#hardly x but still x

[ikiprian]

Clark is taking Kon and Jon out for a classic, super-style bonding flight. Just a quick jaunt around the US and back!

They don’t get far. Somewhere in Illinois airpace, they run across another family.

The three (a hulking man, a snarky teenage boy, and a cackling youngest girl, each a grayscale blur in the blue, blue sky) throw neon-lit beams of energy at one another, quips and insults flying almost as fast as they do. It looks like training. It looks like fun!

The boy of them looks like a younger version of the man. Exactly like, even. Clark is familiar with clones.

The youngest, a girl, looks like both of them, but not quite. Perhaps she will, age sharpening her childish features, but it’s hard to say. More likely, she’s the man’s daughter.

Interested, Clark introduces himself to Dan. He seems to be a hero in his own right, even if Superman’s yet to see him in action. And it’s not often Clark sees a family so like his own!

[spotaus]

Imagine?? Lineless style is back?? Anywho, here's Tulpa again!

[cerealbishh]

"The world's lucky to have you."

[starry-bi-sky]

more cfau miscellaneous things because Childhood Friends Danny and Jason have my head and heart always and I need to finish rewriting chapter two dammit (and redo the half-finished chapter 4 because its just Not The Vibes). i'm almost through I need to get through the graveyard scene. (i just stubbornly refuse to have it be shorter than the original chapter and thats the little death. that is the mind killer.)

Danny and jason’s ghost forms both smell faintly like burnt flesh and cigarettes. However, Jason has a more smokey smell while Danny’s smells almost,,, electrical? In a sense? Like he just straight up smells like burnt flesh and sulphur while Jason smells like someone put him in a smoker first.

It’s very much an unpleasant smell but Danny finds an odd comfort in it just as much as he finds a comfort in the smell of nicotine.

(Jason post-revival smells burnt flesh once and is immediately offput by the fact that it brings him an instinctive comfort. He doesn’t realize its because it reminds him of Danny, and is uncomfortable by it.)

-

In an au of an au, Danny’s altercation with Rath ends with Rath regaining enough of his sanity to snap out of the grieving state and ends with him breaking down. Instead of being souped and imprisoned, Rath, who is permanently 14, decides to Move On into the unknown. He’s exhausted, heartbroken, and tired.

(Is this influenced heavily by the ParaNorman scene where he talks to Agatha and helps her move on? Yes. But it doesn’t fit with the Original Storyline so im shoving it into an Au of an Au.)

Rath tells Danny that Jason lied to them (which he genuinely believes), and that he’s tired of waiting/looking for him/grieving. Jason is gone. He isn’t coming back, he abandoned them. And he wants his mom and dad, and his sister, and his friends. And he’s ready to join them.

He leads Danny out to Gotham, which other than Amity Park might’ve been the only city left untouched due to Rath’s own mental block on the place. They go out to the park he and Jason used to frequent or up to one of crime alley’s rooftops, and there Rath lies down and goes to sleep. Only to never wake up again, materializing into nothing as his soul moves on.

Before Rath leaves, he forces Danny to promise him that he’ll only wait for Jason for ten years. After that if he doesn’t find him, or if Jason doesn’t show, then Danny has to move on. Whether that be like how Rath does, or if its inly mentally/emotionally, doesn’t matter. He has to move on. Don’t wait for him. Don’t waste his time any more.

(“Oh, and if you find him, kick his ass for me.”)

Danny reluctantly agrees, and Rath lies down. Danny sings to him as he falls asleep.

(Angsty points if the vigilantes including Red Hood caught wind of their presence and were silently watching from the shadows. Rath might know they’re there, but Danny’s too focused on Rath to notice.)

(If only so that Red Hood realizes that this is what happened to Danny, and that Danny is gone before he can make things right. The tragedy, folks. The angst. The initial realization that Danny was Rath, and then also that Danny was dead and has been dead for years, and that before he moved on, he moved on believing that Jason abandoned him.)

(like i said it doesn't fit in the original timeline/storyline hence why its an au of an au and isn't nearly a fleshed out, but i was largely just focusing on the tragedy of Rath moving on and Jason being alive to see it and realize just who Rath is.)

-

Just like how the Lazarus pits shot Jason's twiggy 4'6-5'4 (depending on what you find) feet tall and 86lb ass up like a tree an essentially fixed his malnutrition, the portal did the same thing for Danny.

(granted i forgot about malnutrition and danny's likely stunted growth at first -- his family lived in crime alley and despite both his parents working, I don't think they had enough food all the time. He probably wasn't as badly malnourished as Jason was, but he wasn't healthy either.)

Granted his ghost in its "natural" state (14) is short, and his growth spurts were slow at first, it did result in him reaching his dad's height. There were points where it just happened overnight, like a baby. He went to bed one night 5’6 and woke up the next day 5’10.

Jazz is shorter than him. Although I have't decided if she's even liminal at all (and if she is, it didn't cure everything because she would have also suffered childhood malnutrition, and since in au canon their parents didn't get their hands on physical ectoplasm until after they got to Amity Park. So the exposure is less.)

-

Danny's voice absolutely sounds like canon Dan's. It kinda just dropped one day when he was 16-17 and never went back up. Sam and Tucker sometimes ask him to just talk about anything because they find his voice soothing.

I'm not sure yet how Danny would feel about it at first considering Rath, but I imagine that Rath, when he did speak, would have had a quieter and scratchier/weaker voice considering he's spent the last decade shrieking and crying.

(and i suppose technically that shouldn't have any effect on his throat considering he's a ghost and idk if that would actually affect him, but i like the idea so im keeping it)

In the beginning you could hear him from a mile away by the sound of his loud, echoing wails, but ten years later you can only really hear him by the soft, shuddering sobs he makes. Like he's gasping for air that isn't there. The future is full of very quiet survivors.

And it's much easier to speak when you pitch your voice upwards (especially when whispering/speaking quietly) so he might've spoken in a higher, airy pitch in order to be heard. So Danny might actually find a comfort in having a lower voice.

[castiels-slinky]

Danbert HCs!!!

Dan is the only person who can actually convince Herbert to take a break. Even then, it's almost impossible, but hey.

Herbert isn't the best with PDA, but he's a big fan of holding hands or snuggling at home.

Dan, on the other hand, loves PDA, but he's super understanding of Herbert not being a fan!!!!

Quality time, acts of service, and gifts are Herbert's love languages.

Quality time, words, physical affection, and acts of service are Dan's!

Being very tactile, Herbert enjoys just touching Dan, though he'd never admit to this. He gets very embarrassed when it's brought up.

Both Herb and Dan kind of see the Bride as their kid, but don't treat her like one. They try to treat her like a normal person, albeit with some obvious differences.

Herbert gets jealous rather easily. He'll see Dan being so caring with a patient and get upset, but Dan's always there to remind him that he's the one he loves.

On top of being the only one to convince Herbert to take a break, Dan's also the only one that Herbert lets his guard down for. Herbert has a bit more emotion than he shows, and Dan's honored to be able to see the more vulnerable part of him.

Herbert is also easily flustered. He will never admit it. Dan knows, though. He loves to tease Herb about it.

HI PLEASE PLEASE PLEASE PLEASE REQ HEADCANONS IN MY INBOX!!!! IT MAKES ME SO HAPPY!!!

[daylighteclipsed]

ive been replaying kh1 (going thru the whole series on steam since i never got the chance to play all the games) and i was struck by something a bit odd. i have been dyinggg to talk about it

it's about kairi and her past.

i don't think she's a replica or construct necessarily

but in kh2 there's a parallel drawn between her and sally in halloween town; and the same i think could be true in kh1.

sally is a Frankenstein monster/doll made by the doctor. the entire plot of Halloween town centers around the need for the dr to make a "heart" which requires memories from Sally (the scene of her picking the forget me nots looks a lot like kairi holding a flower for aqua too)

sora takes interest in the project to restore a heart to the heartless too because of his desire to restore Kairi's heart.

i havent really come up with a coherent thought about what this means.

but given that we know kairi was experimented on in a way that involved her heart, it just seems suspicious that this parallel was made twice to her and a doll that was stitched together and animated by a mad scientist.

shes also compared to chirithy in kh3, which from my understanding were created by MoM for keyblade weilders; and to Pooh, who is a toy/story book character that came to life

given too that Kairi already has a weird thing going on with her heart, it just seems possible that theres something..more to it that i have yet to piece together. and its driving me crazy

NO, WAIT… ANON YOU’RE COOKING. Idk what it all means either, but those parallels are so good and so true. Cause there definitely is something artificial about Kairi’s heart, even if just partially. It was experimented on, like you said, and it looks completely different than the organic hearts we see, and I suspect that’s why we’ve never seen Kairi’s heart station. Because it’s (at least partially) artificial. It would look totally different than all the other heart stations and would probably give away what’s going on.

[yohangaontdj]

Just wondering, those who had moved on from Yohan x Gaon, where did you all go?

[iceyrukia]

Women’s self-image is as negative as ever despite the “body positivity” wave of choice feminism. Why?

I think one of the biggest reasons as to why women’s beauty standards and self-image are worse than even is because you can preach about unfair beauty standards all you want and tell women not to make fun of another woman’s looks but you can’t take away the social status and praise that women who are “beautiful” get from society (both men and women). You give them clout and praise them. Something both “body positivity” and “body neutrality” feminists do btw despite all the talk about acceptance.

It’s like saying you don’t support the ethics behind a product and yet still consume and buy it. In this case “beauty” being a luxury achieved via consumerism where women become the products (objects) that other women admire and obsess over. There is a demand so there is a supply PERIOD.

Women might not directly pursue beauty (“I do it for myself”) for men but nonetheless it’s definitely ingrained as a sign of status and that’s enough to cause a negative self-image in women who don’t participate. Men might have been the original perpetrators of installing unrealistic beauty standards for women but the victims (women) have also turned into perpetrators who can’t let go of the misogynistic status symbol of having value from appearances because it’s considered “culture”.

[soulless-bex]

ambrosius and ballister may be the cutest couple i’ve seen in a while, but i’ll be honest and say that i was rooting for them to break up during the whole movie

[freuleinanna]

Mama loves you.

Marisa - harder than most mothers, it's safe to say - often heard the words spoken with unbearable softness. Not in her family, but the words danced in the streets, touching her ears like a melody. Mama loves you. Everything's alright, child. Mama loves you.

She remembers wanting to say the magic words more than anything in the world. The golden daemon never blinked, never moved, just sat beside her. Mesmerized, he never, not even for a moment, looked away from little Lyra and her soul companion as though if he did, they might have disappeared. As though his eyes were the only thing keeping them in existance. He knew then, Marisa thinks. He knew she wouldn't say it. She wouldn't dare.

She remembers words dissolving quicker than a thin layer of ice on a tongue. She remembers being hopelessly, cruelly mute.

Some things should live in minds only, is appears. In beautiful what-ifs, and never on the lips. They give the vow of silence, and Marisa's soul never utters another words as if none would be good enough. Fine, she decides. Silence it is.

Until.

Until.

Twelve years pass before Marisa sees her child. She is armed to the teeth, oozing danger with a metal-scented touch, stunning in a way nobody dares to confront, fully prepared - and the girl, the girl wears raggedy clothes and hardly knows what soap is. She bites nails. She stuffs food in her mouth. She's got a scar on her forehead and exactly three random, unevenly placed moles on her left cheek. That little monster attacks Marisa's heart like a bloodthirsty Tartar. She's got hugs instead of rifles. Marisa would have preferred the rifles. Blades. Anything. Lyra is running about with a string tied around her mother's throat. She's a wind-borne kite. Every time the girl throughtlessly gets too far, Marisa feels her lungs being yanked out of the chest.

Words return. Words seize her, rattle through her to the point where she cannot bear silence any longer, and the only thing stopping Marisa from saying them is not having enough breath. That, and the impossible task of saying words you never learned to say.

So she finds other words.

Blue is quite your color.

Mama loves you.

I think you can be extraordinary.

Mama loves you.

I'm only trying to protect you.

It starts spilling in every conversation. It's everything she's able to say after twelve years of silence. My place is with her. I want her with everything I have. If you find her, please keep her safe.

Mama loves you, loves you.

Lyra grows up having never, ever heard those words.

Her mother is hopelessly, cruelly late for saying them. It doesn't stop her from living them till the last breath.

[ikemenomegas]

a decade passed of night and dark light and meaning

on jupiter one revolution lasts eleven of our years and into late november by that measure you have not been gone a year yet

there are worlds where you have been gone hardly a day

I still know you in that part of me far beyond the body

you went far beyond my reach yet still not far enough to make you a stranger

-io 1/1/23

[sovonight]

calm & collected

[birgittesilverbae]

if Ava's first words to Beatrice when she gets back aren't "honey, I'm home" then what even is the point

[bustedxblue]

Doodle dump. Collection of stuff ranging from recent things to last year.

First three below here are current wips. I'm redoing old art in an attempt to better match Jaime's style. It's rough but its... well, it's something, I suppose. Def gonna make their eyes optional when drawing them.

These later ones might not ever be finished so I'll toss them here. Nothing bad- just compacting the post. :3

I think the oldest thing here is the first one, which was done at the release of Silent Running. Rest is self indulgent fodder. The bear mask is from listening to this song's chorus. (If that one is too overwhelming, there is also this version. c: )

... I have a problem...

[zibiscusloon]

Just out of curiosity and for the hell of it

[woozapooza]

Working on a Melfi gifset and I am once again asking why Lorraine didn't win the Emmy for s3. The scene where she discusses the Rottweiler dream with Kupferberg is literally Whitecaps-tier acting.