#genuinely some people have no appreciation for the work or detail put into comedic projects

[writeouswriter]

Comedy is not inherently a lesser form than tragedy; why are you pitting two bad bitches against each other?? They're equals! They're besties! They're lovers!

[tea-cat-arts]

Being a haters exhausting. Here’s some things I actually liked in the recent chapters:

Seele and Senti! They are perfect and can do no wrong. They also make a surprisingly good comedic duo

Kiana and Durandal being sisters. This is one of the few times I’m actually really glad Mihoyo went down the no-angst route. I think it would’ve been really easy and cheap to have made Durandal resent Kiana in some way for taking over her life (I’ve seen other media do that), so I found it incredibly refreshing to have Durandal take the mature route, acknowledge none of that was Kiana’s fault, and immediately accept her as her sister.

The environment design. The moon base is a pain to walk through, but an absolute Easter egg hunt of tiny details. It’s also always nice to head back to the deep and saint freya. The project stigma space is also very neat to look at

Kevin and Fu Hua’s conversations. It might just be because they’re two of my favorite characters in the game, but I really found the scenes of these two former friends asking the other to back down or join them while having this silent resignation, knowing that nothing they can say will work, genuinely heartbreaking. Man, I just want my blorbos to be ok 😭

Seeing Siegfried and Theresa hang out. I always kinda forget that those two have been friends for a long time, so it’s nice to actually see that friendship in action (also, hoyo, why do you keep making these very fun to play male characters that are only available for one chapter)

The attempt to make project stigma more nuanced. Though I don’t think they really succeeded, I appreciate them trying to expand project stigma to more than just a shitty vaccine (for those who are still confused about what project stigma does, it takes everyone without an awakened stigmata and puts them in a dream. Those dreams are all slowly merging into the collective consciousness. Once they’re in the consciousness, the original person effectively dies and is reborn into a being like Hare {or at least this is what I’ve gathered}). I think this makes more sense than just straight up killing 90% of the population, and I can kinda get why people would support it or see it as a better alternative to death.

The shift to making Grey Serpent the main antagonist. So uh, past his introduction arc, Kevin just doesn’t make a good antagonist. He’s kinda disconnected from most of the main conflicts and the vast majority of the time we’ve seen him (be it him, his sim, or the Kaslana stigmata), he’s been on the protagonists side. Grey Serpent on the other hand- that guy has pissed EVERYONE off at some point or another. Even Seele is wary around him. I think if Mihoyo doesn’t want to do morally grey antagonists anymore, then going with the Disney villain is a better choice than demonizing another victim

Any time Li Shushang and Susannah are on screen together. Mihoyo really said “if you don’t know what to do with this side character, then make interesting by giving her a girlfriend,” and they were so right

Mei’s little amusement park space. I can’t really think of why I liked this section, I just did. It was fun

[unproduciblesmackdown]

I just want to say I am absolutely obsessed w all your sincerely me posts. You do such a good job breaking them down and identifying all the little details that go into that scene as well as analyzing what they mean about Jared and Evan separately and ofc their relationship as a whole. Wonderful stuff! Also the compilation of Will doing The Laugh added 10 years to my life so thank u

oh thank you lmao i always enjoy people enjoying those posts, and there’s always so much to dig into with that scene, but i think plenty of times i think people can just sort of let the scene wash over as a “oh, the point of this is just that it’s fun” sort of surface level, very straightforward element of the show, and part of the point surely is that it Is fun, but everything about this song is about evan and jared’s interaction / dynamic / relationship here, and the levity and humor doesn’t mean there’s nothing here to Take Seriously, which is certainly true re: jared in general, rather than him being Jokes Boy with no real feelings or anything (i know i’m already preaching to the choir here with all this “here’s what sincerely me is Really About / what deserves more appreciation re: jared” lmao but the ted talks just Occur)

like, here’s the high point of the whole show for jared, and this moment with evan which is so enjoyable and satisfying that he’s going to keep hanging on to evan’s runaway train in the hopes of getting more of this, particularly in act 2 where that’s truly like 100% of his motivation (vs that in act 1 he’s at least also having some degree of an earnest response to the idea behind tcp along with evan and alana, even if it’s still plenty about doing this With Evan) and like, it’s especially a tragedy re: the album where you Only get jared’s vocals, & have less of his dialogue, so it’s easier to forget he’s there or what his part in this is and that, you know, this wouldn’t be a song if it wasn’t about His And Evan’s relationship, and it’s like 98% the case that “connor” in this song just Is jared

and that yeah like we’ve been recently posting lol how there’s actually really just these endless Layers to this material, a mille feuille of Relationship Analysis that’s getting folded over again and again, where it’s jared and evan for real, but pretending to be other people, and making things up, but trying to make it seem Real, and both taking the other’s feedback into their own writing / working off of the other’s contributions, and evan could be seeing “connor” through the lens of what little he knows about actual connor, or projecting himself onto someone he realizes was similar to him in ways, or being informed about Friendship via his own relationship with / perception of jared, who’s in a similar position here re: what’s behind his Inspiration or Interpretation, which roles are Him, or Evan, or ostensibly connor, and what all projection or wish fulfillment or Interpreting is going on around here, not to mention that these two Real People’s Real Dynamic is unfolding right in front of us and is very directly what’s going Into these created emails (which do, apparently, seem like the record of an amazing friendship according to cynthia and then like, a bunch of other people) because this whole writing session is this collaborative back and forth which wouldn’t be happening in the first place if evan didn’t turn to jared for input/help with anything and if jared didn’t want to be involved in evan’s life and be someone evan Wants to seek out like this and you know, how delighted jared is to have evan’s attention, even if as he starts giving evan what he’s actually after here, evan’s attention seemingly shifts over to “connor,” even though that’s jared.....still not a direct Win for jared there, see: him in the reprise, trying to put a “jared” into the story as well, since evan’s invented relationship with jared!connor isn’t actually translating into evan being closer / more interested in actual jared....what about jared!jared......now i’m even thinking about jared getting that highest note harmony at the end of sincerely me.....pay attention to Him

thinking allllllways about how jared completely invents the chorus himself, expecting evan to approve, and with no input from evan, just that Approval, and it comes on the heels of also-approved writing for connor about Trying To Be More....Nice.....i’ll turn it around, wait and see...........just about to lie down about the fact that this, on top of what evan’s already made up in for forever, is about trying to make this Hopeful story, because that’s what evan wants for himself, and what he thinks cynthia would find comforting re: connor, and here’s jared like, okay, so your Supposed relationship didn’t look that warm & amazing from the outside, but how about if it just had a lot of Potential, like, HMM!!! lots to consider there!! but then Oof at the fact inevitably the story falls apart and so does jared’s hopes for his relationship with evan, even though like, connor died & never had that friendship with evan, & jared is probably still alive & Did have a connection with him & is presumably still out there, able to be talked to, maybe try reinventing and giving things attention, you know

just that Yeah lmao the tl;dr here is people mostly going like wow lol what a fun song, &/or a gay song, & it’s like, well sure but for one thing, all of that is completely due to Jared & his and evan’s dynamic & relationship, but that once you realize that that’s what the song is actually about, there’s just so much to consider and analyze in what might otherwise be overlooked as a song that has nothing to to say besides what’s most straightforwardly there, even though, you know, these are characters who have so much trouble saying what they mean or feel or want, but who are able to Reveal more about themselves in that way through this pretense/artifice which is sort of displacing their usual defense mechanisms. been Thinking About It many times and i’m still pondering aspects of it afresh / having new Insights, and anyone else can be too lmao, lots going on here & lots to say based on what anyone’s experienced / taken note of.....wtaw is of course v different as a song, more outright dramatic & desperate, whereas sincerely me is presented as more comedic & light, and it Is these two friends having some fun here rather than the protagonist having this crisis before homeroom at the start of the show, but here sincerely me is as another song about Trying and Wanting and some hopefulness that has to remain ultimately inconclusive, because connor still died.....lots going on, of course the tone is different b/c jared is a part of it, but people also completely overlook Other moments as jared you know, not having as genuine or deep or real Feelings as evan b/c jared’s front involves acting unbothered and being clever and funny, but obviously that doesn’t mean his feelings aren’t there and there aren’t stakes to them, and just because this song involving jared just seems lighthearted and unserious doesn’t mean that again, things aren’t Real and Important for jared.....augh

and yes lmfao the laugh is very good, i’m glad to compile it for our health

[beneaththetangles]

Reader’s Corner: Silver Spoon, Solo Leveling, and the Disappearance of Haruhi Suzumiya

Solo Leveling, Vol. 1 (novel)

The immensely popular webtoon, Solo Leveling, features a basic premise about a young man rising from the lowest of ranks of “hunting” to become incredibly strong. It’s most appreciated for its art, so the question is, if the story is mundane, does it’s forerunner, which lacks any illustrations, hold up? It does—surprisingly well. Volume one of Chugong’s novel series, originally published on the web and now being released by Yen Press, traces the story of Level-E ranked hunter, Jin-Woo, in mesmerizing detail as he “levels up” following an experience that should have lead to his demise. That opening is only one of a number of violent but engaging episodes in the novel, which also relies heavily on descriptions of game-like mechanics. As the rare anime fan that isn’t a gamer, my eyes usually glaze over such details, but Chugong’s vivid but spare descriptions kept me engaged, as the protagonist moves quickly along his journey, which still, is well structured, even if his characterization if less developed. That’s both a flaw of the series and a point of question: Is Jin-woo’s desire for “Money, honor, and power” meant to be admired, glossed over, or criticized? I’m not yet sure, and I wonder if Jin-Woo’s moral development will become a significant part of the story beneath the well-crafted verneer of fighting and powering up, which as imaginative as it is, can’t very well carry an entire series—can it? ~ Twwk

Solo Leveling is published by Yen Press, which provided a review copy.

Neon Genesis Evangelion: The Shinji Ikari Raising Project, Vol. 18

I did it (insert GIF of everyone applauding Shinji here). I finally finished reading Neon Genesis Evangelion: The Shinji Ikari Raising Project. And let me tell you something about it: While there are science fiction undertones and references to the original series throughout that give you genuine laughs, by the end, the series is primarily just an ecchi teen romantic comedy with Evangelion characters as window dressing. Every chapter is an opportunity for Shinji to mistakenly trip, fall, and accidentally grope a girl. Every other chapter, by the end, sees a character with exposed breasts—sometimes because of said clusiness, sometimes because the mangaka just decides to draw an extended group bathing scene. This volume gives the final actual reference to an Evangelion, but once again, there’s no actual use of it. This alternate Eva-verse is, in the end, a school harem romance and not a science fiction epic that discusses about real issues like depression. For some, that’s fine. For others, the blatant fanservice will be too much. For me, I am still so very struck by how out of character both Shinji and Gendo act in this series when compared to the original . I guess Yui Ikari being alive really made a huge difference! ~ MDMRN

Neon Genesis Evangelion: The Shinji Ikari Raising Project, Vol. 18 is published by Dark Horse Comics.

The Disappearance of Haruhi Suzumiya

First released in the U.S. eleven years ago, and originally published in 2004, Yen Press has rereleased The Disappearance of Haruhi Suzumiya (along with all the others) to coincide with the new Haruhi Suzumiya light novel. After all this time, it holds up surprisingly well, and in fact perhaps takes on more meaning now in the booming light novel industry as a series that—as with the anime—inspired so many of today’s writers. A quick read—it tells just one longer tale instead of several shorter one, coming in at under 200 pages—every sentence is meaningful, every chapter tightly structured, and every emotion hits with precision and sharpness as the series at once returns to an older act, takes the story to new places (and new heights), and brings in questions from the future as Kyon wakes to discover that the SOS Brigade has disbanded, no one has ever hear of a Haruhi Suzumiya, and Asahina and Nagato no longer have their peculiar powers. The volume works so well because it depends on those preceding it, not only for it’s “return to the past” plot but also as it ramps up the nostalgia and emotions in both Kyon and the reader. Everything is predicated on how the reader feels about these characters, leading to a tale that’s simultaneously a love fest for the series and one that is satisfying in its own right. Disappearance proves to be, much like its characters, a light novel that surely is timeless. ~ Twwk

The Disappearance of Haruhi Suzumiya is published by Yen Press, which provided a review copy.

The Genius Prince’s Guide to Raising a Nation Out of Debt (Hey, How About Treason?), Vol. 1

What we have with this mouthful of a title is a more comedic (and non-isekai) take on the kingdom-running light novel. Prince Wein is appointed regent to run the country of Natra in place of his ailing father, but given how terrible the state of his nation is in financially, he would much rather just sell the country off and run away. Yeah, he’s lazy and a coward. The problem is, he’s also a bit too smart for his own good, and plans that he intend to go towards relieving his workload and avoiding confrontation only make people believe he can totally win wars and bring the country back to greatness. (It helps that the countries trying to deal with Natra have issues of their own…) The result is an amusing read as I had fun seeing Wein pull out plans that work a bit too well and have him suffering from success. I also liked how his relationship with Ninym, his childhood friend and primary aide, is framed in the story both as a teammate that Wein relies on to help run the country, and also a close companion (and love interest) whom he banters with but also trusts deeply and does not tolerate any insults toward her from others. Overall I’m definitely looking forward to reading more from this series and how Wein will continue to help his country more than he might want to. ~ stardf29

The Genius Prince’s Guide to Raising a Nation Out of Debt (Hey, How About Treason?), Vol. 1 is available from Yen Press.

Dragon Head

Dragon Head was a horror manga series I picked up last year from a Kodansha Halloween Humble Bundle. Let me tell you—it is dark, earning its way into that genre heading. The first volume begins with three teenagers trying to survive in an underground subway tunnel after an earthquake event caused its collapse. As the story progresses, and effects on the surface world around them are revealed, the characters discover that the earthquake was no isolated incident but something that struck all of Japan. It is gritty and violent at times. Yet, the overall story and a desire to see how these characters survive kept me reading page after page. I finished the entire 10 volume series in about three days time as I had a hard time putting it down. The ending is is a hard one, and perhaps very fitting for this work, leading readers to consider how widespread the problems that struck and set the events of the series really are. Psychological horror indeed. ~ MDMRN

Dragon Head is published by Kodansha.

Silver Spoon, Vol. 1

With Fullmetal Alchemist: Brotherhood continuing its tear through our annual AniMarch Madness tournament, I turn my attention to the other now-classic work from mangaka Hiromu Arakawa. Silver Spoon, which ended its run in 2019, is a fish out of water tale featuring high school freshman Hachiken, an academic-focused city boy who decides to attend an agricultural high school in Hokkaido. Volume one has fun with his inability to get used to farm life, though it also sensitively looks at his reasons for choosing this high school while showing that even early on, Hachiken is growing, such as when he condescends horses only to be taught how the majestic animals can show the rider a different perspective on life. It doesn’t take long for readers to grow attached to the series characters, like Aikawa, who is the determined to overcome his sensitivity to blood and death to become a veterinarian, and Nishikawa, who loves tractors and mecha. But most of all, Hachiken makes for a compelling character. Like Edward from FMA, Hachiken is easily frustrated but kind and open; it’s lovely to see him already developing among friends so different from what he’s used to, even while seeing him frequently fall (and slowly get back up)—a source of laughter page after page in this wonderful introductory volume. ~ Twwk

Silver Spoon, Vol. 1 is published by Yen Press, which provided a review copy.

[boogiewrites]

Reports and Repertoire Pt. 2

Characters: Eddie Brock x Candace Miller (OFC)

Word Count:  7800+

Summary: Eddie and Candace meet face to face. Agreeing to work together, they find themselves falling into an easy back and forth with each other given their similarities in morals and interests. This chapter follows the beginning stages of their relationship, figuring each other out and working together. A clear chemistry builds between them, and neither put very much thought into where it will go. Not yet anyway.

Warnings/Tags: Language.Fluffy, getting to know you.

Positive feedback is MUCH appreciated! Reblogs, likes, asks and comments feed me to write more! Let me know if you’d like tagged in my work.

My Masterlist.

It's only a few minutes until her office hours are over. Candace is in the ladies bathroom with the best lighting, touching up her hair and makeup before catching an uber to a part of town she's familiar with. She volunteered at a homeless shelter in the area, a particular cause she'd felt drawn to once she moved to San Francisco. She'd taken people to eat on more than a few occasions, some frequenters of the shelter becoming friends, some acting as extra eyes and ears for her in the city.

What she'd been working on, and what she would be sharing with Eddie in about an hour was about these people. She straightens her white v-neck t-shirt over her fitted jeans. Boots to guard against the off and on all day rain are now resting under rolled-up hems of her pants, the slightly heeled black faux-suede looking a bit more put together this way. Digging through her purse she finds some lipstick and a necklace that she adds to the outfit. Her medium brown hair is in loose waves, luckily it was cooperating with the weather today and not frizzing completely. Her hip length, lightweight army green jacket with its many pockets and hood rests on the dark speckled bathroom sink counter as she tries to spruce herself up a bit. She didn't look fancy, but this didn't call for that. She looked...yeah she looked normal she concluded with an approving nod, letting her arms fall heavy to her sides as she rolls her eyes with getting caught up on how she looks. 'But you know he'll look good.' her inner voice says as she raises her eyebrows to herself in the mirror as to scold the thought. She looked good, she looked like she was grabbing some casual meal with a friend, and except for the friend part, which she hoped would change eventually, she was hitting the mark for what was needed.

She adjusts the grey faux leather crossbody bag on her shoulder as she stands fifteen minutes early in front of the pizza place. Her finger picks at the large press button on the front flap on her bag before she pulls her phone out of her pocket. She watches the mixed bag of locals, being too far inland for tourists in this part of town. There was a breeze as usual, the rain had cleared for now, the cracked concrete still damp.

"I'm here. I don't think he'll try to murder me so...just letting you know." she sends to Steph.

"If you go missing I'll know who to blame. Have fun. ;) " Candace smirks rolls her eyes, putting her phone back into her pocket. After growing tired of standing in the constant flow of people on the street, she decides to go in and get a table outside before the rush comes. If she waited too long, they'd be stuck inside where it was too hot and loud, she could watch for him from the covered patio.

Getting a small two-seater table on the edge of the awning she scrolls through her phone to recall details of what she'd been working on. The white noise of the city is disrupted by the rumbling of a motorcycle coming to a stop down the street. Her fingers that had been absentmindedly tapping her chin pause as she watches the man remove his helmet, revealing a handsome, familiar face. She figures if she's going to oogle, now would be the time to as she takes in the tightness in the thighs of his dark jeans, the neutral colored sneakers that complimented a dark t-shirt underneath a black leather moto jacket.

He ruffled the longer hair at the top of his head as he puts the helmet in the saddle bag of the bike. He adjusts the collar of the jacket, giving it a fluff before thumbing his nose and with a distinctly masculine, shoulder swaying saunter, he crosses the street. As he gets closer she puts her phone face down on the glass table top, instead of its usual place of the pocket of her coat that hung over the back of the chair, as it would be needed it to show him photos and give him names and addresses. He looks a little tired, a little shabby, but it still works with the whole vibe after coming in on a motorcycle. He looked more like a bad boy with a devil may care attitude than the journalist she'd watched that passionately defended the rights of others. As soon as his feet hit the curb her body reacts and stands and he looks around, it only takes him a moment to recognize her from her pictures and he's thankful she seems just as personable and dare he think even prettier in person. He gives a head tilt and a questions glance of 'that you?' much like a puppy, a pointed finger accompanying the expression.

Her appearance puts him at ease, he'd worried about a t-shirt and jeans coming off as this not being important to him but when he saw the same combination on her, although wearing it in a much more flattering, feminine way, he hides his exhale of relief as he approaches. With his hands still in his pockets, he nods and mutters 'excuse me' to people on the street as he's beckoned by her wave to him. His manners do not go unnoticed by Candace's watchful eye.

So she stands, two feet away from Eddie Brock. Inside her, a part of her was squealing with delight. He was just as attractive as he looked on the screen, well, actually more so once he opened his mouth. Instead of the more articulate and annunciated, projected masculine tone, she was used to hearing from him, his voice was quiet and raspy, a twitch of his lip and a slight stutter shows his uncertainty as he says her name.

"Hey, uh-Candace. Hi." he says with a nod of his head.

Her hand extends to meet his, a slight squeeze to test the waters between the two of them, she notices he wears rings, notes the typical finger an engagement ring would be on to be bare and she wonders how she never noticed the jewelry before on camera.

"Hey Eddie," she says in a sweet, smooth voice. Her voice was softer in person, a small hint of a smile stayed on her face as their hands shook before she motions to the chair across the table from her. "Thanks for meeting me on such short notice."

"Nah, don't mention it. Thank you for meeting me. You're the one helpin' me out." he says with a half smile and a much heavier New York accent.

"You've exposed serial killers and I write pieces on local bakeries trying to make the world's biggest cookie I think I'm the one indebted to you." she says with a full smile, a chuckle that shakes her shoulders slightly, the long silver necklace with a tiny looking glass pendant shakes and shifts over her chest.

"Ehh." he says dismissively in a dragging way. Before he can compliment her work, both trying to feel each other out. the waiter brings the menus. "Oh, thank you." he says in a genuine way, making eye contact and nodding in acknowledgment to the woman. He'd passed the first test, being nice to the staff. Look's like Eddie Brock acting like a dick wouldn't be a problem she'd have to navigate.

"You wanna split a pizza?" she asks casually, eyes on the menu.

"Yeah, sure." he shrugs, his head nodding in a show of cooperation.

"The Margherita is good. Classic. Can't really go wrong with it." her finger taps the menu and she purses her lips.

"Sounds good." he says, looking back up at her, watching her face.

"But the real question I suppose is where do you stand on pineapple on pizza?" she subdues a smile as he realizes she's making comedic banter to clear the air.

"Oh, I don't care either way. Pineapple's good, pizza's good, who cares?" he says with a purse of his lips.

"A lot of people. Surprisingly." she shuts the menu and he sees her shoulders relax. "Perhaps we should do a report on the oppression of fruit on pizza. Get to the bottom of that conspiracy." her brows are high and her face is warm and friendly and it eases any jitters that were left.

"Gotta be careful. Who knows which fruit is behind the takedown of pineapple. Don't wanna end up messin' with "big cherry" or somethin', they're nasty people." he grins and they both share a laugh.

With the tension broken they both fall into an easy back and forth. After ordering they cover the basics, talk about beer, about the city and each other. As the steaming pizza is placed on the pedestal in the middle of the table, he decides to start to talk shop after as they mumble with mouthfuls about how they made a good decision.

"So I've noticed you have a lot of pieces about the homeless population in the city." he says as she finishes taking an indulgent bite of gooey cheese.

A muffled "Mmm Hmm." before she swallows and nods enthusiastically. "Yeah, I volunteer at a shelter a few blocks down." she motions behind her with her thumb out. "When I first moved here I had nothing, and I mean, here it's just a few bad decisions and you'll find yourself homeless at any given time," she says with a slight frown. "But I know you've done lots of coverage too. So you're familiar with how the causes of being out on the street. From simple bad decisions, things totally out of their control, to more complex problems like mental health or the young LGBT community, veterans with PTSD that our system has failed." she pauses for a moment and sighs. "I mean I've met every sort of person working at that shelter. And none of them bad." she shows a sad smile that says a lot on it's own. He gives a small upturning of one side of his mouth in support of the notion. Her face is more serious now, she meets his eyes and he sees that spark that caught his attention in the first place. "I know I can't fix everything. But people are all people have." she bites her lip for a moment, looking down. "So I figured I would try to focus my efforts and I was drawn to this one specifically." her voice is quieter, he leans forward to hear her better in the bustle of the restaurant and street. "I figure starting with trying to give people the basic things they need to survive is a good start. Shelter, food, clothing, care. A little bit of kindness can go a long way. Especially to someone who isn't used to receiving it."

"Yeah it's...it's very important to know where your passion lies. And y'know, I can tell you're passionate about this, it's a big reason I wanted to work with you." he admits.

"Thanks," she says with a sincere huff of breath. "What's your passion then? What've you been working on?" she asks innocently enough.

Oh shit, here we go, he thinks. Here's where he tells her the truth and she leaves and he's back to square one. "Uh well, nothing as of late." he admits his nose wrinkles slightly as she tilts her head, showing the confusion on her face.

"I noticed you hadn't been uploading anything but, I thought you might've been working on something big." her brow is heavier, wanting to know more without being rude.

He lets out a sigh and licks his lips, leaning forward on the table on his elbows. "I'll be honest with you Candace." he begins, finding holding her gaze easier than he expected. "I made an enemy out of a very powerful man by asking the wrong things in an interview trying to get to the truth." his voice is more steady, a little deeper and self-assured than it had been earlier in the night. "I went for it and he blacklisted me a few months back." he says with a slow nod, lips tucked into his mouth.

"Oh." she says with wide batting eyes. So THAT'S why he'd reached out to her. It was starting to make sense now. “Can I ask who?” she adds softly. 

It was a perfectly logical follow-up question. "Carlton Drake." he says with a frown.

"Oh shit," she whispers, her chin pushing into her chest. "That's...yeah I bet that guy has a lot of secrets." she says looking away, he could see the wheels turning in her head.

"I get it if you don't wanna work with me now, Candace I do-" he begins with slumped shoulders.

"No!" she insists, her brow heavy and a shake of her head. Her hand reaches out unexpectedly and rests on top of his. The sudden touch makes his face turns towards their hands a little too quickly to go unnoticed. "No that's...that's not fair," she says quietly. "What kind of asshole would I be if I'm preaching kindness one breath and then turning you away the next?" with one brow raised she retreats her hand. "I mean that's...that's heavy man. Not going to lie. But, I get it." her voice is slow and low, thoughtful and far nicer than he ever expected. "It's hard to know where to draw the line when trying to expose something that doesn't want to be exposed. Especially when it's covered by a man with a far reach and deep pockets like Drake." she shrugs, giving a closed mouth, sympathetic smile.

"Yeah. It was." he says with a slight snarl of his lip and a flash of sadness in his eyes.

"Even if we can get what we'd need to make an expose' and get a station to buy it, it's not gonna be the sort of money you're used to. I'm afraid I don't have anything that would bring that much attention."

"Those sorts of stories are really rare, I wasn't expectin' nothin' like that." he shakes his head. "I just miss the work. Y'know?" his nose wrinkles slightly in earnest.

"Yeah, I'd feel lost if I suddenly couldn't work anymore. But then again my eyes and ears are mostly homeless people so...not a high chance of that happening. Guess that's smart looking out on my behalf." she gives him a supportive smile.

"Not the most credible witnesses in some people eye's but, you're right about that. You seem to utilize your resources that you have really well."

"Having you help me will make it more credible I think, blacklisted or not. You can't have sources, video evidence, and eyewitnesses and be ignored by everyone forever."

"You already have those things?" his voice inflects upwards, sounding impressed.

"No." she frowns for a moment. "But I do know how we can get them." her smiles turns sly and it's infectious. "Here," she says, picking up her phone, scooting her chair closer to him and he meets her halfway. They sit arm to arm as she flips through her phone. "I've got a bunch of notes I can send you. Some audio recordings from witnesses and victims too. I'll send you these address and names..." she continues her thumb moving fast. "Apparently the police have been targeting certain homeless camps. They'll go in, push people around and make them fight to not get taken to jail over bullshit charges."

He nods as his eyes move over her picture of a map with doodled on circles and notes of locations and dates. "These are instances?"

"Yeah. I have all the names of the people I've talked to, of course, all but a few come to the shelter, so most aren't hard to find and they're more than willing to talk to someone who will listen. The problem is getting it on video. I need structured, on-camera interviews. I need written and signed witness statements and those people preferably need to be able to appear in court or at least appear reliable in some way if this does go to a legal level. I need to get it on video, pictures too of course but nothing is going to sell this like video will. And being in the right place on the right night is really tricky as I've found no real pattern between where they go and when."

"You've been working on this awhile haven't you?" he says with an impressed tone, seeing the dates go back for months.

"Yeah. Those that can remember, I have the dates of arrest and the charges they were filed with...have their mug shots saved from the booking website to document injuries, which there certainly are." she moves her face to look to his not even a foot away. "My personal problem is it's not safe for me to go to these camps alone at night. I've wanted to go deeper on this for a while now but I have to be smart about it. I won't be of use to anyone if I'm in jail or in a hospital." she explains with a pouty frown.

"You're definitely right about that." he nods, wishing he had her sense of patience and self-preservation.

"That's where I thought you might come in." she smiles sheepishly. "I thought maybe if we both went...maybe we would be okay."

"Man...it's been so long since I've done work like this." he almost whispers, face showing his consideration.

"I mean, I get it if you don't want to, it's dangerous so I'd understand if you didn't want to do it."

"Oh, no Candance, I definitely want to. Didn't mean to come off like I was gonna say no."

"Oh thank God." she exhales with a laugh. "I don't have anyone else to help me with this. We can go to the shelter and I can introduce you so they'll know who you are. That way there won't be any confusion. We'll take all the precautions we can. But getting video of a cop not only isolating them but threatening them AND making them fight then taking them in..." she shakes her head with a tired look on her face. "That's gonna take a lot of nights out there, and it'll just get more dangerous each time if the cops get wind of what we're doing."

"You're not wrong there." the same supportive nod. "But the reward would be worth the risk." he says with a gravelly tone and shrug. "I mean, this is a direct, unprovoked attack on at-risk people. Doesn't get much lower than that."

"It's been bothering me, honestly. I try to compartmentalize this sort of work but it's hard when you get to know these people."

"Yeah." his voice soft and higher pitched. "I understand that too well."

"I was really hoping you would." he notices how breathy her voice sounds so close. She sounded so genuinely relieved that he would help her, when she's the one helping him in his opinion. He gets caught up in that fire in her eyes again, seeing now the yellow flecks that exist in the pools of brown.

The waitress interrupts with the check and they both snap upright.

"What's your email? I'll send you all this and the rest tonight." she says, thumbs already moving.

"Oh, it's easy just eddiebrock at Gmail." he shakes his head dismissively.

"Keep it simple. I like it." she smiles and nods, noting it anyway. She moves and reaches for her wallet as he's already reached for his. "Nope. Put it away Eddie, I invited you out, I got it." she insists.

"You not even gonna let me pay for my own?" he asks with a high pitched boyish laugh.

"Nope. We could've met somewhere without food and I brought you out here and I'm not gonna have you spend money just because I was hungry." she says with a shake of her head, standing and placing the small booklet back on the table.

"Well maybe I was hungry too." he says playfully.

"Either way, I'm really grateful for the help so stop fighting me. You won't win." she grins and an almost goofy smile comes across his face.

"Whatever you say." he says with a firm nod and a charming smile.

They both stand at the curb, the sun having set, the neon lights from building signs now playing across the still wet splotches on the asphalt and making the oil rainbows shine across the road.

"Hey," he says to get her attention, one hand in his pocket, the other motioning towards his bike. "If you won't let me buy my own dinner, how about I save you the cost of a ride and I can take you home?" his voice was chivalrous and not suggestive.

He sees her considering it, thumb hovering over the lit up screen, lip twitching as she looked over to the bike. "I don't want you to have to go too far out of your way or anything." she says with a shake of her head.

"Don't be ridiculous. It's the least I can do. Where do you live?"

"In the mission district." she says softly, noticing the scruff of his face as his hand rubbed his chin.

"That's in the middle of everything, what're you talkin' about out the way?" he says with a charming laugh that moves his chest. He notices the smile grow from a twitch at the corner of her mouth to a full smile up to her eyes. "Unless you know..." he smirks, "You're afraid of the bike or somethin'." he says hunching his shoulders towards her, the mischievousness in his eyes to tease her make her scoff at him, her head tilting to the side and her mouth open as if she were offended.

She blinks slowly a few times, he can't tell what she's thinking as her eyes narrow, but with a tilt of her head she answers, "Did you really just call me a chicken?" she asks with laughter in her voice "That's some grade school bullshit Brock." she says, no actual anger in her face. She makes a point to show her defiantly putting her phone in her pocket, she zips her jacket up dramatically. "And if you think I'm gonna fall for that..." she says with attitude, her head moving back and forth. "You'd be right." she says with a straight face before a smile that reaches her eyes comes across her face. "You got an extra helmet?" she asks with a quirked brow.

"Just so happens I do." he grins proudly at the fact his mischief paid off. His cheeks high and making his eyes smaller in his first showing of genuine excitement in months. "So that's a yes?" he leans in and tilts his head playfully.

"Yes, that's a yes you big bully." she rolls her eyes and laughs.

"C'mon ya bad ass." he says with a gritty laugh, walking across the street with her. "Let's get ya home Candace." he says with a sharp jerk of his head in the direction of the motorcycle.

She likes how he says he her name, like his accent makes it sound more fun or something. She glances over his face, noting how good he looks in the low light of the street lamps as he puts the helmet on her and straps it under her chin.

"There now, that isn't gonna go nowhere." he says, patting the top of the helmet. She then gets the treat of watching him throw his leg over the bike, jeans strained in all the right places as she holds back a gulp. She follows his lead before he has to ask, she knew how this worked. She just wasn't sure how she was going to handle being pressed up against him with her arms around him for the entire ride. She wasn't scared, he hadn't flown in on the bike like a bat out of hell or anything, but she'd be lying if she hadn't thought this was some girlish fantasy come to fruition for her.

He looks at his phone to remember the address before he starts the bike, she notices he saves it into her contact information. She supposes he would have to come to her place eventually, she wonders if she'll ever get to go to his.

"Alright. Grab tight, we're all friends here." she can feel his laugh as she wraps her arms around his waist, feeling small against the broad expanse of his shoulders. He shields her completely from the biting wind except for her hands, but the warmth from his skin coming from under his shirt was distracting enough to make her not notice.

So she closes out the night with her arms around Eddie Brock and a promise to see each other again. And not just once, but many times, for many hours at a time. It was the most eventful Friday she'd had in what was probably years. But then again, she wasn't much one for things like clubs and going out all night. Her best Fridays were spent with someone she liked, food and a good movie, a video game or a book. She'd had everything but the latter, and she expects she'll be curling up with one after she gets home. She tries to remember everything she can, because when she tells Steph that she rode bitch on Eddie Brock's bike with him taking her home she was going to be the one demanding details for once. ------------------- The next time Eddie and Candace see each other is four days later. But the next time they talk was that same night. Staying up late, her emailing all her work to him, and him eager and having nothing better to do with his time on a Friday, he sat up a workstation of sorts on his coffee table and got to reading.

He was impressed with how thorough she'd been. She had a storyboard of how she wanted the final video to look, she had the name, date and time down for every little note. He'd had people that had worked with him at the network that didn't have their shit together to this degree. He knew she'd be good, he'd seen her work, seen her editing and her delivery but getting into her notes was like getting to see how her mind worked and he found he liked what he found there.

It had been easy to feel less than enthusiastic at times when working for a network. It wasn't as heartfelt or passionate, there was less danger to it and it certainly hadn't made him as genuinely excited about doing something like this was. At the network, he'd been wrangled, censored and directed. But this time he was totally free. Of course, he would work within the frame that Candace wanted to, it was her baby after all, her idea in the first place. He hadn't thought he'd find himself so...what was that feeling he'd almost forgotten? Oh yeah, happy. He'd never been one to play second fiddle to anyone, in his work life he wanted to be aggressive and self-assured, but those traits didn't follow him in pretty much any other aspect of his life. It was nice to feel those things again after feeling like he'd been on an endless losing streak.

They stay up with each other on speaker for almost two hours, organizing, making plans, discussing options and open hours. Even though it was work it didn't feel like it. She seemed genuinely excited about working with him, and in turn that made him even more excited about working with her. When was the last time someone had been happy to see him? He stopped to think about as they ended their phone call. He recalls it had been about four months since Anne left him, and when it did end she certainly hadn't been happy to see him.

The biggest laughs they both experiences in the next few days come from their interactions with each other. She put down acronyms in her notes. They hung there unexplained and eventually Eddie snaps pictures of them sending her the photo with "???" in question. She explained her shorthand, and every now and then he would guess one right, her sending him a gif that would congratulate him. But most of the time he was clueless, and when he found himself stuck, he'd snap another pic and send it with some nonsensical words. Once they were comfortable, telling jokes to each other after feeling out each others sense of humor, the suggestions got more ridiculous and risque. They were the highlight of Candace's work hours. "BTA-RG" Bring The Atlas Right Gear, meaning the GPS didn't work well in that part of town and she needed to bring her gear bag for that bit of work. But when Eddie sent "Big Titties Are Really Great?" out of nowhere she snorted loudly and everyone in the office turned to look at her. She blushed just slightly, hunkering back down and explaining herself. She was more than happy to learn what a total dork he was turning out to be. ------ He sits at the counter at a small hole in the wall diner. He's halfway through a greasy burger when the slam of a heavy bag on the counter breaks his enjoyment. Luckily for him, the sight before him was something that he was enjoying even more than the burger.

It was Tuesday, and since her shift at the shelter on Saturday had been spent talking to people once again, she had more notes to discuss.

"Sorry I'm late." she sighs out, unbuttoning the top clasp of her dress shirt because she was feeling particularly stuffy in the suit she was wearing.

"Oh. Wow." he says with a funny little smile.

"What?" she says freezing, asking him with the move of her brow and her hesitant smile.

"You uh-" 'You look really nice.' is what came to mind but, he takes a detour at the last minute, chickening out. "You have a meeting or somethin'?" he asks, wiping his mouth with a thin napkin from the beaten up metal dispenser that matched the rest of the interior of the greasy spoon location.

"Ugh yeah," she says with a frown. "Had the owners of the paper come in today." she explains.

She turns to look at the pegboard menu on the wall for a moment and he takes in the sight before him. Her navy suit is well fitted, a white button up under it, a pair of heels peek out from the slightly flared bottoms of her pants. He did love it when an attractive person wore a suit well. He liked it even better when he was close to that person, who also happened to be very nice and smart, so that he could get a good look. He hears her order of a double stack burger, onion rings, and a milkshake. He liked that she'd never been light about eating around him, made him feel comfortable like if she wasn't hiding anything, he might not have to either. She had yet to make him feel like anything other than a friend.

"I ran copies of my notes, hope you don't mind going old school." she says with a pleasant smile, reaching into her bag.

"Nah." he says wiping his hands on his jeans and taking the stack from her. "Been a long time since I've got to sit back and have a nice, long threesome with a pen, a highlighter, and some notes." he smirks.

She laughs, something he's pleased to hear instead of reading 'lol' or 'haha' on a screen. "I'm like that with books. I know my tablet can hold a library's worth but there's just something about having that physically in your hands." she says with pouted lips in understanding. She takes a long drink from her milkshake. "Ah, I needed that." she slumps and takes another long drink. "Those meetings are such a pain in the ass. I feel like I deserve a good dirty meal as a reward." she sighs. "I wouldn't mind them if my boss didn't get so worked up over them. Like, just let me do my thing, I got my shit handled like I do every time. Just unclench your butthole and breathe." she rolls her eyes and he lets out a little chuckle.

"I would agree that you have your shit together." he nods supportively.

"Thank you. I do." she says in agreement, but not in an overly cocky way. "So much so it seems I will be taking over the online division for local events as well."

"Oh! Congrats on that." he says with a friendly smack to her arm.

"Thanks. But that also means I'll have less time to work on this. Unfortunately." her face shows genuine disappointment. "But I still wanna do it with you, we're still doing this. You're not gonna get out of it that easy." she leans in in a teasing way, raising her brows at him.

"I don't want out, don't gotta threaten a man, geez." he says playfully.

"Good." she says with a strong nod. "I might need you to do some interviews that I had planned on doing myself though. Would that be okay with you?" she asks before taking a huge bite of her burger, both hands around it, her cheeks puffed like a chipmunk and he found it incredibly endearing.

"No, no problem." he says, half smile still growing as he mirrors her and takes another bite of his.

"I'm down for Saturday again at the shelter. I let the ones I talked to," she points at the stack of papers on the counter. "...the ones in there, know about you and that you'd be working with me. Could you come Saturday afternoon and I'll introduce you, show you around?" she suggests before taking another bite.

"Consider me all yours on Saturday, Candace. I'm ready to get my hands dirty on this with you. Whatever you need help with, just let me know and I'll earn my share alright?" His warm tone and charming smile catch her off guard. She hadn't expected him to be so nice, so willing to roll up his sleeves with her, but she couldn't have been happier about it.

"Great." she says with a relaxing of her posture, elbows moving to the countertop. "We'll go check out some campsites, get a feel for them and the people there. I'll know quite a few, and the more that know both of us the better chance we'll have at them looking out for us when the time comes." she takes a noisy sip of her milkshake. "We can go around the surrounding areas, know the routes in case we have to make a run for it." she let's out a little huff of a laugh but she's serious.

"Sounds good. Been too long since I've had a good stakeout." he nods and grins. "How much area we talkin'?"

"In all Tenderloin's about fifty blocks. We won't be covering all of it but, if we wanna be thorough. And you know I do." she says with a big smile that he returns. "We're talkin' about twenty-five blocks I'm guessing." she nods thoughtfully. "So wear comfortable shoes." she chuckles.

"Well, uh...what about my bike? I can get us around a lot faster that way. I mean we'll have to do the perimeters on foot but it'd really cut down on the time in between."

"I don't have a car so that sounds good to me," she says with a shrug. Her response was casual but the thought of being snuggled up to him on that bike again made her feel like her light reaction was a lie. "We'll be walking a lot so you wanna plan on grabbing something afterward together? We seem to have similar tastes." she smiles, giving a nod to the burger in the red plastic basket in front of him.

The suggestion catches him off guard. It wasn't work, but it didn't feel like anything beyond that either. "Yeah, I'm sure I'll be starving after all that anyway." he purses his full lips and slowly nods.

"Maybe this time you can pick the place? I've picked twice now, it's your turn."

"I don't...know nothin' in the area really." he says slowly like he was thinking while we was still speaking.

"Well, it doesn't have to be in Tenderloin. Where do you live? We can go somewhere you like instead." she says as if that was obvious.

He didn't know that he could take her somewhere farther away, he wasn't sure of the rules of hanging out after work together when all the usual lines of working with someone weren't there. There wasn't a hierarchy from working in an office, no handbook for relationships for two people out trying to enact their own forms of justice. "I live in Fillmore," he says looking out the window behind her. "Honestly Candace, I have a bar I go to and the rest is take out. Unless you want something from the Chen's corner store." she sees his smile seems to be covering something. Like he's embarrassed maybe, which she didn't understand exactly but she wasn't about to let him feel that way.

"Well does the bar have food?" she says in an interesting way.

He lowers his head and does his high pitched short laugh. "Nothing worth eating." he shakes his head.

"We have until Saturday to figure it out. No rush." she shrugs. "Although takeout might really hit the spot after all that work." she side-eyes him, eating her food but keeping an eye out for his reaction. He seems comforted by her words, he didn't need to be sheepish about these sorts of things with her she hoped he'd come to realize. "We could always get some beers, some Chinese or Thai or something and look over the footage we got. Carbo-load after all that walking." her face is forward, now chewing away at an onion ring.

"Yeah you're probably right about that." he wanted to ask where she intended on eating that take out exactly. But 'my place or yours' didn't exactly feel right. He needed an excuse to clean his apartment anyway, and if on Saturday she meant her place, at least he wouldn't be coming home to a depressing bachelor pad. --------------------- Saturday comes and it goes swimmingly. He was personable and gentle with the people she introduced him to. It seemed he was aware he could come off as a little intimidating physically. She couldn't help but notice the way he would get on the other person's level, his voice a soft and considerate and he didn't even laugh loudly so he didn't come off as abrasive. He did most of the talking after the initial introductions. She could tell he'd been researching and paying attention and she was impressed and grateful for the time and consideration he was putting into the work. He made eye contact and touched to connect with people when appropriate, he was good at communicating and she could see how he could get information out of someone if he wanted. A good looking guy like him with emotional intelligence and cleverness to back it up? She really couldn't have found a better partner to work with.

He seemed really knowledgeable about legal matters, able to explain things about prosecution and evidence and trials when people would ask what we wanted out of this work, or what to expect if we did end up being successful. He always stated first he expected us to be successful, and that we were doing it because we wanted to help first and foremost, not to exploit anyone or for the money. She comes to find that she was correct about him dating a successful lawyer, or rather he was engaged to one. Apparently, when he'd gone rogue on Drake, she was also fired from her job and left him. She could hear and see the sadness in his voice and eyes when he would talk about Anne. Candace felt bad for him, but she didn't pity him. If anything she was a bit jealous that he could find anyone at all in this city worth marrying.

She'd deleted tinder ages ago after reaching her limit on immature people who wanted too much from her. After so many failed dates, getting ghosted and even catfished once she'd just given up on actively seeking out someone. She wanted a partner, not someone who depended on her or got intimidated by her own ambitions. But as she liked to remind herself when she started to feel lonely, her career wouldn't wake up one morning and tell her it didn't love her anymore. So she went about her life and stayed sane with the occasional hookup, letting the cards fall where they may.

As they sat on a bench, watching and timing the police patrols of the areas, he got more inquisitive about her with his questions. He learned she came from Kansas, which would explain the strange middle of the road accent she now had. He tells her he's from New York and she does a dramatic expression of faux surprise at the news, which makes him laugh, realizing the obviousness after the fact. His instincts have him pry a little further as she seems willing to answer anything he's sought after so far. He finds out that she left Kansas after dealing with her own blacklisting of sorts. She'd exposed the mayor to pocketing all the vending machine money in all of the government buildings in the city. In her inexperience, she expected some big show of support for her efforts, a dramatic kicking out of the man in question and a public shunning afterward. But she soon learned that life isn't like the movies. The good guys don't always win and get to ride off into the sunset. Sometimes the bad guy gets reelected after a city-wide audit and the good guy gets blacklisted from working in the town. This had pushed her to move away, knowing she still wanted to find the truth and expose it and found she wanted to do that for people who couldn't do it for themselves. That how she found herself doing what she did now. He admired her work ethic and ambitiousness that apparently were deeply ingrained her. She was clearly someone who spoke with both actions and words, never shying from hard work and willing to face failure in the name of the greater good.

Once the sun starts setting they take everything they've gotten and stroll through a lovely, green park to get back to his bike. Eddie actually makes a suggestion of a Chinese place they can get food from. They stop and grab a six-pack before picking up the food and heading back her place. A locked front door and an elevator show the security of the place and he's thankful she found such a good spot since she lived alone. As soon as he walks in the studio apartment he can see her in the decor. It wasn't loud or overdone, pieces she'd written, landscapes and artistic typography hang on the light colored walls. She tells him to make himself comfortable as she grabs some clothes out a chest of drawers.

"I'll be right back, gotta peel off this outer layer I put on for the public." she jokes, already brushing her hair up with her fingers before she shuts the bathroom door behind her.

Eddie takes it upon himself to get the food out onto the small bar with stools in the kitchen. He grabs a box and sits on the soft grey couch placing a beer on a diy tiled mosaic coaster that rest on the coffee table in front of him. He looks around and finds the similarities between their places; a bed blocked off by a bookcase, although hers was much more organized and full of books, kitschy knick-knacks, and collectible toys. A blue desk with a fuzzy white chair in front and stacked boxes with scribbled names and places all full of papers. She had tall stacks of colorful books, titles telling him her wide range of interests from autobiographies to fashion and space. It looked lived in, comfortable but calm and he felt like he could move about the space without disrupting it too much. It felt warm and welcoming and a touch offbeat just like she did.

She comes out of the bathroom with a fresh face, pajama pants with a feminine floral pattern on them under a plain white shirt, her hair pulled up into a pile on top of her head. The act of her letting him see her like this seems like a statement in itself he thinks. She sits next to him, switching on the tv and plugging in the camera to her laptop before putting on a pair of black framed glasses. They clink their beers as they dig in with chopsticks and watch the news as the footage uploads to her computer.

He tells her about which newscasters are dicks in person, sharing a few stories of rubbing elbows at network parties that make her laugh. For the next few hours, they sit side by side, hunched over and watching what they'd gotten over the span of the day. She makes notes and marks time stamps for editing later, something he didn't have as much hands-on experience with as her and was taken back by how fast her brain and fingers would work in tandem to create something coherent out of him simply talking to another person. He compliments her skills, and she compliments his interpersonal skills for making it so easy to capture the right sound bites. This back and forth of praise becomes the norm for them while when work together, and it's something they both needed to hear from someone else whether they knew it or not.

Neither of them said it, but they both felt a sort of ease with each other. This was more rare for Eddie than Candace. She seemed confident no matter where she was. A trait she'd had to learn early, being a young woman in the city. Eddie, on the other hand, was outwardly charismatic but inside feeling totally comfortable was rarer. He'd tried to ignore his worries of things getting awkward with such long spans of time being spent with a stranger and an attractive one at that. The awkward silences never came and the stall in conversations were never long or spent with an inner panic trying to figure out how to get it going again. She never made him feel anything but welcome and appreciated and he'd been going home feeling better about himself every day they'd spent together.

Candace kept being pleasantly surprised by how he was just so nice. He had an animated face that spoke expressive words that never came off condescending, but always charming and usually funny. They'd grown quite fond of each other, and the chains of texts sent back and forth about things that weren't the case between the times when they'd see each other were proof of that.

Pt. 3

@raceylacy​ @emerald-bijou​ @negansdirtygirl22​ @brianaisasongbird​ @vale0413 @izzy-the-ginger

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Spring Anime 2017 Part 1: woke up late

This time I prepared so I could get to the procrastinating right with the first post! Yay! Let’s get this show on the road.

See also:

• spring anime 2017 part 2: girlfriendship is magic

• spring anime 2017 part 3: comfy and easy to wear

• spring anime 2017 bonus round: things you already knew were good

Alice to Zouroku

So get this, a pretty girl with psychic superweapon powers escapes from a lab she’s been in her whole life and now has to adapt to the real world with the help of a guy she stumbles upon, all while being chased by her superweapon former friends. But in a shocking twist, this is actually better than Elfen Lied! Not being written by someone as brutally incompetent as Lynn Okamoto is a start, but the real change here is that our heroine is less murder machine and more genuinely cute, and more importantly the guy she ends up with is not a harem ringleader dorklord, but a grumpy elderly florist. Yeah, we’re skipping the recent trend of dadfeel anime and diving headfirst into granddad feels (I don’t know if aging otaku are quite old enough to fully self-insert yet, but the same principle applies). It’s a low hanging fruit, but that’s what makes it work; a deliberate, contemplative pace and delightfully whimsical music by TO-MAS also help. So far, so good, were it not for the fact that this is only one aspect of the show. Of course a show like this would have an action half as well, and that one’s pretty garbage. Not only is it directed with zero impact or excitement, it also relies on horrible CG a lot - I really don’t want to be reminded of Hand Shakers this quickly again, thank you very much. Plus, it runs with a Alice in Wonderland metaphor, which is baby’s first literary reference and doesn’t bode well about the intellectual ambitions of the project. So we have one half that’s admittedly effective, but also very predictable and which desperately needs to go somewhere to pay off. The other half just plain sucks and has little chance to improve. I think I’ll give this one a few more chances to sort out its priorities, but it’s definitely not a sure thing.

Busou Shoujo Machiavellianism

A cocky guy walks into a school full of pretty girls with weapons who have managed to sissify all the dudes by forcing them to crossdress. He then proceeds to troll them with his rugged charm. You know, it’s really not that easy to offend me but damn this show is trying. Apart from bottom-tier harem crap setup, this show also looks like ass and is tremendously boring; a few well done action cuts do not in fact excuse “fights” that mostly consist of exposition about special attacks, or terminally uninspired direction. Macchiavellism is the worst of shounen fightmens crossed with the worst of harem LNs, plus some of the worst jokes bad anime comedy can come up with. It’s not even audacious enough in its badness to boggle the mind; I could watch this if I was interested in adding another 1/10 to my MAL, but that’s about all I can appreciate about it.

Frame Arms Girl

Speaking of unholy combinations, here’s Gundam Build Fighters x Rozen Maiden x Strike Witches: A girl stumbles into a sentient mecha musume model kit that spends its time explaining the technical details of model building to her and attracts other model kits that want to fight. It’s an ad for model kits, what do you expect. There’s no characters, the plot is utterly uninteresting, the action’s bad, it looks subpar to bad, and the only high point is how brazenly it reads to you from the manual.

Gin no Guardian

Here’s your latest Chinese webcomic adaptation from your friends at Haoliners Animation League (Shanghai) Inc., whose output has been asymptotically approaching the quality level of a bad Japanese cartoon for years now: Closer than ever, but still not quite there. Maybe they should stop picking bad webcomics with incomprehensible nonsense plots as source material, just sayin’. So this is about a dude who beats up CG zombies in the spirit world but the actual story is how he got there? Or something? It manages to look barely alright and even has some visually striking design work, but its half-length run time prevents it from forming any semblance of coherence and I’m not about to ask for further clarification.

Oushitsu Kyoushi Haine

In a vaguely 18th century Germanic kingdom, a grown ass man with the body of a ten year old and a snarky disposition is hired to become the tutor of an instaharem of fabulous princes. I really don’t get who this is for; obviously the harem is straight out of a PSP otome dating sim, but it’s lacking the obvious self-insert dimwitted main girl, and no, it isn’t gay romance either. Even though it’s a comedy, that aspect does not seem to be played for outright parody. The source material is running in GFantasy, a shounen title (but not one as specifically elementary schooler-focused as Jump, it also carries fujo favorites such as Black Butler). Dubious provenance aside, Haine is moderately funny if nothing else, mainly due to the deadpan reactions of the main character to these ridiculous dreamboats. It just also drags more than a little, with long conversations that aren’t very entertaining all the time. It’s watchable compared to a lot of the stuff out this season, but I remain unconvinced.

Rokudenashi Majutsu Koushi to Akashic Records

After Macchiavellism already obliterated the battle harem bingo, here’s our next winner. The setup’s more or less the same and in some respects it’s even more formulaic (the school is actually a magic school for magic people, princesses, duels, &c), but Akashic Record is not quite as odious simply by focusing on being a comedy first and foremost and pulling that off at least on a technical level - it has good visual execution and comedic timing. The question is just how much credit you want to give it for that when the jokes themselves still suck, and that’s of course ignoring the entire setup being Light Novel as all fuck. Kinda seems familiar actually, because this is not entirely unlike to what KonoSuba did to the isekai genre, and people keep trying to tell me that that was totally great. Well, go watch this one then, motherfuckers.

Sagrada Reset

But there’s always the other kind of light novel, the one where high schoolers talk about life, people and the world. Think Bakemonogatari or OreGairu. Sagrada Reset wants a slice of that pie and starts by stealing the magical realism conceit from classic™ visual novel Wind ~A Breath of Heart~: There’s a remote town in Japan where everyone has superpowers, but if they leave the town they instantly forget about it. Oops, i guess I just spoiled Wind’s midgame, but I have to since Sagrada Reset puts this stuff right upfront because it has to discuss technicalities (at length) to make its plot work. Yeah, that’s how I like my magical realism, thoroughly explained and conceived by people who should write wikis, not fiction. There’s a girl who can reset time, but only once per arbitrary period of time and also including herself, which means she only finds out she already did it once it doesn’t work again. So that’s pretty useless, except there’s a guy whose superpower is having his memory unaffected by this. They have to work together to solve... some problems, I suppose. This whole idea seems to have potential in a JoJo subplot sort of way, but it’s completely sunk by the way the thing is written, since apparently the writer has never met a human being in his life. It’s entirely made of these pseudo-deep highschool stoner philosophy conversations presented in a lifeless inflection by people who stand around like robots on battery saver mode. This seems to be intentional (at least the term “robot” is thrown around a couple of times, which is certainly ominous), but it also makes for an excruciating and interminable watching experience.

Sakura Quest

Since Sakura Quest was announced, I have been gleefully throwing water on the hype of people who expected this to be the next Shirobako. After all, how likely is it for lightning to strike twice, especially considering Mizushima is not in the director’s seat? Surely it was all just wishful thinking, I want a S2 of Shirobako as much as everyone but I just don’t trust anime. Well consider me fucking told, since apparently among the parties wishing for more Shirobako is P.A. Works, and unlike the anitwitterati they can make it happen. The actual brand name seems to be reserved for a Mizushima project, but I would have no trouble believing that Sakura Quest is a spinoff about Aoi’s sister in the boonies; Shirobako Sunshine, if you will. The initial setup is mirrored here; Yoshino is not a young professional starting her dream job, but a young professional unable to score a dream job (or any job) so she settles for a random one she’s very skeptical of, but will undoubtedly learn to love. Apart from that, well, it’s Shirobako: The positive tone, the large cast of likeable oddballs, the relatable writing about post-highschool problems, and it even looks completely identical. I’ll still be realistic about it: Shirobako isn’t great for what its ideas were, but for how thoroughly it delivered in the long run, and this is by no means guaranteed to also happen with Sakura Reset Quest. For an episode 1 though, it’s like a dream come true, and P.A. are setting themselves up for seasonal double domination with this and Uchouten Kazoku S2.

Souryo to Majiwaru Shikiyoku no Yoru ni

Enough gushing, here’s 5 minutes of porn. Okay, it’s josei porn so there may still be gushing involved if you know what I mean, nyuk nyuk. Er, sorry about that. Sooooo there’s a sexually frustrated woman who meets her school crush who’s now a priest, and then they fuck. With a staff made up mostly of (non-josei, but hey) hentai OVA veterans, there is really only one way this could go. I appreciate the brazenness as usual, but I really don’t know how much steamy harlequin romance tailored to TV broadcast standards I want to watch.

Tsugumomo

I’ve seen some warnings about Tsugumomo based on its source material which is a manga with 1. a very high level of art quality and 2. content that has been described as “makes To-Love Ru Darkness look family friendly”. This may explain why it has not been licensed. It doesn’t explain why this first episode is fairly tame though; sure, it’s very much an ecchi comedy, but you get those from time to time and Tsugumomo is not any more raunchy than what I’m used to seeing (and it accomplishes this even without obvious BD-advert censoring). That incidentally also removes any reason to watch it: The plot is as basic “guy gets magical girlfriend for purposes of fights and/or walking in on her naked in the bath” from 15 years ago as they come, and it’s suspiciously well animated, but not well enough for that to be a selling point. Maybe it will get real skeevy eventually, I won’t be around to find out.

Warau Salesman NEW

Warau Salesman starts strong with ultra cool, Saul Bass-inspired opening credits, but that’s about all it has to offer. It’s based on a “black comedy” manga from the 60s by one of the Doraemon authors, and oh boy can you tell. Not only are the character designs 60s-tastic (so at least the Osomatsu-san fujos can schlick to something while they wait for the S2 of that), but so are the sensibilities: The titular salesman goes around tempting frustrated office workers with doing something moderately irresponsible, such as drinking in your lunch break or spending above your means, and then ruins their life when they actually do it. It’s like Twilight Zone written by your HR department. In the 60s. This stuff would have been outdated even in 1989, when it was animated for the first time – hence the “NEW”. I don’t know, it just seems mean-spirited, obvious and pointless, and most importantly I put the “black comedy” in quotes because in addition to not being very black, it’s not funny in any way, and unlike regular anime comedy I can’t even see what’s supposed to be funny. 

[writeforsoreeyes]

This Month’s Reads: January

In an effort to remember more of what I read, I’ve decided to track properly this year and record my thoughts in brief. Thus, here are This Month’s Reads.

highlights: I’ll Be Gone in the Dark, The Ghost Bride, They Both Die at the End, and a lot of comics

[image description: the covers for the books listed below]

Heart of Gold vol 1 (Eli Baum & Viv Tanner) Dunant is a faith healer. Ionel is a pianist losing his sight. Every week Ionel attends Mass hoping to be cured, but Dunant turns him away. Meanwhile, a series of strange deaths casts a shadow over this gorgeously illustrated tale.

While not much especially romantic occurs, our two leads are clearly leaning on the edge of something. Ionel is intrigued by the priest, both due to his own needs and Dunant’s lonely aura. Dunant confesses his innermost doubts to Ionel inadvertently, leading to some interesting discussions of faith. Those discussions and the art’s tender beauty were the highlights for me. The pacing was slow for my tastes and some scenes felt like they could’ve been edited or cut to avoid repetition.

*

I Hear the Sunspot vol 1-3 (Yuki Fumino, translator: Stephen Kohler)/ A brash college student named Taichi meets fellow student Kouhei by chance. Kouhei’s good looks attract attention, but he feels isolated due to his hearing loss. Taichi begins taking notes for Kouhei in exchange for lunch and a slow burn romance ensues.

This is one of my favorite manga from recent years, so I always reread the previous volumes when a new one comes out. Truly, the series improves with each volume. With the expanding cast, the mangaka explores different perspectives on and experiences with deafness. Volume 3 introduces Ryu, who is Deaf and lives life quite happily without hearing-- in contrast to Kouhei, who fears losing his remaining hearing.

[image description: the covers for the books listed below]

Little Women (Louisa May Alcott) I read Little Women for the first time during a young adult literature class in college. I must confess that I remembered very little of the plot, so reading it again was like starting entirely new. I forgot how funny it can be! The moral lessons for the most part still apply today, though I disagreed somewhat with a few of them.

The most intriguing and frustrating thing for me is Jo March, who reads to me as very much queer, though what flavor is debatable. My personal interpretation (and I’ll admit that I’m projecting) is that Jo is transmasculine and somewhere on the ace spectrum. And, personally, I believe the author was some flavor of queer as well.

*

Only the Ring Finger Knows (Satoru Kannagi & Hotaru Odagiri, translator: Sachiko Sato) This month’s BL LookBack!

*

Versailles of the Dead vol 1 (Kumiko Suekane, translator: Jocelyne Allen) I know very little about French history, so I have no idea how faithful this tale is to actual events. However, I don’t think the actual Marie Antoinette was her twin brother, possibly possessed by a demon. Likewise, I’m quite certain there were no zombies rampaging France.

Usually zombie stories and historical dramas don’t interest me. But I have a weakness for crossdressing plots, despite them usually being problematic. Surprisingly, this registered fairly low on the problematic scale-- so far. And while I wasn’t exactly riveted, it was compelling enough to persuade me to preorder the second volume. I hope this receives an anime adaptation because it could be quite spooky under the right director.

*

Coyote vol 1 (Ranmaru Zariya, translator: Christine Dashiell) It took me several attempts to finish this BL because the first chapter put me off. As expected of “werewolf in heat” erotica, there’s some dubious consent issues. However, once I finally got past that first chapter, the dramatic plot lured me in.

Werewolves are half-forgotten by the general populace, but certain groups still hold a grudge against them-- including the Galland mafia family, which our human lead “Marleen” is set to take over soon despite personally having no issue with werewolves. Meanwhile, our werewolf lead Coyote accepts a job to kill the Galland heir, not realizing it’s the very man he’s fallen in love with. Overall, the story has its fair share of objectionable issues, but I’m compelled enough to keep reading for now.

[image description: the covers for the books listed below]

I’ll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer (Michelle McNamara) I think that if a person were going to only read one true crime book ever, this one would be a good pick. The actual true crime element of the book is great. The writer excels at bringing the people to life-- the victims, the cops, the witnesses, even the unknown killer. She has a real knack for adding just enough evocative detail to paint a picture without sensationalizing.

However, what I find most compelling is how thoughtfully she examines her own motivations and actions-- and thus those of the reader as well. What is it about true crime that attracts people? And how can we pick apart these real life tragedies while respecting human life?

*

The Prince and the Dressmaker (Jen Wang) Frances is a seamstress working hard for a pittance and dreaming of grander things. Her designs catch the attention of Prince Sebastian, who is in need of both a dressmaker and a secretkeeper. The two become friends, often making a splash around town with Sebastian dressed up as the glamorous Lady Crystallia. However, some secrets can’t be kept forever.

This comic has been on my to-read list for a while based solely on the cute cover and title. It was indeed cute (I especially loved the comedic off-model panels) but the story went deeper and was more rewarding than I anticipated. However, content warning for a character being outed in a humiliating manner; it’s more intense than you might expect for comic like this.

*

Life Outside the Circle (H-P Lehkonen) Artist Sami leaves big city Helsinki for remote, rural Finland. There he meets his new neighbor Juha and Juha’s young daughter Maiju. Culture shock and romance ensues.

I had the good fortune to meet the cartoonist at TCAF 2018. I enjoyed the book I picked up from him there, as well as the queer Finnish comics panel he moderated. So I figured I’d check out more of his work and he didn’t disappoint-- this comic had plenty of genuine humor, heart-warming moments, and realistic angst. I especially appreciate the blasé approach to Sami being transgender; it’s just one of his traits and while it does influence some things in the story, overall it’s not that important.

*

The Ghost Bride (Yangsze Choo) An early contender for favorite book of 2019 appears! This book has it all: romance, spooky thrills, adventures in other realms, wit, plenty of food, and an upcoming Netflix miniseries!

Our hero is Li Lan, who has attracted the unwanted romantic attention of local rich boy Lim Tian Ching. Not only is he rude and selfish, he’s also dead! As Li Lan struggles to ward off Lim Tian Ching’s invasive spirit, she becomes more and more drawn into the world of the ghosts-- as well as the secrets of the Lim family and her own. I loved all the rich detail, both for the real life historical setting and the fantasy settings. Highly recommended and I’m very excited for the TV series as well.

[image description: the covers for the books listed below]

Monthly Girls’ Nozaki-kun vol 10 (Izumi Tsubaki, translator: Leighann Harvey) Another volume of Nozaki-kun, another plea from me for another season of the anime, please! Not to say that the manga isn’t good-- it’s great-- but this is a case of the anime being better, in my opinion.

Anyway, the rom-com misadventures of Nozaki, Chiyo, and the crew continues. Relationship development continues to be slow, which is no issue for me since that’s hardly what I’m reading for. (That said, Kashima and Hori seem like they might be on the verge of becoming a couple? Maybe?) Since I read Nozaki as aroace, I’m pleased to report that he remains as aroace-seeming as ever. Poor Chiyo, however, is crushing on him harder than before, to the extent that it’s starting to become kind of creepy.

*

The Other Dress (Emmy Engberts) This month’s transreading!

*

They Both Die at the End (Adam Silvera) I’m well aware that I’m in the minority here, but I actually enjoy reading major character death when it’s done well. “Enjoy” might be the wrong word; what I mean to say is that I appreciate the experience of being moved so powerfully by a work of fiction.

My main concern going into They Both Die at the End was that the deaths would feel cheap. After we get to know the main characters (who are young and healthy) so well and they’ve been through so much together, what kind of death could possibly feel authentic and “worth it” to the reader? I won’t spoil the end for anyone, but I thought the author came through strongly. Thoughtful and emotional with intriguing world building.

[recentnews18-blog]

New Post has been published on https://shovelnews.com/two-point-hospital-is-funny-smart-and-surprisingly-deep/

Two Point Hospital is funny, smart and surprisingly deep

I’ve spent a chunk of this week playing Two Point Hospital, an overhead-view commercial management game. It’s made by some of the same people who created Theme Hospital two decades ago, and they’ve definitely been saving up a lot of good ideas, which are implemented superbly in this game.

Two Point Hospital is made by British developer Two Point Studios and published by Sega. It puts me in charge of a series of hospitals, each with their own challenges. My responsibilities are first to lay-out the wards, offices and amenities, next to balance the budget, and finally to achieve medical excellence through staff training, fiscal rectitude and detailed personnel management.

Two Point Hospital is deeply strategic, and I fear explaining all of its systems could serve as anesthetic. So instead, allow me to share the three things I like most.

It’s Funny

Two Point Hospital is a rare thing in gaming; it’s genuinely amusing. The gags range from silly puns to razor wire social commentary, and they’re an integral part of this zany world. I don’t want to suggest that each joke is a belly-laugh-riot — taken individually they’re borderline inane with a heavy emphasis on Britishisms — but as a collection, the jokes create a mirthful environment that adds to the overall appeal.

Hospital management is serious stuff, but the Sims-like people in this game have goofy names, and their ailments are jokes. People who are “lightheaded” have actual lightbulbs for heads. Clowns roam around, groaning under the weight of clown-related illnesses.

A radio station and a hospital announcer poke fun at the inanities of modern life, as well as the cruelty of commercialized care.

Eventually, repetition wears out its novelty and I switch off the audio, but by that time, I’m already in love with this world. I’m also full of admiration for the writers of this game, who’ve packed it with fun, all of which add up to a comedic theme of likable dad jokes and wordplay.

Two Point Hospital Sega

It’s deep

This emphasis on humor can be deceptive. In the early missions, I find myself wondering if the jokes are a distraction to a shallow game. At first, the game seems to be little more than placing rooms, decorating them, and filling them appropriate staff, such as doctors and nurses. But as I emerge from the training sections into more challenging missions, my view changes sharply.

Two Point Hospital’s array of rooms, staff, items and resource sliders evolves gently into a detailed simulation of a complex organism, in which errors of judgment or lazy decision-making have far-reaching consequences.

I learn quickly the importance of monitoring my staff and making sure they are efficiently exercising their duties. Cheap-skating on salaries is just as dangerous as incautiously generous remuneration. Likewise, the belief that one doctor is much the same as another, in a simulation where specialization is so important, can be catastrophic. They each have skills and personalities which must be taken into account.

Silly jokes bring levity to a serious management sim.

Two in-game currencies are at play. One is basic income, which can fluctuate wildly and must be managed with care. Ambitious expansion projects can take time to yield profits. Sloppy management of floorspace soon creates inefficiencies, or other problems. Another currency, called Kudosh, allows me to unlock new items. This gives me more options for resolving specific problems, such as inclement weather, local pandemics or aesthetic development.

Increasing complexity eventually makes for a weighty workload of stuff that must be attended to, in which speed and accuracy of judgment become essential. There’s nothing casual about this game, when bank funds are low, the inspector is in town, a pandemic is breaking out, and hospital staff are all hopping mad about their miserable working conditions. It gets pretty frantic.

As I play and as I learn, I find that specific use of certain items in specific places can offer benefits, or they can create new problems. Experimentation is as important as good sense.

Two Point Hospital Sega

It’s clean

Hygiene is important to hospitals, but when I say this game is clean, I’m talking about its user-interface and its design.

There’s a lot to track in hospital management. A series of smartly designed overlays, menus and data screens allow me to stay on top of emerging crises, while I monitor underlying systems as I strive for increased efficiency.

Hospital rooms are easy to lay down and to populate with beds, machines and decorations. There’s a fine balance between giving your little people space to work, and making sure all the required resources are available inside finite spaces.

People who enjoy spatial management will appreciate the amount of work that’s gone into designing these areas, and giving players enough room to be creative, without turning it into a frustrating experience.

Likewise, the little people are pleasing to the eye, moving around in a way that syncs nicely with the game’s cartoon aesthetic and its humorous bent. Yes, it’s funny to watch clowns going to the bathroom. Don’t ask me why.

So, bottom line, is that this game is warm-hearted and coldly calculated. It’s smartly designed for beginners, and maddeningly challenging thereafter. It looks great. Two Point Hospital is a carefully-constructed challenging business simulation that doesn’t take itself too seriously. It’s out now on PC.

Two Point Hospital was reviewed using a final “retail” Windows PC download code provided by Sega. You can find additional information about Polygon’s ethics policy here.

Source: https://www.polygon.com/reviews/2018/9/6/17828188/two-point-hospital-review-windows-pc-mac-linux

[ramialkarmi]

Alison Brie says she looks for acting work that 'terrifies' her

Best known for her comedic work in movies and TV — and her recurring role as Trudy Campbell on “Mad Men” — Alison Brie is on the cusp of taking her career up a notch. And she’s getting there by taking on some edgy material.

On Friday, you’ll see her as the lead in the fictional origin story of how the Gorgeous Ladies of Wrestling got off the ground in the 1980s with the new Netflix series “GLOW.” Then a week later she and Aubrey Plaza star as horny nuns in the indie comedy “The Little Hours,” in which they seduce an attractive man-servant (played by Brie’s husband Dave Franco) who has mysteriously shown up at their 14th-century convent.

Brie recently talked to Business Insider about shedding her girl-next-door persona; how many times Franco put her through watching “The Room” in preparation for “The Disaster Artist,” an upcoming movie about the making of the bad-movie classic (directed by Dave’s brother James Franco); and her excitement about playing Meryl Streep’s daughter in the the upcoming Steven Spielberg movie “The Papers.”

Jason Guerrasio: "The Little Hours" marks the first time you and Dave have starred in a movie together. Were you guys interested in working together on a project?

Alison Brie: We were. I sort of unofficially signed on first. I've known ["The Little Hours" director] Jeff [Baena] for a couple of years.

Guerrasio: Since you did "Joshy"?

Brie: Yes. And I've known Aubrey for years just because we were both at NBC at the same time and knew each other socially. And then I worked with Jeff very briefly on "Joshy" and developed a friendship. Jeff invited me out for coffee and said he had an idea he wanted to talk to me about and pitched me this movie. And Jeff is so smart and he basically studied this time period and this topic and just as he described to me these stories from "The Decameron" and adapting them into a film. Us playing nuns in the 14th century and that Aubrey would be one of the nuns and possibly Molly Shannon — the whole idea just got me very excited. It's so unique and the majority of movies getting made today are remakes or stories that have been done before. I feel almost everything you see has a quick log line of "it's this meets this" and this was not like that at all.

Guerrasio: But was it also exciting that it was edgier than the nice girl-type roles you usually get?

Brie: Definitely. I'm always looking for that. I feel that's always the goal, to try to do work that is different from material that I have done before where characters are different or some aspect of it is different or exciting in some way. And with "The Little Hours," another big part of it was — I mean, hearing that it's going to shoot in Italy didn't hurt at all — but that it was also unscripted. Jeff had a detailed 20-page outline for what the plot of the movie would be and what would happen in each scene but there was no script so there was this feeling of it being an experimental film. That we would go to Italy with this group of people that we know and love to perform with and we would make it up together as we went along. That, to me, seemed like an amazing adventure. It kind of scared me and I'm always intrigued by things that scare me. I like to run at stuff that terrifies me.

Guerrasio: I wondered about how you pulled it off, particularly the sexuality of it. I mean, you're there with your significant other and he's taking part in some racy scenes. I know it's all performance, but did those scenes ever get weird or uncomfortable for you?

Brie: No. It really didn't. Jeff had told me the premise of the movie before Dave had signed on to do the movie, so I knew that it was about this guy who shows up and all the women seduce him. And I said, "Who are you thinking of for the guy?" Because I'm thinking, God, I hope it's someone that I respond to. And when he said Dave I was relived. And I sort of helped convince Dave a little bit to do the movie.

Guerrasio: That's funny.

Brie: I just felt, how much fun would it be to go to Italy together on this strange adventure with this movie? Also, both of us are professional and we watch each other do romantic scenes all the time. If anything, it was more comfortable because I knew all these people so well.

Guerrasio: This won't be the last time you and Dave will be in a movie together. You'll both be in "The Disaster Artist," so how many times has Dave put you through watching "The Room"?

Brie: [Laughs] Um, I think only one time.

Guerrasio: Wow. I figured at least a couple of times.

Brie: Dave signed on to do "The Disaster Artist" very early on to work with James. This was still when they were putting the movie together. So I didn't think I was going to be involved at all. I was around while Dave was doing his research, but we never watched the movie together. Then we listened to the book on tape of "The Disaster Artist" together. So from listening to that he said, "You have to see the movie now that you know the backstory," so we bought a copy of "The Room" at Amoeba and we put it on and two minutes in I was like, "I have to have a drink, I can't watch this totally sober." But the crazy thing about that movie is it's so genuine.

Guerrasio: I’ve heard people who are fans of the movie like Jonah Hill and Paul Rudd, and I'm sure James feels the same way. They don't love it because they think it's bad — they appreciate the work that's gone into it and want to champion it.

Brie: Yeah. And it's really an endearing and inspiring story about two friends trying to make it into the entertainment industry.

Guerrasio: I talked to your trainer Jason Walsh. He said you did all your own stunts for "GLOW."

Brie: I did.

Guerrasio: Did you suffer any injuries from doing all the wrestling moves?

Brie: No. Not at all. I hate to disappoint you —

Guerrasio: No, it confirms that what Jason said is true: You are a badass.

Brie: [Laughs] It definitely does. No, I think the work I did with Jason definitely helped to keep me safe. Because we certainly got banged up. I had visible bruises, you can see them on my legs and butt in episodes of the show, but we had a great wrestling trainer for the show, Chavo Guerrero Jr. He comes from a long line of wrestlers, so he was incredible with us and very patient and made us all fall in love with wrestling. And our stunt coordinator, Shauna Duggins, whose main priority really was our safety and breaking down these moves so we would be able to do them for 10-12 hours at a time. And obviously there were tricks. If the camera doesn't show all the way to the mat, there would be a pad there that we would land on. And a bigger move, like a suplex, we would limit the amount of takes. We would say, "We got five suplexes in us today, so tell us when you got the shot."

Guerrasio: You also recently have been cast in Spielberg's "The Papers," about how the Pentagon Papers were released. Can you get into who you will be playing?

Brie: I’m playing Lally Weymouth, Katharine Graham's daughter. So Meryl Streep is playing Katharine and I'm playing her daughter.

Guerrasio: Have you had a chance to meet up with Meryl yet?

Brie: I met her very briefly on set when she finished shooting a scene and she could not have been lovelier. I'm over the moon, I couldn't be more excited about that movie. I could burst into tears right now just talking about it. It's a dream come true.

Guerrasio: You are really at a point now where your profile is rising. What's the next elevation? Would you go the superhero route if called upon?

Brie: I hope that's the case. I would love to. I think especially after working on "GLOW," where we all felt like we were superheroes, in a way it has satisfied my desire to do something like that. But in some ways it's only whet my appetite. But I guess I feel very lucky that I've been able to work on such different projects recently. All different time periods and genres. So that looking forward is the goal. I love working in comedy. I would want to continue doing that, but I would also like to do more dramatic roles. Since wrapping "Mad Men" I have missed that a little so I'm excited to work on "The Papers" at that capacity. Just continuing to work with great people.

Guerrasio: Is there a superhero character you would drop everything to play?

Brie: Oh gosh, no. I'm open for any. Just call me and offer. [Laughs]  

"GLOW" is available on Netflix Friday. "The Little Hours" opens in theaters June 30.

 SEE ALSO: RANKED: Every Pixar movie from worst to best

Join the conversation about this story »

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[ramialkarmi]

Alison Brie says she looks for acting work that 'terrifies' her

Best known for her comedic work in movies and TV — and her recurring role as Trudy Campbell on “Mad Men” — Alison Brie is on the cusp of taking her career up a notch. And she’s getting there by taking on some edgy material.

On Friday, you’ll see her as the lead in the fictional origin story of how the Gorgeous Ladies of Wrestling got off the ground in the 1980s with the new Netflix series “GLOW.” Then a week later she and Aubrey Plaza star as horny nuns in the indie comedy “The Little Hours,” in which they seduce an attractive man-servant (played by Brie’s husband Dave Franco) who has mysteriously shown up at their 14th-century convent.

Brie recently talked to Business Insider about shedding her girl-next-door persona; how many times Franco put her through watching “The Room” in preparation for “The Disaster Artist,” an upcoming movie about the making of the bad-movie classic (directed by Dave’s brother James Franco); and her excitement about playing Meryl Streep’s daughter in the the upcoming Steven Spielberg movie “The Papers.”

Jason Guerrasio: "The Little Hours" marks the first time you and Dave have starred in a movie together. Were you guys interested in working together on a project?

Alison Brie: We were. I sort of unofficially signed on first. I've known ["The Little Hours" director] Jeff [Baena] for a couple of years.

Guerrasio: Since you did "Joshy"?

Brie: Yes. And I've known Aubrey for years just because we were both at NBC at the same time and knew each other socially. And then I worked with Jeff very briefly on "Joshy" and developed a friendship. Jeff invited me out for coffee and said he had an idea he wanted to talk to me about and pitched me this movie. And Jeff is so smart and he basically studied this time period and this topic and just as he described to me these stories from "The Decameron" and adapting them into a film. Us playing nuns in the 14th century and that Aubrey would be one of the nuns and possibly Molly Shannon — the whole idea just got me very excited. It's so unique and the majority of movies getting made today are remakes or stories that have been done before. I feel almost everything you see has a quick log line of "it's this meets this" and this was not like that at all.

Guerrasio: But was it also exciting that it was edgier than the nice girl-type roles you usually get?

Brie: Definitely. I'm always looking for that. I feel that's always the goal, to try to do work that is different from material that I have done before where characters are different or some aspect of it is different or exciting in some way. And with "The Little Hours," another big part of it was — I mean, hearing that it's going to shoot in Italy didn't hurt at all — but that it was also unscripted. Jeff had a detailed 20-page outline for what the plot of the movie would be and what would happen in each scene but there was no script so there was this feeling of it being an experimental film. That we would go to Italy with this group of people that we know and love to perform with and we would make it up together as we went along. That, to me, seemed like an amazing adventure. It kind of scared me and I'm always intrigued by things that scare me. I like to run at stuff that terrifies me.

Guerrasio: I wondered about how you pulled it off, particularly the sexuality of it. I mean, you're there with your significant other and he's taking part in some racy scenes. I know it's all performance, but did those scenes ever get weird or uncomfortable for you?

Brie: No. It really didn't. Jeff had told me the premise of the movie before Dave had signed on to do the movie, so I knew that it was about this guy who shows up and all the women seduce him. And I said, "Who are you thinking of for the guy?" Because I'm thinking, God, I hope it's someone that I respond to. And when he said Dave I was relived. And I sort of helped convince Dave a little bit to do the movie.

Guerrasio: That's funny.

Brie: I just felt, how much fun would it be to go to Italy together on this strange adventure with this movie? Also, both of us are professional and we watch each other do romantic scenes all the time. If anything, it was more comfortable because I knew all these people so well.

Guerrasio: This won't be the last time you and Dave will be in a movie together. You'll both be in "The Disaster Artist," so how many times has Dave put you through watching "The Room"?

Brie: [Laughs] Um, I think only one time.

Guerrasio: Wow. I figured at least a couple of times.

Brie: Dave signed on to do "The Disaster Artist" very early on to work with James. This was still when they were putting the movie together. So I didn't think I was going to be involved at all. I was around while Dave was doing his research, but we never watched the movie together. Then we listened to the book on tape of "The Disaster Artist" together. So from listening to that he said, "You have to see the movie now that you know the backstory," so we bought a copy of "The Room" at Amoeba and we put it on and two minutes in I was like, "I have to have a drink, I can't watch this totally sober." But the crazy thing about that movie is it's so genuine.

Guerrasio: I’ve heard people who are fans of the movie like Jonah Hill and Paul Rudd, and I'm sure James feels the same way. They don't love it because they think it's bad — they appreciate the work that's gone into it and want to champion it.

Brie: Yeah. And it's really an endearing and inspiring story about two friends trying to make it into the entertainment industry.

Guerrasio: I talked to your trainer Jason Walsh. He said you did all your own stunts for "GLOW."

Brie: I did.

Guerrasio: Did you suffer any injuries from doing all the wrestling moves?

Brie: No. Not at all. I hate to disappoint you —

Guerrasio: No, it confirms that what Jason said is true: You are a badass.

Brie: [Laughs] It definitely does. No, I think the work I did with Jason definitely helped to keep me safe. Because we certainly got banged up. I had visible bruises, you can see them on my legs and butt in episodes of the show, but we had a great wrestling trainer for the show, Chavo Guerrero Jr. He comes from a long line of wrestlers, so he was incredible with us and very patient and made us all fall in love with wrestling. And our stunt coordinator, Shauna Duggins, whose main priority really was our safety and breaking down these moves so we would be able to do them for 10-12 hours at a time. And obviously there were tricks. If the camera doesn't show all the way to the mat, there would be a pad there that we would land on. And a bigger move, like a suplex, we would limit the amount of takes. We would say, "We got five suplexes in us today, so tell us when you got the shot."

Guerrasio: You also recently have been cast in Spielberg's "The Papers," about how the Pentagon Papers were released. Can you get into who you will be playing?

Brie: I’m playing Lally Weymouth, Katharine Graham's daughter. So Meryl Streep is playing Katharine and I'm playing her daughter.

Guerrasio: Have you had a chance to meet up with Meryl yet?

Brie: I met her very briefly on set when she finished shooting a scene and she could not have been lovelier. I'm over the moon, I couldn't be more excited about that movie. I could burst into tears right now just talking about it. It's a dream come true.

Guerrasio: You are really at a point now where your profile is rising. What's the next elevation? Would you go the superhero route if called upon?

Brie: I hope that's the case. I would love to. I think especially after working on "GLOW," where we all felt like we were superheroes, in a way it has satisfied my desire to do something like that. But in some ways it's only whet my appetite. But I guess I feel very lucky that I've been able to work on such different projects recently. All different time periods and genres. So that looking forward is the goal. I love working in comedy. I would want to continue doing that, but I would also like to do more dramatic roles. Since wrapping "Mad Men" I have missed that a little so I'm excited to work on "The Papers" at that capacity. Just continuing to work with great people.

Guerrasio: Is there a superhero character you would drop everything to play?

Brie: Oh gosh, no. I'm open for any. Just call me and offer. [Laughs]  

"GLOW" is available on Netflix Friday. "The Little Hours" opens in theaters June 30.

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