leaps into his arms and hugs him tightly.

Obi-wan watches with amusement. “I think that Ahsoka will have a large say in what form her training takes. She might be best served by being out in the galaxy with you, looking for other Jedi. The remaining healers say that both of you are cleared with the new Drall therapies—that you shouldn’t be affected by any more outbreaks.”

Maul watches as Obi-wan corrals the new knight over to the corner.

Ahsoka Tano’s overlarge blue eyes fall on Maul. She walks over and says, “Hi.”

He bows. “Hello. I am Maul.”

She returns his bow. “Tal says that Master Windu says that...”

“Ahsoka,” both Blackthorn and Kenobi shout, matching annoyance in their voices.

“I was just going to say, that he said that you were working with Master Obi-wan,” she says with an eyeroll and an imperious tone at her elders.

Maul releases his own breath. “That is right, Lady Tano,” he says.

She looks at him curiously. “I am not a Lady,” she says. “I am just a Padawan. A brand new one at that.”

“It is how we speak on my world, Padawan.”

Her eyes lock on his features. “Is Alderaan your world?”

His remaining heart clinches as he answers. “Yes. Yes it is.”

A feeling of warmth, other than for his world suddenly suffuses his entire being as a warm voice breaks in. “There is no one better to show you this beautiful world, Ahsoka,” the voice says.

Maul smiles as Dani Faygan stands in the doorway. She walks in. As she passes Blackthorn, she reaches up and brings the new knight’s head to her shoulder in a quick embrace.

She turns to Kenobi. “Sorry I missed the shindig, Master. But Draq’ Bel Iblis might have a different idea of how our world’s Covenant might be used.

Jedi and Noble alike gape at her direct pronouncement; at the unfamiliar term.

Jedi Padawan is less impressed as she rolls her eyes. “Great. He’ll have an even bigger head, now.”

[marcosoropoet]

EXECUTION SQUAD GIGGLES  ~  Marcos Oro

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Handling blurred black polka dot conveyor vertigo screams; official institutional business paranoia office politics are veering out to you, girl / girl / girl girlyouknowthat busdriver he KRAY-ZEEgirl? he just say: "i'm a po' boy hmmm lost run up into the wind a while fly up hmmm to the moon fixin' to go anywhere's I pleases, sistah yezhmmm...mmm" nawnawnaw don'tcomewiththat it takeone to know one blasé blasé He is actually fuckinG de-fucking-ranged ominous delusional deep eye-unravel, i am a very practiced, precise, dark sycophant; thus having left many with a deep amazement, and such an addiction to the elaborations of my highly esteeming fizzing fervor over such sloppy sorry dupe fucks; No! Well just retract renege whatever the fuck! day or time, but mostly distracted, celebratory and important in the q u a n t u m i l l u s i o n of filmic derivatives in elitist lingo, craving for some peripheral excitement tonight. some feral excitement. Choppers swoop down low with a searing spotlight blasting white rays of simple pure technology propeller hums loud yes, i think "being hard on yourself" is a staged fake-out very quietly not making too much noise. too much white noise. too much scratch selfhelpbook many please yes 451...451...451 the siren shuffled its screech around the rusty tectonics of the foggy rainy city. M: Can't you see? I can't think straight with your graphics splattered all over the kitchen, I'm sorry but they are too wild and stark, I — M: — well myself for a long time now. I ((( uh ))) actualize myself in the artistic endeavor program you see. "I" feel more genuinely human. Having the same thoughts come clear to me, as well. This delicate skill is rather enhancing, I find. Distracting oneself from the quantum illusion, you are an illusion, so I will display all of my pieces in the livingroom instead of the chocolate crunch time machine. I am a very technique-heavy practiced, precise, dark sycophant; thus having left many with amazement, and an addiction to the perfect "interviewee", "media-ready", "mindless"... yeah so the rock show's on then? we gonna do the Nutley gig eh? yeah next week right? ok straight off somethingweirdiswrongwith the phone. no no problem. no problem...no es problemático. The Artist as Servant to the Taskmaster: Art or, "Up in Here" - location finder of the psyche. AS SEEN ON TV. you are talking to yourself constantly, and everyone else as well is speeding up, this is too telling of the Pomegranate Program bank...uh real parchment documents...written up legal cases, dark crates of bristling oily tarantulas, these comments/moments.repeating fruit reds ...would you like the egg soft boiled? The spy motions with his long 24K pinky nail. Dry constraining skills, of bad mother persona place bitch's shelter, don't gimme no mama. Noir : That's place-fight risk forged ahead very practiced, celebratory and enjoy "quicksand" sure. Sure, the neon prickly cactus place (zone) is quiet "media-ready" and I of course just flipped out! No more clowns and vagrants on TV. Get it? — ...these comments are under smoky lasered scrutiny in the tricked-out surveillance clown center of the sociopathic sheltered elite urban mutation basement sector composite. Do not find me there please tonight no. Not ever! Cigar touting clowns, in formal barbed wire attire, and fiberglass Bow-Ties. Entire walls and windows covered in aluminum foil glaring eye of metallic skin; a searing metallic light, that is seen as it pours out smoke from whole gaps and cracks; from afar the prolonged vibrato of one syllable — A distant gaurantee of otherwordly nano-visions. donuts dunked in a coffee pool. Sauntering in, vivid pristine holograms of nocturnal mutagen beasts lumbering, climbing down to sleep in their warm centered world something is very odd and ((( off ))) the sky clouds mountains luminous, suffused the old lake with warm light: i'm a po' boy hmmm-hmmm lost run into the wind a while fly up hmmmyezmmm to the moon the immediate earth artificial gelatin intelligence resists rendering my Möbius Loophole, is contiguous manic nihilism perpetrating plagiarism. Time loophole escapee loot party gone way wrong, man. The turmoil of the money-craving zombie industry brand, with its truly myriad iterations, a million jealous flashbulb moneyshots of dry-ice frozen three dimensional strobes pulsating on grinding grin trashcan collage alley moneyshot font/color graffiti to boot grind down to grey ash, silt slides off of the cracking inset lines around the zombie's gluey opening eye. Who wants a birthday cake to be a conceptual unraveling inversion of rampant unrelenting candleflames? Flashing a quartz stilleto badge, running through artficial fiery ebbing mobs of protesting automatons. Yanking out drawers filled with heavy coins, and throwing slinging them all over pillow fight showering flecked thick coins (cracked a window with a corner of the flung drawer)...jagged glass made our room now seem much more serious, unfinished. Distracting, disturbing. No blood though... This is the very same earth of eyes blurring out of the picture into vivid blades of green country grass under brown cattle sinew, focus bright white razor-sharp clouds entitled gradually to the false artifice of data vicinity night — The quintessence of mile-down mountain valley drop is catching quick down my attention Running on auto pilot as projection of sparkling dust motes, in bright beams of day: no no I've ate already officer — did you know I'll read them, yeah, red passing laden glare of a red light beam splash head on into the please remember that I never lied crosshair eyes of execution squad giggles.

[gobestdentaldeals]

Convert your ideas into solid 3D models with advanced & economical flash forge 3D printer as it comes with smart features like fast printing technique, touch screen display, multiple file format support, wired/wireless connectivity & can be used in different industries like Education, Engineering applications, etc.

[sailorrrvenus]

Why I Ditched My Nikon Kit for Sony as a Wedding Photographer

Changing camera systems is not something to be taken lightly. As a die-hard Nikon fan since I first got into photography, I didn’t think I would ever consider switching away from them. And yet, here I am, sitting with no Nikon kit in sight having just shot my first wedding entirely on Sony kit and no regrets.

My entire career as a professional photographer has been forged with a Nikon. I knew my D750 inside out, knew how it would meter differently in different lights, when I had to adjust things, without even looking. It was comfortable to use and yet, as my way of working has changed, and my photography has grown, the camera hadn’t quite kept up.

What’s wrong with the D750

Well, nothing really. The D750 is a fantastic camera, and for the price it’s regularly available at (under a grand pre-owned), I still think it’s one of the best all-around DSLR cameras on the market for the money. Its dynamic range is incredible, the ISO performance is fantastic and it’s a monster when it comes to focus in low light situations.

And yet, as my shooting style has evolved certain aspects of it have frustrated me at times. The buffer is pretty dire, even with fast cards in it, shooting RAW to both cards the camera chokes after 10 shots. Now for weddings, this doesn’t matter for 90% of the day, but the 10% it does matter, it started to irk me.

Similarly, the max shutter speed of 1/4000th of a second. Not a problem, unless, like me, you like to shoot wide open. My most used aperture is f/2 and after this blazing hot summer we’ve had, I was having to push the aperture higher than I’d have liked to, in order to stop highlights being blown.

Shooting in Liveview on the D750 is another letdown — the AF is awful and slow, it hunts back and forth. It’s fine if you have the time to wait, but if you’re trying to catch a moment, you’ve got no chance.

Why not the D850?

So surely my obvious choice is to upgrade to the D850 right? Bigger buffer, using even faster cards, better Liveview, touch screen focus etc. That fixes all of my concerns right?

Well yes and no. It’s a bigger camera, physically, plus I don’t need 42 megapixels for a wedding. XQD cards are expensive, with not even the sole-manufacturer of them (Sony) adopting them. Making it an expensive upgrade path, especially as I like to shoot on two identical cameras.

Sure I’d get some of the benefits that I wanted, but it wouldn’t solve all of my issues. Liveview is better than the D750, but it’s nothing special.

Mirrorless is where all cameras will end up

I did a lot of research before I made the decision to change, I tried friends cameras, I checked all the boring things like ISO performance against my Nikons and most of all, I looked into the AF accuracy and speed, because that’s what’s key as a documentary wedding photographer, capturing moments the instant they happen!

Where mirrorless used to lag behind, it’s now not the case, with AF points covering the entire frame, dual phase and contrast detect pixels making Autofocus lightning fast and the addition of Eye-AF on the Sony’s is a game changer for me. It sounds so simple, it detects the closest eye to your focus point and tracks it. But just how accurate this is and how well it tracks around the frame has to be seen to be believed.

And let’s face it, the whole idea of a mirror having to physically move to take a photo, is just, well, behind the times in this digital age.

WYSIWYG shooting, What You See Is What You Get, is where the future is and is what makes mirrorless systems a pleasure to use. No more checking to see if any highlights are blown, you know whether they are or not *before* you hit the shutter button. Real-time exposure preview through both the viewfinder and the rear screen mean no more chimping, you know what you’ve got straight away.

A week of using the Sony a7 III and the DSLR seems dated.

So how is it vs the D750?

The D750 is a fantastic camera, and for the price it can be picked up for these days, I still have the opinion that it’s one of the best buys for an all-around DSLR in most parts of its performance.

And of course, it’s an absolute monster when it comes to low light performance. And that’s where the Sony misses in one way and wins big in the other.

It loses on low light AF. It’s just not as good as the D750 at locking focus when it gets dark, period. So you might want to think about an AF assist beam, a low power video light, or pre-focussing (which is what I do for dancing shots anyway).

But when it comes to ISO performance, the Sony smashes even the mighty Nikon. With native ISO going all the way up to 51200 (which is a horrible horrible mess, but still) at any ISO that you’re likely to use, the Sony wins. Sony has even managed to get even more dynamic range out of the A7 III than the D750, which was already an impressive camera in that regards.

The D750s ultra-deep grip is better in the hand, admittedly, or at least when holding it to your face, but with me not using the viewfinder, I find the Sony sits really nicely in my hand. Although a little front-heavy with fast Sony glass attached.

There’s no weight saving once the lenses are attached, so if you think a plus of switching to mirrorless is a reduction in weight, think again! Similarly, if your work is predominantly studio based and you use flash all of the time, you’re not going to get many of the advantages of that a mirrorless system would give you. They all vanish when you introduce flash and you’re metering for exposure anyway.

But when you’re working in natural light, zebra lines highlighting the parts of the image that will have blown, or focus peaking helping you manually focus combined with being able to see the exposure before you take the shot, are simply fantastic.

Shot on the Sony a7 III

What it’s like to use

The body is smaller, the grip is quite deep though and it feels comfortable in the hand. If you don’t use fast lenses, then you may get some decent weight saving out of the switch. But connecting up a 35mm f/1.4 Distagon or 85mm f/1.4 G Master is definitely not a light combination. Maybe a hundred grams lighter than my equivalent set up on the D750.

It feels nice in the hand though, the lens sits nicely on my hand, I think a bit of weight helps stabilize the camera a little. But if you’re thinking about switching just to save weight, and you’re planning on adding a fast aperture lens. Stop, step back, and think again. It won’t be lighter!

Shot on the Sony a7 III

The AF is incredibly fast, the D750 was no slouch, but the Sony impresses me again and again. Eye AF which I thought was going to be a bit of a gimmick. Is quite simply, incredible, it’s fast, accurate and tack sharp.

Full silent mode is great if a little weird to begin with, and you have to understand the technical limitations. In certain artificial lighting, it will create banding across the image. You might be able to avoid it by shooting in multiples of 1/50th (1/60th in the USA) due to the frequency lights flicker. But if you notice it, you’re better off disabling silent mode under those lighting conditions. Similarly, it can’t be used for particularly fast moving subjects, or they will appear to stretch across the screen. This isn’t an issue with the Sony, it’s just a technical limitation of how electronic shutters work vs mechanical shutters. So you have to learn when you can use silent, and when you can’t.

Shot on the Sony a7 III

I’m the first to admit, I’m not a fan of Electronic View Finders. The one on the A7 III is good, the EVF in both the A7R III and A9 is better. But I still don’t really like them. Don’t ask me why, I just don’t, I think it’s to do with my eye being so close to a screen, I just don’t like it. Whereas others rave about it. So it’s definitely down to personal tastes.

So is it a problem? No, because that’s the other thing with mirrorless that has changed how I shoot… I don’t use the viewfinder. Not only does it eat up batteries faster (due to internal heat generation), but also, I just find shooting in LiveView better. It’s freeing, it allows me to get the camera into angles I’d otherwise struggle, creating new creative opportunities. There’s a mode for bright sunlight, which works great, probably increases battery drain a bit, so I turn it off when not needed.

And the big thing for me, as a social photographer. I’m not hiding my face behind a camera, I’m able to engage with my clients while shooting. Making them feel more comfortable, which creates better connections, which makes for better photos. And that is what we all want.

Shot on the Sony a7 III

How was it at the wedding?

So I switched kit a week before a wedding, and I will admit, on the run up to it. I was thinking “Is this sensible? Am I going to be used to using these by Saturday? Will I deliver the same quality that my clients expect?”.

Any worries were completely unfounded, once set up how I wanted them to be, they’re a dream to use. So easy! Focus points covering the whole screen and being able to tap the screen to select them is a dream, the AF was quick and accurate all day long, it even surpassed my expectations late on for the dancing.

The silent shutter meant I could shoot even more discretely for most of the day (I had to turn it off in the barn to avoid banding) and the expanded buffer vs my D750 meant I never had to worry about the camera choking. Combined with the fact that I could see the exposure before pressing the button it was a dream.

Shot on the Sony a7 III

Let’s put this into perspective…

I’d had the cameras for a week. And this was the most confident I’d ever felt shooting a wedding.

Shot on the Sony a7 III

So you’d recommend I switch to Sony then?

No. Well, maybe.

It depends, doesn’t it? If you shoot predominantly studio work, then you lose some of the benefits straight away. No WYSIWYG for you, obviously. And you don’t need it. Super fast AF, well, you don’t need that either for the most part as you know the distance, you can prefocus.

Social and lifestyle photography? Maybe. I’m not going to say Yes, because it’s a very personal decision and what feels right for me might not feel right for you. But I think it’s worth checking them out certainly.

Shot on the Sony a7 III

Some of the more dreamy portrait work? Maybe not… The A7 III has a very weak low-pass optical filter (or Anti-aliasing filter). A low-pass filter softens the image, mainly to prevent moiré but also because sometimes a slightly softer image is just more pleasing to the eye. As it is the A7 III delivers incredibly sharp images and for some styles of photography, that might actually be too sharp.

Ultimately, it’s not a camera for everyone. Kit doesn’t make you a better photographer, or somehow able to better frame an image in your head. But for me, it’s made it easier to translate the image in my head, into an image to deliver to a client.

Shot on the Sony a7 III

Specific advantages of the Sony

Bullet points time!

Silent shooting – brilliant, just brilliant, especially for couples shoots when you’re potentially invading their personal space a little. It’s a bit less intrusive without a rapid clicking of a shutter!

A HUGE buffer – I get 50 images in a row at 10fps before the camera even starts to choke!

Real-time exposure preview with zebra stripes on the blown highlights – nail that exposure every time!

Eye-Af (this is seriously insane)

Focus points covering the whole viewfinder

Focus Peaking so manual focus is easy

Brilliant battery life – I shot the whole wedding with 1 battery in each camera!

Shot on the Sony a7 III

Shot on the Sony a7 III

Shot on the Sony a7 III

Your thoughts?

Whether you agree with me, disagree, are considering the switch or have tried to switch and found you hate mirrorless! I’d love to know why! Please drop your thoughts below.

About the author: Andy Dane is an award-winning wedding photographer, lifestyle blogger, husband, and father based in Norwich, UK. The opinions expressed in this article are solely those of the author. You can find more of Dane’s work on his website, Facebook, Twitter, and Instagram. This article was also published here.

source https://petapixel.com/2019/03/15/why-i-ditched-my-nikon-kit-for-sony-as-a-wedding-photographer/

[pauldeckerus]

Why I Ditched My Nikon Kit for Sony as a Wedding Photographer

Changing camera systems is not something to be taken lightly. As a die-hard Nikon fan since I first got into photography, I didn’t think I would ever consider switching away from them. And yet, here I am, sitting with no Nikon kit in sight having just shot my first wedding entirely on Sony kit and no regrets.

My entire career as a professional photographer has been forged with a Nikon. I knew my D750 inside out, knew how it would meter differently in different lights, when I had to adjust things, without even looking. It was comfortable to use and yet, as my way of working has changed, and my photography has grown, the camera hadn’t quite kept up.

What’s wrong with the D750

Well, nothing really. The D750 is a fantastic camera, and for the price it’s regularly available at (under a grand pre-owned), I still think it’s one of the best all-around DSLR cameras on the market for the money. Its dynamic range is incredible, the ISO performance is fantastic and it’s a monster when it comes to focus in low light situations.

And yet, as my shooting style has evolved certain aspects of it have frustrated me at times. The buffer is pretty dire, even with fast cards in it, shooting RAW to both cards the camera chokes after 10 shots. Now for weddings, this doesn’t matter for 90% of the day, but the 10% it does matter, it started to irk me.

Similarly, the max shutter speed of 1/4000th of a second. Not a problem, unless, like me, you like to shoot wide open. My most used aperture is f/2 and after this blazing hot summer we’ve had, I was having to push the aperture higher than I’d have liked to, in order to stop highlights being blown.

Shooting in Liveview on the D750 is another letdown — the AF is awful and slow, it hunts back and forth. It’s fine if you have the time to wait, but if you’re trying to catch a moment, you’ve got no chance.

Why not the D850?

So surely my obvious choice is to upgrade to the D850 right? Bigger buffer, using even faster cards, better Liveview, touch screen focus etc. That fixes all of my concerns right?

Well yes and no. It’s a bigger camera, physically, plus I don’t need 42 megapixels for a wedding. XQD cards are expensive, with not even the sole-manufacturer of them (Sony) adopting them. Making it an expensive upgrade path, especially as I like to shoot on two identical cameras.

Sure I’d get some of the benefits that I wanted, but it wouldn’t solve all of my issues. Liveview is better than the D750, but it’s nothing special.

Mirrorless is where all cameras will end up

I did a lot of research before I made the decision to change, I tried friends cameras, I checked all the boring things like ISO performance against my Nikons and most of all, I looked into the AF accuracy and speed, because that’s what’s key as a documentary wedding photographer, capturing moments the instant they happen!

Where mirrorless used to lag behind, it’s now not the case, with AF points covering the entire frame, dual phase and contrast detect pixels making Autofocus lightning fast and the addition of Eye-AF on the Sony’s is a game changer for me. It sounds so simple, it detects the closest eye to your focus point and tracks it. But just how accurate this is and how well it tracks around the frame has to be seen to be believed.

And let’s face it, the whole idea of a mirror having to physically move to take a photo, is just, well, behind the times in this digital age.

WYSIWYG shooting, What You See Is What You Get, is where the future is and is what makes mirrorless systems a pleasure to use. No more checking to see if any highlights are blown, you know whether they are or not *before* you hit the shutter button. Real-time exposure preview through both the viewfinder and the rear screen mean no more chimping, you know what you’ve got straight away.

A week of using the Sony a7 III and the DSLR seems dated.

So how is it vs the D750?

The D750 is a fantastic camera, and for the price it can be picked up for these days, I still have the opinion that it’s one of the best buys for an all-around DSLR in most parts of its performance.

And of course, it’s an absolute monster when it comes to low light performance. And that’s where the Sony misses in one way and wins big in the other.

It loses on low light AF. It’s just not as good as the D750 at locking focus when it gets dark, period. So you might want to think about an AF assist beam, a low power video light, or pre-focussing (which is what I do for dancing shots anyway).

But when it comes to ISO performance, the Sony smashes even the mighty Nikon. With native ISO going all the way up to 51200 (which is a horrible horrible mess, but still) at any ISO that you’re likely to use, the Sony wins. Sony has even managed to get even more dynamic range out of the A7 III than the D750, which was already an impressive camera in that regards.

The D750s ultra-deep grip is better in the hand, admittedly, or at least when holding it to your face, but with me not using the viewfinder, I find the Sony sits really nicely in my hand. Although a little front-heavy with fast Sony glass attached.

There’s no weight saving once the lenses are attached, so if you think a plus of switching to mirrorless is a reduction in weight, think again! Similarly, if your work is predominantly studio based and you use flash all of the time, you’re not going to get many of the advantages of that a mirrorless system would give you. They all vanish when you introduce flash and you’re metering for exposure anyway.

But when you’re working in natural light, zebra lines highlighting the parts of the image that will have blown, or focus peaking helping you manually focus combined with being able to see the exposure before you take the shot, are simply fantastic.

Shot on the Sony a7 III

What it’s like to use

The body is smaller, the grip is quite deep though and it feels comfortable in the hand. If you don’t use fast lenses, then you may get some decent weight saving out of the switch. But connecting up a 35mm f/1.4 Distagon or 85mm f/1.4 G Master is definitely not a light combination. Maybe a hundred grams lighter than my equivalent set up on the D750.

It feels nice in the hand though, the lens sits nicely on my hand, I think a bit of weight helps stabilize the camera a little. But if you’re thinking about switching just to save weight, and you’re planning on adding a fast aperture lens. Stop, step back, and think again. It won’t be lighter!

Shot on the Sony a7 III

The AF is incredibly fast, the D750 was no slouch, but the Sony impresses me again and again. Eye AF which I thought was going to be a bit of a gimmick. Is quite simply, incredible, it’s fast, accurate and tack sharp.

Full silent mode is great if a little weird to begin with, and you have to understand the technical limitations. In certain artificial lighting, it will create banding across the image. You might be able to avoid it by shooting in multiples of 1/50th (1/60th in the USA) due to the frequency lights flicker. But if you notice it, you’re better off disabling silent mode under those lighting conditions. Similarly, it can’t be used for particularly fast moving subjects, or they will appear to stretch across the screen. This isn’t an issue with the Sony, it’s just a technical limitation of how electronic shutters work vs mechanical shutters. So you have to learn when you can use silent, and when you can’t.

Shot on the Sony a7 III

I’m the first to admit, I’m not a fan of Electronic View Finders. The one on the A7 III is good, the EVF in both the A7R III and A9 is better. But I still don’t really like them. Don’t ask me why, I just don’t, I think it’s to do with my eye being so close to a screen, I just don’t like it. Whereas others rave about it. So it’s definitely down to personal tastes.

So is it a problem? No, because that’s the other thing with mirrorless that has changed how I shoot… I don’t use the viewfinder. Not only does it eat up batteries faster (due to internal heat generation), but also, I just find shooting in LiveView better. It’s freeing, it allows me to get the camera into angles I’d otherwise struggle, creating new creative opportunities. There’s a mode for bright sunlight, which works great, probably increases battery drain a bit, so I turn it off when not needed.

And the big thing for me, as a social photographer. I’m not hiding my face behind a camera, I’m able to engage with my clients while shooting. Making them feel more comfortable, which creates better connections, which makes for better photos. And that is what we all want.

Shot on the Sony a7 III

How was it at the wedding?

So I switched kit a week before a wedding, and I will admit, on the run up to it. I was thinking “Is this sensible? Am I going to be used to using these by Saturday? Will I deliver the same quality that my clients expect?”.

Any worries were completely unfounded, once set up how I wanted them to be, they’re a dream to use. So easy! Focus points covering the whole screen and being able to tap the screen to select them is a dream, the AF was quick and accurate all day long, it even surpassed my expectations late on for the dancing.

The silent shutter meant I could shoot even more discretely for most of the day (I had to turn it off in the barn to avoid banding) and the expanded buffer vs my D750 meant I never had to worry about the camera choking. Combined with the fact that I could see the exposure before pressing the button it was a dream.

Shot on the Sony a7 III

Let’s put this into perspective…

I’d had the cameras for a week. And this was the most confident I’d ever felt shooting a wedding.

Shot on the Sony a7 III

So you’d recommend I switch to Sony then?

No. Well, maybe.

It depends, doesn’t it? If you shoot predominantly studio work, then you lose some of the benefits straight away. No WYSIWYG for you, obviously. And you don’t need it. Super fast AF, well, you don’t need that either for the most part as you know the distance, you can prefocus.

Social and lifestyle photography? Maybe. I’m not going to say Yes, because it’s a very personal decision and what feels right for me might not feel right for you. But I think it’s worth checking them out certainly.

Shot on the Sony a7 III

Some of the more dreamy portrait work? Maybe not… The A7 III has a very weak low-pass optical filter (or Anti-aliasing filter). A low-pass filter softens the image, mainly to prevent moiré but also because sometimes a slightly softer image is just more pleasing to the eye. As it is the A7 III delivers incredibly sharp images and for some styles of photography, that might actually be too sharp.

Ultimately, it’s not a camera for everyone. Kit doesn’t make you a better photographer, or somehow able to better frame an image in your head. But for me, it’s made it easier to translate the image in my head, into an image to deliver to a client.

Shot on the Sony a7 III

Specific advantages of the Sony

Bullet points time!

Silent shooting – brilliant, just brilliant, especially for couples shoots when you’re potentially invading their personal space a little. It’s a bit less intrusive without a rapid clicking of a shutter!

A HUGE buffer – I get 50 images in a row at 10fps before the camera even starts to choke!

Real-time exposure preview with zebra stripes on the blown highlights – nail that exposure every time!

Eye-Af (this is seriously insane)

Focus points covering the whole viewfinder

Focus Peaking so manual focus is easy

Brilliant battery life – I shot the whole wedding with 1 battery in each camera!

Shot on the Sony a7 III

Shot on the Sony a7 III

Shot on the Sony a7 III

Your thoughts?

Whether you agree with me, disagree, are considering the switch or have tried to switch and found you hate mirrorless! I’d love to know why! Please drop your thoughts below.

About the author: Andy Dane is an award-winning wedding photographer, lifestyle blogger, husband, and father based in Norwich, UK. The opinions expressed in this article are solely those of the author. You can find more of Dane’s work on his website, Facebook, Twitter, and Instagram. This article was also published here.

from Photography News https://petapixel.com/2019/03/15/why-i-ditched-my-nikon-kit-for-sony-as-a-wedding-photographer/

[mattsagervo]

New Releases: Comics and Direct Market September 27, 2017

Here's a look at what's new in comic stores Wednesday, September 27 2017, courtesy of TFAW:

Comics

215 INK 

Doctor Crowe #3 (of 4)$3.99

 AARDVARK VANAHEIM 

Aardvark Comics #1$4.00

 ACTION LAB ENTERTAINMENT 

Dollface #9 (Cover A - Mendoza)$4.99

Dollface #9 (Cover B - Mendoza Tattered & Torn)$4.99

Dollface #9 (Cover C - Turner Pin Up)$4.99

Dollface #9 (Cover D - Turner Pin Up Tattered & Torn)$4.99

Dollface #9 (Cover E - Celor Pin Up)$4.99

Dollface #9 (Cover F - Celor Pin Up Tattered & Torn)$4.99

Medisin #4 (Cover A - Brame)$3.99

Medisin #4 (Cover B - Brame)$3.99

Vampblade Season Two #7 (Cover A - Winston Young)$4.99

Vampblade Season Two #7 (Cover B - Winston Young Risque)$4.99

Vampblade Season Two #7 (Cover C - King)$4.99

Vampblade Season Two #7 (Cover D - King Risque)$4.99

Vampblade Season Two #7 (Cover E - 90s Variant)$4.99

Vampblade Season Two #7 (Cover F - 90s Risque Variant)$4.99

 AFTERSHOCK COMICS 

Fu Jitsu #1 (Cover A - Wesley St.Claire)$3.99

Fu Jitsu #1 (Cover B - Greg Smallwood)$3.99

Normals #5$3.99

Rough Riders Riders On The Storm #6$3.99

 AMERICAN MYTHOLOGY PRODUCTIONS 

Hatchet #0 Buz Cvr$3.99

Hatchet #0 Larocque Cvr$3.99

 ANTARCTIC PRESS 

Adventure Finders #1$3.99

Arya #1$3.99

Gold Digger #246$3.99

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My Little Pony Tales Of Equestria RPG Statuettes Adv Story Box Set$24.95

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Clue Golden Girls Board GameAR

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Mtg TCG Archenemy Nicol Bolas$59.99

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Yu Gi Oh TCG Yugi Coll Box 12ct CaseAR

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Triple Goddess Tarot Deck$22.95

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Foom Magazine (bundle of 25)AR

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DC Heroclix Titano Prime Earth Colossal Op KitAR

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Chip Kidd Book Two 2007-2017 Px Bookplate Ed$60.00

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Dark Nights Metal Tour T/S LG$19.95

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Walking Dead Logo Pin$10.00

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Miss Mindy Evil Queen Diorama Figure$100.00

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Absolute Chogokin Db Super Dz-09 Ssgs Goku Mini FigAR

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