#fujita kazuko

[hotwaterandmilk]

Series: Dream Rush! & U・BU♥U・BU Artists: Fujita Kazuko & Sugi Emiko Publication: Sho-Comi Magazine #10 (05/1995) Details: Sho-Comi All Chara Iron Print Source: Scanned from my personal collection

[shoujo-memory]

Romance Godankatsuyou by Fujita Kazuko

[damistrolls]

This is gonna sound weird, but it's not I swear!! But do you have a list or can you make a list of trolls that have facial hair?? I don't really see them often on my timeline, think they're underrated. 😔

not weird at all! im a facial hair lover

lemme put my guys with facial hair r under the cut <3

lawren aegiys

goraxe ripmaw

marion dekian

haftie bazois

vancey valens

kazuko kinako

noboru izuumi

mortim parlic

kingyo vreaux

velzka kollin

rezelo zakiul

kazero vyzsic

lupo barone

epylio desmod

josiah rucali

piluck faenic

alarik bhasit

vasily kedrov

jimmet evolin

pierse argyle

nikoly volkov

imanul pallas

donvan noxyll

ryouta ishida

lidree tulasi

levion moxiva

rolling storm

mishka melnik

keirie fumoto

aaaand daichi fujita

[asnowperson]

Umi no Yami, Tsuki no Kage (1989) OVA extra

I started reading Shinohara Chie's Umi no Yami, Tsuki no Kage series. I always watch the anime adaptation of the manga I read if it has one, so I watched this 3-episode OVA from 1989 too. There was a file with the word "extra" attached to it in the batch I downloaded. I thought it would turn out to be one of those weird 80s music videos with cut from the OVA, or some interview with anime staff/Shinohara, but to my surprise, I found something else.

So, they made a slideshow with art from Shocomi artists / very short animated clips with their characters with a little message from each author. This is like a catalogue of the most popular artists of the magazine in 1989, so I'll leave a little list here.

Also I need to note this down, because it made me laugh: I said every artist left a little note, but there is an exception: Souryo Fuyumi! She is the only one who didn't write anything for this special, and this is for some reason hilarious to me!

Appreciate the quality XD

1- Souryo Fuyumi

2- Fujita Kazuko

3- Ogoshi Natsue

4- Takeuchi Masami

5- Hayashi Asuko

6- Sugi Emiko

7- Kitagawa Miyuki

8- Shinohara Chie

[daydreaming-juna]

Gold by Fujita Kazuko (art) & Ann Major (orginal novel: “Secret Child”)

[graphicpolicy]

Kick Off the New Year with a Dozen New Digital Comics

Kick Off the New Year with a Dozen New Digital Comics #Comics #ComicBooks #DigitalComics

ComiXology has you covered on the first day of the new year with a dozen new digital comics that you can get right now. You can start shopping now or check out the individual releases below! Bringing Up Babies Written by Emma GoldrickArt by Megumu MinamiPurchase Hope starts working as a live-in housekeeper as a way of proving her worth to her successful family. Upon arriving at the mansion,…

[words-and-coffee]

Stop time, if only for tonight…. If only until our names can become engraved on each other’s skins.

Kazuko Fujita, Silver

[kenkamishiro]

20210317 Nintendo Switch News Interview with Ishida Sui for Jack Jeanne’s release

This interview was posted exclusively in the Nintendo Switch News section for Jack Jeanne’s release. Highly recommend reading it, as there’s new content regarding the production for JJ!

[Jack Jeanne] Exclusive Interview with Ishida Sui!

Hello! This is Chami from Nintendo’s Otome Game department. This time, we have an exclusive interview with Ishida Sui, who served as the general supervisor for Jack Jeanne!

By the way, the image above is from the early stages of development. How cool is it to see how different the characters look from their appearance now!

This special content is only available here, so I hope you continue to read 𝅘𝅥𝅮

The game’s core revolves around a tug of war battle between school and performing.

How did you come up with the core of the game when the project was first launched?

At first, the offer I received was solely for the character design.

I accepted it because the boy revue theme seemed interesting to me, but the character profiles BROCCOLI came up with were a bit too far-fetched for my liking...which is to be expected from a company that makes otome games. “Can I really do this...no, I can’t, but I still want to anyway,” I thought.

So I decided to try proposing character profiles I thought I could work with, and it’s probably from the moment I created those profiles that Jack Jeanne’s core development began.

To create the characters you need the school’s background, and for that you need the history of the area, you also need to keep the game system in mind, the music for the performances has to be a certain way, the dances need to give off this feeling...the scope of my proposal grew and grew, and before I knew it, I was organizing the entirety of this project.

At any rate, I was only working on bits and pieces in the early stages of development, so I reviewed the balance of the entire project, thinking it would collapse if the game’s core values weren’t consistent.

There aren't a lot of works revolving around acting and performing in the first place, so there wasn’t much I could refer to, so it was a matter of trial and error. I read a ton of books about acting, singing and dancing, and manga-wise I used “Rising!” (Author: Himuro Saeko, Illustrator: Fujita Kazuko) as a reference in particular.

I tried to create the story from beginning to end in my mind, and after getting Towada the scenario writer to put it into writing, we got rid of any problems and unpleasant developments that arose...I spent an entire year laying down the foundation for Jack Jeanne.

After finding a good balance between the seasonal performances and the everyday lives of Univeil’s students, the path to creating Jack Jeanne finally became clear to me.

While working on this project, I slowly came to the realization that the game’s core revolved around a tug of war battle between school and performing.

I gradually realized that the core of the game was the tug of war between school and performing.

This is the player’s story.

Are there any particularities of the character design or script that’s unique to the game?

How important the player’s choice is.

One of my favourite parts about the game is that the player decides how the story goes.

I believe the appeal of this game is that you can have different outcomes depending on the choices you make, events occurring at different times for each player, and thus have different experiences.

The biggest difference if you compare it to manga, is that there’s only one story from start to finish in manga, but games give players a choice.

Because this is an adventure game*,  at times it was really difficult creating a wide range of choices while maintaining consistency, but I tried to widen the range of consequences for each choice as much as possible.

[T/N: Adventure game, or ‘ADV game’, is a visual novel but with more gameplay elements that gives the player more agency.]

I’ll be vague since it might be considered a spoiler, but after a certain point in the story, the effect of this particularity becomes stronger. It’s like even though you’re doing the same thing, it’s still a different story. It took a lot of work to make it happen.

Writing as if I was possessed by the character.

You were also responsible for writing the lyrics. What kind of feelings did you put into them?

I specifically kept in mind the character’s situation when the music is playing, how the play’s worldview is expressed, and so on. I also asked myself if it felt good to sing, and I had a lot of fun incorporating weird and silly things into it.

After that, I tried to write as if I was possessed by the character. The character Neji-kun is supposed to write everything, but I actually wrote the lyrics with that thought process in mind. Neji would use these words, or Neji would do it like this, stuff like that.

It’s difficult for me to write the lyrics for the students as myself, so I used the characters to help me on that front.

So, rather than writing the lyrics myself, I wrote them while keeping Neji’s thoughts and feelings towards his classmates in mind.

This is not the colour of Ishida Sui alone.

Please share with us your recommendations about Jack Jeanne’s fun and appeal.

That it’s not the colour of Ishida Sui alone.

Since my name is in the forefront, no doubt I’ll stick out like a sore thumb, but I think the appeal lies in the fact that it’s not just myself who worked on this game.

The story, the cast acting to convey those words, the music playing in the background...all these colours blend together on the game screen to create a single work of art, which I think is the greatest appeal of all.

The appeal of manga is that it’s as close to monochromatic as possible, but I think the fun of combining different colours is something only a game like Jack Jeanne can offer.

Jack Jeanne is a gentle story.

Please leave a message for everyone who’s excitedly awaiting the release of Jack Jeanne.

If I were to do this again now, I’d like to write a gentle story. I was depressed about a lot of things prior. But I wonder if this story I’ve been working on for several years turned out gentler than I expected.

I worked hard to create Jack Jeanne. I hope you try playing it in your spare time.

[tamuramachi]

Top 10 Manga Picks: the Origins of Manga-Loving Yumi Tamura!

Loosely translated from the Da Vinci Magazine August 2020 issue.

"Tamura has been creating works that span mystery, horror, fictional warfare, action, and fantasy genres. What kind of manga has she been reading up to now? We asked her to introduce the 10 works that inspired her to start drawing manga, as well as what she considers her heart's bible. Includes comments from Tamura herself!"

Yumi Tamura's Comments:

1. Cyborg 009 by Shotaro Ishinomori

"When I was little, I watched the anime first and loved it, and then I read the manga around the time I was entering junior high school. I wanted to be 003 and go into battle with friends in the same way. I feel like it was my emotional support during the period of my 2nd year in junior high when I was having a hard time and ran away from it all."

2. Lolly no Seishun by Kimiko Uehara

"When I was in the 3rd or 4th grade of elementary school, Uehara drew a lot of one-shots in Betsucomi ('Lolly' was a weekly comic), and they were so interesting and moving every time that I was constantly in a state of emotion. I think because of that, I began drawing manga in my notebook, splitting up the pages into panels. Dramatic & rich with emotion, the depicted characters by Uehara, whether men or women, are full of charm & utterly brilliant. The energy and willpower of the female characters is really wonderful."

3. Thomas no Shinzou by Moto Hagio

"Of course I love 'Poe no Ichizoku' & '11-nin Iru!' too. Needless to say, Hagio is the greatest treasure. When I was in the 1st year of junior high, my friend & I were crazy about 'Thomas'. I liked Juri and my friend liked Oskar... we talked about going to Germany someday. It links together my own happy memories. I'm sure I didn't understand everything Hagio was trying to draw, but in the end, even now I cry at the image of Juri smiling faintly in a small panel."

4. Hamidashikko by Jun Mihara

"To me, this work is like the bible. It relentlessly strikes the deepest part of the heart and brings forth a flood of pain and tears. It wraps you up in a warmth that's helplessly miserable, sorrowful. Sincere gazes and intense dialogues. The power of the dialogues is truly unbelievable. The way the dialogues are presented along with the drawings make the best use of that power. Mihara's careful thoughts are at the root of all this. Even though I'm already this grateful, I will never get used to it. It's just amazing."

5. Kyoufu Shinbun by Jirou Tsunoda

"This is the most terrifying manga I've ever read. It's so captivating, & even decades later, it's still ingrained in me. There are various scenes that I'll recall whenever something happens. My younger sister & I would look at each other & go like ‘it's that’ or ‘that one scene, right?!’ & it would send shivers down our spines. We're already at a level of trauma. It's uncommon for a main story line to be most interesting while introducing all sorts of horrors."

6. Hyouryuu Kyoushitsu by Kazuo Umezu

"If I was told to read a manga now that would make me cry right away, then I would choose this one. Particularly the last scene of the mother crying. This work is unbelievably fierce, grand, rich in ideas, & just too fascinating. And the themes are so broad & deep that it makes you think about many things. It's a rare transcendental masterpiece that will, in the end, leave you feeling comforted & positive, thinking ‘it was a good ending,’ even though the journey is extremely scary & painful. Also, my contempt for Sekiya is strong.”

7. Macaroni Hourensou by Tsubame Kamogawa

"This is explosively entertaining. Fun. Cute. Cool. I love it! 25-year old Toshi-chan is the best! He's so cool. I don't know how many times I've read this. I still say the lines out loud even now. This is a very popular work that I can only describe as fun. There are not many other gag manga that make me burst out laughing quite like this one. I love it!”

8. Akaaka Maru by Minako Uchida

"I just can't stop admiring this work in general. The drawings, the rhythm, the stunning midpoint [?], the ability to think in a scientific way. And the proficiency of observing people. I admired it so much that I tried drawing contours of people & handwriting with permanent markers & brushes, but my drawing skills were so different that I ended up with nothing but doodles. ‘BOOMTOWN’ & the short stories are also very interesting & fun!”

9. Genji by Yun Kouga

"Innovative, I thought. I could clearly understand it. Kouga seems to be the kind of person who has a lot of sense. I've always thought it was amazing how her work & she herself had leadership qualities of the time to pull others along. I would very much love to know what kind of ideas Kouga has in mind for the rest of this work, since it hasn't been completed yet.”

10. Nodame Cantabile by Tomoko Ninomiya

"There was a period when I was having a very tough time, & it got to the point where I was having unhealthy thoughts like, ‘Is manga even enjoyable?’ But then this work came along & I was like ‘Aah, manga is fun after all! Thank goodness, I'm okay!’ So, this is a super popular & famous work to which I owe a debt of gratitude for making me realize & genuinely feel this way. I think it would be the greatest if I could portray the world in a similar way with such thoroughness. I envy that power of Ninomiya's! It's magnificent!”

Additional side comment from Tamura (in the speech bubble):

“I wanted to include the Bijohime series (Hana no Bijohime) & PARTNER by Tomoko Naka too! (I think it's obvious that these have an influence on my characters.) Other works that also left a strong impact on me are Ryouko Yamagishi's Arabesque; Yuko Kishi's Tamasaburou series and short stories; Rising! (Saeko Himuro/Author, Kazuko Fujita/Artist); the Palm series (Yasei Kemonogi); Astro Kyuudan (Shirou Toozaki/Author, Norihiro Nakajima/Artist); & Dark Green by Junko Sasaki. Makoto Kobayashi's Judo-bu Monogatari & Nanae Haruno's PaPa told me are also excellent! There’re also many other works that I'll never forget, such as those by Shinji Wada & Udou Shinohara, which have all influenced me in some way. I've always loved TONO's Karubania Monogatari too.”

[shinsengumi-archives]

Fujita family people

Introducing the family of the "Fujita family" built by Goro Fujita.

Goro Fujita

After the Meiji era, Hajime Saito was renamed Goro Fujita. The history of the Fujita family began here.

Tokio Fujita

Fujita Goro's wife. Born on April 15th, 3rd year of Koka, as the eldest daughter of Kojuro Takagi and Katsuko Takagi of the Aizu clan.

His real name is "Sada", and he was a Yuhitsu with Teruhime and Nakarattan. The name "Tokio" is the real name of the source at that time.

In the Battle of Aizu in the 4th year of Keio, he was a castle with many Aizu clan men. At that time, Tokio's name appears in a retrospective of Yaeko (later Mrs. Neesima), the younger sister of Kakuma Yamamoto, who was also a castle.

"After entering the castle, the concubine was caring for the injured in the daytime, but in the evening, I heard that she was going to sortie tonight, so I started cutting my hair with Wakizashi to get the concubine out, but I couldn't cut it easily. because I do, Takagi Morino’s sister, I had cut into Tokio-san. "(Hiraishi Benzo" Aizu Boshin ")

the end of a fierce Rojo warfare, Aizu is Rakujo surrender, after the war many of Aizu He moved to Tonan with a concubine and lived a harsh and extremely poor life.

After that, around the 7th year of the Meiji era, he married Goro Fujita and gave birth to three children, Tsutomu, Tsuyoshi, and Tatsuo.

In October 1890, we planted cherry trees at Amidaji Temple in Nanokamachi, Aizu with ten women from Aizu to commemorate the war dead in the Battle of Aizu.

The following year, in the 41st year of the Meiji era, he solicited donations for the purchase of grave fields from women and girls from Aizu, and he himself became the president of the founder of Wakamatsu, opened an account at Yasuda Bank, and donated 2.5 yen.

Tokio is described in the "Dainippon Women's Record" surveyed in March, 1891.

"Tokioko Fujita First-year Koka Women's Higher Normal School Secretary Mrs. Goro Fujita Female Student Director Dormitory Owner Hongo-ku Masago-cho 30"

The owner of the dormitory for female students was the wife of Tsutomu Nishino, the wife of Tsutomu Nishino, who was also boarding here in the sense that she had a high school girl boarding at home with the consent of the school. Thirty, Masago-cho, Hongo-ku, is the address, where Tokio died at the age of seventy-five.

Tsutomu Fujita

Born on December 15, 1897, as the eldest son of Goro Fujita and Tokio.

After graduating from Prefectural Shichu, he went through a childhood school and a military academy, and became a soldier.

He worked for the Wakamatsu Regiment in the military and fought on the "Mikasa" during the Battle of Tsushima.

Later, he married Midori Nishino and had seven children, Element, Minoru, Ritsu, Kyoko, Susumu, Kazuko, and Toru.

He lived in Masago-cho, Hongo, Tokyo, but built a new house in Yayoi-cho, Nakano-ku in 1918. However, when I was just starting to build this house, I was hit by the Great Kanto Earthquake, and when I rebuilt it, I dug a basement and dug a well there to keep water on hand, miso, soy sauce, sugar, and many other preserved foods. It was stored and was very popular with the neighbors as "a military man".

However, this house was also destroyed by the air raids of World War II and moved to Ogikubo after the war.

In his later years, Kazuko's husband was a physician, and he was cured there.

In 1952, just before his death, Tsutomu dictated what he had heard from his father Goro and had his wife Midori write it down. This is the so-called "History of the Fujita Family", which is a valuable documentary material in the Fujita Family's collection.

He left behind the precious historical materials, and in 1958, he was taken care of by his daughter Kazuko and her husband, and died.

Tsuyoshi Fujita

Born on October 4, 1902, as the second son of Goro Fujita and Tokio.

It is said that he lived abroad a lot.

In the 3rd year of the Taisho era, he married Yuki Asaba (Yukiko), the granddaughter of Tosa Tanaka, an old Aizu clan, and had a second son and a second daughter.

Hideki, the eldest son, was a second lieutenant of the Navy, but after the end of the war, he served in the building section of Yokohama City Hall.

The second son, Toei, and the second daughter, Takako, were adopted by the Asaba family in consideration of the disconnection of the Asaba family.

He died in the New Year of 1945.

Tatsuo Numazawa

Born as the third son of Goro Fujita and Tokio, the family register does not mention it.

This is because Tatsuo was adopted by Kohachiro Numazawa and Mr. and Mrs. Kuni, the 13th head of the Aizu clan's old Numazawa family, immediately after birth.

This Numazawa family is the older sister of Tokio's mother Takagi (formerly Kimoto) Katsuko, and has Michiko Numazawa, whose mother-in-law and daughter both slashed themselves in the Aizu castle battle, and their son Kohachiro and Tokio are cousins. ..

The Numazawa family, who had no children between Kohachiro and Kuni and were worried about the disconnection, had been hoping that Tatsuo would be adopted by all means if he was a boy, since he was still hungry.

The Fujita family agreed, and as soon as the long-awaited boy was born, he was adopted by the Numazawa family.

The secret of this birth was firmly kept between the two families, and Tatsuo grew up completely unaware of his birth.

When he was a college student, Tatsuo, who was suspicious of his birth, asked his aunt Iduka, but he knew the truth. Tatsuo, who first learned the secret of his birth, shed tears like a child and listened to the story.

Later, he married a woman named Tatsu and had a child.

This story of Tatsuo's knowledge of the secret of his birth is a story that Professor Shizuko Akama heard directly from Mr. Eiko Numazawa, the second daughter of Mr. and Mrs. Tatsuo.

Midori Fujita

Born on March 29, 1897, as the second daughter of the Nishino family, a well-known family in Sakata, one of the 36 people who originated in Sakata, a merchant who used to be a rice wholesaler and a ship wholesaler.

When asked by his father, "Would you like to have a fortune or an education?", Midori wanted to be educated and entered the Women's Higher Normal School to study science.

When I was a student of the high school girl, the boarding house was the Fujita family, who was the superintendent of the high school girl at that time. So, Tokio, who liked Midori very much, finally made that promise by setting up three people to apply for marriage to his son's daughter-in-law and stepping on Hyakudoishi.

Midori, who graduated from a high school girl as the fifth graduate, married Tsutomu Fujita and gave birth to seven children.

In his later years, when Goro Fujita suffered from gastric ulcer, Midori was said to have taken good care of him with Tokio.

It is also this Midori who wrote down the "History of the Fujita Family", which his husband Tsutomu told about what he had heard from his father Goro just before his death in 1958.

According to the story of his descendants, he was a quiet, well-educated person.

Yuki Fujita (Yukiko)

Born as the eldest daughter of the Asaba family, a former deadhead wholesaler in Kugo, Yokosuka.

My mother was a concubine of Tosa Tanaka, a feudal lord of the Aizu clan, and became the wife of Aizu people Sakae Ishikawa around the 12th and 3rd years of the Meiji era. rice field. It is said that he traveled to the United States.

After that, he married the Asaba family and gave birth to a second daughter and a first son. The eldest daughter is Yuki (Yukiko).

Yuki (Yukiko) married Tsuyoshi Fujita in the 3rd year of the Taisho era and gave birth to a second son and a second daughter.

Among them, the second son, Tamotsu, and the second daughter, Takako, were worried about the disconnection of the Asaba family and sent them out as adopted children.

In creating this section, we would like to thank the descendants of Goro Fujita's eldest son Tsutomu, the second daughter of Kazuko Mitsume, and the great-grandson of Saito Hajime, for their cooperation and advice.

We would like to express our sincere gratitude.

[myramglina]

Porter Robinson & Madeon - Shelter (Official Video) (Short Film with A-1 Pictures & Crunchyroll) from Porter Robinson on Vimeo.

Shelter tells the story of Rin, a 17-year-old girl who lives her life inside of a futuristic simulation completely by herself in infinite, beautiful loneliness. Each day, Rin awakens in virtual reality and uses a tablet which controls the simulation to create a new, different, beautiful world for herself. Until one day, everything changes, and Rin comes to learn the true origins behind her life inside a simulation.

Original Story by: Porter Robinson

Music: Porter Robinson and Madeon

Storyboard Animation Director: Toshihumi Akai

Character Design Drawing Director: Megumi Kouno

Cast: Rin - Sachika Misawa

Original Pictures: Megumi Kouno

Motion Picture Examiner: Tomoko Miyata

Motion Pictures: Tomoko Miyata Mizuki Matsuda

A-1 Pictures Satomi Tabuchi Mika Sugiyama Seira Yamagishi Kanna Hirayama

ingresA P.A.WORKS StudioGokumi GIMLET LIDENFILMS Osaka LIDENFILMS Kyoto ASAHI PRODUCTION Anime-R Snowlightstaff

Color Design: Kazuko Nakashima

Color Setting: Yuko Watanabe Mai Yamaguchi

Finishing by: Asuka Yokota Mayu Morita Ayaka Nagai Kyoko Hara Ayaka Murakami Akane Edagawa Ayaka Suzuki Mana Hokuto

2D Design Work: CAPSULE Yohei Miyahara Kaori Seki

Special Effect: Aya Kubota (Graphinica)

Art Director: Yusuke Takeda (Bamboo)

Art Board: Bamboo Harumi Okamoto

Background: Bamboo Takamasa Masuki Tsukasa Kakizakai Izumi Hirabayashi Surok Chong Ryusei Nishino Takumi Sasaki Aya Sato Michiko Nakamura

CGI Creator: Yuusuke Noma You Fukuda Shigeru Horiguchi

Director of Photography: Yuya Sakuma

Shooting: Takeru Ogihara Ayaka Shimizu Satsuki Takahashi Taichi Nishikawa Sachiko Ito

Editing: Akinori Mishima (Graphinica)

Sound Recording Director: Akiko Fujita

Sound Effects: Takahisa Ishino Sound Mixer: Naotsugu Uchida Sound Editor: Chiharu Kawasaki

Sound Production Manager: Yusuke Watanabe Sound Recording Production: HALF H.P STUDIO

Production Manager: Kenta Ueuchi Eri Nakayama

Special Thanks: Kumiko Honma

Executive Producer: Porter Robinson

Producer: Vincent Shortino (Crunchyroll) Takuma Sugi (Crunchyroll) Masanori Miyake Akira Shimizu Takamitsu Inoue

Animation Producer: Yuichi Fukushima

Animation Production: A-1 Pictures

Lyrics :

i could never find the right way to tell you have you noticed i've been gone? cause i left behind the home that you made me but i will carry it along

mm it's a long way forward so trust in me i'll give them shelter like you've done for me and i know i'm not alone you'll be watching over us until you're gone

when i'm older i'll be silent beside you I know that words are not enough and they won't need to know our names or our faces but they will carry on for us

shelter out now - smarturl.it/shelterstream

north american back to back tour this fall. shelter tour - sheltertourlive.com

stream shelter spotify: smarturl.it/shelterspotify apple music: smarturl.it/shelterapplemusic deezer: smarturl.it/shelterdeezer google play: smarturl.it/sheltergoogleplay soundcloud: smarturl.it/sheltersoundcloud

itunes: smarturl.it/shelterdownload

follow porter robinson website - porter.fm/home facebook - porter.fm/facebook twitter - porter.fm/twitter instagram - porter.fm/instagram youtube - porter.fm/youtube soundcloud - porter.fm/soundcloud

follow madeon website - madeon.fr facebook - facebook.com/itsmadeon twitter - twitter.com/madeon instagram - instagram.com/madeon youtube - youtube.com/itsmadeon soundcloud - soundcloud.com/madeon

[hotwaterandmilk]

Tenshi no Shippo by Fujita Kazuko (Vol. 2, Shougakukan, 1993)

[shoujo-memory]

Momoka Typhoon!! by Fujita Kazuko

[vgdensetsu]

List of every artist featured on VGDensetsu, Part 1

Part 2: N-Z Adam Warren Ahndongshik / アントンシク Akari Funato / 船戸明里 Akemi Takada / 高田 明美 Akihiko Yoshida / 吉田明彦 Akihiro Itō / 伊藤明弘 Akihiro Yamada / 山田 章博 Akikazu Mizuno / 水野 暁一 Akimoto Kazuhide, AKA Akimoto Kitsune / 秋元きつね Akio Akira Komeda / 米田 朗 Akira Nishimura / 西村 彰 Akira Toriyama / 鳥山 明 Akira Watanabe / 渡邊 アキラ Akira Yasuda / 安田 朗, AKA Akiman Ami Shibata / 柴田 亜美 Ano Shimizu / ANO清水 Arnold Doong Arthur Nichols, Paris Cullins Atsuji Yamamoto / 山本貴嗣 Atsushi Nishigori / 錦織 敦史 Ayano Koshiro / こしろあやの Barry E. Jackson Bengus Bill Gold Bill Sienkiewicz Bob Wakelin Chisato Mita / 実田 千聖 Clyde Caldwell Chris Achilleos Christian Lorenz Scheurer Dave Gibbons Dave McMacken David Rowe David Schleinkofer Denis Beauvais Denis Loubet Didier Chanfray

Eiji Kaneda / 金田榮路 Eisaku Kitō / 鬼頭栄作 Eisuke Ogura Emika Kida / 木田恵美可 Eri Kohjitani / 糀谷 恵里, AKA Jitari Eri Nakamura / 中村 会里 Frank Cirocco Fujinomiya Mimoli / 藤ノ宮深森 Fujiomi Munemitsu / 藤臣 宗光 Gaku Miyao / 宮尾岳 Gary Ruddell Greg Martin Greg Semkov Greg Winters Gus Allen Hajime Itō / 伊藤 哉 Hajime Katoki / カトキ ハジメ Hajime Satō / 佐藤 肇 Hajime Sorayama / 空山 基 Haruhiko Mikimoto / 美樹本 晴彦 Hidari / 左 Hideaki Ebihara / 海老原 英明 Hideaki Kodama / 小玉英章 Hidefumi Kimura / きむらひでふみ / 木村英文 Hideo Nakajima / 中嶋秀夫 Hidetomo Tsubara / 円 英智 Higuchīta / ヒグチータ / HIGUCHI-TA Hikaru Yuzuki / 弓月光 Hiroaki Hashimoto / ヒロアキ Hiroaki Shioya / 塩谷博明 Hirohide Shikishima / 敷島博英 Hiroo Isono / 磯野 宏夫 Hiroshi Fuji / 冨士宏 Hiroshi Nagai / 永井博 Hiroshi Ono / 小野浩, AKA Mr. Dotman / Mr.ドットマン Hiroyuki Nishimura / 西村博之 Hiroyuki Kitakubo / 北久保弘之 Hisashi Eguchi / 江口寿史 Hitoshi Ariga / 有賀ヒトシ Hitoshi Nishio / 西尾 仁志 Hitoshi Sasaki / 佐々木 等 Hitoshi Suenaga / 末永仁志 Hitoshi Yoneda / 米田 仁士 Hyakkimaru / 百鬼丸 Ikuo Nakayama / 中山郁夫 Inio Asano / 浅野いにお Ippei Gyoubu / 形部一平 Isamu Kamikokuryō / 上国料勇 Ishihara Gōjin / 石原豪人 Itsuki Hoshi / 星 樹 Itsuki Imazaki / いまざきいつき Jean Solé Jeff Remmer Jerry Bingham Jin Mera / 米良 仁, AKA Eiji Shiroi / 白井影二 Joe Madureira John Berkey Jun Satoh / 佐藤樹云 Jun Suemi / 末弥 純 Jun-ichi Fujikawa / 藤川 純一 Jun-ichi Nakamura / 中村 淳一 Junny Junya Inoue / 井上淳哉, AKA Joker-Jun Kamui Fujiwara / 藤原 カムイ Kaori Fujita / 藤田香 Katsuhiro Otomo / 大友 克洋 Katsumi Yokota / 横田克己 Katsutoshi Fujioka / 藤岡勝利 Katsuya Terada / 寺田 克也 Kaz Aizawa Kazuhiro Ikeda / 池田和弘, AKA Bow Kazuhiko Tsuzuki / 都築和彦 Kazuko Shibuya / 渋谷員子 Kazuma Teshigahara / 勅使河原 一馬 Kazuo Ebisawa / 海老沢 一男 Kazuo Nakagawa / 中川和雄 Kazutoshi Yamane / 山根和俊, AKA Tetsuya Ueno / 上野哲也. Kazuya Nuri / 塗 和也 Kazuyuki Kurashima / 倉島一幸 Kei Furutsuki Kei Tōme / 冬目景 Keita Amemiya / 雨宮 慶太 Keizō Shimizu / 清水恵蔵 Ken Sugimori / 杉森 建 Ken-ichi Sonoda / 園田 健一 Kenichirō Yoshimura / 吉村健一郎 Kenji Andō / 安藤賢司 Kenji Mori, AKA Moriken / もりけん Kenji Tsuruta / 鶴田 謙二 Kensuke Suzuki / 鈴木健介, AKA Hiroshi Kajiyama / 梶山浩 Kenta Tanaka / 田中 健太 Kevin Jenkins Kevin Murphy, AKA Mure Kim Hyung Tae / 김형태 Kimihiko Fujisaka / 藤坂公彦 Kinu Nishimura / 西村キヌ Kohime Ohse / 桜瀬 琥姫 Kōichi Noda / 野田弘一 Kōichi Tokita / ときた洸一 Kōichi Yotsui / 四井 浩一 Kōji / 弘司 Kōji Aihara / 相原 コージ Kōji Morimoto / 森本 晃司 Kōji Ogata / 緒方コウジ Kōtarō Kita 喜多浩太郎, AKA Kentoo Kouki Kita / 喜多 綱毅 Kow Yokoyama / 横山宏 Kunihiko Tanaka / 田中久仁彦 Larry Salk Lawrence Fletcher, AKA Lars Lee Macleod Leiji Matsumoto / 松本零士 Ley Yumeno / 夢野れい Mahiro Maeda / 前田真宏 Makoto Kobayashi / 小林 誠 Makoto Shinkai / 新海 誠 Manabu Kusunoki / 楠木学 Manabu Sakamoto / 坂本学 Marc Ericksen https://twitter.com/search? Mari Shimazaki /島崎麻里 Mark ‘Crash’ McCreery Masahiro Imai / 今井 正博 Masakazu Ohya / 大矢 正和 Masaki Segawa / せがわまさき / 濑川雅树 Masako Sugiyama / 杉山正子 Masami Ohnishi / 大西将美 Masamune Shirow / 士郎 正宗 Masao Satake / 佐竹政夫 Masao Yamazaki / 山崎 正夫 Masaomi Kanzaki / 神崎 将臣 Masashi Iwasaki / 岩崎政志 Masato Kanamono / 金物昌人, AKA Kokomahi / ここまひ Masato Kato / 加藤正人 Masato Natsumoto / 夏元 雅人 Masayuki Katō / 加藤正幸 Michael Patrick Partners Michel Allaire Michiaki Satō / 佐藤道明 Mick McGinty Mika Akitaka / 明貴 美加 Mine Yoshizaki / 吉崎 観音 Minoru Maeda / 前田実

[stu-dyingstudent]

Silver by Penny Jordan and Kazuko Fujita was surprisingly good

[daydreaming-juna]

Silver Volume Covers by Fujita Kazuko (art) & Penny Jordan (orginal novel: “Silver”)