#from previous 2 films | Explore Tumblr Posts and Blogs

lightsoutletsgo · 2 months

Text

the one where ollie lives alone (cl.16 x bearman!reader)

pairing: mainly ollie bearman x oldersister!reader for this part but there's a plenty of charles leclerc x bearman!reader here and there!

word count: 4.2k

warnings: a whole lot of stupidity mentions of death, seemingly angsty in some parts (you'll see what I mean) this might be one of my favourite parts I've written for any series ever 😭 it's so dumb but so funny (according to the people who proofread for me!) as always let me know what you think! your comments are always appreciated. happy reading! mimi 🤍

taglist: @arieslost @iamapersonwholikesunicorns

“Jesus Y/N, what the hell is in here?” Ollie wheezed as he staggered past you, arms straining under the weight of the box he was carrying. You rolled your eyes, “You’re so dramatic Ols, it’s literally just makeup.”

“Is that the last box ma belle?” You turned and saw Charles in the doorway, staring at you fondly. “Mhmm! Everything else is in the van.” You held your arms out to him and he crossed the room, pulling you in by your waist and kissing you softly, “I can’t believe you’re finally coming home with me…” You smiled, looping your arms round his neck, “Me either,” He booped your nose with his own, a loud cough making the two of you jump apart as Ollie leaned against the doorframe, one eyebrow raised, “Are you two done being gross?” “Shut up dummy.” You punched his arm as you walked past him towards the front door. You inhaled deeply, it felt strange but exciting to be moving out and into Charles’ apartment.

Behind you, Charles watched Ollie stare at you, looking like he wanted to say something. He quietly padded up behind the younger driver and nudged his arm, “Are you going to miss her?” Ollie was startled but quickly scoffed, “Hmm? No way!” Charles gave him a pointed look, “I get the whole place to myself! I can’t wait!” Charles gave him a smile and punched his arm gently, “We’re only ten minutes away if you need us.” Ollie laughed, “Thanks but I can manage!”

♯ incident 1 - the dishwasher ⊹.∿ As it turned out, Ollie could in fact, not manage. Mere hours after you’d left him, you found yourself sprinting back up the stairs, cursing the old apartment building for still not having an elevator. You reached the floor of your old apartment and checked the door to see if it was open, turning the handle and entering you called out, “Ollie? I got your text!” You poked your head into each room as you went, searching for him, “What’s the emer…gen…cy…” You trailed off as you reached the kitchen, Ollie staring up at you with wide eyes, crouching next to the dishwasher that was… pouring out soapy bubbles? “Ollie!” “I think I made a mistake.” He said dryly, suspiciously poking some of the bubbly foam next to his shoulder, “Yeah, no shit Sherlock.” You said sarcastically, thinking of a solution, “You put dish soap in didn’t you?” He nodded sheepishly, “There were no dishwasher tablets left so I just… thought on my feet?” You facepalmed and sighed, “Okay well, we need to- DON’T OPEN IT!”

You looked on in horror as Ollie pulled open the door and a torrent of soapy warm foam spilled out and all over the kitchen floor, creeping further into the centre of the room, was it… growing? You looked over at your brother to see him staring back at you with comically wide eyes. “So that’s why we don’t do that.” You said, face deadpan. Ollie giggled nervously, “Oops?” A snort from behind you had you turning round to see Charles filming the whole thing, “Oh some help you are babe.” Charles coughed to cover up his laughter as he put his phone away and entered the foamy bubbly monstrosity that was now the kitchen. “Somewhere under here there’s a bucket and mop.” “Ollie?” “Yeah?” “You’re going in.”

♯ incident 2 - french toast ⊹.∿ A few days had passed since the dishwasher incident and you dozed in Charles’ arms, enjoying the lazy Sunday morning sun slipping through the bedroom curtains. The previous night’s activities had left you a little worn out and with no plans for the day, you had wordlessly agreed that a cosy day in bed was just what you needed. A shrill sound pierced the air and jolted both you and Charles awake. You scrambled to find your phone, as Charles groaned, hands rubbing his face as your hand came up to feel how quickly your heart was pounding. You glanced at the screen as your hand met your phone and you scowled, Charles rubbing your back and doing his best not to laugh as he saw who was calling you, “Ollie Bearman, you better have a damn good reason for calling me this early on a Sunday morning.” There was a pause, “It’s eleven o’clock?-” “That’s not the point!” You sighed, “What do you need?” “Well, you see… I have a question.” “Go ahead,” “So I was making french toast right? And I followed the recipe exactly as you wrote it out! Right amount of eggs, milk and sugar.” “So what’s the issue?” Ollie sighed, “It won’t cook but it smells a bit smokey…” You pinched the bridge of your nose, “Then turn it down?” “I don’t know how!” “Turn the hob dial down dummy!” Ollie went silent for a second, “Did you say hob dial?” Alarm bells started ringing in your head, “Why would I adjust the hob when I’m using the toaster.” You froze for a moment before pulling your phone away from your ear and putting it on speaker, unable to believe what you were hearing, “I’m sorry, what did you just say?” Charles gave you a concerned look, sitting even closer to you and wrapping one arm around you while the other rubbed your knee comfortingly

“I said, I’m using the toaster.” You stared at your phone, mouth slightly agape, “You’re making french toast in the toaster?” “Correct.” Charles snorted and choked back a huge guffaw of laughter as the hand he’d placed on your knee came up to cover his mouth, his face turning pink with how hard he was laughing, “Ollie! French toast isn’t made in the toaster!” “It’s called french toast!” You pressed the video button and changed the call to facetime. Your brother stared back at you, looking rather dishevelled, “That’s a rather deceiving name if you ask me!” You groaned, facepalming, “You make it in a frying pan” Charles was no help next to you as he wheezed silently, grabbing his own phone to record the conversation for later use and hilarity. “Well how was I supposed to know that?!” Ollie was indignant as he pleaded with you through the screen, “OLLIE! You’ve watched me make it hundreds of times!” He pouted through the screen letting out a little ‘hmmph’ “Well if you hadn’t abandoned me, we wouldn’t have this issue would we!” You rolled your eyes, “For the last time, I did not abandon you! I live a 10 minute walk away!”

You sighed before laughing at your brother lovingly, “Alright then silly, head over for lunch and I’ll show you how to make french toast the proper way.” Charles snorted once more and you both burst into giggles as your brother scowled at you, “Stop laughing at me!” Ollie whined, you caught your breath and wiped your eyes, heart warm at the silly moment you knew would turn into a fond memory, “Uhhhh Y/N?” You looked back at the screen to where Ollie was turning the camera round to show you a sparking, smoking toaster, “I don’t think it should be doing that…” You cursed as Charles scrambled out of bed, pulling mismatching socks on as you grabbed a hoodie, “Change of plans Ols, we’re on our way!”

♯ incident 3 - Gerald ⊹.∿ Things were peaceful for a couple of days after the french toast debacle - something you were more than thankful for, wrapped up in your perfect little bubble with Charles. Of course you continued to text Ollie, but there had been no major crisis that required your immediate attention. Until there was.

It had been one of those long lazy days spent at home, until Charles had announced he was taking you to dinner and told you to get all dressed up. You’d slipped on one of his favourite numbers and he’d shown his appreciation more than once, sliding his hands round your hips and squeezing while you waited to be seated, pulling your chair out for you to sit down and sliding his hands down your arms once you were seated, moving his chair round the table to sit closer to you so he could place a slow smooch against your neck. You hummed happily as he fed you a mouthful of his dish, “I knew you’d like it!” You smiled at him, “I like most things you suggest…” He bit his lip as his eyes darkened slightly, “Is that so?” You nodded, eyelashes fluttering as your lids close, “What if I suggested something a little… more intimate?” You giggled, picking up your wine glass to take a sip and hide your face, too shy to keep the eye contact, “I wouldn’t mi-” Your phone blaring cut you off and you gasped, rushing to put your glass down as other customers in the restaurant glared at you, Charles chuckling quietly next to you, his hand resting on your thigh and rubbing soothingly.

“Ollie I swear to go-” “He’s dead.” You heard your little brother sniffle and adrenaline kicked in, “Ollie, who’s dead?” You kept your voice as calm and quiet as possible, you heard him sniffle once more before a sob left his mouth. That was all you needed to hear before you were grabbing your clutch and nodding towards the door. Charles tilted his head and you mouthed your brother’s name. He nodded understandingly and rushed to pay the bill before you were both scurrying back to his car. As soon as you were buckled in you put your phone on speaker, “Ollie… Honey… what happened?” Charles also looked panicked as he heard Ollie’s choked sob, “He was fine and then he just… wasn’t.” “Who Ollie, who’s not fine?” You pleaded, “Ge-” You cursed as the call cut out, “It’s okay ma belle, his phone probably just died, we’re almost there okay?” You nodded, hands nervously twisting and wringing together in your lap. Charles eyes darted to your hands for a second before looking back at the road, one hand leaving the steering wheel to gently hold your hand in his. You looked at him and squeezed, a wordless thank you.

As soon as Charles pulled up, you were racing out of the car, slipping your heels off and carrying them in your hand as you sprinted barefoot up the stairs of the apartment building. You reached the door and rang the bell, knocked, called his name, anything you could think of to attract his attention. The door opened slowly and it wasn’t Ollie that appeared but Arthuer Leclerc, looking ever so sombre, “Arthur?” Your eyes were panicked as you looked him over for any injuries or obvious isses. He simply held his hand out to indicate to you to enter and you slowly stepped through the door, “Where’s Ollie?” Arthur nodded, head down towards the ground and the panic rose in your chest again, “He’s in the living room, saying his goodbyes.” “Goodbyes to who?” You paced down the hallway and burst into the living room, your jaw dropping at the sight you saw.

Ollie stood in front of the coffee table that was lit with candles, dressed in a suit and your brain suddenly registered that Arthur had been dressed the same way. You were even more concerned when you saw Arthur’s girlfriend fully dressed in black, standing next to Ollie with a comforting hand on his shoulder. You approached him slowly, arms opening and your expression softening as he turned to you with a red splotchy nose and red-rimmed eyes, he fell into your arms and you patted his back, gently shushing him, “What happened, Ols?” “He’s gone.” Ollie croaked out, “Who’s gone honey?” Your voice was gentle as you stroked his hair, the same way you did when he was younger and couldn’t sleep, “Gerald.” “Oh.” You said softly, “Was he a friend?” Ollie nodded and you held back a wince as he rubbed his snotty nose onto your shoulder, knowing he needed you, “He was such a good friend.” You led him over to the couch and sat down, his head falling onto your shoulder as you continued to play with his hair.

You were aware of Charles appearing in the doorway and you gave him a brief smile, before turning your attention back to Ollie, “Would I know this friend?” Ollie nodded, his sobs quieting to sniffles, “You were his friend before I was.” Your stomach dropped as you frantically thought of who Ollie could possibly be referring to, feeling guilty that your mind was blank, “The funeral was lovely.” Arthur’s girlfriend nodded solemnly, a hand over her heart as the other hand came up to dab her eyes with a tissue, “The funeral has already happened?” You were confused as Arthur nodded, “Just before you got here.” Your eyes shot to Charles who was just as concerned and confused as you, “Wait, the funeral was here?” Ollie scoffed, “Well where else would it have been?” “Wait Ollie,” You held his face in front of yours, “Why was the funeral in your apartment?” “He wanted to be remembered in the place he was most happy…” Ollie sighed wistfully, his head turning to look at the coffee table once more.

You squinted, focusing on a shape amidst the flickering candles and once more your mouth gaped as you stood up and stormed over to the other side of the room. “Ollie. Bearman.” You gritted your teeth, “Don’t tell me that this was all about a fucking cactus?” “Succulent!” Ollie snapped at you, wiping away a tear from under his eye, “He was a succulent,” He whispered as he looked down at the floor. Charles broke first, snorting in the doorway and you watched as he did his best to choke down his laughter, coughing and shaking his head, you watched as he excused himself from the room for a moment to force a solemn expression back onto his face. He returned but you could see the laughter threatening to bubble over as he took in the sight before him. Ollie, his younger brother and his younger brother’s girlfriend all dressed in black and in mourning for a succulent that sat sadly on the coffee table and looked like it had been watered a little too much.

“I’m glad you got here,” Arthur spoke up suddenly, “Oh goodie, do tell me why.” Your tone was sarcastic. “We’re about to do the funeral exit.” Charles was holding in his laughter so much that he now had tears streaming down his face and Arthur patted his back with a ‘there, there’ and handed him a tissue. “Arthur’s girlfriend has agreed to sing the exit song and we’re so thankful she has.” “Who is we Ollie?” You brow furrowed as you looked around the living room, “I-I…” You sighed. “Go ahead.” You all stood still, heads to the floor as Arthur’s girlfriend launched into a rendition of ‘Memory’ from Cats, “Miiiiiiidniiiiiight, not a sound from the paaaaavemeeeent.” Charles quietly crossed the room to stand next to you, nudging you gently with his shoulder, “Interesting date night hmm?” You growled, “Don’t you dare encourage him.” Ollie approached you, “Do you want to say your final goodbyes?” “Ollie, why would I care about a succulent?” He gasped, “It’s Gerald!” “Yes Ollie so you said, but why would I care that it’s name is Gerald?” Ollie shook his head, “Don’t even recognise your own friend…” Arthur tutted and even his girlfriend gave you a disapproving look as she continued wailing in the background, you mentally made a note to apologise to the neighbours the next time you were here during normal sociable hours.

You rolled your eyes at your younger brother and stepped forward to ‘pay your respects’ to the succulent. Your eyes narrowed, “Oliver. James. Bearman. That’s MY fucking succulent!” “It was nice of you to wear black.” He continued, nodding towards your dress and Charles blazer and pants, ignoring your exclamation. “We were on a date!” You screeched, Charles once again powerless to help in any way, instead just collapsing with laughter. You growled as you lunged for your brother, “Ollie, I swear there will be a funeral tonight.” You hissed, “Yours!”

♯ incident 4 - spiderman ⊹.∿ After everyone had said their goodbyes to Gerald, he had been unceremoniously dumped into the rubbish bin and that had been the end of it. Ollie had promised to buy you a new succulent and had learned that they did not, in fact, require watering every day, and you now forever had ‘Memory’ stuck in your head. Once more, peace had been restored but you doubted it would last much longer.

Your theory was proved correct when a few days later, your phone rang. An unknown number. You ignored it at first, all too aware of strange reporters and crazy fans who would do anything to get closer to Charles. You simply went back to reading your book, until your phone rang again. It was an unknown number still and you grumbled, rolling your eyes and answering quite snappily, “Yes? Hello?” The voice on the other end of the line seemed almost taken aback, “Umm excuse me is this Y/N Bearman?” You sighed, “Yes it is, no I won’t give you a quote and yes Charles is great in bed, goodbye!-” “No wait please! I’m from downstairs! You live in 10B yes?” You stopped as your finger hovered over the end call button and brought the phone back up to your ear, “Uhhhh I used to, yes, can I ask why?” “Oh, well there’s a man trying to climb onto your balcony and I was concerned that’s all.” Your stomach flipped, your mind rushing to thoughts of someone breaking in when your little brother was home alone, “I’ll come over now! My younger brother still lives there.” You raced to grab your keys and jumped into your car, deciding to get there as soon as possible rather than walk. Who was stupid enough to break in in broad daylight? You briefly considered calling the police but you were sure the idiot would be gone by the time you got there. Your car pulled up and you craned your neck to look up at the balcony of your old apartment. Your eyes widened and you gasped as you spotted that there was indeed a man hanging off of your balcony, “Holy shit,” You mumbled, scrabbling to open the door and race towards the apartment complex. The closer you got you squinted as you realised the hoodie looked ever so familiar. “Ollie?!” You yelled up and shrieked as your brother looked down at you, giggling nervously as his feet kicked back and forth as he desperately searched for a footing, “What the fuck are you doing?” “Uhhh I can explain!” He yelled back to you, “H-hold on, I’m on my way up!” You hurried up the stairs, once more cursing the lack of elevator as you finally reached your floor, unlocking the door and rushing through the apartment to french doors out onto the balcony.

“What the fuck were you thinking?” You screeched, leaning over the balcony and diving to grab him and pull him up, “Ollie that’s so fucking dangerous!” “Look!” You heard a kid shout from the street below, “It’s Spiderman!” You scoffed and rolled your eyes, "He wishes!" You paused for a moment to yell back, before resuming hauling your brother over the apartment balcony. “How did you even get up here? Why are you up here?” Ollie chuckled, panting slightly as he finally threw one leg over the ledge, “Funny story actually…” You raised an eyebrow, “Well please share,” “I forgot my key…” “I-” In your shock you almost let go of him and his scream attracted the attention of yet more passers by below, laughing and pointing at the odd sight they were witnessing. You smiled down awkwardly before turning back to Ollie once more, “Why didn’t you call me?” Ollie whined as you began to tell him off, “Because I didn’t want you to find out…” “Oh so this was a better idea- Ah!” You squeaked as Ollie tumbled over the ledge and onto the balcony. Landing on your stomach in a tangle of limbs, “Your foot is up my butt!” “Yeah well it wouldn’t be if you hadn’t been being stupid! Anyway, get your elbow out of my eye!” “Oh I’m sorry, I was making sure I wasn’t about to fall to my death!” You shoved Ollie off of you and led there on your back, panting, Ollie much the same,

“For the record, you are the shittiest spiderman there is.” “Thanks, that’s really boosting my confidence.” “Glad I could help.”

♯ the resolution ⊹.∿ “We need more protection.” You announced loudly, stepping into the kitchen “Excuse me?!” Charles choked on his protein shake, cheeks turning pink and you heard Max snort on the phone, “God, no! You pervs… I meant like, we need protection from Ollie and his dumbass incidents.” Max cackled, “Charles has sent me the videos, I was dying at the dishwasher incident.” You groaned, crossing the room to stand next to Charles who sat at the breakfast bar. He grinned as you rolled your eyes at Max who you could now see was on facetime. “Yeah, well I’m turning grey way sooner than I should!” You joked. You chatted with Max a little longer before Charles signed off with the promise of joining him to game later.

You sighed, leaning against Charles’ side, “What’s wrong ma belle?” You took another breath and paused, “I’m just… worried about Ollie…” Charles put his arm around you and rubbed your back soothingly, “What has you so worried mon amour?” His expression was warm and you knew he wasn’t angry with you, rather genuinely curious, “I just feel like… maybe he isn’t ready to live on his own yet?” Charles nodded at you and you took that as a signal to continue, “I mean, he’s always had me there to help him and I know someday he’s gonna have to get used to me not being there but I just feel like right now…” You trailed off with a sigh, “He still needs you.” Charles finished and you gave him a grateful smile and nodded. “But, I don’t wanna leave you. I love living with you and having you around and I love just... living life with you. Am I selfish for not wanting to give that up?” You bit your lip, moving away from Charles to pace the kitchen floor. Charles shook his head with a fond smile,

“Ma belle… You’re not selfish for wanting to do something for yourself and I’m proud of you for wanting to pursue that, especially since it’s me you want,” he slid his arms around you as you stepped next to him and dragged you backwards to him, making you giggle, “but I also know that you want to be there for family and I can understand that, you guys are close, the same way that me and Thur are, probably even closer.” You hummed, leaning back against him, “Thank you for being so understanding.” You sighed, “Now I just need to work out how to fix it…” Charles smiled and turned you round in his arms, nudging your nose with his, “Well… we have a spare room?”

Which is how you found yourself hauling boxes upstairs a week later, “Jesus Ollie, what the hell is in here?” You wheezed out and Ollie simply smiled at you, patting you on the head as he walked past you, arms empty, “You’re so dramatic Y/N, it’s literally just a few bits.” You poked your tongue out at him as he mimicked your words from just a couple of months ago. “Is that it mate?” Charles head appeared from behind the apartment door and Ollie nodded, as you finally conquered the stairs and planted the box down on the hallway floor. “Now let’s go over the rules one more time Ols.” He sighed, “Fine…” “Rule one?” You crossed your arms and raised an eyebrow, “No dish soap in the dishwasher…” He grumbled, Charles chuckled, “Rule two?” “No cooking without supervision.” Ollie recited as you nodded, “Don’t worry, that rule applies to Charles too.” “Huh?!” “Shush baby, rule three?” You turned back to Ollie, “No watering the succulents unless instructed, no matter how sorry I feel for them.” You nodded, “I am not having a repeat of Gerald and the… funeral.” You shuddered, as Charles snorted before asking, “Rule four?” “Always call one of you two if I forget my keys…” “And?” You raised an eyebrow, “No climbing balconies under any circumstances.” You clapped your hands together and smiled, “Good! Well I can’t think of anything else, can you?”

You turned to Charles who shook his head and Ollie who just shrugged, “In that case, let’s go! Pizza for dinner sound good?” The three of you walked into the apartment and the door to the hallway swung shut, your arguments about pizza toppings muffled through the door, but the happiness and love you felt for each other not dulled in the slightest.

#mimi.writes #bear hugs series ˚ʚ🧸ɞ˚#f1 fic #f1 series #f1 fluff #f1 crack #ollie bearman x reader #ollie bearman x you #ollie bearman fluff #ollie bearman fic #charles leclerc x reader #charles leclerc fic #charles leclerc x you #charles leclerc fanfic #charles leclerc fluff #charles leclerc imagine #f1 oneshot #f1 fanfic

1K notes · View notes

doyoulikethissong-poll · 8 days

Text

Warren G featuring Nate Dogg - Regulate 1994

Warren G is an American rapper, record producer, and DJ known for his role in West Coast rap's 1990s ascent. A pioneer of G-funk, he attained mainstream success with the 1994 single "Regulate". He significantly helped Snoop Dogg's career during the latter's beginnings, also introducing him to Dr. Dre, who later signed Snoop Dogg. After the success of "Regulate", American singer and rapper Nate Dogg became a fixture in the West Coast hip hop genre, regularly working with Dr. Dre, Snoop Dogg, and Xzibit in the 1990s; his deep vocals became sought after for hooks, and he would expand to work with a larger variety of artists in the 2000s. As a featured artist, Nate charted 16 times on the Billboard Hot 100, and in 2003 reached number one via 50 Cent's "21 Questions". Nate Dogg also was notably featured on Dr. Dre's "The Next Episode" and Eminem's "'Till I Collapse" (poll #239). In 2015, Warren G released Regulate… G Funk Era, Part II, an EP featuring archived recordings of Nate Dogg, who died in 2011.

"Regulate" was released in the spring of 1994 as the first single on the soundtrack to the film Above the Rim and later Warren G's debut album, Regulate… G Funk Era. The album debuted at number 2 on the US Billboard 200 chart, selling 176,000 in its opening week. The single spent 18 weeks in the Top 40 of the Billboard Hot 100, with three weeks at number 2, and earned a Grammy nomination and a MTV Movie Award nomination. In 2017, "Regulate", certified platinum in 1994, went multi-platinum, propelled by digital downloads.

It employs a four-bar sample of the rhythm of Michael McDonald's song "I Keep Forgettin' (Every Time You're Near)", and also samples "Sign of the Times" by Bob James and "Let Me Ride" by Dr. Dre. "Regulate" starts with a read introduction referencing dialogue from the 1988 film Young Guns.

"Regulate" received a total of 75,7% yes votes! Previous Warren G polls: #20 "Prince Igor".

youtube

#finished #high votes #high yes #90s #warren g #nate dogg

807 notes · View notes

kingsandbastardz · 4 months

Text

So for basically my whole life I'd grown up with and was resigned to accept that the chinese concept of formal/nice clothing of my and the previous generation has been western clothes. So at any awards ceremonies or performances, entertainers would show up mostly in western suits/dresses and maaaaaybe you'll spot the occasional cheongsam if they're going for a Wong Fei Hong vibe. Which, you know, kinda sucks if you have any concept of western cultural imperialism in asia.

So when the hanfu revivalist movement started, I was waiting to see when it would enter the mainstream -- my hope was for fashion designers to integrate traditional/dynastic elements into their work and make it common place enough that I can buy this shit online for ME. Because I WANT.

Though some of the designs can be a bit hit or miss, I am LOVING what various stars and entertainers are wearing out and about now.

Anyway - here's a collection of Xiao Shunyao's modern hanfu inspired/hybridized stage outfits from the last couple years. For his MLC performances, his stylists seem to be borrowing inspiration from his Di Feisheng and possibly other character costume silhouettes.

I'd been seeing a few comments about how his outfits play with gender - and some of his outfits do! But I think the interesting thing to discuss is from which standard is he playing with gender? Because from a western perspective, the things he does with his western suit tops, belting on top of the jacket for a tightly cinched waist, and the addition of a trailing skirt = femme. But if you're talking from a hanfu-hybridized pov, that's just a modern take on hanfu and having any of those elements is not inherently femme and would often read masc to me.

So these things aren't necessarily gendered because they exist traditionally in chinese men's clothing or costume designs (ie video games, comics, historical fiction illustrations and film, etc, so therefore in the modern lexicon of masculine/acceptable for men):

presence or lack of a skirt

silky, velvety, gauzy or sparkly material choice, esp in formal or stage clothing

short or long length of skirt

embroidery

flowers/floral/bird designs

folding fans

certain styles of makeup

beading, gold, tassels, jewels

non-chunky jewelry

headbands

widely flowing silhouettes

What XSY's stylists are doing with some western clothing items are interesting. I'm convinced there have been one or two western jacket tops made of thinner material that they're folding over the front, and belting down instead of buttoning (which then matches with his other outfits that are designed specifically to do this). Then they're adding a skirt, cloak or bracer element to it.

The western portions often bring a military minimalist feel which they balance with a more gauzy material in the skirt or cloak portions.

Things I think are playing with gender:

row 1 - image 1: red di feisheng-inspired outfit

The lace-up girdle is there to match the bracers in both material and style. And it's positioned to be similar to the heavy belt that Di Feisheng wears. HOWEVER. That style of girdle/corset-like clothing item can't be divorced from the modern idea of sexy leather corsets. So imo, this waist piece on that outfit was a choice. Especially when paired with his allergic-to-collars-higher-than-his-sternum necklines. And if you take into context how masculine yet female coded his character is in the drama, the whole look evokes that.

row 2, image 1: black western suit with belt on top, hat, cloak, black boots and not-visible but also a black tassel fringe skirt

Hat and cloak moves the intention of the outfit from western toward a more Asian slant, because alone, it looks like a western black suit with western heeled boots, cinched waist with a lady's belt (seated photoshoot) and western style tassel skirt. The suit top consists of a vest and a shrug-like sleeve portion that appears masculine at first glance. But take the shrug and pair it with the tassel skirt (I can't find the red carpet photos but here is a better view of the skirt when seated), and I think you got a look that's both intentionally edging toward the femme in a western sense but also confusing matters by hiding within the parameters of both western and chinese traditional male styling.

row 2 - image 2 : white asymetrical western jacket styled in a front fold-over style, gauze skirt, trailing pearl embellishments

The more traditional leaning version of this is the white outfit in row 3 that he wears to the Hi6 Hello Saturday variety show -- the skirt portion on that outfit is one I'd consider non-gendered. Row 1, images 2 and 3 are examples of masculine/neutral uses of gauze that plays with flow of form but isn't inherently femme. This stage outfit is very western-appearing masculine suiting, until you hit the skirt which is giving me long ballerina tie-on skirt with the additional swan/mermaid pearl strings. Imo, another example of deliberately using traditional masculine styling but switching it up with the combination of material choice and make that is feminine.

row 2, image 3: black space military boots, black suiting, black -silver ombre sequin trailing skirt and white gauzy shawl with black floral design

The over all design is going for a masculine military-feel. (think this outfit for shen langhun) But instead of a thicker military cloak, it's replaced with a woman's gauze shawl and a skirt that trails behind him very much like the back of a woman's formal fish-tail gown when he moves around. If you take into context Wang Herun's outfit is a white-silver sequined dress cut in a way to also give a space-military-queen vibe, imo they both coordinated their outfits to balance out with both femme and masc qualities.

Thoughts? I'm curious what others think about this.

While I wait for the CNY photoshoot for XSY's red and black look, here's him with his stage collaborators with a nice range of skirt lengths, period influences and material choices. The woman in the center is the one with the most military-fighter design out of the bunch. The dudes are all in variations of formal-wear-with-good-kicking-boots (and lots of crotch space).

#xiao shunyao #mysterious lotus casebook cast #my royal ramblings #fashion #chinese fashion #gendered fashion in cultural context

2K notes · View notes

timetravellingkitty · 4 months

Text

KASHMIR MASTERLIST

Background

History of Kashmir from 250 BC to 1947 [to understand Kashmir's multi religious history and how we got to 1947]

Broad timeline of events from 1947 to the abrogation of Article 370 of the Indian Constitution in 2019 (BBC) [yes, BBC. hang on just this once]

Human Rights Watch report based on a visit to Indian controlled Kashmir in 1998 [has a summary, background, human rights abuses and recommendations]

Another concise summary of the issue

Sites to check out

Kashmir Action - news and readings

The Kashmiriyat - independent news site about ongoings in Kashmir

FreePressKashmir - same thing as previous

Kashmir Law and Justice Project - analysis of international law as it applies to Kashmir

Stand with Kashmir - awareness, run by diaspora Kashmiris (both Pandit and Muslim)

These two for more readings and resources on Kashmir: note that the petitions and donation links are from 2019 and also has explainers on the background (x) (x)

To read

Do You Remember Kunan Poshpora? - about women in the Kashmiri resistance movement and the 1991 mass rape of Kashmiri women in the twin villages of Kunan and Poshpora by Indian armed forces

Until My Freedom Has Come: The New Intifada in Kashmir - a compliation of writings about the lives of Kashmiris under Indian domination

Colonizing Kashmir: State Building under Indian Occupation - how Kashmir was made "integral" to the Indian state and examines state-building policies (excerpt)

Resisting Occupation in Kashmir - about the social and legal dimensions of India's occupation

On India's scapegoating of Kashmiri Pandits, both by Kashmiri Pandits (x) (x)

Of Gardens and Graves - translations of Kashmiri poems

Social media

kashiirkoor

museumofkashmir

kashmirpopart

posh_baahar

readingkashmir

standwithkashmir and their backup account standwithkashmir2 (main account is banned in India wonder why)

kashmirlawjustice

kashmirawareness

jammugenocide (awareness about the 1947 genocide abetted by Maharaja Hari Singh and the RSS)

To watch

Jashn-e-Azadi: How We Celebrate Freedom parts 1 and 2 - a documentary about the Kashmiri freedom struggle (filmed by a Kashmiri Pandit)

Paradise Lost - BBC documentary about how India and Pakistan's dispute over the valley has affected the people

Kashmir - Valley of Tears - the exhaustion with the conflict in the post nineties

In the Shade of Fallen Chinar - art as a form of Kashmiri resistance

Human rights violations (x) (x) (x) (x) (x)

Land theft and dispossession (x) (x) (x) (x) (x) (x)

A note: I know annoying Desis are going to see this and go "Oh but Kashmir is Pakistan's because-" and "Kashmir is an integral part of India because-". I must make my stance clear: Kashmir belongs to the Kashmiris, the natives, no matter what religion they belong to. Neither Pakistan nor India get to decide the matter of Kashmiri sovereignty. The reasons given by both parties as to why Kashmir should be a part of either nation are bullshit. The United Nations itself recognises Kashmir as a disputed region, so I will not entertain dumbfuckery. I highly encourage fellow Indians especially to take the time to go through and properly understand the violence the government enacts on Kashmiris. I've also included links to learn more about Kashmiri culture because really, what do the rest of us know about it? Culturally and linguistically Kashmir differs so much from the rest of India and Pakistan (also the amount of fetishization of Kashmiri women...yikes). This is not just a bilateral issue between these two nations over land, this actually affects the people of Kashmir. And if you're still here, thank you for reading

#this took a month of my life i'm not even kidding #ANYWAYS. hi. here you go.#kashmir #india #resources #important #history

1K notes · View notes

thenightling · 7 months

Text

For those keeping score here are all the TV shows based on the work of Neil Gaiman from the last ten years. Lucifer - Loosely based on the version of Lucifer who quits ruling Hell and opens a piano bar, from The Sandman comics by Neil Gaiman. Originally aired on Fox and then moved to Netflix for seasons 4 through 6. Neil Gaiman also got to play God in a bonus episode for season 3. The full series can be watched on Netflix. And is available on DVD. The plot deals with Lucifer, the ruler of Hell, up and quitting and moving to Earth where he opens a night club called Lux and takes up playing piano. In the TV series he befriends (and eventually falls in love with) a woman homicide detective named Chloe Decker.

_______________________ American Gods - Based on the novel by Neil Gaiman. Aired on Starz. The plot deals with a man called Shadow Moon who gets dragged into the strange world of Old and New Gods vying for power.

________________ Anansi Boys - Originally written by Neil Gaiman as a spin-off of American Gods, the TV series version was filmed for Amazon Prime and is currently in post-production (Not yet released.) The plot deals with the sons of Anansi, the African trickster Spider-God.

__________________ Good Omens - Showrun by Neil Gaiman and based on the novel by Neil Gaiman and Terry Pratchett. Also Neil Gaiman has a small cameo in the first season. Available now on Amazon Prime. Seasons 1 and 2 are complete. Season 3 has not yet started filming and will very likely be the final season. Season 1 is currently available on DVD. The plot deals with two "differently competent" entities, an Angel and a Demon, who have come to love life on Earth and each other. And now must work together to prevent the apocalypse.

______________________________ The Sandman - First episode was co-written by Neil Gaiman, based on the stories and original characters created by Neil Gaiman with a few borrowed DC comics characters. Currently on Netflix. Season 2 is in production now. Neil Gaiman also voiced a ghostly bird in the bonus episode segment Dream of a Thousand Cats. Season 1 will be available on DVD and Blu Ray at the end of this month. The plot deals with Morpheus, the King of Dreams, who accidentally gets summoned and captured by occultists who had been trying to capture The Grim Reaper. After over a hundred and six years in captivity Morpheus finally escapes and has to track down his tools which had been taken from him when he was captured. He also comes to realize he had made many terrible mistakes in the past and struggles to set those wrongs right.

_________________________________________ The Dead Boy Detectives - First official spin-off of The Sandman. The Dead Boy Detectives were originally planned as an HBO Max series (now just Max) but moved to Netflix after the success of the first season of The Sandman. Based on characters who first appeared in Neil Gaiman's The Sandman: Season of Mists, Neil Gaiman is involved in the production. The plot is a pair of ghost teenagers decide to become detectives and are really bad at it. These two characters made a previous appearance in Doom Patrol on Max (Formerly HBO Max) but had been played by different actors.

#Neil Gaiman #Good Omens #American Gods #Anansi Boys #The Sandman #Dead Boy Detectives #Lucifer #Lucifer Morningstar #Sandman #Morpheus #Dream of The Endless

2K notes · View notes

poirott · 9 months

Text

Detective vs. psychic medium

A HAUNTING IN VENICE (2023), dir. Kenneth Branagh

162 notes · View notes

fuckyeahgoodomens · 2 months

Text

Good Omens filming locations masterpost! ❤ 🐍😊 Part 2

(here to part 1 :))

Here to the map :)

Others in England (cont):

Tadfield Manor (S01E01, S01E02) - Bulstrode, Gerrards Cross

Scene: The Tadfield Manor where the satanic nuns run the hospital in the first episode and Aziraphale and Crowley visit in the second episode

Availability (as of 2024): The manor has been in private hands since 2016 - in 2023 sold again, I didn't find on the internet that it would be available to visit in any form, the manor is not visitble from the public road.

Link on the map

Four Horsemen meeting (S01E05) – Old School Cafe, Longcross Road B386

Scene: The cafe where Four Horsemen meet

Availability (as of 2024): street all day, the cafe Mon-Fri 7:30-15:00, Sat-Sun 8:30-15:00

Link on the map

Heaven middle floors (S01E01, S01E03, S01E04, S01E05) - Weybridge Business Park, Addlestone

Scene: The Heaven middle floors scenes in season 1 were filmed here

Availability (as of 2024): The places can be sort of seen from the street but I don't think that visiting is possible

Link on the map

Pollution by the river (S01E04) – River Wey Navigation, Guildford

Scene: The International Express Man delivers the package to Pollution

(fun fact: this one was the harderst one to pin down the exact location, I only knew bc of an article that the schooting took place by "Wey Navigation" which is a river long 32km (miles), I tried to find a better mention or through google maps comparing place for a long time but couldn't, finally I wrote to the River Way Navigation organization on facebook but they had no record of the shooting. Finally, in one of the photos I noticed that in the background there is a footbridge that I saw a photo of a similar footbridge while searching on a history of Wey Navigation river on the UK National Trust page and fortunately the previous mentioned facebook page knew where it was, WAHOO! :))

Availability (as of 2024): all day

Link on the map

Hogback Wood (S01E01, S01E02, S01E04, S01E05) - Painshill Park, Cobham

Scene: The Hogback Wood where The Them play, seen in several episodes.

Availability (as of 2024): The entrance to the park is paid (£11 with prebooking online on https://painshill.co.uk/visit-us/ticket-prices-booking/) They open at 10 and close at 16-18 depending on the season. The World Word II crater they shot the main scene at should be in the west-south tip of the park. The whole path there and back is 4km (2,5 miles).

Link on the map

International Express Man's house (S01E04) - Shetland Close, Guildford

Scene: The International Express Man leaves the house to make deliveries

Availability (as of 2024): street all day

Link on the map

Agnes Nutter's village (S01E02) - Weald & Downland Living Museum, Chichester

Scene: The Agnes Nutter's village in episode two. In the map I highlighted which part we see the villagers and Witchfinder Major Pulsifer to through in the show.

Availability (as of 2024): The entrance fee is paid (£15.50 for an adult ticket prebooked online https://www.wealddown.co.uk/), it opens at 10 and closes at 16-17 depending on the month.

Link on the map

Tadfield Air Base (S01E05, S01E06) - RAF Upper Heyford, Bicester

Scene: For the shooting of the Tadfield Air Base the former RAF Upper Heyford was used, by the examining the google maps and screenshots from the series I think that the area labeled as 'Shelter 9' was used.

Availability (as of 2024): The place is no longer used by RAF purposes, there are several companies that use certain areas it but it is not available for public. The Upper Heyford Heritage though organizes (paid - £25.00) tours through the airbase: http://www.upperheyfordheritage.co.uk/home-page/tour-booking/

Link on the map

Soho (S1) – Bovingdon Airfield Studios

Scene: The Aziraphale's bookshop and Soho in season one were built at Bovingdon Airfield Studios

Availability (as of 2024): The studios can be rented but I don't think they are publicly available – the Soho is not there anymore though, it is now build in studios in Scotland.

Link on the map

The motorway on fire (S01E05) - M96 Training Motorway at Fire Service College, Moreton-in-Marsh

Scene: The motorway on fire when Crowley is heading for Tadfield was filmed at M95 Training Motorway at Fire Service College that is usually used for training emergency service professionals

Availability (as of 2024): Not publicly available.

Link on the map

South Africa:

The 1941 church (S01E03) - St. Saviour's Church, Claremont, Cape Town

Scene: The scene in Season 1 where Aziraphale is outsmarted by the Nazis and is saved by Crowley

Availability (as of 2024): Their facebook says Always open

Link on the map

Famine at a fancy restaurant (S01E03) - Mutual Heights building, Cape Town

Scene: The restaurant where we meet Famine for the first time

Availability (as of 2024): It is a building with flats, offices and a reception, not available to public.

Link on the map

Crowley in a cinema (S01E04) - Joseph Stone Auditorium, Cape Town

Scene: Crowley in a cinema (with Neil Gaiman cameo) watching animated rabbits when Hastur interrupts

Availability (as of 2024): Not publicly available as such but they there are presentations and and such happening there https://www.facebook.com/josephstone1968/

Link on the map

Aziraphale dancing gavotte (S01E04) - Casa Labia, Cape Town

Scene: Aziraphale dancing gavotte in a discreet gentlemen's club in Portland Place in the late 1880s was filmed at Casa Labia in Cape Town

Availability (as of 2024): Casa labia is hotel and a restaurant so it can be visited in that way https://www.casalabia.com/

Link on the map

Anathema's child home (S01E02) - Llandudno Rock Villa, Cape Town

Scene: The home which we see Anathema as a child with The Book (in the show it's Malibu, California)

Availability (as of 2024): street all day, the villa itself seems that it can be rented

Link on the map

Eden desert and ep6 time bubble desert (S01E01,S01E06) – Atlantis Dunes, Cape Town

Scene: The Eden desert scenes and the time bubble with Adam and AC were filmed in the Atlantis Dunes at the outskirts of Cape Town

Availability (as of 2024): The Atlantis Dunes – or Witzands Aquifer Conservation Area – is a protected natural area. Biking adventures can be booked through https://atlantisdunes.com/ or also other activities through https://www.capetown.gov.za/Family%20and%20home/see-all-city-facilities/our-recreational-facilities/Nature%20reserves/Witzands%20Aquifer%20Nature%20Reserve

Link on the map

The apple tree in the Garden of Eden (S01E01) - Waterfall Valley (formerly Cascade Country Manor), Paarl

Scene: The Eden apple tree with the waterfall in the background was filmed at the retreat Waterfall Valley (then Cascade Country Manor) (the tree was added by the film crew for the scene)

Availability (as of 2024): I am not sure if you can visit the waterfall like that or you have to be a guest in the restreat. The retreat is available for booking: https://www.waterfallvalley.online/

Link on the map

There were other scenes also filmed at South Africa (thought not specified exactly where): Hell was filmed in Cape Town in a former abattoir. The Noah’s Ark scene and the Crucifixion scene were filmed on a windswept plain just outside Cape Town. Also the Meggido scenes. The entire village used for the scene with War causing mayhem in an african village is in fact a set, built on scrubland over a sand mine just outside Cape Town. The French Revolution scene wa shot on a set that had been used twenty-four hours earlier for the scene in Ancient Rome. Famine visiting a burger place with Elvis was shot on a set in Cape Town. Also some scene's in Anathema's cottage with Anathema and Newt.

SEASON 2

Most of season 2 has been shot inside the film studio in Bathgate (f.e. the whole Soho has been built there), the Hell in S2 has been shot in an old disused factory (not specififed which one). The shots of the Edinburgh castle have been shot from the top of the The Caledonian hotel.

Edinburgh:

Crowley and Shax in St James's Park (S02E01) – Inverleith Park, Edinburgh

Scene: Crowley and Shax meet to discuss the news in St James's Park – the scene though was actually filmed in Scotland.

Availability (as of 2024): All day

Link on the map

The place where Crowley parks the Bentley (S02E01, S02E02) – Circus Lane, Edinburgh

Scene: The place Crowley goes to to park the Bentley and sleep there

Availability (as of 2024): street all day

Link on the map

AC and Elspeth in Edinburgh (S02E03) - Moray Place, Edinburgh

Scene: Aziraphale, Crowley and Elspeth are taking the first "pickled herring" to be sold, Aziraphale and Crowley are debating good and evil

Availability (as of 2024): street all day

Link on the map

Detective Aziraphale parks the Bentley (S02E03) – Victoria Street, Edinburgh

Scene: Aziraphale arrives in the Bentley and happily goes to investigate

Availability (as of 2024): street all day

Link on the map

The Resurrectionist (S02E03, S02E06) - Cask and Barrel, Edinburgh

Scene: Aziraphale goes to investigate to The Resurrectionist bar (also in Gabriel's memories with Beelzebub) – filmed in the Cask and Barrel bar

Availability (as of 2024): outside all day, inside 12-24, Fri-Sat 12-1

Link on the map

Stirling:

Edinburgh cementery (S02E03) - Old Town Cemetery, Stirling

Scene: The cemetery in episode 3 was filmed at the Stirling cemetery (grave, some gravestones, Gabriel's statue and the crypt has been added by the crew for the shooting)

Availability (as of 2024): all day

Link on the map

AC and Elspeth going through Edinburgh (S02E03) – Broad Street, Stirling

Scene: Aziraphale, Crowley and Elspeth going through Edinburgh while Aziraphale is trying to persuade her that she could do something else

Availability (as of 2024): street all day

Link on the map

Meeting Wee Morag (S02E03) - Mar's Wark, Stirling

Scene: The small corridor behind the gate where Wee Morag is staying

Availability (as of 2024): The front all day, the corridor if not through the gate then hopefully from the other side

Link on the map

Others in Scotland:

AC drinking whiskey with Mr Darlymple and the corridor to Mr Darlymple (S02E03) – Hopetoun House, Queensferry

Scene: Aziraphale and Crowley drinking whisky with Mr Darlymple while he explains why he needs fresh dead bodies also at the house has been filmed the corridor reading to Mr Darlymple

Availability (as of 2024): Hopetoun is visitable, Friday 29 March 2024 to Sunday 29 September 2024 Open 5 days per week (Thursday – Monday) from 11am to 5pm, £13.50 for an adult ticket for House and Grounds (to see both), or £13.50 for Grounds (to see the corridor)

Link on the map

The Windmill Theatre in 1941 (S02E04) - Hippodrome Cinema, Bo'ness

Scene: The theatre that Crowley delivered the broken alcohol to and Aziraphale performed the bullet catch

Availability (as of 2024): You can visit the cinema for a movie or an event https://www.hippodromecinema.co.uk/whats-on/

Link on the map

Soho and more (S2) - The Pyramids Studio, Bathgate

Scene: The S2 Soho has been built in the Bathgate studio, also there were built and shot many other scenes

Availability (as of 2024): It is not available to visit for public

Link on the map

London:

Possibly only streets were filmed and the Bentley was added with VFX.

C on the way to A after A calls him (S02E01) - Wardour Street, London

Scene: Crowley on the way to Aziraphale after Aziraphale calls him (to tell him about Gabriel)

Availability (as of 2024): street all day

Link on the map

C rushing to A after Beelzebub's visit (S02E01) - Regent Street St James's, London

Scene: Crowley rushing to Aziraphale after Beelzebub told with that anyone who will be find helping Gabriel will be dealt with extreme sanctions

Availability (as of 2024): street all day

Link on the map

Whew! This masterpost took me several weeks, hope you enjoyed it and it might help you plan your trip to see the Good Omens places! :) ❤ 🐍😊 Wahoo! :)

#good omens #bts #filming locations #fun fact #masterposts #filming locations masterpost #long post

719 notes · View notes

calumfmu · 3 months

Text

sugar coated melting.

Being assistant to the famous Steve Harrington wasn't an easy task, he was demanding as ever and made sure he was nice to everyone but you. But a job was a job, and it was the cost of working in Hollywood.

Famous!Steve Harrington x Assistant!reader (modern!au, with 40's Steve) 7.5k+ words

cw: older Steve Harrington, smut, loss of virginity, inexperienced!reader, AFAB reader, angst (what's new), mentions of death, swearing, 18+, mdni

Working with one of the most famous actors in the world was draining, exhausting, taxing, everything you could negatively describe. He was such a high maintenance person, he made your job seem like a constant boot camp run for the Navy Seals. Your best friend had cackled at that supply of information.

Steve wasn’t a bad person, no. He was handsome (obviously, he had been voted most handsome of the previous 2 years in a row), kind (to most people—who weren’t you), and compassionate (he let you eat his leftovers that one time you had gotten stuck on set for 16 straight hours). You were getting paid to say nice things about him if anyone had asked.

Life working as his head assistant was just a drag. It was everything you had dreamed of doing when you were a kid, working in Hollywood with big A-listers, attending red carpets, seeing the way movies worked. The job wasn’t the problem, it… was him.

A script was shoved into your hands as you thought of giving it to the man. The look on his face was burned into the back of your mind, irritation crossing his features as you imagined giving him the bad news. He always took things out on you, attitude forward as he said some slick remark.

Last minute script change, typical of productions like these. Something that anyone could expect while working on these things. Anyone with a normal level of patience would handle it well, take it with stride.

Your fingers rapped against the trailer door, aluminum warm to the touch from the sun beating down on it. Movement sounded behind the door, mumbling a few words out at you.

The door swung open, Steve rubbing at his eyes with his hair sticking in every direction. Fuck, he was asleep. It made it so much worse delivering the news.

“Heyyy, boss,” you beamed, voice raising a few octaves. You held out the script to him, cringing slightly. “Nothing too crazy, just a sliight chan-”

“No,” the door slammed in your face, your eyes closing as the bright reflection shone on you. Your smile immediately dropped, the reflection of your face on the white aluminum door looking back at you.

Red seethed through you, frustration prickling at the back of your neck. You knocked again, this day becoming even longer with each passing second.

“Mr. Harrington.” You were met with silence, ear pressing to the door to hear any movement. You waited a beat, knocking more urgently.

“Don’t want it, tell them no,” he grumbled behind the door, his voice sounded across the trailer, muffled through the closed door.

You took a deep breath, trying to find the patience to not go off on him. You were his assistant, not his agent, not the director of the film, not anything else. What did he realistically think you were going to do about a script change?

“‘M just delivering it, Mr. Harrington.” Your voice was level. “I don’t even think it’s your lines that changed.”

A faint note of music came through the door, Steve deciding to tune you out. Looking towards the sky, you squinted, finding prayer between the clouds.

“Mr. Harrington!”

Another PA walked by you, speaking into the earpiece she had with a clipboard in hand. You raised a hand to greet her, faux smile crossing your lips as you pretended everything was okay. She waved back, making her way in between the trailers and out of your eyesight.

As soon as she disappeared, your fist came up to bang at the door, louder than before.

It opened in the middle of your fit, you nearly stumbled into the trailer. You cut your eyes at your boss, biting your tongue at the swear words that threatened to come out.

The man was well past 30 years old, but still acted like a spoiled brat.

“Fine,” he said through his teeth, grabbing the stack of papers from your hand. He barely glanced at it before tossing it on the small couch behind him. Your eyes followed it, noticing the mess of bottles on the floor around it.

He followed your gaze with his own eyes, stepping into your eyesight as he closed the door slightly.

“Anything else, Yn?” A pinch of attitude at your name. Typical.

You smiled at the man, frustration disappearing as you were just grateful this episode of his didn’t last as long as it did last week.

“No, sir, that would be it for me,” you gave him a slightly bow, clasping your hands in front of you before swiveling on your heel. Descending the mini set of stairs, you rolled your eyes, back to him as you descended. “Fucking twat.”

“I heard that!” His voice was far behind you, your feet moving fast across the blacktops. You smiled back at him, waving as confusion crossed your features.

“Sorry sir, I said it was fucking hot!” You lied straight through your teeth. “Outside, you know? Pardon my language.”

You rolled your eyes once more, turning back on your mission to get back inside the building. You and him both knew what you said, but you didn’t have it in you to care. Nothing you did would get you fired, trust, have you tried.

It was like you were in your own personal Purgatory. You assumed Steve liked you, he wouldn’t fire you even on your worst days. You had fucked up many times, forgetting things, slipping up on his to do list, calling the wrong people for the wrong events. More recently, he had heard the rude nicknames you had for him, and he just didn’t seem to care.

You had heard him one time, whisper under his breath about “best help in Hollywood”. It was sarcastic of course, his eye roll you’ve been well acquainted with to follow.

The last few weeks have been more of a hell for you, Steve becoming more temperamental and moody, you becoming the worst employee on planet Earth. You begged to be fired at this point, your shot at unemployment looking more and more appetizing.

A sudden ring cut through the air, your back pocket buzzing. Pulling it out, you nearly ripped your hair out, Steve’s contact popping up on the screen. I could ignore it, you thought. This could finally be my chance at escaping him.

Your thoughts were cut short, the phone ringing again as Steve's name popped up. He didn't even let the first one finish before trying you again.

"Oh, Mr. Harrington," you breathed, hand pressed into your brow as you answered. "Hi, sorry, sir. Did you need me?"

"Need you to come back," you heard him say, voice muffled as he seemed to be doing other things on the other side of the line. Your feet responded before your brain did, autopilot in motion. "Script's not fucking working, and I just-"

Something fell in the background, and your footsteps faltered. You ignored it, rolling your eyes yet again at his antics.

"Are you okay, sir?" You asked, seeing his trailer in the distance. One of the trailer windows had its blinds half up, he paced back and forth.

You approached it, listening to him as he rambled on the phone, speaking about how much he hated this director and his damn agent for giving him these roles. Fighting back laughter, you cosigned with him, not choosing to mention that this stupid role was worth $13 million.

You raised your fist to knock at the door, it swinging open before you could even make a noise. The three dial tones of the phone call ending rung in your ears, Steve grumbling at you to enter.

"A-are you sure, sir?" Hesitation filled you, you weren't used to stepping into his trailer. You think you'd been in it once during the last seven months of production, grabbing his left behind cell phone before they traveled to location.

Steve didn't look at you the whole time, just muttering words under his breath as he held the brand new scripts in his hand. He was pacing, feet burning holes in the carpet of the trailer.

You slowly stepped in, apprehensively closing the door behind you. Hands clasped in front of you, you stood in close proximity to the door, eyes shifting over the large trailer.

He had clothes thrown over one end of the vehicle, previous scripts sitting on the makeshift table, and a half full glass of a dark colored liquid next to it. You eyed it, brow furrowing as you swore this man had been sober for the past few years--or at least, that's what the news outlets said about him. Not like you kept up.

"Sir," you interjected his thoughts, causing him to stop in place. He still didn't look at you. "Why am I here?"

Curt answers were the easiest way for you to pretend to be nice to him. You knew you couldn't be outright rude, this was your boss after all. Saying stuff under your breath and if he accidentally heard was another thing.

He ignored you.

"How is this supposed to be the Oscar nomination when they have me acting like this?" He exhaled a small shout at the end of his words, your eyes squinting at the volume. "Does this make sense to you? It's like they want me to make a fool of myself, no?"

You shifted uncomfortably, glancing at the floor. "I'm not sure how you want me to answer that, sir."

He waited a moment, sighing loudly as he collapsed on the couch, arm thrown over his eyes. You looked at him then, seeing the way his chest heaved as he shook his eyes. The sun was setting now, golden hour lighting inching through the windows over his figure. His bed head was still wild, even more messy than it was previously.

"W-what would you like me to do, sir?" You asked, arms crossing over your chest as you felt the awkwardness creep into the air. This was the longest you had been in a room with him, at least, with no one around.

Glancing at the watch on your wrist, you took note of your 'shift' being almost over. It was a quarter to seven, your freedom lingering in the distance.

"Sir?"

"Enough!" He cut out, breaking his silence. You jumped at the words, ducking your head as his outburst came. This was the Steve you knew, the short tempered boss who was always so moody whenever things didn't go his way.

You opted for silence, not daring to speak as you awaited his next choice of words.

His arm left his face, palm running down his features as he stared into the ceiling of the trailer.

"Sorry, I just," his voice was significantly lower. He sat up on the edge of the couch, his palms resting on his thighs. "I just need you to take me home."

Your eyes closed briefly, irritation quickly crossing you as you realized this was going to be a longer day than you imagined. If Steve had needed you longer than you were scheduled, then so be it.

"Why?" The word wasn't supposed to come out, replacing the 'okay' that sat on the edge of your mouth.

His gaze cut to you quickly, searching your face as you stood there. Eyes burning slightly, you felt tears prickling. The pint of Ben & Jerry's ice cream, and Friends rerun marathon looking further away from you could bring you to tears.

"Because I employ you, do I not?" The harshness in his words did nothing but fuel the 'Hollywood Tell All' feature you planned for the day you quit.

"You do, sir, yes," You muttered, hands dropping to your side in defeat. "I just thought you'd drive yourself like normal. You know, day ends, and I'll see you here the next day, eight sharp like normal."

"I can't--no," he answered, standing up as he gathered his things. "I don't have to explain myself to you. You just need to take me home. You can drive my car."

The words to protest him were lost in your throat. You complied with his actions, eyes to the floor as he finished gathering his things. Following him out of the trailer, you sighed, feeling like you were walking into a lion's den.

The walk to the private lot was silent, Steve grumbling to himself as he texted someone on his phone. You noticed his phone ringing several times, his thumb finding the red button to end it each time. Curse words came out of his mouth every few seconds, a few from your own mouth being added to the mix as you thought of ways to leave.

As the two of you came across an old school beemer sitting deep in the parking lot, he threw the keys at you, settling into the passenger seat. Reluctantly, you slide in the driver's seat, feeling the leather interior beneath your fingers.

"Nice car, boss," You whispered, checking out how the car didn't even look a day out of 1985. Steve side eyed you, nodding at the compliment before returning to his phone.

"Get us there in one piece, yeah?"

You sucked your teeth as his comment, shaking your head before starting the car. It was like it was impossible for him to be a decent person. Here you were, doing something for this man which may or may not be in your contract, and he couldn't even say thank you to a compliment about his car.

The ride was silent save for an old tape that played in the car. Some band from the 80's you noted, a little too old for your taste. Steve's fingers tapped away at his phone, not focused on the LA traffic you sat in for most of the drive. He gave you directions to his swanky high rise, ignored you as you struggled to keep up with him.

You pulled into an underground garage, valet men coming immediately, opening the door for you as they took the keys. Everything happened in such fast motion, you barely noticed he was half way to the elevator. Jogging to catch up with him, you turned your own attention to your phone, thumb hovering over the Uber app.

Steve took a call, fingers rapidly pressing the elevator button as he spoke (yelled) at the person on the other end.

"No, Robin, I'm not doing that, okay?" He said, voice gruff as he glanced at you. You heard the static voice of the person on the other line, seeming to be yelling at him too.

The elevator dinged, the two of your bodies stepping in as the doors opened. The transportation app on your phone lagged, loading bar stagnant on your screen.

"No, I get it, it's been years. Fine, I-" Steve groaned in frustration, eyes repeatedly shifting over to you as you tried to tune out the phone call. You stared at the numbers the elevator passed, the first floor blinking by before you could say anything. Your phone remain in your hand, screen dimming as it began to time out.

"Robin. I know."

The voice on the other line picked up, the woman's voice growing even louder. Steve pulled the phone away from his ear slightly, grimacing at the volume. The elevator stopped at a floor labeled 'P', doors opening to a mini lobby that ended in double doors. He went over to unlock them, key fob in his hands as a beep sounded through the empty room.

As he stepped through them, phone balanced on his shoulder with his ear pressed to it, he looked at you. You stood right outside the elevator, doors closing behind you as you didn't know what to do.

He held open his front door, hand waving at you in frustration. "Well, are you coming in?"

You pressed your lips together, another wave of irritation pulling at your teeth. Eyes half rolling, you nodded, entering the doors as he closed and locked it behind you.

Steve moved fast, throwing his jacket over a couch that lay in the middle of the giant room, toeing off his shoes by its side. You stood in place, not sure what to do as your boss made his way around his home.

You took note of the place, not picturing that he would live in a place like this. It was modern, with a touch of old school fashion. Retro furniture, expensive nonetheless. Floor to ceiling windows, overlooking the city. However, not a touch of life, no personal pictures, no sign of family, or anything personal that may shine light on what type of person he truly was.

You stepped in further to the place, watching as Steve made his way to a cabinet in his kitchen. Observing him over the breakfast bar, you saw into the open kitchen, watched him as he grabbed a rocks glass and a bottle of something pushed far back into a cabinet.

He continued on the phone, placing it on speaker as he began to open the bottle. He struggled at first, face turning up as his hands twisted on the cap.

Slowly making your way around the room, you glanced around, expecting him to yell at you for even being here, despite inviting you in.

"Steve," you heard the voice on the other line say. His eyes drifted towards the phone, pouring a hefty shot. "All I'm saying is, I miss you. And care for you. I love you. I want you to be okay today, alright?"

Steve grunted in response, not noticing your proximity to him. You cleared your throat slightly, wanting to gain his attention.

The woman on the phone waited for more of a response. Once it was clear she wasn't going to get one, she sighed. "If you change your mind, you know where to find us."

"Yeah sure," his tone was rude, eyes boring into the glass of dark liquid that sat in front of him. His fingers danced at the rim.

"Eddie would've wanted you to come."

Steve's body language immediately stiffened, finger moving to hang up the phone before throwing back the shot of liquor. His face grimaced at the taste, slamming the glass back on the table.

You didn't know what to say, looking anywhere but at your boss.

"Fuck, I forgot you were even here," he suddenly said, hand running through his hair. His hand was on his hip, eyes glossy as he looked at you. You chewed at your bottom lip, nodding as he stared at you. He pointed to the alcohol, shrugging. "Drink?"

Declining, your head shook. "I don't drink, sir."

"Ahh," he said, grabbing the glass and bottle as he headed towards the couch. "Good girl."

He threw himself down on the furniture, exhaling loudly as he stretched out. His eyes were closed as you stood across the room.

"Hey, I-I think I'm gonna go," you said, beginning to walk towards the exit. "I'll see you tomorrow."

As you crossed the room, Steve's voice called out to you. Your movements stopped, turning on your heel to look at him.

"Stay?" He asked you, eyes huge as they looked in your direction. You took note of his features, blinking at him as he awaited your response. Your boss was approaching his 40's, however, in this moment, he looked just like a little kid. Pictures of him in his teen years you had seen on the Internet were pushed to the forefront of your mind.

"I don't think that's a good idea, Mr. Harrington," you muttered, wanting to leave the scene.

His eyes fell to the floor briefly before he spoke out, "Steve."

"Huh?" You were confused, this sudden change in his attitude.

"You can call me Steve," he said, shifting his body as he relaxed into the couch. "We've known each other for a few years now, figured we should might as well be on a first name basis."

Fighting back the eye roll, you were reminded in the ways your boss had made your life into chaos.

"I bet you a million dollars, you don't even know my name, sir."

His gaze softened, laughing out loud as your hard exterior slowly came back.

"Yn." He muttered, smile dancing at his mouth.

You didn't know what to say, stuck between dashing out of his apartment or staying and seeing what type of Steve Harrington you were going to get today.

"I figure I should apologize for the way I've acted today," he said, turning forward as his gaze left your way. You didn't know why, but your feet followed it, walking closer so you could sit next to him. Lowering your self on the couch, you felt self conscious, like he was going to snap any second.

You snorted, "Today?"

He was staring at the bottle of alcohol in front of him, smile still on his face. Laughing at your comment, he shrugged.

"I have been a dick, haven't I?" He whispered, shaking his head as the smile slowly dropped from his face. His voice dropped to a whisper, eyes unfocused as he stared in front of himself. "Such a fucking dick."

You didn't know why, but you felt the need to comfort the man. He was clearly going through something at the moment, if the look alone on his face was any tell.

"Hey, not too bad of one," you wanted to reach out to grab him.

"Don't lie," he laughed, head turning your way. His eyes met yours, deep brown staring into the color of yours. You noticed moles dotting his face, slight lines of aging covering his features. He was still youthful, his eyes telling the tale of a once young boy who was within. "I've been terrible. And you don't deserve that."

A pang hit your heart, feeling the weight of his words. You didn't really deserve his treatment. No matter if he paid you or not.

He continued his words, eyes staring past you. "And yet here I am, sitting here with my assistant. Drinking for the first time in years." A laugh bubbled out of him, hands running down his face as he leaned further back into the couch. "You know I'm supposed to be in Indiana right now?"

You shook your head, not wanting to interrupt him. Making yourself comfortable, you took off your shoes, slipping your feet underneath yourself.

"Well, I'm supposed to be in Indiana, it's the 20th anniversary of, uhm," his voice cracked, eyes welling up with a tear that was blinked back. "It's the anniversary of one of my friend's dying, and I'm not there."

Breath catching in your throat, you didn't know what to say.

"I'm sorry, sir," you muttered, hand reaching out to rest at his thigh. The touch was inappropriate, but so was this interaction you could say.

He looked down at your hand, watching your thumb as it brushed over his jeans.

"It's okay," he responded, eyes finding yours again. "It's been so long."

You nodded, eyes scanning his face as he forced the corners of his mouth to be turned into a smile. You saw right through it, recognizing the pain of a lost loved one straight through. "I don't think that matters."

His face dropped, sincerity crossing his features as he dipped to glance at your hand once more. Silence over took the two of you, the faint sounds of the streets of LA below you, Steve's staggered breathing as he willed himself not to cry. You were patient, finding comfort in the air as he found his words.

"We were all so young, and it feels so long ago, almost like it doesn't exist anymore," he finally said, voice even. "But I know it does. I just have to face it, I've been running from it ever since it happened."

He gestured to his surroundings, and the puzzle clicked into place. This fame and jerk persona that Steve carried himself in, hid the real him. He ran from all of his problems, like anyone else would, especially when dealing with something as traumatic like he had.

You didn't know the details, didn't care to ask, since it seemed to affect him so much. All you knew was that person who had passed so long ago did matter to him, in ways that you couldn't imagine.

Letting him continue his mumblings about the person he used to know, you found out that his name had been Eddie, the one you heard on the phone before. Robin, long time best friend of his, was trying to get him to come out to reconnect with everyone, he hadn't seen much of them since the 'accident', as he had called it. He kept in touch with everyone over the phone, but seeing them in person was a whole different story. It opened up old wounds that he was afraid of what it might bring out.

The story was slightly confusing, him mentioning something about how they all had nearly lost their lives, details that would leave you wondering what this man had gone through. None of this information was available about him in the public, his childhood always being a vague story that never connected.

"So you have kids then?" You questioned, confused on how you never picked up on this detail. There had to have been at least five of them, names you had never heard before now.

Steve laughed suddenly, shaking his head as his hand rested on your own thigh. The two of you were much closer now, as his story unfolded. Your thighs were touching, each other's hands on resting upon each other, mere inches away from your faces.

"No, I don't have any. I guess, I should stop calling them kids now, you know?" His laugh was low in his throat. "They have kids of their own at this point, so they're far from it."

"Oh..." You were dumbfounded, all of this information being at a loss to you. You weren't here to understand, just here to listen.

"You know what, I'm sorry," he suddenly said, removing his hand from your leg. You wanted to whine at the absence, cold replacing his warm touch. "Maybe you should go, actually. This is pretty, uhm..."

"Unprofessional?" You supplied, inching closer as your boss sat there, wide eyed looking at you. In the dark light of his apartment, you could see the way his brown eyes glimmered at you. "I guess we're even then, me calling you a twat earlier."

Steve cackled, pinching the bridge of his nose as he thought of the events earlier.

"I knew you said that!"

You blushed, fighting back your own smile.

"It's not my fault, you were acting like one." Your lips pursed together, observing the older man in front of you.

Silence crept over you, the first break in conversation since his phone call ended earlier. Steve stared at you, eyes darting over your features as his teeth scraped over his bottom lip. You felt shy under his gaze, not knowing what to think of the moment as your boss was closer in proximity than he had ever been in your life.

"Can I make it up to you?"

His voice was low, and you were nodding before you even knew what he meant. Grabbing your cheek in his hand, the man leaned forward, capturing your lips into his. The gasp in your throat was lost in his mouth, a shuttering moan coming out instead.

His lips were soft, slightly chapped as they moved against yours. Fluttering your eyes closed, you leaned into the kiss, moving your hand so it rest at the curve of his hip, belt loop curling in your fingers.

He tasted of whiskey, the remnants of the few shots he had earlier lingering on his tongue. Steve pulled away slightly, muttering, "This okay?" against your lips as you nodded, pulling him in by his hair with your other hand.

Your breath grew more shallow as the kiss continued, leaning back as Steve began to tower over you. He shifted in his seat, covering your body with his own as he began to push you back into the couch. His figure was large over yours, scent of vanilla and cedar nearly suffocating you.

With your back flush against the couch, Steve removed himself from your lips, pressing a slight kiss against your jaw. You arched into the touch, palms running over the tight muscle of his back.

"S-steve," you moaned, squeezing your eyes shut as his lips kissed over your neck. Each press of his mouth sent fireworks down your spine.

He returned his lips to yours, moving with a passion that was lacking previously, confidence replacing the apprehension he once felt.

Your legs spread, inviting him to nestle in between, the thick material of his jeans rubbing against your own. A bulge was present, the thought of what lay underneath sending goosebumps over your skin.

Steve was lost in the kiss, his mouth nipping at yours as he reached down to unbutton your pants, slipping a hand to run over the front of your panties.

"W-wait," you muttered, grabbing his wrist as you pulled away from the kiss. He was confused, mouth red and swollen. His fingers pressed at your covered clit, a small shot of pleasure running through you.

"What's wrong, Yn?" The hand connected to his elbow that propped him up, ran through your hair, tucking a strand behind your ear. Concern crossed his features, searching your face as doubt crossed it.

"I just, uhh," you felt shy, avoiding his eye contact as the words stumbled out. "I've never really done this before?"

His eyes bulged out, sitting up suddenly as he leaned over you. Closing your eyes in embarrassment, you pressed the palm of your hand to your forehead. Way to ruin the moment.

"Oh," he breathed, eyes wide as he scanned you. "We don't-- fuck, sorry. I'm so, uh, wow."

He stood up suddenly, leaving you laying on your back as embarrassment colored your cheeks. You didn't know what to say as the older man panicked.

"Maybe, uh, maybe this was a bad idea," he shook his head, hand reaching down to palm at the front of his pants. Your eyes followed his hand, noticing the prominent bulge.

You spoke out, shaking your head as you didn't make any effort to move. The turn of events tonight made you realize how much you did want the man who stood before you.

"No, we can, it's okay," you said, reaching out to grab his hand that hung by his side. He looked down at your grasp before bringing his eyes to meet yours. "It's alright."

He hesitated, sputtering over something to say.

"Steve, it's okay," you pulled him down, his knees straddling the sides of your hips as he reluctantly settled into the couch. His eyes ran over your body, lingering at the spot where your pants were unbuttoned, cotton panties exposed.

"A-are you sure?" He questioned, moving to lean back down over you. You nodded, leaning up on your elbows to press a chaste kiss to his lips. His tongue darted out, wetting your bottom lip.

A breathy moan escaped your mouth, palm caressing the front of his shirt.

"I want to, it's fine."

You knew it was now or never, this moment with your boss being an opportunity that you couldn't have passed up. You always had a crush on him growing up, the face of Hollywood you would see in your teen magazines, posters covering the room of your friends. Working for him would've never had you imagining that it would lead to this moment.

Steve took control of the situation, kissing down your neck as his hand returned between your legs, pants thrown across the room somewhere. It had happened so fast, you barely noticed the cool air that pulled goosebumps from your skin.

"Tell me if you want to stop, okay?" He muttered, freshly shaved stubble prickling against your chin. You could barely get out a moan as your underwear was pulled down your legs, catching at the crook of your ankles.

You felt his fingers brush over your folds, pressing lightly at the slick entrance. His thumb rubbed in small circles over your small bundle of nerves, an eye-rolling feeling that spread your legs apart. His fingers pushed inside, his own moan coming out over yours.

The feeling of the intrusion had you panting, spreading your legs wider while his thick fingers worked you.

"M-more," you begged, throwing your head back as his fingers found a rhythm. He stretched you out over two fingers at this point, thumb collecting slick as it rubbed over your clit.

Steve's fingers curled inside of you, brushing against your sweet spot deep inside. The look on his face was one of admiration, mouth slack as he looked down at you falling apart under his touch.

"That's okay?" His voice was husky, deep with arousal as your hips began to move in time with his fingers. Your orgasm was approaching, hips moving on their own accord as you chased that high.

"God, yes, Steve."

Pushing your shirt up past your bra, Steve gaped at the sight before him, your fingers dipping inside your bra to toy at your own breasts.

"You look so perfect, angel," he muttered, leaning down to capture your lips into his as you fell apart. That white blinding of your orgasm crept in, starting at the base of your spine and blossoming through your entire body. Against his mouth, you shouted out, squeezing your eyes shut as he fingered you through the high.

It took a minute for you to catch your breath, legs spasming from the shocks of the orgasm. You hissed at the over stimulation, Steve pressing into your clit one last time before removing himself from you.

You felt shy suddenly, the haze from the orgasm clearing as you realized you had just done unimaginable things with your boss. Seeming to read your mind, Steve pressed small kisses around the perimeter of your face.

"It's alright," he said, hovering over you. Against your thigh, you could feel his bulge rub against you. "How are you feeling, good?"

You nodded, words at a loss in your throat. You reached up to place a hand on his neck, the other at his waist as you played with the hem of his shirt. His eyes fluttered close briefly before glancing down at where you were slightly tugging his shirt up.

He made eye contact with you, chewing on his bottom lip. "I need words, angel. Gotta make sure everything is 100% okay, okay?"

"I'm alright, Steve," you gasped, looking down where your own hand rubbed at the exposed part of his abdomen. You needed more, wanted to feel him all over you. You began to pull his shirt over his body, watching as he glanced down at you with hooded eyes. "Just need more of you."

He slowly nodded, sitting back on his knees as he unbuttoned his own pants and slid them down his legs. You giggled at him as he struggled to get them off, the smoothness he had previously disappearing as he nearly toppled off the couch.

You pulled your own shirt and bra off of you, dropping them on the floor next to the couch. "Nice own, old man," you laughed, returning to your spot against the couch.

He frowned at you, lip jutting out in an over exaggerated pout. "Heeyy, I still got it."

You were left breathless, the laughter disappearing at the tip of your tongue as his figure returned to cover your body. The tip of his cock nudged at your entrance, the wetness pooling at the head leaving you gasping.

Steve reached down to rub his cock against the length of your cunt, spreading the slick all over as you arched into him.

"Fuuckk, Steve." You hooked your ankle over his hip, warmness pooling in your belly at the thought of him being inside you. His eyes raked over you, lingering on your nipples as they shook with each moan you gave.

"You sure about this, Yn?" He asked, leaning down to dart his tongue over the skin of your breast. It sent shivers down your spine, another wave of heat rushing to your core. "I don't want to do anything you'll regret."

"'M not gonna regret this," you gasped, feeling the way the head of his cock slightly pushed at you. It burned, fuck, he was big.

The slight intrusion had you gripping at his back, leaving crescent moon marks in the skin. Your breath came out ragged, a whine scratching at the back of your throat.

Steve grunted at you, pushing in slowly as he buried his head into your shoulder. He stopped every few inches, hips stuttering slightly as he fought back to urge to fuck back into you full force.

Being an all new feeling, you couldn't help but mewl at every burn of the stretch, a fullness you had never experienced before.

He pressed to the hilt, hips flush against yours as Steve gasped for air in tune with you. He pulled his head back to make eye contact with you, forehead resting against yours. You felt the slight grinding of his hips against yours, the fullness becoming too much as you were stretched over him.

"You gotta bare with me, baby." The nickname had you moaning, fingers reaching down to dig at the plumpness of his ass. You could barely keep your eyes open, senses overwhelmed with Steve. "'S been a while for me."

Nodding, you gasped as he reared his hips back before they stuttered into you again. The movement sent a wave of slick between your thighs again, pleasure blinding you.

He found his rhythm, hips fucking into you slowly, languidly as you fell apart beneath him. You rocked with every movement of his hips, hands running over the tan skin of his body above you.

Finding his lips, you moaned against his mouth, savoring the feeling that was building up in your abdomen as the two of you moved in sync.

Steve gave you words of affirmation, hips drilling into you over and over as his cock brushed over your deep bundle of nerves. Bliss approached you once more, wetness dripping all over him as you were brought to that high again.

"Gonna cum, Steve," you whispered against his mouth, back arching into him. He reached down between you, fingers toying at your clit as they began to rub in small circles.

"Cum for me baby," he breathed, voice low as your eyes rolled back. His voice brought you over the edge, high shout escaping your lips as that pleasure took over you again.

As he fucked your through your orgasm, his own approached, hips losing their rhythm as you felt his release deep inside you. A low groan of his came out, a breathy fuck being the last thing you remember before you closed your eyes.

Your body felt light, head foggy as you came down from your orgasm. It was pure bliss what you felt, heart pounding in your chest as sleep took over you.

You shot out of bed, frantically searching for your phone as you realized the sun was creeping through the curtains. Crisp, white sheets were pooled around you, swallowing you up whole.

"Fuck, fuck, fuck," you muttered, trying to search for your device in the darkness of the room. The dark curtains were drawn, only allowing a sliver of light in, but enough for you to realize how late in the morning it was.

As your eyes adjusted to the darkness, anxiety crept over you, realizing you weren't in your room. A tossing figure lay next to you, his body half covered as he rubbed the sleep from his eyes. In that moment, everything from last night came crashing back, embarrassment flooding your cheeks.

"Hey, Yn, what's wrong?" Steve's voice was groggy, as he blinked in the darkness of the room. He glanced towards the curtains and then to you, noticing the way you covered your frame with the corner of the sheet.

"What time is it?" You half shouted, looking on the bedside table for your phone. Steve was no help, slowly stretching out his limbs as he yawned.

"Too fucking early for you to be that loud," he muttered, sitting up on his elbows. The sheet pooled around his waist, exposing his bare abdomen and a deep V that cut below his waist.

You quickly looked away, blush deepening on your face. "We have to go, Ste-Mr. Harrington. We're gonna be in so much trouble."

You heard him chuckle at you, sighing as he relaxed once again in the bed. His arms circled your waist, pulling you down into him as you continued to panic. He lay behind you, your head resting on his chest as he buried his face into your shoulder.

"Shhh," he whispered, tightening his grip on your waist. "Called in today, came down with something apparently."

You shook your head, resting your hands on his where they rested on your stomach. "Can you even do that?"

"What are they gonna do? Fire me?" He laughed, pressing a light kiss to your shoulder. The anxiety that built up in your spine disappeared at his touch, the familiarity of his body replacing it. You turned in his arms, now chest to chest with the man.

His eyes were closed, sleepiness still evident over his features.

"Are you going to fire me?" You whispered at him, watching as his brow furrowed before he squinted open his eyes at you.

"What? No, what are you talking about?" He seemed genuinely confused at your question, hand rubbing at your waist. Relief took stake in your chest.

"I slept with my boss last night," you laughed at yourself, voice dropping even lower as you saw a smirk cross his face. He was smug, shaking his head with laughter as you playfully slapped at his chest.

"Pretty sure I'm the one with a lawsuit pending if anything," he said, laughter dying as you placed a small peck to his lips.

As you pulled away, he leaned into it further, tongue darting out to lick at yours. A wave of arousal pooled in the pit of your stomach.

He towered over you, mouth nipping at you as you sighed into the kiss. The two of you moved in sync, you moving onto your back as Steve leaned over your figure. A breathy moan escaped your lips, only to be cut off by his phone ringing.

"For fuck's sake," he grumbled, separating himself from you as he reached for it on his side of the bed. He answered it quickly, realizing it was his publicist as he placed it on speaker. "What d'you need, man?"

His lips returned to yours briefly, before kissing down your neck. The sheets were slowly pulled off of you as he made his way down, nipping at your chest, then your nipple, and soft kisses pressed to your stomach.

Your mouth fell open in a silent moan, trying to stay as quiet as possible as his publicist droned on about some appearance he had to make in the next week. Steve was staring up at you, making small confirmation 'mhm's' in response to the phone call. A coy smile was on the corners of your mouth as you looked down at him wide eyed.

'Stop' you mouthed through gritted teeth. He nipped at your hip bone in protest, shaking his head at you.

You couldn't tell if it was Steve's mouth pressing to your heat or the next word's of his publicist that made your stomach drop.

"While we're at it, Steve, how about we talk how Page Six has pictures of you with a mysterious somebody in your apartment building?" They grumbled, voice staticy as it came through the phone. You felt Steve smirk against you, tongue lapping between your legs. "Aren't we a little too old to bring people back to your own place like that?"

A moan escaped you as you gripped at his hair. Steve looked up at you, wide eyed as he reached up to slap a hand across your mouth. 'Shhh', he mouthed, his own laugh threatening to spill out as his publicist's voice faltered at the noise.

"St-steve?" It said, apprehension in the tone. "Are you doing what I think you're doing? Really, man?"

Steve laughed as his hand remained over your mouth, muffling the sounds of your own laughter. They would recognize it if they heard it. He grabbed the phone from where it lay abandon, speaking into it as his thumb hovered the 'end call'.

"Something came up, gotta take care of it," he grimaced at you as you licked his hand. "Bye!"

He hung up right as the voice protested, tossing his phone aside as he leaned over you once again. His long hair hung in his face, eyes raking over your naked body.

"Now... where were we?"

an: I had to sneak in a line from All of Us Strangers because that movie was so moving. If you know, you know. I promise one of these days, I won't make Steve an asshole right off the bat, he'll be lovable.

masterlist. inbox and requests are open!

#steve harrington #steve harrington x reader #steve harrington x you #steve harrington smut #fanfic #my writing #writing my dark fantasies and praying they come true to my alt universe self

869 notes · View notes

vetteltea · 6 months

Text

Max Verstappen and Secret Santa [no warnings]

Day 2 of the Vetteltea Advent Calendar

“Is this my one?” Your voice carries through the small barrage of producers and videographers, a camera transfixed onto your face as you lift the package, attempting to figure out what content was inside of the box.

You were exhausted; despite wrapping up the championship a month ago, simply focusing on obtaining more and more points for Red Bull Racing’s reputation, the tracks had been tough and jet lag increasingly aggravating. Abu Dhabi was the end of the road, one step closer to falling back home into your own bed. However, you could not hide the elation which fell onto your face as the Formula One media team had pulled you aside, letting you know it was time to film the reveal.

You had been so excited to purchase your present this year; Yuki was always a fantastic pick, having selected him a set of chef knives and a hat, printed with a photo of himself and Pierre. Now, as the deep blue box was handed into your grasp, you couldn’t help but feel your heart race, gently shaking the box, determined to figure out the content.

“It sounds…heavy?” You try to give the best description possible to the woman standing behind the camera, urging you to unwrap the present in your hands. The temptation overrides, slipping your fingers through the silky bow and beginning to unwrap the formal packaging. “Whoever wrapped this…” you trail off. “Got it wrapped professionally. I don’t think any of us could wrap a present this good.”

The paper eventually falls away, the camera adjusting as you place down the box upon the table, lifting the lid. Immediately, your eyes furrow together, and then soften in confusion, grasping around the item which you had been gifted.

There, laid upon a pile of soft purple tissue paper, rested a Polaroid camera. It was small, coloured an off-white and was almost identical to the previous one you had owned.

“What did you get?” The woman behind the camera had prompted, urging to get the content required for the Secret Santa video. Your trance upon the item is snapped away, blinking rapidly and looking up the lens trained on your reaction.

“It’s a Polaroid camera and a bunch of film!” You lift the camera, showing it to the team, the smile on your face ever-present. “I bring a Polaroid to every race and take a photo but…someone broke it.” Your mind flickers back to your teammate, how he had insisted he could take a photo for Zandervoot; it was his home race after all. He had been nothing but apologetic, though that wouldn’t bring back your camera.

“Who do you think got it for you? It must be someone who knows you well?” The woman prompts you to continue whilst your fingers trace over the device, elated that somebody must have understood the importance and value held to the memories you capture.

“I mean…” you trail off. “A lot of us are close. It has to be someone who knows I do it…Daniel, maybe?” You think about the smiley Australian; how the two of you had bonded over your love of taking photos during global travels. The synchronized shake of the team signified you must have been wrong. It wasn’t Daniel. “Maybe Pierre?” He was almost always insistent on being in your photos, after all.

“Think closer to home.” You misunderstand the woman for a moment, thinking of your neighbor in the city of Monte Carlo.

“Valtteri?” Though, you’re almost certain he wouldn’t have got you this. You’re so certain it’s time to give up, lifting the camera out of its box, your attention being drawn immediately to the small Polaroid card being left underneath the device.

There was a photo, a photo of a man holding up a white piece of card, his scrawling hand-writing undeniably recognisable. In lettering, he had spelt out one word, ‘date?’

There’s two more underneath, one with the driver holding a thumbs up, the other a thumbs down. You can’t help the grin returning to your face as you look up from the box, seeing his figure sitting a mere meter away from you, eyes trained on you, a smile on his face at the realization you had finally clocked.

“Max.” You finally solve the problem, subtly slipping one of the Polaroids into your hand as the team take a few establishing shots, thanking you for being part of their marketing and turning their attention to your teammate, adamant on filming his segment next.

Before they can, you subtly slide past his table, tracing his knuckles and resting the Polaroid in his lap, moving away before he can realize what has happened. Instead, he focused on the photograph in his hand, seeing his own figure staring back with a thumbs up.

The last thing he sees is you turning the corner, still clad in Red Bull Uniform, a subtle wink thrown in his direction as you leave him to unwrap his own present, undeniably thinking of unwrapping something better later.

#Max Verstappen #MV1 #MV33 #Max Verstappen x Reader #Max Verstappen Imagine #Max Verstappen One Shot #Max Verstappen x You #Reader Insert #F1 #Formula 1 #F1 x Reader #Max Verstappen Blurb #Max Verstappen x Y/N

1K notes · View notes

justhereforthemeta · 9 months

Text

Romantic expectations and the story we didn't see: A magic trick hiding in plain sight

Here's a hopeful meta for all my fellow celestial brainrot sufferers out there. Cheers! :)

This idea started as a dead end, trying to track the movements of Crowley’s sideburns/tattoo because I thought time travel shenanigans were afoot. I had to abandon that theory when it was pointed out that David was simultaneously filming as the sideburns-having Fourteenth Doctor, and in-universe Crowley can do whatever he wants with his facial hair whenever he feels like it. But hey - null findings are still findings!

On the bright side, pausing the show to make notations in a spreadsheet forced me to slow down and notice other changes I'd overlooked the first time around: acting choices, costuming choices, references to book lore. And possibly a few surreptitious flicks of the wrist, in places where we’re meant to be focused on the magician’s other hand.

@amuseoffyre and @ineffablefood had a great exchange recently about romance and “the significance of misdirection and three-in-one (magic) tricks” throughout the show. I suspect Neil has done something brilliant with the audience’s long-standing expectations (since the 1990s, really) for the love story between Crowley and Aziraphale to develop. And while it is a wonderful story indeed, playing to this expectation lets Neil distract his audience from the blink-and-you'll-miss-them seeds he's planting for the final chapter.

Continued below the cut...

Let’s start at the beginning of Episode 2. First, context: In the previous installment, Crowley stormed out of the bookshop, was whisked away to Hell by Beelzebub where he learns about the Book of Life threat to Aziraphale’s existence, then returned to the bookshop to dance a little apology dance and hide Gabriel with an unintentionally massive joint miracle. In S2E2, we and Shax catch up with Crowley as he's snoozing in the Bentley.

Shax: “You’re in trouble”

A. J. Crowley, cool as a cucumber: “Obviously. Former demon, hated by Heaven, loathed by Hell. How will our hero cope?”

Interesting! Sarcastic? Yes, absolutely; but that’s also a good 4500 years and an averted apocalypse away from “I’m a demon. I lie,” wouldn’t you say? Someone is sounding a whole lot less depressed and aimless and navel-gazey (do snakes have navels?), and a whole lot more like he’s got a project to focus on, since his "what's the point?" ruminations on the park bench in E1.

And of course we all noticed the costume change right away. Hello, black turtleneck. Feeling cute today, thought I’d cover up my graceful long neck? That sounds unlikely. Let’s put a pin in this one.

There’s also an interesting acting choice going on here. Crowley speaks to Shax in a funny, drawling, too-cool-for-you voice that we haven’t heard in a while. Specifically, not since 1967. If you go back and give the S1E3 scene in the Dirty Donkey a listen, you’ll hear it (and if you know of another instance of it that I've missed, please let me know!). In S2E2, he keeps up this odd voice (if anybody knows what kind of affect this is supposed to be, please do tell!) throughout this dialogue with Shax, except for the brief moment when she first surprises him about the joint miracle having been detected.

1967 was a fun year. Crowley masterminded a heist! And seemed like he was having a ball doing it, right up until his little caper was called off after Aziraphale brought him the thermos of holy water. Crowley spoke to his co-conspirators in that same funny, very 60’s-caper-film voice. He wore a hip 60’s turtleneck. He bought petrol for the only time ever, so he could get those sweet James Bond bullet hole decals for his car (per the book, seen on the Bentley in the show).

Those James Bond bullet hole decals would of course have been part of a promotion for this 1967 release, which you just know our film-enjoying demon went to see in the theater:

Starring this suave, be-turtlenecked guy:

And now - begging your forgiveness - a brief rant.

There are a number of posts out there that refer to Crowley’s S2E2 turtleneck as a flirtatious sartorial choice - actually, ‘slutty’ seems to be the favored accusation. There are even a few posts floating around commenting on how sweet it is that Crowley swaps out his slutty, kinky, throw-me-over-your-desk-and-take-me turtleneck for a more dressy and appropriate collared shirt specifically to attend Aziraphale’s Jane Austen ball.

Now this is all in good fun, and Crowley does indeed look fantastic here, and I do love a good fangirling sesh as much as the next person. However, fandom’s collective tendency to interpret what we are seeing on the screen through the lens of romantic expectation can, at times, give rise to a kind of blinkered enthusiasm that obscures the original text in a haze that is part Mandela Effect, part unrestrained horniness, and part in-group code talking and identity reinforcement.

Respectfully, Crowley’s black turtleneck does not appear at all in S2E5: The Ball. In fact, it never appears again after the end of S2E2.

For Someone’s sake, let’s collectively pull our heads out of the romantic fog/gutter for a moment and focus on what we are actually seeing in the book and on the screen. For Crowley, this is an uncharacteristic within-period costume change. There is a surreptitious flick of the wrist happening here, out in broad daylight, and we are all missing it.

So here’s a thing. Aziraphale appears to have settled comfortably into life on Earth, his neighborhood, his books, using Crowley as an outlet for sharing his good deeds that he would once have reported to Heaven. Meanwhile, at first glance, Crowley appears stuck in a rut. There he slouches on a park bench with Shax in S2E1: a guy who lives in his car, stagnantly clinging to old familiar habits, mulling over the pointlessness of it all.

Setting aside the bit about living in the Bentley (I’m going to attribute this to well-documented issues between him and Aziraphale, discussed in many other excellent metas, and move on), Crowley has at least two very good, proactive reasons for maintaining his contact with Hell through Shax. First and foremost, it’s a source of information he can use to keep ahead of potential threats to Aziraphale and himself.

But also, I would posit…he kinda likes it.

Recall that book GO was first conceived as a parody, with Aziraphale and Crowley as spy-against-spy (but not really) field operatives in an ages-old cold war between Heaven and Hell. Their entire book dynamic is rooted in the trope of two opposing agents who have been in the field for so long that they now have more in common with each other than with their respective head offices. Their St. James’s Park meetings among other spies and ministers trading secrets are a sendup of what was once a well-known Cold War-era cliché.

Our contemporary Crowley still likes slick outfits and hellaciously expensive watches and high-performing vintage cars and pens that write underwater while looking like they could break the speed limit. He coaches Shax on how to blend in as a demon on Earth, and he helpfully redirects the wayward contact looking for the Azerbaijani sector chief. He loves improvising and getting away with shenanigans under the institutional radar. And boy golly was he impressed with Jane Austen: master spy, brandy smuggler, and mastermind of the 1810 Clerkenwell Diamond Robbery.

And if you look at it a certain way, for as long as Crowley has considered himself to be on “[his] own side” - going at least as far back as Job - he could almost think of himself as a sort of double agent. It’s actually a very romantic sort of notion, befitting our hopeless romantic of a (professedly former) demon; but it’s romantic in a very different way than we, the audience, have been primed to watch for.

In other words, in a very “on my own side” kind of way, Crowley really gets a kick out of being a spy. Or at least, dressing up and accessorizing as one, and moonlighting as a good-doing double agent when he can get away with it. And also being a plotting criminal mastermind. Two sides of a coin, really. Just look at Jane Austen.

My point is: No, Crowley did not wait around for Shax to come find him in a turtleneck so that he could go flirt with Aziraphale later. He’ll flirt with Aziraphale no matter what. No, this:

is actually this:

Much like the one he wears to the Dirty Donkey in 1967:

whilst holy water heist-plotting. Here's a clearer shot with gratuitous Bentley, because I love them:

…and which he'll wear again, with appropriate camouflage, while infiltrating Heaven in S2E6:

That is the 1967 planning a HEIST turtleneck for committing ESPIONAGE and STEALING THINGS in. Because turtlenecks are what modern human master spies wear to get their hands dirty - after all, he saw it in a movie once.

Crowley dons his tactical turtleneck sometime during the first major break in the action (which doesn't happen until after the joint miracle to hide Gabriel) after he learns about the threat the Book of Life poses to Aziraphale. Loverboy started mentally preparing himself to go after that book immediately upon learning that it was in play as a genuine threat.

Now let’s pick up at the S2E2 Dirty Donkey scene, reading the story from this angle. Of course, Crowley enables Aziraphale’s delusions about Heaven by hiding information from him, and does not disclose the Book of Life threat when they meet again. They go into the pub, Aziraphale shamelessly paws Crowley’s chest like the seductive Bond Girl he is, and Crowley gets to act all smooth and suave and intimidating as he chases off the interloping Mr. Brown (or Mr. Collins for the Pride & Prejudice fans, take your pick).

Ergo, theory: beginning in S2E2, Crowley is already thinking of himself as a Jane Austen/James Bond action hero (“How will our hero cope?”), psyching himself up to rescue Aziraphale by getting his spy game on and stealing the Book of Life.

Now, watch closely...This is where Aziraphale and Crowley brainstorm their plans to solve the problem they both know about: getting Maggie and Nina to fall in love and thereby get Heaven off their backs. Crowley’s vavoom plan is drawn from yet another movie (“Get humans wet and staring into each other’s eyes - vavoom, sorted. I saw it in a Richard Curtis film.”). But Crowley also implicitly shares his solution to the problem he hasn’t told Aziraphale about. And true to form, Crowley’s Jane Austen solution isn’t the same as Aziraphale’s Jane Austen solution.

Two solutions that fail by the end of Season 2, and a secret third one that might still work...and there's our magic trick of three.

‘“I’m lost. Am I doing a rainstorm?” Yes, babe. And a heist, too - just not until season three. Can I get a wahoo!?

I won’t spend time on A Companion to Owls during this meta, except to note that in all three minisodes, we get to watch stories that involve Crowley acting as a double agent on “his/their own side” - successfully making Hell and Heaven think he’s fulfilling their will while saving Job’s goats and children; failing to fool Hell when he does a good deed in Edinburgh; and of course, collaborating with Aziraphale whilst evading detection as an infernal turncoat during the Blitz.

(Because this is getting long, I'll also skip over Crowley's interrogation of Jim in this episode - I'll probably come back to that in another meta. But interrogating is a rather spy-ish thing to do.)

When we catch up with Crowley again later, he’s already slipped out of the bookshop, having left Aziraphale to his biblical reverie about Job. He saunters snakily down Whickber Street as usual, but with a very pointed and swift glance over his shoulder (see pic above). This demon is up to something - possibly something we didn’t get to see, something that may have happened offscreen while he stepped out. In any case, knowing there’ve been unfriendly angels in the neighborhood that morning, he’s rightly concerned about being spied on.

From this point until the beginning of episode six, there isn’t a whole lot of opportunity for Crowley to make any next moves. He babysits the bookshop, during which time he manages to wring some crucial information out of Jim; he follows his Crowley’s Angel around like a puppy, and downs a bottle of red like a good old fashioned lovesick boy once that’s been pointed out to him. If any plotting or scheming is underway, this occult being is keeping stumm for now.

This has been a long one, so I’ll wrap up with Crowley’s infiltration of Heaven with Muriel. The turtleneck disguise works (Archer fans, be vindicated!) long enough to gather some information that will be crucial not just to the denouement of S2, but also to Crowley’s journey in S3 (previous post on Crowley's Fall, Saraqael, and memory wiping). And Aziraphale gets to enjoy that view exactly zero times. The point isn’t oh, a turtleneck! How flirty! So cunty! So cute! Y’all. Everything matters. The costume change was a deliberate choice. In-universe, Crowley’s decision to wear his special spy turtleneck for spying in is a signal that he is out doing spy things, even as we watch.

In sum: Beginning in S2E2 and continuing through the end of the season, Aziraphale and Crowley are actively living out the scripts of two parallel, concurrent, and completely different Jane Austen stories. But you and I, dear fellow audience member, we came here for a comedy with a hefty jigger of romance, and that’s what Neil gave us to focus on. And right up until the Final 15, that was the only story we saw.

Meanwhile, Special Agent A. J. Crowley doesn’t have time to mope around at the end of S2E6. He’s kicked down, but he’s not out. He's got a Book of Life to steal, a very serious bone to pick with a certain memory-wiping angel, and his Angel and the world to save.

“‘Heigh ho,’ said [romantic, optimist, former demon, hero, master spy] Anthony Crowley, and just drove anyway.”

#so honestly #I think the biggest mark against this conclusion is that Crowley sees his mirror Maggie taking a nap at the end of S2E6 #there is a strong chance of a depression nap before any further spying gets underway #but I am counting on Muriel to be a dorky ray of sunshine and snap him out of it with Clues #good omens #good omens meta #good omens 2 #crowley in a turtleneck #demon bookseller plantdad spy

2K notes · View notes