im gonna rant a little sorry about it but, so
i know that ninety-five percent of putting your writing out there - submitting to lit mags, querying, submitting to contests - is rejection. i know that. i know that it's all subjective too, right? there isn't really one Objectively Good piece of writing - one person loves it, one person doesn't get it, one person hates it etc
that being said, i have been getting a lot of rejections lately, and i am starting to get seriously weighed down by them. i'm already in a bit of a slump with my writing, and add the rejections on top of that, i start to question if i'm actually any "good" at this thing, or if i should just quit while i'm ahead.
i don't know, just feeling really fucking sad and discouraged about writing rn (this does not include fic writing) and i guess i just wanted to say the quiet part loud if there's anyone else who reads this and is feeling the same way - it's fucking brutal out there, and i'm starting to not even want to play the game anymore
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Random things in Blue Lock I find endearing:
-> Barou looking after Nagi
This was cute, you know. I mean, Barou was the one who first scolded Nagi for swimming in that bathtub, but he is also the one taking care of him—you getting me? It's a small thing, I know, but it's really cute!
-> Rin accepting Hiori's help
With the way Rin was shown till that point, I was actually scared for Hiori because I thought Rin was going to shook off Hiori by saying, "Fuck off!" Like, it just seems very plausible for his character, but then he surprised me!
Just look at him allowing Hiori to help him up by his arms! I understand that many will think that I've gone crazy, but this is one of those things where if you know, you know.
–> Barou throwing Nagi
I snorted at this panel. Like, before this panel, we can see that Isagi literally has his hand around Barou's nape, but no, Barou has to throw Nagi only, it got to be Nagi—if that doesn't sum up their relation, I don't know what will.
–> IGA-DA-GOAT-GURI and Goatmaru
When Isagi's name was suddenly called and he got startled which cracked them up. I just absolutely loved the above panel—so adorbs‼️
-> Sae being Sae
I really haven't seen anyone talk about what he said above—even I seemed to have overlooked his words. It seems so bittersweet that when Sae gave validation to Isagi, he mentioned Rin too like, "He saw through your instincts too." Almost as if it were some kind of necessary requirement for someone to shine in his eyes.
Like, in simple words, "You looked through my little brother's instinct too? Now that's some good shit!"
It's kinda a subtle way of Sae giving Rin validation too like, "He is a solid player! How I know? Oh because he saw through your gameplay."
Sweet.
-> Ubers
Lorenzo especially. Like, just look at him! I don't need to say anything more!
-> Silly Boy
I wanna squeeze his face!!!! AAAAAA!!
And he is supposed to be the ace of the national team???? Like, look at that face, I will never be intimidated by such a cutie patootie. He deserves so many smooches!
-> Little Brother
Aww. Just, awwwwwwww.
Head pats is my own love language too, so seeing this made me melt, and to be honest, Niko is Blue Lock's little brother! It just makes sense to think like that.
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The worst thing for me about the chapter 236, is that I would have loved the first half of this chapter as a Gojo send off after he died. It was very well done, in my opinion.
But.
But we got zero build up for it. Literally it feels like a chapter is missing in between 235 and 236. And Gojo literally got off screen killed because of it. And we got only like, two afterthought panels of people reacting to Gojo's death and then we moved on to another fight.
Like. This is not a way to kill off a part of your main cast. It feels like such "Gojo's dead? Oh, well." that I can't really like it. I feels like Gege done this for shock value, especially since he had many moments that would make more sense to kill Gojo in if he wanted to do this from the beginning.
Lets look at chapter 232. If we go straight from it to the chapter 236, doesn't it make more sense than what happened between chapter 235 and 236? If I didn't read any chapter in between 232 and 236 I wouldn't have missed any context at all (except maybe why Sukuna is a little more hurt).
And thats... Really does not spell well for the story.
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I love how you draw your gin and vodka!!!!!they so cool and cute!!!now I wonder what is you're gin backstory.like do he parent work with the organization or something like that??I'm just curious
:D AWW THANKIEEE ANON!! i keep telling myself that i'm gonna draw them being threatening and. it doesn't happen. they end up being sappy again. so im glad i'm not the only one who enjoys it regardless lmao
as for backstories. uh.
good question.
what backstory my personal versions of Gin and Vodka DO have — and my versions of the entire Black Org. team, too — is vague enough to be almost canon-compliant while leaving plenty of wiggle-room in case future canon declares any new information i think is interesting.
it's not a tactical choice! working around canon to make things complicated is part of what makes playing with side characters fun for me. :>
also i'll admit: i usually don't think much about a character's childhood unless it gives something meaningful to the story.
i don't think it matters too much why Gin got into the Black Organization? to me, it matters more that he's there and making it everyone else's problem :P i might change my mind later though, we'll see!!
for Gin and Vodka, at least, their backstories are more of a years-long, vaguely three-arc showcase of who they are at wildly different points in their lives together, which has some really interesting moments implied but not explicitly stated.
just for fun, here's a synopsis of those 'Arcs':
(i remembered to write a transcript this time, it's under the read-more)
“ARC” 1: SETUP
(met once, briefly, by accident.)
VODKA
(asides: “Just some dude” & “he uses cheap ballpoints and it hurts my soul. he gets better I promise.”)
maybe grew up in a rural area?
recently finished college, working at one of the Black Organization's front companies
dealing with being a closeted gay man while also trying not to get involved in normal office drama and still hear all the gossip
Very Aware that the company is doing some shady illegal stuff and is SUPER CURIOUS, but 1), he'd like to keep being payed thank you, and 2), he has enough self-preservation to know better than to go snooping
honestly he's just Some Guy
GIN
(asides: “dysphoria hoodie” & “[PROTOTYPE] called, Alex wants his damn clothes back.”)
where did you even come from-
working as a low-level assassin with the Black Organization but already starting to garner attention from some of the higher-ups
aggressive, paranoid, AND experiencing dysphoria all at the same time!!! uh oh!!
dealing with the gradual realization that being trans is. a Thing. while also having a really bad-ass action movie as a life, complete with betrayal and murder and explosions
starts transitioning after he climbs the Organization's ranks enough to carve out a place he KNOWS he's safe and can relax
“ARC” 2: MEET-NOT-CUTE
(a year or two after “Arc” 1)
VODKA
suffering from the aftermath of The Incident and trying to grapple with the fact that he's been working for an international crime syndicate
and trying to understand his role in all of this mess
and trying not to get killed by his new boss
AND is trying not to think about the fact that his new boss is SO scary and mean
AND trying SO HARD NOT TO THINK ABOUT HOW HE'S KINDA INTO THAT-
GIN
high-ranked enough that he can no longer keep working alone and he HATES IT SO MUCH
it's not just a blow to his pride, it's also all the paranoia. it's mostly the paranoia, to be quite honest
called dibs on the most harmless, pathetic-looking man he could find who still seemed to be useful. and that man was Vodka
even so, spends a good while CONVINCED that Vodka will turn on him if Gin gives him the chance.
BOTH
Gin keeps trying to bait Vodka into trying to kill him and is infuriated as nothing happens.
Vodka sees the bait and is confused at first, later horrified when he figures out what Gin's expecting him to do
as Vodka shows his usefulness, Gin starts to calm down. full-on Trust takes several years to develop
the first time Gin falls Asleep near Vodka freaks Gin out more than a little
“ARC” 3: GET A FUCKIN ROOM
(roughly a few years before and into Canon)
Vodka: “If you want coffee you gotta’ let go.”
Gin: “*unintelligible sounds of disapproval*”
they aren't in a romantic relationship. they haven't even had a one-night stand. and yet they carry a very "aging gays who've been married for 30 years" energy. it drives the Team up the wall.
before the Trust developed, Vodka let Gin control/initiate all contact as an appeasement/self-preservation strategy. at this point he still does it, but out of habit more than anything.
plot twist, Gin's actually super tactile with people he trusts. he invades Vodka's personal space constantly. it's especially bad when he's cold or tired (so, most of the time)
they know each other's boundaries very well even though they never, like, sat down and talked about it. it's been trial and error thus far. it helps that they're also good at reading each other.
Vodka's uncomfortable attraction turned into a crush, which turned into quiet love. Gin's wariness turned into trust, which turned into love. BUT Gin's doesn't think much about trust OR romance so he's not actually aware (yet) that his feelings for Vodka are more than Really Strong Trust. he also doesn't know Vodka's feelings for him (YET)
there are so many ways this fucking slow-burn could end and I love all of them too much to pick just one
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