#he does right to them before someone else can do anything else

[darkbluekies]

Cannot take what was never meant to leave

Yandere!king OC x fem!fairy!reader

Summary: Edmund walks out in the forest and finds something he never seen before: a tree fairy. Upon learning that he can't take her as long as her tree is there, he does the only thing he can think of.

Warnings: Edmund is a bit more insane than usual, reader is in a lot of pain, kidnapping, basically killing, use of an ax

Word count: 2.5k

A/N: this is HEAVILY inspired by Erutan's song "The Willow Maid"!! I have absolutely loved that song for ages, and after seeing PurestarMedia's music video of it on YouTube, I had to write something!! Edmund felt like the perfect fit for it!!

Summer is almost over. He can tell by a slight shift in the winds that colder times are approaching, even though barely any of the trees show any signs of autumn. He can't wait until he can bring out his thicker coat. He likes the colors of it much more.

Ten men he brought with him on his hunt for rabbits. They've decided to go into another part of the forest in hopes of finding anything.

Suddenly. A sound.

“Shh!” Edmund hushes and holds up a hand, signaling the others to stop.

He listens closely. It sounds like humming. It's a tune he has never heard before, but one that feels weirdly familiar — as if he has heard it in a dream or past life.

Quietly, they follow the sound until they reach a field full of small, white flowers. In the middle of the white field stands a tree with dark leaves. A scene taken straight out of one of the paintings hanging on the castle walls. Edmund notices someone sitting by the foot of the tree, resting among the roots. A woman?

The group of men creep closer. The woman is lying on the tree roots, leaning her head against the tree trunk, having a root under her knees for support. She's dressed in a long, white gown reminding Edmund of the small flowers. On her head rests a flower crown made of the very flowers. Her eyes are shut. Her mouth hums. 

A fairy.

One of Edmund’s men steps onto a branch on the floor, which snaps in half and pulls the fairy out of her thoughts. Her eyes snap open, revealing them to be deep and dark — and full of fear. She shoots up from her root and stumbles backwards, hiding behind her tree.

“Who are you?” she asks quickly. “What do you want?”

“You are a fairy”, Edmund says, still in disbelief.

“Yes … what do you want?”

“Have you seen any rabbits around here?”

She peeks out from behind the tree.

“What do you want them?” she asks and seems to notice the rifles hanging over their shoulders. “I'm not assisting you in killing harmless creatures.”

Edmund meets her dark eyes. They're hypnotic.

“You humans are despicable sometimes”, she says. “Killing innocent creatures who haven't done anything to you.”

“If I wouldn't, someone else would — man or animal.”

“I want you to leave.”

“Yeah, we should move on. We have rabbits to hunt.”

He can feel her eyes burn through his back as he walks back over the field of white flowers. He hopes that she will watch him until he disappears into the forest.

“Did you have a good hunt, your majesty?” his secretary asks as Edmund and his ten men come back to the castle.

“Caught a few rabbits”, he answers and smiles, thinking of the memory. “We encountered a fairy.”

They start to walk inside. 

“A fairy?” the secretary asks and holds the door into the castle open for the young king.

“What do you know about fairies?” Edmund asks. 

They walk down the large hall.

“I know that, like humans, there are different types of fairies”, the secretary says. “You found her in the woods, you said?”

Edmund nods. 

“She’s probably a tree fairy”, the secretary continues. 

“Yeah, she was sitting by a tree … almost like it was holding her”, Edmund says, furrowing his dark brows as he thinks about it. 

He holds out his arms as if he was carrying a woman, imagining her knees bending over his right arm and her back supported by his left … her head resting on his shoulder — like she had done to the tree bark. 

They walk into Edmund’s office, closing the door behind them. 

“What do you know about tree fairies?” Edmund asks and throws himself in his chair. 

“I know that they live in the woods and that they are connected to a particular tree. They feed off of sap from the tree and flower nectar — and if their tree bears fruit they eat that too.”

“What happens if they eat something else? Like meat? Or potatoes?”

“I don’t know, your majesty.”

“Would it kill them, do you think?”

“Perhaps. What I do know kills a tree fairy is killing their tree.”

Edmund looks up at him. “What?” 

“Their life source is connected to their tree. They live as long as their tree does.”

“So you’re saying that a fairy can become hundreds of years? Thousands even?”

“Could be.”

“Interesting.” He sighs and throws his head back. “You should have seen that thing. Before she noticed us she looked so … peaceful. She was resting and humming a tune. When she realized that we were there she flew up and hid behind her tree. All of that seemed so young and naive. Her tree wasn’t that large either. I think I’ve found myself a young fairy.”

“The fairy seems to interest you.”

“I’ve always wanted to meet a fairy. I didn’t believe that they actually existed. But now, I’ve found one. I think that I’m going to make her my wife.”

The next day, he returns with his ten men and his secretary, dressed in his autumn coat. On the way to the glade, Edmund picks a few flowers with the biggest nectars he can find, hoping that they will be a good enough gift. He is going to ask her to marry him. 

She is walking around the white flowers, picking up a few and putting them in her flower crown. She looks up as they come. This time she doesn’t look as startled, but there’s something wary in her eyes. 

She’s beautiful and delicate, there’s no denying. Edmund needs her. Every fiber of his body needs her. She needs to be his wife, to be the mother to his children. He refuses to leave without her. 

“What brings you back?” she asks as Edmund gets close enough, but doesn’t sound like she wants to know. 

He can tell that she wants to get back to her tree. She gives it quick glimpses and takes small steps back towards it. 

Edmund holds out the flowers towards her. She hesitates before taking them out of his hand. Her fingertips barely graces his skin. Her touch is humanlike, kind and delicate. 

“Thank you”, she says and smells them softly. 

He smiles. He wants nothing more than to hug her, to hold what belongs to him in his arms, but he has to ask the question first.

“I want you to marry me”, Edmund says. 

The fairy drops the flowers in shock. They disappear underneath the small, white ones. Edmund furrows his brows.

“Marry you?” the fairy repeats, shocked. “How could I possibly-? No, no, I shall not.”

Edmund stares at her, eyes darkening, unable to understand how anyone could turn down his proposal. Women would travel far and wide to hear those words come from his mouth, and this fairy — who does she think she is — doesn’t even think twice before rejecting him. It should crush him, but instead it has the opposite effect. He will not leave without his fairy. 

He looks over his shoulder, at his ten men. “Seize her.”

Just as the ten men are about to grab the fleeing girl, his secretary grabs his shoulder. 

“Your majesty, don’t”, he says quickly. “That won’t be possible. She can’t leave the glade.”

“What do you mean?” Edmund scoffs.

“She’s connected to that tree.” He nods towards the tree in the middle of the field. “She can’t leave it.”

Edmund glares at the tree. That damn tree. The woman runs through the flowers towards her tree, hugging it tightly. Edmund finds it humorous how she thinks a simple tree could protect her. He could do it a hundred times better, will do it a hundred times better. 

He sees how she sinks down by the tree, huddled up by the tree bark, crying. Soon, she will search for comfort in him, not a damn tree. 

“We can’t take her”, the secretary says. “I don’t know what would happen if we tried, but as long as that tree is there, we can’t remove her.”

Edmund doesn’t answer as he walks back into the forest. The ten men follow him. His secretary keeps a distance. Edmund feels like he could explode with anger. He had pictured himself leaving the forest with his new fiance hand in hand. But he will not give up. He will get his fairy. 

He returns a third time the next day. This time he’s by himself … and this time, he’s brought an ax. Determined to take her with him. She will be his wife. This time, he’s not taking ‘no’ for an answer. He will not walk away empty handed. The thought consumes him as he marches through the forest, towards the glade. 

He can see her lying in the same spot he had seen her the first time. This time, she’s not humming. She opens her eyes as he gets nearer and jumps to her feet as her eyes fall on the sharp edge of the ax. 

“No!” she screams in pure panic. “No, what are you doing?! Don’t!”

Edmund lifts his hands and lands a blow on the bark, cutting away a piece. To his right, the fairy screams in agonizing pain and clutches her heart. He continues to hit the tree. The woman continues to scream. She cries in pain. 

It takes longer than he expects. He takes his eyes off the deep cut in the tree and turns them towards her. She’s lying between the roots, curled up with her hands pressed against her heart, crying and screaming. 

“Please stop!” she screams and sobs so that her entire body trembles. “Y-You’ll kill me! Please s-stop, please! I’m begging y-you!”

If he continues to hit the tree, she will die. 

Edmund will have to bring a piece of the tree with him and replant it in his castle’s garden so that it doesn’t die — so that she doesn’t die. He continues to chop. She continues to scream, cry and plead for him to stop. 

A loud creaking echoes through the air. He watches as the tree bends in half and falls. The fairy stumbles upon weak legs and hugs her fallen tree, sobbing. 

With the ax, Edmund manages to dig up root systems of the tree. He holds it in his left hand and grabs the fairy’s wrist tightly with his right. He yanks her up on her feet. 

“You belong to me now”, he says. 

She only sobs for an answer. She tries reaching out for her tree, but Edmund pulls her with him. She stumbles. He drags her into the forest. 

“Please …”, she sobs. “Please …”

He doesn’t know what she begs for. The tree is fallen, he can’t undo what he has done. 

“Please, I’m in so much pain”, she pants. 

He doesn’t listen, doesn’t have time for it. He has to get her to the castle, where he can lock her in, so that she can’t escape out to the forest again. 

He can feel her collapse. Edmund gasps and watches her lie lifeless on the ground. He shoves the tree roots in his pocket and hurries to check her pulse. She’s still living, for now. Edmund stresses to pick her up. Her limp body rests in his arms as he runs out of the forest, towards the castle. 

He runs into the castle yard, into the hallways and out to the garden. He lays the fairy down on the grass and hurried to dig a hole with his hands. Oh, how he hates the feeling of dirt under his nails. He can’t think about that now. 

He places the root in the hole and covers it with the soil. Edmund runs over to the fountain, cups his hands and fills it with water. He runs back and forth until enough water has been poured over it. He feels for a pulse on the fairy’s neck. There’s still a faint pulsation underneath his fingers. He removes his coat and places it on the ground beside the tree root before lifting the fairy onto it. He caresses her face. 

“You actually got her.”

He looks over his shoulder at his secretary. He stands there, looking at them in disbelief and horror. 

“Is she dead?” he asks. 

“No, not yet”, Edmund replies  breathlessly. “I brought a piece of the tree here and I have replanted it. She should survive. But we need flowers — lots of flowers. And anything else a fairy might eat. We need to nurture her back to life.”

“I’ll prepare some honey water, I think that should be drinkable.”

Edmund sits by the fairy, waiting patiently. 

Hours go by. She doesn’t move. Barely breathing. Edmund wonders if he she has fallen into some kind of limbo, where the tree is barely alive, and so is she. If the tree doesn’t survive, neither will she. He has to nurture both. 

He feeds the tree water and nutrient dense soil and tries to pour droplets of honey water into the fairy’s mouth. Sometimes she responds by swallowing softly, and sometimes let it drip out of her mouth. 

Hours turn to days. Days to weeks. As the tree slowly grows roots in Edmund’s soil and become stronger, so does the fairy. Edmund doubts that she will ever become as strong as she was before. The tree will never be in its full glory again, and neither will she. She can’t walk, her body is too weak to move more than a few minutes. He lets her rest by her short stub. When he can’t stay with her, he watches from afar, from one of the windows. She’s always curled up, hugging her stomach as if she’s got cramps. The poor thing never smiles anymore. 

He holds a glass of warm honey water in his hands as he walks out to the petty excuse of a tree. It'll take years to become as big as it originally was, but it will never be the original tree.

“Hi”, Edmund says softly and sits down beside the fairy, holding the cup to her dry lips.

She doesn't seem to care what she gets fed anymore. Maybe she hopes that it will kill her.

In a sense, Edmund has killed the fairy.

She drinks slowly.

“I don't know what to feed you when winter comes”, he says. “I have harvested a lot of nectar and sap, but I don't know how long that will be good for.”

A tear runs down her cheek. Edmund wipes it carefully.

“My fairy, don't worry”, he whispers reassuringly. “I will figure it out.”

He wishes that she could respond, but he hasn't heard her voice since that day she screams in pain — when he killed her.

He stands up, gives her forehead one last kiss before walking back inside. In the beginning, he used to have guards watch over the garden to make sure that she wouldn't run off, but he realized that as long as that tree is there, she isn't going anywhere.

[animeyanderelover]

I already did this concept with Dazai in those Hc's so I will not add him in here again.

Tw: Yandere themes, possessive behavior, obsession, delusional behavior, clinginess, manipulation, blackmailing, bribing, paranoia, attempted murder in Nikolai's part, isolation, abduction, death of reader in their previous world

Tags: @shumidehiro @izanami78 @leveyani

Isekai'd into their world

Nakahara Cuuya

🟠Bullshit! That’s the initial reaction that Chuuya has when he finds out. There’s a limit to how much he is willing to believe even though throughout his life he has seen some things you’d have to witness with your own eyes to believe in them. It is true that there is nothing about your past he has been able to dig up as your life has seemingly started the moment you were discovered by an elderly couple on the streets. You’ve always claimed that you couldn’t remember anything before you where found and since there has been nothing the police was able to find out about your past, they gave up on the case as you were slowly assisted into society. Chuuya doesn’t believe your claims though that you suffer from amnesia. He might be hotheaded but he’s been working for the Port Mafia for years now, has even been made an Executive. The one skill you develop in this position is to get a fairly good read on the person in front of you, on their body language as well as on whether or not they speak the truth or not. So whilst he has no solid proof about whether you lie to him or not, there is this intuition that he has in his guts that there is something you are hiding.

🟠His overprotective and paranoid thoughts tend to spiral so his first assumption is that maybe there is someone after you and that you’re on the run. If that is the case you don’t have to worry. Chuuya can and will provide protection if someone is after your life. The longer you remain silent about your past, the more impatient he grows. Chuuya hasn’t always been honest to you either, especially regarding his position in the Port Mafia. But you needlessly fuel his anxiety as you don’t reveal anything, only feeding his paranoid thoughts as he wonders what you could hide that is so atrocious that you don’t even want your lover to know. Yet when you tell him the truth finally, sensing that he is close to snapping, he gets mad at you. Are you mocking him?! Don’t lie to him now! He doesn’t believe you. He doesn’t believe you until you see yourself forced to reveal everything you know about him. You know about Sheep, about Arahabaki, about the Port Mafia and about so much more. Only then does he believe you. The truth did not ease his worries though. No, instead Chuuya feels betrayed. Betrayed that you have known everything about him from the very beginning.

🟠He can’t hide. He can’t pretend anymore either. What’s the use? You know everything about him. With no facade to hide anything anymore Chuuya grows weirdly aggressive yet vulnerable. He doesn’t know how he should deal with this situation where he had no control over what he reveals about you and what not. It is fucking weird to know that in your world he doesn’t even exist and is instead a fictional character. What do you even think about him when he stands in front of you? Do you even see him as a real person? With really nothing to lose anymore Chuuya just abducts you then and there, unable to come up with another solution on how to handle this situation. Obviously he doesn’t tell anyone else about you though as he himself has to properly come to terms with the truth. As heavy as the feeling of betrayal sits though, there’s also desperation and paranoia. Desperation because he feels like he deserves to find out more about you as well since you already know far too much about him and paranoia now that he understands that you’ve died before in your world. You can’t be fine after all that happened, right? He’s going to help you.

Fyodor Dostoevsky

🍎Fyodor has always deemed you to be someone who stands out from the common crowd, for reasons he doesn’t understand either. Perhaps it is because your eyes perceive what others can’t see as he will never forget his first encounter with you. The glimpse of pure fear in your eyes as you gazed at him, seeing the demon disguised as a man. The way your body flinched away from his touch as he reached out to you, sensing the doom that would befall you the moment he’d feel your body. Only very few people have ever been able to realise him for the higher being that he is and it is the fact that a common sinner like you sees right through him upon first meeting him that makes you special. Fyodor tests his theory out only once by cornering you, giving you no chance to hide behind others as you are left alone with him. The sadist in him is relishing in the untarnished fear he sees in your eyes, purple orbs gazing at you as you slowly move away from him. He doesn’t follow you but he doesn’t have to. You poor thing now can’t run away from him anymore. You’ve dared to catch the devil’s interest and for that you will greatly suffer for Fyodor only knows how to take and destroy.

🍎It is when he figures out that you have no past that you only deepen his obsession. It’s intriguing. No past sins to judge you by, no trace of an existence stained in impurity before you appeared in this city. No matter how much research Fyodor does, he’s unable to figure you out. You’re a mystery to him, to a messenger of God. Oh, it is indeed a dangerous game you are playing. What could you be possibly hiding from him that is so forbidden that not even he can know? It’s like you’re trying to trigger him and it is this lack of control, the inability to cast divine judgment upon you as you are incomplete without a past to hold you accountable for that leads Fyodor to do something he normally never does. He rushes the process slightly, lures you faster into the spider’s web until you are trapped. The first thing he asks of you to confess is your past, the one thing he can’t find out about you. What are you? Are you a sinner or are you something more? No normal human should be able to deprive him of information he can always gather. The time for your confession has finally come, the day of your judgement has at last arrived. Now then you little mouse, confess.

🍎If only you would know how much you fuel his obsession the moment you are forced to reveal the truth to Fyodor. A sinner always pays with death to free them of their sins yet you have already died in your own world before you were brought to his own. You are free, or at least freer, of sins than anyone else on this planet. So before this world can ruin you once more he is going to isolate you, to shield you from the impurities of this world. After all it is the duty of an angel to bring salvation to those who are worthy. Now he also understands why you were so afraid the moment you saw him. What was the first time for him to ever meet you was after all only the first time for you officially meeting him as you had seen him multiple times before as nothing more than a fictional character in your own world. Maybe there is a scientific explanation of how it is possible for you to be transported into a world that was only fictional in your old reality but Fyodor pushes another agenda onto you. Have you ever considered it to be the will of a higher being? Have you ever considered it to be a second chance given to you? Don’t you worry too much. He will help you flourish in this world.

Jouno Saigiku

♦️​BadumBadumBadumBadum. The melody of your heart when Jouno finds you one day stranded in an alleyway is certainly a good indicator of the fear and the anxiety currently swirling around inside your mind. Be assured though, he is here to help the little wounded puppy he's found himself right now. You'll just have to tell him who you are and where you are from and he'll get you safely back. That is at least the plan, the only problem is that you refuse his help. Hmm, that is strange. You're acting a bit suspicious, you know? Your little heart is telling him that his appearance seems to have only increased whatever stress you've already felt before. Is there something you're trying to hide from him? Even though his eyes are not able to perceive you, you don't strike Jouno as someone who has done something wrong that would force him to take actions against you. Still, he interrogates you, at least until he has gotten his confirmation that you haven't done anything criminal nor plan to do so. Technically that should be enough yet your heartbeat still hasn't calmed down. He's the reason. You're afraid of him. A reaction that usually only the bad guys have when seeing him.

♦️​The Hunting Dogs are heroes even internationally, normally citizens like you rejoice when seeing him. There are still things he'd like to ask you but you actually seem to gather some courage, tell him shortly that he has no reason to keep you trapped any longer since he has gotten his comfirmation. He isn't exactly pleased with the tone you use but he lets you go, though he's still quite dissatisfied with what he has gotten. As if fate is smiling down upon him though he soon has the pleasure to meet you again. You're still as close-lipped as the first time he met you but since he has now figured out where you work he decides to make acquaintances with your co-workers who are far more talkative. He can sense you standing there in the corner, your heartbeat going crazy as they tell him that you've recently started working here and haven't told them much about your past either. So you really just keep it a secret from anyone. That only makes him more curious, you know? With his position it is relatively easy to gather intel on you though it is when he is served with little to nothing that he truly starts realising that you must carry quite the secret around.

♦️​That is the kickstart of his obsession as he wants to figure out what it is you are hiding. What is the dark secret you don't want anyone to know about? His only clue lies in you and so he torments you with his visits, constantly attempting to guess what it is you are hiding only to never figure it out. How could he have known that you died in your previous life only to be reincarnated into a world that was purely fictional in your old world? It is after the abduction that you are left with no choice but to spill out the truth and as much as he would like to ridicule you for such an otherwise blatant lie, your heart is not lying. You're actually speaking the truth. And Jouno doesn't know how to reply to that, just staring at you with a furrowed face as if considering what the best response or even best reaction is to the truth he has so desperately wanted to know for so long now. You think that you see a glimmer of unease appearing on his face before he suddenly bends down, his hands grasping your chin. Just how much do you know about him? Even though you are his beloved Saigiku has ever considered revealing too much to you yet perhaps you already know too much, leaving him strangely vulnerable.

Nikolai Gogol

🕊️​To Nikolai you have always been entertaining. He has the fondest memories of the both you meeting for the first time, a sentiment you most likely don't share with him. After all it was obvious from the very first encounter that all that you felt for him was dread even though his disguise should have been immaculate, able to fool anyone else. He hides his sinister and twisted character when he needs to do so yet you have seen right through him and it is this seemingly keen intuition of yours that has gotten him so invested in you. Nikolai has never meant for this interest of yours to stay nor to develop into a burning passion that threatens to rip him off the wings he so desperately hopes to obtain. The demon threatening to steal his soul is none other than you, his crooked feelings for you spinning and turning as Nikolai finds himself trapped between two clashing desires. One is to obtain his freedom by murdering you, another one is his desire to keep you and share his sad fate of isolation and oppression due to his own feelings with you. It is a constant inner fight and more than just once has he considered ending your puny life yet there is one factor that ultimately stops him.

🕊️​He plans to torment you, to ruin the life you have so carefully built for yourself and the freedom you have in it yet it is the little information he can gather that has him pausing. No family, no friends, no past. You are essentially like a ghost who appeared overnight. He has no past which he could use to chain you down, nothing personal he could hold against you and that knowledge that he can't properly oppress you unless he knows about it torments him and only infuriates him more as if you were indirectly mocking him. Fine, he'll cut the games short then. When you wake up the next time, it is in a little cage with a cheerful Nikolai asking you how you're doing and if you have slept well. That grin only widens and turns into somethin hideous when he sees your eyes overflowing with fear. Yes~ Let that fear corner you and tie you down. Share your suffering with his own. There is still something, you precious dove, that he really needs to know. Only then can he fully drag you down to the bottom of despair with him after all. You need to tell him a bit more about your past. Your family. Your friends. He needs them for his plans. Imagine his surprise when he sees the relief appearing on his face.

🕊️​That grin on his face disappears as he realises the truth, even if only for a short moment. It isn't the fact that you are from a different world, it isn't that you died in your previous world either that sobers him down for one or two seconds. It is the realisation that you will always be freer than he will be. There are no family, no friends, no pets he could use to play with and to break you with. There is no information he can obtain about you unless you tell him yet here you are, knowing already so much about him since he was a fictional character in your old world. Half of your wings he will never be able to clip off. For one frightening moment his hands suddenly wrap around your neck and start squeezing down with enough force to have you gasping and choking before all of a sudden he lets go, leaving you to cough for air. When he bends down he has put on that playful appearance once more, whispering to you that it's still too early for you to die. He must say, you managed to catch him off guard for a moment there but that's alright. If things are more difficult there are more entertaining after all. He will make sure to plug every single feather off of your wings until you're just as broken as him.

[servicpop]

obsessive ( nsfw ) obsessive toji f. x oblivious bttm male reader

Toji hated how oblivious you were.

You could run your pretty little mouth to a cafe worker and overlook the yearning in their eyes, or you would turn a blind eye to when your co-worker at your part-time job asks so blatantly for your number, but you just disregard it as just so you could be called in when they call sick.

He doesn't say anything about it, not when you two are out getting drinks — since it was your payday — and he sees a girl approach you, batting her eyelashes blotted black with mascara and throwing meaningless compliments at you. He only glares, his hand slipped around your waist, squeezing the soft flesh there as if he was voicing his complaints through actions.

But of course you brush him off, saying something along the lines of 'she probably wants to be friends,' which undoubtedly ticks him off.

A smile, however, graces his scarred lips when he sees the girl's eyes flicker to the hand around your sides and backs off ever so slightly and he swears he would never but he most definitely flipped her off while your attention was on her.

When your drinks were finally done, the worker handed it to you, and god did Toji almost throw a straight punch when he saw your fingers brush together. Why was everyone gunning for you? When he first started going out with you, he simply assumed that no one would dare come close because of his looks, but now, people didn't even look in his direction, only yours.

"You're like a fucking angel," He grunted under his breath, placing the paper straw that would eventually disintegrate from him chewing on it inbetween his lips to take a sip. You turn your head to ask him what he said, not being able to hear it through the rumble of his voice, but he replies with a blunt, "nothing."

Throughout your whole 'date,' Toji was just getting increasingly pissed off about the whole ordeal. Guys and girls were approaching you, trying to start up a conversation, and as the sweet little oblivious boy you were, you'd engage, which always ended in Toji having to scare them away with a glare and a hand wrapped around you.

The ride home was fairly quiet; Toji wasn't a man of many words but he couldn't shake off the jealousy that he desperately wanted to bury. His fingers brushed against his scarred lips, a habit he's adopted over the years, and his leg bounced repetitively before the words just spilt out from his mouth like gates opening. "Does it not bother you?" he speaks in a rather hushed tone, almost like he's trying to restrain the jealousy in his voice.

"Bother me how?" You question, getting out from your seat once you've reached your home. Toji is left trailing after you like a stray dog while the key chains on your keys clink together as you unlock your front door.

"When people are always coming up to you," Toji grumbles, extending an arm above your head to hold the door open for you. "They're interested in you, can't you see that?" His hands find their way to rest on your waist and he pulls your back to his chest. "I'm right here and you still wanna shoot your shot with someone else?" Toji has forgotten all about keeping his obsession over you at bay, all he wants to do is knock some sense into you.

Before you can even refute his words, Toji already has his hands crawling underneath your shirt. His large, thick fingers finding your chest to pinch at your nipples, twisting them lightly. One hand leaves your chest while the other is splayed across it, holding you back as he pulls at your waistband, stretching the elastic out to look down at you.

"Already hard and I've barely touched you," He tsked, and contradictory to his words, his hand wanders down to touch you more. He pulls at your pants, slipping them down until they pool at your ankles before he runs a finger along the bulge at your boxers.

You instinctively whine and grasp his forearms in a futile attempt to stop his hands but you just end up twitching in his hold. "What? Don't want it? Thought you loved attention," Toji slips his hand lower, trailing down so he could press the pad of his fingers to your hole through the fabric. There's barely any friction or penetration to get you going so your hips jerk back, pushing against Toji which elicts a low groan from the man.

"Yeah, yeah you do, you fucking love it," His laugh comes out harsh and he's folding himself ontop of you, getting you to bend over more. Both his thumbs link underneath your waistband and pulls it down with a small whistle. Toji's arm then constricts around your waist where your body bent, holding you up so you didn't fall or escape. For a second he holds you still and all you can hear is the clink of his belt coming off and the small pops of his buttons.

"Stay still for me yeah?" He growls in your ear, tugging at his own clothing to get them off. He snakes his hand to your front, curving underneath to slip a finger inside. His arm is brushing so lightly against your now erect cock, but he refuses to touch it.

You could feel every knuckle pushing into you, squeezing against his fingers as you panted. His other hand finally makes it to your dick, using his fingertips to pull your cock against your stomach, tracing his nails along the underside. This ripped out a moan from your throat, your arms thrashing around from the feeling but Toji's arms are so tangle with yours its hard to move.

"Oh? So that's where you're sensitive, huh?" He's blatantly mocking you, taking his anger out on you. You whine again when Toji starts to spread the fingers nestled inside your walls, scissoring you to stretch you out. "Open up for me baby, I know you ain't shy," he keeps his fingers apart, taking his own dick and lining it up to your gaping hole.

He pushed in, and once you fit his tip through, he pulls his fingers back out, plugging you with his thick dick.

Toji hums contently, grabbing both your arms and pulling them back to his sides. You're already arching and he's got a great view of your back. "I feel like you're gonna split in half, God," its a shaky laugh because of how much you're squeezing him, wringing him out of whatever he has to offer. He pulls his hips away from you before he slams back in, the hands on your wrists pulling you against him with each thrust.

You can't do anything with your hands pulled behind your back, Toji's just using your body, handling you like you were a puppet and your arms were the strings.

You can hear Toji groan in frustration but before you could question it, Toji moves his hands, gripping your thigh and pulling it up. His other hand holds your side, as he pistons his hips into you in this new position. "That's deeper, yeah?" He groans into your ear, and you wobble from being forced to stand on one leg but Toji just tightens his grip around your waist.

Your whole body shudders when Toji finally reaches your prostate, hitting right up against it. A grin slowly emerges onto Toji's face when he sees your eyes go blank, and he knows he's found your sweet spot. "There we go, shit I was getting mad 'cause you weren't reacting that much." Toji's fingers dig deeper into the plush flesh of your thigh, and he laughs breathlessly at the obscene sound of his balls hitting against your skin.

"You take it like a champ y'know," he whispers through his teeth, "I'm so mean to you but you don't complain, huh?"

You're too far gone to even hear his words, your warm, wet walls clenching around him as you let out a small cry before coming as hard as you could, the sticky liquid falling straight onto your wooden floors. Toji's condescending laugh rings through your ears as the hand on your waist moves to your tummy, pressing down so he could feel himself rearrange your guts.

And apparently, that gets him off. Alot.

With one more thrust, Toji groans loudly, emptying for all he's worth into you. He pulls out almost immediately so he could see the white globs drip down your inner thighs. He lets go of your thigh that he was previously holding in the air and squishes them together, slotting his cock back between your sticky thighs to ride out his high.

He's peppering light kisses and small bites on your shoulder before speaking in a husky voice, "You gonna let people hit you up?" He asks, and you can barely reply from the physical exhaustion, "...No."

[cemeteryvalentine]

astro observations part 4 !!! ^____^

(specifically based off my family :3 pleaseee don't get offended at anything that doesn't resonate)

🗝️: one thing about a sag placement, they are gonna hang up FIRST !!! i swear, if anyone misses flip phones, it's a sag placement/dominant. i just know they miss snapping that phone shut in a petty manner LOL. my mom is a sag moon AND rising, and she'd call me and demand me to do something in such a bitchy tone and then hang up on me like girl who tf do u think u areee 😭😭😭😭 LMFAO. but honestly good for her, i love being petty like her.

like i swear i take after my mom because everytime she does that annoying hang up before i can respond thing, i call her again just to say a snarky remark, and hang up on her back!

🐇: i swear, virgo placements have no problem being the grossest people alive, but suddenly it's a problem when someone else does it :/// it's really annoying. my brother has a pigsty of a bedroom, doesn't wash his hand when he pisses unless i make him, and leaves his trash everywhere, but constantly gets on my sister for the same things 😭. like the calls coming from inside the house !!! i think basically, (some) virgos are like picky(?) with what areas they'd want clean. like they're only really comfortable with THEIR mess and no one else's.

🗝️: i love how pisces mercury communicate because it's like what the hel are u awn about 😭 in the NICEST way though :3 they're so kewl and interesting to talk to, plus they're so nice and understanding. maybe because they're water mercuries after all. speaking of, my favorite artist ever kurt cobain was a pisces mercury and it SHOWSSS. a lot of nirvana lyrics feel artistic and metaphoric, or just realllyyyy silly. liiike "angel left wing, right wing, broken wing. lack of iron and or sleeping" from milk it, one of my nirvana faves. and "i vomit C*M and DIARRHEA". like girl whatever that means !!!! (song, mexican seafood)

🐇: mars influence on the asc makes for prominent features. especially eyebrows. my brother has an aries rising and he has such a bad case of RBF. i swear he never looks happy 😭 his virgo sun and cap moon definitely don't help at all either. then im a mars rising and i have big eyebrows like my brother. like we're the only ones with big eyebrows, while our parents brows look invisible LOL. also i'm a virgo rising !! and ppl are always saying i look mad which honestly pisses me off :P so in conclusion, mars influence + virgo placements = major rbf

🗝️: i HATE to add on to the cancer hate train since i'm one myself and i loveee being one + we get soo much hate, but i feel a (unevolvled) cancer makes for the worst pick me girl ever !!!! this def doesn't apply to all cancers, but the few cancer women i know can be so mean to other women so unprovoked. especially my mom, it gives me the ick when she calls random women b*tches or makes fun of them to me for their features or success or soemthing. i used to be a pick me too up until i was like 13 (im soooo happy i grew out of that mess QUICK!). i would constantly strive for male attention, it was embarrassing 😭. ik another girl who values her shitty boyfriend over her (girl) friends and i haaate it. like ive only known a few cancer women, but a lot of them are like the meanest pick me bitch ever, or such a sweeet, caring soul :). i feel like being a pick me stems from cancers being feminine AND traditional. yk? i pray i make sense, but yk how it's traditional for girls to be perfect for her man, and value him no matter the circumstance ?? and cancer/moon being **traditional** ? yeahhh 😭

anywayzzz that's all :3 tyyy for reading !! i had sm making a new observations, considering it's been a year since my last LMFAOO. and again, if it doesn't apply, let it fly. ty bye ^__^

[toxictigertonic]

HIII i absolutely adore your outlast trials headcanons, they're so silly and accurate .. if u don't mind, could you maybe do one of the prime assets going to the movie theater? that'd be so funny

Took a little break to give my brain more time to soak in the outlast bathtub, but I'm back with more silly.

COYLE

- He wouldn't take his sunglasses off for the movie I'm saying this right now. It could be a 3D movie and he'd just put the glasses over top of his own.

- Kinda guy to get a hotdog at the movies instead of just popcorn. Then he complains about the price to the underage cashier.

- He likes to watch cop and action movies, imagines himself being the protagonist through the whole movie. He wishes he was that cool.

- Leaves popcorn on the floor and his empty cup in the cup holder because "it's their job to clean it up".

- Would try to steal snacks that Gooseberry brought in. She was gonna share them anyway but if he's gonna be like that he can starve.

- Shushes anybody who even breathes too loud when the movie is going. He is Locked In and if you distract him he's going to kick your ass.

- Due to being this locked in, he will hold his piss for however long the movie is. He's not missing a second of this, he'll piss himself if he has to.

- Does not care what seat he actually bought, he's gonna sit where he likes and you're gonna deal with it. Dick.

- Would try to smoke a cigarette inside of the theater and have to be escorted out. Would not go quietly.

- Does not stay to see if there's anything after the credits, misses out every time. It's not that he doesn't know, he doesn't believe that there's actually anything to see.

MOTHER GOOSEBERRY

- Brings a purse full of snacks with her. She is unwilling to spend 20 dollars on a little bit of candy. Still gets popcorn though, nobody can resist movie theater popcorn.

- Futterman wants to watch gorey horror movies while she wants to watch romcoms or just comedies in general.

- Futterman will complain through the whole movie if he's forced to watch a romcom. And he's loud about it too, the other movie goers would complain, but... that goose is scary.

- If he got his wish and they're watching a horror movie, he's cheering when characters die. Fuck the protagonists he's here for BLOOD.

- Futterman also complains about her snack choices. Candy? SUGAR? Think of the cavities, Phyllis!!

- She doesn't talk during movies but she is the one softly gasping whenever something like a plot twist happens.

- Futterman is face down in the popcorn bucket just munching away. He's gonna need a bath (read: get dunked in the sink) when they get home.

- Futterman would crack shitty jokes during quiet parts. Don't laugh it'll only encourage him to do it again.

- Phyllis is also a "hold it until the movie is over" kinda person but only because Futterman throws a fit if he misses out on parts. That's if they're watching a horror movie, if it's a romcom he's begging her to leave lol.

- Refills her popcorn before she leaves and brings it home with her.

FRANCO

- He actually can't eat popcorn bc the kernels get stuck in his teeth and it's uncomfortable :(

- Instead of eating popcorn, he's scarfing down candy. He strikes me as a gummy kind of guy.

- Gooseberry is actively rushing him past the snacks and candy bc he WILL try to buy 8 different kinds of candy and end up spending 60 dollars. He has the money but he does NOT need to experience a sugar rush halfway through a movie.

- He'd also go for horror movies, but also mafia/mob movies. Would shout at the screen about inaccuracies.

- Out of all of the assets, he's the one talking during the movie. He has a hard time sitting still and he's not completely paying attention and he wants Gooseberry to tell him what he missed. Coyle is shushing him the whole time.

- Despite being the one that keeps yapping, he'll kick the back of someone else's seat if he thinks they're talking too loud.

- Also leaves a mess of candy wrappers and spilled drinks, just like Coyle. He just doesn't care tbh.

- Gets up 9 separate times to use the bathroom, has to step in front of Coyle each time to get out of the row. They're gonna kill each other after the movie.

- If somebody else tries to step over his legs to get out of the row, he'd trip them. The menace.

- Gooseberry is clapping her hand over his eyes if there's any nudity and he is FIGHTING to move her hand away. Let him see!!

I would watch a movie with Phyllis and only Phyllis everyone else can wait in the car (sorry Franco)

[maxwell-grant]

The Penguin: Episode 1 Breakdown

Thank you Lauren LeFranc, Mike Marino, Colin Farrell and Matt Reeves, we owe you the world for this, good God. It's finally here everyone and I've decided I'm gonna give each episode it's own post/breakdown of thoughts, because hahaha holy shit you guys this is beyond what I even dreamed of, and we're gonna be covering this for a while I think. I've worked out enough madness about this out of my system by talking with friends and I can't seem to be able to work on anything else till I get this done, so let's do it.

Bottom line: This isn't even just a must-watch if you like the Penguin or if you like The Batman, this is something I'd recommend to just about anyone in a heartbeat, something I can point to when people ask "why do you like The Penguin so much" and, instead of the elaborate nerd ramble that usually turns them off, I can just tell them to watch this. A friend of mine (who already loves Batman and digs the Penguin quite a bit) even told me as much, that he's starting to get why I love the character so much, and truly, is there a better feeling than this? Well, there is, and it's watching the show. Let's dig into this first episode:

Right upfront I'm gonna say that this doesn't really seem to be the Sopranos rip-off that people have been calling it before release, although there are definitely Sopranos comparisons to make here. I've spent the past months finally watching The Sopranos in order to get the comparison and definitely want to talk about those comparisons after I finish it (and this show ends). This thing aims to stand on it's own legs as a crime show and it's smashing out of the gate with an extremely promising first episode.

So this just casually opens with the reveal that all along, there was a second rich Gotham the whole time that was completely unaffected by everything we saw in the movie, already throwing a great twist on the events of that movie, and further reinforcing how fucking full of shit The Riddler was. All we saw Batman and the others deal with in the movie was just affecting the poorer parts of the city. All Eddie did was drown rats, and make life worse for the people already in the bottom, while never even getting close to targeting the systemic rot that ruined his life. He retains ideological worshippers in subways obsessed with the corruption of the city without doing anything to actually improve it, and because of him, the streets of Gotham are waterlogged shitholes while the rich Falcone suburbs are doing just fine, peachy even.

I said a while back that, in spite of having about 6 scenes/10 minutes of Penguin runtime, The Batman managed to squeeze impeccably controlled Penguin Trademark Scenes, and this show opens with the last one they didn't get to then: Penguin killing someone for making fun of him. In the movie, he tries doing that with Falcone and is beaten to the punch, so here he gets to actually do it to disastrous consequences.

Fucking adore that the inciting incident of the show is based on the fallout of Oswald killing someone for making fun of him. He pours his heart about the dream he lives his life for, his new boss makes fun of him for being an embarassment to their profession and then he does the most typical Penguin thing by killing him for it and laughing afterwards. And then he realizes how badly he fucked up, and then we get a fucking perfect titledrop with his musical theme, the exact moment we finish The Batman and enter The Penguin.

God it is so fucking cool how the make-up/lighting, the scar across his face, makes it look like he's got a genuine beak from certain angles, how they're able to achieve that effect without giving him a more literal beak for a nose. Everytime they talk about the character, Reeves and Farrell always emphasize how integral the make-up was to them figuring out what to do with Oz, how little they knew what to make of his six scenes until Marino created their monster and suddenly everything fell into place. Mike Marino fully deserves co-credit for the creation of Oz.

Pretty amusing that Victor, as designed to be Penguin's Robin, has exactly the same origin as Jason Todd, a poor street kid trying to steal the hubcaps off the Penguinmobile (I'm sure this bodes very well for his odds at survival), as is the way in which Oz goes on about his recruitment. He press-gangs this kid at gunpoint to help him bury a body arguing with himself and eventually the kid why shouldn't he just kill him to be safe, while trying to impress the kid with his car and air freshener and later that bullshit about "What, you think I hire any schmuck off the street?". From the tile drop onwards, he's doing everything on the fly while also spinning long-term plans set in motion as soon as he's on screen, he's taking this kid in out of sympathy and because he enjoys a power dynamic over someone weaker than him and because he very much needs someone to help him get stuff done. I'm extremely interested in exploring Penguin having a mentorship dynamic and I'm beyond curious as to what happens with Victor from this point onwards, but that poor kid is in for a terrible fucking time.

Found it very funny how much he half-asses the murder threat to Victor. Like it's his first time actually doing it and he's trying to be serious, but not too scary because he's already seeing himself in the poor kid with a stutter and wants the kid to think he's also a cool guy like he wants everyone to think he's a cool guy. I also think having Victor as the POV helps to sell moments like these, because it's still terrifying to him. Even as we follow their stories, these power players of Gotham are still big scary monsters to people caught in the dregs and Victor helps to reinforce that.

I enjoy Oz being friends with sex workers and drag queens off the street as much as I enjoy Oz being depicted as the kind of guy who deludes himself into thinking the prostitute he's with actually likes him, Lauren and Farrell launched into a bit about in on the podcast and I'm curious to see what's going on with him and Eve here.

Lots of perfect funny little character moments across the whole thing. Oz insulted by the idea of taking extra pickles off a poor kid's dirty mouth, but with zero hesitation whatsoever for picking jewelry off his boss' corpse. Dude is governed by principles even as he actively has to break them to survive.

"Technically it's plum." "He is the - or was the - new kingpin", "He's got nurse-like qualities." The show is not overtly trying to get you to find Penguin likeable as much as it wants you to find him engaging - making you think he's likeable is Colin Farrell's job and he's masterful at it, definitely a lot more matured within the character compared to the movie.

If there's anything in particular I'm thankful for regarding Gotham (well okay Gotham led directly to Telltale Penguin which was the basis for this one, so really I do have a lot more to be thankful with Gotham), it's the decision to give him a legit waddle via the broken foot, but the way they incorporate it here with the club foot does so much for him, so much as a modern day reinvention of The Penguin. Adds so much to why he's never been a serious candidate for mob leadership, why he kinda had to spend all his time in the Lounge, why he actually needs someone to help him run affairs, why he has such a gaping ego wound and is so murderously angry at people making fun of him / calling him a goddamn penguin, adds so much validation and so much darkness and nuance to Oswald's overwhelming anger and bitterness over how the world treats him (and so much power should he opt to reclaim it, in turn). It's the kind of thing that frankly feels like it should have always been part of the character, like what all the previous versions were itching closer to or trying to get at. Of course this is a guy gets called a penguin and he hates it badly enough to murder people over it, of course.

This gets to really highlight how differently Oz acts depending on who he's with. Traditionally, one of my favorite things about The Penguin, and one of the things that puts him above the other villains, is that, due to his position, he has to interact with a lot more people than the other Bat-villains. He has to manage a lot more relationships and dynamics, he has to play peacekeeper and puppetmaster. he's the only one in the United Underworld who's regularly interacting with and recruiting other villains to do business with. He's the guy who you pin stuff on like the Gangland Guardians, Team Penguin, doing betting pools with the Rogues taking cover in his Lounge while Joker War is happening, having to rig games to keep good standing with Maxie Zeus and Frenchy Blake in Batman Audio Adventures, and so on. So I greatly enjoy this beat here of him talking about how makes himself smaller before the Falcones, and that moment of him adjusting his outfit and practicing expressions in the mirror before meeting with them. How he contorts himself is present in all of his relationships, and retroactively adds to the way he carries himself in The Batman.

It seems that Oz is functionally regarded as the Paulie Walnuts of the Falcones: useful muscle, loyal for the most part and amusing to keep around, but largely an unstable self-serving dumb asskisser kept where he belongs, a liability if not kept on a short leash. I think the show does a good job of highlighting all the reasons why Oz has never been seriously regarded as a viable option for a boss, even putting aside his disability. He is a fundamentally embarassing person for these serious respectable criminals to be around and of course, the joke is ultimately on them..

Of course, there is only two people in the show who actually know what he's capable of, Francis Cobb and Sofia Falcone, said to be the central relationships defining the show moving forward. Both of them also a defining commonality with Oswald, being people who are looked down on and dehumanized, and characters who are underestimated until it's time to bear their fangs.

Extremely invested in where they're going with Sofia Falcone, Cristine Milioti's been killing it, and will in fact not stop killing it. What a perfect villain for Penguin they've set up with her, someone who has his Kryptonite: she does not underestimate him. Although we know in advance that Oz is going to live and be in the next movie, the question here isn't even so much who's going to win the gang war, and rather how much damage these two freaks will do to the city until Batman gets back. In many ways, Sofia represents the shape of things to come just as much as he does.

She is this embodiment of both the pristine unfathomable wealth and privilege and power that he both detests and strives for, as well as this brutal new breed of madness and violence attacking the streets that he has to survive against and make deals with (and is himself very much a part of, however he denies it). She is Falcone's legacy in every way that matters, both a Kingpin of Gotham whose existence creates the oppressive conditions under which a Batman or a Riddler are created, as well as the Arkham Rogue, the larger-than-life sadist with a tragic origin and a signature torture-murder method and an embarassing name for the papers.

Even the fact that she is The Hangman, and Carmine was defined around his penchant for brutally strangling women - regardless of whether or not she did the crimes that got her in Arkham, she's become this larger-than-life themed expression of a violent obsession in a way that sets her up as every bit the Batman villain that The Penguin is. The two champions of the two Gothams, duking it out in this new world The Batman and The Riddler made, The Penguin vs The Hangman.

I am so glad Lauren LeFranc made the call for binning Alberto in the first five minutes so the rest of the show can focus on Sofia and make a real character out of her in a way nobody's ever really done before, every step of the way so far LeFranc has been perfectly on the ball about where to take these characters and their conflict. And speaking of those,

I feel very confident in saying that this is the first time anyone's ever really had something worth doing with Oswald's mother as a character in her own right and not just a source of anguish for Penguin (Gotham was almost onto something with Gertrude, but not nearly enough). When it comes to Penguin origin stories, my favorite's always been the Pre-Crisis one, where he's poor and bullied but happy with his mom and birds until she dies and the government seizes everything he has, which doesn't necessarily involve her much. But here? Francine Cobb is a real character in what little time we get to know her, and what a character she is. We quickly understand the role she's playing in Oz's life, not just as his mom and person he loves and strives to protect, but the person who's sculpting him into the man he's going to become.

She is vulnerable and she does need meds and she's not quite all there, and Penguin's need to care for her is visible in other actions of his. But then they turn it around by showing how strong and demanding she is, how she is fiercely ambitious and pushing him to be something he would otherwise not be, how much she loves him and sees greatness in him. She knows he's a people pleaser, she knows how to push his buttons, and she wants him to be more, so of course he's going to be more, because he lives to please his mom.

Related to this is this absolute bullseye of a summation of The Penguin, that Lauren LeFranc delivered in the podcast: "Perhaps his greatest fear is that love is transactional. And that yet, everything he does, every decision he makes, is as if that's true. As if "love is transactional" is a truth he abides by". Oswald's conception of power is being loved and revered like Rex Calabrese, and the love he wants most in all the world is the one from his mother. So in turn this, and all extensions of it, drive him to greater and darker lengths.

He doesn't have that ambition quite down yet, it's his mom that does. She who's pushing him to take over the city and not just be a guy scraping by for survival. He's smart and ambitious and extremely good at slipping out of trouble, but she's pushing him to be the guy who will be taking the city by the horns because that's what he has to be for their sake. Her legacy to her son is nurturing him having that dog in him that will make him the supervillain who picks fights with Vengeance. She is the force that's turning Oswald into The Goddamn Penguin and I can't wait to see how she's developed.

Of course he reprimands Victor in that scene for lacking ambition, who do you think he gets it from?

Really love what they've done with Sal Maroni in here so far. I like adaptations that take these throwaway Batman backstory gangsters and make something out of them, in this case, with Clancy Brown lending his power and voice and reputation as The Grand Boss of Villainy to play the last Respectable Gangster of Gotham, this intimidating principled old tiger who's inversely proportional to how much of a petty and scummy piece of shit Carmine Falcone was. Extremely a guy I'd want to see playing a hand in the creation of Two-Face. Just as crucial is the fact that he is the one who gets the most effortlessly outplayed by Oz here, because this is The Penguin Show: no room for traditional or respectable gangsters anymore, their purpose is to be crapped all over by our wacko birdman.

There's a lot about this that re-contextualizes his behavior in The Batman and the one I'm gonna point out is: even though he can't be sure his plan didn't completely go to shit, he is still keeping his wits and not being terribly scared about being beaten up and tortured and staring down the scariest Falcone with a gun shoved in his throat. But he craps his pants at the sight of the Batmobile. He gets pain, he gets indignity, but he doesn't get Vengeance, what kind of sick freak would come up with the stuff that guy does. A gun in his mouth and Falcone torture is just Tuesday, but a car that wants to eat his soul is some psycho shit he's just not ready to deal with.

It is the delicious tasty fucking irony that Oswald thinks Vengeance is this weird freak who doesn't play or bend to any rules and is here to fuck up everything, just like the madman who flooded the city, and thinks of himself in turn as a justifiable guy standing for the respectable old-fashioned empathetic way of doing things, instead of the exact same thing that Riddler and Batman are. Only Sofia gets what he really is, the same thing as her, and that's why she is the arch-enemy / the biggest thing he's gotta defeat in life for now.

God, how fucking PERFECT it is that he gets caught and tortured because he, after stabbing out a man's eye and causing him to get run over by a schoolbus, stops to wave at the kids in that schoolbus while covered in blood. Just the Rex Calabrese of it all, the self-image, this guy who's both a mean nasty son of a bitch and also a real bleeding heart softie and in ways that ruin his life and allow him to slip and wriggle his way out of shit he has no right to, as demonstrated by the finale.

Thinking about Sofia chastizing Oz saying he thinks she is a toy to play with, while rattling off the ways in which she owns him and everything he has, all the ridiculous little accessories her daddy let him play him, and he in turn is a ridiculous little accessory for the family she is twisting until it breaks. Perfect fucking villain for him. Can't wait to see how badly these two are gonna burn Gotham.

I knew deep in my heart that all I wanted out of a Penguin show, the thing that I simply needed to have in it, was Penguin pulling a heist set-up in advance, and it fucking delivered. He doesn't even complain at Victor for being late, because if anything, getting captured and tortured while the car crashed was even better for him. No, he complains at Victor for not being sufficiently gruesome with the body. See, unlike other cowardly anti-hero reinventions of Bat-villains, the show never wants you to forget that Oz is a weird freak and a disgusting piece of shit, even if he is a very likeable and even aspirational one. Only by the most random stroke of fate it wasn't Victor that he fed to the wolves at that moment, that he sees himself in the kid isn't exactly ensuring that he's gonna make out of this in one piece.

Mr. Vengeance gets Nirvana, and Mr. Boniface gets Dolly Parton, perfect credits.

In conclusion: Out of everything they could have done following the thunderous success of The Batman and it's ensuing influence over the DCU, out of all the offers Reeves must have gotten to helm their new universe after delivering a megahit reinvention of their breadwinner blockbuster character, Matt Reeves went "Nah, I listened to my crew, and what we really want to do is 8 hours of television about the waddling freak who's in my movie for 10 minutes", and he and his crew deserve the world for that. I dreamed as a kid of getting to make a big Penguin story or show, a wild impossible idea that would never actually happen, and now it's here and it's better than anything I'd ever imagined.

I'm fit to burst with joy and riding a high of no longer having to hunt for scraps and washing away decades of put-downs for the character and enjoying a Penguin renaissance like one I never imagined happening. I am extremely not an unbiased reviewer here, this show rules and I've waited for it since I was a kid and it's here, drink it the fuck in cause it's only the beginning.

[all-pacas]

OKAY. 13 AND CHASE IN AFTER HOURS THO

The fact that when 13 needs help, she calls Chase. Why does she call him? Why doesn't she call someone else? She needs someone to deliver her a portable ultrasound, and okay, you could argue Foreman is a bad call because he's her ex and would pry. That House would just refuse. Taub would have been a good pick tbh, he would drop it off and just go home no questions asked. But no, she calls Chase

(And I love that call. "You doing anything?" "Oh, yeah, I'm just about to go out," Chase lies blatantly, asleep in bed with a book on the crusades on his chest. Like the loser he is. I don't know that it was done well but I love how S7 examines his Dumb Whore tendencies: it isn't really him, it's a rebound. He does it again when he gets stabbed.)

And of course the second he shows up he immediately sees through 13's excuses and pushes his way into the apartment. Because we love Chase's observation skills triumphing over his laziness.

13 tells Chase the prison backstory. Like! It's kind of glossed over. She hasn't told this to anyone else. She doesn't hide it. I killed my brother. It wasn't murder. Chase is just pacing, you just know he's twigged as hell, he's so anxious all at once as she tries to brush past it. The idea that 13 kind of had to tell him to explain Darrien's presence but she's also — House is the only other person who knows.

CHASE: Have you talked to anybody about it? I mean, are you okay?

Like we know this immediately triggered something in Chase, but 13 doesn't, and seeing him so anxious and pacing and ignoring the bleeding dying woman as 13 works, it's just. Incredible. It's good. He cares immediately, he's relating to this immediately.

But I love seeing them work together. Like they just immediately go in sync, Chase offering suggestions and 13 doing the work. They're just. It's nice.

SIDE NOTE: House says he called everyone before he called Cuddy. We see him call 13 and Taub. Chase is off picking up drugs, we don't see House call him, but like. He had to have called Chase first, right? Did Chase not pick up? Did he blow him off because he already was dealing with someone bleeding to death in someone's apartment??

The way they fight oh my god. The way 13 just is trying to fucking murder Chase. She punches him, she claws and shoves him, and then he just clocks her and stares horrified as she falls to the floor. Like it's an actual fight, it's brutal, it's so good. They hurt one another. I can't explain it but I love how brutal it is, that they both walk away with bruises, that it isn't pretty. Incredible. Amazing scene.

CHASE: You were defending your friend beyond all rationality, granting her the right to die in your bedroom. Was it really all because of a promise? 13: That word means something to some people. CHASE: Not that much. […] CHASE: You promised your brother you'd euthanize him and you think you won't feel bad about it as long as you can blame it on the promise. That's why you have this twisted obligation to keep all promises… or your carefully constructed defense mechanism could crumble down. 13: I saved my brother from a lot of pain.

!! Chase keeps bringing it up, he keeps bringing up her brother, not out of I can't believe you did a murder or I can't believe you went to prison but: you must hate yourself. He's calling her out on her coping mechanisms, he's calling her out on her guilt, and it's so fucking clear what he means is I get it but he's not saying that part. 13 killed her brother and now has to believe she did the right thing, no matter what, no matter how she feels. She's taking away her own agency: it was for a promise, it was his decision, she had nothing to do with it, it's fine, it doesn't feel bad. Chase killed Dibala and told himself it was for the greater good, it was morally just, it was the right thing to do, it doesn't feel bad. And it nearly destroyed him. And so he's pushing and pushing at it. He never goes 13 went to prison! he never goes it's so crazy you did that! Whenever he brings it up it's only in the context of how worried he is about her. Has she spoken to someone? Is she coping? Is this healthy? Is she okay? He's so worried. He cares so much.

I adore 13 and Chase running out of ideas with Darrien and calling dad. Most sibling coded of all time. Just. And the fact that House doesn't allude to also being in the hospital, actively bleeding and in pain, just, yes, we gotta help bail you two idiots out. Beautiful moment.

Chase getting 13 ice and coffee and still feeling guilty for punching her out, and 13 not blaming him at all. Like. You know. Don't beat people up. But in this one case I totally approve. Because I love it.

13: Darrien had to shoot that kid. It was the right thing. Completely justified. But it didn't matter. She destroyed her life trying to forget. I'm afraid that's what's gonna happen to me. CHASE: You really should talk to someone. 13: I've talked to a therapist. It didn't help. CHASE: Well, maybe you should talk to someone who isn't a therapist. 13: Do you really think you have any idea what it's like to live with something like this? CHASE: Let's grab a coffee.

Since the second Chase found out, this is what it's been leading towards. I love that he doesn't answer, he doesn't say a thing, but this is what he's been thinking all episode, why he's been pushing, why he's been so worried and caring: talk to me. Tell me you're not okay. Tell me everything isn't fine. And 13 holds it back until the end of the case, until it's over and she has no distractions. It's not at all clear Chase himself has talked to someone about Dibala, btw. He probably hasn't.

And how insane is that. He never told Foreman or House; they figured it out. He told Cameron: she left him. (Imagine being 13, hearing this. Realizing the timeline. She went to their wedding. What did she think happened when Cameron just … left? How quickly does she figure it out now?) House told Chase to talk to someone, Chase tried Confessing, but whenever he's tried to tell anyone it's gone terribly for him. I don't think he has talked to anyone. But he repeats House's advice to 13: talk to someone. (Talk to me.) He's offering her what he never got. And their situations are different, hers is much more sympathetic and easy to accept than his. Chase never goes I never got help or you have nothing to feel bad about or implies he doesn't think it's a big deal: his entire reaction is just empathy. He wants 13 to get what he didn't get, he wants to help.

The song that plays over the end of the episode is Bon Iver's Flume. And as much as you can apply it to House, and Cuddy, and Wilson, and all of that — it's a song about feeling isolated, feeling alone and being afraid of letting go. Of holding on to things that stain and hurt. The lyrics that play while 13 and Chase are having their coffee in the conference room, though:

i wear my garment/so it shows now you know

And I just! I love! Them! The ways 13 and Chase are so alike and so damaged, the way Chase reacts with empathy and care and wants her to have what he didn't, the way they know one another's secrets and worst moments and rely on one another so easily. 13's secrecy is a meme, in and out of universe, but Chase is absolutely no better: he won't even admit he's Catholic when talking to a nun. They're private to faults, they mask by sleeping around and taking risks and pretending not to care, they hide their hurts and then somehow, they punch one another in the face and know everything. I'm just. I'm so obsessed with them. I want them like this always.

[virtuouswhitehatorganization]

Stolas And Miss Heed: Characters In Love With The Concept Of Love As A Form Of Validation

I said time before Stolas and Miss Heed really have a lot in common with one another. They are rich assholes who use the people around them like toys while claiming they love them. I think these two screenshots really sum up their characters that they are people chasing the shadow of those they are obsessed with because inside they really can't love themselves. However, with Miss Heed the show rightfully calls out how she still is a horrible person who hurts people to feel good about herself and that she was always a toxic person to Flug.

Stolas on the other hand is babied and treated like a saint who is valid for feeling the way he feels even though he ignores his daughter to pursue his selfish demands. There is also the fact that even though Heed has tragic elements that doesn't mean that excuses her behavior which is a major criticism of Stolas is that the narrative does that to the point people have grown to despite him. Meanwhile, Miss Heed has a strong fanbase because it understands she's toxic while also realizing she can still be a tragic character.

Another thing what makes Heed better written is that the narrative doesn't gaslight into thinking she did nothing wrong to Flug and Flug isn't right to keep a distance from her. It's not only because she's a hero and he's a villain, but she has used him time and before in the past. If someone continues to hurt you to use you then you have every right to cut them out, especially when they obviously haven't learned their lesson and still want you to help them without remorse. The same can't be said for Stolas which the narrative tries to say he hasn't done anything wrong while putting the blame on everyone else for why he's treated Blitzo like crap. And the fact that Blitzo dared call him out is portrayed as him going too far, instead of a wake up call that needed to be stated loud and clear. If someone is toxic no matter how much you have personal issues they still can rightfully cut you or call you out.

As said before, Stolas has hurt people in his pursuit of Blitzo. Despite the demonization of Stella, the show doesn't recognize how much he's hurt his daughter in pursuit of romantic love. He puts so much on finding his happy fantasy that he forgot the reality of having a strong relationship with his daughter whose stable life was ruined the moment he decided his happiness was more important than her having a good home life. Again this contrasts with Heed who like Stolas put someone she cared about in the past too the side to pursue her obsession. In this case, after she stole Flug's thesis she decided to become a hero to pursue Goldheart. She didn't care about how this would affect him and only wanted to pursue her want for a super awesome popular boyfriend with Goldheart.

Even though Villainous hasn't had any episodes in three years, I do love they did this archetype much better than Stolas who in my opinion has gotten more and more insufferable. If Stolas was written the way that Miss Heed was portrayed then I wouldn't have a problem with the show focusing on him instead of him always being babied and protected from his horrible decisions.

[richiejerimovichsblueeyes]

been loving your work recently... I think I need some richie angst to fluff in my life pleasee😆

Hey there anon! Thank you for your sweet words ♥️ I hope you enjoy this! I got kinda carried away with the fluff, lol.

I love you, Richard Lawrence Jerimovich!

Richie Jerimovich × female reader. Angst + Fluff

Warnings- some angst, but other than that nothing else. Brief mention of sex. But other wise just some tooth rotting fluff. There is a age gap between Richie and reader (didn’t specify age, only to keep it imersive for the reader). All my work is 18+, even if it's not smut. Although some of my work is SFW, I do still advise that minors do not interact, only because sex and other adult situations might be mentioned. I can't control what you read, but please be advised.

Author note- Richie's fluff makes me all mushy. This was so much fun to write <3

Word Count- 1,495

Request are open💕

“I have a feeling she is almost ten years younger than him.”

“I don’t know what women would date that loser.”

“I bet she’s just a rebound.”

“She won’t last another year with him”

Every cruel word from their bitchy mouths stung like a bee sting as I stood in line to pick up Eva. Did they think I was stupid? Or did they not care? Yes, I was younger than Richie. But it didn’t bother me until now. Tiff was always nice to me. I think she was happy Richie finally found someone who made him happy. I silently prayed for Eva’s class to let out so I wouldn’t be scrutinized by the snotty mom crew.

Small children burst out of the front door, all running towards their moms, dads, or whoever was waiting for them. Eva came bouncing toward me. She held up a drawing. “Y/N! I made you something” she beamed. I took the pink piece of construction paper. There were three stick people. There is a tall stick figure with brown hair, a shorter one with long hair and a triangle dress, and a short one with yellow hair drawn in with crayon. There was an attempt at a heart above the two adult stick people. My heart clenched in my throat. “It’s you and Dad, and then me.” She said with a smile. I felt tears prick my eyes. “Eva. I love this so much. Let’s go home and we’ll put it in the fridge for your Dad to see.” She grinned as I took my hand and walked her toward my car. 

As we walked to my car I felt the two of the bitchy moms eye me. 

“She’s so pathetic..thinking it’ll last between her and Eva’s dad. Poor girl.” Women A said. I hurried along with Eva, trying to get away from them as quickly as possible, hoping that Eva wouldn’t catch on to what was being said about me.

Eva hugged me before turning to her mom. “Thanks,” Tiff said with a smile as I handed her Eva’s school bag. I nodded trying to keep my expression at bay. The words from those women haunted me. What if I wasn’t meant for Richie? What if he didn’t love me? What if…what if.

“Eva, go run inside,” Tiff told Eva. The spunky kid ran inside as Tiff instructed. “Is everything ok?” She asked me once Eva was out of earshot. “Oh, I’m fine..just tired” I lied. “Hey, look. I know it’s probably weird for you being that I’m your boyfriend’s ex wife…what I want to say is that if you need anything you can talk to me. I know Richie can be a lot to handle with his temper, but I see that he cares a lot about you. And so does Eva.” I smiled at Tiff’s words. “Thanks. I appreciate it.” I felt nice that Tiff was on my side, but the insecure part of me was taunting me.

I held my tears together until I got home. Normally stuff like this didn’t get to me, but maybe the women at the school pickup line were right about me and Richie. Maybe we were destined to crash and burn. Maybe we’d end up with a sad story. Tears soaked my pillow as my thoughts ate me alive.

The door to my and Richies apartment swung open. He usually stopped to hang up his leather jacket, but today, he made his way to me, where I was a ball of emotions. “Hey, babe..are you ok? Tiff called and said you seemed upset while dropping Eva off.” Richie said softly while rubbing my arm. “I’m fine.” I lied. “No, you’re not; you’ve been crying. Come here.” I felt him gently lift me to make room for him to sit next to me on the couch. His arms pulled me in, making me even more emotional. I didn’t deserve him. “Talk to me, sweetheart.” He encouraged me. “It’s fine..” I said as I enjoyed the comfort of his embrace. “You’re not fine. Please tell me so I can fix it.” He said with sadness in his voice. I knew he hated seeing me like this, but I was afraid if I voiced my concerns he would realize that I wasn’t worth his time. “Richie..I swear I’m ok. I’m just really tired.” “I’m not buying that bullshit, Y/N.” His voice was a little more firm Indicating he was getting frustrated. “There’s no bullshit, Richie. Stop asking.” “Why won’t you let me in!? I’m your boyfriend for fuck sake. I’m supposed to help you. You’re shutting me out” He said with his voice raised. Tears fell from my eyes, my lip quivering to keep myself from crying harder.

“Hey, hey…” He soothed me while pulling me in tight to his warm body. He gently wiped the tears from my eyes with the pad of his thumb. “I’m sorry for not telling you why I was upset..” I said as I leaned my head against his shoulder. “I understand that maybe you’re not ready to open up about everything, and I get you need to process some emotions alone. But, it kills me to see you hurting.” He whispered into my hair. “The ladies at school pickup were talking shit behind my back when I was picking up Eva,” I admitted. I felt Richie stiffen. “What did they say?” He asked in a voice that was laced with anger. “Just stuff about how I’m too young for you. How we won’t last. That I’m just your rebound.” All those words they said were like a knife in my gut as I repeated them. “Fucking bitches! I’m gonna pick Eva up tomorrow and give them a piece of my mind. Nobody talks about my girl like that.” I felt his lips brush against my forehead. “babe..don’t cause a scene.” I warned. “I don’t care if they send their prick face husbands after me.” He kissed my forehead again. “Plus, baby..they are just jealous,” I laughed sarcastically. “Seriously sweetheart. Your so fucking beautiful, they’ve got nothing on you..” He declares as he brushes his lips against mine. “And…maybe they are just jealous because I’m so hot.” He teased. “oh, look who’s got a big ego.” I laughed as I gave him a playful swat. “You gave it to me, babe…telling me how good-looking I am all the time.” He winked. “They wish their husbands were as good-looking as you,” I said with a flirty smile and I straddled his lap to face him. He gently cupped my face bringing it close to his. A serious look washed over his face. “You know? I’d love to make you Mrs. Y/n Jerimovich.” The air escaped from my lungs. “You mean…that?” I asked breathlessly. “I’m serious. I’ve been thinking about it a lot lately..want to buy you a ring, put it on your finger” he said with a boyish grin while he brought my ring finger up to his lips and placed a kiss on it. “What do you say, babe? Make me the happiest guy in the world?” I nodded as I was too emotional to speak. I hovered my lips over his and answered his question with a deep long kiss. The heat from our mouths mingled, sealing his question with a kiss. “Well, I take that as a yes.” He said with a husky voice as he separated his lips just a space from mine. “I love you, Richard Lawrence Jerimovich,” I whispered against his lips. He lets out a growl of approval. “I love the way my name sounds coming from that pretty mouth.” He pulled me into a tight embrace, his arms making me feel safe and protected. The steady beat of his heart against me. This is where I belonged, in his arms. Loved and protected. 

We lay in bed, a tangled mess of limbs and sheets basking in the afterglow of sex.  “I completely forgot. Eva drew me a picture at school.” I told Richie, my head lying on his chest. “Yeah? What did the little artist draw?” He asked. “A stick family. You, me, and Eva. She drew a heart above you and me.” I said while picturing the artwork in my head. Richie smirked, giving me an indication he had a secret. “Spill it!” I said while poking his side playfully. “Fine, fine before you tickle it out of me.” He laughed as he grabbed my hands and interlaced his fingers with mine. “I may have already bought a ring. Eva helped me. I’m shocked she kept it a secret this long.” I felt my heart pound with excitement, a smile forming on my lips. “Try and act surprised when I propose? Ok?” He teased me. “I fucking love you, Richie. So much!” I grinned as I attacked his face with kisses. 

[wsdanon]

hello everyone I made a little poll about this wip on my alt blog, so here it is \o/!! fic for some of the shotgunners (Matt, Felps, Guaxi) except I don’t feel like I’ve watched enough to write about this confrontation + resolution correctly, so just take this little lead up thing I wrote because I really wanted to write something for them…

reblogs appreciated, hope you enjoy \o/!!

Well, Felps is now stuck between a rock and a hard place. Although using rock to describe the demon pathetically clinging to his arm—who made himself smaller just so he could stare up at Felps with wide eyes—doesn’t seem entirely accurate. But it is working. Even if it makes it a little hard to see what he’s signing. 

“Matt…” Felps sighs. How to put this? “I want to stay on good terms with Guaxinim.” 

“It’ll be fine!” Matt insists. “You two have already fought, right? Just say it’s a misunderstanding similar to that if it goes wrong.” 

“He might be too paranoid for that, you know?”

“But we’ve already all investigated together and he was fine then! It doesn’t need to be anything big—just, you know, that you trust me.” Matt pauses, seeming to consider something. “And… maybe that you don’t think people will think badly of him for talking with a demon?”

“Ah, Matt… you’re pushing it a little, yeah?” Felps sighs. “But, fine. I’ll see what I can do.”

“Thank you!” 

Matt uncurls himself and throws his arms around Felps in a tight hug. Honestly—he is taller than Felps. That crouched position to make himself look smaller couldn’t have been very comfortable for long. Or maybe it’s fine for demons—he doesn’t know. 

Out of Felps and Guaxinim it’s almost funny that it’s shaken out like this. But he’s never been a very good Saint. Does Matt appreciate the irony, too? 

“Okay, okay.” He hugs Matt a little tighter before trying to pull away. For a moment—he doesn’t think Matt is going to let him. “I’ll go talk to him now. But don’t expect it to work, okay?”

“Of course.” Matt smiles—and how can Guaxinim say with so much confidence that the man in front of him is ugly? It’s certainly not true. Not in Felps’ opinion, at least. “Thank you for trying, though.” 

“Of course, of course, it’s no problem.”

He does… sort of trust Matt. Compared to everyone else on the island that isn’t in their group, he could even say he trusts Matt the most. If someone suggested he be added to their chat, Felps wouldn’t argue. They are already kind of investigating with him, anyway. 

He has no idea what’s going on with Matt and Bagi, but maybe if this thing with Xinim and Matt smoothes over he will get an invite. If Meiaum has any reservations about it Felps is sure he’ll easily be able to convince those away. 

With another thank you, and a goodbye, Matt runs off. Leaving Felps with the mammoth task of somehow convincing Guaxinim to be less harsh with Matt. 

“Where are you?” He messages Guaxi. “I want to talk.”

Guaxinim sends his location. With a belated, “Everything okay?” 

“Just have some information.” Felps replies. 

Then he plugs the coordinates into his map and stops focusing on messaging in favour of getting there as quick as possible. It’s starting to turn night, and Felps doesn’t want to deal with the myriad of monsters that will shortly appear. At least he seems close. 

He has no idea how he’s going to do this. Guaxinim worries too much. Or maybe not too much—just… too explosively. After all, Felps is fairly certain he does like Matt, he just… doesn’t want to be seen with him?

With every passing day back on this earth he understands the people on it less and less. 

At least the chaos they create is entertaining, but it does beg the question—should Felps reveal what he is? Will that calm Guaxinim’s mind? He really didn’t want anyone to know, but maybe…?

Matt knows. Matt definitely knows. The first time they met Matt had looked at him like he could see more—like he could see the haze Felps himself sees when he looks in mirrors—red eyes wide and glittering with wonder as he called him Saint Felps after Felps had introduced himself. 

And that’s already one person more than he would like to know. 

But if Guaxinim is worried about Matt’s demon status reflecting badly on him, he shouldn’t have to. As much as Felps isn’t good at being a Saint, Matt isn’t good at being a demon, either. Anyone on this island will easily see that. 

And somehow he has to convey that without revealing what he is. Because, no, thinking about it—two people knowing is quite enough, thank you. And Guaxinim has sold him out before… maybe. Felps is still unclear on the truth of that situation, but he’s willing to put it mostly behind him. 

Mostly. 

He doesn’t want this information getting out, and Guaxinim can’t be trusted with that right now. He’ll save it for if things really start going wrong. 

Guaxinim jumps out in front of him with a hello on his hands, and Felps barely notices the latter—too busy yelping and recovering from the fright. 

“Hey, Felps.” He repeats, smiling a little too much like he finds this funny. “You okay?”

“What a scare.” Felps lets his hands shake as he signs it, then he weakly pushes at Guaxinim. “For the love of god, Xinim, don’t do that!” 

“Hey, it’s not my fault, right?” Guaxinim complains. “You were too deep in thought—how else was I supposed to get your attention?”

And… Well, he’s right, but Felps isn’t going to admit that. 

“Listen…” Then he sighs, and looks around, and beckons Guaxinim a few steps to the left. “Come here, come here—it’s too exposed there.”

“Okay, okay.” Guaxinim signs as he follows after Felps with a laugh. 

Good. He doesn’t want this to come off like a serious conversation. 

…Even though they have been having serious conversations like this, too. But it at least adds some levity to the situation. 

———

this is about as far as I dare write with how little I currently know… hope you enjoyed though \o/!!

[toddtakefive]

thinking about todd and his resolve toward… not quite isolation, but being alone in a room full of people again. he goes along to the study room to sit on his own and do his homework, he sits at the poets table and follows along with what’s being said while keeping quiet, he goes to the meetings at all but doesn’t necessarily contribute (in fact, if you watch him when cameron is telling the story ‘from camp in sixth grade’, you can see that he recognizes it before any of the other poets but doesn’t voice it until they all have). he’s not alone, necessarily, if you want to get technical about it, he’s just lonely, and he’s generally okay with that. he doesn’t have friends and that’s fine, he doesn’t participate in class and that’s fine, he doesn’t have a relationship with his family and that’s fine—he could live without any real connection and he’d have been, more or less, fine.

the thing about when he says “i can take care of myself just fine!” is that he isn’t really wrong, you can infer that he’s been doing it his entire life anyway, it’s that ‘taking care of yourself’ isn’t the same thing as really living or being happy. todd’s an introvert, certainly, and even as he gets closer to the group he defaults to sitting quietly in the background, but he’s also denying himself community out of fear not introversion. todd isn’t friendless because he’s an introvert, although that definitely plays a part, he’s friendless because he pushes anyone that might want his company away. if anyone has every wanted for his attention in the first place. (neil’s unwavering interest in him is unique (even when it comes to the rest of the poets, who are fine with todd coming along and joining the group, but aren’t really hellbent on him being there in the beginning) and his refusal to accept it is a direct result of being so lonely growing up.)

there’s obviously something to be said about the implications of his parents neglect, and the more than likely fact that he grew up friendless, and how those both play a part in in him being so skilled at dodging social interaction/being so avoidant of it, but by the time we see him in the movie he’s all but accepted his fate as being alone his entire life. he’s already accepted being the family disappointment, and he’s already accepted he’ll never amount to anything, and he obviously doesn’t like it, but he’d have managed living with that knowledge without the confirmation that it was all wrong. would he have been miserable? almost certainly. but he’d have managed. he’d done it for that long already, anyhow.

[bitegore]

Moth Jedao has suffered more than god huh

[fardf150]

fuck

[tender-rosiey]

plsss would u do sukuna taking care of his pregnant wife? like noticing his robes keep disappearing, only to figure out its his wife. or more dad!kuna 🙏🏾

robes — ryomen sukuna x f!reader

a/n: me👰‍♀️ ➕ 👹heianera!sukuna

sukuna is a deeply preceptive man.

it’s something he prides himself over, and since he is observant, he quickly notices that his robes start going missing.

in the beginning, he thinks that it’s probably the increased number of bloodied robes because he has been going on a higher number of rampages the past couple of days.

so, he goes to uraume to inquire about why the delivery of his robes has been later than usual.

uraume quickly responds that they have been personally delivering the clean robes to his chambers and ensuring that they are placed where he can clearly see them.

the revelation makes sukuna annoyed because that means that someone has been stealing his robes directly from his chambers.

he is presented with two courses of actions—excluding the option of saving himself the trouble and just killing all the servants: sending uraume to spy on the whole ordeal or investigate it himself.

considering how he has been pretty bored the past couple of days, he decides on the latter. the past few rampages have given a clear warning to the rest of the villages surrounding his castle.

so, with nothing else to do, sukuna takes it upon himself to monitor the main entrance of his chambers to see whether anybody enters the room after uraume places the robes in the room.

so, he situates himself near the room but far away so that they can’t catch him.

he stays there for a good couple of hours, yet he sees no one, not even in the darkness of the night: the supposed prime time for a thief.

perhaps the thief has been made aware of sukuna’s inspection? but that would mean that the robes would still be in the chambers. so, sukuna enters his room in search of his robes, but, to his surprise, he doesn’t find them.

that immediately leads him to concluding that whoever is stealing his robes is someone who has access to the hidden door of his room.

and no one knows about that door except—

“y/n.”

you yelp and slowly turn to your husband. he is standing there, arms crossed, brows furrowed, and an everlasting frown on his face. you have been caught and are in some big trouble.

you don’t falter immediately though. you try to act normal. you smile nervously, “yes, my love? is something bothering you?”

keyword: try.

he repeats your name lowly, and you quickly crumble. you visibly deflate and lower your head as you murmur, “yes…”

he nods in satisfaction before asking the awaited question, “where are my robes?”

your hands rest on your lap, and you fidget with your fingers.

you still can’t figure out what his reaction will be. so far, he is just gathering information. he is giving you nothing to work with, so you have no other option but to comply and just keep answering him.

sighing, you answer him, “my closet.”

he quirks an eyebrow and sits in front of you. his hand is placed on your head, and he raises your head, so you’re looking him in the eyes. it’s something that you have noticed only being done to you.

you had absentmindedly asked your head servant about it, and said servant, uraume, had told you that it’s because he views you as an equal and does not take pleasure in your fear and acting inferior to him.

and in the end, sukuna only does what pleases him. if it doesn’t please him then why do it?

he hums as if in thought before egging you on, “and why are my robes in your closet? in fact—” he smirks, eyes observing your frame, “why are you currently wearing my robes?”

you pull the robes tighter around yourself, and you purse your lips. sukuna wants an answer right now, and while he is enjoying your ‘suffering’, he also wants to know what’s wrong.

if there is anything that he hates then it’s not knowing, especially if it’s something about you, his very pregnant wife.

his hand travels to your jaw, and he grips it lightly.

“so?” he says as he tilts your head to the slide slightly.

“you…have been gone for longer than usual lately, and I have been missing you,” you admit softly as you try your best to maintain eye contact, but you end up looking away.

he is still silent, so you continue laying out your reasoning, “and for some reason, the robes alleviate the pregnancy pain. I couldn’t find any logical or scientific reason, but I think—

—it’s because the robes are filled with your cursed energy, maybe acting as a kind of assurance to the baby that you are beside us even if you aren’t.”

he doesn’t grace you with any reaction nor reply for quite a while, and it makes you think that he is probably thinking about how foolish the entire scenario is.

so, you add hesitantly, “or something like that…”

after a moment, though, he sighs and simply says, “you could’ve just asked me, you foolish woman.”

you blink confused, “and you, my ‘no one takes what’s mine’ husband, would’ve allowed that?”

“you, idiot, are mine, so my belongings are yours anyway,” he states, and his hands rest on your stomach, “this is mine too, so you have to take good care of it.”

a smile takes over your face, and you nod happily, “of course, I will!”

you pause for a second, and it has sukuna confused.

you frown and you point your finger at him while reprimanding him, “and don’t call me an idiot, mister! I am your wife, and I am blessed with a good name.”

a pinch is delivered to your butt which makes you shriek. you jump away from your husband and start rubbing the spot in attempt to soothe it.

sukuna smiles wickedly before suggesting, “how about I help you with that?”

“no! keep your hands off of me, you brute!”

he chuckles, and it echoes throughout the room. it’s kind of creepy. you always said that you wanted to add more furniture to avoid that situation.

you start thinking about the new design for the room when your husband speaks up, “and regarding my absence the past few of days.”

you turn your head to him, and he continues, “I will be putting my plans on pause for a while, so you don’t have to resort to the robes for the time.”

he turns his back to you before announcing, “I am expecting you at dinner and later in my chamber. is that clear?”

you feel giddiness fill you up, and you reply enthusiastically, “yes, my king!”

“good,” he smirks.

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[lymtw]

Toji can't ignore the sounds of your moans and whimpers through the wall. He's sitting on the couch, in the living room, unable to do anything about it, because you're still mad at him, and he's frustrated as hell, because he's so painfully hard, that he can see the his dick twitching against the front of his sweats. He refuses to take care of it himself when he knows you're only a room away. To his convenience, you're already in the mood—clearly—but to his inconvenience, you're punishing him. You're scattering his name into your moans to throw salt in the wound, to really make it unbearable, and truthfully, it's getting to him.

Toji reached his limit when he heard you let out a sharp gasp, followed by the sound of those cries you let out when you cum hard. He strides over to your shared bedroom, opening the door to reveal your naked lower body, and your tank top scrunched up over your chest. His breath hitches, the throbbing in his pants intensifying as he rakes his eyes over your frame and absorbs the entire sight of you.

"You're really gonna get yourself off to the thought of me, when i'm right outside?" His incredulous tone doesn't do a good job of hiding the desperation that led him to barge into the room where you're splayed out so indecently.

"Mhm..." you hum, blissfully. You release a heavy, satisfied sigh. "That's exactly what I just did, 'cause you're on a time out," you say, tugging your shirt back down and pulling up your underwear, before sitting up to search for your shorts. "Don't worry. I finished. I'm done torturing you."

He can't let it be over. This normally wouldn't be enough to satisfy you. From what he heard, it seems like you only came once.

"Baby, no," he almost whines. He's outwardly desperate for you, having gone way too long without being allowed to touch you, intimately. "Let me. Please," he says, climbing onto the bed. His hands make contact with the skin of your bare legs and glide over the length of your shins, continuing their way up to part your thighs to make room for him to wedge himself between them.

"I did what you asked of me. Said I was sorry and repeated after you to call myself dumb." It was such a silly moment that made the storm in your mind subside for a minute or two.

Toji resists the urge to smile when he sees you suppressing the curl of your own lips. His hands go to your waist, not stopping there. The warmth of his palms travels up your edges, meeting the sides of your breasts and briefly palming the tops of them, in order to get to your shoulders. He grips your shoulders, using them as leverage to guide you back down to the bed. Focus is embedded into his features as he takes the thin material of your shirt between his rough fingertips and peels it off your skin until he reveals the gorgeous view of one of his favorite parts of your body.

Like a domestic cat, he lays his body on you, and plants his face between your breasts. It doesn't take long for him to begin appreciating your chest, pressing multiple slow kisses to your skin. He's basking in the softness you withheld from him.

"What else do you want from me, doll?"

You let out a small, quiet sigh, through your nose. You feel a little irritated with yourself for not even putting up a fight against his affection. You always say you're not going to let him touch you for a certain amount of time, as punishment for the dumb things he does, and yet somehow it always ends up this way—him nuzzling into your chest.

"I want you to stop being a jealous maniac," you say, the words coming out softer than you intended them to, as you welcome defeat and run your fingers through his soft, dark locks.

"Mm-mm, anything but that," he responds, muffled by your warm skin. His hands caress your body, rubbing your waist and massaging your hips in a manner that would induce relaxation under different circumstances. You can't let yourself fall into that comfort until you've talked things out.

"Toji, you flashed your gun at someone who mistook me for somebody else." You attempt to keep yourself composed in order to communicate the issue efficiently. There's no need to raise your voice when you have him right there, lying comfortably on your chest.

"Mhm, I did that," Toji confirms, before planting a soft kiss on the inner side of your right breast. "The dickwad must have been real blind if he had to get so close." He feels your chest rise with a deep inhale, then hears you let out the breath. With that, he knows you're still upset and he has to further elaborate on his actions. "He had his filthy paws on you and everything. I did what I thought was best to get him to fuck off."

You hum in mere acknowledgment. "Uh-huh, that's definitely the way to go about it. God forbid you verbalize your discomfort before threatening to use a bullet."

You feel a warm puff of air on your chest, similar to the sigh you let out, but less audible, and then a kiss directly between your breasts.

"I was right next to you, ma. He was looking at you in a way that he shouldn't have been. He looked at you the same way that I look at you. You don't need that from anyone else. And that stupid ass thing he said about supposedly feeling like he's seen you somewhere? He clearly said it to get a good look at you from up close."

"You really are insane, aren't you?" You ask, rhetorically, stilling the hand that's on the back of his head.

"Doll, I hate the idea of pulling the gun out in front of you. I don't ever wanna have to use it and scare you in the process, but he was actively trying to steal you from me. If he were just ogling you from afar, I might've acted differently, but he touched you. He fucking touched you. Who does shit like that?"

Toji can feel his blood boiling again, so he refocuses on your chest. He doesn't want to think about what happened anymore, when he's in his happy place, where he knows he belongs.

"Alright, Toji. Take a deep breath." You softened your voice to simmer down his emotions. You resumed the movement of your fingers carding through his hair, aiding him in calming down more.

He does as you say and releases a heavy breath. It's riddled with his discontented feelings. "You're supposed to be mine," he mumbles, before finally latching his lips around your nipple.

Toji needs reassurance, too. Him being an attractive, enormous, hulking man, has nothing to do with how secure he feels around you, his lover. It's easy to think that because he manages to turn heads wherever he goes, that he'll be fine when you get those same reactions, but the way you have him now, is proof that insecurity can reach even him. He needs to know that he's not going to lose you so easily, especially to someone as ridiculous as the man who managed to unsettle him.

You look down at him as he takes all the comfort he needs from your chest. "I'm all yours, Toji. You're the only one who will ever get a pass for that kind of psychotic behavior."

He hums, releasing your breast, before resting the side of his face down on your chest. "You make it sound like i'm toxic towards you."

Your chest jumps as you laugh, a gesture that makes Toji lift his gaze to look at you. Your expression managed to make him lighten up a little more.

"You're crazy, but I love you, regardless."

He groans, the sound cushioned by your soft skin. You're the one thing that holds up his sanity, yet somehow you're also the one who tests it by saying things like that to him.

"Let me have you," he says, his kisses beginning to trail up, towards your neck. "Please, let me have you, mama."

"Are you gonna keep threatening people when you get jealous?" You ask, your lips curling as be continues to kiss your delicate skin.

"Mhm," he confirms. "Like I said and you said," he speaks, into your neck, "you're mine. If people don't know it, i'll make sure they get it on the first go. There's no need to make mistakes."

You laugh. "Your possessiveness is intense."

"You're not a joke, to me," he says, looking at you. His expression is as serious as what he just said.

You grab the rolled up fabric of your shirt, with the intention of covering yourself. The ambience has gone more serious and it feels wrong to be so exposed in the moment.

"Don't cover yourself, yet. I want you, baby. Please." His knuckles graze your cheek, affectionately. Despite your chest being out on full display, his attention is centered on your face. He's reading your expression. You were laughing a few seconds ago and now you're as still as him.

"Be nice to me. I don't want you to be rough, this time." It's back to back gentleness with the way your voice reaches him and your smile manages to soothe the remaining sting he's feeling. It's like you're showing him the way you want him to handle you. "I'm yours, Toji. No amount of speed or aggression from your body against mine, will have an impact on the fact. Okay?"

He keeps his eyes on you for a couple more seconds, like he's letting your words sink in and fully envelop him. He repositions his hand, so that he's cupping your cheek, and a couple slow strokes of his thumb against your skin gave him the courage to lean down and kiss you. The second his lips meet yours, he wants more. Infinitely more. He's chasing kiss after kiss from you, utterly drunk on the feeling of your hands pulling him closer by his shirt. He'll consume you, at this point.

"Hm?" You hum, still awaiting his response.

"Got it, baby," he says, before connecting his lips to yours once more. He peppers the rest of your face with kisses, luring giggles from you at the barrage of affection.

This isn't the first time Toji has been revoked of his 'you privileges', and gotten them back, instantly. This has occurred many times in the years that you've been together. Going into a relationship with him, you never thought he'd be the jealous type, much less the type who would threaten someone's life over getting overly cozy with you. The first time he pulled something similar to this, it was a little frightening. You knew he kept a gun on him sometimes, but you figured it was strictly for life or death situations.

You were wrong.

Some weirdo was getting too comfortable with you, hand wrapped around your wrist and all. You clearly remember Toji being visibly bothered, because someone thought they could just swoop in and steal your focus from him. He watched for a minute or two as the man took in your beauty and complimented you on every aspect of your appearance. He really did his best to get you to follow him to his table, and though Toji thought the whole thing was a pathetic attempt, he couldn't help the feelings that began to bubble up as the man squeezed your arm. Toji did a dog whistle to grab the man's attention, and when he looked, he lifted his shirt, just enough to show the grip of his gun. Your stomach twisted and you felt like your heart was going to lurch out of your chest. The stranger just stood there for a second, looking at Toji, condescendingly, as if to insinuate that he knew he was bluffing, and when Toji reached for and grabbed ahold of the gun's handle, that same cocky man paled. He didn't even have to pull out the whole gun—the man had walked away by the time he had the grip in his hand— but you remained worried that he would notify someone about what happened, so you and Toji left.

To this day, Toji still scares people that way when he notices them invading your space in a manner that doesn't sit right with him. You're not scared anymore, when he does it, but the frustration of having to ditch wherever you are, in fear of being ratted out by whoever Toji threatened? It's still there, and you feel it every time. You know he does it out of love for you, but sometimes you wish he would take a second to talk to you, before he even thinks of hurting someone.

Toji has kissed your entire torso, by now. Your chest wasn't exempt from his attention, despite the amount of time he already spent on it. If anything, he refined the love he gave it with purposeful movement and significance towards every spot his lips brushed.

He nears your lower abdomen, wet kisses placed beneath your navel, going lower and lower until you can feel his breath being filtered through the front of your underwear. His hands go beneath the elastic band, cupping your hips without restriction as he kisses your clothed pelvis.

Your breathing picks up the slightest bit when his lips meet your slit through the thin layer. His tongue comes out and he does an experimental swipe of it against the fabric. You feel the space immediately heat up, from your arousal and from the warm wetness of his tongue, itself.

"Stay still for me, mama," he murmurs, kissing your inner thighs after spotting the quiver in them. "You nervous?" He asks, with a small curl of his lips.

"Of course, I am." You look into his eyes as you confirm it. You love him so dearly, that even after the years you've spent together, you still feel lightning coursing through you when he has you this way. This electric feeling doesn't prevent you from letting yourself enjoy what he gives you, nor does it hinder you from touching him and making him feel good. You don't become more hesitant towards him, because by now, you're well aware that your love for him coexists with butterflies. They reside in you, and are able to be lured out by him at any instant, despite your knowledge of the fact that he would gladly be someone's cause of death if they don't keep themselves in check around you.

"Love you," he says, kneading your hips as he leans in to press a few more warm kisses to your thinly veiled cunt. His eyes dart up to your face when you don't respond—he's a little lost on why you didn't say it back— until he sees how despite the way you just admitted to your nerves, he has you entirely at ease. You have a hand flat on the sheets, occasionally moving against the material beneath it, while your other hand rests on your stomach. Your chest is steady and your attention is on the ceiling, your expression serene—ethereally so.

His hands run down your hips, warm palms squeeze and feel up your thighs, gaining your eyes on him again. "You're not gonna say it back?" He asks, his voice deep enough to make the ache between your legs just that much more intense.

"You already know I do," you say, contrasting his demeanor with a giggle. He looks like a needy puppy with that glint that presents itself in his eyes.

"Mhm, doesn't mean I don't wanna hear it, again, or do you not love me, right now?"

You're caught by surprise with that one, a small, almost inaudible gasp, leaving you at the words. "I love you all the time, Toji. I love you now and I loved you earlier when I was pissed. It's not going away."

He's a little more impatient for you, now. His movement doesn't speed up, but his heartbeat is in his ears, and there's a tremble in his hands as he reaches for the elastic of your underwear. He pulls the garment down, wanting to smell and taste you more clearly. His cock jumps at the sight revealed. You're still so wet. He lets out a shuddered breath, now that your lower half is completely bared for him. His mouth comes closer and closer and his tongue comes out, making contact with your throbbing cunt for the first time.

"Toji." The sound is soft—unexaggerated—as his tongue laps at your warmth, tasting the sweet wetness that coats it. He could stay like this for hours, worshipping your entire body, while you touch him and gift him the prettiest sounds ever. He can't get enough of you, which is why when it looks like you're going to close your legs, he pins them down, entirely. His hands splay over your thighs and he keeps them there, because he isn't going to fight to give you the pleasure you deserve. He'll love on you until your body is begging him to stop, because he knows that your mouth can be misleading, at times.

He's taking it slow, just like you wanted him to. The most stimulation comes from him lightly sucking on your clit for brief moments at a time, just to hear your moans get the slightest bit louder. Every time he releases your sensitive pearl, he goes back to running his tongue through your drooling slit, the tip of the muscle nudging your clit, causing it to throb with need. Each graze of the wet warmth, makes you wonder if you should ask him to go faster, though you were the one who asked for this gentleness. You don't want to seem indecisive or come off as doubtful that he can make you cum this way. You know he can, but god, you want so much more. You feel like you're the one who's going insane with every flick of his tongue.

"That good, mama? Or do you want it slower?" He gives you a teasing smirk. Toji knows how you are. You say you want him to be soft and gentle with you, but when the time comes, you want more than what's given to you. You delve into greediness as seconds turn to minutes. You both have nowhere to be. Time is yours, and Toji intends to take advantage of that. He's going to fulfill your needs the way you want him to, but that doesn't mean he loses awareness of your little ticks. He feels the small twitches of your legs beneath his hands every time you feel his nose bump into your clit just before it gets hit by his tongue. He sees the way your hips sink into the mattress and your body quivers when they rise, again.

"G-Good. Don't go any slower," you respond, holding your voice as steady as possible.

"Mm... Faster?" He asks, his tone so calm yet sultry, that you can't tell if he's patronizing you. He doesn't miss the way light flashes, briefly, through your features. In an instant, you regain your composure. A simple hum is offered in response—a wordless brush off of his suggestion. The sound makes Toji smirk. How stubborn of you.

"I won't hold it against you," he says, pressing a kiss to the crease that joins your pelvis and your thigh, leaving an echoing feeling of need in your core. "Just say the word, ma." He presses more kisses to your skin, as if he's trying to persuade you to let him devour you.

"Mm-mm, this is good."

It's not what he's trying to get out of you, but he can keep going until you're hanging on by a measly thread.

He continues on with that same pace—licking, suckling, prodding—so gently, luring the cutest little mewls from you. It took a little longer, but eventually, your body started trembling with impending release.

"I'm gonna- Toji," you cry, tightening your fists around the sheets as he slowly circles his tongue over your clit, focusing on it entirely. Your moans grow needier and needier as you near the edge through such delicateness. The anticipation is killing him. He wants you to be louder. You wouldn't hate him for bringing you more pleasure, would you? It's a risk he's willing to take.

Without another doubt, he's messily making out with your cunt, causing more of your sweet nectar to drool out at a more rapid pace. Your breath hitches, a sharper rendition of his name cried out. Your hand reaches downward and grabs a fistful of his hair, tugging on it as he continues to ravage you. Your moans sound absolutely filthy. He doesn't detach his mouth from you for a single second. His hands finally release their pin on your thighs, allowing you to fully suffocate him when they shut around his head. His arms hook around your thighs, a harsh grip on them to keep you from scooting away from his relentless mouth when you cum. It's another strong, orgasm, that has you arching your back off the mattress and squirming as he continues devouring you through the intense sensation. Your hips roll in an attempt to get more of his mouth on you. Only when you start whimpering and attempting to twist out of his hold, does he ease up. He goes back to the original pace, soft kitten licks through your slit to lap up every drop of your sweetness, earning small twitches from your body, due to the sensitivity you feel.

You release the hold you have on his hair and relax your legs, unbending them and letting them fall comfortably on the bed. He finishes you off with a few kisses, thin strings of his saliva and your cum sticking to his lips, before snapping every time he loses contact with your cunt. His warm palms caress your thighs—a comforting gesture, as your sounds come to a halt and all that is heard is your breathing.

"You're so impatient," you playfully chide, a breathy laugh following.

"You wanted more," he responds, one more kiss placed on you before he licks his lips clean. "I'm really good at reading you."

"Yeah? You think so?" You ask, a teasing grin on your face.

"I know so," he responds. "Wouldn't it just be the worst if we've been together this long, and I didn't know almost everything about you, by now?" He repositions himself, now sitting on his knees to start ridding himself of his own clothes.

You manage a hum and a nod as you watch Toji pull off his shirt.

"Good thing that's not the case, and I do know basically everything about you. Down to the way your body reacts to me— the signals you create that let me know you're gonna cum all over my tongue, when your pretty mouth can't form words."

"So vulgar," you say, through flustered giggles.

"You can take it, mama," he teases, a smirk growing on his lips as you watch him pull off his sweats. His eyes stay on yours, as he kicks them off, letting them slide off the bed and onto the floor, before crawling back between your legs. You can feel his clothed hard-on pressing against your core as he takes your lips in his again. He's addicted to the feeling of your warm body against his.

His hands come down to cup your waist, his fingers molding into the soft flesh with every squeeze they offer. He pauses the make out, small breaths leaving him.

"Baby," he says, his voice almost a whisper, his lustfully darkened eyes narrowed on your starry ones. "I'm gonna kill the next person who hits on you in front of me." He goes back in for a few more quick kisses. "I'm not joking. I can't keep sparing them."

"Shh... All yours, Toji," you murmur, softly, pulling him back in to continue the flow of kisses. Your hand goes to the nape of his neck, the other settles on his shoulder. You hear him groaning quietly into the kisses as he continues grinding his hips into yours.

"Fuck, doll," he groans, pausing his lips on yours once again. "I need you."

You laugh, a warm sound that just adds on to his desire to have you. "So, take me, baby. I'm ready for you."

He gives you one more peck, the slyest smirk playing on his lips as he watches you lean forward for another one, only to be met with nothing.

"Ass," you grumble, playfully shoving his chest.

He chuckles, a deep rumble of a sound as he sits back to remove his boxers. He's not even ashamed of the mess of precum that accumulated in them. If anything, he's surprised he was able to hold in his load this entire time. Pleasantly surprised, because every drop will go to you, as always.

One minute you're sitting up to fully remove your shirt, pulling it up over your head, the next, in what seems like a flash, you're pushed back onto the bed, hands pinned above your head.

You giggle, looking up at him with a lingering smile. "Gentle."

"Mhm," he hums, leaning down to kiss your neck. "So gentle." Two misleading words that don't prepare you for the sensation of his teeth sinking into the crook of your neck.

Your bubbly laughter homes into his ears when his tongue runs over the indentations, luring a huff of a laugh from him.

You feel his cock run through your slick folds, his hips moving back and forth, slowly. Quiet breaths fill the silence that takes over the intimate moment. Toji runs his length through your slit one more time, before finally pushing his tip in. You gasp, feeling his cock begin to drive into you.

"F-Fuck, baby, let me touch you."

"In a minute." He sounds so calm and collected, but you can feel the grip he has on your wrists tighten and the bluntness of his nails pressing into your skin.

"No. Please."

"In a minute," he repeats.

"Pretty please?"

"You're so conflicting, mama. Love that you're begging, but at the same time, you're not listening." His hips draw back and thrust right back into you, his cock filling you up entirely, again.

"Oh fuck. Okay. Please, Toji," you whine.

Toji hums dismissively and picks up a rhythm that manages to get you to stop thinking about your pinned wrists. He lures soft, little moans out of you, listening closely as he plants warm, wet kisses on the side of your face, from your temple to your jaw.

"Just let me be good to you, baby. Alright?"

You hum, nodding your head.

"Yes?"

"Please, yes."

His thrusts become even more precise as he focuses on bringing pleasure to both of you, deep groans and grunts blending together with your higher pitched moans. A few minutes pass and you feel the pressure on your arms ease up, your hands free to roam without restriction. The first thing you do is cup his jaw and bring him in for breathy kisses. You keep your hands on his face and he lets you turn his head in every which way to cover him with kisses. Your affection is intoxicating, and he can't get enough of it. He lets out a breathy laugh when you practically have a make out session with the scar on his lips, your melodic sounds of pleasure released against the strike as he continues to fuck into you. The last kiss you leave on the cicatrix is a big one. One that makes the obnoxious kissy sound and everything. He swipes his tongue over his scar, as if he's trying to catch remnants of the sugar you coated it with.

"Love you," you say, eyes darting over his handsome features and the lovestruck expression they create. You feel the way his hips stutter against you, his abs tensing with restraint before he recomposes himself. You glide your hands up and down his arms and repeat yourself for him. "Love you so much, Toji. I'm yours."

"Fuck— I fucking love you. You're all mine. My baby." He mutters more inaudible curses under his breath, his grip on your waist getting harsher and his thrusts growing quicker, with every sweet confirmation you offer.nYou whimper, nails digging into his biceps as you withstand the feeling of his cock relentlessly brushing that spot within you that makes you melt beneath him.

"Oh fuck, i'm close." He groans, feeling the way your walls spasm around him at the words. "Yeahhh, you want it, huh, baby? Want my cum?"

A shaky breath leaves you, your face observed up close and personal by Toji, through lust-brimmed, enamored, obsessed eyes. You squirm under all of him— his zoned in attention on you, his touch, his hot, tacky skin, his cock buried inside you—dragging in and out of your soft walls, in a manner that has your toes curling to the brink of actual pain. His fingers find your clit and rub it in rapid circular motions, causing your body to jolt at the sudden intensity of the enhanced pleasure.

You look up at him with your sparkling eyes. "Please... P-Please, Toji? I want it. Want you," you utter, as he brings you closer to your own orgasm.

"Fuck, okay. Okay, baby, gonna give it all to you." His hips pick up their pace a little more and he buries his face into your neck. You can hear the string of grunts and shuddered breaths that pair with his unraveling, right beneath your ear. Deep moans and pants flow past his lips, and his nails begin to leave crescent shapes on your sides. You feel his hot breath on your neck, the open mouthed puffs of air accompanied by the lewd sounds of him filling you with his warm, creamy cum. As he continues rutting into you, riding out every second of his orgasm and then some to get every last drop of his cum into you, he bites your delicate skin, the placement only a few centimeters above where he bit you the first time. He stays there for a few seconds, breathing heavily through his mouth and nose, before he loosens his bite, the gesture transitioning to sloppy kisses over the wet, saliva-coated indentations.

"Cum, doll," Toji mutters, feeling the way your cunt flutters around him when his fingers relocate your throbbing bundle of nerves. Your head sinks back into the pillow, allowing him to drag his kisses up the column of your neck, to feel the vibration of your sounds beneath his lips. Your nails go to his shoulders, dragging across the toned area of muscles, surely leaving behind some scratches. You cry out in utter bliss, your force of an orgasm echoing through your entire being. "There you go, mama," Toji purrs, in response to your body releasing the tension that came with the intensity of your pleasure. You tremble, your small, rapid whimpers and breaths evolving into full blown, unholy moans. "So, so pretty," he drawls out, engraving yet another one of your euphoric expressions into his memory. His fingers leave your clit, and his hips slow down to the point of merely grinding into you, to lure those final little whines out, before stilling entirely.

You shut your eyes to focus on calming your heaving chest for a few seconds, and when you open them again, you have the prettiest pair of green eyes staring down at you. You give Toji a lazy smile and a laugh, a sight that makes him feel warm and fuzzy inside. His heart races as he absorbs the visuals of your post-orgasm haze. Your luminous eyes devour him, that little satisfied smirk on your face is everything— god, he loves that you laugh even more at the way he can't stop staring at you.

Just like that, Toji is reminded of what got this sight revoked from him in the first place. He still doesn't feel like he's in the wrong for wanting to murder anyone who has far from just friendly intentions with you, but as you caress his face and hold his gaze with that tender look in your eyes, his desire to kill those who openly lust after you, becomes entirely justified in his mind. He's lost all reason to hold back. There's no longer any part of him that would feel remorse or guilt, even if you can't look him in the eyes for days after the matter. He'll grovel as much as he has to, to get you to give him your eyes, again. You'll just have to agree to disagree on this, because yes, you come home to him, you sleep in the same bed as him, you kiss and hold him, the body concealed by your clothes is a secret between you and him, you get tangled up in sheets with him and the lot of it— but he can't risk losing you to someone who's possibly better than him and searching for all the exact things you have to offer. You're for him, as he is for you.

Toji doesn't care how clingy he appears when you finish getting cleaned up and ready for bed. You carelessly toss yourself onto the mattress and pull the blanket over your body while you wait for Toji, who took the steps and walked around the bed to make it to his side. He finds your body beneath the covers and immediately rolls on top of you, adhering himself to you, again. His head rests on your chest, his arms wrapped tight around your body.

You're already prepared to give him the intimate aftercare that comes with days like this. You don't mind that he's heavy and that he's crushing you or that he's taking up all your space, again, after having been so close to you a little while ago. You'll do this is many times as you need to for him to understand that he's wanted and loved by you.

You press a kiss to the top of his head, and murmur a quiet 'love you'. Your fingers run through his damp hair, your nails gently scratching the back of his head, while your other hand rubs his back. You feel the extra warm skin of his shoulders, where you paid no mind to the pressure your nails applied on it, earlier.

"Does that hurt?" You ask, lightly tracing a couple of the mildly inflamed lines. He hums in denial, but you let up, anyway, and continue to just rub his back.

He groans quietly at your soothing touch, nuzzling further into you. "I'm yours, too, ma. All yours," he mumbles. "I don't want anyone else and I don't wanna see you with anyone else."

You smile softly at his admission. "You're more than enough for me, Toji. There's no one I want more than you— no, there's no one I want other than you," you correct. "You know how much I love you?"

"Mm... How much?" He asks, waiting for you to give him a number or even just an elongated 'so much', but instead, you surprise him with:

"I wouldn't be able to tell you."

He chuckles. "Really?"

"Yeah, really. If you want something accurate, I'll never shut up."

"Good thing I like when you talk my ear off. You wanna give me an inaccurate idea of how much?"

You hum like you're in thought, a giggle following when he pinches your waist, encouraging you to tell him. "I love you a lot, Toji. So much more than I will ever be able to say or show. We would have to conjoin our minds for you to understand exactly how much I love you, but even then, once our minds separate, your estimate will be entirely off again."

He lifts his head off your chest, and waits for his eyes to adjust to the darkness of the room. The moonlight seeping through the spaces between the curtains is the only source of light that allows him to get a mediocre view of you. "That's inaccurate?" He asks, looking at you with clear disbelief when his eyes finally adjust. You nod, smiling through the warmth that spread on your cheeks. "Now, I wanna know how much you love me, with complete accuracy. I have all the time in the world to listen to you, baby. Just keep talking to me." He presses a kiss to your cheek before lying back down on your chest and wrapping his arms around you, again.

You hugged him as tight as you could for a few seconds. The sound of you straining yourself made him laugh, because not only did he not let out a single groan, but you tired yourself out even more. You rested your arms on his back and just shut your eyes. It was the warmth and weight of his body on you, the feeling of his arms keeping you firmly against him, the security, that managed to lull you to sleep. Toji dozing off was simpler than that, because all he needs to be able to sleep soundly, is for you to be around.

[murdrdocs]

go about things the wrong way

description. LOGAN HOWLETT proves himself to be a bit of a hypocrite

includes. SMUT 18+, age gap (reader is implied to be mid20s, logan assumed to be mid30s), protected piv, denial is a river in egypt logan fucks them younger, logan calls reader "kid", insomnia trope, slightly brat reader, remnants of angst, set during early x-men

wc. 5k

a/n: photo creds unknown. title from how soon is now? by the smiths

You should be in your own bedroom. 

It’s a nice room, decorated better than your childhood room in your parent’s house, likely because you’ve grown since your mint green and chevron phase. It’s silent in your room, no other inhabitants except you and your pet fish that was somehow still hanging on. There’s no reason for you to leave your room, it has everything you need. But it’s not right. 

The loneliness is uncomfortable amidst your inability to sleep. It hovers over your bed, staring down at your shuffling frame as you try multiple positions, each one leaving you as restless as the last. You know that’s why you venture off to the kitchen, the search for companionship outweighing the desire for a treat. You just need to talk to someone, remind yourself that you aren’t all alone. There are other people like you, and you live with them. You’re safe. 

You ended up finding what you desired—a non-freezer burnt ice cream bar buried beneath frozen waffles, and a warm body to stand opposite of as you steadily made your way through it. 

You wouldn’t admit it to anyone else, maybe not even yourself, but you had hoped to run into Logan the entire time. Ever since his return you had been itching to get a glimpse of him, but between shadowing Storm, Scott, and Jean, and tending to whatever menial chore Professor Xavier tasked you with, you didn’t have any time for run-ins. Nothing but quick passing in the hallway where you were too shy to do much other than meet his eye for a second, wave, and then scurry along towards the end of the hallway. 

But you had gotten what you wanted when you heard the soft thud of feet followed by the sound of Logan speaking. 

“Is there another one of those?” 

You face him with your mouth stuffed with ice cream. It takes you a second to chew enough to speak around the food without making a complete fool of yourself in front of Logan. 

“This is the last one …” you swallow, ignoring the sting of the cold at the back of your throat. “Sorry.”

Logan shrugs like it’s no big deal and he steps to the fridge. You move out of the way, even though you weren’t really in the way at all, and try to be casual as you chew the remains of your bar, ignoring the sudden warmth in your body now that he’s here. 

Logan doesn’t say anything. You watch the top half of his body disappear as he reaches into the fridge for something, coming out after a minute and some soft shuffling later with a beer bottle in his hand. You don’t know when it got there, and you’re amazed that it was still there and not stolen by some eager teenager. You try not to stare as he takes his first sip, but you sneak a few glances. 

You finish your sandwich, throwing the wrapper out in the drawer trash can and trying your best to ignore Logan’s eyes on you the entire time. He gets halfway through his beer before he says something. 

Leaning against the counter, legs crossed at the ankle and one arm tucked across his chest, he asks, “Can’t sleep, right?”

You nod, not shocked at all that he has you pegged. It’s not unsurprising for a mutant in this place to be unable to sleep. 

Logan nods as if he understands and you know he does, you remember the incident with Rogue just a year or so ago, that and the stories you hear about him wandering the halls at night. It’s why you’d always been so eager to slip down here during restless nights, constantly hoping that this would happen to you. 

And now that it has happened, you don’t know what to do. There’s not much for you to discuss with Logan, the two of you don’t have all that much in common. He’s far older than you, for starters, at least a decade and a half on you from what you’ve gathered. He’s been gone for a while, but you think the others have caught him up on everything that he’s missed already. 

So you just build onto what you have. 

“I just can’t fall asleep. Every time I start, I shake myself awake.” 

Logan takes a swig from his beer and pulls his lips tight, a face of sympathy sliding over his features—eyebrows pinched, lips downturned, eyes a little narrowed. 

“Yeah?” You nod your head. “Sounds horrible, kid.”

Kid. You know you’re younger than him, it’s obvious, but you’re not a kid. You don’t see why he thinks of you that way. Rogue and Bobby are kids and you’re older than them. More mature, no longer a student but now practically a teacher. 

You don’t want Logan to see you as a kid. You know what you want him to see you as, but it seems to become more and more impossible by the day. 

You don’t say anything, lifting your foot enough to press the toe of your slippers into the cleaned grout between the tiles at your feet. 

“Tell you what,” he begins, promoting your head to lift, “next time that happens to you, you come find me, alright? I know how much it sucks to be alone like that so if you need me, come find me.”

That’s what you did. 

After you left the kitchen, finally letting your grin break free since no one was around to see it during the trek back to your room, you told yourself you would only go to Logan if you needed him. 

You tried to sleep, snuggling yourself in a cocoon of blankets and pillows around your head. You lit a candle, counted sheep, made up scenarios to doze off (ones that definitely didn’t involve Logan tenderly holding your hand and stroking your cheek and—), but nothing seemed to work. 

So you found yourself standing in the doorway of Logan’s bedroom, one hand still on the doorknob and the other toying with a loose thread at the bottom of your tee shirt. The bedroom is dark, save for the moonlight peeking through his opened curtains, but from the hallway light behind your back you can see Logan’s frame under the sheets. 

His back faces you until you harshly whisper his name, which at the call of he lifts his head, looking at you, and then rolls over completely to click the lamp on his nightstand on. 

“What’s wrong, kid?”

You feel so meek when you explain, like you are a kid, crawling to your parents after a nightmare. 

“You told me to come find you.”

His squint relaxes. His entire frame relaxes actually. He sits up, jerking his head in a beckon. You click the door shut behind you as softly as you can, approaching the bed timidly until you stand on the other side. 

And then you just hover. You stand there hesitantly, staring down at the slightly unmade side of the bed. Logan doesn’t say anything for a minute, but once the silence and hesitance stretches to an uncomfortable end, he speaks up, his voice groggier and raspier than it was before. 

“You gonna sleep from there? Is that some mutant power that I didn’t know about?” He says it like he’s teasing you, and when you look at him you can see the small smile on his lips. It’s similar to the one he sports when he’s messing with Scott but with more softness in his eyes. 

You scoff, trying to play it cool when Logan lifts the sheets for you and you climb under them. This side of the bed is cold and unused and you wonder if you’re the first person to use it. 

You get as comfortable as you possibly can. You fluff the pillow and create the perfect indent for your head, you pull the sheets up to your shoulders, you lay on your side and face the window, and then when Logan clicks the light off, you close your eyes and try to sleep. 

You don’t know how you thought this would be any better than struggling to sleep in your own bed, because it’s so much worse. 

In your own bed, you were left with the out-of-reach fantasies of Logan. You laid in bed, giggling to yourself as you imagined what it would be like to lay next to Logan. You filled your head with blurry images of Logan’s frame, what he would look like with his eyes closed and his face completely relaxed. You tried to imagine the heat of his body in the cold of your room, trying to change your body temperature just with a thought. 

But now it’s all right beside you, left there for you to catalogue so you could never forget this moment. 

The feeling of his body so close yet so far from yours. The sound of his breathing. The smell of his body wash and the way it lingered on his sheets. You’re finally in Logan’s bedroom, but you’re not getting what you want. You truly don’t think you ever will. 

It’s impossible for you to sleep now. You try to keep your tossing and turning to a minimum, only moving when absolutely necessary and doing so with tentativeness. You’re trying to be meticulous with your movements, all with a goal to disturb Logan as little as possible. You’re a guest here, after all. 

But even if he wasn’t an attentive mutant you knew he would’ve eventually gotten fed up. 

He calls your name, soft yet sounding like a warning, and you’re quick to apologize. 

He doesn’t say anything else for a second, then, “Whatever’s on your mind, squash it. Jus’ let it go.”

You don’t mean to sound as bitter as you do when you say, “Easier said than done.”

Logan shifts and turns around until he’s facing you. You stay facing the window. 

“What usually turns your mind off?” he asks. “A glass of warm milk?” 

When you laugh it’s halfhearted and maybe this is the final indicator that something about you is off. 

“Look at me.” You obey embarrassingly quickly. 

You can’t really see him in the dark, but the white light from outside illuminates the slope of his nose and the apples of his cheeks. You can sort of see his eyes too, the usually light green darker because of the environment, but the shadowy fan of his eyelashes is as distinct as usual. 

“Seriously, tell me what’s going on. Anything I can help you with?” He lets the question linger in the air for a second before adding on. “You need me to rough a few kids up? You being bullied?” He says it like a joke.

“No,” you say. 

Logan makes an ‘ah’ sound. “Yeah I’m sure you could handle yourself.” The sheets lift again. “Come ‘ere.”

Shit, shit, shit. 

You listen to him, scooting closer until you’re wrapped in Logan’s arms, enveloped in his warmth. It’s nice and comfortable, the sound of Logan’s heart right next to your ear, the security of his arms wrapped around your frame. 

“Does this help you?”

You hum affirmatively, already starting to feel more comfortable than you had before. Your heart beats painfully hard in your chest and you start to get self-conscious, knowing that Logan can definitely hear it.

Right on cue, he laughs a bit against your head. 

“Nervous?”

“No.” God, you’re so obvious. 

Logan’s laugh grows until he’s snickering, doing a terrible job of stifling his laughter. “‘s alright,” he eventually says. “Nothing wrong with that.”

You make yourself as comfortable as possible, pressing your back to Logan’s chest, trying to ignore the hard feeling of his body behind you. You can basically feel everything, the plane of his chest pushing through his tee, the ridge of his sweatpants against your lower back, his legs against yours—tempting you to intertwine them together, his feet hanging right under yours. You’re not exactly dressed for this and your shirt has ridden up, bunched at the top of your ass and exposing your panties. You wonder if he knows. You wonder if he cares. 

This is helping you a lot, but there’s still something on your mind. Something you need to solve before you can go off to sleep. 

You don’t know what it is that makes you confident, that makes you want to ruin a good moment. Maybe it’s the dark providing you comfort, but you lay it all out. 

“You treat me like a kid.”

Logan takes a second. You can just barely make out the hitch in his voice. “...Yeah?”

You’re glad he can’t see you when you pout. It wouldn’t have done much to help your case. “I’m not a kid, Logan. You don’t treat Rogue like a kid.”

“Rogue is different.”

“How? I’m older than her.”

“Just … can we not argue?”

“We’re not arguing.”

“Yeah? Then whaddya call this?”

“A conversation between two adults.”

He hums as if he’s unconvinced. 

You won’t let it go. “How is Rogue different?”

“Go to sleep,” he admonishes.

“Can’t. Not until you answer my question.”

Logan sighs. “‘cause I’m not attracted to her, alright?”

Oh. 

Oh. 

Wait … what?

You’re sure your silence is enough to express your confusion because Logan adds on. 

“I’m trying to set boundaries between us, kid—”

“Don’t call me that.”

He corrects himself with the use of your name instead, but it comes out the same way. “We need boundaries between the two of us. You think I don’t see how you look at me? ‘s not good.”

“If you’re setting boundaries why did you invite me in here.”

“Because I wanted to help you.”

Why is he making you feel crazy? He just told you he’s attracted to you, but he wants to set boundaries? There are barely any boundaries here. You’re alone with him, in his bedroom, tucked away at the end of the hall surrounded by mostly empty bedrooms instead of bedrooms of asleep mutants, curled up against his chest. This is the most opportune time, yet he didn’t want to make a move.

Maybe you were reading too much into it. 

You go to pull away from Logan’s embrace but he keeps you pulled tight to his chest. 

“Don’t do that,” he says it like a command and just to piss him off you consider pulling away. But you’re really comfortable and this is a comfort you aren’t sure you’re ever going to find again. 

“Just go to sleep, alright,” he says your name again, much softer this time. He says it like he’s coaxing you like your name is the final tune in a lullaby. 

Maybe Logan has other powers you aren’t aware of because just that one sentence is enough for you to let it go and submit to the sudden exhaustion that settles over your body like a weighted blanket. 

You don’t know if Logan’s been avoiding you. Mostly because you’ve been avoiding him.

It’s not often that the two of you would have to run into each other, but there were a few times when Professor Xavier extended the invitation to observe an upcoming class, and you declined upon learning that Logan would be subbing. 

You kept your distance as much as you could, even keeping yourself locked up in your bedroom throughout the night, no matter how restless you got. You were miserable, not only because you wanted to be near Logan, but because you were fucking exhausted. 

You could barely stay awake throughout the day, always sneaking off for power naps, taking whatever you could get even if it was only five minutes. 

But you finally have the rest of the afternoon to yourself and you intend to use it to sleep. Uncaring of how much it threw off your sleep schedule, you just needed a solid half hour curled up at the foot of your made bed like a dog, sleeping to your heart's content. 

Of course, it’s on your way up to your room that you run into Logan. You try to ignore him, continuing your path up the stairs, praying that Logan will continue on his path downstairs. 

You don’t know what it is about you that says come talk to me! but Logan stops in his journey, turning to face you. He calls your name, continuing even when you don’t respond. He follows your trek up the stairs and down the hallway, always right on your heels and within arm's reach. 

By the time your hand reaches for your bedroom door, Logan is practically breathing down your neck. 

You know there’s no avoiding him now, but you also don’t want to. 

You stand still, hand wrapped around the doorknob, waiting for Logan to say his piece. 

“Why’d you lead me to your bedroom?” The way he says it, with such arrogance and assurance woven into that same joking manner as if he wasn’t the one who turned you down just a few nights ago. 

“Fuck off, Logan. I just wanna get some sleep.”

You twist the knob and this is what wakes Logan up. “Okay, wait.” His hand reaches out and rests on your elbow. Just this one touch strikes you still. “Will you look at me?”

You turn around, trying to keep your gaze hard even as you take in his appearance for the first time in days. 

The bags under his eyes, the relaxed smile that’s constantly on his face when he’s around you, the thickness of his eyebrows, the points in his hair. You’re staring at his hair, wondering if it’s naturally like that or if he does it himself, and when you look at his eyes again there isn’t a connection. He’s staring at your lips instead. 

You lift your eyebrows impatiently, already imagining the sleep you’ll get after you ruminate until you can’t form a coherent thought. 

Logan opens his mouth. “Look, I’m sorry if you got a little hurt from the other night. Is just this age gap and your little crush is not gonna wor—”

You’re already turning around, deciding whatever else he’s going to say isn’t important at all, but Logan stops you. His movements are fluid, they flow naturally from his body and straight into yours, causing you to move with a coordination you didn’t expect. He spins you back around and pulls you straight to his chest, your hands flying to his shoulders to steady yourself, while his hands rest on your hips and your cheek. 

The movement is quick, it happens within a couple of seconds, and it makes the moment after feel so much longer. Nothing but shared blinks as Logan looks at your lips and you look at his. You’re so close to him, even closer than you were the other night, but neither of you makes a move. 

You’re considering making the first move, opening your mouth as if to ask him a question that was still unknown to you, but then Logan’s grip on your cheek tightens as if he’s holding you still and he moves in closer, and closer, and closer until his lips ghost over yours. 

In the end, it’s you who crosses the bridge. 

Your lips touch, sandwiched together, but neither of you do anything. Not until you take a tiny step closer, really nothing but an adjustment of your feet, is Logan pulling you into him. He digs his fingers into the waistband of your jeans, that one hand possessing all of the aggression that doesn’t exist in the hand holding your cheek. 

It’s like the touch of two different men—one who wants to devour you whole and the other who wants to treasure you. You hope that they’re able to coexist as you desperately want both. 

You let Logan kiss you feverishly, an intensity unlike anything you’ve ever seen him display settling in his lips. The Logan you knew was always relaxed, walking around the mansion with a carefree, practically laissez-faire, attitude. He didn’t meddle, he kept his hands to himself, always wrapped around a cigar or a beer. 

But now those hands were wrapped around you for the second time this week. 

You press your hands into the shoulder of his white tee shirt, starting to slide them up towards his hair before you resist. You want to get comfortable kissing him, but you’re still out in the hallway. 

Having the same thought, Logan pulls away from your lips with enough time to open the door, latch his hands onto your hips, and blindly steer you backward until you’re in the room. He stares down at you the entire time, that same smirk on his lips as he kicks the door closed behind him with a single boot. 

And then he has you pressed against the wood, sandwiched between a rock and a hard place. 

He looks at you for a second, his gaze lingering, and then he gets back to it. 

If even possible, Logan has more passion this time around. He sinks his hands to your thighs, pulling one up by his hip. He slots his legs into the opening until your center is hovering over his thigh. You don’t know what to expect, but when he flexes the muscle and presses his limb right up against you, you’re already trying to get more. 

Logan smiles as he kisses you, clearly entertained by your anguished need to get off. He doesn’t verbally reassure you, he doesn’t help you grind yourself down, he doesn’t do anything but continue kissing you. 

When you need to come up for air, knocking your head back into mahogany as you intake large gulps, Logan dips his head down and explores as much skin as he can. He creates a path of kisses from your jaw, down your neck, to the exposed parts of your chest. 

You tilt your head down, locking your hand into his hair and trying to redirect his lips back to yours, but he stops you with a hand pinching your cheeks. 

His eyes flick back and forth between yours, nothing but mischief and arrogance in the green. You wrap a hand around his wrist with the initial want to tug him away, but you like the hold he has you in. You like the look in his eyes. 

“Good?” His voice is softer than his grip. 

You nod, trying to grin as best as you can when your lips are forcibly puckered. 

Logan smiles right back at you. “You got a rubber?”

You nod again, scurrying to your nightstand once Logan lets you go. He tells you to get on the bed and you take the liberty of throwing your shirt off and bra as you go. You have enough sense to step out of your shoes, unclasp your jeans, and tug the zipper down in the path. 

By the time you’re sitting on your bed, you can feel the anxiety thrumming through your body. It’s a good kind, the kind you’ve been seeing less and less of lately. You’re still a little tired and still desiring a solid nap, but it can definitely wait. This is your main priority. 

Logan speaks to you as he undresses. 

“You still doing okay?” he asks as he’s pulling his tee over his head. When you nod, he moves to his belt, thick but deft fingers undoing it and leaving it hanging open and hooked into his belt loops. 

“You tell me if you wanna stop,” he says as he pulls his jeans down, stepping out of them right after he steps out of his boots. You give him a look and he clocks it immediately. 

“You think you can take it, bub?” He laughs. “Yeah? Don’t you think you’re talkin’ a big game?”

Petulantly, you roll your eyes. “Logan, I’m not a fucking kid, I’ll be fine.”

Wrong. So, so, so stupidly wrong. 

You are fine, but the sight of Logan’s dick sends nerves down your spine. You’ve talked yourself up, you can’t go back, so you do what you can. You let him peel your jeans and panties off, hoping you look as seductive as he does. You keep your eyes on his abdomen, tracing the vein that runs from the right of his navel down to his cock, breathing as well as you can while Logan lines himself up. The first push burns, just like you expect it to, but you adjust quicker than you thought. Eventually, all you can feel is pleasure. You’re so full when he’s only halfway in you. You feel stuffed as soon as he bottoms out, his heavy ball sack resting flush against you, a thick forest of pubes pressed against your cunt. 

Logan is so much, it’s everything you’ve ever wanted and more. Hovering and staring down at you as his hips rock into yours, slowly and experimentally at first. It’s not until you draw a leg up over his hips that he increases the strength of his rocks. 

He has one hand keeping himself steady and the other holding your waist. It’s so intimate, and not only because he’s fucking you, but because he’s staring down at you the entire time, his teeth bared as he watches you for every single reaction. His eyes rake down your body, watching the way your tits jiggle before dipping lower to watch the way he’s entering you. You can’t see his gaze, but you can feel it, the weight of it comparable to the weight of his cock in you. 

There’s an inhuman nature to it, hidden deep below the surface as if he’s trying to hold back, but it’s there. You’re made aware of it when you clench around him and he growls. It comes from the back of his throat but it’s a sound you’ve never heard before. It’s so Logan, you don’t think anyone other than him could make a sound like that as erotic as it is. You want to hear him more, you want your moans to blend together amongst the four walls of your bedroom, but he keeps his sounds to himself. It’s like there’s a disconnect between the both of you, like Logan’s still holding back even though he’s balls deep in you. 

“Logan,” you whine, getting his attention. He looks at you with concern in his eyes, his hips slowing down. You shake your head, pushing more towards him. “Please,” you beg, praying he knows exactly what you want. 

“What? What d’you want?”

“More.”

Logan gets rougher. He’s grinding up into you like his life depends on it, blunt nails delving into your skin as if he wants to break it. You wish he would. You aren’t regenerative like he is, but you still desire the broken skin, the beads of blood, the marks left behind. 

You’re thinking about it, eyes lidded and falling closed when Logan knocks his forehead into yours once. He moans, closed-mouthed as his head lolls to the side, a shiver shaking him from the bottom of the spine up. 

“Jesus, baby,” he says. It’s all he says, but it’s more than enough. He keeps going, digging his tip into you deeper and deeper until it feels like he’s swimming in your guts. 

He drags his head down until he can wrap his lips around one of your nipples, licking and sucking before moving on to give the other one the same treatment. You desperately want him to mark you up, you want a reminder that this—the thing you’ve been wanting since Storm and Scott came back with two new mutants in tow—actually happened. Bravely, you reach out and tangle your hand in his hair, surprisingly softer than you thought it would be. You don’t hold him down much, just enough to communicate what you want nonverbally. And then after a few tortuous seconds of hesitation, his lips wrap around the skin atop your left breast and he sucks. The strength in it stings, it reminds you just how strong Logan is, but it feels so good. 

Unexpectedly, you feel your muscles seize. It starts in your tummy, deep down near where Logan’s been massaging, and then it just doesn’t stop, likely because he doesn’t stop. 

It’s like he’s spurred on by the feeling of you cumming, motivated by the way your back arches and you reach for the heavens as you clench around his cock. 

He gets a burst of energy, fucking you like he has something to prove when really it’s you with something to prove. 

You’re overstimulated, struggling to keep up with Logan, but you don’t want to tap out. You talked a big game, you can’t back down now. So you remain silent while Logan pulls another orgasm out of you, hoping he won’t notice the way your eyes brew tears without your consent and the way your lips quirk with the impending request to slow down. 

Of course, he notices. 

He’s grinning with sympathy—you don’t know if it’s sincere or faux—when he takes a hand and strokes your cheekbone. 

“I see ya, kid. Feels good, yeah?”

For some reason, when he calls you kid like this, you don’t completely hate it. 

There’s no point in lying, so you nod. 

“So tight,” he winces, eyebrows pinched together as he flashes his teeth, a dimple in his right cheek appearing with it. 

Just as you didn’t warn him before, he doesn’t warn you when he cums. You feel it though, the way his thrusts get sloppier and faster just before he gives you one punctual one, and then you feel the confined warmth of his cum shooting into the condom. 

You wish you weren’t as exhausted as you were, because the next time you’re conscious, it’s dark out and the bedsheet is covering your body. You’re hot, hotter than you usually want to be when you’re sleeping, but you’re bare naked. That and you only have a thin sheet covering your body. 

It doesn’t take much investigation to figure out what’s making you so hot, not when it’s attached to your back with one meaty bicep slung around your neck and keeping you pulled against him. It takes you a bit to fall asleep, but once you do, you’re out for the rest of the night.