#fuck connection/connect/connecting

[et-in-arkadia]

this is such incredible advice for creating any kind of art i have to put it over here to remind myself

[garnet-xx-rose]

Yes, I’ve done the work analyzing this relationship’s problematic traits and I’ve come to the educated conclusion that I still want them to fuck

[ducktalk]

[ahaura]

A protestor self-immolated at the entrance of the Israeli consulate in Atlanta, and is reportedly in critical condition.

(Dec. 1)

[possamble]

Needlessly close reading and long commentary on chapter 57 and how the audience actually has an extremely limited view on what Marcille has been like over the course of her life.

I am once again thinking about how pre-dungeon Marcille is so quiet and stoic that she seems like a completely different person. How jarring chapter 57 is for the audience. Like you have Marcille, who has been just the most blindingly expressive person with resting baby face

And then the chapter drops a title page of Marcille hearing from Falin for the first time in four years and it's like.

Who is that. Genuinely. Would you even realize that's Marcille without the context clues?

And then the chapter just keeps coming in with the sucker punches.

We have SEEN Marcille meet strangers. It was never with this understated of a smile.

literally who the hell is this. the few times the audience gets to see some Signature Marcille Faces that they're used to is when she finally gets to see Falin again

when she's testing out her new spells

(and when Laios and Falin are fantasizing about her being their damsel in distress, funnily enough)

And then finally. Finally you get to a fully recognizable Marcille when she fucking DIES and comes back to life to geek out about necromancy.

We know she loves magic. We know she loves Falin. So it's not so surprising that she wouldn't be able to keep a mask up when thinking or talking about the things she loves. But why the mask in the first place? Where does it come from? It's tempting to think that, maybe, Falin's departure just hurt her so much that it turned her into a quiet person.

But that's only half true. If you go back, the first instance you see of this incredibly mild personality is actually introduced much earlier, in chapter 17.

What if she was always like that. What if her default after her father died was to hold people at arm's length, to never really emote past being polite and friendly. What if Falin was the first person who was able to bring her out of her shell, and when she left, Marcille just went back to how she was.

And when comparing her detached demeanour with someone else...

It's not exact, but wouldn't you say there's a resemblance? Wouldn't you think she might be trying her best to imitate what she saw of her own mother working as an accomplished mage?

It would certainly explain why she's hiding behind her portrait in her nightmare, at least.

We aren't told that Marcille has been distancing herself from everyone around her using a mature and dignified personality she modelled off her mother. But we sure as hell are shown it, I think.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[vonlipvig]

wordle: my wife of many, many years. simple, but reliable. knows that no matter what, i always come back to her.

connections: my mistress, exciting and unforgettable. a definite thrill, but puzzling, keeps playing with my head.

mini crossword: the woman i see on the train every day, our eyes meeting before she disembarks. alluring and promising, but fleeting.

strands: coworker i fuck in the storeroom, only to regret it later. weird, probably drunk. very flexible.

[panstarry]

my final from last semester that i made into a zine. cooked this one up in a couple hours before the critique (the ink was still wet!), so it's very raw and kind of sloppy but the sentiment is there. i love you trans people of color. we are the backbone of this community 🌟

[astradyke]

also must say i am REALLY fucking with this level of phandom-dan&phil interaction right now. the bits are immense. we are communicating. we are locked in a war of pettiness at all time. dan and phil have had to address several allegations including "we made our sims ugly" and "phil did not literally dox our house". idk. nature is healing and ive never felt so joyous being so annoying <333

[nova-rpv]

a redraw of the first drawing i posted here to celebrate the fact that ive been in tumblr for more than a whole year posting my shit and havent deleted my blog in panic yippee \:D/ (mushy rant in tags)

[mmm-asbestos]

thinking about hospital and university underground tunnels....

there is something about them....

[ot3]

trans phoenix is a headcanon i can take or leave at the end of the day. but whats important to me is that in a world where phoenix is trans i need edgeworth to have no idea. phoenix Thinks edgeworth knows because they went to elementary school together and phoenix was a girl back then. but edgeworth just assumed he was misremembering because he has approximately 5 total childhood memories that are each around 20-40% accurate and has always been too embarrassed to bring the misconception up since it's not particularly relevant.

[astroturf-enthusiast]

The Ties that Bind, and the Light that Beckons

[nogodsnomorales]

This took me 2 hours to make i almost passed outn2 tikmes I’m so tirfed

edit: do not repost my art to a different site/platform/app. if sharing on discord/etc, just directly linkback to the post. thank u! oc redraws are fine, just credit me!! and tag me in those id like to see lol

[keferon]

Monster hunter au part 3

Also known as “Drift is a giant fox beast” comic ahah

I like to think these trails are really important as a safe space for Deadlock. This is his home, these are his favorite routes and his familiar and safe space.

So when he shows his paths to Ratchet it's a big gesture of trust. Because they're what makes the forest his home and he's willing to let Ratchet into that home:)

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Also. This au exists in the same world as my Spellbound au. Just in case you wanna break your heart a little bit

[rapidhighway]

new anatomy