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#greg's famous father-son relationship
measuringbliss · 4 days
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Spider-Man Read-Through 064 Wig Snatched (SSM 53-58, SSM Ann 3) P2
MASTERPOST
In this post...
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Two bitchslaps!
We're reading Spectacular Spider-Man 58, then Annual 3 in this post!
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John Byrne... Are you trying to make Slim!Peter happen? In which case, congrats, your version has become the most common and I hate you.
Anyway, it's a new semester!
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What in the Steve Ditko is this Peter face?
Anyway... Ah yes, Greg Salinger... Or, as I shall call him, Flash Light. We've got 2 Gwens, 1 Flash... What a great cast.
Anyway, in the Tinkerer's old lair...
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Alright, sure. The Ringer quickly gets beaten up by another bad guy...
Meanwhile, at ESU, Peter's about to get into another unethical relationship with a student...
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"Intense", he says while barely able to stand on his feet.
The trial of Steve Hopkins v. ESU hath begun...
The verdict? Guilty.
The punishment?
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Good for her! She slays, I have to say.
Peter asks Debra to join him that night at Benihana (which I know from One Day At a Time). He says there was a terrible misunderstanding and he's "hate for it to interfere with [their] friendship". Their "friendship"?????? What kind of mixed signals are you giving, Peter?
And she accepts.
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WHERE ARE YOUR THIGHS, PETER?!
On his way to Benihana, Spidey has a quick encounter with a reluctant Ringer (who's actually being manipulated by the other villain).
At the restaurant, Peter and Debra finally resolve their misunderstandings. Debra says she'd like to continue their conversation, and Peter tells her to find him at his apartment half an hour later. I thought for a moment he would miss the obvious implication that she wanted to peg him, but thankfully, he didn't.
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Uh-oh. Something tells me Peter's not gonna be in the mood to get pegged anymore.
Except only the belt itself explodes. Our Ringer is fine, and quickly delivered to the police.
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I'm not sure they'll talk much.
The secret villain was... the Beetle! And the belt actually gave him informations to beat Spidey. Hm, sure.
Anyway, onto Annual 3!
Man-Wolf's being a bit chaotic in town.
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I'm glad we finally keep going with this plot thread.
The two characters fight for a bit, then Man-Wolf flees and returns to Kritine, his girlfriend, who faints when she discovers he wasn't dead.
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Peter being kind of bitchy at the Bugle (good for him).
Jameson's understandably shocked that his son might be alive.
Spidey crashes into Kristine's window.
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I'm NOT going to read that. But wasn't he an illusion anyway?
Anyway, Jameson gets there too, and they all go together to see Curt Connors. Things don't work out so well.
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That middle drawing... is... a thing.
After bitchslapping his father twice, John finally gets rid of the Moonstone. Yay!
After the story, we see May's photo album. That's cuuute.
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Yeah I'm sure he was just... fiddling with the device.
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Red shirt!!!!!!!!!
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Lovely callbacks <3
We also see plans of Peter's office, which is neat, and a quick introduction of who's whom!
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They're finally starting to feel realized! Phil doesn't look very Asian here though...
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This is cute! And yeah, I finally "get" these characters. That's nice! We met them around ASM 196, but I feel like it's been much longer. SSM doesn't help.
Next, we get "Spider-Man's Most Famous Foes", as in... Morbius (alright), the Gibbon (what?!), Jonas Harrow (this really is another era...) and Hammerhead (OK). What a peculiar gallery.
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At least I know I'm not alone.
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greywindys · 2 years
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How has Kendall changed your perspective on 2D? I can kind of understand where you are coming from, but I'm genuinely curious to see what parallels you are drawing here because I agree with your parallels between 2D and Greg. Current 2D wants what Greg has. (TomGreg anon here, btw.)
TomGreg anon! If you're still checking, I'm sorry this has taken so long. I haven't had a lot of extended quiet time to just sit down to think and type out super niche fandom reflections though I love to write them. I'll try to illustrate this the best that I can without the use of the Venn diagram because I don't think it applies.
To preface, I'll be talking about two relationships here: Murdoc and 2D, and Logan and Kendall. Though I'll be referencing 2Doc, I'll only be talking about Kendall and Logan as a familial (father/son) relationship. Shipping ethics is fun to talk about too, but that's not what this discussion is about, so we're *not* going there lmao.
So, anyhow...
In terms of personality, I don't think Kendall and 2D have much in common, but there are some similarities in their respective roles, though they respond to them differently. Both of them start out in a position where they're singled out to occupy high pressure position in some way - Kendall is preparing himself to take of his father's company, 2D is thrust into the role as the face and voice of a famous band. The stress and overall demand of their roles exacerbates their personal issues, most notably their substance abuse (though Succession’s portrayal or Kendall’s addiction is so much more nuanced than Gorillaz’ portrayal or 2D or Murdoc’s addiction). While Kendall's role is more dynamic in the sense that he, at least initially, really wants to inherit Waystar, only to be denied it and later fight against it, I see a connection in the fact that he likely experienced the same pressure 2D felt. Which leads me to the next point...points.
Most of the parallels I see are between Kendall's relationship with his father, Logan, and 2D's relationship with Murdoc. TomGreg is the obvious comparison, of course, but I think you could draw similarities between a few Succession relationships (I'll throw TomShiv out there as well). Tbh, I hadn't considered Kendall and Logan until my re-watch.
First, I think it's pretty obvious that Murdoc is most concerned about having 2D in the band. He can replace or adapt without Russel and Noodle, but he can't and won't move forward without 2D. He both despises him for being everything he couldn't (the frontman, the lead singer, his mundane background) and cherishes him as his only friend who seems to love him back, and as the person who essentially saved him by being an instrumental part of the band that got him away from his old life. He's jealous of him, he's wary of him, but he also can't separate himself from him.
This is very similar to how Logan treats Kendall, though personally, I think their relationship will always be more, well, everything simply because it's a parent/child dynamic vs two random guys lmao. I won't get into the attachment theory part of it all, but we as people have evolved to bond to our parents because our survival depends on it. Even when they're abusive like Logan, it's bond that's extremely difficulty to break (hence how he continues to manipulate all of his children throughout the show). While I don't think he has an obvious favorite child the way Murdoc has a favorite colleague, it's clear he wanted (and still wants? maybe?) Kendall to be his successor and views him as knowledgeable, skilled and beneficial to have as part of the company. Similarly, he resents Kendall because he thinks he, along with his other siblings, had it "easy." He seems to resent Kendall the most because of how competent he could be, and how, up until the end of S3, he was the only one who would make big move against him. I believe Kendall even calls him out for being "jealous" at one point.
Additionally, Logan uses/manipulates Kendall with little concern for his well-being the same way Murdoc uses/manipulates 2D in earlier phases. He pulls Kendall out of rehab when he hasn't even been there 2 days so he can do a TV interview to give Waystar positive press. He uses his connections to make deals, he uses his knowledge (context - I believe Kendall is the only one of his siblings who actually like, studied business, at Harvard no less) to make business decisions and testify in front of the senate. I couldn't list the entire show here, but hopefully you get the idea. And like Murdoc (P3 Murdoc to be specific), he doesn't let Kendall leave the company when he finally asks to.
Okay, I'm way beyond simply typing "too much" at this point lmao, but I want to quickly touch on Kendall and 2D. They both hold onto hope that Murdoc and Logan will genuinely show that they care at some point. They see-saw between loving them and hating them. Kendall does a lot more with this as a character. We see him take action and self-destruct and try again and slowly come to the realization of who his father really is. His character arc is a lot more emotional and satisfying and well-written for these reasons, but the similarity is still there. And where Logan doesn't changes, Murdoc arguably does, and his relationship with 2D begins to mend.
To be clear, I still don't like who 2D is now. If anything this only illustrates his wasted potential to me even more. I don't root for him or care about him the way I do Kendall, but in knowing Kendall, I can put myself in 2D's shoes...or my version of 2D's shoes, a little more easily, and have some empathy for him.
And yes, 1000% 2D (and Jamon for that matter) WISHES he had Greg has.
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undertheinfluencerd · 3 years
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https://ift.tt/2WZpvJm #
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In stories about growing up for audiences who are growing up themselves, a strong main character is a necessity. Coming-of-age stories have been around for centuries and have always been popular in cinema, from the days of James Dean to the modern world of Netflix originals.
Related: 10 Of The Best Coming Of Age Movies Everyone Needs To See
While there are many elements of coming-of-age movies that work together to create one timeless tale, such as the soundtrack and shooting locations, the key is a lead protagonist with whom the viewer can wholly identify and empathize. Over the years, there have been some truly impressive young actors who nailed this brief and delivered performances that will forever stand out in their careers.
10 Nick Robinson – The Kings Of Summer (2013)
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In a modern coming-of-age tale for fans of Stand By Me (1986), Nick Robinson stars as Joe, a teenager frustrated with his father’s micromanagement. To escape his smothering suburban life, he invites his best friend and an unusual new acquaintance to build a house in the woods and live off the land.
With humor as this movie’s crowning glory alongside breathtaking shots of the Midwest, Robinson demonstrates his acting range in an impressive feature film debut. He manages to effortlessly keep up with comedic veterans like Nick Offerman and Marc Evan Jackson but also demonstrates control and solemnity in the movie’s tenser moments.
9 Thomas Mann – Me And Earl And The Dying Girl (2015)
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Greg is an unusual choice for a story’s main character, and Thomas Mann captures his socially awkward nature but chameleon-like behavior effortlessly. Although Greg has made it his mission to “remain on low-key good terms” with every student in school, he struggles to see outside of himself until he becomes friends with terminally ill Rachel (Olivia Cooke).
Related: 10 Best Coming Of Age Comedy Dramas Like Juno
Greg’s development is displayed with as much poise as such a gauche character can be afforded, from seeming emotionally blank to succumbing to grief in Rachel’s room. Opposite Nick Offerman and other great talents in Me And Earl And The Dying Girl, Mann’s comedic delivery, both verbal and physical, is truly something to behold and never wanes.
8 Elliot Page – Juno (2007)
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Juno is the blueprint for American Independent cinema, primarily for its Oscar-winning script and unconventional story of teen pregnancy. With a host of celebrated actors surrounding them, Elliot Page shines in what is arguably their most memorable and beloved role.
The offbeat comedy and sarcastic quips of Juno is one for the textbooks, and Elliot carries it with ease from start to finish; the odd vocabulary tossed around rolls as effortlessly as standard English off their tongue. They may appear unimposing in stature, but they dominate every scene with wit and hilarious delivery to make not only an unforgettable movie but a memorable main character.
7 Patrick Fugit – Almost Famous (2000)
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Aspiring writer William is something of a wallflower amongst the larger-than-life personalities of the band Stillwater and transfixing roadie Penny Lane (Kate Hudson), but he manages to hold his own and becomes somebody on whom they can all rely. Similarly, Patrick Fugit could have shrunk next to the more experienced actors beside him, but he triumphs.
The fresh-faced actor brings shining optimism and gentleness to a story of wild parties and volatile emotions. He captures William’s level-headed nature and wisdom beyond his years while still exuding the excitement of a newcomer to the rock and roll scene, perfectly balancing youth and innocence with shrewdness and morality.
6 Dustin Hoffman – The Graduate (1967)
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A timeless tale of disillusionment in the face of change, The Graduate is fondly remembered for its incredible soundtrack from Simon and Garfunkel and the iconic affair with Mrs. Robinson (Anne Bancroft). Besides that, in a career-launching role, Dustin Hoffman proves his mettle as a force to be reckoned with onscreen.
Despite having an affair with a much older woman (and later falling for her daughter), Benjamin is a graceless and self-conscious leading man, and Nichols cast Hoffman with the belief that he had the perfect demeanor for the role. Between his personality and superb acting ability, Hoffman pulls off a memorable performance and is one of the main reasons why The Graduate has become a classic to stand the test of time.
5 Miles Teller – The Spectacular Now (2013)
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To bring to life hard-partying Sutter from Tim Tharp’s novel of the same name, the correct actor was called upon. Miles Teller oozes charm in this role and makes it easy to understand how Sutter has made it through life without a thought for the future since everything comes easily to him at the moment.
Besides being the life of the party and effortlessly sweet, Sutter is a young alcoholic who, below the surface, realizes that he is sabotaging his future, and Teller does a marvelous job of exploring this side to the endearing protagonist. The serious self-deprecation that follows reuniting with his absent father, who is a vision of Sutter’s own future, is relayed masterfully and leaves the audience in awe of his performance.
4 Saoirse Ronan – Lady Bird (2017)
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Star Saoirse Ronan had a number of stellar movies under her belt before Greta Gerwig’s Lady Bird, with her first Oscar nomination at the age of thirteen only the beginning of an illustrious career. Her range sets her apart from other young actresses in the game, spanning from sci-fi to period drama to raw, coming-of-age movies such as this.
The main character of this tale is anything but meek. Ronan is strong-willed and assured in the role and explores the everyday highs and lows of growing up while cultivating believable onscreen relationships in a way that can place any viewer right alongside her in Sacramento, which feels more like home the longer that you watch her senior year progressing.
3 Greta Gerwig – Frances Ha (2012)
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A coming-of-age movie for people who are already of age, Frances Ha chronicles a woman’s journey into adulthood as, while she has technically grown up, it is clear that she’s “not a real person yet”. While most movies of the genre take place in high school, this one takes place in New York as Frances struggles to realize her dream as a dancer, maintain her relationships, and generally get by as a functioning adult.
Related: Greta Gerwig’s 10 Best Movies (According To IMDB)
In another collaboration between Noah Baumbach and Greta Gerwig, the leading lady fits this character like a glove and harnesses the youthful spirit of teenage coming-of-age movies to prove that growing up doesn’t stop when you leave high school. It is an honest depiction of young adult life in that, really, nobody knows what they are doing.
2 Timothée Chalamet – Call Me By Your Name (2017)
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In one of his best movies Call Me By Your Name, Timothée Chalamet stars as young Elio in a story of young love in 1980s Italy. He is both charming and bashful, causing the viewer to fall in love with him even faster than Oliver does, and he manages to convey so much heart and recognizable pain that the extent of his acting ability is never in question.
While Chalamet brilliantly inspires empathy for Elio’s confusion and inner turmoil throughout his relationship with Oliver, his final performance during the credits is a masterclass in understated yet powerful acting, as we watch the cycle of Elio’s heartbreak and are left reeling from his final, heart-rending glance directly into the camera.
1 Logan Lerman – The Perks Of Being A Wallflower (2012)
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At only 20 years old, Logan Lerman delivers one of the most honest and moving portrayals of adolescence in modern-day cinema. For an actor who has had widely varying roles, such as a heroic demigod and a plucky rancher’s son, an introverted character like Charlie could have been difficult to embody, but Lerman does so with an awe-inspiring grace.
Lerman’s presentations of depression and trauma are never extravagant; his performance is highly effective using mostly subtle speech and action. He beautifully showcases Charlie’s innocence and love for his friends and keeps a powerful persona waiting behind a meek exterior to offer one of the greatest portrayals of a coming-of-age character that cinema has seen.
Next: 10 Movies To Watch If You Loved The Perks Of Being A Wallflower
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starchildsteven · 4 years
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So I was watching some older episodes of Steven Universe as we prepare for the end of an era. I was watching Mr. Greg and just here are the lyrics in "Don't Cost Nothing" from the episode. The Blue lines are Greg and the Pink ones are Steven.
Bright sunny day don't cost nothing
Light summer breeze don't cost nothing
What do I do with all this money?
When the only thing I want is you
Palling around don't cost nothing
Singing a song don't cost nothing
How do I spend all this money?
I'd rather just spend time with you
You could buy a house and a car
I guess that I can but I've already got a van
I could put you through college
But I'm with the Gems all the time
Or I could buy you all the finest courses online
What if we took a trip?
Do you think?
Yeah I do! We could take a vacation
We could go somewhere new
This may seem random but I feel like in this one song we see both Greg's strength and biggest flaw as a parent. He did a great job teaching Steven the importance of love, relationships and freedom. He gave his son an appreciation for things many people tend to take for granted. He is explicitly showing Steven that money can't buy you happiness. Not saying it, but living it which is a better example for his son then him just saying it. It's Greg practicing what he preaches. He is at least trying to set his son up to be happy. Because Greg values happiness in a way that many people don't. (Also important in the episode right before this one when Steven suggests Sour Cream could become famous without his own father's help Greg tells him Sour Cream getting famous doesn't matter so long as he is doing what makes him happy.) Many, I'd even say most, parents prioritize their version of success over happiness but not Greg. Greg thinks success is a happy life and that's exactly what he wants for himself and for his son.
However while Greg also explicitly brings up the idea of college for Steven, he accepts it when Steven says no as well as the reason Steven says no. Greg barely pushes him with another example of how his son could get an education with the money then just let's it go. While it's true he doesn't actively discourage Steven from going to school, this could hardly be called actively encouraging it either. He is also normalizing the idea that he doesn't have a house and instead lives in his van. If Greg is happy that way then that is good for him. It is not however good for raising a child. And while probably unaware at the time it is telling that Steven's first thought is a house and car. Things he was denied in his childhood due to Greg's lifestyle. While I sincerely doubt the Crewniverse was thinking that far ahead (though it is possible they were) this song makes for a great example of the ways in which Greg messed up as a parent. But it also makes a great example of all the good things Greg did for Steven as a father.
Greg is a good father who happened to make a couple mistakes raising his son which is something I feel it encapsulates in this song.
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Iconic things about The Dick Van Dyke Show
-For the time The Dick Van Dyke Show was incredibly diverse. You got to remember this was the early 1960s, back in the day you were lucky to see African Americans in any capacity and when they were in shows or movies they were strictly in the service industry. That started to change in the late 50s to early 60s and TDVDS was kinda the start of that in Television. People of color were depicted in different capacities than usual. In the episode “That’s My Boy??” the actors Greg Morris and Mimi Dillard played a normal upper middle class family. In this episode Rob thinks that Laura and himself were sent home with the wrong baby from the hospital and he believes that their baby was taken by a family with the last name Peters. The Peters ended up being African American and they were depicted as well dressed and well spoken people who seemed to live in a similar area and walk of life as the Petries and in that episode the black couple is funny and completely sane whereas the white man (Rob) is depicted as the butt of the joke. Also at the end of the episode Rob subtly mentions how their son Richie is getting horrible grades and the Peters’ son is at the top of the class. It’s small things like that, that had never been seen on Television. In a episode named “The Man from My Uncle“ an actor by the name of Godfrey Campbell played an FBI agent. And that’s not counting the numerous POC in smaller roles or as extras in scenes. This was a time where you were lucky to see POC even as extras. -The feminism in TDVDS took amazing strides as well. There were times where Rob is shown to be very insecure, and I think that’s some of the most of it’s time aspects of the show. It’s not great, but it’s realistic. One of my favorite character choices for Laura Petrie is that we find out that she is proficient in self defense.... she learned self defense techniques when she was an entertainer for the troops. In the episode “My Mother Can Beat Up My Father,” a drunk at a bar harasses Laura and Rob tries to defend her and he gets laid out by the drunk. Laura then does a judo throw on the guy and lays him out. It becomes a big thing for Rob in that episode and he’s very insecure about the fact that Laura can take a guy that Rob can’t. But Laura does not apologize for that fact, and in one scene Rob is trying to prove that he’s all tough and so he challenges Laura to do the same throw with him. Laura doesn’t pretend she can’t do it to spare his fragile masculinity, she lays him out and if I remember correctly he broke a few bones. Also the character of Sally Rogers has been touted as one of the first women’s lib characters. She’s a Television writer alongside Rob and Buddy and she is treated with respect and is presumably paid the same as Buddy who is a writer on her same level. She is a proud career woman who is damn good at her job, and is an equal to the men in her workplace. Another big way that TDVDS broke ground was the fact that Laura wears capri pants. Believe it or not that caused a firestorm of controversy.... up to that point housewives had been shown as wearing dresses and skirts on TV and once the dust settled the fact that Mary Tyler Moore wore capri pants on TDVDS caused those pants to become a huge fashion craze in the 60s. -TDVDS became a huge hit starting with the second season against all odds. First off Carl Reiner had created the show a couple years prior and had actually shot a pilot with an entirely different cast and with himself in the lead, at that time it was called “Head Of The Family.” It aired and did not get picked up. Carl just gave up on it and it lay on a shelf collecting dust. A couple years later someone with the William Morris Agency tried to get Carl to retry it and he refused. That agent then went to the most successful producer at that time, Sheldon Leonard. Sheldon was known for having a perfect record for his pilots, absolutely all of them had been picked up to series, some of which were huge hit shows. Sheldon saw the show and immediately saw the potential. He approached Carl about the idea of retrying with an entirely different cast and name.... once a famous producer says they have faith in your show, how can you say no. So they set to the task of finding a cast. Dick Van Dyke was one of the first people to be cast in the show, and at that point Dick was in the middle of a successful run on Broadway in the show “Bye Bye Birdie” which he’d won a Tony Award for, but being successful on Broadway doesn’t usually translate to fame with the general public (up until Lin Manuel Miranda that was true). So not only did they cast an unknown in the lead role but they then turned around and named the show on the said unknown actor. That was an extremely ballsy and risky move. At the time there were a lot of shows named after actors but they were all famous stars like Doris Day etc. To name a show after an unknown actor was unheard of!! They then cast Mary Tyler Moore (who was an unknown), they cast Rose Marie (who was never hugely famous, but had a really good career on radio and in night clubs. But even if you consider her to have been famous, she was kind of a has been), Morey Amsterdam was cast (an unknown), Jerry Paris and Ann Morgan Guilbert were cast (also unknowns). It was really a cast full of unknowns in the leads. There were no big names. Which was really a disadvantage going in. The first season bombed, it was near the end of the Nielsen ratings and morale was severely low at the end of the season. Sheldon Leonard actually got word from a friend who was on the committee that decided which shows were cancelled and which her renewed, that the show had indeed been cancelled and it just hadn’t been announced yet. So Sheldon went into problem solving mode. He knew that going to the network wouldn’t get him anywhere. At that time sponsors were king and TDVDS had one of the biggest sponsors in the game, Proctor And Gamble. So Sheldon flew to Proctor And Gamble’s headquarters and in his own words he “sang mammy” in other words he begged and he charmed their pants off (figuratively) :) At the end of his pitch, they agreed to go to bat for the show... on one condition.... that he found a sponsor to sponsor the second half of the season. So he raced from sponsor to sponsor pitching his show and begging them to co sponsor them. He was in the middle of a pitch when he was alerted that Kent Cigarettes had decided to sponsor their second half. Proctor And Gamble and Kent Cigarettes went up against CBS and demanded that they renew TDVDS or else they would withdraw support from all their other popular shows. And CBS caved and renewed the show. With S2, TDVDS became a massive success and by the end of S5 the network was begging Carl Reiner to make another season but Carl wanted to end the show while they were still on top. TDVDS also became the darling of the awards shows. They continually swept the Emmys every year starting with S2. They won for writing, directing, and acting, it also won Best Comedy in 1966 with it’s final season.
-The scripts were largely based off of real life. Nowadays it’s more common for shows to take ideas from real life, but at the time Carl Reiner’s wish for authenticity was largely unheard of. Writers on the show described the writing sessions as therapy sessions because it would start with Carl probing into their life and them talking about embarrassing things that happened to them. Carl and the writers would take those ideas and make them bigger and crazier but there was always that nugget of truth in there.
-The marriage between Rob and Laura was also iconic. You gotta figure that I Love Lucy was a huge show of the past decade and it really shaped most future shows. In some ways TDVDS was the antithesis of that. Carl wanted to create a show where the main married couple was united... it was them against the world. He shied away from battle of the sexes storylines whenever possible. He wanted Rob and Laura to be clearly in love. And it’s a unique relationship where you can tell that those two have an active sex life... and that was really unique for the time.
-Carl Reiner made a decision at the beginning of the show that he would never use popular slang terms of the 60s. In fact if you watch beginning to end, only one slang term slipped in, in S5. Otherwise, he remarkably kept to that. Because of that crucial decision, TDVDS is not as dated as it could be and it has a very timeless feel to it.
-The cast was known to get along famously, there were only a few moments of tension, otherwise the set was known to be very light and there was little tension. They were all pranksters and the set was alive with hilarity, laughter, and pranks. They used to haze guest stars... most of the guest stars were fine with being hazed but there was one who did not take it so well. During the filming of one episode Robert Vaughn was the guest star and he was on the outskirts of the set waiting for his cue to come in. The actors led the entire cast and crew off the set and turned off the lights and left Robert waiting for his cue for about an hour, until he walked in to see what the holdup was only to find the entire cast and crew gone. It’s hilarious, but he wasn’t too happy. The cast was like a huge family, but most guest stars described them as being very welcoming as well.
Edit. Another iconic thing I almost forgot is the fact that certain episodes are used in film classes as examples of how to write comedy. It’s so funny and iconic that it is the textbook case of how to write comedy shows!!!! When will your favorite show ever... ;)
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theresidentnews · 4 years
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FOX ANNOUNCES WINTER PREMIERE DATES FOR NEW AND RETURNING SERIES
NEW COMEDY SERIES "CALL ME KAT," STARRING EMMY AWARD NOMINEE MAYIM BIALIK, AND EXECUTIVE-PRODUCED BY JIM PARSONS, AND THE FINAL SEASON OF HIT COMEDY "LAST MAN STANDING," STARRING TIM ALLEN, TO DEBUT FOLLOWING "NFL ON FOX" DOUBLEHEADER, SUNDAY, JANUARY 3, BEFORE THEIR TIME PERIOD PREMIERES ON THURSDAY, JANUARY 7
NEW UNSCRIPTED GUESSING-GAME SERIES "THE MASKED DANCER" TO PREMIERE SUNDAY, DECEMBER 27, FOLLOWING "NFL ON FOX" DOUBLEHEADER; TIME PERIOD PREMIERE SET FOR WEDNESDAY, JANUARY 6
"THE RESIDENT" AND "PRODIGAL SON" BEGIN NEW SEASONS TUESDAY, JANUARY 12, FOR A NIGHT OF SAVING LIVES AND SOLVING MURDERS
MONDAYS COME TO THE RESCUE, AS "9-1-1" AND "9-1-1: LONE STAR" SPRING INTO ACTION, AIRING BACK-TO BACK FOR THE FIRST TIME, BEGINNING MONDAY, JANUARY 18
All-New Season of Gordon Ramsay's HELL'S KITCHEN to Premiere Thursday, January 7
FOX is announcing premiere dates for THE MASKED DANCER (Dec. 27), CALL ME KAT (Jan. 3), LAST MAN STANDING (Jan. 3), HELL'S KITCHEN (Jan. 7), THE RESIDENT (Jan. 12), PRODIGAL SON (Jan. 12), 9-1-1 (Jan. 18), and 9-1-1: LONE STAR (Jan. 18).
This December, FOX takes TV's #1 show and adds a little twist. Based on the smash hit FOX series THE MASKED SINGER and inspired by a popular segment featured on "The Ellen DeGeneres Show," all-new celebrity competition series THE MASKED DANCER will have a special premiere Sunday, Dec. 27 (8:00-9:00 PM ET/5:00-6:00 PM PT, Live to all Time Zones), before having its time period premiere Wednesday, Jan. 6 (8:00-9:00 PM ET/PT). Hosted by comedian/actor Craig Robinson ("Ghosted," "The Office") and featuring celebrity panelists Ken Jeong (THE MASKED SINGER, I CAN SEE YOUR VOICE), world-famous choreographer and singer Paula Abdul, actor and the former "Giraffe" Mask on THE MASKED SINGER Brian Austin Green and actress and singer Ashley Tisdale, THE MASKED DANCER will feature celebrity contestants shaking their tail feathers, while covered from head-to-toe in elaborate costumes and face masks, leaving audiences to guess their identities. Costumed celebrities will be joined on stage by masked partners and back-up dancers, as they perform a series of dances together; spanning from hip-hop to salsa, jazz to tap dancing and more. When it comes to dance styles, the sky is the limit. Each week, a series of clues will be sprinkled throughout packages, costumes and routines, leading the panelists one step closer to figuring out which famous faces are freestyling behind the masks. Between all of the celebrity competitors on the show, they've amassed more than 38 million albums sold worldwide, 20 Emmy(R) Award wins, 20 Grammy(R) Award nominations, 10 World Dancing titles, five New York Times Best-Selling Author titles, four Olympic gold medals and three Broadway show appearances. THE MASKED DANCER is produced by FOX Alternative Entertainment and Warner Bros. Unscripted & Alternative Television and is based on the South Korean format, THE MASKED SINGER, created by Mun Hwa Broadcasting Corp and distributed by MBC America. James Breen, Craig Plestis, Daniel Martin and Ellen DeGeneres are executive producers of the series. Breen will serve as showrunner.
New comedy CALL ME KAT, starring Emmy Award nominee Mayim Bialik ("The Big Bang Theory"), and executive-produced by Bialik, Emmy Award-nominated producer Jim Parsons ("The Big Bang Theory," "The Boys in the Band") and Darlene Hunt ("The Big C"), will have a special series premiere Sunday, Jan. 3 (8:00-8:30 PM ET/PT), following the NFL ON FOX doubleheader. The series then makes its time period premiere Thursday, Jan. 7 (9:00-9:30 PM ET/PT). Based on the BBC UK original series "Miranda," CALL ME KAT stars Bialik as a woman who struggles every day against society and her mother to prove that she can still live a happy and fulfilling life despite still being single at 39. Which is why she recently spent her entire savings to open a cat café in Louisville, Kentucky. It was expected of KAT (Bialik) to be married with kids by now, but for many reasons, she's still single - and totally fine with it. Of course, Kat's mother, SHEILA (Emmy Award winner and Golden Globe nominee Swoosie Kurtz, "Mike & Molly," "Sisters"), views her daughter's single-hood as her own personal failure, but Kat remains determined to live a fulfilling life, and charts her own course to happiness. Working alongside Kat at the café are RANDI (Kyla Pratt, "One on One"), a confident millennial and self-proclaimed "non" cat person; and PHIL (Emmy Award winner Leslie Jordan, "The Cool Kids," "Will & Grace"), who recently broke up with his longtime partner. Although Kat celebrates her independence, her single-forever plans may begin to veer off-course, when her former crush and good friend, MAX (Cheyenne Jackson, "American Horror Story," "30 Rock"), returns to town and takes a job as a bartender at the piano bar across the street, working with his friend, CARTER (Julian Gant, "Good Girls"). CALL ME KAT is produced by That's Wonderful Productions!, Sad Clown Productions and BBC Studios' Los Angeles production arm in association with Warner Bros. Television and FOX Entertainment. Darlene Hunt is the executive producer and showrunner. Additionally, Jim Parsons, Todd Spiewak (That's Wonderful Productions!), Mayim Bialik (Sad Clown Productions), Miranda Hart, Angie Stephenson (BBC Studios) and Beth McCarthy-Miller also serve as executive producers. McCarthy-Miller directed the series premiere.
Entering its ninth and final season, hit comedy LAST MAN STANDING will have a special season premiere Sunday, Jan. 3 (8:30-9:00 PM ET/PT), following the series premiere of CALL ME KAT. LAST MAN STANDING makes its time period premiere Thursday, Jan. 7 (9:30-10:00 PM ET/PT). The series stars Tim Allen as MIKE BAXTER, a happily married father of three daughters, who finds himself the odd man out in a home dominated by women. The series also stars Nancy Travis, Amanda Fuller, Molly McCook, Christoph Sanders, Jordan Masterson, Jonathan Adams, Krista Marie Yu and Hector Elizondo. After the events of the eighth season finale, during which Kristin (Fuller) went into labor with her baby daughter, while Mandy (McCook) was pregnant with her first child, the series will jump ahead into the near future, when Mike and his wife, Vanessa (Travis), will contemplate their own future, including Mike's imminent retirement from his lifelong job at Outdoor Man - and who could be his successor. LAST MAN STANDING is produced by 20th Television. The series was created by Jack Burditt. Kevin Abbott, Matt Berry, Kevin Hench, Ed Yeager, Tim Allen, Marty Adelstein, Shawn Levy, Becky Clements, Richard Baker, Rick Messina, Pat Bullard, Mike Teverbaugh, Linda Teverbaugh and John Amodeo are executive producers. Abbott serves as the series' showrunner.
Also on Thursday, Jan. 7 (8:00-9:00 PM ET/PT), hit culinary competition series HELL'S KITCHEN returns for its 19th season in a flashy new setting, as Chef Gordon Ramsay takes the show to Las Vegas, the city that's home to the world's first Gordon Ramsay HELL'S KITCHEN restaurant at Caesars Palace. For the first time ever, 16 aspiring chefs from around the country will roll the dice and head to Sin City in the hopes of winning big. Each week, the competition will get hotter as the chefs are put through rigorous culinary challenges - reaping high stakes rewards and punishments, all with a Sin City flare. But only those who possess the right combination of ingredients will continue in the competition, until one is named winner. At stake is a life-changing grand prize, including a Head Chef position at Gordon Ramsay HELL'S KITCHEN Lake Tahoe at Harvey's Hotel and Casino, and the title of HELL'S KITCHEN winner. HELL'S KITCHEN is produced by ITV Entertainment in association with A. Smith & Co. Productions, Inc. Gordon Ramsay, Arthur Smith, Kent Weed, Kenny Rosen and Bernie Schaeffer serve as executive producers.
Season Four of THE RESIDENT, premiering Tuesday, Jan. 12 (8:00-9:00 PM ET/PT), continues to shine a light on the daily heroism of today's health care workers. The provocative medical drama follows the doctors and nurses at Chastain Memorial Hospital, as they face personal and professional challenges and fight for their patients' health. The new season picks up as DR. CONRAD HAWKINS (Matt Czuchry) and NURSE PRACTIONER NICOLETTE NEVIN (Emily VanCamp) tie the knot in an intimate and beautiful wedding, strengthening their already powerful bond. Meanwhile, Chastain is transitioning from private to public hospital, causing the hero doctors to fight to fix the broken machine from the inside. DR. RANDOLPH BELL (Bruce Greenwood) finds himself mining his own past to find his estranged former stepson, elite plastic surgeon DR. JAKE WONG (guest star Conrad Ricamora). Bell attempts to bring Dr. Wong to Chastain to increase the number of world-class surgeries at the hospital and to repair their complicated past. Additionally, as star surgical resident DR. MINA OKAFOR (Shaunette Renée Wilson) and her brilliant mentor, DR. AJ AUSTIN (Emmy Award nominee Malcolm-Jamal Warner), grow closer than ever, they must learn to maintain a professional relationship within the walls of the hospital. The series also stars Manish Dayal, Jane Leeves and Morris Chestnut. THE RESIDENT is produced by 20th Television. Todd Harthan, Andrew Chapman, Peter Elkoff, Amy Holden Jones, Rob Corn, Antoine Fuqua and Oly Obst are executive producers.
From executive producer Greg Berlanti, Season Two of PRODIGAL SON premieres on Tuesday, Jan. 12 (9:00-10:00 PM ET/PT). PRODIGAL SON follows MALCOLM BRIGHT (Tom Payne), a criminal profiler with a rare talent for getting inside the minds of killers. He learned how they think because his father, DR. MARTIN WHITLY (Michael Sheen), was a notorious serial killer known as "The Surgeon." Now he's using his twisted genius to help the NYPD solve their most puzzling murders. Bright's team, led by his longtime mentor, NYPD Lieutenant GIL ARROYO (Lou Diamond Phillips), includes Detectives DANI POWELL (Aurora Perrineau), JT TARMEL (Frank Harts) and medical examiner DR. EDRISA TANAKA (Keiko Agena). Season Two picks up with Bright's personal life in disarray after the shocking actions of his sister, AINSLEY (Halston Sage), in the Season One finale. Now, he must "take care" of her and protect his mother, JESSICA WHITLY (Bellamy Young), from a secret that could tear the family apart all over again. Further complicating matters, Martin seeks to deepen his relationship with Bright, his "prodigal son," but forging this bond leads to shocking twists and revelations. PRODIGAL SON is produced by Berlanti Productions in association with Warner Bros. Television and FOX Entertainment. Chris Fedak and Sam Sklaver created the series, and are executive producers, showrunners and writers on the show. Greg Berlanti and Sarah Schechter also serve as executive producers.
FOX's #1 drama, 9-1-1, and last season's #1 new scripted series, 9-1-1: LONE STAR, will have their back-to-back season premieres on Monday, Jan. 18. Creators Ryan Murphy, Brad Falchuk and Tim Minear reenergize the procedural drama with 9-1-1 and the first extension of its universe, 9-1-1: LONE STAR, set in Austin, TX. Both series explore the high-pressure experiences of police officers, firefighters and dispatchers who are thrust into the most frightening, shocking and heart-stopping situations. These emergency responders must try to balance saving those who are at their most vulnerable with solving the problems in their own lives. The fourth season premiere of 9-1-1 (8:00-9:00 PM ET/PT) kicks off with another jaw-dropping signature disaster that only Los Angeles' finest and fearless first responders can handle. After a devastating 8.0 earthquake and coastal tsunami wreaked havoc in the city, what could possibly be next? Meanwhile, among the chaos, Athena (Angela Bassett) is determined to put her physical and emotional injuries behind her and jump back into the job, as Maddie (Jennifer Love Hewitt) and Chimney (Kenneth Choi) prepare for the birth of their baby, and Buck (Oliver Stark) delves into his past to help deal with his present. The series also stars Peter Krause, Aisha Hinds, Ryan Guzman, Rockmund Dunbar, John Harlan Kim, Corinne Massiah, Marcanthonee Reis and Gavin McHugh. 9-1-1 is produced by 20th Television in association with Ryan Murphy Television and Brad Falchuk Teley-Vision. Ryan Murphy, Brad Falchuk and Tim Minear are creators and executive producers. Alexis Martin Woodall, Bradley Buecker, John J. Gray, Kristen Reidel, Angela Bassett and Peter Krause are executive producers. Minear and Reidel serve as co-showrunners on the series. Buecker directed the series premiere and continues to direct episodes of the series.
Actress Gina Torres ("Suits," "Pearson," "Firefly") joins Season Two of 9-1-1: LONE STAR (9:00-10:00 PM ET/PT) as Captain TOMMY VEGA. But even as CPT. OWEN STRAND (Rob Lowe) welcomes Vega to the 126, he must face the unexpected arrival of his ex-wife, Gwyneth (recurring guest star Lisa Edelstein, "House"), who visits Austin to check on their firefighter son, T.K. (Ronen Rubinstein), following the injuries he sustained at the end of last season. All of this occurs as the rescue squad must deal with an emergency that the Texas capital has never encountered before. The series also stars Jim Parrack, Sierra McClain, Natacha Karam, Brian Michael Smith, Rafael Silva and Julian Works. 9-1-1: LONE STAR is produced by 20th Television in association with Ryan Murphy Television and Brad Falchuk Teley-Vision. Ryan Murphy, Brad Falchuk and Tim Minear are creators and executive producers. Alexis Martin Woodall, Bradley Buecker, Rashad Raisani, John J. Gray, Angela Bassett and Rob Lowe are executive producers. Minear and Raisani serve as co-showrunners on the series. Buecker directed the series premiere and continues to direct episodes of the series.
Catch up on all shows with On Demand, FOX NOW and Hulu. Episodes are available to watch On Demand for customers of AT&T TV, Cox, DIRECTV, DISH, Spectrum, Sling TV, Verizon FiOS, XFINITY, YouTube TV and many more. Fans also can stream episodes on FOX NOW and Hulu.
FOX WINTER 2020-2021 PREMIERE DATES RECAP (Times for All-New Episodes are ET/PT Except as Noted)
Sunday, Dec. 27: 8:00-9:00 PM ET/5:00-6:00 PM PT Live to all time zones THE MASKED DANCER (Series Premiere)
Sunday, Jan. 3: 8:00-8:30 PM CALL ME KAT (Series Premiere) 8:30-9:00 PM LAST MAN STANDING (Final Season Premiere) 9:00-9:30 PM THE SIMPSONS (Special Time) 9:30-10:00 PM BLESS THE HARTS (Special Time)
Wednesday, Jan. 6 8:00-9:00 PM THE MASKED DANCER (Time Period Premiere)
Thursdays, beginning Jan. 7: 8:00-9:00 PM HELL'S KITCHEN (Season Premiere) 9:00-9:30 PM CALL ME KAT (Time Period Premiere) 9:30-10:00 PM LAST MAN STANDING (Time Period Premiere)
Tuesdays, beginning Jan. 12: 8:00-9:00 PM THE RESIDENT (Season Premiere) 9:00-10:00 PM PRODIGAL SON (Season Premiere)
Mondays, beginning Jan. 18: 8:00-9:00 PM 9-1-1 (Season Premiere) 9:00-10:00 PM 9-1-1: LONE STAR (Season Premiere)
[EDITOR'S NOTE 1: Additional schedule details to be announced.]
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missytearex · 5 years
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It’s @lululawrence‘s birthday! Which means it’s the perfect time to read some of her fics! Sus is ridiculously talented and churns out fic like nobody’s business, so the list of fics she’s written in the last year is ridiculously long. Thanks for blessing us with your talent, Sus!
Under 10k fics are under the cut. Enjoy!
You Don't Care About Me (One More Night)
tomlinshaw | 60k
the one where Louis pines for Harry and Nick helps ease his way into figuring himself out through a friends with benefits sort of arrangement. Things quickly turn complicated.
You Try To Be Everything (I Need)
larry | 36k
Wars, and rumours of wars, were nothing new for the world in the twenty-fourth century. The fighting had evolved over the years, and rarely did it involve traditional weapons. A group most widely known as the Southern Powers gained strength amongst portions of the western European continent and spread quickly.
There was a fight the Southern Powers didn’t expect coming from the north of England, though. Resistance came in the form of an organised underground; a group comprised of people with the Touch that did the best they could to enforce a line that would not be crossed. Slowly, that line was moved from the Channel to boundaries further and further north. It seemed only a matter of time before the Southern Powers took over everywhere.
Until that time, people did the best they could to live their lives in some semblance of normality. For Louis Tomlinson, that sense of normality was about to change when his best friend, Harry Styles, goes missing.
Louis embarks on the journey of a lifetime where he uses his newly developed abilities to search for his friend, even when it takes him to places he never thought he would see while surmounting trials he never could have imagined.
(Something's Been) Hiding In My Heart
larry | 25k
a Sweet Home Alabama AU where Louis comes home to finally get his divorce from Harry finalized so he can move on with his life. Alderford holds its own set of challenges when he returns, but by facing his past maybe he can find the healing he so desperately needs.
It's the Climb
larry | 25k
The Hannah Montana AU where Louis is a world famous punk rock singer with a stage name of William and Jay drags him back to Tennessee for the summer. In her attempt for Louis to get back to his roots, he just so happens to reconnect with Harry, and things never go quite as Louis expects them to.
Nowhere to Land
larry | 23k
the sequel to Back to How it Was where other Harry has returned to himself with only foggy memories of the past few weeks. He finds himself with a new workout routine, recordings of interviews he doesn't fully remember choosing to do in the first place, and a budding relationship with a man he remembers from the X Factor but doesn't really know now. Doing the best he can, Harry tries to put the pieces together of what happened and where he's going to go from here.
Like a Lighthouse On The Coast (I Need You)
larry | 19k
the one where Louis has all the pressure of his sophomore album and none of the inspiration, but maybe all he needs is someone like Harry Styles to turn all that around.
I Just Wanna Give You Love
larry | 18k
the one where the world is in black and white until you meet your soulmate, but Harry is world famous and Louis is...well...not.
(That's Just) The Way I Am
larry | 17k
There was no way Harry would want to bring anyone out for an introductory trip like this. The fighting between himself and his father was sure to be be worse than usual and father still hadn’t accepted Harry’s pansexual identity. Harry wasn’t dating anyone at the moment, but at this point he almost wished he were dating a man just so he could incense his father.
The door jingled, pulling Harry’s attention away from the window and to the man who had just walked into the cafe.
Now that was exactly who Harry should try bringing home. The man was dressed in ratty black skinny jeans and what was obviously a self cut tank top that used to be a Stone Roses t-shirt. His black chucks had holes in the canvas, indicating exactly how old they were, and his maroon beanie wasn’t in much better shape.
The more Harry studied the man’s smoky eyeliner rimmed eyes and the lipstick he had swiped on to match his hat, the more Harry started hatching an idea. What if Harry really did bring this man home?
Can I Have Your Attention, Please?
tomlinshaw | 16k
the one where Nick develops a crush on the man whose bag he accidentally grabs at the airport. It is obviously just a coincidence that the man shares a first name with the pop star whose Instagram Nick lusts after as well.
This is a Rainbow War
larry | 15k
the one where Harry's a famous singer, Louis is part of his road crew, and after Harry gives Louis a special assignment regarding rainbow flags, things maybe turn out a little differently than either of them planned.
You Turned Up (Like a Friend of Mine)
larry | 10k
the one where Harry disappears on graduation day only to show up on Louis' door looking exactly the same ten years later. Through a series of strange events, maybe they can finally figure out that they're destined to be together, no matter what.
Hey Look, Ma
larry | 8.8k
the one where Louis is a hybrid who agrees to go on a blind date with his neighbour's colleague's son the same night he literally runs into his dream man. Surely this isn't going to end well... or is it?
Great Minds (They Think Just the Same)
tomlinshaw | 8.2k
the one where in an attempt to get the Breakfast Show back to the number one morning show in the country, the BBC brings on Louis as a co-host with Nick. They only thing is they don't really get along... until they do.
Our Love is Timeless
shiall | 6.2k 
the one where Shawn falls for Niall, who just happens to be a time traveler. The course of true love never did run smooth.
You're Here, Where You Should Be
larry | 5.5k
three years after having last seen her best friend, Louis shows up at the Christmas party Harry's family throws every year. Old feelings might not be as buried as Harry had thought.
Charisma
larry | 5.3k
the one where Harry feeds on awesomeness (possibly literally). Louis is awesome and also angry. They’re probably going to fall in love
Stealing Flowers
larry | 4.2k
the one where Louis pines after the Sexy Stranger on the Subway and almost asks him out. That's when the strange posters start showing up around Brooklyn.
Oh Honey, Honey
larry | 3.6k
the one where Louis pines after Harry, Harry is passionate about helping save the bees, and a late night shopping trip gone wrong doesn't end quite as horribly as Louis imagines.
Just Like Honey
larry | 3.4k 
Louis opened the door and he looked so soft and beautiful. He was in a ratty pair of grey joggers and that was it. Harry had never seen him look so good.
When Harry finally raised his eyes from Louis’ chest, he realised Louis had likely said something.
“Uh,” Harry said, clearing his throat. “Sorry, what did you say?”
Smirking a little, Louis crossed his arms and popped his hip. “I said, ‘Hello, Harry. What brings you here so late on a Saturday?’”
Then his brain kicked in.
“Right, fuck. Hi, Louis. I just wanted to give you this.”
Louis’ brows creased as Harry held the honey out to him. Taking the jar from Harry, he said, “Honey?”
Nodding, Harry said, “Yep. Hope you have a great night!”
Fisting his hands at his sides in frustration, Harry left the building as quickly as he could.
A Taste of Honey
grouis | 3.3k
the one where Louis has been pining after Greg ever since he started his job. Greg randomly showing up at his flat with a jar of honey might be just the push Louis needs to finally talk to the man.
Yellow, Is It Me You're Looking For?
grouis | 3.2k
the one where Louis has pined after Greg for what seems like ages, but when Greg renames the company's paint colors, something might finally be ready to give.
Honey, Honey, How You Thrill Me
garry | 2.8k 
the one where Harry pines after fellow Radio 1 DJ Greg James but doesn't know how to start a conversation with him...until he gets the needed inspiration.
Like Honey to the Bee
tomlinshaw | 2.7k
the one where Nick has been trying to find a way to get past the banter stage with Louis for ages, and honey might be just what he needs to finally do so.
If You Want To Be Loved
grouis | 0.4k
Greg can't sleep. For once, he doesn't really mind.
BONUS drabble collections:
Drabbles for Harry's Birthday Drive 2019
multi | 24k
Each chapter is a different drabble dedicated to a person who donated to Harry's birthday drive! The prompt requested as well as the pairing are in the author’s note for each chapter as well. There are multiple pairings due to various pairings being requested by the donors, so please pay attention to that information in each chapter! Pairings include Harry/Louis, Zayn/Liam,, Grimmy/Louis, Greg/Louis, Zayn/Louis, and Niall/Shawn.
It Was Only a Kiss
multi | 15k
I participated in a kiss prompt drabble challenge on Tumblr, and ended up writing thirty-three drabbles! Because of the amount all for one challenge, I decided to post them on AO3 to save them. Each prompt exists on its own without relation to others, so pick and choose as you like.
91 notes · View notes
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AD ASTRA (2019)
Starring Brad Pitt, Tommy Lee Jones, Ruth Negga, John Ortiz, Liv Tyler, Donald Sutherland, Greg Bryk, Loren Dean, Kimberly Elise, John Finn, LisaGay Hamilton, Donnie Keshawarz, Bobby Nish, Natasha Lyonne, Jamie Kennedy, Anne McDaniels, Halszka Kuza, Kayla Adams, Kimmy Shields, Sean Blakemore, Ravi Kapoor and Daniel Sauli.
Screenplay by James Gray and Ethan Gross.
Directed by James Gray.
Distributed by 20th Century Fox. 123 minutes. Rated PG-13.
All too often, modern science fiction movies seem to be very similar, at least superficially – spectacularly beautiful effects at the service of deadly downbeat, and honestly often rather dull, stories.
Take Ad Astra. Please.
It is gorgeously mounted, but it is cold and passionless, and has way too many sections that move at a glacial pace. Even the supposed action scenes feel distant and distracted. (And occasionally outright ridiculous – killer space baboons? Really???)
Not only is the hero – an astronaut played by Brad Pitt – completely deadened and cut off from everything going on around him, there is only one character in the whole film who connects as a real, vital human being, someone who has passion and spark. That character, an older military man played by Donald Sutherland, is written out of the action in the first 20 minutes or so.
Ad Astra is simply amazing looking, but it’s eventually an empty spectacle, a triumph of style over substance. It wants you to believe that it is oh so deep and vitally important, but essentially, it’s just another story of a man trying to deal with the large shadow of his overbearing father.
Just because it takes place in space doesn’t make the idea any fresher.
It wants to be an Oedipal variation on Joseph Conrad’s Heart of Darkness (which was the inspiration for Francis Ford Coppola’s Apocalypse Now), but it falls far short of the Conrad novella and Oedipus Rex, for that matter.
Pitt’s Roy McBride has been dealing with all his life with the ghost of his famous astronaut father Clifford (Tommy Lee Jones). 27 years after dad disappeared during a mission to Neptune gone horribly wrong, Roy is told that there is reason to believe that dad is still alive. They want to use the son to lure the dad to return to civilization, which seems like a flawed plan since they had been estranged even before dad became a missing person.
Even though dad has been gone from his life for over a generation, Roy is still a throbbing open wound when it comes to his relationship with his father, who was mean and abusive. Roy has become the best astronaut he can be because he must live up to his father’s legacy – and also the least feeling astronaut he can be. He is known in the space program for never letting his pulse rate go above 80 – which is a good skill in an emergency, but not so good in life in general.
Roy has driven his wife (played by Liv Tyler) away, despite the fact (or perhaps because of the fact) that she was the one thing in the world that could raise any feelings in the guy.
However, when he takes on the new mission, Roy starts to lose his shit. All these years later, his dad has such a large sway over him that even the possibility that he is alive makes Roy become unmoored. He starts the long trip to a space station to try to contact his father, experiencing space adventures that are sometimes exciting, sometimes stupid. (Again…, killer space baboons!). Also, honestly, people fighting in zero gravity are kind of ridiculous looking. And it happens more than once in Ad Astra.
It all moves slowly through space and time, to the point that the audience is squirming in their seats. By the time you hit the almost inevitable possibility of a father and son reunion, the film had pretty much lost most of us.
As I said before, most of the characters of Ad Astra appear to be emotionally deadened, like they are all on full body Novocain. Sadly, so does the movie.
Jay S. Jacobs
Copyright ©2019 PopEntertainment.com. All rights reserved. Posted: September 20, 2019.
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orbemnews · 3 years
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Jake Paul Promised Them Fame. Was It Worth the Price? In the vast world of YouTube villains, there may be none as famous as Jake Paul. The 24-year-old Vine star turned vlogger has polarized viewers with videos of dangerous pranks and stunts (though he continues to bring in millions of views). He is a serial entrepreneur linked to several dubious and misleading business ventures (though that hasn’t deterred investors). He has repeatedly offended and alienated his collaborators (though he keeps finding new ones). In 2020, he declared the coronavirus a “hoax.” It can often seem that he lives to provoke outrage. Now, Mr. Paul is facing allegations of sexual misconduct from other influencers. Yet he remains the blueprint for many social media stars today. Without him, it’s hard to imagine the current land rush of so-called “collab houses,” where young content creators film videos, throw parties and spur drama. Or the proliferation of prank videos on YouTube. Or the bad-boy archetype embodied by so many influencer-entrepreneurs born on TikTok. At the center of these comparisons is the Team 10 house, an influencer collective and talent management agency founded by Mr. Paul in 2016. The vision: He and six other creators, aged 14 to 19, would live together and leverage their collective followings for views and cash. Everyone would benefit, but no one more than Mr. Paul. “I know it’s a cliché, but, like, literally, I want to create an empire of dozens of talent under me, to take my power and multiply it so that I become bigger than myself,” Mr. Paul told The New York Times in 2017. Back then, the arrangement was uncommon; sure, influencers lived together (the O2L house and The Station had already come and gone), but the houses weren’t all businesses in their own right. Now, such setups are increasingly common — and highly lucrative. “People look to Team 10 house as the inspiration for collab houses today,” said Brendan Gahan, the chief social officer at Mekanism, an advertising agency. “The Beatles didn’t invent rock ’n’ roll, but they’re the most famous rock ’n’ roll band. Team 10 didn’t invent the collab house, but they became the most famous collab house and really defined it. They created the culture.” But that culture is now being re-evaluated, as stories mount from creators who say they were exploited for views. No Rent, No Parents … No Problems? When AJ Mitchell received a direct message from Jake Paul in early 2016 about an opportunity in Los Angeles, he was intrigued. An aspiring musician in small-town Illinois, Mr. Mitchell had earned more than 80,000 followers on Instagram. Mr. Paul, who was raising capital to start a media company focused on influencers, said he could help him become much bigger. Aaron Mitchell, AJ’s father, said he “was not very impressed with Jake” and that he didn’t want his son, who was 14 at the time, involved with Team 10. However, after extensive conversations with Mr. Paul’s parents, Greg Paul and Pam Stepnick; Mr. Paul’s assistant, Erica Costell, who was in her mid-20s; and Neels Visser, another member of Team 10, he and his wife, Allison, decided to allow AJ to join the group. The arrangement worked like this: Each of the influencers could live in the Team 10 house (a rented mansion in the upscale Beverly Grove neighborhood of Los Angeles) for free if they agreed to produce regular content for social media (which Mr. Paul would monetize) and participate in brand deals. (Mr. Paul declined to comment on the financial arrangement he had with house residents.) According to several former house members, Mr. Paul could also take 10 to 20 percent of Team 10 members’ YouTube ad revenue for up to five years, even if they left the group. At the time, it sounded like a good deal; Mr. Paul would help them become stars in their own right. On May 24, 2016, Mr. Mitchell arrived at the Team 10 house with a single suitcase. For several weeks he didn’t have a bedroom, so he slept on a leather couch in the living room. Mr. Mitchell was given a room to share with Alissa Violet, who was 19 at the time and publicly dating Mr. Paul. “It kind of felt unreal,” Mr. Mitchell, who is now 19, said. “I’d seen those people on social media before, growing up. I’d see all these funny videos so when I went out there I was like, ‘Whoa, this is real.’ It was like I was living in a dream.” Ms. Mitchell, AJ’s mother, would regularly fly in and stay at a nearby hotel. On some occasions, she even spent the night at the Team 10 house, sleeping in the room her son shared with Ms. Violet. “For me, as a mom, I’m very protective of my kid,” Ms. Mitchell said. She said that when she called older members of the group to check on her son, they assured her that things were going well; AJ, she said, never let on otherwise. “All I know is they were doing a bunch of silly stupid videos, being kids,” Ms. Mitchell said. “Sometimes being reckless, but doing silly videos.” The Prank Economy To get views, many YouTubers, including Mr. Paul and David Dobrik’s Vlog Squad, relied on pranks and practical jokes, drawing from a lineage of entertainment franchises like “Jackass” and “Punk’d” as well as the work of creators like Mr. Paul’s older brother, Logan. The people living and working in the Team 10 house served as subjects for all kinds of antics. Mr. Paul’s YouTube channel offers an incomplete record — many of his videos have been removed — but it includes footage of members of Team 10 being electrically shocked without warning and facing pressure to jump from the mansion’s roof into a pool. The videos give the impression of a rollicking frat house during rush season rather than a collaborative work environment. Former Team 10 members told The Times that Mr. Paul once chain-sawed through a bedroom door to wake up two people in the house. One of Mr. Paul’s former assistants recalled arriving for work to find her desk had been smashed for a video. The Times sought comment from Mr. Paul on the material of the YouTube videos and the accounts of former Team 10 associates, and he declined. It wasn’t just people in the house who were affected by Mr. Paul’s pranks: In 2017, a man sued Mr. Paul for hearing loss after the influencer blared a car horn at him; the case was later dismissed. “When it comes down to someone having to do something to get attention, every single day you have to do crazy stuff,” Mr. Mitchell said. “If you go back and look at those videos, you see a lot of crazy stuff and you’ll see why kids are drawn into it, because it was a house full of kids doing whatever they want. Every day it was a new crazy thing, but people wanted to watch it.” In his downtime, Mr. Mitchell would write songs in a notebook and play them on his keyboard. One day, he came home to discover his keyboard broken. Mr. Paul told him it had been thrown in the pool for a video. ‘He Was the Boss’ Followers were the primary currency of the Team 10 house. “If you got tagged in one of Jake’s YouTube videos, you could get 50,000 followers,” Mr. Mitchell said. “Jake would use that to manipulate everyone. If anyone didn’t do what Jake wanted, he’d tell everyone else in the house not to tag them. Jake had a monopoly, and he decided who got famous.” But there was money coming in, too, and members of the group had questions about where it was going. When Team 10 formed, Mr. Paul set up and controlled a business email accounts for each member to solicit opportunities. Mr. Mitchell said he was not aware of the opportunities that he was being pitched for or what was coming in. In the 14 months he spent as part of the group, he said he was paid directly for two brand deals but never received payment from Team 10. Mr. Mitchell relied on small amounts of money he received from his parents to cover expenses like meals out with the group. Mr. Paul had convinced Mr. Mitchell’s parents that their son would be taken care of, but no meals or structure were provided for him or the other teenage residents. Most of them had never been expected to shop or cook for themselves, and didn’t have the means to do so. “People see these mansions and they see people living like royalty, but no one knew I was sleeping on the floor or I didn’t have food,” said Mr. Mitchell. Veena Dubal, a professor of law at the University of California, Hastings, said: “We have all these laws in place that have been around for a century to protect child performers, but they have not been extended to safeguard the health, welfare and safety of children influencers.” Because these young creators make money through a variety of revenue streams, and are not employed by a single entity, they can be vulnerable to exploitation. “If there’s not some entity taking responsibility as an employer, then we’re going to see the kind of exploitative and unsafe practices that we have been seeing,” she said. The allure of living independently and building a following had worn off. “At first I was like there’s no parents here and we get to be free and do what we want,” Mr. Mitchell said. “I felt, like, free in a way. But having Jake be the adult was weird because we all listened to Jake. He was the boss.” During parties, marijuana and alcohol were available in the Team 10 house. Mr. Mitchell said he once drank so much that he blacked out. The group often attended parties where guests in their 20s and 30s would mingle with teenagers. Mr. Mitchell said he began a sexual relationship with a woman nearly a decade older than him whom he had met at an influencer party. He understands now that the relationship could not have been consensual given his age. “I was a baby. I had a baby face,” he said. “I feel like that’s just weird now.” Behind the Scenes By late 2016, Mr. Mitchell had left the Team 10 house, though he remained part of the group for several months after. His mother, who was staying at a hotel nearby, had found out about a party at the house and drove over to pick up her son. It wasn’t until recently that Mr. Mitchell told his parents the full extent of what took place in the house. Ms. Mitchell said she is horrified and angry. “I’ll tell you right now, had I known anything about any relationship with a girl 10 years older than him I would have had the law involved,” she said. Several months after Mr. Mitchell’s departure, the rest of Team 10 was forced to move; neighbors said Mr. Paul had created “living hell” for them and turned their sleepy neighborhood into “war zone.” The following year, Ivan and Emilio Martinez, two YouTubers from Spain who had lived in the Team 10 house, spoke about their decision to leave. In a YouTube video, they said Mr. Paul bullied them, terrorized them with pranks and made racist comments mocking their background and language skills. (The two speak English as a second language.) In a 2018 interview with the YouTuber Shane Dawson, Ms. Violet described what it was like to date and work with Mr. Paul. “He’s not a physical abuser, but mentally and emotionally, 100 percent, every day, 2,000 times a day,” she says in the video. “I can’t even remember a conversation where it was me walking away feeling good about myself.” “If we filmed a video, and he had to push me into a bush, normally, you’d nudge someone or pretend to push someone. He would actually shove me,” she says, as she shows scars to the camera. “He would just do it way too hard.” In a YouTube video posted on April 9, Justine Paradise, a 24-year-old TikTok influencer, accused Mr. Paul of sexual assault. The incident, she said, involved forced oral sex and took place at the Team 10 house in 2019. “In a situation like that, there was nothing I could do,” Ms. Paradise said. “I was physically restricted, and I felt emotionally restricted afterwards to even say anything about it.” Three friends whom she told directly afterward about the incident corroborated her account. Ms. Paradise said she plans to file charges. In a public statement posted to Twitter, Mr. Paul denied Ms. Paradise’s allegations, calling them “100% false.” Mr. Paul’s lawyer Daniel E. Gardenswartz, said in a statement to The New York Times: “Our client categorically denies the allegation.” Railey Lollie, 21, a model and actress who began working with Mr. Paul when she was 17, said he often called her “jailbait” and commented on her appearance. She said that one evening in late 2017, after filming a video, Mr. Paul groped her. She forcefully told him to stop, and he ran out of the room. Ms. Lollie quit shortly after the incident. “I was with Jake for months, and I saw what kind of person he was behind the scenes and what kind of person he put out to the rest of the world,” she said. Meanwhile, in Businessland In the business and entertainment worlds, the name Jake Paul continues to have cachet. In March, Mr. Paul announced he was starting a new venture fund; already, powerful figures in Silicon Valley have agreed to contribute to the fund. “These older investors come in who have no idea about social media and they see he’s got a lot of followers. From their perspective, it’s success,” Mr. Mitchell said. “The real story is, Jake should not be getting any money from investors from the things he’s done in the past.” Mr. Paul, who was an athlete in high school, began a boxing career in 2020. “It brought back the competitive, athletic Jake Paul,” he told Rolling Stone recently. Fighting has helped Mr. Paul expand his audience. It has also made him richer: In an interview with ESPN last year, Mr. Paul said he earned “eight figures” for a fight against Nate Robinson, a former N.B.A. star. For his most recent fight, against Ben Askren, a former mixed martial arts champion, Mr. Paul’s disclosed pay was $690,000. (After the fight, Mr. Paul wrote in an Instagram post that the fight had drawn 1.5 million pay-per-view customers.) Where other YouTubers, like David Dobrik and James Charles, have faced financial fallout after accusations of misconduct, Mr. Paul has yet to see such consequences. “If Jake’s sponsors and investors don’t hold him accountable, then why would he change any of his actions?” Ms. Paradise said. Source link Orbem News #Fame #Jake #Paul #price #promised #worth
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Tagged by: @jjohnson217
If you could change (or rather fix) the background and/or paternity of any five characters, who would they be?
Sam McCall - While I liked early Julexis, what the writers did to them pissed me off and turned me off of the couple.  Sam understandably kicked Julian out of her life, but has nothing to do with the rest of her Jerome relatives?  I liked her scenes with Ava when she was sick with toxoplasmosis.  She and Kiki interacted a lot and got along well when Sam dated Kiki’s dad Silas, but they don’t acknowledge the fact that they are cousins.  She doesn’t interact with Lucas or even babysit her baby brother Leo.  What was the purpose of making Julian Sam’s dad?
Franco - I hate this character for many reasons and the only time I liked him (as played by Roger Howarth) was when he and Nina were together pre-baby issue.  James Franco’s Franco was a fun psycho villain.  I hate all of his paternity rewrites.  First, he was Betsy Frank’s son.  Nope, he is Jason’s fraternal twin via Alan and Susan Moore.  Wrong, he is Heather Webber’s son by Scott, despite not looking like either one.  I like Roger Howarth, but he is miscast in this role.  I would rather Franco be Betsy Frank’s with the probably abusive creep Jim Harvey (who he resembles) rather than tarnish the Baldwins (Scott, Karen, Serena, Gail and Lee), even by association.
Nelle - There is so much wrong with this character.  If they were going to connect her to Carly, she should have been a Spencer relative, capitalizing on the fact that she previously played a younger version of Luke and Bobbie’s sister Pat, and not a Benson.  While in her early days, I liked that she was like a young Carly set on revenge.  They could have made her Carly’s daughter somehow, either from pre-Port Charles days in Florida (possibly from sleeping with Reese’s dad) or a previously unknown twin of Michael’s.  That way we wouldn’t have had to suffer through the train wreck that was Melle.  Or if they wanted her to be an original character, why not utilize the chemistry she had with Nina and reveal that she was Nina and Silas’ baby that was supposedly miscarried after what Madeline did?
Avery - Like many of you, I wish Avery was Morgan’s daughter.  It wouldn’t change much of her story.  Carly would definitely try and rig the paternity test.  Maybe we wouldn’t have suffered through more MorKiki and Ava wouldn’t have been indirectly responsible for Morgan’s death.
Griffin - I would make him Anna’s son with Duke, the child she supposedly miscarried when Olivia Jerome pushed her in the elevator.  In one of Olivia’s last scenes, she made an ominous remark about Griffin’s mother.  It would be amazing if she knew that Griffin was Anna’s and kept that secret out of revenge against the woman who “stole” Duke from her.  Plus, he is basically Anna’s son already with how protective and caring she is for him because he is Duke’s son.  Also, Robin and Emma already see him as a brother/uncle-like figure.  If Josh Madden, Erica Kane’s famous abortion, could be transplanted into her doctor’s wife as an embryo, why not the same treatment (in a good way) for Anna and Griffin?
****BONUS****  If we are stuck with Anna having a child with Faison, I would rather it not be the obvious path - Valentin lied about it being a girl and it will be Henrik/Peter August, who we know is Faison’s son and cohorts with Valentin.  I don’t mind Peter being Faison’s son and in league with Valentin, because we all knew the boy was shady af.  However, I would prefer if Anna did have another daughter and it was revealed to be Dr. Kim Nero.  She looks a lot like Anna.  It would give Tamara more story to work with and more avenues to take the character of Kim in.  Kim and Oscar would have more family (Henrik/Peter, Britt, Maxie’s baby, Robin, Emma, baby Noah, Alex Devane Marick, Gabriel Devane, Aidan Devane).
What five storylines would you rewrite?  And how?
Sam’s paternity/Port Charles re-visited - As I previously mentioned, I would change Sam’s paternity since she doesn’t utilize her Jerome heritage.  I would have made her Ryan Chamberlain’s daughter.  Ryan is Kevin’s dead psycho twin brother.  Ryan would still fit in with Alexis’ bad boy dating profile and it would make since that she would be a dead ringer for Livvie Locke.  I also would have kept Kevin as Livvie’s father since it was a disservice to Port Charles and its fans to rewrite such a story.  I would have kept the nods to Port Charles but they could have left out the supernatural elements, which were only brought into the later seasons of the show.  Port Charles did start out as a show about young doctors (including Scott’s daughter Karen Wexler) and nurses working at General Hospital, when the main soap went to more mob-related stories.  There were a lot of crossovers to begin with.  Also, there would be mention of Scott and Lucy’s adopted daughter Christina.
Nikolas’ storylines 2014-2016.  I’m not sure how I would write it, but Nikolas wouldn’t take over ELQ, be involved involved in “Jake Doe”/Drew/Jason drama, try to blackmail or kill Hayden, fake his death, or be killed by Valentin for Cassadine holdings.  I don’t mind Nik getting some dark Cassadine on, but don’t destroy his character like these years did.
Port Charles Mayoral Campaign of 2018.  I would have kept Laura as the anti-Charles Street development candidate (screw you, Frank!).  Olivia would have been in-character and struggling between supporting her husband Ned and fighting for the down-to-earth people living on Charles Street who are a lot like her Bensonhurst neighbors.  Laura would win, despite the dirty tricks pulled by Jim Harvey.  Ned would run a clean campaign.  Julian would run his bar and have little to do with the story.  Alexis would assist with Laura’s campaign, but otherwise stay out of politics and Charlie’s Pub.
There would be no Friz relationship.  Elizabeth would have dated Griffin instead (sorry, Grava).
Sonny wouldn’t have killed AJ.  While I enjoyed the distance between Michael and Sonny (as well as Carly) because of Sonny’s actions, it didn’t last long enough.  Sonny escaped the consequences yet again.  Also, there would be no Ava/Sonny sex on AJ’s grave, which would mean that Avery would have to be Morgan’s.  Michael would still have good relationships with all of his parents.  We would get to see AJ’s reactions to “Jake Doe” being “Jason” before finally revealed to be Jason’s twin Drew, as well as the real Jason being alive.  I would need all of Alan’s sons to reconcile their feelings toward each other.  AJ would be an attentive uncle to Jake, Danny, and Scout.
Three most annoying retcons in General Hospital history?
Franco’s crimes are a result of a brain tumor.  Such bullshit.
Anna willingly sleeping with Faison when she is a WSB trainee to get info and having his child, who is probably Henrik/Peter.  I may not have been alive when Robert, Anna, and Robin first came on in the 80s, but many fans have said that a flashback showed that Anna was a virgin when she first slept with Robert.  Writers, stop screwing with GH history.
Ignoring Sam’s relationships with Silas and Patrick in favor building up her relationship with Drew.  While I did like Siam, I did feel they were a rebound.  But Samtrick was a real relationship and it was going very well until Carly outed “Jake Doe” as “Jason”.  Sam was still her investigative, risk-taking self and a mom back then, compared to whoever she is now.  Yes, I feel like she would have went back to Jason and Patrick to Robin, in the end.
Favorite incarnations of characters who have been played by multiple actors?
Tamara Braun as Carly Benson Corinthos (I love all Carlys, except for Jennifer Bransford, but Tamara is my fave)
Kirsten Storms as Maxie Jones
Tyler Christopher as Nikolas Cassadine
Julie Marie Berman as Lulu Spencer-Falconeri
John Ingle as Edward Quartermaine
Constance Towers as Helena Cassadine
Aaron Refvem as Morgan Corinthos
both Sean Kanan and Billy Warlock as AJ Quartermaine
both Jonathan Jackson and Greg Vaughn as Lucky Spencer
both Dylan Cash and Chad Duell as Michael Corinthos III
tie between Emma & Sarah Smith, Kali Rodriguez, Lexi Ainsworth, and Lindsey Morgan as Kristina Corinthos-Davis (I’ve loved all of the girls who played Krissy since I started watching GH)
Five character deaths that destroyed you?
Georgie Jones
Emily Quartermaine
Alan Quartermaine
Lila McCall
Nathan West
Honorable Mentions: BJ Jones, Jason Morgan’s not-death, Sabrina Santiago, AJ Quartermaine 
If you could bring back any characters, which ones would they be?  And why?
Emily Quartermaine - pointless death for tragedy and ratings, she is a moral compass for many characters, need more Quartermaines, doctor
Nikolas Cassadine - part of me believes he is still alive, I need him to take back his inheritance and home from Valentin, need more Cassadines, need him to work things out with Britt (since he did far worse) or get back together with an alive Emily
Georgie Jones - pointless death for tragedy and ratings, moral compass for Maxie, Dillon’s OTL
Dillon Quartermaine: TPTB did the character, fans, and Robert Palmer Watkins dirty, need more Qs, more Crimson storylines, he could still be a filmmaker
Hayden Barnes - Elizabeth needs family in PC, need a resolution (and hopefully a reunion) for HayFinn, update on her and HayFinn baby, friendship/maternal relationship with Spencer, still needs to meet biodad Jeff and siblings Steve and Sarah
Lucky Spencer - need to build up the Spencer family, he needs to be (and be seen doing it) a father to all three of his boys, help rein in Lulu’s Spencer traits, help build up the PCPD, support and call out Elizabeth when she needs it, meet his niece Charlotte
Thomas “Tommy” Hardy Jr. - member of Hardy family, Elizabeth needs family in PC, doctor, brings in more diversity
Laura Spencer Collins - Lulu needs her mom’s guidance, she should be mayor, her other grandkids need her too, she needs to bring Spencer home, she and Kevin have barely been married before she left
Spencer Cassadine - he’s so much fun to watch, keeps Valentin in check, needs to reclaim his home and fortune, should reconcile with cousin Charlotte, we might actually see Liz’s kids if he is around, love his relationships with his extended family
Britt Westbourne - emotional support for mom Liesl after Nathan’s death, reconcile and potentially bond with Maxie and cousin Nina over loss of Nathan and love for Naxie baby, resolve things with Nikolas if he is alive, friendship/maternal relationship with Spencer, doctor, meet and have some sort of relationship with half-brother Henrik/Peter, friendship with Brad
Kristina Corinthos-Davis - need more Davis Girls, LGBTQ representation, missing out on stories regarding her families, reconcile with Alexis, potential for character growth
basically the whole Scorpio-Drake family (Robert, Robin, Patrick, Emma, baby Noah, Dr. Noah, and Dr. Matt Hunter) because they are one of my favorite families, doctors, Anna needs more family
more Quartermaines than those listed above for obvious reasons
What storylines would you like to see General Hospital tackle?
big event stories that we had 10-15 years ago that affected the whole community and characters (both contract and recurring) who don’t usually interact shared scenes
better representation of mental illness
more diversity
better LGBTQ representation and stories - utilize the characters they have and introduce Joss & Oscar’s friend
autism (Night Shift did a story with Jagger and his son Stone)
school shooting/gun control plots (for the younger characters) because of the ongoing relevance
If you watched any other ABC soaps (All My Children, One Life to Live, Port Charles, Ryan’s Hope, Loving, The City and I’m including SoapNet’s General Hospital: Night Shift), which characters (living at the time of the soap’s demise) would you bring to GH for a visit/story since they share the same universe?
Dr. David Hayward, All My Children - Anna’s ex-husband and father to her late daughter Leora, cardiologist/cardiac surgeon, a fun and dynamic villain to root for, has brought people back from the dead via Project Orpheus
Dr. Kyle Julian, General Hospital: Night Shift - doctor, adopted brother Leo was Maxie’s heart surgeon in 2007, LGBTQ representation, sweet and dorky character, potential boyfriend of Felix if he and Donny don’t work out
Oliver Fish, Dr. Kyle Lewis, and Sierra Fish, One Life to Live - Kish was a popular couple, LGBTQ representation, police officer and doctor, potential friends for Brad and Lucas especially in light of their adoption storyline
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aion-rsa · 3 years
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Superman & Lois: Behind the Scenes of The New DC TV Show
https://ift.tt/eA8V8J
When you think of Superman, what’s the first thing that comes to mind? Is it the cape? The tights? The ability to “leap tall buildings in a single bound?” Whatever Superman’s most recognizable trait, it’s probably the way the character makes you feel that stays with you. The premise that someone so powerful would choose to use that power solely for good is an optimistic one. Despite being one of the most powerful figures in the DC Universe, it’s Superman’s capacity to inspire hope that is his defining characteristic. 
“Part of why I find the character of Superman appealing as a fan, let alone as a part of the show, is that he has the power to destroy the world and he doesn’t,” Elizabeth Tulloch, who plays Lois Lane on Superman & Lois, says. “He’s doing the right thing because it’s the right thing. If he wasn’t Superman and he was just Clark Kent without the powers, he would be the same man. In other words, you don’t [need] powers to be good, decent, and kind.”
Lois Lane is an equally inspirational figure. What could be more hopeful than someone believing, often in the face of mounting evidence to the contrary, that all the world needs to make the right decision is to hear the truth? As one of fiction’s most famous journalists, Lois uses a different kind of power from her husband’s to make the world a better, more just place.
Let’s face it, these days, we’re all in need of a little hope. So why not spotlight the two heroes who have been fighting the hopeful fight for over 80 years? Superman & Lois, the newest iteration of these legendary characters which premieres on The CW on Feb. 23, aims to do just that, albeit with some refreshing twists. The days of our heroes competing with each other for scoops while Clark awkwardly hides his true identity from Lois are gone, replaced with a happily married pair with no secrets between them. To switch things up a little further, the two are raising twin teenage boys not in big city Metropolis but in Clark’s hometown of Smallville.
It may sound like a radical interpretation (at least by the generally change-averse standard of most Superman tales), but Superman & Lois still has sci-fi and action to spare, even as it shows us a new side of the Man of Steel. It comes as the latest entry in the network’s ever-expanding roster of DC superhero TV shows, which began in 2012 with Arrow and has grown to encompass The Flash, Supergirl, Legends of Tomorrow, Black Lightning, Batwoman, Stargirl, and more.
It was this shared universe that brought us TV’s newest Superman, Tyler Hoechlin, who first wore the cape in 2016 as a guest star on Supergirl. Despite the fanfare surrounding his arrival there was no Superman spinoff in the works at the time, and this was intended as a one-off appearance for the character. 
“Honestly, I was at a point in my life and my career where I didn’t want to commit to something that was a full-time thing on a show,” Hoechlin recalls via Zoom during a break from filming. “I had just left [Teen Wolf] and was enjoying the opportunity to try different things and move around a little bit. So it felt perfect. [Filming] was going to be a couple of weeks up in Vancouver. I could check the list and say I got to play a superhero– and Superman at that.”
But Hoechlin, who had previously auditioned for the role on the big screen for 2013’s Man of Steel, found himself drawn to the way the hero was being presented for TV.
“I liked what Supergirl was representing at the time and what it has continued to represent,” Hoechlin says. “I really loved that the show was just shamelessly optimistic and hopeful. I was happy to do something that was just very, very bold about it.”
That “optimistic and hopeful” quality is apparent in Hoechlin’s performance from the first moments of that initial Supergirl guest appearance. Incredibly powerful and yet so unfailingly polite that he takes the time to offer a wink and a smile to people he saves on the street, this Superman connected with fans tiring of the conflicted, brooding takes which characterized so many of the character’s recent adventures. When the decision was made to bring Superman back for the following year’s Elseworlds crossover event, it was important to match Clark with the character who has shared nearly all his adventures since 1938.
“They were reading a lot of other actresses I recognized,” Tulloch recalls of her 2018 Lois Lane audition. “I kind of had a feeling, after I did it once, that I totally was doing something different from the other actors. The choice I made was just to have fun with it. I think, based on some of the feedback I got in the room, a lot of women had been reading that scene more seriously because, on paper, the scene did read as serious.”
The audition reading in question was a deleted scene from 1980’s Superman II, in which Lois, determined to prove that she knows Clark’s secret identity, pulls a gun on him and fires. A horrified Clark reprimands her, only for Lois to reveal that the round was blank. But by then it’s too late: he’s already confessed to being Superman.
“I just sort of played it joyfully,” Tulloch says. “And at the end, when he doesn’t die, I squealed happily and said, ‘I knew it.’” Tulloch recalls a note from Supergirl co-showrunner Jessica Queller: “She was like, ‘This is what we were looking for… there needs to be a joie de vivre about Lois.’” 
Lois Lane is as crucial to DC history as Superman, first appearing in what is generally considered ground zero for the entire superhero genre: 1938’s Action Comics #1. The book introduced both Superman and Lois to the world and, over the ensuing decades, Lois has risen from supporting character to co-headliner, and with good reason. Tougher than a Metropolis winter, sharp-witted, and a better journalist than her superpowered co-worker, Lois showcases the human spirit at its best, no powers required. Tulloch embodies the character as confidently as Hoechlin does Clark/Superman.
“I can’t think of a more important time in recent history to be playing a journalist,” Tulloch says. “After the last few years, where I feel like journalists and members of the media have come under a pretty constant onslaught and had their roles diminished, I think it’s really important to be doing what she’s doing, using her words to fight on behalf of other people, and to fight for truth and justice.”   
Just like Hoechlin’s Superman, Tulloch’s Lois was an immediate hit with fans. It helps that the pair share an effortless onscreen chemistry. Without the Clark/Superman/Lois faux-love triangle that characterized so many previous versions of the legend, TV’s new Lois and Clark were free to focus on fresher elements of the relationship. Amazingly, this rapport came naturally, as the tight shooting schedules of the Elseworlds crossover meant the first time the pair were in character together was right before filming.
“Our first readings were on set,” Hoechlin says. “We didn’t get to do any of the readings together beforehand. I immediately thought she was perfect for the part. That feeling has only grown.”
“We really just have so much fun,” Tulloch says. “I think that’s part of why I hope people respond to us. Obviously there’s a level of gravitas to these roles, and what they’re doing in their roles in the world is really important, but they’re also really playful and they really like each other.”
By the time the characters were brought back for another DC TV guest appearance in 2019, things had changed. Lois had given birth to their first child, the infant Jonathan Kent. They were there for the multiverse-shattering Crisis on Infinite Earths, which changed elements of reality for all the DC superhero shows, including a major status quo shift for Clark and Lois: instead of raising a single infant son, they now have twin teenage boys.
The responsibility of shaping Superman & Lois fell to writer and executive producer Todd Helbing, who served as showrunner on the fifth season of The Flash. Yet, it was a task that gave him pause when the job was first presented to him by DC TV maestro Greg Berlanti.
“These shows are ginormous,” Helbing says. “The hours alone, it’s just a daunting task. And nobody wants to mess up Superman.”
It was here that the family dynamic of Superman & Lois began to take shape. “Crisis gave us a blank slate in a lot of ways,” Helbing says, and with that came freedom. Only child Jonathan gave way to the idea of a son and a daughter, before finally settling on two very different twin sons: the athletic and confident Jonathan (Jordan Elsass) and the anxious and introverted Jordan (Alexander Garfin).
“I have two boys who are wildly different, so that became part of the storytelling,” Helbing says. “What do you do as parents when one child is completely different from the other and needs different attention and different help? The brothers’ relationship changes the family dynamic. And as working parents, how do you juggle your lives? Just thinking about Lois Lane being the most famous journalist in the world and the demands that her job has coupled with the demands that Superman would have, how do you infuse the storytelling with all of those challenges?”
Those challenges include the fact that, as the show opens, the boys don’t know their father is the world’s most powerful superhero, which means Clark occasionally misses out on fatherly activities without an honest excuse, an understandable point of friction. 
“Superman is a difficult person to dramatize because he’s perfect in a lot of ways,” Helbing says. “The analogy we always use is Superman is sort of perfect, but Clark can be clumsy as a dad. I think being clumsy as a parent, that’s something that we all are. We’re all figuring it out. There are  a lot of books written about it, but the second it happens to you, you don’t know what you’re doing. So why would that be any different for the Man of Steel? In a lot of ways, that opened up the floodgates about really telling stories where people can relate to him in a way that they haven’t been able to before.”
In other words, just because Lois and Clark are icons, pillars of an entire genre of storytelling, and two of the most famous characters in all of fiction, it doesn’t mean parenting comes easily to them. 
“I think there’s a little element of guilt on both of their parts because they’re such busy people, with Clark moonlighting as Superman, and Lois being this very famous, hardworking journalist,” Tulloch says. 
The idea of Lois and Clark as parents isn’t new to fans of the comics, where young Jonathan has been a fixture for years, but it isn’t as well known as other facets of the Superman legend. This makes Hoechlin and Tulloch the first actors to bring this element of the characters to a mainstream audience.
“For me, it was an exciting opportunity to tell a part of the story that hasn’t been told before,” Hoechlin says. “In a way, it raises the stakes significantly… the only real threat to him is threatening the people that he cares about. Of course, he’s had that relationship with Lois, but now he’s also got two kids, so that threat becomes all the more real.”
Fans who grew up with Superman and now have families of their own may see the character in a new light. “I think for parents to be able to come back and reconnect with this character who was a hero of theirs as a kid going through the same things that they’re now going through is such a cool opportunity, as well,” says Hoechlin.
Creating a realistic family dynamic meant finding actors to play the Kent sons who felt natural with their onscreen parents. Tulloch did readings with a series of young actors to make sure the parental chemistry was there.
“You honestly could tell almost immediately that they were the right fits,” Tulloch says. “Alex Garfin, who plays Jordan, has a lot of emotional stuff. He was just really excellent. Jordan Elsass, who plays Jonathan, is the same. His role is really different since Jonathan’s a bit cockier. If anything, his character’s Achilles’ heel is that he thinks too highly of himself. But both of those boys were just awesome.”
Events in the first episode lead the family to leave Metropolis for Clark’s old hometown of Smallville, which isn’t quite the idyllic small town it’s sometimes portrayed as. But the rural setting doesn’t mean that there will be less superheroic action than you’ve come to expect from a big city-based hero.
“The way we approached it was, if Flash is the guardian of Central City and Supergirl is the guardian of National City, Superman is the guardian of the world,” Helbing says. “So it really doesn’t matter where Superman’s based. He can fly anywhere in the world in a matter of seconds. Once you understand that, it really doesn’t matter where his home turf is… it could be anywhere.”
Bringing the family back to Smallville means that Hoechlin has an opportunity to explore more facets of the character. There’s a long-running debate among Superman fans and creators about which of Superman’s identities is the “real” persona. Is he really Clark Kent, and Superman is a put-on for the world? Or does Superman represent his true nature, and it’s Clark Kent who’s an act? To hear Hoechlin tell it, it’s far more complicated than that.
“There is Superman at the most extreme, when no one knows him as anything other than [a hero],” Hoechlin says of his approach to the character. “There’s Superman when he’s around people who are aware that he’s more than just Superman. There’s the Clark that everyone knows is Superman, but he’s still kind of ‘playing Clark.’ There’s also the extreme Clark where you would only ever think that he’s the clumsy guy in the office and that’s all he is.”
But the truth of the character lies somewhere else entirely for the actor, and it’s the one that lends itself well to a story of Clark living a family-oriented life when he’s not flying around saving the world.
“And then there’s this guy in the center,” Hoechlin says. “I don’t really think that there’s a right answer in saying that ‘he is Superman’ or ‘he is Clark.’” 
Clark will face some challenges as he readjusts to Smallville life, but it’s the famously outspoken Lois who has her work cut out for her.
“Lois has a tendency to put her foot in her mouth and sometimes she doesn’t think before she speaks,” Tulloch says. “You will see her get into trouble a little bit with the people of Smallville because she thinks she’s doing the right thing on their behalf, but not really thinking through their specific needs.”
Despite these weighty and dramatic concepts, there’s no shortage of super-powered action in the first two episodes, in which Superman takes on a mysterious, armored foe. For those wondering whether they need to be up on the various continuity bylaws of a TV universe that encompasses no fewer than six other shows, the first episode kicks off with a wonderful crash course in the history of this particular Superman and Lois, and there’s no baggage from other series to contend with.
“My mom watches everything that my brother [Aaron Helbing of The Flash, Knightfall, and more] and I do, and she didn’t read comic books,” Helbing says. “If she can’t understand what’s going on, then we’ve failed. But in the same light, there’s a huge fanbase, so we want to put Easter eggs in there and we want to tell stories about characters that everybody knows [from] the comics. We want to satisfy both at the same time, but ultimately, our job is to just tell a good story, and that takes focus.”
Getting what these particular characters represent right matters more to fans than superpowered brawls, crossovers, or intricate continuity. (“Part of why Tyler and I take this really seriously [is] because we know these roles are iconic for a reason,” Tulloch says). Embodying those core values is what made Hoechlin and Tulloch’s portrayals connect so strongly with fans in the crossovers, and it’s something everyone involved in the spinoff series intends to continue.
“It’s such a polarized world that we’re living in,” Hoechlin says. “Superman’s ability to stand for what’s right without having to, for lack of a better word, demonize, is something I really appreciate about him. For me, that’s really that idea of compassion and empathy towards everyone. I think his hope is that everyone finds the right path.”
But as it so often does when discussing the world of Superman, it always comes back to that one word: hope.
“Superman has always been hopeful,” Helbing says. “Considering everything that we’ve gone through this year, hope is infused in there and it should be. But it has to feel real, and it has to come out of hopefulness for real struggles that anybody watching this can relate to. If Superman can struggle and he still remains hopeful, and if Lois can struggle and she remains hopeful, then I think maybe we can, too.”
Superman & Lois premieres on Feb. 23 on The CW.
The post Superman & Lois: Behind the Scenes of The New DC TV Show appeared first on Den of Geek.
from Den of Geek https://ift.tt/3jS7fbT
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insomniaacs · 7 years
Text
Strings Attached (part 2) - Benedict x Reader
A/N: Finally managed to post this!! I'm really sorry for the delay, but tumblr wasn't allowing me to make text posts, and I'll admit that I got a bit desperate! The problem was fixed and my exams are over now though, so expect to hear from me again soon ;D PS: I changed the concept of the request a little bit to fit my ideas, I hope you guys don't mind it!
Requested by anonymous: Benedict x reader. The reader is invited her ex in-laws wedding anniversary.  She leaves her daughter in the care of her ex. While she helps in the kitchen and Benedict talks her best friend. He turns in back on her for a minute and she gets pushed in to the swimming pool but can’t swim. Benedict reacts straight away jumping in clothes and all to save her.
Word count: 3566 Warnings: cuteness overload XD
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[Part 1]
The sun was peeking through the kitchen window when Olivia dragged you out of your room.
She was wearing white overalls patterned with yellow flowers and a white shirt tucked underneath it, her hair pulled up in two pigtails and a big smile plastered on her face. The excitement was radiating off her like the rays of sun outside, and even though you were feeling nervous and slightly uncomfortable, her happiness was enough to make you shake off your uneasiness.
That was the day of your ex in-laws’ anniversary party, and you’d be attending it after much insistence from them. Greg and Laura were the sweetest couple you’d probably ever met, and you owed them much. They’d helped you tons during your pregnancy, and had taken care of Liv whenever you’d needed them to, though the same couldn’t be said about their son…
“Come on, mommy!” Liv pulled you by the hand towards the door, and you couldn’t help but laugh at her enthusiasm. She absolutely loved visiting her grandparents, especially when it meant she’d be able to play in the pool and eat as much candy as her stomach could handle. “We’re gonna be laaaate,” she whined and you rolled your eyes, shaking your head as your removed your wrist from her grasp in order to take your purse and the bottle of wine you’d be giving Greg and Laura from the kitchen counter.
You were wearing a long floral summer dress that contrasted well with your skin and held a modest cleavage, and was tied back by two strings that met behind your neck. The party would be held in their house, so it’d be something a bit more casual; just for family and friends.
The word ‘family’ was what was scaring you though. You knew that he’d be there - he was Laura and Greg’s son, after all - but it was enough to make you anxious…
You shook those thoughts away when you heard the doorbell ring.
A smile immediately stretched on your lips and Liv jumped excitedly beside you, running towards the door and pushing it open to reveal a grinning Benedict standing on the doorway. His eyes connected with yours for a brief moment before he focused his attention on the little girl claiming his attention.
“Hey, Livie,” Benedict said, taking his hands out of his pockets and kneeling in front of her so she could hug him. You watched the scene and couldn’t help but swoon at how loving Benedict was with your daughter. He wrapped his arms around Liv's waist and lifted her up so he was carrying her back inside, her giggles echoing around the living room as he approached you on the kitchen counter. “Hello, love,” he said, taking your hand into his free one and pressing it to his lips affectionately.
“Hey, Ben. Thanks for coming,” you held onto his hand and pulled him a little closer. “Ready to go, Liv?” you looked at her and she smiled and nodded enthusiastically.
The three of you made your way outside where Benedict’s car was parked, and he lowered Liv slowly so she could get into the backseat and then opened the door for you. Before you went in though, he pulled you closer by the waist and placed a soft kiss to your lips, which you returned wholeheartedly, stroking his cheek and looking at him with such love that you thought you were going to burst.
It was funny, how you’d gone from complete strangers to this.
You'd met in a pretty normal setting, considering who he was and what he did for a living. It'd been a day in which the sun didn't shine and there was heavy rain pouring in heaves from the sky, and Benedict had been in desperate need for something hot to warm him up.
He'd stumbled upon a cafe in downtown London and had immediately gone inside, and it was like the universe had wanted you two to meet.
He'd gotten in line and ordered a jumbo sized hot cocoa and water, and had been revelling on the feeling of not being recognised when he'd felt something pull at his jeans.
Benedict had looked down and thought he'd been looking at an angel.
There had been a little girl looking at him with wide, glittering eyes, her mouth opened in awe as she continued to pull at his legs excitedly.
"Mama, look! It's Doctor!" she'd said with the sweetest voice, her words dragged as Benedict realised she had probably just learned how to speak. "It's my doctor!"
Benedict couldn't help but smile at that. He'd turned fully to her and bent his knees so his eyes were almost levelled with hers. He'd been about to say something when another voice caught his attention and he'd been compelled to look up.
"Darling, I'm not sure you can call him yours just yet," Benedict's eyes had focused on yours, and he'd been blown away once again. You were too beautiful to be true, "you have to introduce yourself first, remember?" You had asked with a supporting hand to the back of the little girl's neck, urging her forward the slightest bit. "Go on. Just like we rehearsed." Your eyes had met Benedict's, and he had to keep from gasping as you gave him a little wink. His breath had caught on his throat and he hadn't been able to do anything but look at you the same way the little girl was looking at him.
“Hello, Mr. Doctor. I’m Olivia, but mama calls me Liv,” she'd said extending a chubby hand towards him, and Benedict had almost laughed at how entirely cute she looked.
“Well, hello, Olivia,” he'd smiled, taking her hand in his and placing a kiss on her knuckles. “It's very nice to meet you,” Benedict had said while he stood up, “and your mother,” he'd added afterwards, watching as you placed a hand on Olivia’s shoulder and looked up at him.
You remembered having looked at him for a long time. You’d never met a celebrity before that, but the fact that he was famous had been the last thing that had crossed your mind. Instead, you hadn’t been able to stop thinking about the fact that he looked even better in person, and that you could never have imagined that he’d be so kind and lovely to fans.
“What are you thinking about, love?” Benedict’s voice brought you back to reality. You looked out the window and realised that you weren’t very far from Greg and Laura’s house. You watched as Benedict took one of his hands off the wheel and placed it on your thigh comfortingly, and you didn’t hesitate before taking it into your own.
“Nothing… I was daydreaming a bit, I guess,” you said with a small smile, and then looked at him with a raised eyebrow. “Are you nervous?” you asked, because Benedict had never met Liv’s grandparents before. Also because perhaps if he was nervous, then it would be okay for you to be nervous as well…
“Not really,” he said nonchalantly, briefly glancing your way before concentrating on the road. “Are you?” Benedict asked, and you could hear the worry in his voice.
You sighed quietly. “A little…” you admitted, and felt Benedict squeeze your hand reassuringly. You looked at the backseat through the rearview mirror and was relieved to see that Liv was paying attention to the cartoon she was watching on Benedict’s tablet, and that she wasn’t really listening to the conversation.
Benedict knew about your story with Liv’s father. Aaron Sanders was a good man, deep down you knew that. The only problem was that when Liv was born, he’d refused to recognise her as his child. Your relationship had started crumbling the night you’d told him about your pregnancy, and he’d left you and had refused to take a paternity test. He had never physically hurt you, but the pain he’d caused you and Liv when he’d denied her had been too great, and for that you thought you’d never be able to forgive him. His parents had been with you the whole time though, and you couldn’t be more grateful for that.
You arrived not long after. It was around midday in London, and the day was uncharacteristically bright. The three of you left the car, and you and Benedict both took one of Liv’s hands on your own as you approached the entrance of the house.
Greg and Laura’s house was big, but you could barely see it behind the trees and leaves that occupied the front yard. You reached the door and Liv rang the doorbell excitedly, bouncing on her feet while you waited.
It was Greg who opened the door. He was wearing jeans overalls similar to Liv’s, and when she saw him, she immediately let go of your hands and ran into his arms.
“Grandpa!” she exclaimed as he lifted her over his head and pretended to let go of her. Liv giggled in his arms as he hugged her and put her down.
“I've missed you, my little Olive,” he said endearingly, patting her back and pointing somewhere inside the house. “Go check on your grandma in the kitchen. She’s making those little cookies that you love,” Greg told her and you watched as Liv went running inside the house. When he looked back at you, there was a glint in his eyes as he opened his arms to hug you. “Ah, (Y/N)… You seem to grow more beautiful every day,” he said patting your head.
“Thank you, Greg. Happy anniversary,” you said when he released you, giving him the bottle of wine you’d brought and taking a step back, holding Benedict’s arm and smiling brightly as you looked up at him. “This is Benedict, my boyfriend,” you introduced him and Greg smiled knowingly, shaking Benedict’s hand firmly.
“I've heard a lot about you, lad,” he said as he allowed the both of you to come inside. “It's good to know someone’s taking good care of my girls,” Greg closed the door and Benedict eyed you with a smile. “I hope you like tuna sandwich. Laura's made buckets of it,” he laughed and led you to the kitchen.
There was a woman holding a tray full of chocolate chip cookies, and by the looks of it, it had just left the oven. Liv had her little hands placed on the counter, watching in awe as her grandmother placed all of the cookies in a jar and left it to the side to cool.
“(Y/N), darling, it’s been so long!” Laura finally noticed you, cleaning her hands in a towel by the sink and coming to hug you.
“Nonsense, Laura. We saw her last week!” Greg said, sticking his hand into the pot of cookies to take one for himself.
Laura slapped his hand away from it with a roll of her eyes. “Oh, hush, Gregory. And stop eating the food, or else there won’t be anything left for the guests!” she reprimanded, sending him away with her hands.
Greg only laughed and crushed his wife’s face to his lips, kissing her cheek soundly. “Come join me later at the grill, Benedict. I’ll teach you my trick to make the perfect burger,” he said and then left the kitchen, Liv trailing after her grandfather and out of your view.
Laura shook her head, and when she looked back at you her eyes focused on Benedict’s tall frame and she smiled brightly, clapping her hands together in excitement. “And of course, you must be Benedict!” she took his hand into her both. “He's so handsome, (Y/N),” she winked at you, making you turn a bright shade of red. “Even more so than on-screen,” she said, and this time it was Benedict who blushed, chuckling lightly. “Now you two go seat outside. I wouldn’t want any of you to be stuck here with me while the day is so beautiful.”
You did as she asked, congratulating her for her anniversary first and then taking Benedict by the hand towards the backyard. It was smaller than the house, but still bigger than most. There were several trees at the back of it, and the pool was located a bit closer to the house. Laura and Greg had set a few tables on the grass, and there were people sitting on one of them. They were mostly cousins and friends of Greg and Laura’s, and you greeted them all before sitting on one table along with Benedict.
It didn’t take long for Liv to find you again. “Mommy, can I go into the pool?” she asked, and you looked at her with a raised eyebrow.
“Not yet, darling. Can't you wait a bit longer? I promise I’ll go with you in a little while,” you answered, and she groaned audibly.
“Please, please, please… I can go alone!” she insisted, but you still shook your head.
“You can’t, Liv. You don’t know how to swim—“ you started to say, but was interrupted by a shadow looming over you.
“I can look after her,” a voice spoke from above you, and you felt your insides grow cold.
You looked up to find Aaron himself staring at you with a weird expression on his face. You felt Benedict’s grip on your hand tighten at the sight of him, and tried to reassure him that everything would be alright with a small smile.
“Aaron,” you said in surprise, sitting straighter on your chair. “Are you sure you want to?” you asked, because you didn’t know if you trusted him enough to take care of Liv, and because he’d already neglected her before, and you certainly didn’t want him to hurt her.
“Of course,” he answered nonchalantly, looking relaxed and at ease with one hand tucked loosely into the pocket of his jeans and the other leaning on his hip. “I'm great with kids,” he said as a matter of fact and you raised an eyebrow, but gave in. You didn’t want to cause a scene, and you didn’t think he’d do anything to hurt your daughter.
With a sigh and a sideways glance towards Benedict, you finally nodded. “Okay… But let me know if you need any help,” you said and he smirked in a way that you were so used to, and that made your stomach turn— and definitely not in a good way.
Once Liv went inside to change clothes and Aaron left your side, you finally allowed yourself to relax, releasing a breath that you didn’t even realise you’d been holding.
“You okay, love?” Benedict asked beside you, taking your hand in his and rubbing a comforting pattern along your skin. You just nodded, though you weren’t really sure if you were actually fine. “Sure you don’t want me to watch her?” he asked worriedly, and you finally looked up at him.
“No, it’s alright. I want you to enjoy yourself,” you smiled, lifting a hand to touch his cheek. “Perhaps you can bond a little with Greg? I’m sure he’s dying to show you how to flip the meat on the grill,” you said and Benedict laughed, pulling you closer to press his lips to your head. Then he pushed his chair back and stood up, but didn’t leave before kissing your knuckles once more.
“I’ll keep an eye on her from afar,” he assured you and then left to join Greg, who was thrilled to see someone was interested in learning his cooking techniques. You smiled at the sight of them, and decided you’d help Laura in the kitchen to keep her company.
You waited until Liv joined Aaron by the pool and you were sure he was taking good care of her before you got up and went back inside. Laura was stirring something in a big pot when you found her, and you were happy to help her prepare the rest of the meals.
Outside, Benedict was laughing along with Greg when he heard a cough. His eyes immediately went towards the pool, and he started feeling the despair crush his lungs when he couldn’t see Liv or Aaron by the pool.
He left Greg’s side without a word and went to look for Olivia. His eyes caught a glimpse of her hair on the water, and he realised she was stuck underneath a big, colourful float in the pool.
Benedict suddenly couldn’t think of anything but to get her out, so he desperately grabbed the float and threw it aside, and his arms lifted Liv’s body out of the water with difficulty. She’d gotten to the deeper side of the pool unnoticed, and he was relieved to hear she was still breathing when he pulled her into his arms.
Liv coughed hard into his shirt and he just tapped her back as he held her loosely so she could breathe. “It's okay, love. You’re okay,” Benedict soothed her as she started crying. He looked around to see that Greg was rushing toward them worriedly, his hands finding Liv’s hair and running through it in an attempt to calm her down. What caught Benedict’s attention wasn’t Liv’s grandfather though, but the fact that Aaron was coming their way with a glass of cold beer on his hand and an alarmed look on his face. Their gazes met and Benedict was sure Aaron could see the burning anger in his eyes. He was about to shout at him when something else caught his attention.
You came running from inside the house, approaching them quickly and looking at the scene in front of you with worry. Benedict’s clothes were drenched in water as he held a coughing and crying Liv protectively, and when you finally reached them, you took your daughter’s face in your hands to see if she was alright.
“What happened?” you asked once you realised she was fine; just scared. “You were supposed to be looking after her, Aaron!” you yelled at him without sparing him a glance.
“I was just filling my glass!” he tried to defend himself, but one look from you was enough to make him shut up.
You went to the table you’d been sitting at and searched your bag for Liv’s towel, covering her - who was still on Benedict’s arms - once you’d found it. The two of you took her inside to change her clothes, and once she was dressed and dry, it was as if nothing had happened. She was grinning and happy again, and rushed down the stairs to be with her grandmother.
You sighed irritably once she’d left. “I should never have accepted Greg and Laura's invitation,” you said, furiously tucking Olivia’s wet clothes into a plastic bag. “I knew seeing him again would be a bad idea… He- Liv doesn’t even know he’s her father!” you ranted. “God, I’m just so stupid—“
You were interrupted by Benedict’s arms encircling your waist. His shirt was wet against your back, but you paid it no mind as he held your wrists to still your movements. You sighed and allowed him to turn you around to look at him. Your hands fell to your sides as he lifted his to take the hair from your eyes, tucking the loose strands behind your ears affectionately.
“You’re not stupid, (Y/N),” he said, moving his fingers to cup your cheeks. “You're the most intelligent, and amazing, and beautiful woman I’ve ever met, and that’s why I fell in love with you in the first place,” he said, making you smile slightly. “This wasn’t your fault, love.” His words were spoken in a way that left no space for discussion, so you only nodded. “Now, Liv is fine and there’s a delicious burger waiting for you downstairs… “ he let his hands fall to the sides of your neck. “Please don’t let this ruin your day,” he asked and didn’t allow you to answer because his lips were suddenly touching yours, and you couldn’t think of anything else other than the feel of his mouth on yours.
When you finally parted you were feeling slightly dizzy, but you couldn’t help the smile that grew on your lips. “I'm sorry you got all wet,” you said running a hand down his shirt.
“It's quite alright, love,” he replied with a smile. “Now let’s get down there so I can show you all the amazing stuff Greg’s taught me.”
The rest of the day went by in a blur. Laura’s food was delicious and you and Benedict had loads of fun with Liv.
Aaron didn’t reappear until you were leaving. You were at the door holding Liv’s hand when Benedict emerged from the kitchen being followed by a frightened and pale-looking Aaron. You eyed the both of them suspiciously, but didn’t say anything until you were lying on your bed with Benedict and Liv had already retreated to her room.
“So, what is it that you said to Aaron back there when we were leaving?” you asked curiously, lifting your head from Benedict’s chest to look him in the eyes.
He chuckled; his chest vibrating under your fingers. “Oh, not much…” he replied nonchalantly, one of his hands coming to hold yours over his chest while the other caressed your face. “Just enough to put him in his place…"
[Masterlist] [Request list]
88 notes · View notes
missytearex · 5 years
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First of all, I just wanted to clarify, as there’s been some confusion about this, that the different coloured hearts in these posts correspond to different ratings. 
[💙 = no rated, 💚 = general audiences, 💛 = teen and up, 🧡 = mature, ❤️ = explicit]
Furthermore, fics are listed in the order that I read them. I am in no way ranking any of the fics here. If you really wanna know which ones were my favourite, or anything like that, send me an ask or a private message!
Moving on from that, @popularryculture and @1dshortficfest have both been churning out some great fics to keep me busy! Also, congrats to @harryincamp for posting their first fic! It’s short and sweet, so I highly recommend you all go read that!
💛 what, like it’s hard? by Anonymous — [fic post]
larry | 25k | teen and up — (legally blonde au, girl direction, college/uni, enemies to lovers)
In which Harry goes to law school to win back her man, but gets a lot more than she bargained for.
❤️ Clumsy by @chloehl10 — [fic post]
larry | 12k | explicit — (au, valentine’s day, fluff, smut, strangers to lovers)
Louis loves taking Clifford to the market every weekend. It’s their thing. But when Cliff manages to trip over a handsome stranger, on Valentine’s Day of all days, it might just be the start of something new and exciting…
💙 Fistiana by Anonymous — [fic post]
zouis | 1.9k | not rated — (au, boxing)
They met in the center of the ring and bumped their bare knuckles together.
🧡 anchor points by @nightwideopen — [fic post]
bucky/louis/clint | 2.1k | mature — (marvel, polyamory, fluff, action, hurt/comfort)
In which it’s Bucky’s birthday and things don’t go as planned.
💙 It’s the Climb by Anonymous — [fic post]
larry | 25k | not rated — (au, famous/non-famous, farm, secret identity)
The Hannah Montana AU where Louis is a world famous punk rock singer with a stage name of William and Jay drags him back to Tennessee for the summer. In her attempt for Louis to get back to his roots, he just so happens to reconnect with Harry, and things never go quite as Louis expects them to.
🧡 being alive by @basement-hero 
narry | 3.9k | mature — (au, vampire harry)
Harry has been undead long enough to know that relationships are a waste of time.
❤️ Polish Rider by @louandhazaf — [fic post]
grouis | 2k | explicit — (canon, friends with benefits)
Louis Tomlinson is back in London to do pre-recorded press in support of his new single, “Miss You.” After a night with his ‘friend with benefits,’ Greg James, Louis is scheduled to appear on Greg’s show. A total size queen who can’t get Greg’s dick out of his head, Louis flirts his way through the interview and reconsiders what exactly he wants from his relationship with Greg.
💛 your rainbow will come smiling through by Anonymous — [fic post]
larry | 17k | teen and up — (au, college/uni)
when harry isn’t working at his stepfather’s cafe, he’s trying to make swim captain and trying to finish all his coursework on time. when he’s not doing any of those things, he’s talking to the boy he met on the oxford hopefuls subreddit. when they decide to meet, he’s elated. he finally gets the chance to meet the boy he’s been crushing on! when the day comes to meet his prince, he learns that his online crush is none other than louis tomlinson, captain of the football team and friend of his terrible stepbrothers. now harry has to decide whether telling louis the truth is the right choice or if it’s better to just let sleeping dogs lie.
a cinderella story au
💚 All I See Is You, Lately by Anonymous — [fic post]
larry | 2k | general audiences — (au, meet-cute, pining)
The one where Harry has a crush on a fellow commuter.
💛 far from your eyes by lotts (LottieAnna)
tomlinshaw | 1.9k | teen and up — (insomnia, comfort)
Louis can’t sleep, but he’s handling it well enough.
🧡 If You’re The Storm, Then I’m The Chaser by Anonymous — [fic post]
larry | 21k | mature — (au, angst, hurt/comfort, abuse, healing)
An AU based on Ed Sheeran’s song “New Man”
Louis is back in town for the first time since he and Harry broke up six months ago. He’s not sure what would hurt more, if Harry has moved on or if he’s still as torn up as Louis is. He never even considered that Harry would be acting like a completely different person. And maybe he really is as happy as he keeps insisting, but Louis really doesn’t think so.
🧡 nervous by @disgruntledkittenface — [fic post]
shiall | 2.9k | mature — (au, friends to lovers, smut)
Niall walks out of the bathroom and his mouth dries up at the sight in front of him. This isn’t fine. This isn’t anything remotely in the vicinity of fine.
Shawn is sitting by the window, slouched a bit, one elbow rested on the arm of the ugly motel chair. He would look ridiculous, the thing was clearly designed for guests well under six feet, if he didn’t look so fucking sexy.
💚 we’re right here in this room by Anonymous — [fic post]
shiall | 2.4k | general audiences — (au, coffee shop, fluff, college/uni, strangers to lovers)
Shawn goes to the same cafe every Sunday. After he meets Niall, a friend of a friend, he can’t stop thinking about him. (based on the song Nervous by Shawn Mendes)
❤️ Take a Chance, Just Feed Me by @uhohmorshedios — [fic post]
larry | 4.3k | explicit — (canon, marcel, role-play, smut)
Louis needs some time alone with Marcel, and he’s hoping Harry will play along.
💙 A coffee and a lie by @flickerbyniall — [fic posts here & here]
narry | 13k | not rated — (au, coffee shop)
Niall works in a bank but he really likes the coffee guy.
🧡 Eight Years by @harryincamp — [fic post]
larry | 2.6k | mature — (canon, girl direction, fluff, established relationship)
An atmospheric story. An ode to love, tenderness and dedication. With a hint of stubbornness.
In which Harry and Louis celebrate their eight year anniversary. Or, they don’t know where they’re going but they know where they belong.
💚 Insomnis by Anonymous — [fic post]
larry | 0.5k | general audiences — (au, science fiction)
Harry’s been having trouble sleeping. Louis makes everything better.
💛 The Truth Of It or The Day That Changed Everything by Anonymous — [fic post]
larry | 1.5k | teen and up — (au, fluff)
You are Louis, the son of a wealthy horseman. Your father has been trying to ingratiate you into his circle of friends and set you up with their daughters, but you just aren’t feeling it.
Instead, ever since the new stable hand smiled at you, you have been drawn to the barn. Today, you come to understand why.
💛 it’s only your imagination again by Anonymous — [fic post]
larry | 1.8k | teen and up — (au, humour, supernatural elements)
Harry’s pretty convinced his new neighbor has a cat.
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Updated July 23 with “The Code” canceled at CBS.Upfronts have come and gone, and that means broadcast networks have set their 2019-20 slates after ordering new series and winnowing down which current shows will return next season and which will come to an end.Below is every scripted (and a few unscripted) show that ABC, NBC, CBS, Fox and The CW have renewed or canceled so far, along with those still awaiting decision for the coming season. We’ve also included descriptions of the new shows that have been ordered.Also Read: 21 Lowest-Rated Broadcast TV Shows of 2018-19 Season (Photos)NBC Renewed Series: “The Blacklist,” “Blindspot” (for fifth and final season), “Brooklyn Nine-Nine,” “Chicago Fire,” “Chicago Med,” “Chicago P.D.,” “Ellen’s Game of Games,” “Good Girls,” “The Good Place,”  “Law & Order: SVU,” “Manifest,” “New Amsterdam,” “Superstore,” “This Is Us” (for Seasons 4, 5 and 6), “Will & Grace”Canceled/Ending Series: “Abby’s,” “A.P. Bio,” “The Enemy Within,” “I Feel Bad,” “Marlon,” “Midnight, Texas,” “Reverie,” “Trial & Error,” “The Village”Series Awaiting Decisions: N/ASummer Series: “The InBetween” (new series)Newly Ordered Series: “Bluff City Law,” “Council of Dads,” “Indebted,” “The Kenan Show,” “Lincoln,” “Perfect Harmony,” “Sunnyside,” “Zoey’s Extraordinary Playlist”Also Read: 14 Highest-Rated Broadcast TV Shows of the 2018-19 Season (Photos)Here are the official descriptions for the new 2019-20 NBC shows:DRAMASBLUFF CITY LAW Coming from a famous Memphis family known for taking on injustice, brilliant lawyer Sydney Strait used to work at her father Elijah’s celebrated law firm until their tumultuous relationship got in the way. After barely speaking to him for years, Sydney is suddenly thrust back into the family fold when her philanthropist mother passes away unexpectedly. In the wake of her loss, hoping to reconnect with the daughter he loves, Elijah asks Sydney to rejoin his firm. She agrees because despite her lingering resentment and distrust, she knows that working alongside her father is her best hope at changing the world … if they can ever get along. Cast: Jimmy Smits, Caitlin McGee, Scott Shepherd, Barry Sloane, Michael Luwoye, MaameYaa Boafo, Stony Blyden and Jayne Atkinson. Writer: Dean Georgaris Producer(s): Dean Georgaris, David Janollari, Michael Aguliar Studio: Universal TelevisionCOUNCIL OF DADS When Scott, a loving father of four, has his entire life’s plan thrown into upheaval by a cancer diagnosis, he calls on a few of his closest allies to step in as back-up dads for every stage of his growing family’s life. Scott assembles a trusted group of role models that includes Anthony, his oldest friend; Larry, his AA sponsor; and Oliver, his surgeon and best friend to his wife, Robin. These men agree to devote themselves to supporting and guiding Scott’s amazing family through all the triumphs and challenges life has to offer – just in case he ever can’t be there to do so himself. Cast: Sarah Wayne Callies, Clive Standen, Tom Everett Scott, J. August Richards, Blue Chapman, Emjay Anthony, Michele Weaver, Thalia Tran, Steven Silver, Michael O’Neill Writers: Tony Phelan & Joan Rater Producers: Jerry Bruckheimer, Jonathan Littman, KristieAnne Reed, James Oh, Bruce Feiler Studio: Universal TelevisionLINCOLN Inspired by the best-selling book “The Bone Collector,” former NYPD detective and forensic genius Lincoln Rhyme was at the top of his game until a serious accident at the hands of a notorious serial killer forces him out of the field. When Amelia Sachs, an intuitive young officer who’s got her own gift for profiling finds herself hot on the killer’s trail, Rhyme in turn finds a partner for this new game of cat and mouse. As the unlikely detective duo joins forces to crack the city’s most confounding cases, they must also race to take down the enigmatic “Bone Collector” who brought them together. Cast: Russell Hornsby, Arielle Kebbel, Brían F. O’Byrne, Tate Ellington, Courtney Grosbeck, Ramses Jimenez, Brooke Lyons, Roslyn Ruff and Michael Imperioli Writer(s): VJ Boyd and Mark Bianculli Producer(s): VJ Boyd, Mark Bianculli, Seth Gordon, Avi Nir, Peter Traugott and Rachel Kaplan Director: Seth Gordon (pilot) Studio(s): Universal Television and Sony Pictures Television in association with Keshet StudiosZOEY’S EXTRAORDINARY PLAYLIST In this joyous and celebratory drama, Zoey Clarke is a whip-smart computer coder forging her way in San Francisco. After an unusual event she starts to hear the innermost wants and desires of the people around her through songs. At first, she questions her own sanity but soon realizes this unwanted curse may just be an incredibly wonderful gift. Cast: Jane Levy, Skylar Astin, Peter Gallagher, Alex Newell, John Clarence Stewart, Carmen Cusack and Mary Steenburgen. Writer: Austin Winsberg Producer(s): Richard Shepard, Paul Feig, Jessie Henderson, Kim Tannenbaum, Eric Tannenbaum, David Blackman, Daniel Inkeles Studio: Lionsgate TelevisionCOMEDIESINDEBTED Young parents Dave and Rebecca are ready to reclaim their life after years of diapers and sleepless nights. However, things take an unexpected turn when Dave’s parents show up unannounced and broke, leaving Dave with no choice but to open the door to the people who gave him everything. But these boomerang parents aren’t great with boundaries and the question of who’s parenting who quickly become blurred in this multi-generational comedy starring Fran Drescher and Adam Pally as mother and son. Cast: Adam Pally, Abby Elliott, Steven Weber and Fran Drescher. Writer(s): Dan Levy Producer(s): Dan Levy, Doug Robinson Studio(s): Sony Pictures Television in association with Doug Robinson ProductionsTHE KENAN SHOW In this family comedy, Kenan Thompson strives to be a super dad to his two adorable girls while simultaneously balancing his job and a father-in-law who “helps” in the most inappropriate ways. Cast: Kenan Thompson, Punam Patel, Dani Lockett, Dannah Lockett and Andy Garcia. Writer(s): Jackie Clarke Producer(s): Jackie Clarke, Chris Rock, Kenan Thompson, Lorne Michaels and Andrew Singer Director(s): Chris Rock Studio(s): Universal Television in association with Broadway Video.PERFECT HARMONY Bradley Whitford stars in this comedy about finding inspiration in the most unlikely places. When former Princeton music professor Arthur Cochran unexpectedly stumbles into choir practice at a small-town church, he finds a group of singers that are out of tune in more ways than one. Despite the ultimate clash of sensibilities, Arthur and his newfound cohorts may just be the perfect mix of individuals to help each other reinvent and rediscover a little happiness, just when they all need it most. Cast: Bradley Whitford, Anna Camp, Tymberlee Hill, Rizwan Manji, Will Greenberg, Geno Segers and Spencer Allport. Writer(s): Lesley Wake Webster Producer(s): Lesley Wake Webster, Jason Winer, Bradley Whitford, Adam Anders and Jon Radler Director: Jason Winer (pilot) Studio(s): 20th Century Fox Television and Small Dog Picture CompanySUNNYSIDE Garrett Modi was living the American Dream. As the youngest New York City Councilman ever, he was rubbing elbows with the political elite, attending star-studded parties and was the pride of Queens. But instead of spending his time in office helping the people that got him elected, he lost his way amidst the power and glamour of politics. When his downward spiral got him busted for public intoxication (and downright stupidity), it was all caught on tape and ended his career. Now, Garrett’s crashing with his sister, Mallory, and wondering where it all went wrong. That is, until he’s hired by a diverse group of hopefuls who dream of becoming American citizens and believe he can help – giving him a new sense of purpose and a chance for redemption, as long as he remembers where he came from. (Single camera) Cast: Kal Penn, Kiran Deol, Moses Storm, Diana Maria Riva, Joel Kim Booster, Samba Schutte, Poppy Liu Writer(s): Kal Penn, Matt Murray Producer(s): Kal Penn, Matt Murray, Michael Schur, David Miner, Dan Spilo Studio: Universal TelevisionAlso Read: TV Renewals and Cancellations: 6 Broadcast Shows We're Still Awaiting Decisions on for the 2019-20 SeasonCBS Renewed Series: “Blue Bloods,” “Bull,” “Criminal Minds” (for 15th and final season), “FBI,” “God Friended Me,” “Hawaii Five-0,” “MacGyver,” “Madam Secretary,” “Magnum P.I.,” “Man With a Plan,” “Mom” (for Seasons 7 and 8), “NCIS,” “NCIS: Los Angeles,” “NCIS: New Orleans,” “The Neighborhood,” “SEAL Team,” “S.W.A.T.,” “Young Sheldon” (for Seasons 3 and 4)Canceled/Ending Series: “The Big Bang Theory,” “The Code,” “Elementary,” “Fam,” “Happy Together,” “Life in Pieces,” “Murphy Brown,” “Ransom,” “The Red Line,” “Salvation”Series Awaiting Decisions: N/ASummer Series: “Blood & Treasure” (new series), “Instinct” (returning series)Newly Ordered Series: “All Rise,” “Bob Hearts Abishola,” “Broke,” “Carol’s Second Act,” “Evil,” “FBI: Most Wanted,” “Tommy,” “The Unicorn”Here are the official descriptions for the new 2019-20 CBS shows:DRAMASALL RISE A drama that follows the dedicated, chaotic, hopeful, and sometimes absurd lives of judges, prosecutors, and public defenders as they work with bailiffs, clerks and cops to get justice for the people of Los Angeles amidst a flawed legal system. Cast: Simone Missick, Wilson Bethel, Jessica Camacho, Marg Helgenberger, J. Alex Brinson, Lindsay Mendez, Ruthie Ann Miles Writer(s): Greg Spottiswood Producer(s): Greg Spottiswood, Len Goldstein, Mike Robin Director(s): Mike Robin Studio: Warner Bros. Television in association with CBS Television StudiosEVIL A psychological mystery that examines science vs. religion and the origins of evil. The series focuses on a skeptical female forensic psychologist who joins a priest-in-training and a carpenter to investigate and assess the Church’s backlog of supposed miracles, demonic possessions and unexplained phenomena. Cast: Katja Herbers, Mike Colter, Aasif Mandvi, Michael Emerson, Brooklyn Shuck, Skylar Gray, Maddy Crocco, Dalya Knapp Writers(s): Michelle King & Robert King Producer(s): Michelle King, Robert King, Liz Glotzer Director(s): Robert King Studio: CBS Television StudiosFBI: MOST WANTED Series centered on the Fugitive Task Force of the FBI that tracks and captures the notorious criminals on the FBI’s Most Wanted list. Cast: Julian McMahon, Alana de la Garza, Keisha Castle-Hughes, Kellan Lutz, Roxy Sternberg, Nathaniel Arcand Writer(s): Dick Wolf, Rene Balcer Producer(s): Dick Wolf, Rene Balcer, Arthur W. Forney, Peter Jankowski Director(s): Fred Berner Studio(s): Wolf Entertainment and Universal Television in association with CBS Television StudiosTOMMY Writer(s): Paul Attanasio Producer(s): Darryl Frank, Justin Falvey Director(s): Kate Dennis (pilot only) Studio: CBS Television Studios Logline: When a former high-ranking NYPD officer becomes the first female Chief of Police for Los Angeles, she uses her unflinching honesty and hardball tactics to navigate the social, political, and national security issues that converge with enforcing the law. Cast: Edie Falco, Michael Chernus, Adelaide Clemens, Russel G. Jones, Olivia Lucy Phillip, David Fierro, Joseph Lyle TaylorCOMEDIESBOB HEARTS ABISHOLA After having a heart attack, a middle-aged sock businessman from Detroit unexpectedly falls for his cardiac nurse, a Nigerian immigrant, and sets his sights on getting her to give him a chance. (Multi camera) Cast: Billy Gardell, Folake Olowofoyeku, Christine Ebersole, Matt Jones, Maribeth Monroe, Shola Adewusi, Barry Shabaka Henley, Travis Wolfe, Jr. Writer(s): Chuck Lorre, Eddie Gorodetsky, Al Higgins, Gina Yashere Producer(s): Chuck Lorre, Eddie Gorodetsky, Al Higgins, Beth McCarthy Miller Director(s): Beth McCarthy Miller (pilot only) Studio: Chuck Lorre Productions, Inc. in association with Warner Bros. TelevisionBROKE When an outrageously wealthy trust fund baby is cut off by his father, he and his wife move into her estranged sister’s Reseda home, forcing the two siblings to reconnect. (Multi camera) Cast: Jaime Camil, Pauley Perrette, Natasha Leggero, Izzy Diaz, Antonio Corbo Writer(s): Alex Herschlag Producer(s): Alex Herschlag, Jennie Snyder Urman, Joanna Klein, Ben Silverman, Jaime Camil, Guillermo Restrepo, Gonzalo Cilley and Maria Lucia Hernandez (RCN TV and Resonant TV) Director: Victor Gonzalez Studio: CBS Television Studios/Sutton Street Prods./Propagate, with creative partners RCN TV and Resonant TVCAROL’S SECOND ACT After raising her two children and retiring from teaching, Carol Chambers embarks on a unique second act: pursuing her dream of becoming a doctor. (Multi camera) Cast: Patricia Heaton, Kyle MacLachlan, Ito Aghayere, Jean-Luc Bilodeau, Sabrina Jalees Writer(s): Emily Halpern and Sarah Haskins Producer(s): Emily Halpern, Sarah Haskins, Patricia Heaton, Adam Griffin, David Hunt and Rebecca Stay (Four Boys Entertainment); Aaron Kaplan and Dana Honor (Kapital Entertainment), Pamela Fryman Director(s): Pamela Fryman (pilot only) Studio: CBS Television StudiosTHE UNICORN A tight-knit group of friends and family help a widower move on following the most difficult year of his life, which includes being an ill-equipped but devoted single parent to his two daughters, and taking the major step of dating where, to his shock, he’s a hot commodity. (Single camera) Cast: Walton Goggins, Rob Corddry, Michaela Watkins, Omar Benson Miller, Maya Lynne Robinson, Ruby Jay, Makenzie Moss Writer(s): Bill Martin, Mike Schiff Producer(s): Bill Martin, Mike Schiff, Aaron Kaplan, Dana Honor (Kapital Entertainment), Wendi Trilling, Peyton Reed, John Hamburg Director(s): John Hamburg (pilot only) Studio: CBS Television StudiosABC Renewed Series: “A Million Little Things,” “American Housewife,” “black-ish,” “Bless This Mess,” “The Conners,” “Fresh Off the Boat,” “The Goldbergs,” “The Good Doctor,” “Grey’s Anatomy” (for Seasons 16 and 17), “How to Get Away With Murder,” “Marvel’s Agents of S.H.I.E.L.D.,” “Modern Family” (for 11th and final season), “The Rookie,” “Schooled,” “Single Parents,” “Station 19”Canceled/Ending Series:  “For the People,” “The Fix,” “The Kids Are Alright,” “Splitting Up Together,” “Speechless,” “Take Two,” “Whiskey Cavalier”Series Awaiting Decisions: N/A Summer Series: “Grand Hotel” (new series)Newly Ordered Series: “The Baker & The Beauty,” “Emergence,” “For Life,” “Mixed-ish,” “Stumptown,” “United We Fall”Here are the official descriptions for the new 2019-20 ABC shows:DRAMASTHE BAKER AND THE BEAUTY Daniel Garcia is working in the family bakery and doing everything that his loving Cuban parents and siblings expect him to do. But on a wild Miami night he meets Noa Hamilton, an international superstar and fashion mogul, and his life moves into the spotlight. Will this unlikely couple upend their lives to be together and pull their families into a culture clash? Writer(s): Dean Georgaris Producer(s): Dean Georgaris, Becky Hartman Edwards, David Frankel Director: David Frankel (pilot) Studio(s): Universal Television and ABC Studios in association with Keshet StudiosEMERGENCE A character-driven genre thriller that centers around a police chief who takes in a young child that she finds near the site of a mysterious accident who has no memory of what has happened. The investigation draws her into a conspiracy larger than she ever imagined, and the child’s identity is at the center of it all. Cast: Allison Tolman, Alexa Swinton, Owain Yeoman, Ashley Aufderheide, Robert Bailey Jr, Zabryna Guevara, Donald Faison, Clancy Brown Writer(s): Michele Fazekas, Tara Butters Producer(s): Michele Fazekas, Tara Butters, Paul McGuigan Director: Paul McGuigan Studio: ABC StudiosFOR LIFE A fictional serialized legal and family drama inspired by the life of Isaac Wright, Jr. about a prisoner who becomes a lawyer, litigating cases for other inmates while fighting to overturn his own life sentence for a crime he didn’t commit. His quest for freedom is driven by his desperate desire to get back to the family he loves and reclaim the life that was stolen from him. The show will also, through the window of his ferocious struggle and his complicated relationship with a progressive female prison warden, examine the flaws and challenges in our penal and legal systems. Cast: Nicholas Pinnock, Indira Varma, Joy Bryant, Glenn Fleshler, Dorian Missick, Tyla Harris, Mary Stuart Masterson and Boris McGiver. Producer(s): Hank Steinberg, Curtis “50 Cent” Jackson, Doug Robinson, Alison Greenspan, Isaac Wright, Jr., George Tillman, Jr Director: George Tillman, Jr (pilot) Studio(s): Sony Pictures Television Inc. and ABC StudiosSTUMPTOWN Based on the “Stumptown” graphic novel series, the drama follows Dex Parios (Cobie Smulders) as a strong, assertive, and sharp-witted army veteran with a complicated love life, gambling debt, and a brother to take care of in Portland, Oregon. Her military intelligence skills make her a great P.I., but her unapologetic style puts her in the firing line of hardcore criminals and not quite in alliance with the police. Cast: Cobie Smulders, Tantoo Cardinal, Cole Sibus, Adrian Martinez, Camryn Manheim, Michael Ealy Writer: Jason Richman Producers: Ruben Fleischer, David Bernad, Greg Rucka, Matthew Southworth, Justin Greenwood Director: James Griffiths Studio: ABC StudiosCOMEDIESMIXED-ISH “Black-ish” prequel series “Mixed-ish” is set in the 1980s and stars Arica Himmel as a young version of Rainbow Johnson, the character played by Tracee Ellis Ross in the flagship comedy. The show will see Rainbow Johnson recount “her experience growing up in a mixed-race family in the ’80s and the constant dilemmas they had to face over whether to assimilate or stay true to themselves. Bow’s parents Paul and Alicia decide to move from a hippie commune to the suburbs to better provide for their family. As her parents struggle with the challenges of their new life, Bow and her siblings navigate a mainstream school in which they’re perceived as neither black nor white. This family’s experiences illuminate the challenges of finding one’s own identity when the rest of the world can’t decide where you belong.” (Single camera) Cast: Arica Himmel, Tika Sumpter, Christina Anthony, Mykal-Michelle Harris and Ethan Childress Writer(s): Peter Saji, Kenya Barris Producer(s): Peter Saji, Kenya Barris, Tracee Ellis Ross, Randall Winston, Brian Dobbins, Laurence Fishburne, Helen Sugland and Anthony Anderson. Studio: ABC StudiosUNITED WE FALL A profoundly realistic family sitcom that follows the trials and tribulations of Jo (Christina Vidal) and Bill (Will Sasso), parents of two young kids, as they try to make it day-to-day as a functioning family. Bill’s very judgmental live-in mother (Emmy-winner Jane Curtin) and Jo’s large Latinx Catholic family will never hesitate to let our couple know they’re seemingly screwing up, but Bill and Jo will always have each other’s backs, united against everyone – other parents, teachers, doctors, specialists, coaches, co-workers, and especially their kids. (Multi camera) Cast: Will Sasso, Christina Vidal, Jane Curtin, and Ella Grace Helton. Writer(s): Julius “Goldy” Sharpe Producer(s): Julius “Goldy” Sharpe, Seth Gordon and Julia Gunn Director: Mark Cendrowski (pilot) Studio(s): Sony Pictures Television, Exhibit A Film and ABC StudiosFoxFox Renewed Series: “9-1-1,” “Bob’s Burgers,” “Empire,” “Family Guy,” “Last Man Standing,” “The Masked Singer,” “The Orville,” “The Resident,” “The Simpsons” (for Seasons 31 and 32)Canceled/Ending Series: “The Cool Kids,” “The Gifted,” “Gotham,” “Lethal Weapon,” “The Passage,” “Proven Innocent,” “Rel,” “Star”Series Awaiting Decisions: N/ANewly Ordered Series: “9-1-1: Lone Star,” “Bless the Harts,” “Deputy,” “Duncanville,” “Filthy Rich,” “The Great North,” “neXt,” “Not Just Me,” “Outmatched,” “Prodigal Son”Here are the official descriptions for the new 2019-20 Fox shows:DRAMAS9-1-1: LONE STAR From “9-1-1” co-creators Ryan Murphy, Brad Falchuk and Tim Minear, “9-1-1: Lone Star” follows a sophisticated New York cop (Rob Lowe) who, along with his son, re-locates to Austin, and must try to balance saving those who are at their most vulnerable with solving the problems in his own life. Cast: Rob Lowe Producer(s): Ryan Murphy, Brad Falchuk, Tim Minear, Rob Lowe Studios(s): 20th Century Fox Television in association with Ryan Murphy Television and Brad Falchuk Teley-VisionDEPUTY A modern cop drama that blends the spirit of a classic Western with a modern-day attitude and gritty authenticity. When the Los Angeles County’s Sheriff dies, an arcane rule forged back in the Wild West thrusts the most unlikely man into the job: a fifth-generation lawman, more comfortable taking down bad guys than navigating a sea of politics. He leads a skilled team of ambitious and complicated human beings who won’t rest until justice is served. Cast: Stephen Dorff, Yara Martinez, Brian Van Holt, Siena Goines, Bex Taylor-Klaus, Shane Paul McGhie, Mark Moses Writer(s): Will Beall Producer(s): Will Beall, David Ayer, Chris Long, Barry Schindel Director(s): David Ayer Production company: Cedar Park Studio(s): eOne, Fox EntertainmentFILTHY RICH When the patriarch of a mega-rich Southern family, famed for creating a wildly successful Christian television network, dies in a plane crash, his wife and family are stunned to learn that he fathered three illegitimate children, all of whom are written into his will, threatening their family name and fortune. With monumental twists and turns, “Filthy Rich” presents a world in which everyone has an ulterior motive – and no one is going down without a fight. Cast: Kim Cattrall, Gerald McRaney, Aubrey Dollar, Benjamin Levy Aguilar, Corey Cott, Mark L. Young, Steve Harris, Melia Kreiling, David Denman, Olivia Macklin Writer/Director: Tate Taylor Producer(s): Tate Taylor, Brian Grazer, Francie Calfo, John Norris Studio: 20th Century Fox Television, Fox Entertainment, Imagine EntertainmentNEXT A propulsive, fact-based thriller about the emergence of a deadly, rogue artificial intelligence that combines pulse-pounding action with a layered examination of how technology is invading our lives and transforming us in ways we don’t yet understand. A Silicon Valley pioneer discovers that one of his own creations – a powerful A.I. – might spell global catastrophe, and teams up with a cybercrime agent to fight a villain unlike anything we’ve ever seen – one whose greatest weapon against us is ourselves. Cast: John Slattery, Fernanda Andrade, Michael Mosley, Jason Butler Harner, Eve Harlowe, Aaron Moten, Gerardo Celasco, Elizabeth Cappucino, Evan Whitten Writer(s): Manny Coto Producer(s): Manny Coto, Charlie Gogolak, John Requa, Glenn Ficarra Director(s): John Requa, Glenn Ficarra Studio(s): 20th Century Fox Television/Zaftig Films, Fox EntertainmentNOT JUST ME A story of an unusual family formed through extreme odds, exploring such hot-button issues as identity, human connection and what it truly means to be a family. An only child finds her life turned upside down when her father reveals that, over the course of his prize-winning career as a pioneering fertility doctor, he used his own sperm to conceive upwards of a hundred children, including two new sisters. As these three young women slowly embrace their new reality, they will attempt to form an untraditional bond as sisters, even as they must welcome a tidal wave of new siblings into their rapidly expanding family. Based on the original Endemol Shine Australia series, “Sisters,” from Jonathan Gavin and Imogen Banks. Cast: Brittany Snow, Megalyn Echikunwoke, Emily Osment, Mustafa Elzein, Mo McRae, Victoria Cartagena, Timothy Hutton Writer(s): Annie Weisman Producer(s): Annie Weisman, Jason Katims, Jeni Mulein, Imogen Banks, Sharon Levy, Lesyle Headland Director(s): Leslye Headland (pilot) Studio(s): Universal Television in association with Endemol Shine North America, Fox EntertainmentPRODIGAL SON A fresh take on a crime franchise with a provocative and outrageous lead character and a darkly comedic tone. Malcolm Bright knows how killers think. Why? His father was one of the best, a notorious serial killer called “The Surgeon.” That’s why Bright is the best criminal psychologist around; murder is the family business. He uses his twisted genius to help the NYPD solve crimes, while dealing with a somewhat manipulative mother, an annoyingly normal sister, a homicidal father still looking to bond with his prodigal son and his own constantly evolving neuroses. Cast: Tom Payne, Michael Sheen, Bellamy Young, Lou Diamond Phillips, Halston Sage, Aurora Perrineau, Frank Harts, Keiko Agena Writer(s): Chris Fedak, Sam Sklaver Producer(s): Chris Fedak, Sam Sklaver, Greg Berlanti, Sarah Schechter, Lee Toland Krieger Director(s): Lee Toland Krieger Studio(s): Warner Bros. Television, Berlanti Productions, Fox EntertainmentCOMEDIESBLESS THE HARTS Follows a group of Southerners who are always broke as a joke, and struggling for the American dream of status and wealth. What they don’t realize is that they’re already rich, in friends, family and laughter. (Animated) Cast: Kristen Wiig, Maya Rudolph, Jillian Bell, Ike Barinholtz Writer(s): Emily Spivey Producer(s): Phil Lord, Christopher Miller, Seth Cohen, Kristen Wiig Studio(s): 20th Century Fox Television, Fox EntertainmentDUNCANVILLE Follows Duncan, a spectacularly average 15-year-old boy, along with his friends and family. His high-strung mom, Annie, constantly is trying to prevent her son from ruining his life. (Animated) Cast: Amy Poehler, Rashida Jones, Wiz Khalifa Writer(s): Mike Scully and Julie Scully Producer(s): Amy Poehler, Dave Becky, Ty Burrell Studio(s): 20th Century Fox Television, Universal Television, Fox EntertainmentTHE GREAT NORTH Follows the Alaskan adventures of the Tobin family as single dad Beef does his best to keep his weird bunch of kids close, especially as the artistic dreams of his only daughter Judy lead her away from the family fishing boat and into the glamorous world of the local mall. (Animated) Cast: Nick Offerman, Jenny Slate, Megan Mullally, Paul Rust, Aparna Nancherla, Will Forte, Dulcé Sloan Writer(s): Wendy Molyneux, Lizzie Molyneux, Minty Lewis Producer(s): Wendy Molyneux, Lizzie Molyneux, Minty Lewis, Loren Bouchard Studio(s): 20th Century Fox Television, Fox EntertainmentOUTMATCHED A family comedy about a blue-collar couple in South Jersey trying to get by and raise four kids, three of whom just happen to be certified geniuses. (Multi Camera) Cast: Jason Biggs, Maggie Lawson, Connor Kalopsis, Ashley Boettcher, Jack Stanton, Oakley Bull, Tisha Campbell-Martin Writer(s): Lon Zimmet Producer(s): Lon Zimmet Director(s): Jonathan Judge Studio(s): 20th Century Fox Television, Fox EntertainmentThe CW Renewed Series: “The 100,” “All American,” “Arrow” (eighth and final season), “Black Lightning,” “Burden of Truth,” “Charmed,” “DC’s Legends of Tomorrow,” “Dynasty,” “The Flash,” “In the Dark,” “Legacies,” “The Outpost,” “Riverdale,” “Roswell, New Mexico,” “Supergirl,” “Supernatural” (15th and final season)Canceled/Ending Series: “Crazy Ex-Girlfriend,” “Jane the Virgin,” “iZombie”Series Awaiting Decisions: N/ANewly Ordered Series: “Batwoman,” “Katy Keene,” “Nancy Drew”Here are the descriptions for the new 2019-20 CW shows:DRAMASBATWOMAN Follows Kate Kane, an out lesbian and highly trained street fighter who soars onto the streets of Gotham as Batwoman, primed to snuff out the failing city’s criminal resurgence. But don’t call her a hero yet. In a city desperate for a savior, Kate must overcome her own demons before embracing the call to be Gotham’s symbol of hope. Cast: Ruby Rose, Camrus Johnson, Meagan Tandy, Nicole Kang, Dougray Scott, Elizabeth Anweis, Rachel Skarsten Writer(s): Caroline Dries Producer(s): Greg Berlanti, Sarah Schechter, Geoff Johns Director: Marcos Siega Studio: Warner Bros. TelevisionKATY KEENE A “Riverdale” spinoff, “Katy Keene” follows the lives and loves of four iconic Archie Comics characters — including fashion legend-to-be Katy Keene — as they chase their twenty-something dreams in New York City. This musical dramedy chronicles the origins and struggles of four aspiring artists trying to make it on Broadway, on the runway and in the recording studio. Cast: Lucy Hale, Ashleigh Murray, Jonny Beauchamp, Julia Chan, Camille Hyde, Lucien Laviscount Writer(s): Robert Aguirre-Sacasa, Michael Grassi Producer(s): Greg Berlanti, Sarah Schechter, Jon Goldwater Studio: Warner Bros. TelevisionNANCY DREW Follows 18-year-old Nancy Drew in the summer after her high school graduation. She thought she’d be leaving her hometown for college, but when a family tragedy holds her back another year, she finds herself embroiled in a ghostly murder investigation — and along the way, uncovers secrets that run deeper than she ever imagined. Cast: Kennedy McMann, Leah Lewis, Tunji Kasim, Maddison Jaizani, Alex Saxon, Scott Wolf, Alvina August Writer(s): Noga Landau, Josh Schwartz and Stephanie Savage Producer(s): Lis Rowinski, Melinda Hsu Taylor Director: Larry Teng Studio: CBS Television StudiosRead original story Fall TV 2019: Every Broadcast Show Canceled, Renewed and Ordered So Far (Updating) At TheWrap
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Updated May 30 at 1:46 pm PT with “Abby’s,” “The Enemy Within” and “The Village” canceled at NBC.Upfronts have come and gone, and that means broadcast networks have (for the most part) set their 2019-20 slates after ordering new series and winnowing down which current shows will return next season and which will come to an end.Below is every scripted (and a few unscripted) show that ABC, NBC, CBS, Fox and The CW have renewed or canceled so far, along with those still awaiting their fates for the 2019-20 slate. We’ve also included descriptions of the new shows that have been ordered.Check back regularly for updates. Readers can find our pilot guide, which includes all the new projects that were in the running this season, here.Also Read: 21 Lowest-Rated Broadcast TV Shows of 2018-19 Season (Photos)NBC Renewed Series: “The Blacklist,” “Blindspot” (for fifth and final season), “Brooklyn Nine-Nine,” “Chicago Fire,” “Chicago Med,” “Chicago P.D.,” “Ellen’s Game of Games,” “Good Girls,” “The Good Place,”  “Law & Order: SVU,” “Manifest,” “New Amsterdam,” “Superstore,” “This Is Us” (for Seasons 4, 5 and 6), “Will & Grace”Canceled/Ending Series: “Abby’s,” “A.P. Bio,” “The Enemy Within,” “I Feel Bad,” “Marlon,” “Midnight, Texas,” “Reverie,” “Trial & Error,” “The Village”Series Awaiting Decisions: N/ASeries That Have Yet to Premiere This Season: “The InBetween” (new series)Newly Ordered Series: “Bluff City Law,” “Council of Dads,” “Indebted,” “The Kenan Show,” “Lincoln,” “Perfect Harmony,” “Sunnyside,” “Zoey’s Extraordinary Playlist”Also Read: 14 Highest-Rated Broadcast TV Shows of the 2018-19 Season (Photos)Here are the official descriptions for the new 2019-20 NBC shows:DRAMASBLUFF CITY LAW Coming from a famous Memphis family known for taking on injustice, brilliant lawyer Sydney Strait used to work at her father Elijah’s celebrated law firm until their tumultuous relationship got in the way. After barely speaking to him for years, Sydney is suddenly thrust back into the family fold when her philanthropist mother passes away unexpectedly. In the wake of her loss, hoping to reconnect with the daughter he loves, Elijah asks Sydney to rejoin his firm. She agrees because despite her lingering resentment and distrust, she knows that working alongside her father is her best hope at changing the world … if they can ever get along. Cast: Jimmy Smits, Caitlin McGee, Scott Shepherd, Barry Sloane, Michael Luwoye, MaameYaa Boafo, Stony Blyden and Jayne Atkinson. Writer: Dean Georgaris Producer(s): Dean Georgaris, David Janollari, Michael Aguliar Studio: Universal TelevisionCOUNCIL OF DADS When Scott, a loving father of four, has his entire life’s plan thrown into upheaval by a cancer diagnosis, he calls on a few of his closest allies to step in as back-up dads for every stage of his growing family’s life. Scott assembles a trusted group of role models that includes Anthony, his oldest friend; Larry, his AA sponsor; and Oliver, his surgeon and best friend to his wife, Robin. These men agree to devote themselves to supporting and guiding Scott’s amazing family through all the triumphs and challenges life has to offer – just in case he ever can’t be there to do so himself. Cast: Sarah Wayne Callies, Clive Standen, Tom Everett Scott, J. August Richards, Blue Chapman, Emjay Anthony, Michele Weaver, Thalia Tran, Steven Silver, Michael O’Neill Writers: Tony Phelan & Joan Rater Producers: Jerry Bruckheimer, Jonathan Littman, KristieAnne Reed, James Oh, Bruce Feiler Studio: Universal TelevisionLINCOLN Inspired by the best-selling book “The Bone Collector,” former NYPD detective and forensic genius Lincoln Rhyme was at the top of his game until a serious accident at the hands of a notorious serial killer forces him out of the field. When Amelia Sachs, an intuitive young officer who’s got her own gift for profiling finds herself hot on the killer’s trail, Rhyme in turn finds a partner for this new game of cat and mouse. As the unlikely detective duo joins forces to crack the city’s most confounding cases, they must also race to take down the enigmatic “Bone Collector” who brought them together. Cast: Russell Hornsby, Arielle Kebbel, Brían F. O’Byrne, Tate Ellington, Courtney Grosbeck, Ramses Jimenez, Brooke Lyons, Roslyn Ruff and Michael Imperioli Writer(s): VJ Boyd and Mark Bianculli Producer(s): VJ Boyd, Mark Bianculli, Seth Gordon, Avi Nir, Peter Traugott and Rachel Kaplan Director: Seth Gordon (pilot) Studio(s): Universal Television and Sony Pictures Television in association with Keshet StudiosZOEY’S EXTRAORDINARY PLAYLIST In this joyous and celebratory drama, Zoey Clarke is a whip-smart computer coder forging her way in San Francisco. After an unusual event she starts to hear the innermost wants and desires of the people around her through songs. At first, she questions her own sanity but soon realizes this unwanted curse may just be an incredibly wonderful gift. Cast: Jane Levy, Skylar Astin, Peter Gallagher, Alex Newell, John Clarence Stewart, Carmen Cusack and Mary Steenburgen. Writer: Austin Winsberg Producer(s): Richard Shepard, Paul Feig, Jessie Henderson, Kim Tannenbaum, Eric Tannenbaum, David Blackman, Daniel Inkeles Studio: Lionsgate TelevisionCOMEDIESINDEBTED Young parents Dave and Rebecca are ready to reclaim their life after years of diapers and sleepless nights. However, things take an unexpected turn when Dave’s parents show up unannounced and broke, leaving Dave with no choice but to open the door to the people who gave him everything. But these boomerang parents aren’t great with boundaries and the question of who’s parenting who quickly become blurred in this multi-generational comedy starring Fran Drescher and Adam Pally as mother and son. Cast: Adam Pally, Abby Elliott, Steven Weber and Fran Drescher. Writer(s): Dan Levy Producer(s): Dan Levy, Doug Robinson Studio(s): Sony Pictures Television in association with Doug Robinson ProductionsTHE KENAN SHOW In this family comedy, Kenan Thompson strives to be a super dad to his two adorable girls while simultaneously balancing his job and a father-in-law who “helps” in the most inappropriate ways. Cast: Kenan Thompson, Punam Patel, Dani Lockett, Dannah Lockett and Andy Garcia. Writer(s): Jackie Clarke Producer(s): Jackie Clarke, Chris Rock, Kenan Thompson, Lorne Michaels and Andrew Singer Director(s): Chris Rock Studio(s): Universal Television in association with Broadway Video.PERFECT HARMONY Bradley Whitford stars in this comedy about finding inspiration in the most unlikely places. When former Princeton music professor Arthur Cochran unexpectedly stumbles into choir practice at a small-town church, he finds a group of singers that are out of tune in more ways than one. Despite the ultimate clash of sensibilities, Arthur and his newfound cohorts may just be the perfect mix of individuals to help each other reinvent and rediscover a little happiness, just when they all need it most. Cast: Bradley Whitford, Anna Camp, Tymberlee Hill, Rizwan Manji, Will Greenberg, Geno Segers and Spencer Allport. Writer(s): Lesley Wake Webster Producer(s): Lesley Wake Webster, Jason Winer, Bradley Whitford, Adam Anders and Jon Radler Director: Jason Winer (pilot) Studio(s): 20th Century Fox Television and Small Dog Picture CompanySUNNYSIDE Garrett Modi was living the American Dream. As the youngest New York City Councilman ever, he was rubbing elbows with the political elite, attending star-studded parties and was the pride of Queens. But instead of spending his time in office helping the people that got him elected, he lost his way amidst the power and glamour of politics. When his downward spiral got him busted for public intoxication (and downright stupidity), it was all caught on tape and ended his career. Now, Garrett’s crashing with his sister, Mallory, and wondering where it all went wrong. That is, until he’s hired by a diverse group of hopefuls who dream of becoming American citizens and believe he can help – giving him a new sense of purpose and a chance for redemption, as long as he remembers where he came from. (Single camera) Cast: Kal Penn, Kiran Deol, Moses Storm, Diana Maria Riva, Joel Kim Booster, Samba Schutte, Poppy Liu Writer(s): Kal Penn, Matt Murray Producer(s): Kal Penn, Matt Murray, Michael Schur, David Miner, Dan Spilo Studio: Universal TelevisionAlso Read: TV Renewals and Cancellations: 6 Broadcast Shows We're Still Awaiting Decisions on for the 2019-20 SeasonCBS Renewed Series: “Blue Bloods,” “Bull,” “Criminal Minds” (for 15th and final season), “FBI,” “God Friended Me,” “Hawaii Five-0,” “MacGyver,” “Madam Secretary,” “Magnum P.I.,” “Man With a Plan,” “Mom” (for Seasons 7 and 8), “NCIS,” “NCIS: Los Angeles,” “NCIS: New Orleans,” “The Neighborhood,” “SEAL Team,” “S.W.A.T.,” “Young Sheldon” (for Seasons 3 and 4)Canceled/Ending Series: “The Big Bang Theory,” “Elementary,” “Fam,” “Happy Together,” “Life in Pieces,” “Murphy Brown,” “Salvation”Series Awaiting Decisions: “The Code,” “Ransom”Series That Have Yet to Premiere This Season: “Blood & Treasure” (new series), “Instinct” (returning series)Newly Ordered Series: “All Rise,” “Bob Hearts Abishola,” “Broke,” “Carol’s Second Act,” “Evil,” “FBI: Most Wanted,” “Tommy,” “The Unicorn”Here are the official descriptions for the new 2019-20 CBS shows:DRAMASALL RISE A drama that follows the dedicated, chaotic, hopeful, and sometimes absurd lives of judges, prosecutors, and public defenders as they work with bailiffs, clerks and cops to get justice for the people of Los Angeles amidst a flawed legal system. Cast: Simone Missick, Wilson Bethel, Jessica Camacho, Marg Helgenberger, J. Alex Brinson, Lindsay Mendez, Ruthie Ann Miles Writer(s): Greg Spottiswood Producer(s): Greg Spottiswood, Len Goldstein, Mike Robin Director(s): Mike Robin Studio: Warner Bros. Television in association with CBS Television StudiosEVIL A psychological mystery that examines science vs. religion and the origins of evil. The series focuses on a skeptical female forensic psychologist who joins a priest-in-training and a carpenter to investigate and assess the Church’s backlog of supposed miracles, demonic possessions and unexplained phenomena. Cast: Katja Herbers, Mike Colter, Aasif Mandvi, Michael Emerson, Brooklyn Shuck, Skylar Gray, Maddy Crocco, Dalya Knapp Writers(s): Michelle King & Robert King Producer(s): Michelle King, Robert King, Liz Glotzer Director(s): Robert King Studio: CBS Television StudiosFBI: MOST WANTED Series centered on the Fugitive Task Force of the FBI that tracks and captures the notorious criminals on the FBI’s Most Wanted list. Cast: Julian McMahon, Alana de la Garza, Keisha Castle-Hughes, Kellan Lutz, Roxy Sternberg, Nathaniel Arcand Writer(s): Dick Wolf, Rene Balcer Producer(s): Dick Wolf, Rene Balcer, Arthur W. Forney, Peter Jankowski Director(s): Fred Berner Studio(s): Wolf Entertainment and Universal Television in association with CBS Television StudiosTOMMY Writer(s): Paul Attanasio Producer(s): Darryl Frank, Justin Falvey Director(s): Kate Dennis (pilot only) Studio: CBS Television Studios Logline: When a former high-ranking NYPD officer becomes the first female Chief of Police for Los Angeles, she uses her unflinching honesty and hardball tactics to navigate the social, political, and national security issues that converge with enforcing the law. Cast: Edie Falco, Michael Chernus, Adelaide Clemens, Russel G. Jones, Olivia Lucy Phillip, David Fierro, Joseph Lyle TaylorCOMEDIESBOB HEARTS ABISHOLA After having a heart attack, a middle-aged sock businessman from Detroit unexpectedly falls for his cardiac nurse, a Nigerian immigrant, and sets his sights on getting her to give him a chance. (Multi camera) Cast: Billy Gardell, Folake Olowofoyeku, Christine Ebersole, Matt Jones, Maribeth Monroe, Shola Adewusi, Barry Shabaka Henley, Travis Wolfe, Jr. Writer(s): Chuck Lorre, Eddie Gorodetsky, Al Higgins, Gina Yashere Producer(s): Chuck Lorre, Eddie Gorodetsky, Al Higgins, Beth McCarthy Miller Director(s): Beth McCarthy Miller (pilot only) Studio: Chuck Lorre Productions, Inc. in association with Warner Bros. TelevisionBROKE When an outrageously wealthy trust fund baby is cut off by his father, he and his wife move into her estranged sister’s Reseda home, forcing the two siblings to reconnect. (Multi camera) Cast: Jaime Camil, Pauley Perrette, Natasha Leggero, Izzy Diaz, Antonio Corbo Writer(s): Alex Herschlag Producer(s): Alex Herschlag, Jennie Snyder Urman, Joanna Klein, Ben Silverman, Jaime Camil, Guillermo Restrepo, Gonzalo Cilley and Maria Lucia Hernandez (RCN TV and Resonant TV) Director: Victor Gonzalez Studio: CBS Television Studios/Sutton Street Prods./Propagate, with creative partners RCN TV and Resonant TVCAROL’S SECOND ACT After raising her two children and retiring from teaching, Carol Chambers embarks on a unique second act: pursuing her dream of becoming a doctor. (Multi camera) Cast: Patricia Heaton, Kyle MacLachlan, Ito Aghayere, Jean-Luc Bilodeau, Sabrina Jalees Writer(s): Emily Halpern and Sarah Haskins Producer(s): Emily Halpern, Sarah Haskins, Patricia Heaton, Adam Griffin, David Hunt and Rebecca Stay (Four Boys Entertainment); Aaron Kaplan and Dana Honor (Kapital Entertainment), Pamela Fryman Director(s): Pamela Fryman (pilot only) Studio: CBS Television StudiosTHE UNICORN A tight-knit group of friends and family help a widower move on following the most difficult year of his life, which includes being an ill-equipped but devoted single parent to his two daughters, and taking the major step of dating where, to his shock, he’s a hot commodity. (Single camera) Cast: Walton Goggins, Rob Corddry, Michaela Watkins, Omar Benson Miller, Maya Lynne Robinson, Ruby Jay, Makenzie Moss Writer(s): Bill Martin, Mike Schiff Producer(s): Bill Martin, Mike Schiff, Aaron Kaplan, Dana Honor (Kapital Entertainment), Wendi Trilling, Peyton Reed, John Hamburg Director(s): John Hamburg (pilot only) Studio: CBS Television StudiosABC Renewed Series: “A Million Little Things,” “American Housewife,” “black-ish,” “Bless This Mess,” “The Conners,” “Fresh Off the Boat,” “The Goldbergs,” “The Good Doctor,” “Grey’s Anatomy” (for Seasons 16 and 17), “How to Get Away With Murder,” “Marvel’s Agents of S.H.I.E.L.D.,” “Modern Family” (for 11th and final season), “The Rookie,” “Schooled,” “Single Parents,” “Station 19”Canceled/Ending Series:  “For the People,” “The Fix,” “The Kids Are Alright,” “Splitting Up Together,” “Speechless,” “Take Two,” “Whiskey Cavalier”Series Awaiting Decisions: N/A Series That Have Yet to Premiere This Season: “Grand Hotel” (new series)Newly Ordered Series: “The Baker & The Beauty,” “Emergence,” “For Life,” “Mixed-ish,” “Stumptown,” “United We Fall”Here are the official descriptions for the new 2019-20 ABC shows:DRAMASTHE BAKER AND THE BEAUTY Daniel Garcia is working in the family bakery and doing everything that his loving Cuban parents and siblings expect him to do. But on a wild Miami night he meets Noa Hamilton, an international superstar and fashion mogul, and his life moves into the spotlight. Will this unlikely couple upend their lives to be together and pull their families into a culture clash? Writer(s): Dean Georgaris Producer(s): Dean Georgaris, Becky Hartman Edwards, David Frankel Director: David Frankel (pilot) Studio(s): Universal Television and ABC Studios in association with Keshet StudiosEMERGENCE A character-driven genre thriller that centers around a police chief who takes in a young child that she finds near the site of a mysterious accident who has no memory of what has happened. The investigation draws her into a conspiracy larger than she ever imagined, and the child’s identity is at the center of it all. Cast: Allison Tolman, Alexa Swinton, Owain Yeoman, Ashley Aufderheide, Robert Bailey Jr, Zabryna Guevara, Donald Faison, Clancy Brown Writer(s): Michele Fazekas, Tara Butters Producer(s): Michele Fazekas, Tara Butters, Paul McGuigan Director: Paul McGuigan Studio: ABC StudiosFOR LIFE A fictional serialized legal and family drama inspired by the life of Isaac Wright, Jr. about a prisoner who becomes a lawyer, litigating cases for other inmates while fighting to overturn his own life sentence for a crime he didn’t commit. His quest for freedom is driven by his desperate desire to get back to the family he loves and reclaim the life that was stolen from him. The show will also, through the window of his ferocious struggle and his complicated relationship with a progressive female prison warden, examine the flaws and challenges in our penal and legal systems. Cast: Nicholas Pinnock, Indira Varma, Joy Bryant, Glenn Fleshler, Dorian Missick, Tyla Harris, Mary Stuart Masterson and Boris McGiver. Producer(s): Hank Steinberg, Curtis “50 Cent” Jackson, Doug Robinson, Alison Greenspan, Isaac Wright, Jr., George Tillman, Jr Director: George Tillman, Jr (pilot) Studio(s): Sony Pictures Television Inc. and ABC StudiosSTUMPTOWN Based on the “Stumptown” graphic novel series, the drama follows Dex Parios (Cobie Smulders) as a strong, assertive, and sharp-witted army veteran with a complicated love life, gambling debt, and a brother to take care of in Portland, Oregon. Her military intelligence skills make her a great P.I., but her unapologetic style puts her in the firing line of hardcore criminals and not quite in alliance with the police. Cast: Cobie Smulders, Tantoo Cardinal, Cole Sibus, Adrian Martinez, Camryn Manheim, Michael Ealy Writer: Jason Richman Producers: Ruben Fleischer, David Bernad, Greg Rucka, Matthew Southworth, Justin Greenwood Director: James Griffiths Studio: ABC StudiosCOMEDIESMIXED-ISH “Black-ish” prequel series “Mixed-ish” is set in the 1980s and stars Arica Himmel as a young version of Rainbow Johnson, the character played by Tracee Ellis Ross in the flagship comedy. The show will see Rainbow Johnson recount “her experience growing up in a mixed-race family in the ’80s and the constant dilemmas they had to face over whether to assimilate or stay true to themselves. Bow’s parents Paul and Alicia decide to move from a hippie commune to the suburbs to better provide for their family. As her parents struggle with the challenges of their new life, Bow and her siblings navigate a mainstream school in which they’re perceived as neither black nor white. This family’s experiences illuminate the challenges of finding one’s own identity when the rest of the world can’t decide where you belong.” (Single camera) Cast: Arica Himmel, Tika Sumpter, Christina Anthony, Mykal-Michelle Harris and Ethan Childress Writer(s): Peter Saji, Kenya Barris Producer(s): Peter Saji, Kenya Barris, Tracee Ellis Ross, Randall Winston, Brian Dobbins, Laurence Fishburne, Helen Sugland and Anthony Anderson. Studio: ABC StudiosUNITED WE FALL A profoundly realistic family sitcom that follows the trials and tribulations of Jo (Christina Vidal) and Bill (Will Sasso), parents of two young kids, as they try to make it day-to-day as a functioning family. Bill’s very judgmental live-in mother (Emmy-winner Jane Curtin) and Jo’s large Latinx Catholic family will never hesitate to let our couple know they’re seemingly screwing up, but Bill and Jo will always have each other’s backs, united against everyone – other parents, teachers, doctors, specialists, coaches, co-workers, and especially their kids. (Multi camera) Cast: Will Sasso, Christina Vidal, Jane Curtin, and Ella Grace Helton. Writer(s): Julius “Goldy” Sharpe Producer(s): Julius “Goldy” Sharpe, Seth Gordon and Julia Gunn Director: Mark Cendrowski (pilot) Studio(s): Sony Pictures Television, Exhibit A Film and ABC StudiosFoxFox Renewed Series: “9-1-1,” “Bob’s Burgers,” “Empire,” “Family Guy,” “Last Man Standing,” “The Masked Singer,” “The Orville,” “The Resident,” “The Simpsons” (for Seasons 31 and 32)Canceled/Ending Series: “The Cool Kids,” “The Gifted,” “Gotham,” “Lethal Weapon,” “The Passage,” “Proven Innocent,” “Rel,” “Star”Newly Ordered Series: “9-1-1: Lone Star,” “Bless the Harts,” “Deputy,” “Duncanville,” “Filthy Rich,” “The Great North,” “neXt,” “Not Just Me,” “Outmatched,” “Prodigal Son”Here are the official descriptions for the new 2019-20 Fox shows:DRAMAS9-1-1: LONE STAR From “9-1-1” co-creators Ryan Murphy, Brad Falchuk and Tim Minear, “9-1-1: Lone Star” follows a sophisticated New York cop (Rob Lowe) who, along with his son, re-locates to Austin, and must try to balance saving those who are at their most vulnerable with solving the problems in his own life. Cast: Rob Lowe Producer(s): Ryan Murphy, Brad Falchuk, Tim Minear, Rob Lowe Studios(s): 20th Century Fox Television in association with Ryan Murphy Television and Brad Falchuk Teley-VisionDEPUTY A modern cop drama that blends the spirit of a classic Western with a modern-day attitude and gritty authenticity. When the Los Angeles County’s Sheriff dies, an arcane rule forged back in the Wild West thrusts the most unlikely man into the job: a fifth-generation lawman, more comfortable taking down bad guys than navigating a sea of politics. He leads a skilled team of ambitious and complicated human beings who won’t rest until justice is served. Cast: Stephen Dorff, Yara Martinez, Brian Van Holt, Siena Goines, Bex Taylor-Klaus, Shane Paul McGhie, Mark Moses Writer(s): Will Beall Producer(s): Will Beall, David Ayer, Chris Long, Barry Schindel Director(s): David Ayer Production company: Cedar Park Studio(s): eOne, Fox EntertainmentFILTHY RICH When the patriarch of a mega-rich Southern family, famed for creating a wildly successful Christian television network, dies in a plane crash, his wife and family are stunned to learn that he fathered three illegitimate children, all of whom are written into his will, threatening their family name and fortune. With monumental twists and turns, “Filthy Rich” presents a world in which everyone has an ulterior motive – and no one is going down without a fight. Cast: Kim Cattrall, Gerald McRaney, Aubrey Dollar, Benjamin Levy Aguilar, Corey Cott, Mark L. Young, Steve Harris, Melia Kreiling, David Denman, Olivia Macklin Writer/Director: Tate Taylor Producer(s): Tate Taylor, Brian Grazer, Francie Calfo, John Norris Studio: 20th Century Fox Television, Fox Entertainment, Imagine EntertainmentNEXT A propulsive, fact-based thriller about the emergence of a deadly, rogue artificial intelligence that combines pulse-pounding action with a layered examination of how technology is invading our lives and transforming us in ways we don’t yet understand. A Silicon Valley pioneer discovers that one of his own creations – a powerful A.I. – might spell global catastrophe, and teams up with a cybercrime agent to fight a villain unlike anything we’ve ever seen – one whose greatest weapon against us is ourselves. Cast: John Slattery, Fernanda Andrade, Michael Mosley, Jason Butler Harner, Eve Harlowe, Aaron Moten, Gerardo Celasco, Elizabeth Cappucino, Evan Whitten Writer(s): Manny Coto Producer(s): Manny Coto, Charlie Gogolak, John Requa, Glenn Ficarra Director(s): John Requa, Glenn Ficarra Studio(s): 20th Century Fox Television/Zaftig Films, Fox EntertainmentNOT JUST ME A story of an unusual family formed through extreme odds, exploring such hot-button issues as identity, human connection and what it truly means to be a family. An only child finds her life turned upside down when her father reveals that, over the course of his prize-winning career as a pioneering fertility doctor, he used his own sperm to conceive upwards of a hundred children, including two new sisters. As these three young women slowly embrace their new reality, they will attempt to form an untraditional bond as sisters, even as they must welcome a tidal wave of new siblings into their rapidly expanding family. Based on the original Endemol Shine Australia series, “Sisters,” from Jonathan Gavin and Imogen Banks. Cast: Brittany Snow, Megalyn Echikunwoke, Emily Osment, Mustafa Elzein, Mo McRae, Victoria Cartagena, Timothy Hutton Writer(s): Annie Weisman Producer(s): Annie Weisman, Jason Katims, Jeni Mulein, Imogen Banks, Sharon Levy, Lesyle Headland Director(s): Leslye Headland (pilot) Studio(s): Universal Television in association with Endemol Shine North America, Fox EntertainmentPRODIGAL SON A fresh take on a crime franchise with a provocative and outrageous lead character and a darkly comedic tone. Malcolm Bright knows how killers think. Why? His father was one of the best, a notorious serial killer called “The Surgeon.” That’s why Bright is the best criminal psychologist around; murder is the family business. He uses his twisted genius to help the NYPD solve crimes, while dealing with a somewhat manipulative mother, an annoyingly normal sister, a homicidal father still looking to bond with his prodigal son and his own constantly evolving neuroses. Cast: Tom Payne, Michael Sheen, Bellamy Young, Lou Diamond Phillips, Halston Sage, Aurora Perrineau, Frank Harts, Keiko Agena Writer(s): Chris Fedak, Sam Sklaver Producer(s): Chris Fedak, Sam Sklaver, Greg Berlanti, Sarah Schechter, Lee Toland Krieger Director(s): Lee Toland Krieger Studio(s): Warner Bros. Television, Berlanti Productions, Fox EntertainmentCOMEDIESBLESS THE HARTS Follows a group of Southerners who are always broke as a joke, and struggling for the American dream of status and wealth. What they don’t realize is that they’re already rich, in friends, family and laughter. (Animated) Cast: Kristen Wiig, Maya Rudolph, Jillian Bell, Ike Barinholtz Writer(s): Emily Spivey Producer(s): Phil Lord, Christopher Miller, Seth Cohen, Kristen Wiig Studio(s): 20th Century Fox Television, Fox EntertainmentDUNCANVILLE Follows Duncan, a spectacularly average 15-year-old boy, along with his friends and family. His high-strung mom, Annie, constantly is trying to prevent her son from ruining his life. (Animated) Cast: Amy Poehler, Rashida Jones, Wiz Khalifa Writer(s): Mike Scully and Julie Scully Producer(s): Amy Poehler, Dave Becky, Ty Burrell Studio(s): 20th Century Fox Television, Universal Television, Fox EntertainmentTHE GREAT NORTH Follows the Alaskan adventures of the Tobin family as single dad Beef does his best to keep his weird bunch of kids close, especially as the artistic dreams of his only daughter Judy lead her away from the family fishing boat and into the glamorous world of the local mall. (Animated) Cast: Nick Offerman, Jenny Slate, Megan Mullally, Paul Rust, Aparna Nancherla, Will Forte, Dulcé Sloan Writer(s): Wendy Molyneux, Lizzie Molyneux, Minty Lewis Producer(s): Wendy Molyneux, Lizzie Molyneux, Minty Lewis, Loren Bouchard Studio(s): 20th Century Fox Television, Fox EntertainmentOUTMATCHED A family comedy about a blue-collar couple in South Jersey trying to get by and raise four kids, three of whom just happen to be certified geniuses. (Multi Camera) Cast: Jason Biggs, Maggie Lawson, Connor Kalopsis, Ashley Boettcher, Jack Stanton, Oakley Bull, Tisha Campbell-Martin Writer(s): Lon Zimmet Producer(s): Lon Zimmet Director(s): Jonathan Judge Studio(s): 20th Century Fox Television, Fox EntertainmentThe CW Renewed Series: “The 100,” “All American,” “Arrow” (eighth and final season), “Black Lightning,” “Burden of Truth,” “Charmed,” “DC’s Legends of Tomorrow,” “Dynasty,” “The Flash,” “In the Dark,” “Legacies,” “The Outpost,” “Riverdale,” “Roswell, New Mexico,” “Supergirl,” “Supernatural” (15th and final season)Canceled/Ending Series: “Crazy Ex-Girlfriend,” “Jane the Virgin,” “iZombie”Series Awaiting Decisions: N/ANewly Ordered Series: “Batwoman,” “Katy Keene,” “Nancy Drew”Here are the descriptions for the new 2019-20 CW shows:DRAMASBATWOMAN Follows Kate Kane, an out lesbian and highly trained street fighter who soars onto the streets of Gotham as Batwoman, primed to snuff out the failing city’s criminal resurgence. But don’t call her a hero yet. In a city desperate for a savior, Kate must overcome her own demons before embracing the call to be Gotham’s symbol of hope. Cast: Ruby Rose, Camrus Johnson, Meagan Tandy, Nicole Kang, Dougray Scott, Elizabeth Anweis, Rachel Skarsten Writer(s): Caroline Dries Producer(s): Greg Berlanti, Sarah Schechter, Geoff Johns Director: Marcos Siega Studio: Warner Bros. TelevisionKATY KEENE A “Riverdale” spinoff, “Katy Keene” follows the lives and loves of four iconic Archie Comics characters — including fashion legend-to-be Katy Keene — as they chase their twenty-something dreams in New York City. This musical dramedy chronicles the origins and struggles of four aspiring artists trying to make it on Broadway, on the runway and in the recording studio. Cast: Lucy Hale, Ashleigh Murray, Jonny Beauchamp, Julia Chan, Camille Hyde, Lucien Laviscount Writer(s): Robert Aguirre-Sacasa, Michael Grassi Producer(s): Greg Berlanti, Sarah Schechter, Jon Goldwater Studio: Warner Bros. TelevisionNANCY DREW Follows 18-year-old Nancy Drew in the summer after her high school graduation. She thought she’d be leaving her hometown for college, but when a family tragedy holds her back another year, she finds herself embroiled in a ghostly murder investigation — and along the way, uncovers secrets that run deeper than she ever imagined. Cast: Kennedy McMann, Leah Lewis, Tunji Kasim, Maddison Jaizani, Alex Saxon, Scott Wolf, Alvina August Writer(s): Noga Landau, Josh Schwartz and Stephanie Savage Producer(s): Lis Rowinski, Melinda Hsu Taylor Director: Larry Teng Studio: CBS Television StudiosRead original story Fall TV 2019: Every Broadcast Show Canceled, Renewed and Ordered So Far (Updating) At TheWrap
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Many, many years ago, the doyen of Marathi-Hindi cinema V. Shantaram was told by his daughter, the actress Rajshri, that she wanted to marry her American boyfriend Greg Chapman.Shantaram was at that time in the midst of pre-production for a film called “Boond Jo Ban Gayee Moti”. He stared at his daughter with disbelieving eyes, unwilling to accept that she would betray her father in this way, writes Subhash K. Jha.“And the best thing was, Shantaramji wasn’t worried about Raj — her pet name — marrying an American. He was only worried about his film. He quickly told his daughter to do whatever she wanted to and signed Mumtaz to play the lead opposite me,” recalls veteran actor Jeetendra, a close friend of Rajshri.Her last film in India “Suhaag Raat” was with Jeetendra who visits his pal Raj even now when he is in the US.Rajshri’s marriage to Greg Chapman has lasted for more than 35 years. Once she moved to the US with Greg, she never looked back, never had a hankering to return. Theirs is a marriage that defies all cross-cultural scepticism, forging as it did an alliance that went far deeper than the passport could ever record.I don’t know if Priyanka Chopra would marry her American boyfriend. I can’t see her giving it all up like Rajshri to make a life in the US, unless Priyanka’s mother plans to make Nick her ghar-jamai (house husband). Would Nick Jonas, a hot favourite gay icon in the US, actually want to forge a marital alliance with our Desi Girl?Something tells me this relationship lacks the staying-power of the Rajshri-Greg alliance. I will tell you why. For one, Greg had nothing to do with show business. He had no clue Rajshri was a star in India when they met in the US while she was shooting with Raj Kapoor for his globally-shot fiasco “Around The World”. Raj Kapoor would later joke that the only good thing that came out of this expensive disaster was Rajshri’s marriage.In my experience, marriage of showbiz celebrities work best when the spouse is totally detached from the entertainment world. Nick and Priyanka are on the same side of the celebrity circus. Not good.Rajshri gave it all up for Greg. It wasn’t just love. Rajshri didn’t care a damn about being an actress. Would Priyanka be able to give it all up? And to be politically correct, let’s take the reverse course — would Nick be willing to give it all up and settle down in India?I am sure Shah Rukh Khan would find a vacancy for him at Red Chillies.While the future of Desi Girl’s bonding with the Firangi Munda remains uncertain, I am reminded of the most famous American to have dated an Indian actress. Hollywood superstar Gregory Peck dated 1950s diva Suraiya for a fleeting phase when he visited India. He was really taken up with the beauteous actress. But Suraiya’s grandmother didn’t see Gregory Miyan as a son-in-law.On the rebound, Suraiya had a long relationship with the Gregory Peck lookalike Dev Anand. Alas, that too was a doomed alliance. But that’s another story.  IANS : 7th. July,18
    WILL MARRIAGE BETWEEN PRIYANKIA CHOPRA & NICK JONAS BE SUSTAINABLE ? Many, many years ago, the doyen of Marathi-Hindi cinema V. Shantaram was told by his daughter, the actress Rajshri, that she wanted to marry her American boyfriend Greg Chapman.Shantaram was at that time in the midst of pre-production for a film called “Boond Jo Ban Gayee Moti”.
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