I’ve been working all week like 7-2 or 8-3 at the Hilton hotel restaurant and I enjoy it but I must’ve been exhausted coz I passed out on my couch at 5pm and woke up at 11pm 💀 lol I have to be awake again tomorrow for my shift at 7-2, my niece has began working with me…shes 16 and her second shift there from a week or 2 ago and she’s nervous again bless. ✨ she’ll be fine I work there all the time lol and she has me, she got nervous coz last breakfast shift (afternoon wasn’t as bad mostly just setting tables for later or polishing cutlery etc) it got very very busy but it’s not always like that so she got flung in the deep end her first shift lol. Anyway I hope I can sleep soon bc I have to leave at 6:15am to get into town for just before 7 to clock in lol it’s now 12:45am 💀
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Drawing them like this feels so so wronggggg
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Edwin Payne is a dweeb who gives terrible weak comebacks, who can be unnecessarily petty, or overly smug, who is inordinately pleased with himself when wearing detective gear and using scientific gear, the thought never crossing his mind that he might not look as cool as he thinks he does, who carries a continual and utter absolute delight at acting like the characters he loved to read about, who was enthralled by his magazine detective and adventure stories and who wears a similar smile when he sits on the bed watching Scooby Doo with Niko, 'these detectives are terribly clever,' whose board game collection is mostly variations of Clue, who requires payment (because any good detective is worth some kind of payment) but whose idea of payment is whatever interesting object the client offers to add to his collection, who has encyclopedic intelligence he clearly dedicated hours to learning, who has a particular way of acting and speaking like everything is of vital importance, because to him, it is.
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i love dead boy detectives to death, and hope with all my being that we can Somehow pull off getting it back (through netflix or otherwise)
but honestly if we cant? if we get stuck at where we are now forever? i honestly think ill miss the potential s2 soundtrack the most
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job rant incoming
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Underrated adorable thing Kyouka does is when someone gives her something to do and/or tries to show her something new and she gives it her full, serious attention.
It could be a matter of life-or-death. It could be delivering an important document. It could be taking care of a cat. It could be mixing a little candy. Doesn't matter.
Someone: *showing Kyouka a thing*
Kyouka: *staring intently, laser-fucking-focused*
What makes this so good to me is that it's nothing to do with her mafia training - she tends to go numb and distant when her assassin instincts kick in. When she focuses like this, it's driven by her genuine want to learn how to do the thing and do it perfectly. And yeah, part of this is also likely to do with her want to prove that she can do good things, but there are a million different ways she could go about this and she chooses... to watch people. To listen and learn and try her hardest at every single little thing she does. Honestly, I don't think this is anything she picked up from anyone - I think she's just like that. She gives everything she does her full attention.
And yeah, sometimes she gets a little too into it (tasing the guy she was supposed to deliver the files to, making a gigantic tower of god grub...) but she's got the spirit.
You guys she's so cute. She's SO cute. And also I think so incredibly strong for this. I don't think Kyouka fully realizes how much of her recovery is due her own consistent dogged efforts. Atsushi and the Agency gave her an opportunity and a safe home base and she took it and ran with it through her own conviction (in spite of all the setbacks), making herself brighter in the process.
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Faces so lethal they had to go on the billboards
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"Among their complaints [in 1460, the Yorkists] specifically blamed the earls of Wiltshire and Shrewsbury and Viscount Beaumont for ‘stirring’ the king [Henry VI] to hold a parliament at Coventry that would attaint them and for keeping them from the king’s presence and likely mercy, asserting that this was done against [the king's] will. To this they added the charge that these evil counselors were also tyrannizing other true men* without the king’s knowledge. Such claims of malfeasance obliquely raised the question of Henry’s fitness as a king, for how could he be deemed competent if such things happened without his knowledge and against his wishes? They also tied in rumors circulating somewhat earlier in the southern counties and likely to have originated in Calais that Henry was really ‘good and gracious Lord to the [Yorkists] since, it was alleged, he had not known of or assented to their attainders. On 11 June the king was compelled to issue a proclamation stating that they were indeed traitors and that assertions to the contrary were to be ignored."
- Helen Maurer, "Margaret of Anjou: "Queenship and Power in Late Medieval England"
Three things that we can surmise from this:
We know where the "Henry was an innocent helpless king being controlled and manipulated by his Evil™ advisors" rhetoric came from**.
The Yorkists were deliberately trying to downplay Henry VI's actual role and involvement in politics and the Wars of the Roses. They cast him as a "statue of a king", blamed all royal policies and decisions on others*** (claiming that Henry wasn't even aware of them), and framed themselves as righteous and misunderstood counselors who remained loyal to the crown. We should keep this in mind when we look at chronicles' comments of Henry's alleged passivity and the so-called "role reversal" between him and Queen Margaret.
Henry VI's actual agency and involvement is nevertheless proven by his own actions. We know what he thought of the Yorkists, and we know he took the effort to publicly counter their claims through a proclamation of his own. That speaks louder than the politically motivated narrative of his enemies, don't you think?
*There was some truth to these criticisms. For example, Wiltshire (ie: one of the men named in the pamphlet) was reportedly involved in a horrible situation in June which included hangings and imprisonments for tax resistance in Newbury. The best propagandists always contain a degree of truth, etc.
**I've seen some theories on why Margaret of Anjou wasn't mentioned in these pamphlets alongside the others even though she was clearly being vilified during that time as well, and honestly, I think those speculations are mostly unnecessary. Margaret was absent because it was regarded as very unseemly to target queens in such an officially public manner. We see a similar situation a decade later: Elizabeth Woodville was vilified and her whole family - popularly and administratively known as "the queen's kin" - was disparaged in Warwick and Clarence's pamphlets. This would have inevitably associated her with their official complaints far more than Margaret had been, but she was also not directly mentioned. It was simply not considered appropriate.
***This narrative was begun by the Duke of York & Warwick and was - demonstrably - already widespread by the end of 1460. When Edward IV came to power, there seems to have been a slight shift in how he spoke of Henry (he referred to Henry as their "great enemy and adversary"; his envoys were clearly willing to acknowledge Henry's role in Lancastrian resistance to Yorkist rule; etc), but he nevertheless continued the former narrative for the most part. I think this was because 1) it was already well-established and widespread by his father, and 2) downplaying Henry's authority would have served to emphasize Edward's own kingship, which was probably advantageous for a usurper whose deposed rival was still alive and out of reach. In some sense, the Lancastrians did the same thing with their own propaganda across the 1460s, which was clearly not as effective in terms of garnering support and is too long to get into right now, but was still very relevant when it came to emphasizing their own right to the throne while disparaging the Yorkists' claim.
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finished hera & started lady macbeth and we have got to start blaming women for shit again for real
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Shot through the heart (fatally) and he's to blame ❤️🩹
Introducing "Blue" / "Norton" Shark, sole (begrudging) heir to the Shark fortune as well as budding Nepo baby psychopath I play as my GTAO PC !
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sun comes streaming through the window (& i can't sleep anymore)
Kenji shook his head. “It’s not that, exactly. I sleep whenever I eat. So I always sleep after breakfast, lunch, and dinner. By the time it’s actually time to go to bed, I’ve already slept an hour or more depending on how much I eat. I already wasted hours of my day. And…” he sighed, huffing, “I have trouble sleeping at night if I sleep during the day.”
Fukuzawa warned him that food may be an issue with Kenji, but neither of them even thought about how his ability could mess up his sleep.
The more Kunikida learned about Kenji’s ability, the more it upset him. Not because Kenji caused trouble, but because he’s still just a kid. His ability messed with the way he ate—it's almost like he’s on a diet.
Kenji had the kind of strength people would kill for, the kind of power people have died for, but it came at the price of eating.
[or, five times someone from the agency noticed kenji had a strained relationship with eating and sleeping and one time he didn't]
🌥20,941 words | kenji-centric, bsd found family⛅️
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mmm just character thoughts don't mind me. I was initially hesitant to give my Phoenix too much characteristics that make them more than what we see in the game. I wanted to stick to focusing on their present as this silly do-gooder protagonist with simple motivations (a la Mr. No-Backstory Phoenix Wright Aceattorney. THAT'SRIGHT!! I DIDN'T JUST STOP WITH THE HAIR WAHHA /j)
which is why I didn't want to give them an actual real name for a long time.. the moment I do that is the moment they're someone unique entirely. Which isn't a bad thing! For some reason I just wanted to stick it to the simplicity. But I guess making them half-asian working for a company that's (mainly? i assume?) based in the US in the 60's already entails a lot of implications. Also I was really proud of thinking up of a real name for them which is why I put it on that one art I did for them.
All that to say is ... I'm close to deciding on going all-in with my Phoenix's characterization, backstory and all. I could... PROBABLY manage to connect their weird talent of not dying to it but. It's silly for the sake of being silly so. probably not.
What I've got so far is that they're an overseas filipino worker who, after jumping across multiple jobs (none of them sticking too long), accidentally wanders into one of the buildings of the Agency. They somehow get accepted and it doesn't take long for them to realize that they're a spy now. Surprisingly, they like the thrill. They really Did Not Expect to suddenly be saving the world but it's fine. It's fine!
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casual waa + teeny chibi faces
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