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soveryanon · 4 years

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Reviewing time for MAG197!

- I like how Basira and Jon immediately installed the setting (“Watch your step…! Long way down.” “It’s fine. The stickiness helps.”): big hole and strands of webs everywhere, funnel full of tapes going far down below, tapes probably unrolled a bit themselves, many tape recorders squeaking voices now and then and occasionally rewinding.

(I’m especially fond of the selected fragments of voice heard at the end of last episode and the tapes rewinds in this one, because it felt like a call-back to the beginning of the season, when Jon was obsessively relistening to the tapes that had been sent to him: stopping and rewinding and listening, again and again, to the fragment of Gertrude’s voice when she was telling Gerry she didn’t think it was possible to reverse an apocalypse.)

- I love that Jon&Basira are on good enough terms to share their shitty sense of humour with each other!! ;w;

(MAG197) BASIRA: Feeling better now, are we? Without those horrible sunny skies and fresh winds? ARCHIVIST: Yes, the colossal web stretching down into an endless pit is a significant improvement. BASIRA: [CHUCKLING] Don’t pretend like you’re joking.

Compared to season 4, it doesn’t sound mean-spirited anymore coming from Basira…

I also like that, same as them helping each other out on the lake in MAG195, we could hear that it was a mutual exchange – Basira ensuring that Jon wouldn’t fall into the hole by grounding him when he was getting too fascinated by it, Jon warning her about the threads. Jon was even counting on Basira to be an element of surprise, so it really felt like he indeed valued her as an ally ;_;

- I wonder if Jon looked into Martin’s head for that one, or if it’s how Martin looked like from the outside?

(MAG197) BASIRA: I’m guessing she’s waiting at the centre? ARCHIVIST: Naturally. [STATIC RISES] They both are. Martin is… he’s okay. He’s… scared, but also… frustrated.

Jon had promised to not look as long as he wasn’t in physical danger (which was precisely the case here) so…

I like how Jon pointed out that Martin was “scared”: from his exchange with Annabelle, he sounded mostly pissed, annoyed, frustrated indeed rather than afraid; he knows how to hide it!

- Jon��s fascination with the pit…

(MAG195) ARCHIVIST: No, it’s… I could look at it, but it… it was… it was like a… a hole. You know that feeling you get when you look down from a, a great height, like you’re being… pulled into the abyss? BASIRA: Kind of? ARCHIVIST: [GETTING LOST IN THOUGHT] Well, it was… was like that. Normally… I can see it, see the… webs, and feel the power of The Spider emanating from it, but… as I would look, i–i… it’s like… my mind…. follows the paths of The Web… [STATIC RISES] the strands going down and… out… [CATCHING SELF] I–it’s… [STATIC FADES] quite disorientating…!

(MAG197) ARCHIVIST: I know she has something to tell me and it… it’s about… the hole below us, her thoughts are… all down there, and… [TAPE SQUEAL] [STATIC INCREASES] And the threads are so closely woven, I–I follow them out and… in, and down, and through the strands of web and twisting tape, and down, and down, and down into the chasm into the emptiness that stretches– BASIRA: Woah! ARCHIVIST: –out– BASIRA: Woah! ARCHIVIST: –below– BASIRA: Careful! ARCHIVIST: Oh! [ARCHIVIST LOSES BALANCE BUT BASIRA STEADIES HIM] [STATIC FADES] BASIRA: Careful. ARCHIVIST: [DEEP BREATHS] … Thanks. There’s a–, sorry, there’s a s–sort of… pull to it. BASIRA: [SIGH] ARCHIVIST: Every time I get a glimpse, it, it draws me in…

… might be caused by Beholding? What is below is a complete mystery and, as Annabelle pointed out later, it probably led to many worlds (so far) untouched by the Fears: Jon’s appel du vide might as well be Beholding attracted to what is not (yet) under its dominion.

- I’m curious about the fact that Jon wasn’t able to categorically say what was the tapes’ deal:

* On the one hand, his difficulty to tell what they are does explain why he couldn’t say they were Web until now. On the other hand… there is still that nagging doubt that there could also be something else, due to Jon’s inability to confirm even now. What would happen if Jon looked at a tape not holding his voice at all, like one with Martin’s?

* Basira’s assumption had been shot down starting with MAG114 (when Jon had pointed out to Tim that he didn’t think the tapes were from Beholding) and once again reminded by Martin in MAG170 (when Martin had a moment of clarity in the Lonely house, having him point out that Beholding had “won” and so didn’t need tapes to see what was happening to them)… but I like that Basira had her own ideas about them until now, linking them to the Institute’s motto.

* I like Basira’s reminder that the tapes didn’t only record Jon’s voice, but that she was also “used” in the same way…

- I love the contrast with Jon&Basira now compared to, say, their expedition in Svalbard in season 4:

(MAG197) BASIRA: Different question, then. How do we play this one? ARCHIVIST: You get Martin to safety, then I deal with Annabelle Cane. BASIRA: Right. … I think we should hear her out first. ARCHIVIST: Excuse me? BASIRA: Before you “deal with her”, we should try to get some answers. All of this, taking Martin… she wants to talk.

Back then, Basira was the one with the gun; now, Jon is quite clearly the powerhouse… but also grounded by Basira, who remained level-headed and tried to think about why Annabelle had done things in that way, what she wanted. And at the same time: Jon had reasons to be pissed, wary and distrustful – in his own perspective, Annabelle could have talked when they were at Upton House, and welcoming him in front of Hill Top Road with Mr. Spider’s tape was clearly a low blow, already colouring this encounter with a certain dynamic (the underlying idea that The Web had touched him as a kid, was inviting him in the house to devour him, and could violate Jon’s privacy whenever it wanted).

- Jon’s fear of The Web showed once again…

(MAG150) ARCHIVIST: Melanie, could you… could you describe your therapist for me? MELANIE: [CHUCKLING] What? You think I wouldn’t notice if she had cobwebs down her face? ARCHIVIST: … No? MELANIE: [DEEP INHALE] That’s it, isn’t it? [EXHALE] You… you really think I’m so stupid I wouldn’t have noticed if my therapist was some kind of monster! ARCHIVIST: I just… It was a worry. […] It’s just… The Web can be subtle, you understand? MELANIE: And? For all you know, its plan is to paralyse you with indecision…! ARCHIVIST: [SIGH] MELANIE: Leaving you… sitting here, terrified that… everything you do is somehow all part of its Grand Plan… And who do you think that fear is gonna feed? ARCHIVIST: Yes, well. [INHALE] You are… not the first, to make that point.

(MAG167) MARTIN: You said you could control it now. ARCHIVIST: I can, I–I just… It… [INHALE] You’re absolutely right. I will refrain from knowing anything about you. […] Did you… feel like she was… influencing your mind at all? MARTIN: I don’t think so, but I mean… who knows? ARCHIVIST: I could. MARTIN: But look. She didn’t control me into asking you not to look into my head, if that’s what you’re thinking. That’s all me. ARCHIVIST: Martin, I’m not… looking for a l–loophole. MARTIN: Well, good! ‘cause this isn’t one. [SILENCE] ARCHIVIST: … Methinks the Spider doth protest too much…!

(MAG172) ARCHIVIST: I was going to suggest that… I could… maybe… “know”. I could look. Just a quick peek, to, to see if it was just curiosity, or… something else. … Well? MARTIN: I don’t… If you look, and I was… “influenced”, then how can I trust anything else? How can I believe any of my thoughts and feelings are really mine? ARCHIVIST: U–uh, well… I–I–I’ll still be here to check, I–I’m not leaving you. MARTIN: Sure, but you’d be looking through the details of everything that ever crosses my mind? I don’t want that! Y–you know I don’t want that. ARCHIVIST: … I know. [SILENCE] … Don’t do this to yourself, Martin. This is what it wants, the, the paranoia. [SIGH] Trust me, I, I know. MARTIN: … Fair.

(MAG197) ARCHIVIST: She’s had plenty of chances. She didn’t need to kidnap him. BASIRA: Sure, but maybe she… What? What’s with the look? ARCHIVIST: How are you feeling, Basira? BASIRA: [SHARPLY] Do you want to look inside my head? See if it’s full of spiders? ARCHIVIST: I… No. I’m… sorry, I–I trust you. BASIRA: How are you feeling? ARCHIVIST: [SIGH] Yes, all right, you don’t need to make a point. BASIRA: Yes I do. You’re too close to this, and I need to make sure you aren’t going to do anything dumb. Situation like this, we can’t make rash assumptions. Right? ARCHIVIST: … Right.

I like (in a heart-breaking way) how Jon’s tendency to suspect that people might be affected by The Web has been so prevalent, and shows how deeply his childhood encounter affected him. When people behave in a way he didn’t expect or for reasons he cannot immediately understand, he’s very quick to blame The Web – it’s not coming out of nowhere, since there were statements about The Web pulling strings and getting people to do things they didn’t want to do… but it also goes in the way of Jon’s decision to trust people. I like that Basira immediately understood what Jon suspected and set things straight in that regard; Martin might be Jon’s “reason”, but other people have been really good at grounding him lately, too.

- BASIRA SEES MARTIN AS A FRIEND ;w; It used to be Martin clinging to the idea…

(MAG175) MARTIN: I–I know what you meant! I can still be keen to see our friends! ARCHIVIST: … True. MARTIN: Besides, we can help them now.

(MAG176) MARTIN: And the fact that we’re hunting our friend, in a domain of The Hunt isn’t getting to you at all? Not even a little bit? [TRILL OF A BIRD] Hm? […] BASIRA: What’s something only Martin would know? MARTIN: … What?! I don’t know! BASIRA: Fine! Then… [COCKED GUN] MARTIN: No–no–no–no–no–no, wait–wait, uh, I, God, I don’t know, we’ve never hung out much! I’ve no idea what you know about me!

… and having to admit that no, they didn’t know each other much. But now, look at Basira being concerned and protective of him ;w;

(MAG197) ARCHIVIST: [INHALE] But if she hurts Martin, all bets are off. BASIRA: If she hurts Martin, I’ll be right there with you. […] Martin, are you okay? MARTIN: [MUFFLED MMHMM] BASIRA: You know, we’d probably be more willing to listen if you hadn’t kidnapped our friend?

Martin got friends………

- I wasn’t able to parse which segments there were, but I could clearly hear Jon’s and Martin’s voices playing in the background tapes when we switched to Annabelle!

I did need the transcript’s indication that Martin was tied to the chair to realise that… indeed, we hadn’t heard him get up last episode. It had creaked plenty when he had sat last episode, it would have creaked if he had had the time to get up. Congrats Martin, you spent an episode and a half sitting, this time around!

- Martin likes Jon’s voice!!

(MAG197) ANNABELLE: I thought you liked his voice? MARTIN: I do when it’s his voice. I’ve never liked the statements. It always felt… Yeah. ANNABELLE: Well… you can trust me when I say you’ll be hearing his real voice very soon.

That’s an adorable little detail <3

- I love how Martin was such a bitch with Annabelle, at the same time very honest (pointing out that his situation didn’t make it easy to get relaxed, that he was afraid about the trap set for Jon, that he had already been told about dream-logic elements, that he was second-guessing what Annabelle wanted out of this) and blowing up in annoyance.

(MAG197) ANNABELLE: [CHUCKLE] On edge, are we? MARTIN: Of course, I am! You’ve stuck me in a weird interdimensional web, and threatened to fill me with spiders! ANNABELLE: No…! I said I had “considered” filling you with spiders. MARTIN: Yeah, whatever, the point is, there was a time when it was very much your go-to option! And this one time I chose to almost trust you, you’ve immediately turned around and used me as bait!

I loved how his voice SQUEAKED with that “spiders”. Resent and remember.

Also, games, in that apocalypse?

(MGA180) MARTIN: … I–I’ll start. I spy, with my little eye, something beginning with… T– ARCHIVIST: Tombs. MARTIN: … Cheater. ARCHIVIST: [INDIGNANT] I did not! MARTIN: … Your turn. [BAG JOSTLING] ARCHIVIST: Fine. I spy, with my little eye… Literally everything. [MARTIN LAUGHS] [THE ARCHIVIST LAUGHS] [A NEARBY TOMB LAUGHS] [LAUGHTER STOPS WITH TENSE SIGHS]

(MAG197) ANNABELLE: We could play a game? MARTIN: Uhhh… [SIGH] ANNABELLE: Twenty questions? Animal, vegetable or mineral? MARTIN: [SIGH] Animal. Does it have eight legs? Yes. Is it a spider? Yes. Oh, look, I win.

Never quite working.

- I loved Annabelle’s back-and-forth regarding Martin’s potential for The Web: at first saying that he could have been a good fit for it, then that no, he’s too impatient, then that ah, maybe his talent for interpreting the vibrations meant that he had something in him. It’s everything and its contrary, and it allows her to… always be right.

(But it cracks me up so much that the argument for anti-Web Martin basically came down to Martin being too ranty and impatient. I love Martin.)

- Sob about the set-up because:

(MAG197) ANNABELLE: … You don’t need to worry about Jon. MARTIN: You’re literally luring him into a trap. This trap. This one right here! [MARTIN MOTIONS AND TWANGS THE WEB, SETTING OFF STRONG REVERBERATIONS] ANNABELLE: Please don’t do that. Technically… yes. This is a trap. But the only one in actual danger is going to be me. If he chooses to kill me, I can’t stop him. Not even here. And you’re not bait, you’re just… an invitation.

Yeah, sure, an “invitation” when you’ve put the Mr. Spider tape right near the house to welcome Jon is an absolutely neutral and mundane “invitation”. It’s not flexing or trying to traumatise your guest even before he entered the house.

- Annabelle, PLEASE.

* Things that are absolutely horrifying regarding The Web: the way it often targeted children. Mr. Spider was a picture book and got into Jon’s hands when he was eight (and given how Jon initially thought that the book was “insulting” his intelligence… it might have preyed upon even younger children if left unchecked). Annabelle had described her own Web encounter as a kid. Ray was taking care of children and preparing them for his god.

* It also tied nicely with another leitmotiv with The Web: the fact that it is invested in performances and artistic displays (a movie in MAG110, Neil Lagorio’s own original cuts and his last wish of dancing in MAG136, Francis’s theatre play in MAG172) – Annabelle was all about this, making various references to the fact that she was staging the whole scene.

* That “These things rarely do” reminds me of what she had mentioned last episode, that “You can’t be precious about a single strand”: how many discarded plans and ideas have there been to ensure that she would be right and/or that she would get her pieces where and when she needed? It’s not that The Web feels infallible – it’s that it seems to multiply its efforts to make sure that at least one would work out.

- I got the impression that Martin feeling that Jon and Basira were coming happened at the same time as Basira brushing the strands early on, hence Jon’s comment over it:

(MAG197) [BASIRA BRUSHES AGAINST A STRAND WHICH THRUMS AND ECHOES, AND THE CADENCE OF BUZZING SOUNDS CHANGE AS TAPE SQUEALS WITH THE REVERBERATIONS] BASIRA: Sorry…! ARCHIVIST: … It’s okay. She already knew I was here, I just… I hoped we might be able to sneak you in. […] MARTIN: W–, yeah, well– [CHITTERING, BUZZING AND TAPE SQUEALS CHANGE CADENCE] Wait… Wait, hang on… is that him? ANNABELLE: Yes! I guess you’re better with The Web than we thought. MARTIN: And… Wait, ha–, no, uh… Is that… Basira? He–he’s got Basira with him! ANNABELLE: Yes. I did wonder if that would be the case. Interesting. And unfortunate for me. That’s two heads we’ll need to keep cool. My odds aren’t looking good.

So it gave us a nice perspective on who was talking about what when!

I’m surprised that Annabelle indeed only discovered it at that moment – meaning that if Basira hadn’t touched the threads, she wouldn’t have known she was there… although she had been recorded more than once since Jon had left London. Web is not omniscient, uh.

- Annabelle’s taste for theatrics was hilarious, and Martin sarcastically following her request by trying out postures of the Main Love Interest In Distress And Held Hostage was incredible. Martin, PLEASE.

(I wonder if she spat in his mouth, to gag him? Where did that thread come from.)

- It still amuses me how dry Jon can sound in front of avatars, while he’s way more emotional (soft, annoyed, amused, desperate sometimes) in front of Martin! He really adapts his presence to the people in front of him, in this new world.

- Love how Basira pointed out that Jon shouldn’t do anything rash… and then he immediately went for a smiting attempt when he saw that Martin was positioned in a dangerous and precarious situation.

- Jon’s new “Fuck” means that he’s now The Biggest Sayer Of Fuck in the series!

(MAG154) ARCHIVIST: [SIGH] [SOFTLY BUT WITH FEELING] … Fuck.

(MAG158) DAISY: Oh, shit! ARCHIVIST: You gotta be fucking kidding m–

(MAG166) ARCHIVIST: Yes! Ashamed of the fact that I… destroyed the world and have been rewarded for it; the fact that… I can walk safe through all this horror I’ve created like a fucking tourist, destroying whoever I please; the fact that I… enjoyed it, and… the fact that there are… so many others, that I still want to revenge myself on! [EXHALE]

(MAG197) ARCHIVIST: “Free will,” she says, as we stand in the middle of her fucking web!

Martin (MAG154), Melanie (MAG131) and the Inspector (MAG185) are at 1; Trevor was at 2 (MAG176); Tim was at 3 (MAG065, MAG080, MAG104); Basira is at 3 (MAG148, MAG177, MAG178)… and now Jon takes the lead with four ;w; Who would have thought, when listening to episode 1!

(If taking “shit” into account: Martin explodes the counter because of his litanies in MAG163 and MAG179.)

- Oh Martin…

(MAG197) ANNABELLE: He came of his own free will. MARTIN: [MUFFLED POINT OF CONTENTION] ARCHIVIST: “Free will,” she says, as we stand in the middle of her fucking web! ANNABELLE: [LAUGH] A fair point! But that’s a debate for another time. I simply mean I did not bring him here through force, threat or false pretence. I made an offer, and he agreed. ARCHIVIST: Martin, is this true? [TAPE SQUEALS] MARTIN: [MUFFLED ATTEMPTED EXPLANATION, FOLLOWED BY MUFFLED SIGH AND MUFFLED AGREEMENT] BASIRA: Told you. ARCHIVIST: We’ll talk about it later. Once you’re safe.

I love how we could indeed tell his emotions at the moment, at first objecting, then slowly having to concede.

There is still a tiny possibility that Annabelle still pulled a string and made Martin keener to follow her, but I don’t feel like that would be necessary – the point was that he was out of options, that Annabelle had dangled the fact that she had one, and offered to give it while simultaneously threatening to not ever share it if Martin didn’t immediately come with her (as it was explained last episode). Of course, in retrospect, it sounds like Annabelle/The Web needs them more than they need it… but the point was that Martin was lacking options, that Jon was seriously thinking about replacing Jonah as Beholding’s pupil the last time they had talked (which would have meant: for Martin, still being stuck as a Watcher, so still planning to die rather than feeding on people’s suffering), and that Martin is “as bad” as Jon when it comes to self-sacrifice, as Also!Martin had pointed out. I like that Basira had been able to guess that Martin had probably made the choice to follow Annabelle, while Jon… apparently stayed stuck to his perception of The Web as a big manipulator which compels and forces people to do things all the time, without taking detours or subtler approaches.

- Regarding Annabelle’s “lesson” on the Fears, I like how it began on familiar territories, since it roughly followed Gertrude’s own perception of the Fears:

(MAG197) ARCHIVIST: … Fine. Speak your piece. Tell us about your… “way out”. ANNABELLE: As you wish. … The Great Fears, do you believe they think the way we do? ARCHIVIST: They don’t “think” at all. They just are. ANNABELLE: Almost true. In truth, it depends on the Fear. [TAPE SQUEALS] Some exist in an eternal moment, some make use of memory to reflect and corrupt, but for most, time is simply another thing for them to play with. To consider the future, to plan, is not something they’re capable of. ARCHIVIST: But not The Web? ANNABELLE: No. Not the Mother-of-Puppets, the Spinner-of-Schemes. BASIRA: Hang on. What about the rituals? Those were plans. ARCHIVIST: No. [INHALE] They were… desires, filtered and interpreted by people and the thinking creatures that they spawned. ANNABELLE: You are well informed, aren’t you? Exactly this.

(MAG145) ARTHUR: You never had to second-guess a god. ‘Cause that’s what it comes down to, isn’t it? We feel Its joy and Its… anger; It warps us, and changes us, and feeds on us, though not in the ways we expect. The one thing It never does is just… tell us what to do. It seeds us with this… aching, impossible desire to change the world, to bring It to us. Then, It leaves us to guess and bicker and fight over how the hell you can actually do it. … If it’s possible. Sometimes, I think They understand us as… little as we understand Them. We don’t think like They do. GERTRUDE: I’m not actually convinced they “think” at all. ARTHUR: You might be right. But Agnes did.

The idea that avatars had no clear idea about what they were doing had been confirmed by Simon in MAG151, so that wasn’t new. It did colour all of Annabelle’s speech, however, since she argued that The Web was different due to its own way of functioning and she was judge and party in that regard – isn’t she precisely projecting what she thinks The Web is to give it intention, when it’s perfectly possible that “The Web’s plan” might have been mostly inherited through its agents throughout history?

- Confirmation that Oliver might have said the truth in MAG168 about the fact that The End’s domains ultimately had to deliver a genuine death (or, well: confirmation that Jon was convinced that it was saying the truth). And Basira hadn’t been there back then, hence why she needed a bit more information:

(MAG169) ARCHIVIST: “When Danika Gelsthorpe reaches the end of her Corpse Root, she will die. This new world of Fear reviles death as a release, but the Coming End cannot exist without its reality. It is not a being of dangled promises and shifting torments; the certainty of death waits for all who travel the Corpse Roots, and that certainty… will be delivered on, without hesitation or consideration of any other factors. […] The others may take what actions they wish; they may plot and plan and tear themselves apart in an attempt to separate from the fate that they know they cannot escape; but they will fail. The currents of perception and reality may twist in whatever shapes they want; but none of them can ever render things truly eternal. […] I am too much of my patron now and my feelings cannot help but reflect the shadows of… anticipation that lurk within the grave. The End does not fear its own cessation, for it is the certainty and promise of all life, however strange, that it will one day finish, and that includes its own stark existence. […] All – things – end, and every step you take, whatever direction you may choose… only brings you closer to it.”

(MAG197) ANNABELLE: But only two of them could truly conceive of such. Terminus, The End, knows that in such a world they will ultimately consume themselves. And it desires that finality. ARCHIVIST: [REALISING] And The Web understands it as well. That eventually a successful ritual would doom them all. Leave them trapped and starving in a used-up world with no-one to feed on. BASIRA: Hang on, what? This is news to me. ARCHIVIST: We passed a death domain, of The End. The victims there do actually die, meaning even though it would take… I don’t know how long, eventually The End will claim everyone and everything. It’s inevitable.

Damnit, it means that Peter had kiiiiind of been right in season 4 when he had explained to Martin that The Web and The End didn’t appear interested in trying to achieve their rituals:

(MAG134) PETER: There are two Powers that, to my knowledge, have never attempted to fully manifest, never had followers set them up for a ritual: Mother-of-Puppets, and Terminus. The Web, and The End. The Web, I’ve never really been sure about: if I were to guess, I would say it actually prefers the world as is, playing everyone against each other, and so on. The End, on the other hand… The End doesn’t really need one: it knows that it gets everything eventually, so why bother. The End manifesting would not be a new world of terror; it would be a lifeless world. Devoid of everything. MARTIN: … Including fear.

The End was indeed fine with anything, while The Web indeed preferred the world as is – because it had an inkling that rituals would lead to the Fears’ own annihilation. Given how Annabelle pointed out how the escape route had been worked on for so long, I wonder if it had really understood that a successful ritual needed to bring all the Fears into the world a long time ago… or if not at all, and it was, until then, planning an escape in case any of the Fears were to succeed on its own.

- Web!Jonah, Web!Jonah, Web!Jonah.

(MAG197) ANNABELLE: And knowing this, knowing for centuries you would eventually be trapped, doomed to starvation, what would you do? [LONG CONSIDERED PAUSE] ARCHIVIST: … Plan an escape. ANNABELLE: Just so. […] ARCHIVIST: So The Web, it wants to spread? To escape into new realities? ANNABELLE: Yes. But not alone. Any attempt to separate the Fears is ultimately doomed, as you well know.

(MAG160, Jonah Magnus) “Why does a man seek to destroy the world? It’s a simple enough answer: for immortality, and power. Uninspired, perhaps, but – my God! The discovery, not simply of the dark and horrible reality of the world in which you live, but that you would quite willingly doom that world and confine the billions in it to an eternity of terror and suffering, all to ensure your own happiness; to place yourself beyond pain, and death, and fear. […] I am to be a king of a ruined world, and I shall never die. […] Beyond that, I was getting older, and mortality began to weigh more heavily on my mind. How much in this world is done because we fear death, the last and greatest terror?”

The way Annabelle presented it, The Web shared the same logic as Jonah and took the same horrible decision about it: desiring self-preservation, fearing their own end, fearing that others would doom them… and instead of taking active measures to ensure that no doom would happen, they chose to cause it themselves to be in control of it. Jonah could have gone on spending many more centuries body-hopping once he understood that other rituals would never work anyway, but he chose to work on this ritual thinking it would grant him domination and control over the result; and likewise, The Web could have worked to ensure no Jonah-like person would cause the big ritual… but chose instead to actively help him, to cause the apocalypse, thus dooming itself if Jon doesn’t help to make them hop into another world to contaminate it. Same fear of death, same thirst for control, same selfish thought process.

As mentioned above: given how Annabelle might have selected her information, I wonder if The Web had known for a long while that individual rituals wouldn’t work, or if it had discovered that fairly recently, alongside Jonah. It’s possible that the escape route had initially been planned for The Web itself and solely itself in case one of the other Fears succeeded, then The Web discovered that the Dread Powers couldn’t be separated and slightly changed its plan by accepting that all the Fears would need to be yeeted into the passage together?

- I can’t believe we now can answer “What does the Spider want?!”.

It does explain why The Web seemed to ensure Jon’s survival and support Jonah’s plan (Jonah even acknowledged the latter in his letter), and why Annabelle still wanted something out of Jon&Martin although the apocalypse had already happened. It also answered Jon’s own question from the trailer about the tape recorder:

(Season 5 trailer) ARCHIVIST: [SIGH] … What? What do you want? … The world is…! It’s over. You’ve won. What can you possibly still need to hear?

His question had even been followed by a “knock-knock” joke. It really felt like a Mr. Spider reference.

Regarding the tapes: it was indeed right to link them to The Web! I remember that pre-season 4, upon listening to the series for the first time, I was convinced that they were Web, but I had begun to doubt in season 4 because of a potential slight nuance: The Web was using the tapes, it didn’t necessarily mean that it was the thing listening behind the tape recorder. What I did not expect, and am delighted about, is that The Web required the tapes to exist as a hook for its plans:

(MAG197) ANNABELLE: We found the one we believed most likely to bring about their manifestation. We marked him young, guided his path as best we could. And then, we took his voice. ARCHIVIST: No… ANNABELLE: His, and those he walked with. We inscribed them on shining strands of word and meaning, and used them to weave a web which cast itself out through the gate and beyond our universe. So that when the Fears heard that voice, and came in their terrible glory, they might then travel out along it. [TAPE SQUEALS] Or be dragged. BASIRA: Is she talking about the tapes? ARCHIVIST: Yes. […] Do both at the same time, and… for just a moment, all that power rushes through their only remaining connection with reality: the tapes. ANNABELLE: And they would be swept along by it, dragged out of our realities, and into new ones…

And now I wonder about the reasons why the statements didn’t work on Jon’s computer in (and before) season 1, leading him to use the tape recorders. It had been pointed out in MAG065 that tapes were technically digital too, that the difference between a computer and a tape recorder wasn’t a matter of analogue vs. digital, so why did the statements resist computer recording? With the new information: it might have been simply that The Web was making Jon’s computer crash to push him to find another solution for his recordings – Jon indeed ended up relying on the tape recorder (found covered in cobwebs; spotted by Tim first according to the TMA liveshow, and then found back by Sasha according to MAG162’s tape).

Did The Web mostly require a story for their plan? The statements contain bits of Fears, some of Jon&co’s encounters were supernatural, but not everything that was caught on tapes was dealing with fear – we’ve had very mundane exchanges and conversations that did not contain anything supernatural. It, of course, asks the question of whether an audience in-universe is listening to the tapes that have been reordered chronologically: have the tapes already been sent into another world, with or without the Fears coming with them? The current labels on episodes are presented as “Case ########–xx”, a sign that time is not as reliable but that there is still a chronological and logical progression to follow. I wonder if the last episode will go back to having a date-based file number like episodes used to have (MAG160’s, “Case #0181810”, being the last one).

- The problem with Archivists really is their voices, uh? Gertrude and Jon both needed to read the statements aloud to feed Beholding, and the Black Forest tomb had the “For The Silence” coin. I’m a bit curious about whether the Fears would truly follow the tapes because they contain Jon’s voice… if Jon, with that original voice, is staying behind? Wouldn’t he need to go with the tapes, or to be deprived of his voice, for that plan to work?

- Annabelle’s offer was a bit more complex than redirecting their full apocalypse to another world, which I feared, instead presenting it as another world being subjected to this one’s previous and less intense fate… but I’m extremely glad that Jon immediately pointed out that it would likely mean a complete repeat of what their own world had experienced, apocalypse included eventually:

(MAG197) BASIRA: What are you saying? ARCHIVIST: … We can pass them our apocalypse. MARTIN: [MUFFLED DISCOMFITED REALISATION] ANNABELLE: Nothing so extreme. In these new worlds, they would exist as they used to in ours, lurking just beyond the threshold. ARCHIVIST: Until someone is stupid enough to release them there as well. ANNABELLE: Perhaps. Even the Mother cannot see the future. Only try to shape it. ARCHIVIST: And so they spread through realities like a disease. ANNABELLE: Perhaps. ARCHIVIST: … I won’t do it.

Jon even kept using the verb “spread” (“So The Web, it wants to spread?”, “for the Fears to spread into these new worlds”, “And so they spread through realities like a disease”) which really highlighted what it was: not a trade-off, not an equivalent exchange, but really allowing the Fears to possibly impact many other worlds to save theirs, causing way more victims in the process.

I like how it also put another perspective on the Mr. Spider tape welcoming Jon at the end of MAG195, ending with the “MR. SPIDER WANTS MORE”: in the same way, The Web is precisely trying to get more than what it used to have (from affecting one world to potentially hurting many more).

- I am curious about what would individually happen to avatars with that plan:

(MAG197) BASIRA: What happens to you if they escape? What happens to us? We’ve all been touched by them. ANNABELLE: I would either travel with them, or I would die. I do not know which. My life is only sustained by The Web. Most would simply lose whatever power they have been gifted. Jon would lose much of himself, the parts of him that are The Eye. But he would survive. And perhaps, more importantly, he would remain who he believes himself to be.

Would Simon turn to dust due to his old age? Would Arthur become inanimate wax? Would Oliver die (since he already died once)? Or would they be simply left in their current body? Annabelle is indeed a special case since it was pointed out many times that her head never healed from the injury during the experiments (MAG069) and is stitched with cobwebs – it’s possible that her “life is only sustained by The Web” in a strictly literal life-support manner, unrelated to her avatar status.

… I’m concerned about many caveats regarding Jon: Annabelle, what is your definition of “survive”? And what does Jon “believe himself to be” at this point? Jon had pointed out that he was intrinsically tied to Beholding by now, and that he doubted that Beholding leaving this world would mean good things for him:

(MAG191) MARTIN: Jon. If… When we defeat The Eye, the Fears… What happens to you? [SILENCE] ARCHIVIST: Nothing good. I think it depends on what actually happens. If we figure out a way to defeat them, banish them somehow, kick them out of our reality and back to where they came from, I might… survive? I think I’d stay more or less like this; w–weaker, but fundamentally… still an avatar in a world where the Fears are… once again lurking on the edges. MARTIN: … But I assume that’s the best case scenario? ARCHIVIST: Depends on your point of view, I guess. In the long term all we’d have done is… bought some more time. … If, however, we… find a way to destroy or, uh… eliminate the Powers… I’m not going to be okay. There’s… too much of me that’s part of The Eye now. I don’t… know what would be left of me without it. Maybe I just… die. Maybe I survive, but I–I lose… something. My identity? My mind? My… memories? I don’t know.

Which is making me suspicious of what Annabelle is saying, since she seems to go in the exact same direction as what Jon thought might happen to him in the “best” case scenario of the Fears disappearing but him not dying right away.

- Alright, it does clear up what I didn’t understand in Annabelle’s previous plan regarding Jon&Martin’s relationship, and the reason why she discarded it!

(MAG196) MARTIN: Okay, let’s try a different question. What was your plan? ANNABELLE: I was going to snatch you away. Lure you both into this web, and then take you. Drive him to despair, so that when you returned to him, bulging and talking in a thousand tiny voices, it would drive him to a final push. MARTIN: … And now? ANNABELLE: [SIGH] Your bond is too complicated. I couldn’t drive that kind of rift between you now. I’ve considered every angle, examined every cause and effect, and have finally come to the conclusion that I… [SIGH] I need to tell you the truth. To explain things.

She might have initially planned to pressure Jon to go along with her plan by spider-ing Martin, since it would have meant saving him once the Powers would have left (instead of it being a permanent process). However, their “bond is too complicated” for that plan now because they talked and made a promise about not dooming the world in exchange for the other’s safety:

(MAG191) ARCHIVIST: Martin, when the time comes, I need you to promise me that you won’t try to stop me. MARTIN: … I promise. I love you, Jon. ARCHIVIST: [FOND HUFF] I love you too. MARTIN: But I’m not going to doom the world over it. ARCHIVIST: … Thank you. MARTIN: [INHALE] And you have to promise me that you’re going to do everything in your power to live. That you’re not going to… sacrifice yourself at the first opportunity, just because you feel guilty about what happened. ARCHIVIST: [BREATH] … I promise.

(… Well. Martin had promised to not doom the world over Jon. Jon himself had not done the same.)

It might be what caused Annabelle to change plans: before, she might have thought that Jon would have done anything to save Martin, including throwing the Fears into other worlds without any hesitation; but since that conversation, she might have been fearing that Jon would have refused to doom other worlds for the sake of Martin’s well-being.

- Although Jon apparently immediately interpreted it as Basira being likely to go Annabelle’s way…

(MAG197) BASIRA: … How would we do it? ARCHIVIST: Basira! BASIRA: We need to know, Jon.

… she really felt, to me, like she was trying to get all the information they needed to be able to manoeuvre with it all afterwards. Same as at the beginning of the episode, she gave me the impression that she was trying to stay in control while ensuring Martin wouldn’t get hurt (not being too antagonistic towards Annabelle, and getting her to talk), but it didn’t sound like she was approving.

- OKAY for Annabelle’s plan:

(MAG197) ANNABELLE: It’s very simple. Destroy the Archives, and cut out The Eye’s pupil. BASIRA: [SARCASTIC] Oh, is that all? ANNABELLE: Simultaneously. MARTIN: [MUFFLED DESPONDENCY] ARCHIVIST: I see. Destroy the Panopticon, and you release its power. Kill Jonah, and you cut the connection between the Fears and the world. Do both at the same time, and… for just a moment, all that power rushes through their only remaining connection with reality: the tapes. ANNABELLE: And they would be swept along by it, dragged out of our realities, and into new ones… BASIRA: And how exactly are we supposed to destroy the Archives?

* It kind of explains why she waited for them to reach London first before making them come to Hill Top Road: they needed to see for themselves that the tunnels had been mostly insulated from the apocalypse, and what state Jonah was in. (Plus, making it sink in that no, “killing Jonah” wouldn’t solve anything, so waiting for them to be a bit more desperate for another option).

* I’m… worried about the fact that Annabelle specifically stated that they needed to destroy “the Archives” but that Jon translated it into “the Panopticon”. Is it the same thing by now? We haven’t seen the Archives when we were in London – what did the statements and documents turn into?

* … And relatedly: Jonah had introduced the idea that Jon was “the Archive”. Is it really about destroying the Panopticon, or is it about destroying Jon…

(* It also explained why Annabelle had found “reassuring” that Martin was worried about victims on their way to Hill Top Road, since her plan relied on them agreeing to throw other worlds under the bus to save these people from this world. If they didn’t care much about random victims all around here… then they would be even less likely to accept her solution.)

- It reminds me that we still haven’t been told what is Jon’s domain and what is Annabelle’s domain. Annabelle’s could be Hill Top Road, but it was never stated! As for Jon, his only indication was that Martin&him had been walking “towards it” during their first journey towards London, so it could be the Panopticon itself… but we don’t know for sure either. What happens, when you destroy someone’s domain? (We have the case of Helen-the-Distortion, who was her own domain in a way… and it seems to have destroyed it entirely in her case.)

- HECK YEAH for the gas main not being done with /o/

(MAG161) GERTRUDE: [SHARPLY] We’re wasting time. Do you still have the Ruskin book? LEITNER: I do. Though I don’t relish the thought of using it. Makes it rather hard to breathe, like your chest– GERTRUDE: You know– LEITNER: –is being… GERTRUDE: –the gas main, little way out in the tunnel? LEITNER: I do. GERTRUDE: I need you to move it. LEITNER: I, hum… That’s… I mean, that’s not just earth, there’s pipework and all sorts of– GERTRUDE: Find a way. I need it to be directly under the Institute, or… at least, closer. LEITNER: I’m more likely to rupture it and fill the place with gas. GERTRUDE: Hm! That would also be acceptable. LEITNER: Hm… I’ll do what I can. When do you need it? [RUSTLING OF CLOTHES] GERTRUDE: If my guess is right, the Church’s ritual should be collapsing at any time now, so… immediately. LEITNER: And if you’re wrong? GERTRUDE: Then a bit of gas will be the least of our worries. LEITNER: Right… What are you going to do? GERTRUDE: Paper burns well. [GURGLING LIQUID] Petrol burns… better. LEITNER: Aha! I always forget about your pyromaniac streak.

(MAG068) ARCHIVIST: Supplemental. I’m in the tunnels. I was exploring and I got lost. I haven’t gone down any of the stairs and I– I think I’m still under the Institute. There were a couple of spiders, so I changed routes and found, I think it’s a gas main. Must be for the whole building.

(MAG197) BASIRA: And how exactly are we supposed to destroy the Archives? ANNABELLE: Many years ago, a draughtsman made an unfortunate and egregious error on certain city planning documents. As a result, an unusually large and dangerous gas main just happened to be constructed directly below the building you knew as the Magnus Institute, in a place where it would be protected by the tunnels of Robert Smirke, unchanged by the world’s reformation. [TAPE SQUEALS] You need only ignite it. ARCHIVIST: “Ignite it”? ANNABELLE: Indeed! And it just so happens that the perfect tool was once delivered to you as a token of appreciation. Though you really do need to learn to keep better care of it. Somehow, it always seems to slip your mind, doesn’t it? ARCHIVIST: What…? BASIRA: Jon, it’s that stupid lighter of yours.

I had been surprised that it had been narratively brought back at the beginning of the season clarifying why it was there – Gertrude had asked Leitner to bring it closer to the Institute, which is why Jon had seen it in season 2 (… while fleeing because of spiders… in the episode right before the one he heard of Annabelle Cane for the first time…), and it was still hanging out there.

Annabelle never confirmed whether or not she had been the one who had sent tapes alongside the package containing Jonah’s statement, but it really feels like she was trying to prepare Jon to the idea of burning the Archive down, since all the tapes (and the beginning of the statement Jonah used to cover his) had mentioned fire in some way.

(MAG160) MARTIN: Still, she did manage to talk them out of burning the whole place to the ground? Oh, ah! Actually, that reminds me. Hum… [PAPER RUSTLES] ARCHIVIST: Ah! These, these are the… statements. MARTIN: Uh, yes. Basira said last week she’d send some up as soon as the Archives weren’t a crime scene. ARCHIVIST: Yes… MARTIN: And she wasn’t sure which ones you’d read already, so she–she just said she’d send a bunch. [CLATTERING SOUNDS] ARCHIVIST: There’s… tapes in here, as well. D… did she say anything about tapes? MARTIN: She… didn’t mention it? But… I–I didn’t check it until after the call. ARCHIVIST: Mm. MARTIN: I assume it’s her attempt at a… a–a “varied diet”? Eating your greens, you know? ARCHIVIST: [CHUCKLE] Probably! I’m sure it will work fine.

(MAG161) ARCHIVIST: –yes, thank you, I do hope you’re not planning to light those candles…! TIM: … Oh, goodness! [SHAKES A BOX OF MATCHES] A source of ignition? In the Archives? ARCHIVIST: [SIGH] SASHA: [CHUCKLES] TIM: Uh oh! ARCHIVIST: Tim. TIM: Oh? Woops! [A MATCH IS LIT] Sorry; my hand slipped. And again. [CRACKLE OF A BIRTHDAY CANDLE WICK] And again. And… a couple more times, here – I’m so clumsy today; that is a lot of fire! ARCHIVIST: I’m really not comfortable with– SASHA: So blow them out, then. ARCHIVIST: Oh. [FIRE CRACKLING] … Right, yeah– ELIAS: And make a wish.

(MAG161) GERTRUDE: Paper burns well. [GURGLING LIQUID] Petrol burns… better. LEITNER: Aha! I always forget about your pyromaniac streak. GERTRUDE: Mm. Remind me to tell you about Agnes, sometime…!

(MAG162) GERTRUDE: Eh! [INHALE] You can probably burn it in the back courtyard, if you’re careful. GERRY: Yeah, will do! GERTRUDE: And for goodness’s sake, make sure no one sees you. The last thing we need is a letter to Elias about book-burnings. GERRY: Look, if you have somewhere better to burn these books, then– GERTRUDE: Of course, Gerard…! I just happened not to mention the network of sinister tunnels that snake beneath the Archive, where I keep all my darkest secrets…!

(MAG162) TIM: Well… Tell you what. If you get eaten alive [STAPLING] by improperly filed statements? Me and Martin will avenge you. SASHA: Myeah, aren’t you sweet. TIM: I mean it! We’ll burn this place to the ground, it’ll be all like, “Sashaaa! Saaashaaaa!”

(Adding to Rosa Meyer’s attempt to burn the building in MAG060, Gertrude likely destroying the Archives under Alexandria by blowing up a gas main in MAG053…)

So: whatever Annabelle said, Jon could lend it some credence since he had seen the gas main and knows where it is; he knows why it’s so close to the Institute; he knows it used to be part of Gertrude’s plan to take down Elias/Jonah in March 2015. Whether Jon will pursue that plan or not, we know what it meant narratively, same with the lighter.

It’s also really interesting that what Annabelle offered used to be exactly Gertrude’s plan:

(MAG080) LEITNER: I believe it was Elias. ARCHIVIST: What? Why? LEITNER: I assume he discovered we were planning to destroy the Archives. ARCHIVIST: Gertrude was going to destroy the Archives?

… and it’s exactly when Elias had strike and killed her. Did a spider whisper to his ear that it was way too soon to blow up the building?

(WHICH WOULD HAVE PREVENTED THIS APOCALYPSE, BY GETTING RID OF JONAH, WHO HAD JUST UNDERSTOOD WHAT HE NEEDED TO DO TO MAKE IT HAPPEN.)

- The lighter reveal was just comedy gold, and I’m so glad that the reccurring thing with “Jon isn’t able to pay attention to the lighter and tends (/is compelled) to change the subject when it’s brought up” led to this.

(MAG037) TIM: Um, apparently Martin, uh, took delivery of a couple of items last week addressed to you. Did he not mention it? ARCHIVIST: No, he… Oh, yes, actually. I completely forgot. He said he put it in my desk draw, hold on. [SOUND OF PACKAGE BEING RETRIEVED AND OPENED] TIM: Er, what is it? ARCHIVIST: A lighter. An old Zippo. TIM: You smoke? ARCHIVIST: No. And I don’t allow ignition sources in my archive! TIM: Okay. Is there anything unusual about it? ARCHIVIST: Not really. Just a sort of spider web design on the front. Doesn’t mean anything to me. You? TIM: Ah no. No. ARCHIVIST: Well… show it to the others, see what they think.

(MAG039) SASHA: So why hasn’t it gone off? ELIAS: Because there isn’t an actual fire. SASHA: Right, right. Can we set it off manually? I think Jon’s got a lighter somewhere. ELIAS: He’s not smoking again, is he? Anyway, it shouldn’t be necessary.

(MAG079) TIM: But he’s going to do something, and it’s going to be bad. And I don’t mean like “sneaking a cigarette” bad. Like properly bad.

(MAG111) GERARD: Nice lighter. You a spider freak, then? ARCHIVIST: What? Oh! Er, n–no. I–I, I never really, uh… I never really thought of it. I–I’m Jon. I’m with the Magnus Institute. … I–I’m the Archivist.

(MAG136) DAISY: [SCOFF] She’s… Web. Spider’s sneaky like that. [PAUSE] Like that lighter you’re always using. Where’d you get that? ARCHIVIST: Mm. [STATIC RISES] Good point. We should keep our eyes open. [STATIC FADES] Anyway, how’s Basira doing?

(MAG162) MARTIN: You said this place, the–the cabin was… [WOODEN CREAKING SOUND] It, it’s feeding on us, right? ARCHIVIST: Yes… MARTIN: … So should we… destroy it, before we go? […] We’re not even gonna try? We, we’ve got your lighter, maybe we could just– ARCHIVIST: We can’t fight the world, Martin.

(MAG197) ARCHIVIST: “Ignite it”? ANNABELLE: Indeed! And it just so happens that the perfect tool was once delivered to you as a token of appreciation. Though you really do need to learn to keep better care of it. Somehow, it always seems to slip your mind, doesn’t it? ARCHIVIST: What…? BASIRA: Jon, it’s that stupid lighter of yours. ARCHIVIST: [INDIGNANT] My what? I… [STATIC RISES] [PULLS THE GOLD LIGHTER WITH EMBOSSED SPIDERWEB FROM POCKET AND FLICKS IT OPEN] Oh? … Oh. [STATIC FADES]

Sasha remembered it, Tim had commented on Jon trying to discreetly smoke (though that might have been a figure of speech?), Gerry had first assumed that Jon was with the Spider because of it, Daisy had directly asked about the lighter and Jon had redirected the conversation elsewhere, Martin had pointed out at the beginning of this season that Jon still had that lighter with him… and now, Basira revealed that she had noticed it too. The static in MAG136 had made it clear that it wasn’t Jon’s fault, that he was likely supernaturally compelled to not think too long about the lighter, but I love that silly moment, that “My WHAT?! =<= … oh” was one of Jon’s best moments. ever.

- I really wonder whether Annabelle’s reaction was sincere when Jon threatened to let the lighter fall into the hole:

(MAG197) ARCHIVIST: I see. So… [FLICKS LIGHTER SHUT] If I were to throw it away– ANNABELLE: [GASP] ARCHIVIST: –into your little pit… MARTIN: [MUFFLED WORRY] ANNABELLE: [CAREFULLY] I would advise against that. ARCHIVIST: Oh, would you? BASIRA: Jon, she still has Martin. MARTIN: [MUFFLED REMINDER] [TENSE STAND-OFF] ARCHIVIST: Fine! … Fine.

* Jon going for the throat, taunting and threatening and relishing the power he thinks he has is terrifying but also incredibly hot. That condescension…! (And it kind of made a twisted parallel with Annabelle’s discussion with Martin earlier, when she defended that she had once thought about filling him with spiders but discarded that plan. It’s not the same power dynamic, but it still shows that… now, Jon knows how to handle the avatar-game better, and to revel in the power he can have over other terrible beings.)

* … What would have happened exactly? It can’t be just that it would have meant that Jon would have lost his way of igniting the gas main – that could be easily replaced by anything, getting a spark wouldn’t be hard and they have some supplies. What would have happened, if the Web artefact had been thrown into the pit…? Would it have deprived The Web of some of its power, would it have contaminated another world…? Why was Annabelle suddenly that tense over it…?

- Another JonMartin hug ;w;

(MAG159) MARTIN: [DISTANT, VOICE ECHOING] I see… [INHALE] I see you, Jon. [BREATHLESS CHUCKLE] [PRESENT, ECHO FADES] I see you…! ARCHIVIST: Oh, Martin… [FABRIC RUSTLES] MARTIN: [FRANTIC BREATHING] I w–I was on my own…! I was all on my own… ARCHIVIST: Not anymore. Come on – let’s go home…

(Season 5 trailer) MARTIN: You know I’m here for you. ARCHIVIST: [LONG SIGH] … Yes. Yes I do. [RUSTLING OF CLOTHES] MARTIN: All right. All right.

(MAG170) ARCHIVIST: Oh, Martin! Thank god, I, I was… I–I thought you were behind me. [FABRIC RUSTLES] MARTIN: I thought you’d left me behind…! Gone on without me.

(MAG177) ARCHIVIST: … I’m sorry. [SILENCE] MARTIN: [SIGH] It’s okay. I understand. [BAG JOSTLING] [FABRIC RUSTLES] BASIRA: Urgh… [SILENCE] You done?

(MAG183) ARCHIVIST: If you’re sure. MARTIN: … I’m sure I love you. [FOOTSTEPS] ARCHIVIST: I love you too. [FABRIC RUSTLES] Let’s go.

(MAG187) ARCHIVIST: [GROGGY] Oh. Martin, good! [BAG JOSTLING] [FABRIC RUSTLES] MARTIN: Wh–, wh–wh–what happened? Th–th–there was the hotel and then…

(MAG191) ARCHIVIST: Sorry. Not something I can help, I’m afraid…! MARTIN: No, I, I know, I know. I’m sorry, it’s okay. [SIGH] [FABRIC RUSTLES] ARCHIVIST: … Bad dream? […] Maybe I survive, but I–I lose… something. My identity? My mind? My… memories? I don’t know. [FABRIC RUSTLES AS THEY EMBRACE] MARTIN: [LONG EXHALE]

(MAG197) MARTIN: [COUGHING AND SPLUTTERING] Jon…! ARCHIVIST: Martin! [FABRIC RUSTLES] MARTIN: … Oh god, I’m sorry, I– ARCHIVIST: It’s fine. MARTIN: I didn’t realise that– ARCHIVIST: We’ll talk later.

(MAG159 was confirmed by Alex, and MAG187 wasn’t marked in the transcript but I definitely hear it!)

;_; Every time, I wonder if it will be the last one… but I’m kind of expecting a big, biiig dramatic hug for the last one so… not there yet.

- I come out of this episode still not knowing exactly what to think about Annabelle – it sounded like her last appearance (“Very well. We shall not see each other again, Archivist. But I eagerly await your decision.”), though it doesn’t mean we wouldn’t hear about her.

My feeling from this episode is that she’s mostly… a sort of vessel of The Web, a puppet herself (her use of “we” sounded like she was the spokeswoman of a greater conscience), and I don’t know what is left of who-she-used-to-be – contrarily to other avatars, she didn’t seem to cast much value in her own self-preservation, since she did point out multiple times that it wouldn’t matter if she got killed in the process of The Web’s plan as long as she delivered its message to Jon first. I’m crossing fingers for something more about Annabelle herself because… it was already the case with The Distortion using Helen as a face and the tragedy of Jon not having been able to know her (plus, when it comes to monsters taking women’s faces: The Hive had invaded Jane Prentiss, the Not!Them postured as Sasha, even Nikola was technically a being older than this particular mannequin), while we got male antagonists who were their own despicable selves like Peter or Elias. On the other hand, Annabelle’s theme seems to be a play with the fears and thoughts people project onto her, the things they expect from her, the role she is forced to play because of these expectations:

(MAG147, Annabelle Cane) “Now, I believe the tradition is to tell you the story of my life; the sinister path that led me inevitably to the sorry state in which I now find myself. Well, let it never be said I do not dance the steps I am assigned.”

(MAG196) MARTIN: I don’t know, like… something a bit more dramatic, I guess. ANNABELLE: We’ll see what we can do. [FOOTSTEPS, THEN CREAKING AS ANNABELLE OPENS THE DOOR] [DRAMATICALLY] Step into my parlour…! […] Let’s make the setting a little more… appropriate, shall we? MARTIN: Hey, just… ah, hah, p–put the camera down, okay? ANNABELLE: You said you wanted something more… “dramatic”. Right?

(MAG197) MARTIN: Oh. Wonderful. I can’t wait to attend the Annabelle Cane Show. ANNABELLE: Huh! You know, I did consider it once. MARTIN: Excuse me? ANNABELLE: A TV show. Reaching out into the homes of millions, giving the more vulnerable ones a subtle nudge towards terror. [TAPE SQUEALS] Probably something for children. … It never went anywhere, of course. These things rarely do. […] Now settle back. Try to look… intentional. MARTIN: What does that mean? ANNABELLE: They’re going to expect a suitably elaborate scene when they arrive, a monstrous tableau. I’d hate to disappoint them…! MARTIN: Rrright… [MARTIN GINGERLY TRIES TO ADJUST HIS POSITION] So, w–were you thinking something like this, or–? ANNABELLE: [SIGH] [ANNABELLE RELEASES A BURST OF WEBBING, GAGGING MARTIN, AND STICKING HIM FIRMLY TO THE CHAIR] MARTIN: [MUFFLED INDIGNANCY] ANNABELLE: My apologies for the inconvenience but appearances are everything, Martin. Now, if you’ll excuse me? I need to change into something more suitable. [BONE CRACKS AND FLESH TEARS AS ANNABELLE REVEALS THIS WASN’T EVEN HER FINAL FORM] [ANNABELLE’S VOICE IS DEEPER FROM HERE ON OUT AND TAPE RECORDERS CAN NO LONGER BE HEARD] [TWISTED STATIC CRACKLE] ANNABELLE: It is so very important to prime your audience. […] I’ve played my part to its completion. You get to decide how I exit the stage.

The entirety of her interaction with Jon was framed as a performance – the performance he expected out of her. Jon was expecting the worse out of Annabelle? He was welcomed with a tape reminding him of his childhood trauma, putting him in the position of the next “guest” who would be devoured by the Spider when he would enter its home. Jon was wary of Annabelle as being dangerous and harming Martin? Annabelle turned into a monster and threatened to harm Martin. Martin might have had some doubts and fears about turning Web, to the point of refusing Jon would look into his head to know what was happening with him in MAG172? Annabelle kept going back and forth about whether Martin was suitable for it or not, with any detail going in a direction and then the other (Martin calculating his behaviour with others making him a likely candidate, but his impatience showing that he wasn’t fitted for it, but his perception of The Web proving that he had what it took…). Annabelle even pointed out to Martin that he was prompt to make a judgement and distrust her before she had done anything to him (“Why? Because of what I say, or because of the assumptions you make about my motives?”): she kept feeding them the lines they were expecting from her. It can simply fit with The Web’s whole thing about making you second-guess and playing on your indecisions, on your uncertainties and doubts; it could also be that there is something more underneath…?

(Especially since… well, technically, Annabelle gave them a lot of information and left them free to think about it. If she were trying to sabotage The Web from the inside, that would probably be the best way to go about it: following the plan like a puppet, and ensuring it goes badly at the same time.)

- That’s FUN, we got the same annihilation as MAG160 for Jon by putting him as responsible of the situation, while at the same time taking the reverse approach regarding being “chosen”:

(MAG160, Jonah Magnus) “It does tickle me, that in this world of… would-be occult dynasties and ageless monsters, the “Chosen One” is… simply that: someone I chose! It’s not in your blood, or your soul, or your… destiny. It’s just in your own, rotten luck. […] You are prepared. You are ready. You are marked. The power of The Ceaseless Watcher flows through you, and the time of our victory is here. Don’t worry, Jon. You’ll get used to it here – in the world that we have made.”

(MAG197) ARCHIVIST: So The Web, it wants to spread? To escape into new realities? ANNABELLE: Yes. But not alone. Any attempt to separate the Fears is ultimately doomed, as you well know. ARCHIVIST: But how? ANNABELLE: We found the one we believed most likely to bring about their manifestation. We marked him young, guided his path as best we could. And then, we took his voice. […] ARCHIVIST: … I won’t do it. ANNABELLE: Possibly. You’ve seen your other options. […] BASIRA: … What about her? ARCHIVIST: [HARSH] Good question. As far as I can tell, there’s now nothing to stop me killing you. And throwing this lighter away forever. ANNABELLE: Nothing, except your own indecision. […] We shall not see each other again, Archivist. But I eagerly await your decision.

There are so many little differences between the ways they pictured Jon’s role! Both presented him at the centre of their plans, as a necessary piece: Jonah gloated about the way he had picked and shaped Jon’s fate, and his whole letter was about retroactively depriving Jon of his own agency (shaping the fantasies that Jonah had always been in control and had led Jon where he wanted to ultimately be); and surprisingly, The Web took another approach, no less hurtful – framing the apocalypse as the result of a sort of uniqueness which meant that, since Jon was a child, he was likely to cause the apocalypse, and presenting the outcome and destiny of their world… as his, leaving him the possibility to “decide”.

And as much as Jonah blew the idea that he had always been in control out of proportions (the idea to send Jared after Jon and then going pikachuface when Jared attacked the Archives without waiting…), he still felt more honest than what Annabelle said about Jon! I’m especially interested in this bit:

(MAG197) ANNABELLE: We found the one we believed most likely to bring about their manifestation. We marked him young, guided his path as best we could. And then, we took his voice.

Because… what bullshit, what with giving the impression that there would have been anything special about an eight-year-old boy making him the “most likely” to cause the apocalypse! Implying that it was even Jon’s choice by failing to remind that Jonah had been responsible for it! It’s easy to describe Jon as the person who was meant to Open The Door now that it indeed happened, and I’m absolutely ready to picture that there were actually thousands of potential people who could have done it in the world and it “simply” happened with Jon. After all, Annabelle had pointed out last episode that “People get so caught up on how intricate they are, how perfectly constructed. They never consider how flexible they can be. The sort of storm they need to weather. You can’t be precious about a single strand.”: how many discarded plans had there been in the last century or so? I also love and hate how it paralleled The Web’s use of tapes: individually, each segment might have been true… but not necessarily in the order Annabelle suggested:

“We found the one we believed most likely to bring about their manifestation.” => Web indeed did support Jonah’s plans, but when did it decide that Jon would be the perfect candidate?

“We marked him young” => Jonah pointed out that Jon already had The Web mark and that it contributed in making him pick Jon as the next Archivist for his project.

“guided his path as best we could” => The Web tipped Jon off here and there during the series (a spider led to the season 1 climax, strengthening Jon’s chances of survival since the worms weren’t fully ready yet; there were cobwebs on Jon’s first tape recorder; The Web sent Oliver to help Jon to “make his choice” and wake up at the start of season 4; a tape covered in cobwebs sent Jon on a quest for an anchor, it was specifically a Flesh statement so likely trying to direct him towards Jared…)

“And then, we took his voice.” => Pushing Jon in the direction of the tape recorder to record the “difficult” statements that didn’t work on computers.

Did The Web send Jon to the Institute, or did Jon’s curiosity push him to wanting to understand what had happened with the book when he was a child? Who knows! But it’s all about framing these various elements in a certain order to make it feel like there is a coherent, merciless narrative that had used Jon like a puppet all along, while potentially keeping the most important part under silence: that The Web needed someone to bring the apocalypse… but that it mostly needed someone who would hate said apocalypse and would try to reverse it. That was the part The Web needed above all, given what Annabelle had just explained.

- Maybe it’s a useless wish at this point (only three episodes left) but Annabelle pushing the idea that Jon was “most likely” to bring the apocalypse screams “destiny as a concept” screams “Agnes” to me ;; Someone involved with The Web, whose voice was hidden and who was only described through the eyes of men and/or people romantically interested in her, who was aware of the expectations and the “destiny” announced for her and who might have decided to go another way…

- Jon said they would talk:

(MAG197) ARCHIVIST: We’ll talk about it later. Once you’re safe. MARTIN: [MUFFLED DOWNBEAT ACKNOWLEDGEMENT] […] Oh god, I’m sorry, I– ARCHIVIST: It’s fine. MARTIN: I didn’t realise that– ARCHIVIST: We’ll talk later. […] MARTIN: So… what do we do now? ARCHIVIST: Let’s get out of here. After that… we’ll see.

And indeed, they ought to. Two things that have been established and that I could see coming back:

* Martin had forbidden Jon to look into his head, to be able to respect some privacy (MAG167) and because he thought he would second-guess everything if it turned out The Web had been manipulating him (MAG172). Basira just reminded Jon that he needed to trust them to have their own opinions, that having an opposite stance to his didn’t mean they were manipulated… but I could also see Martin asking Jon to look inside him again to have the absolute certainty that no, Martin wasn’t manipulated. (Or maybe was, even partially, being nudged in a direction he partially wanted anyway.)

* Martin still hasn’t shared that he planned to ask Jon to smite him if they couldn’t find any way to turn the world back. As things are, sadly, it would feel extremely pressuring (since the only way to not go in that direction… would then be to follow Annabelle’s plan to get rid of the Fears).

- Given everything that was thrown in his face with this episode? I want Jon to have a breakdown and cry :w

- There are two gigantic lines of small print coming with Annabelle’s plan:

(MAG197) ANNABELLE: It’s very simple. Destroy the Archives, and cut out The Eye’s pupil. BASIRA: [SARCASTIC] Oh, is that all? […] And how exactly are we supposed to destroy the Archives? ANNABELLE: Many years ago, a draughtsman made an unfortunate and egregious error on certain city planning documents. As a result, an unusually large and dangerous gas main just happened to be constructed directly below the building you knew as the Magnus Institute, in a place where it would be protected by the tunnels of Robert Smirke, unchanged by the world’s reformation. [TAPE SQUEALS] You need only ignite it.

* Destroying the Panopticon through the tunnels means that the survivors would lose their only mean of protection. Melanie had pointed out that her and Georgie’s own protection was neither total nor long-lasting for others:

(MAG190) MELANIE: I wasn’t exactly going to leave her there so… we grabbed her and legged it. And… that’s when we discovered that we can keep others hidden as well. MARTIN: Hm. MELANIE: Not completely, and, and, not for long, but… it’s enough to get them here to the tunnels.

So they wouldn’t be able to protect the other survivors on the outside, and Annabelle just destroyed the camera (which could have been an alternative way to protect them for a while). Going with that plan would mean evacuating them and them consenting to it, and… would they agree? On the one hand, they could firmly oppose that plan (nobody would want to be put back in the domains’ hells); on the other hand, they might agree if it seems like Melanie&Georgie believe that this option has a chance to succeed (and out of belief that this is the way to achieve Melanie’s “premonition” of the apocalypse stopping)… and at the same time, Melanie&Georgie would probably refuse because of that, since it would be abusing the survivors’ trust and security over such a big lie, when they have no way to know if it would work.

* … Igniting a gas main through a lighter of all things means that the person taking care of the ignition is absolutely sure to be engulfed into the explosion, since it requires the flame to get into contact with the gas – unless they still have some materials from the Gertrude era or from the Exploding The Unknowing plans back from season 3 down in the tunnel, like a fuse?

Jon had pointed out that he should be able to harm Jonah:

(MAG193) ARCHIVIST: You were right. MARTIN: About what? ARCHIVIST: His body is vulnerable. A–at least to me. MARTIN: … What’s the catch? ARCHIVIST: I could kill his body, sever the link, break The Eye’s power, and… Jonah Magnus would die. MARTIN: Okay, that sounds good but…? ARCHIVIST: But… that wouldn’t actually harm The Eye itself. And with him gone it would… it would choose a suitable replacement. MARTIN: Oh. ARCHIVIST: If we kill Jonah Magnus… I take his place.

Which means it would probably be his role to severe the link between Jonah and Beholding, which means someone else would have to take care of the ignition… aaaaaaaand we have a certain someone who already proved himself regarding fire, and who recently stated that he actually had a fear of it.

(MAG117) MARTIN: This way I finally get to do something. It’s gonna hurt but… I’m ready. And I want to. Also, I get to burn some stuff, so that’s cool!

(MAG118) [CLICK–] MARTIN: [EXHALE] Are you listening? [DEEP INHALE] … Good. [PAPER RUSTLE] Case, uh… 0071304. Statement of… Ivo Lensik. [EXHALE] [LIGHTER FLICKED OPEN] All right…! [LIGHTER BEING TURNED ON] [SMALL GASP] [SOUND OF PAPER BURNING] [DEEP EXHALE] [PAPER RUSTLE] “Statement ends”, I guess…! Hum… [PAPER RUSTLE] “Harold Silvana”! Number 0020406. Will probably do! [PAPER RUSTLE] [LIGHTER BEING TURNED ON] [SOUND OF PAPER BURNING] All right, then! 0140207, Dylan Anderson. [PAPER RUSTLE] Yeah? … Okay~ [LIGHTER BEING TURNED ON] [EXHALE] There’s plenty more on the pile~ [SOUND OF PAPER BURNING]

(MAG169) MARTIN: Will the fire feel hot to me? ARCHIVIST: Yes. MARTIN: Will it cause me lots of pain, if I touch it? ARCHIVIST: Yes, though not as much as– MARTIN: [SHAKILY BUT STRONG] Will it burn me alive, and kill me dead? ARCHIVIST: … No. It can’t do us any permanent harm; once we’re out, we’ll be fine. MARTIN: You are aware that intense pain can do you loads of harm, even if there’s no any physical injury! […] I know! I know, okay, I just… [SOMETHING SHATTERS] Look, I j–, I just don’t want to get burned, all right? It’s, it’s like my least favourite pain ever. ARCHIVIST: Is that… a joke? MARTIN: No, no! Okay? I… I legitimately hate burns, all right, they’re–they’re awful, and they scar horribly, and they just, it– It–it just makes me sick, I–I hate it. Hate it!

… It screams “Martin igniting the gas main” a bit ;; (I wonder if he will confirm whether or not Jon had lent the lighter to him in MAG118, or if that one was another, more mundane lighter?)

* Additionally: being at the top of the tower cutting the link between Jonah and Beholding precisely when the (under)ground level of that same building is being exploded with the goal of destroying the Panopticon/the Archives (since both words were used)… doesn’t bode well for whoever is at the top of that tower when it happens.

- Overall, I’m curious about what Jon and the others will do, concretely right now and after taking a decision, but I’m also not expecting them to follow Annabelle’s plan and presented binary at all.

Regarding what will happen immediately after the end of this episode: as much as Georgie’s last words (when she sent Jon&Martin on their way in MAG192) might have worked as a last appearance, Melanie’s (when she invited Jon to think about where Martin could have gone in MAG194) would be more surprising. Although there are only three episodes left, holy heck, I’m expecting Basira&Jon&Martin to regroup with Melanie&Georgie&the survivors in the tunnels to discuss what they’ve learned and their options? It will feel a bit weird to go back immediately to the tunnels but, at the same time, the framing device granted by the tapes has just been pointed out again – if the tape recorders don’t feel like the journey back to the tower (even with Jon pouring out a domain statement) is worth their while, if Jon&Basira&Martin don’t talk at all during that journey or don’t say anything that they find relevant, then they won’t get recorded at all until they’re back and ready to talk about things. (There is still a tiny possibility that they do talk on the way back and that Jon gives a statement… but since there are only three episodes left, I think we would all collectively lose it if one of them was used up for a domain statement.)

I’m curious about their individual stance on the whole thing. Jon was quick to point out that it would likely mean a rinse and repeat in another world of what they experienced – the Fears lurking at the border until they would be invoked in their fullest, dooming that world (these other worlds?) in turn. But on a personal level… they all know the amount of misery the Fears were able to cause even before the apocalypse: Jon was traumatised as a kid; Sasha’s whole life and existence were stolen; Tim had lost his brother because of the Fears; Georgie had lost her precious friend Alex because of them; Melanie had to gouge her eyes out to escape Beholding; Martin almost got swallowed entirely by The Lonely; and even the survivors: they were trapped in the domains, they know how bad it was, they know what inflicting the Fears on others would mean… but it would also be understandable for all of them to want to survive and save their own world. But what about the weight of responsibility? All of them in this world were subjected to the apocalypse by the decision of one person, Jonah (and the support he received from The Web), who manipulated Jon into opening the door: now redirecting the Fears on other people would mean making an active choice, being responsible for their misery. But what about the intrinsic bias in the fact that the people who would be able to make that choice and to act on it are precisely people who are not currently subjected to the domains? Choosing to sacrifice their world and the billions of people suffering for the sake of other worlds would be awful considering they’re not getting tortured alongside them at the moment. It’s all one big complicated trolley problem.

Thematically, I have trouble picturing them following Annabelle’s plan: Jon immediately refused, they have no guarantee that it would work exactly as she announced (and that there aren’t a few more caveats), and it would mean validating The Web’s plan, what it had worked on for so long, and which was based on the same reasoning as Jonah – the idea that someone would irremediably cause the apocalypse, and that it was better to stay in control of when and how it would happen to prepare its own escape rather than to try to prevent it. But at the same time, it might be a bit too hopeful to think that the group and the survivors would find and manoeuvre around a third way that would indeed nerf the Fears? ;; Technically, Annabelle’s instructions contained new information that could still be useful:

* The Fears are currently anchored through (at least) three elements: Beholding’s pupil (currently Jonah); the Panostitute/the Archives, vulnerable through Smirke’s tunnels; and the tapes, containing records of Fears. Annabelle didn’t mention Jon at all as a lynchpin, which is quite surprising given how the whole world had been able to identify him as someone special (as Simon had put it, “You might be the closest thing the universe has ever had to an important person”).

* The blob of Fears contains its own contradictions: some part of it wants to survive and is able to scheme for that survival (The Web), some part of it craves its own annihilation (The End) – technically, it inherently contains its own potential death.

(- I’m not sure what to expect about the survivors, whether they’ll be down with any plan or vehemently oppose or sabotage some of it. I know that personally, I would prefer them to just be… people who’ve been hurt, who are not nefarious, and who might even be able to provide out-of-the-box ideas? I fear that if they were the ones to “ruin” any plan, it would be an easy way to absolve our main characters of having made the final mistakes dooming everything, by redirecting the blame on random people, and give the idea that Humanity Sucks Actually, so it’s really not something that appeals to me.

I wonder if Rosie might join them in the tunnels? She would be another of the collaterals if the Panopticon were to get destroyed, since she’s trapped in that one…)

- I am really curious about how characters will now behave with the tape recorders, and whether we have learned everything there is to know about them. I’m onboard with the idea that The Web needed fragments of Fears woven onto the tapes, and had worked for the tapes to get created in the first place, but I’m still having some interrogations regarding what Annabelle said and how she acted around them.

* Characters had mentioned multiple times that something was “listening” through the tape recorders, or that they felt “watched” when it was on. However, Annabelle demonstrated that she doesn’t have an immediate knowledge of things as they were getting recorded:

(MAG197) MARTIN: And… Wait, ha–, no, uh… Is that… Basira? He–he’s got Basira with him! ANNABELLE: Yes. I did wonder if that would be the case. Interesting. And unfortunate for me. That’s two heads we’ll need to keep cool. My odds aren’t looking good.

If that knowledge had been instantaneous, Annabelle would have known for a while now that Basira was with Jon, since he picked her up in the lake in MAG195, on tape. Annabelle had taunted Martin about what was listening at the end of MAG196 but never clearly answered about that – her plan relies on the Fears hearing the voices and following… but are they the thing that had been listening through the tape recorders since the beginning? Could be that The Web itself is listening though the tape recorders? If so, that would also mean that Annabelle is not directly connected to it.

* The thing about the lighter having allowed The Web and the tapes to follow Jon… only partially works, technically.

(MAG197) ANNABELLE: A little anchor of our power, so that we, and our tapes, may follow wherever you go.

Season 2’s trailer had announced the tape recorder turning on by themselves, which is something we first witnessed in MAG080: the official transcript had two [CLICK] at the beginning of the episode (Jon taking Leitner’s statement); at some point, Jon, shaken, left the office to have a smoke (possibly compelled by the lighter), leaving Leitner alone; there was another [CLICK] when Elias entered the room and the “texture” of the tape spooling changed; Elias murdered Leitner, left the office; Jon came back and discovered the body and the recording stopped. What might have happened is that Jon was recording the event, but that another recorder had been sneakily double-recording everything by itself; when Elias entered the office, he turned off one of the recorders, unaware that there was another still running and catching everything on tape. Said tape was still in the Institute afterwards – Melanie retrieved it from Elias’s desk in MAG118, and it was the piece of evidence that forced Section 31 to arrest Elias in MAG120 (since the Inspector pointed out that it contains the recording of a murder – if it had been Gertrude’s, the secret of Elias-being-Jonah would have been known at that point).

It is true that the tapes had turned on and off around Jon after that point during season 3… but they did the same at the Institute when Jon was away, including when he was in America. In fact, the first times the tapes had begun acting up were around the Assistants (Tim didn’t want to get recorded in MAG082, and he&Daisy commented that it had turned back on; and it turned back on again at the end of the episode when Martin&Tim were discussing); by MAG114, Jon even thought that Tim was navigating through the tunnels because he wanted to avoid the tape recorders in the Archives. Chronologically, there are even a few cases where tape recorders might have been acting up pre-Jon: it’s unclear whether Gerry had accidentally turned it on in MAG162, and the recording of Gertrude’s murder in MAG158 had started when she was already busy pouring gasoline around.

I could accept that at that point, The Web had basically made its nest in the Archives (since Gertrude had her own connections with The Web through Hill Top Road and Emma had been working there for a while), but the point remains that the lighter had not been the (only?) thing allowing the tape recorders to act up. Actually, it’s even surprising that Annabelle kept talking about the “tapes” but not the “tape recorders”, and that neither she nor Jon ever clearly stated that it was The Web controlling or listening through the tape recorders themselves:

(MAG196) MARTIN: Wait… Wait. The tapes… ANNABELLE: A fine material to spin a web with, don’t you think? MARTIN: What? All this time, through all of this… it, it was just you spying on us? ANNABELLE: Oh, Martin! You have no idea who’s listening, do you?

(MAG197) BASIRA: … So. The tapes. They’re from The Web, then? ARCHIVIST: Looks like it. BASIRA: Were they always? Right from the start? ARCHIVIST: As far as I can tell. I–it’s hard to s–… If I look too closely at them, my own voice, things get… recursive. Hard to follow. BASIRA: I always assumed they were with The Eye. The whole “watching, listening, waiting” thing, you know? ARCHIVIST: No… They were always using them to spin their own web. Out of my words. […] MARTIN: I’d hardly call this silence. ANNABELLE: I’d stop them if I could…! […] We found the one we believed most likely to bring about their manifestation. We marked him young, guided his path as best we could. And then, we took his voice. ARCHIVIST: No… ANNABELLE: His, and those he walked with. We inscribed them on shining strands of word and meaning, and used them to weave a web which cast itself out through the gate and beyond our universe. So that when the Fears heard that voice, and came in their terrible glory, they might then travel out along it. [TAPE SQUEALS] Or be dragged. BASIRA: Is she talking about the tapes? ARCHIVIST: Yes.

So: was it always The Web controlling the recorders, is it still The Web? Or did something else happen, either from the start, either growing over the power that was being stored, and which led to the tape recorders also catching mundane conversations in the Archives…?

Regardless: characters might now associate tapes with The Web spying on them, which means that we could get a few more games of whack-a-tape-recorder or characters deliberately refraining from pouring their hearts out when they’re in the vicinity, or being unreliable on tape on purpose.

Only 3 episodes to go ;_; In previous seasons, at this point: Jon had just interrogated Martin about the lighter delivery (ha.), Jon had listened to Gertrude’s tape about the Not!Them, the Archive team had recorded their testaments and Jon had burned Gerry’s page with a lighter (ha.), Jon had read Adelard’s last statement to Gertrude explaining his incoming death and was panicking over Peter&Martin’s plan being set into motion, leading to Georgie&Melanie refusing to help and Helen gloating about it.

MAG198’s title is the WORST and doesn’t inspire me anything else than: shit going down soon TTwwTT

#tma liveblog #mag197 #tma season 5 #tma spoilers/#long post/#the magnus archives

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nothonks-ever · 3 years

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Punz' Amulet Lore (REAL NOT FAKE)

This is really fucking old but I realized that I had done a large portion of it so I mustered up all my motivation and managed to finish it. This was one of my first hc's for how Punz got his amulet that I scrapped a long time ago. I spent too much time on this to not post it tho lol

When someone works for Dream, you would expect them to be unfathomably wealthy, so the predicament Punz found himself in shouldn’t have been possible. Turns out Dream is more worried about paying with diamonds and golden apples than trivial building blocks. It made sense, in hindsight, diamonds were one of the most valuable things available, but Punz didn’t really need any of it.

This is what lead Punz here today, at the mouth of a cave roughly 7,000 blocks from spawn. Almost every cave near spawn had been searched, so going this far was the best way to guarantee the cave was untouched. The cave was vast, a warm light softly emitted from the torch in his hand casting long shadows across the cave walls. Punz searched through the cave’s winding tunnels and many dead ends, feeling more frustrated as he continued.

“Another dead end! Dude, how bad is this cave? I’ve barely gotten a couple stacks of andesite,” Punz grumbled to himself, walking back out the way he came.

Punz was never particularly lucky, he understood this, but his misfortune should at least be courteous enough to not interfere with his mining expeditions. Maybe next time if he brought Sam with him he’d have better luck, Sam had always been unbelievably lucky when mining.

After searching through the entire cave and only finding a small amount of what he’d hoped for, the figures strip mining for a bit may pose beneficial before moving onto another cave. Mining into a cave’s wall wasn’t very fun, if anything it was time-consuming, but he needed andesite, and the more materials the better.

I hear a zombie up here somewhere, Punz thought, mining up toward the noise, I hope this ends up being a good cave.

The last thing Punz expected was to be directly under the cave, so the zombie falling onto him came as an unpleasant surprise. A startled yelp escaped him before he was able to grab his ax and kill the zombie, allowing relief to replace the initial shock.

“It was just a zombie,” Punz chuckled to himself, bringing his torch up higher. He tried getting a good view of the cave from where he was standing, but it still looked pitch black. The rocks were surprisingly smooth against Punz’s hands as he pulled himself up.

“What the hell is this? There’s literally no way someone has already been this far out,” Punz grumbled, gliding his hand across the smooth stone walls in the corridor he mined into. He held up his torch to a wall, looking over the intricate carvings.

Punz turned around, pressing his back to the stone wall. There was no way someone back home made this, it would be completely lit up, but the walls were too well designed to be random. For a split second, Punz humored the thought of it just being a fortress, but the walls didn’t resemble any fortress he’d seen. The carvings continued down the hallway, long swooping designs spiraling together, it was almost beautiful. The corridors continued on, twisting and turning but never splitting or ending. The lack of mobs seemed strange as well, there was no light and nothing seemed to have spawned after the first zombie.

Eventually, the hallway opened up to a large entrance completely made of black stone. Going in seemed absurd, but Punz was curious. In all the years he’d explored, he’d never seen anything like this in the overworld, it shouldn’t exist. Why wouldn’t he go in?

Punz expected a lot of things when walking in, for it to be incredibly cold, to be ambushed immediately upon entry, and to eventually find nothing were the top three on that list. What he didn’t expect was for it to be warm inside the large structure. The air felt electric, surrounding him with restless energy.

The tunnels were hard to navigate, with everything being pitch black and made of the same material. Small rooms littered the structure’s hallways, which were all completely empty, with no chests, no torches, nothing. As Punz continued on throughout the structure the restless feeling in the air only increased, the identical rooms and hallways only worsening his unease.

The last room should’ve been no different from the rest, but upon entry, Punz found a small chest laying against the back wall. Watching each step with apprehension, he moved toward the chest across the small room. Opening a chest shouldn’t have been so hard, but his hands shook so fiercely that he was forced to take a moment to steady himself.

There wasn’t much inside the chest, some string, a reasonable amount of obsidian, small pieces of gold, and some arrows. Now the lack of defenses made sense, there wasn’t anything worth protection. Punz raked a shaky hand through his hair, breathing in a sigh of relief, There’s nothing here.

Rummaging through the small chest, grabbing the small pieces of gold and obsidian inside, he found a larger chunk of gold, wedged in between some arrows. Pulling it out farther showed that it was a medallion, hanging from a chain. Etched into the front were carvings that seemed to match the walls, swirlings lines that tangled together seamlessly toward the center. A flash of purple crossed his thoughts as the medallion gleamed against the torchlight, but upon further inspection, Punz found it was completely made of gold.

This is weird, I’d better get back.

Punz turns toward the door, pocketing the medallion.

A sickening hiss is heard from under him, sending him flying against the wall. Punz is only vaguely aware of the warmth spreading across the back of his head, the room spinning too rapidly to concentrate.

---

“Bad, Ant, have you talked to Punz recently? He’s been on since before I got here and it’s showing that he’s still on.” Sam asked, turning toward the two.

“No, I haven’t talked to him in a while but I’m sure he’s fine. He’s probably just working on something. You could try messaging him though,” Ant replied, placing another glass block over the enclosure.

“You’re right, I should just do that,” Sam said, before messaging Punz a quick what r u up to? Sam still felt uneasy, Punz never stayed on for this long. The unease only worsened when he wasn’t getting a response. Of course, Punz could be busy, but he’s usually quick to reply, so why would now be any different?

He can handle himself, he’s fine.

Sam walked out onto the wooden path, following the familiar fauna.

He’s fine, he can handle himself.

Sam walked up the wooden stairs, up toward the large wooden house. Each step more frantic than the last.

He’s fine.

“Punz!” Sam called out into the empty house, his voice softly bouncing off the walls.

He can handle himself.

“Punz. Holy shit, Punz, are you okay?” Sam dropped down in front of him, ignoring the soft buzzing of the bees surrounding him.

“Hey, hey, Punz, Punz! Wake up! Come on,” Sam softly pats his face, trying to ignore the hair that stuck together, matted with blood.

“Oh god, please, be quiet.” Punz’ quiet whimper and meek attempt at escape only worry Sam further.

“Come on Punz, drink some of this,” Sam slowly tipped a potion of regeneration into his mouth, wary of how loose Punz’s grip was on the bottle.

Once Punz manages to guzzle down the potion Sam discards the now empty bottle, “Where the hell were you? I looked everywhere,” he wets a rag in the bee water and tries in vain to clean some of the blood from Punz’ head, staining the small pool a light pink.

“I just went out mining. Really, Sam, I’m okay,” Punz sends him a shaky thumbs up and a lopsided grin, the soft glare he receives back somehow hurts more than his throbbing headache, “Sorry you had to come all the way out here for me.”

Sam sighs, laying his head against the wall next to Punz, “I was headed out here anyway,” when Punz gives him a questioning glance Sam huffs out a small laugh, “Bee advice.”

Punz can’t help but laugh, wincing slightly at the sting of pain between his eyes, “Smartest person on the server and can’t figure out bees? You’ve really fallen off, huh Sam?”

“They’re confusing and you know it. They’re so fragile and get lost so frequently,”

“You literally build the most confusing shit with redstone, building a bee dome should not be this hard for you,” Punz has a point and Sam can appreciate the honesty, the worry from before seeping away as Punz seems to ease back into himself.

The setting sun casts long and bright colors across Punz’ face, showcasing every detail that Sam hadn’t noticed previously in his haste. Most noticeably a new medallion, strung along his neck, gleams purple in the sunset.

“I know I’ve been gone a while, but when did you get this?” Sam moves closer, softly cradling the medallion in his hand. It’s larger than what Punz would usually wear, but something flashier was never something Punz shied away from either.

Punz brings his hands up, shielding his eyes from the sun, and looks toward Sam’s center of attention, “What do you- oh.”

“I’ve never seen carvings like these before, they’re beautiful,” Sam looks up, stopped cold by the deep frown plastered across Punz’ face, “What’s wrong?”

“I've never seen that before."

#punz #punzop #awesamdude #dsmp headcanon #dsmp #dream smp #dsmp fanfiction #dsmp fanfic #c!punz #c!awesamdude #dsmp roleplay #dream smp fanfiction #my post #holy shit I actually wrote something

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newobsessionweekly · 4 years

Text

You are my drug🌿

@isthatmaryanna: hi!!! could u make another ander imagine? where ander realizes he as feelings for the female reader when she starts going out like crazy and making out with a random guy every night at the disco and one day she gets very drunk and starts to argue with ander and he says that he’s disappointed because she started to act like a slut and she tells him that is all of his fault because she fell in love with him and he doesn’t even care about her and then they share their first kiss

a/n: there it is! I hope you like it! Thank you for this idea and for your patience! Enjoy and stay safe!🌿❤️

Sorry for the eventual grammar errors.

word count: 1.623

warnings: drugs

Ander Muñoz x Reader 🌿

Marina’s death hasn’t affected only Guzmán, it affected every single one of you, but he’s te only one who is brave enough to show his emotions. You were a hunded percent sure Nano is innocent, he and Samu are your friends, but nothing seemed to make sense lately. You were convinced some people from your group are covering the real murderer.

The pain never goes away, your shared room with her became a museum. All of her stuff was there, untouched, like they are waiting for her to come back and brush her hair again in the mirror, to write the homework together on the shared desk in front of the window and watch together your favourite tv show in the bed, laughing together and fighting with pillows when one of you were too conceited to admit that the other one was right. There are so many emotions and thoughts, you felt like it’s too much. You and Guzmán are always there for each other, you were there when the anger and pain exploded inside him and he was there every night when all those emotions flooded from your body. And since then you brought a small bed and all of your stuff into Guzmán’s room.

Despite the fact that the last summer was the worst, you preferred to be alone, to let your thoughts consume you and let that pain fade away on its own. Lu was there for you, but Guzmán needed her more. Thought you’ve been through hell and felt like the world stopped, it hasn’t and you now have somehow to re-enter into the normal life. As the car stopped in front of the school, you put on your black glasses and your brother took your hand, drawing your attention to him. He is as broken as you are. He is changed, his smile is not as bright as he used to be and his eyes are lifeless. It feels like you also died in the same day Marina died.

“Together.” he forced a smile and walked hand in hand through the crowd who was watching you.

As you entered the class, everyone turned their heads for a moment, analyzing both of you from head to toes then came back to their business. Beside the usual group was standing a tall boy with a black curled head, wearing the Las Encinas’ uniform in his own style, with no buttoned up shirt and his tie hanging around his neck. You smiled as the boy turned and realised it is Valerio. An old friend, definetely the life of the party and a sweet and true person. Lu came and hugged you, followed closely by the rest of the group. The hug you nedded the most in that moment was Ander’s, the curly headed boy you’ve known since forever. Is one of the best friends of Guzmán’s and was around long enough to fall in love with his kindness, his pure heart and his terrible joks. He’s the perfect boy you’ve ever met and the only one you wished to be there through the hard time. You nedded him to pat your shoulder, not Guzmán’s and to tell you he’s there for you, not for Guzmán. But you came to terms a long time ago, for him you are just Guzmán’s sister.

“Hey darling, how are you?” Lu sat down next to you and placed her hand on yours.

“Better.” you half-smiled and pointed with your head towards the boy waiting behind her. Apparentely Valerio wants to sit next to you. She fermly waved her hand and made him back up.

“You are lying to me. Or do you want to keep this to yourself, too? As you’ve done all summer.” she wouldn’t withdraw.

“I just need him, you know?” you avoided her look. “I want him to care about me, to be there for me as you’ve been those years there for Guzmán.”

“But he cares about you, love. He asked about you all summer. He just doesn’t know how to show his emotions.”

“Why is it hard for me to believe you?”

“Because those ugly sunglasses you are wearing blinded you.” she rolled her eyes and retake her seat next to Guzmán.

---------

The club was exactly as you remembered: loud, full of people and colorful. Going through high school without your best friend is hard and Ander not being around as you wished made you angrier than ever. Is maybe the fourth night in a row you’ve been partying, drinking and dancing to some randome guys. Valerio was around, spending too much time with Guzmán. He’s a great person, but he’s also involved into some nasty drug thing and Guzmán may be tempted to try anything that can make him escape from the pain.

You had some Mojitos and helped Lu finish a champagne bottle when you saw your brother coming out from the toilet area with Nadia. She was as well concerned about Guzmán and didn’t find any good thing in this sudden friendship between Valerio and Guzmán, so she assured you she would try and keep an eye on him.

In your rush, accidentaly bumped into Ander. You tried to cover the music apologising, but you weren’t sure he heard you. Valerio was about to exit the toilets, but you pushed him back, Ander’s eyes troubling following both of you.

“What is that thing you have there?” you rushed him.

“What, this?” he pulled out a small bag filled with some white powder. “This is Big C.”

“What?” you frowned.

He looked at you over his sunglasses, “Coke. Cocaine.”

“How muchis it?” you bit your bottom lip as you searched for your money.

“For friends in need, it’s free.” you nodded and he understood what you want. Just one time, no big deal, you thought. You were more worried for Guzmán and maybe his reaction if he would find out, that is why you were so stirred. “Like this.” he made a demonstration for you after he arranged the drug into some white tiny lines. ----- You’ve been screaming and dancing with Valerio almost all night. You didn’t felt anything less than happiness, freedom and understanding. Valerio understands you, he knows how it is feels to be unloved, he feels your pain because he had been a good friend with Marina as well. After another drink, and after Valerio caught your attention about not mixing coke with too much alcohol, you got the guts and closed the distance between you and him. You were kissing in the middle of the dancefloor with his hands exploring your body. Ander loathingly sighed and made Guzmán look at him with curiosity. Lu saw that too and approached Ander, placing her hand on his shoulder. He had his jaw clenched and that was the moment he understood those fellings. He finally understood why he felt his heart going up in his throath everytime he sees you. He understood those sweaty palms and the stomach ache everytime he spoke to you. He finally figured out why he was acting so strange around you and why he couldn’t comfort you when you needed the most. Marina’s death affected him too, he changed too, but you had changed more than he tought and he didn’t like that view. “What the fuck is she doing?” Guzmán tried to come closer, but Ander stopped him. “Let me go talk to her.” he asked for his permission.

As Guzmán nodded, he approached and grabbed your arm, draggin you away from the dancefloor, towards some quiet place. Your eyes were red and a strange smile was painted on your face. “What the fuck do you want? You ruined my moment, I was having a good timeeeee!” you were delirious now.

“I ruined your moment? I’m sorry I’m concerned and I don’t want you to ruin your life!” You laughed, “I’m just living my life!” “(y/n), you don’t get drunk and you don’t made out with some random guy! That’s not a good way to grieve Marina and you know that. I’m disappointed at you. You lately started acting like a slut, and that’s not (y/n) I wanna be friend with.” “Yeah? Just so you know, this is all your fault! You let me fall in love with you, you pretended to be kind and caring with me, but now I realised I’m not good enough for you to even care about me!” You hindered trying to enlarge the distance between you and Ander. “I needed you to save me from my thoughts, because you are the only one who can do that, but you let me sink! Valerio understands me, he knows how it is to love someone that doesn’t love me back!” there are tears running down your face and you couldn’t see clearly your brother’s face. You could assume only how disappointed he is. “Why haven’t you told me that before?” he cupped your cheeks with his warm hands and softly smiled at you. “Why would I do that?” you wipped away your tears. “Because you would prevent this things to happen. I would have been there for you, I would have told you how much I love you and you woulnd’t have to take that shit!” he took that little bag with white powder and threw it away. “Now, let me kiss you because I’ve been dying to taste your lips for far too long.” And he did it. He sealed your lips with his while grabbing your waist, trying to pull you as close as possible. This one can’t even be compared with that kisses you had earlier with all those guys. His lips just fit perfectely like they are made just for you.

#ander #ander munoz #ander muñoz #aron piper #aron #aron piper imagines #ander muñoz imagines #ander muñoz x reader #ander munoz x reader #elite #netflix #elite imagine #guzman #guzmán #guzman nunier #lu #carla

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thefoulbeast · 4 years

Text

Monstrum Malum (Evil Monster)

It’s finally october!! U know what that means!! Aoextober!! I’ve been waiting to be able to post this hahhhahahaa… some good ole soft horror in the spirit of the month of scary… I’ll also put it up on ao3 soon…

Characters: Todou Saburota, That demon he had at first, Todou Homare (mentioned). Contents: Violence & gore, monsters, memory manipulation, surrealism (or is it derealisation? basically we got some weird stuff going on), elements of horror. Rating: Teen & up. Word count: 2 888.

__________

It’s all a little fuzzy, this far back in his memories…

According to family tradition, Saburota receives his temptaint at ten years old. It’s scary beyond belief – the sudden grotesque presences that await him at every turn.

There’s a thick black snake on the teacher’s desk that watches him, a cat with two heads and three tails and no skin that doesn’t meow as much as it yells, spidery, shadowy hands that wave at him from dark corners and alleyways, always beckoning closer in silent invitation.

The horrible sounds of screaming and crying at night he can’t drown out no matter what he tries to do.

He doesn’t understand how his father and brothers and – everyone, really- can just ignore it all, can just pretend like it’s all normal and okay.

Though, he supposes it’s not too implausible – their ability to ignore things is quite remarkable. One time they pretended he didn’t exist for a whole week – and honestly, he’d been questioning his existence himself by the end of it.

But the problem is these… demons. These ghosts and spectres that follow him and distract him and terrify him.

Saburota tries to focus on the page in front of him – a test in maths that he’s writing in pencil because his pen is bleeding red blood – an ever-growing puddle over the surface of his desk that never reaches his papers and drips over the edge with quiet plips.

The numbers in the problems tilt and tumble and his hands are tingling. But if he focuses just so- if he can keep them in his mind long enough, he can do this.

Pit-pat… Pit-pat…

The blood drips steadily down onto the floor. No one else notices it.

–

“Oh, come now! You’ll get used to it,” his aunt says when she sees him flinch back from a dark mass that covers the floor like a living carpet, undulating and scintillating and breathing.

She walks right over it, and the black sticks to the heels of her shiny beige pumps like tar – but she doesn’t even seem to notice-

“Come on, Saburota, let’s go,” she pulls him by the arm, stronger than he can dig his heels into the ground. The black thing is unpleasantly soft under his feet. He feels it writhe.

“Don’t be so obstinate, we’ll be late to the opera!” she huffs, exasperated, “Honestly, you’d think a boy your age would have some manners.”

The black clings to the bottom of their soles without end even after they’ve crossed all of it and are out on the street, spreading out from every point of contact their shoes make with the ground, melting together to form a winding, snakelike path.

“What show are we going to see?” he asks cautiously, trying to distract himself.

“Three dead men and the devil, of course” she answers haughtily, “Why, Saburota, it’s as if you’re trying to irritate me on purpose! You’re the one who wanted to go!”

He did?

“Oh, I remember now!” he says, but it’s a lie, it’s his mouth moving on its own, “I hope it’s as good as the reviews promise!” he says again, a giddy edge to the words- but they’re not his words.

“It will be,” his aunt answers with a mysterious sort of smile, her hand tightening around his wrist.

–

Saburota’s hiding under the bed, curled up in the dark. It seems like no matter how much he shrinks down; he still feels watched, still feels threatened. Feels like he’s not alone, like there’s something else inside him.

The door opens and footsteps make their way over to the bed – but they’re sharp, like knocking wood on wood, and so loud.

Saburota holds his breath when hooves come into view right in front of him. Fear is like a bird trapped in his chest, raging desperately against the bars of his ribs.

Whatever it is climbs up on his bed with an ominous sqeak of the springs and a decidedly animal huff.

“Oh, you’re already in bed, honey?” the voice of his mother speaks from the doorway. She all but floats over soundlessly. Her skin is deathly pale and dry beneath the hem of her nightgown.

“I’m scared, mommy,” the thing says in a voice that’s nowhere near Saburota’s own. “I think there’s a monster under my bed.”

“Monsters don’t exist, silly,” she coos, “but I’ll look and make sure for you, alright?”

She gets down on all fours and peers beneath the bed. Her unseeing eyes look straight at and through Saburota. Her face is as pale and bloodless as her feet and hands, a greenish-blueish tinge to her lips and eyelids.

“There’s nothing here, honey,” she says in her beautiful, sonorous voice. Her smile reveals her teeth that look much longer and sharper now that the gums have dried out and shrunk back.

Then she rises again and says, “Now, will you be a good boy and sleep? We have a busy day tomorrow. You need to be ready to do what has to be done.” She kisses the thing sweetly goodnight before leaving, footsteps as soundless as when she entered. The door closes behind her, and so disappears that last bit of illumination the room had.

The darkness left behind feels like it’s eating Saburota whole, encompassing him in a tight and claustrophobic space. He reaches out to prove the feeling wrong, but the darkness is smooth and solid against his hand, pushing up against it with incrementally increasing force.

“You don’t have much time left down there, do you?” the thing up on the bed asks, soft and sleepy. It yawns. “You know, God can’t see you anymore, and neither can most other things.”

The darkness pushes up against his skin, too tight to move, too tight to breathe.

–

They’re in the main hall. A soft record plays in the background, a gentle but somber croon accompanied by a saxophone and a cello.

“You know they don’t exist,” the shadow sitting across from Saburota at the dinner table says, “right?”

It’s gesturing at his family, where they’re chatting amongst themselves as they eat. At the other, farther end of the table – it’s farther than usual. The table is as long as the room as opposed to taking up just the center.

There are so many empty seats. So many set plates, untouched. Like there’s supposed to be a banquet, but no one’s shown up.

Saburota stares down at his plate. The soup is black and thick, and there’s the smooth off-white surface of a bone peeking out from beneath the surface.

He’s not particularly hungry.

“You’re wrong,” he tells the shadow quietly ad he pushes the plate away, and the damn thing laughs in response. It’s fuzzy and translucent, and smears in Saburota’s vision when it moves.

“Oh, my bad!” the shadow chortles and picks up a knife, and twirls it around the fingers of its hand; the gleaming facets of the blade catch red and orange lights from some strange and unknown source, “You’re the one who doesn’t exist, I meant to say. Easy mistake to make.”

Saburota feels goose bumps break out over his body. A cold gust of wind whistles over the edge of his collar, ruffling the back of his hair. He places one of his palms protectively over his nape, feeling unsafe.

The room is colourless now, and his family sounds all muffled - and the shadow is gone. He shivers, then takes a fortifying breath and reaches for the spoon again, hand trembling minutely.

Saburota lifts a spoonful of the simple noodle soup to his mouth hesitantly. It doesn’t seem like there’s anything wrong with it, but… he’s just got this nagging worry that something isn’t right.

–

“I see right through you,” the creature says hotly in his ear, “you’re little more than smoke - a miasma leaking through the cracks of the skin you wear.”

Saburota stares at it through the mirror. It’s taller than him, wider than him, has horns like an ibex and hands like eagle claws, poised up in the air, talons glinting menacingly.

“Poor little Saburota,” it hisses, leaning in even closer, snake tongue peeking through its teeth on the ‘s’. “So damaged and twisted that no one could ever like you. You empty little puppet, you pathetic fucking piece of shit.”

Saburota shrugs at its words. They sound about right. It’s what he’s heard all his life, what he’s thought all his life. A truth confirmed over and over.

“You should bite them back for making you,” it says with a beastly leer, talons wrapping around his shoulders and digging in, drawing blood in small beads, “Make them regret your existence. Teach them what it means to hurt. You want to. You need to. I’ll help you. I’ll make you strong, I’ll make you dangerous.”

There’s a certain desperation to the thing’s words.

“Maybe someday,” Saburota murmurs, stepping forwards - out of the creature’s embrace towards the sink, heedless of the shallow wounds left behind by the drag of its talons. He needs to brush his teeth and get to bed.

The bathroom darkens and the walls and floor wobble dangerously, like light broken on the edge of water, like matter passing through the planes of a prism and coming out wrong.

“You’re ready,” the creature wails, upset at his coy evasions of what needs to be done.

“No, I’m-“ he stammers. God, everything here looks so fake it makes him nauseous. He needs to- he needs to set himself straight. Needs to recalibrate.

”I’m not ripe yet,” Saburota says gently, cautiously - looking at the beast without turning, eyes dark like the sky on the night of a new moon.

–

Father’s saying something to him. He looks angry. He’s gesticulating like crazy.

Saburota can’t hear it. The sound’s muted. Pure silence.

No, not pure… there’s something whispering in his ear. It takes a moment for him to understand what it’s saying…

Saburota feels a smile spread out over his face at the promises of violence, bloodshed, nasty ugly retribution-

The world seems sharper somehow. Like it’s come into focus after being blurry and vague for his entire life.

Saburota looks at his hands. He’s got claws – mean, nasty looking things, the kind that maim and rip and rend. When did that happen?

The little whispering voice giggles in his ear. I’ll give you this. I’ll give you this if you just let me-

–

“I’ve been cultivating you for years,” the thing says, looking down at him from its full height. The creature is menacing, attention catching, terrifying. “You’d be nothing without me. You’d be small and powerless and pathetic.”

Its arms wrap around his shoulders covetously, possessively. The talons sink into the flesh of Saburota’s deltoids like a butcher’s knife sinks into a hunk of meat.

“You’re all mine,” the thing whispers, opening its maw to reveal row upon dizzying row of teeth arranged in a beautiful rosette. Saburota touches a tooth and pricks his finger.

Blood red. Drops on the floor. He smears them with the toe of his shoe and suddenly realises.

Oh, what a clever thing. Had him really going for a while.

“No, I’m not,” Saburota says, something in his voice dark but… whistful and dreamy. “You did nice this time, I’ll give you that. Too bad you’re so slow with it all,” he says, and reality shifts.

Well, the not-reality shifts. Saburota’s holding the thing – a squirming little creature with a long leathery tail, smaller than ever and…

And perfect for eating.

–

He’s not afraid anymore. Despite the thing’s attempts – this particular memory remains unchanged, remains his fully. So far.

There’s carnage all around – his family, the house staff – mutilated sacks of meat, strewn about carelessly, all carved up and bled out.

Saburota can taste it – the metallic tang of something raw clinging to his palate, the edges of his teeth.

He knows what he did. He knows how he did it. But… he’d been too excited, too in-the-moment about it. It’s all a red haze in hindsight.

“Well, this was easier than expected,” he says, all light and happy and unburdened.

“You finally did it,” Homare says as she watches him from the top of the stairs, her face a blank mask.

“You’re free now,” Saburota says with a wide grin, “This power could be yours too, Homare.”

It slips off his tongue like a well-oiled phrase. This isn’t the first time he’s said this.

“Why won’t you let me out, Saburota?” she says in someone else’s voice. Shadows cling to her, making her larger and darker than what she is. The beast is here again, messing with his mind and senses. “Why must you deny me so? You can’t hold me down forever. I will claw my way out.”

The house is dark and crawling with black shapes and bugs the size of rats. Saburota feels his mood sour. That’s not right, that’s not what she really said.

Homare’s walking down the stairs towards him, heedless of the gore she steps in, looking at him like she wants him to burst open like an over-tense bulla.

“Kill yourself, Saburota, you worthless fucking heap,” the thing says, even if it’s Homare’s lips that move, “Getting all cocky and full of yourself. You will regret it. I will make you regret it.”

Saburota smiles lazily, “You’re just throwing a tantrum because I’m stronger than you. Tsk-tsk. You’d think that demons had more class than that.”

Saburota flicks open the zippo in his hand, and the smell of buthane hits him above the wet smell of fresh guts. His hands are shaking, his heart is racing. There’s a cacophonous screaming in his head above it all.

“Let me out, Saburota,” the thing says through Homare’s lips, low and thunderous and so angry, “Let me out and let me in for real.”

Saburota flicks the wheel and sparks the flame, looking right into Homare’s eyes where he sees it looking at him.

He drops the zippo carelessly, ignoring the beast’s words. This – all of this is his.

And he’s going to burn it all down.

–

Saburota wakes with a jolt that has the water sloshing against the sides of the tub. He’d dozed off again.

The nightmarish pictures of his dream fizzle out into the subconscious part of his brain. The phantasms are creeping upwards again, seeking to dig their claws into his more recent memories.

He sighs tiredly, rubbing a palm over his face. It had taken him too long to notice. Next time the demon might get him for good. He rests a palm over his stomach where he feels it like a hot, familiar weight in his gut. So small, so stubborn, so bothersome.

Saburota can’t remember his childhood clearly anymore, not the way it really was. His recollections are all twisted and maimed, cut up and pasted together into tid-bit horror stories and fantastical exaggerations, much like the dream had been.

It comes with being a demon eater. There’s a certain cost, a sacrifice he has to make in the form of his memories and occasionally, his personality. One can only hold on to darkness for so long until it grabs back.

Saburota barely ever sleeps anymore. Whenever he dreams, the distortions get worse and feel more real.

Realistically, he knows there wasn’t a dead man lying on the table and singing at Homare’s tenth birthday party… he knows that his mother died in childbirth when she had her last pregnancy, that he’d never heard her voice and had only ever seen her in pictures… but he can remember these delusions so very vividly it’s kind of scary.

“Your brain’s rotting…” He tells himself in a low voice. Then, he chuckles,” Heh, who knows if what��s left is even you anymore…” He pauses, moving his hand through the water, watching it slosh against the sides of the tub.

He’s awake, sure, but he still feels like he’s dreaming, like this isn’t reality. Another chuckle, a little more self-deprecating, “Good thing that won’t matter soon enough.”

Saburota sinks lower into the water so that his nose just above the surface. The water’s lukewarm now, so it doesn’t seep into his bones and muscles the way he wishes it would.

He’ll get out in a minute and get dressed and do things, but for now he just… ruminates. On what he is. On what he’s done.

He doesn’t regret his choices, but… sometimes he wonders what life would be like if he was… more normal. If he’d never clashed with his family the way he had… if he’d just…

Well, whatever. Those thoughts don’t lead anywhere.

He’s made it this far – that’s the only thing that matters. He just needs to pull through and do his part in getting the phoenix for the Illuminati. He’s been planning it for years now, sowing doubt and trust in the right places, and it’s finally so close he can taste it.

That’s his purpose now. That’s what’s important. He has a goal and a purpose, and he is needed. With that much, he’s satisfied.

As long as he does what he needs to do for the Illuminati, for The Commander, what happens to him afterwards doesn’t really matter…

#aoextober #the written words #ao no exorcist #ane #?? how tag??#saburota todo #demons #blue exorcist #listen i just keep writing todou.... i cant stop... these sinning hands...#ane fanfiction #saburouta toudou

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livingintheworldofstories · 4 years

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forgiveness (can you imagine)

Genre: angst with a happy ending Word Count: 8273 Summary: After Beelzebub slams the door to Hell in his face, Crowley walks to Aziraphale's bookshop, but he can tell that something is off. He falls to his knees in pain - and then he realizes. She is making him Rise. It's painful. It's what he would never admit that he wanted. (Maybe now he can be loved.) ao3: forgiveness (can you imagine) If there is one thing Crowley is absolutely certain of, it is this: Once a demon, always a demon. However, what Crowley is absolutely certain of and what Crowley dreams of are quite different things. On lazy afternoons, he dreams he is a serpent and has always been a serpent. On good days, he dreams he is a demon and has always been a demon. But on the bad days, Crowley dreams he is forgiven. And loveable. And loved.

(Once an angel…)

Same side, he dreams voraciously. White-winged and golden-eyed, he dreams wolfishly. Untainted, unsullied, unmarked. Every blessed four-letter-word. Good, nice, kind, he dreams ravenously.

(You were an angel once.) And hungrily, hungrily, he dreams, a soft warm hand grasping skinny fingers. Yellow eyes and dark heart forgotten. What was once wretched. What was once wicked. Forgiven. Skin that has forgotten the shape of scales. I recognize you. I see you. We are the same. (Flames so hot they dance blue, licking up and licking down and licking everywhere as of yet untouched by pain.)

A Shakespeare play unwritten. Stars uncrossed. The sweetest love confessions, like poems, honey of the soul. He dreams so desperately. Two angels, side by side.

(Feathers burning so quickly, so easily, like they were meant for it. Stubborn flesh burns harder.) On worse days, at his weakest, Crowley dreams he is whole. He has never broken his wings. He has never disappointed anyone. He has never made a mistake so bad it can’t be forgiven. Pathetically, he dreams, I deserve to be loved.

(That was a long time ago.)

Crowley wakes up, and knows the nature of a demon, and knows to hold his tongue.

It’s just after the Nahpocalypse that he gets it a little mixed up and washes his dreams over into his carefully separated reality.

Demons, typically, do not hope. Hope is just a few technicalities removed from faith after all. It had been viciously burned out of them when they screamed during the Fall and no one came. Crowley, of course, has always been a rather terrible demon.

(This is where the sunset will take inspiration from. How beautiful, it thinks, watching white wings burn hot red, ardent orange, spiteful yellow. I will make those colors mine.) So for a few awful days after the world doesn’t end, Crowley is consumed with shameful, treacherous hope. His whole corporation is brimming with it. It’s brimming with idiotically composed hypotheticals. What if Heaven was holding him back? What if he lets himself have things now? Or some more pathetic ones. What if he will hold my hand?

(You do not land from a fall like this.)

But, of course, among all the things that changed, there are things that didn’t.

(You crash.)

Crowley is still a demon. It is intrinsic to his being that he can not be loved, certainly not by an angel. Unloved is woven into his pitch black feathers. Unforgiveable is braided into his fire hair. Maybe that’s what’s holding Aziraphale back.

(The crash is what leaves the life of what once was an angel hanging by a string. Any being with burning wings thinks it knows pain. But then their bones shatter. Then the fierce power of the impact knocks the breath out of their lunges. They would think, that knocked the soul out of my body, if they could still form coherent thoughts.)

Because Aziraphale knows. The very core of his being is rotten and wormed. There is no unseeing that. And hope dies a slow death in Crowley’s heart, as days pass, and everything is different and stays the same.

(You can only live through this if you convince yourself you do not have a soul.)

Maybe that is why he chooses to wander into hell, under thinly veiled excuses. No one bothers him on his way in. He makes it all the way to his office before he is stopped, two demons grabbing his arms and the Lord of Flies fixes him with an angry glare and crossed arms.

(In toxicity and heat, only the most stubborn beings survive. Maggots crawling up your calves, flies kissing your eyes, leeches clinging to your skin, a parasite disguises its greed as love and you reach for it without hesitation, without inhibitions. You let yourself be fooled with the hopeless desperation of a starving man.) “What are you doing here, Crowley?” Beelzebub asks, head tilted.

“I was just – ehh, y’know, clearing out my office -”

Beelzebub waves a hand, a cue for the demons to drag him through the narrow corridors of Hell. They ignore Crowley’s struggling and his shuffling feet and keep a tight grip. Outside the doors of Hell, they sent him on an undignified tumble with a shove. Crowley takes a moment to find his feet, but then he whirls around. Beelzebub and their demon bouncers are standing in the doorway.

“You can’t just – I mean, no hospitality, you people. I’m a demon too! I have rights! Worker’s rights, ever heard of it?”

“You’re no demon,” Beelzebub buzzes and slams the door in his face. Crowley blinks at it for a few moments, feeling oddly dejected.

(An apple that isn’t picked falls.)

Downtrodden, Crowley starts to walk somewhere, anywhere. He follows the familiar way to the bookshop almost automatically. He doesn’t know what he wanted in Hell, not really. He hasn’t belonged there for a long time. Perhaps he was looking for some familiarity. Perhaps he wanted to remind himself of what he deserves.

He breathes in the open space and lets himself think of Aziraphale. It’s not too late for lunch. Forget about what he can never have. Most dreams are best locked away. He just needs to put a lid on it somehow, the same way he has done for millennia.

Oh, he knows. There are some questions you do not ask. There are some strings you don’t pull. Not if you want to keep – not if you want to stay - He breathes in deeply, the smog-filled dirty London air, the free sky air, cold breeze air.

(But you do rise eventually. Sulfur dripping from what remains of your wings, every bit of you that can still feel aching, and strangely certain She doesn’t love you anymore, you rise.) This is how to carry on: You saunter forward. You keep your eyes ahead. On his way, he notices a total of four (four!) people who smile at him. It’s like the opposite of people staring because you have something on your shirt. It’s like everyone being very impressed with you because you don’t have something on your shirt. Crowley is thoroughly unsettled by it.

He does not expect the sudden piercing pain in his chest. It makes him crumble to his knees. The humans start sending him irritated glances now, so he scrambles to his feet and ducks into the nearest alley. Next to three black trash bags, Crowley lets himself be consumed by the ache.

Crowley has had his fair share of pain and millennia to feel it, but he has never felt anything like this before. It’s pain reinvented, like someone changed up the formula, just to make torture a little more interesting.

Fuck. Where the bloody Heaven is it coming from? Crowley’s knees buckle again and he props himself up by his hands, the rough asphalt digging into his palms. Fuck, is he dying? It feels like dying. He has never touched holy water, but he imagines this is what it must be like, like burning without burning.

It’s the mirror-image of agony. It’s pain in a different flavor. It’s death by – love. That’s what it is. Love. Bloody angelic fucking love. And there is something distinctly holy about it. It’s been an eternity since he’s felt like this, like this without the pain, like this but like it belonged in his body. But he remembers – fuck, he remembers and back then it was good, so good. (It’s a method of torture to put someone in a room for days and never turn off the light.)

He looks around frantically, searching for who did this to him, if it was Beelzebub and her demons, if it was an angel because only an angel could cause divine agony like this. But there is no one – he is alone in the alley with the trashcans – there is nobody but him, just like back then.

It’s everywhere, even in his toes, even in his fingertips. If he could feel pain in his hair or his nails, he would.

Maybe it’s Her. What if it’s Her? What if She is punishing him now, for saving the world or for asking too many questions or for not being good enough of a demon? Maybe She’s decided that if he doesn’t fit in the two categories she has carved out for them, he doesn’t deserve to exist at all. Maybe She’d decided he’d asked for too much. (He had. He’d asked for the world and for love and for nights spent stargazing and holding hands with an angel.) And She wouldn’t even let him say good-bye to Aziraphale. How is that for mercy? (He had never known Her to be merciful.)

He tries to grab his phone through the pain, but his hands are shaking and it slips through his fingers. Tremors roll through his body and he leans forward.

“It’s not fair,” he mutters, grinding his hands against the ground. He feels like he did in the burning bookshop, only this time he doesn’t have to lose his world. His world will stay, it’s only him who will be gone. That’s better. That’s almost something resembling okay. Aziraphale will be fine.

He’d thought he was dying back then, he’d really thought he would, back then he had still thought she would be merciful. Maybe this is Her finishing the job.

If he’s dying, why does it have to hurt so much? Couldn’t She have done it in his sleep, if She’s oh so powerful? (But he doesn’t deserve it, does he? He doesn’t deserve a peaceful exit. That’s what She’s always thought, that he should BURN BURN BURN) He screams

broken s o u n d s tumbling out of his mouth

Drowning

It’s like DROWNING

He has died like humans do a few times he has never drowned but almost so he knows -

It is drowning and surviving. Gulping up water, have it fill your lungs, and it does, it’s everywhere, holy and everywhere, he is choking on it and gasping for air that won’t come and never being granted the mercy of death.

This is the holy water that will refuse to kill you. He is n o t dying, dying is easy, he has done it over and over, he is living and that’s worse WORSE Where is HER MERCY? Humans die, and they say it’s like walking toward the light at the end of the tunnel. Why do they get to have it so easy? Why does light burn burn burn like water does. . And his wings. They hurt so much, he has to drag them onto this plane of existence.

. !

? Blue, everything. is. blue. ?

? They move

drag

on their own accord

on SOMEONES accord

upwards

UPwards

u p w a r d s - but they drag down go up but drag down heavy as lead as a lead balloon as the beginning of the world But you fly anyway, impossibly, against each downwards drag of your wings. (It’s like falling upwards.) (It’s still losing. It’s always losing.) He flies with wings in agony. Drowning. Only there is no water to drown in. It wells up inside of him, invisible and not really water.

Tears, though. Those burn. Like holy holy water. Surviving. Even though you’ve run out of air long ago and all you breathe is water, wet and cold. And it is Good.

He could feel how very bloody Good it was. (And Goodness hurts and scathes and sometimes kills. And Goodness does not repent. Goodness leaves a trail of bodies after itself and does not glance back a single time.) Why does She want him so high? So She can drop him? So he can Fall again? And again and again? Why is he surprised?

She brings him closer and closer – to Heaven – to what he once was - She will drop him - She will drop him out of the clouds - And worst of all -

He will never see Aziraphale again.

(Can She drag him up again by broken wings?)

He always thought he would die by love, all the love that has always consumed him and eaten him and devoured him and sustained him and nourished him and healed him – but Aziraphale is not even here, but Love is and doesn’t leave.

He doesn’t need Love with a capital L, he never has. He had love instead.

(And he was good at it, if there was one thing at all he was good at, it was this. He loved. Like a human. Like an angel. Like a demon with nothing else to live for. He’d loved, and it had been so, so good, and She would never take it away from him.)

And it had been so much. Too much. He had expected to drown in love, yes, but not like this. (He had expected a touch lingering too long.) (He had expected a gaze too intense.) (He had expected words too harsh.) (Those were the things he had prepared to die for.) (And oh, the love he had lived for.)

Higher, higher, he keeps shooting higher, he cannot stop his wings. (He will fly too close to the sun.) More than he would like to admit, I am scared. If this is dying, when do we get to the good part? If this is not dying, what is it? Is this my punishment for hoping? For asking? Should have known better than to hope. Am a demon after all.

demon aren’t i why does it feel wrong to think demon (unforgiveable it’s what i AM) I am a demon, I am unfor- I am un- I am a- I am an Giveable for u n Able lov u n Nomed N O M E D I am. Scattered letters on my tongue. I am an. I will die touching the clouds. (I am flying too close to the sun.) (But you don’t know how much I have always ached with it.) (You think your Love can kill me, go on, try it. I fucking dare you.) (Torture me with kindness. Whip me with niceties. Hollow me out with your Love, I fucking dare you.) You do not get to shape me. You do not get to make me. I am not your bruise to press on.

(I did ask when I was Burning.)

(I begged.) (Resurrect my soul. Glue my wings back on. Heal those sulfur burns. Forgive me, forgive me, forgive me.) You are slicing through the air and it is slicing through you. You are the weapon and the wound.

(You have flown too close to the sun.)

You are Her Enemy. You are Her detested door-to-door salesman. You are a dried leaf under Her boot and She likes to hear it crack.

…

You are Her child. … You are My child.

you are my child i love you i’m sorry -

The Goodness and the Love and the Holiness flood his veins and his essence and everything, until there is no room for him anymore.

It will keep pressing, he knows. Until he is burned away. And it’s okay. Aziraphale is safe. And it was all worth it. He has loved. He is ready to go.

But then it eases – but She will not let him – he can breathe again – his wings are his again – he is floating -

He gains control of his wings and lands on the ground of the alley softly. And he can tell. Something is Gone. And something is There.

There are two things he is certain of: He is Forgiven. He is Loved. Which makes him not certain of anything anymore.

He is shaking, even though the pain is gone. Once a demon. (Once a demon…) ? Once a.

? ?

He will not be loved. He will not be forgiven. He is. He’s.

It’s everywhere. He has felt it before, but that was a long, long time ago.

Love is not something to have. It’s a passer-by. It’s a precious visitor. It is not in its nature to last. (Not for someone like Crowley.) Love will not be owned. (And if there is one place it does not belong it’s behind yellow slitted eyes.) He knows what it feels like to have Love bleeding from your fingertips. Love oozing from star-maker’s hands. Love dripping red from curled angel hair. Love is not to keep. What just happened? What happened? Something is Missing. Something is There.

He is a demon, he has wings. He has… White. Why are they white? Fucking shit. Fucking hell. Holy fucking shit. Fucking Heaven. They’re white. They can’t be white. It’s impossible. (They burned in fire and in acid. They broke and healed. They are as black as a void where goodness used to lie.) He tears off his sunglasses and turns them around, quickly skimming his reflection in the glass. The eyes are still there. But the wings are looming behind him, as if he were – some sort of – holy – ngk

And if there’s one thing Crowley is absolutely certain of, it is this -

(It’s WHAT I AM -) once. crowley was once an angel. Fuck. As a matter of fact, no. No. No no no no no.

Crowley does not run to Aziraphale’s bookshop. It is an emergency, but not one that warrants superfluous exercise. He does, however, walk at a very brisk pace.

He does not think anything but a never-ending string of swear words and curses. He throws open the door to the bookshop and there he is. Safe. Whole. Tartan bow tie and everything.

He almost walks back out when he is hit with a wave of love stronger than anything he felt out on the street, love that he knows is not his own.

“Aziraphale,” Crowley rasps. He can’t say the other thing at the moment. “Oh, Crowley!” Aziraphale starts walking toward him, hands anxiously fidgeting in front of him. “What’s going on? What happened? Is it angels? Are angels after you? I could swear I’m sensing one close by, I’ve been a little… nervous about it.” “Nah – no, it’s not – it’s not angels, I don’t think, it’s -”

“But I’m usually never wrong about these things.” Aziraphale frowns.

“Well – well you’re not wrong, technically, it’s just.” Crowley can’t say it and tries to scramble for a place to start. “I went to hell.” “Hell? Why? Did they take you? Did they hurt you? Are you hurt?”

The expression on Aziraphale’s face is heartbreaking. But Crowley is fine. Isn’t he? Nothing broken. This time, there are no scars. Skin is unblemished now. “No, I’m not hurt, well, not anymore, but… I don’t know why I went into hell, it was stupid. But then she – she slammed the door in my face and said you’re no demon, which ha! Fair enough. Just Beelzebub being petty, you’d think. You don’t just un-become a demon. It’s not like – not like I could be some sort of an aardvark all out of a sudden. That’s not how it works.” Aziraphale has come very close now and reaches out his hands to clasp Crowley’s, which is probably meant to be reassuring but makes the panic flare up inside of him. Maybe it’s not even panic, but some other embarrassing emotion close to it.

“My dear, what are you saying?”

Crowley clenches his jaw. He can’t say it. Aziraphale will think he’s mad. He is mad. This is mad.

Aziraphale is fine. Now that he’s seen it, he should leave. Maybe he can just… sleep it off. Maybe it will all turn out to be a very strange dream. He will wake up in his flat, as demon as ever, and there will be nothing to be confused about, nothing to dread and nothing to hope for.

But he can still feel it. As real as anything. Buzzing under his skin and above his skin. In the bookshop, he can tell it’s everywhere. Is that Aziraphale’s love? It’s… shining. It’s so beautiful. No, it can’t be. There’s too much of it.

His lips are clamped together, but his wings are not. He unfolds them right here in the bookshop. They are so bright. Brighter than they should have any right to be.

Aziraphale lets go of his hands and stumbles back. He makes a small ‘oh’ sound.

What will he think? That it’s ridiculous. It is ridiculous.

(That it shouldn’t have happened. Crowley doesn’t have what it takes to be one, that’s obvious to anyone.) (That he has wanted this to happen. That he has wanted to upend Crowley’s entire being and remake it ever since they met on the wall. That this is good.) Aziraphale presses his hands in front of his mouth and just stares.

That’s when it occurs to Crowley – things are different now. He hasn’t changed, but things have. Unforgiveable unraveled and turned into forgiven. Unloveable unraveled and turned into loveable. How much more would it take for loveable to turn into loved? Maybe Aziraphale will let himself -

(Is the apple still so tempting when it is not forbidden anymore?)

“Is this -” Crowley asks, “Could we -”

He thinks, Aziraphale will just know. Because of course he is asking. He is asking.

But Aziraphale is shaking his head. Still staring.

Oh, the eyes. He forgot about the eyes. Quickly, he puts on another pair of sunglasses. His eyes are still demon. He is a demon, but watered down. Still too demon. Even when he’s not.

“I – I know the eyes are still – but it doesn’t matter, I’m -” and it doesn’t feel right, but if this is what it takes to convince Aziraphale – “I’m an angel, right?” We’re on the same side, right? We’re the same. Right? Just don’t look past the sunglasses, and it will be fine. Just forget that my wings were black only yesterday. Aziraphale’s expression changes, but Crowley can’t tell. “You being -” Aziraphale hesitates too, “- an angel doesn’t change how I feel about you, dear.” “Oh.”

Crowley had let himself hope again and he’d barely even noticed it. But he shouldn’t have. Maybe in time, Aziraphale would get used to it. Maybe in time, he would fall in love. But not so soon. Crowley has waited six thousand years, he can wait a little longer.

Unless.

Unless it doesn’t matter. Unless what’s on the surface doesn’t count, only what Aziraphale knows to be true and what he knows to be true is that Crowley is a demon and meant to be a demon and demons can never be redeemed. Maybe She has changed Her mind about that, but that doesn’t mean Aziraphale has.

Aziraphale knows.

(Maybe it was never being a demon what made him unloveable.)

But he can wait. He will. He’ll be patient.

Oh, the love. It’s starting to become unbearable.

“How did it happen?”

“I don’t know – it just suddenly started. I was walking here and then suddenly I was Rising.” “How? How do you Rise?” Aziraphale seems astonished by it. And Crowley thinks of burning love. Of water that is not water. Of divine agony. “Just… sauntered vaguely upwards,” he says and shrugs. It’s strange how different and familiar it feels. How foreign and home. How far and how close. “There’s just so much love here,” he says, just to say anything else, “where does it all come from?” Aziraphale looks surprised and then bashful.

“Maybe it would help if I stepped outside for a moment?” “Why, what’s the problem?” Crowley asks, confused. “Oh, wait, you don’t mean – all that love is coming from you?” Ah. That explains. It was a stupid question earlier, although it’s not like that’s ever stopped him. He should have been able to tell. So much love, so much, and none of it is directed at Crowley. (There is the proof Crowley never wanted that Aziraphale was not just lying to Crowley or even to himself.)

“It is,” Aziraphale says softly, resigned, almost like he just admitted to something. “I am an angel after all.” But Crowley has always known that Aziraphale loves. But he had not known how sweet it would feel, even if it’s just a dream that it’s for him.

“Are you alright?” Aziraphale asks and comes closer again. “I know it must be a startling change.” “Ha! You can say that again. Count me startled alright.” Crowley runs his fingers through his hair and lets out a slow breath. “Yeah, I’m okay. I just… don’t understand why She would do this. Why would She just – shake everything up again? I thought – She made the rules clear all these years ago and now I feel like maybe I was playing an entirely different game all along.” Like he thought they were playing chess, but it was really Monopoly all along.

“Maybe… maybe She wanted to reward you.”

Aziraphale had not been there. He had not felt it. To him, being an angel comes without a price attached. “No,” Crowley insists immediately. “No way. It must be some sort of punishment. I just can’t see how yet.” “Is it so hard to believe that the Universe would simply be kind to you?”

“Yes,” Crowley says tersely.

She isn’t kind, She plays games. The Universe has never granted him favors. Anything Crowley tried to do right has always gone wrong.

“I can’t,” he realizes suddenly, “sorry, angel. I can’t.” He rushes out of the bookshop and doesn’t listen to Aziraphale’s stammering and doesn’t turn back around. It’s not just the conversation he can’t do, it’s all of this. He’s not an angel. He’s not a bloody angel. He doesn’t want to be an angel. Angels are stuffy and hypocritical. Angels have hurt him and have hurt Aziraphale. He doesn’t want to be an angel. (He has never wanted to be a demon either, of course, but that’s semantics.) The Bently is still at the entrance of hell, so he takes a Taxi back to his flat.

“I’m not an angel,” he says to the air. He circles his throne and flops down on it. A moment later, he gets up again and starts pacing the room.

“Do you think this counts?!” he says, growing more agitated. “Do you think the pain just – goes away? It doesn’t work like that. It doesn’t mean you never let me suffer. You did. You did.” He slams his hands down on the table, then braces himself on them.

“You might have Forgiven me. Maybe. Maybe you did. But that doesn’t mean that I will forgive you.”

He just can’t figure it out. So he yells. Yells loudly, as if something like volume could ever make Her hear him. “Why did you do this?” he yells, “what do you want from me? Do you want me to forgive you because I won’t. Do you want me to be your perfect little angel because you can forget that.” She has never heard him. For millenia he has begged her, he has asked her, he has yelled at her and She has never responded. “FUCK you,” he yells. “You hear me? Yes, I just cursed your fucking name. Are you going to make me Fall again, now? Then go ahead and do it.”

Is that Her game? Are those the stakes? He’d never known back then. That that was something that could happen. But now he does. Now he knows Her and what She is and what She will do.

“Is that what you want? For me to make the next mistake so you can push me out again?” That must be it, right? Why else would she do this? It’s oh so in-fucking-effable.

“I won’t be your blasted clean slate!” His plants are shivering, even though it’s not them he’s yelling at. “I won’t be your blank canvas, just for you to hurt again.” (I will not have everything just to lose it all.) (I will not climb high just so I can fall deeper.) “I am a demon,” he says with a certainty he doesn’t have, “I don’t care how white my wings are, I am a demon.” Demon means many things and most of them Crowley has always hated with his whole being. But demon also means ‘abandoned’. Demon means ‘pushed over the edge of Heaven’. “I am a demon. You didn’t not hurt me just because I don’t have the scars to prove that you did.”

She cannot erase him. She can’t write him out of existence, it’s too late for that. He might die, yes, but he was here and he was a demon and she can’t take that from him. “Twice,” he snarls, “twice you’ve ripped away who I am. Redefined my being how it pleases you. I am not your plaything. I am not your game piece.”

He pushes himself away from the table again, suddenly drained from anger. “I am not Crawly,” he says. And refuses to be.

***

The angels come for Aziraphale the next day. He is not expecting them. They scoop him up outside his bookshop and drag him up.

Gabriel is with them, but not to get his hands dirty. He is here to taunt. To mock.

“You’re not an angel, Aziraphale,” he says, “you should have Fallen. We’re just helping to – speed things along, as it were.” So that’s what they were after – a Fall. Aziraphale had often wondered what it would be like to Fall. He had wondered if the freedom would be worth the pain.

In the privacy of his mind, he has drawn up a list of things he would say if he were Fallen. And a list of things he would do.

There were times he had wanted it. (Our side.)

They keep dragging him up, knows he is too weak to break free and he will not miss Heaven.

They break his wings with a well-placed blow half-way to the clouds and he will not miss the angels.

When they reach the lowest cloud, he slips free.

It’s not the angels who make him Fall. Angels don’t have that kind of power.

What makes him Fall is a thought that starts with How could She do this to him? The thought follows Why do you let him be an angel now and not six thousand years ago? It stumbles briefly over Why do they get to be angels? The thought reaches Are you saying he didn’t deserve it before? Because he did. He deserved everything. It dives right into You don’t know what’s right or wrong, do you? And hits You’re just playing a game with full force.

It’s not quite I don’t believe you did the right thing that does it. It’s the thought he ends with: I don’t believe in you. He falls. He looks up at the sky and the clouds and the somber faces of beings that were supposed to be good. And he thinks, I don’t believe. And then he Falls.

He doesn’t try to move his broken wings. He lets it happen.

(He had thought Falling would take longer.) (But it’s over quickly.) (It’s hitting the ground that hurts.)

(The force of his fall denting the asphalt.) He lies in the rubble. And he knows that something is Gone. And something else is There.

Several of his bones are broken, but it’s nothing he can’t mend. His corporation survives the fall. Love doesn’t.

He lies and lets himself feel the loss of it. I don’t want your Love, he thinks and misses it terribly.

He stares at the far-away sky for a long time. It is untouchable now. For a long while, he lets himself feel the pain - and finds it’s not a fresh wound. It’s very old and has been bleeding for a long time. Maybe it can finally start healing now.

Then he thinks, I should get on with it. If Crowley can do it, so can I. Then he rises up in his spot of rubble. And then he does. ***

(He does not call Crowley. He locks the bookshop and closes his blinds.)

(He cries for as long as his corporation will produce tears.)

(He tears half of his books apart with his fingers and all the brute force he can summon, then he miracles them back together. Once. Twice.) (He screams at Her, but he doesn’t use words. She will understand.) (He lets his phone go to voice mail and miracles it apart when it keeps ringing.) (He does not answer the knocks on his door.) “Aziraphale!” (Not the banging either.) “Angel!” (His bones have healed but the pain fills him from head to toe.)

“Please let me in.” (He posts Crowley a letter. I’m fine. Go away. He lets it float outside the bookshop.)

(It goes quiet.) (He can still sense an angel around.) *** A week later, Aziraphale dusts the bookshop.

It’s ineffable.

Aziraphale is Fine. He lifts the blinds. To Hell with ineffable.

He gets on with it.

*** Crowley is leaning against the door of the bookshop when it opens. He gets to his feet swiftly and turns around, but he balks when he sees Aziraphale’s face.

“No,” Crowley says and backs away. Scared. “She can’t – She can’t, She wouldn’t dare. Not you.”

Because I would tear Heaven apart for you, and She knows it – I would tear her whole Creation apart until She was the only being left and then I would put Her to trial.

“No. It’s fine.”

Aziraphale looks indeed fine for someone who has spent a week holed up in a bookshop. He looks too fine. Unnaturally fine. He ushers him into the bookshop and closes the door behind them.

“It’s not,” Crowley says quietly.

“Well, it is what it is. No use in dwelling on it.”

But Crowley will dwell on it. For a long time.

“What happened? Why didn’t you call me?”

He is frantic with concern, the shock of finding the locked-up bookshop still deep in his bones. He hadn’t expected this. He would have expected angels to come and get their revenge. Not Her. “I believe this is something I had to do alone,” Aziraphale says.

These are the repercussions. This is the price. Why would She make Aziraphale, Aziraphale of all angels, the best angel there is, why would She make him Fall?

“Did it hurt?”

Too much time with a demon. Where is the limit?

You can have my soul, you can have my heart, you can have my wings, I let you take it all, but not him – you can’t have him. “It didn’t hurt a lot for a Fall.”

He has dreamed of this. He is a complete and utter bastard and he has dreamed of this. What if Aziraphale were a demon? What if I were an angel? He had never imagined those two would collide. “But it hurt.” Aziraphale doesn’t answer, which is answer enough.

This is the cruelty he knows from Her. She will keep them forever apart. They can never touch. They will never be the same. Maybe that’s her punishment. (It is ever more cruel if you had hope. And Crowley has always been a terrible demon.) “I’m sorry,” Crowley says.

In a general bad-things-should-never-happen-to-you way but also in a very specific this-is-my-fault way.

“Don’t be,” Aziraphale says kindly. “We were always rather terrible at our jobs, weren’t we? You a bad demon. Me a bad angel.”

(I would give my grace to you, if I could.) (I don’t deserve it, I never did.) “I was a terrible angel too.”

“And I imagine I’ll make a terrible demon. I suppose it doesn’t really matter then, what we are.”

Why him why him why him why HIM?

“It does. It does!” Crowley is growing angry. “I can’t believe how calm you’re being. Why aren’t you freaking out? I’m freaking out.” “My dear, I’ve had six thousand years to learn that, angel or demon, it’s not important. They’re really just labels.”

“Just. Labels.” Crowley repeats dumbstruck.

He steps past Aziraphale to the sofa, grabs one of the pillows and presses it to his face. And then he screams.

Aziraphale doesn’t get it.

He doesn’t understand, this is all on Crowley. Crowley never should have talked to an angel on the edge of Eden. He never should have gotten so close.

“What about Love?” he tries, choked up.

“It was a bit overwhelming sometimes. All that Love.” If Crowley could sense love, then so could Aziraphale back then. Then he’d sensed Crowley’s love – then he’d always known – and of course he’d known something so blindingly obvious – and it had all been too much for him, Crowley’s love, so much that he was glad to be rid of it. Not having to sense it anymore.

“I’m sorry,” Crowley says again and he is. More than anything.

Crowley should go.

This is why Aziraphale had barricaded the bookshop.

It’s over. They both know it’s Crowley’s fault. He ruined this. He’d wanted to much. He’d wished a doomsday upon them.

“’s my fault,” he speaks it out into the open quietly. The sorry wraps around his throat like a snake and starts to strangle him. “It must have been my fault. I made you Fall. I tainted you.” (This is what happens when you touch an angel.) (When a demon touches an angel, they bleed into each other. It is as unholy as it is holy.) Aziraphale, who must be the kindest demon there is, if Crowley can ever accept he is a demon, does not condemn or accuse him. He will be gentle about his rejection. Aziraphale is an expert in wrapping brush-offs in nice words. He kicks people out of his bookshop with sensible shoes.

Can’t you see, angel? I did this I did this I did this to you I am worse than a demon

I am your monster, I am your nightmare, I am your Personal Hell I am your punishment, I am your crime, I am your worst mistake He is a thief and a scoundrel. He took it. He took Aziraphale’s grace. Aziraphale should hate him. Should kick him to the curb.

(He had seen something precious and wanted to own it.) And Aziraphale has always known, has rejected him at every turn because he always knew what was really there, but nothing has ever been as bad as this. There is no coming back from this. He will walk out the door of the bookshop and never return. Won’t be allowed to. (The most unforgiveable thing he has ever done is to be forgiven.) But Aziraphale looks at him, with his kindness. He steps toward him.

(You should not have let me touch your wings, lest I turn them black.)

You might not be Heaven’s angel, but you will always be mine. (I turned them black.) Aziraphale puts a hand to Crowley’s cheek, as if to soothe him.

(I never even kissed you, but I burned away your Grace.) Aziraphale tugs his sunglasses off gently. (Not burn, but take. Take and take and take.) “Dearest, don’t insult me,” Aziraphale says then, “this was nobody’s choice but my own.” “Choice?!” Crowley croaks.

“I was never much fond of being an angel, as you well know.” How can Aziraphale accept this so easily? Doesn’t he know - Why does he always understand but never understand -

But there is nothing to change it. This is the new world now. We are an angel and a demon has become true once more.

***

“It’s strange,” Crowley says, “I thought all your angel-love would disappear, but it’s all still here.” Aziraphale lets out a strangled sound. “Yeah, s-strange.” *** For a day there, they were both angels. But now Crowley has missed his chance.

*** “She has been quite cruel, from time to time,” Aziraphale says. *** “Even the kids.” *** A man rushes past Crowley when he enters the bookshop.

“Who spit in his coffee?” he asks Aziraphale, who is sorting books.

“Oh, I have a feeling he suffered a minor delusion and thought the book he picked up had maggots crawling all over it, but who knows.” “Okay, and who spit in your coffee?”

“Satan,” Aziraphale says innocently.

“Aziraphale!” Crowley exclaims, equal measures scandalized and bemused.

“Didn’t you see that book he was carrying in his bag? Full of dog-ears. I will not tolerate a book-abuser in my shop.”

“I see.” Crowley hides his smirk.

*** A girl runs along the sidewalk and trips over her own feet. Crowley, sitting in the Bentley, sees her fall. Her knee is scraped and starts bleeding. She’s crying. Crowley’s heart flies into his throat.

He wants to heal her. It’s a forbidden emotion. It’s Something Not To Think About. He is not allowed to want things whole. Except now he is.

It’s a subtle miracle. Crowley gets out of the car and gives a short wave of hand. The skin mends itself and the scrape is gone.

He has done this kind of thing before, of course. When there were no other demons around. This time he doesn’t feel guilty. “Did you just heal -” Aziraphale starts when he walks into the bookshop.

“Shut up.” ***

“Oh, but you can’t leave without trying the crème brûlée,” Aziraphale tells the couple on its way out the French restaurant. “It’s simply – well, divine.”

The couple has a change of heart. “I’m starting to think it’s the opposite,” Crowley remarks and raises an eyebrow.

“I have no idea what you’re insinuating,” Aziraphale says cheerfully and takes a bite of asparagus. *** Crowley leaves for the homeless shelter every now and then. Aziraphale knows better than to ask.

***

Crowley doesn’t know what to do with Love. It feels like it belongs to somebody else. But he also knows that missing it is worse, so much worse. He knows Aziraphale doesn’t tell him everything.

And he can’t bear the thought, not even of Aziraphale being a demon but of Aziraphale suffering like a demon.

He won’t feel Unforgiveable, not now that they know that demons can be Forgiven. But cut away from Love, from Her Love, not being able to sense it anymore… Crowley knows that it’s hard. It’s lonely.

Sometimes, it’s like freezing out in the cold. Sometimes, it’s like starving of something. He wants to give it back to Aziraphale, even if only a sliver. Only a modicum of what he really deserves.

And Crowley… well, he has Love but he does not have love. Not the kind he wants.

“I want you to know… it’s not gone,” he tells Aziraphale on a quiet evening, sitting next to him on the sofa.

“What, my dear?” “I… I know you always knew… and of course, I know you don’t return – I just want you to know. Because it’s the not knowing… that’s really painful.”

Crowley is explaining himself badly, but it’s been in his mind for so long, it’s hard to let it out.

“Whatever are you talking about?” Aziraphale diverts his full attention to him now. “Well, it’s… It didn’t really become clear to me that you knew, must know, until I could sense love myself.” Quickly, Crowley adds: “But I still do.” “Do what?” Aziraphale looks very confused, which means he’s not being deliberately obtuse. And he’ll have to say it. It hurts to say it, but nothing is as bad as Aziraphale not knowing.

“I love you,” Crowley says softly. “And you know that. You must have been able to sense it for millenia. So I hope you realize… you’re not unloved. Could never be. Not as long as I’m alive.”

Aziraphale’s mouth drops open.

“You don’t have to respond!” Crowley rushes to say. “All this time, you haven’t said anything, so – so that’s an answer in itself. I mean, I sense love, of course I know you don’t. Can’t.”

This will not break them. If nothing has yet, this does not have the power to. But it still hurts. Oh, it hurts. And he has always, always wanted too much. “My darling, I think you’re not yet an expert at the sensing of love.”

Crowley rolls his eyes.

“It doesn’t exactly require a lot of skill.” Aziraphale sends him a calculating look.

“Who do you think my love belongs to, then?”

It sounds like a trick question. “Wha – the world?”

Aziraphale shakes his head. “A nice thought, but I really don’t love the world all that much.” “Then what?” “It’s a misconception, you know. That angels can tell where the love comes from. We – they can only tell that it’s there.”

So he didn’t know. He didn’t know that Crowley loved him – well, he should have been able to tell anyway.

But then Crowley’s throat goes try. His mind should not go there, but it does. The well of hope inside of Crowley is endless. No matter how much of it you snuff out, there is always more to come.

“So hypothetically,” Crowley says.

“Yes, hypothetically…” “All this love could be directed… at one person.”

Crowley scoots a little closer to Aziraphale. “Even a demon?” Crowley adds. “Yes, a demon,” Aziraphale breathes. Yes, feast yourself on my tainted love. Do you think you are immune to poison because it was home in my veins? Are you willing to take your chances?

It’s bad. Crowley shouldn’t do this. But he can’t stop his hand from reaching out. He stops at at the last moment, just before touching Aziraphale’s and quickly draws it back. He almost forgot. There’s a crater between them still.

“But you won’t let yourself,” he says and is certain that it’s true. They are an angel and a demon, it doesn’t matter who is which. Aziraphale thinks they don’t fit. “We’re an angel and a demon. ‘S probably some sort of law of nature against it.”

Hope dies a slow death in his chest. “You’re probably right,” Aziraphale says, which speeds up the process a little. “But -”

“But?” “As of late, it turns out, I’m a bit of a rebel.” Crowley’s head shoots up. “What?” “And I don’t care much for rules.”

I have always been venomous, you should have known to stay away. You shouldn’t have let me tempt you. (Soft-seeming lips, did you let yourself be caught off-guard by the teeth behind?) “Aziraphale,” Crowley whispers and it’s do you want this will you let me can you forgive me? Aziraphale takes his hand. Please don’t let me bite you. “You really shouldn’t,” Crowley says.

“Why not?”

Aziraphale looks at him so earnestly, so seriously, like Crowley matters. “Falling for it wasn’t enough of a clue?” “You didn’t make me Fall, dear. That was all me.”

“But I’m not g-” his voice is wet “good for you.” “You are.” Aziraphale’s voice is rising. “You didn’t need to be an angel for me to know that.”

He wants to lean in, lean so close he can breathe Aziraphale’s breath, he wants to press his lips to Aziraphale’s but he’s frightened that Aziraphale would let him.

Venom on my lips and poison in my blood, I taste so sour, darling, don’t drink from me. And I know you are a glutton for it, you are a glutton for the finer things. But don’t drink your punishment from me, it won’t taste well. But then Aziraphale leans forward and kisses him and Crowley can’t stop him and he doesn’t want to and Aziraphale’s love tastes so, so sweet. And Crowley doesn’t like eating pastries or candy but he loves this.

She will never have this. She could never create this. She could never remake the world in a way that he won’t fall for Aziraphale.

It’s a slow kiss and it’s a little difficult to fit all that love between their lips, but they manage it.

She could never take this. She can drown the world and She can burn the world and She can banish the angels and She can grow a garden in Hell, but this love will always be there. She can’t touch it.

Crowley is not rotting, not anymore – he is blooming, like the blossoms on an apple tree. Not even he can destroy this.

He is touching the sun. He is living in it.

“Well then,” Aziraphale says and beams at him. “Can I tempt you to dinner?” Crowley groans. “Oh, you’re insufferable.”

Aziraphale looks very smug.

“Then I suppose you’ll just have to smite me. With, what was it? Your angelic righteousness.”

They stand up from the sofa at the same time and start walking toward the door.

“You’re a real bastard, Aziraphale,” Crowley tells him. Aziraphale preens at the compliment. Things are shaken up. They are a little different and a little the same. But Aziraphale and Crowley carry on as always. And Crowley still glues coins to the sidewalk every now and then. Aziraphale still blesses babies once and again. One of them might be an angel and the other might be a demon.

Semantics, really.

#good omens #good omens fanfiction #good omens fic #good omens fanfic #crowley #crowley x arizaphale #aziraphale

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id-never-letyoudown · 5 years

Text

Told u I'd write self indulgent shit(lmao readmores don't work on mobile rip)

Henry Hidgens x Wilbur Cross. Because I don't have nearly enough rarepairs and we can also all blame @youregoingtobe-thedeathofme

It was quiet in the professor's home. Far too quiet. Yet somehow it was comfortable. Because Henry knew he wasn't alone. He could feel that pair of eyes on him, and he thought he knew exactly who they belonged to.

"If you insist on sneaking around you can at least hand me my drink." He chuckled, wiping his hands on his apron. The kitchen smelled of cinnamon and brandy, and nice, tart green apples. Apples he was still snacking on, mind you. It felt warm. Cozy. It wasn't often Henry baked. But when he did it was a nice treat.

He could hear his drink being picked up, the ice clinking against the glass. "Feel free to pour one for yourself. I have plenty." You know, because he'd certainly need it for whenever the world turned to shit. "Ah, but not the red. I'm saving that."

"You better like apple pie, after-" the twitch was minute, barely noticable. That head of hair absolutely did Not belong to who he thought he was speaking to. He made himself relax, clearing his throat. "After all the trouble I had to go through."

John set the glass down, right beside the pie that was still cooling. And a second still in the oven. To say John didn't notice him tensing up would have been a mistake on his part.

"'Fraid I don't have time to have a sit down and chat." That was never good. "I gotta ask you some questions, Hen."

Henry's interest was piqued, brow cocked at his long time friend and former partner. "Oh no, what'd I do now?" He spat sarcastically, rolling his eyes. "Is this about my search history? I knew something felt buggy. PEIP's been rooting through my things again, haven't they? Keep at it. It'll only make my security stronger." He waved a serving knife in his direction, tsking.

"Nothing like that." John chuckled. Henry really hadn't changed. Well, let's let him believe that. "I'm talking about last week's storm."

"You mean the one that came out of nowhere and damn near tore Hatchetfield apart? Heard on the news there was a mudslide and everything." He took up his drink, "I had a hell of a time cleaning up my garden." A flat out lie. Henry's home had been virtually untouched by that night's wicked storm. There was good reason for that.

One he wasn't about to let John in on.

"Our specialist says this spot was right in the eye of the storm. Now, this may just be a coincidence. But with this being Hatchetfield, and with it showing so suddenly and causing so much damage..."

Henry couldn't help but laugh, "Do you think I had anything to do with it? I'm not a wizard, John." Oh but he did. He had everything to do with it. With some help of course. They had so much to do with that night. And so much fun doing it.

"Course not. I just wanted to make sure everything was good on your end. Thought-"

"Thought it had something to do with the Black and White? John, you know if I was worried about that I would have called you. Nothing's gone amiss, of course not yet. But if it does I'll certainly let you know."

John looked at him. Really, really looked at him. He could tell something wasn't right. Something was up. Since when did Henry set out two sets of plates and glasses when he didn't know he was coming over? But he could just be reaching there. Or hell, maybe his good friend had a hot date coming for a hot slice. Of pie.

"Right. I need to be going." John pat Henry on the shoulder. "Xander wants you to call him sometime. Don't forget."

He nodded, grabbing a slice of green apple to munch on as he waved him off, only waiting until he was certain John was gone to relax. "Does no one call ahead anymore?" He mumbled, turning back to face the counter.

He found his lips met with something soft, and the surprised gasp that left him took any shocked proclamation right out of his mouth. Along with his treat. Which the apple fiend was now snacking on after pulling away from the kiss, rather smugly too.

"Wil!" Henry's cheeks flushed, wanting to scold the man but for what? He rather liked this spontaneity. And Wilbur knew it.

"Miss me already?" Cross chuckled, licking his lips. "It's only been what? A few hours?"

"Far too long and you know it." Henry abandoned his drink in favor of wrapping his arms around the man before him. "I take it everything's set then?" He says, squeezing him just about as tight as he could comfortably manage.

"Poor little dove." Cross ran his fingers through silver hair, bending down to plant his face right atop Henry's head. He hummed, "You know it. Decoy's been picked. Plan's all set. They'll be so focused on the prophet that by the time our old friends at PEIP realize something's up, we'll have already won."

Henry turned his head up to look at him, met with another kiss. He smiled, "You know, you've been awfully affectionate since I agreed to bring Him into this world."

"You deserve it, babe. Can't thank you enough. We've worked so hard for this. And now? We're so close."

He pulled back, taking to holding Cross' hand instead. "It does make me wonder... if it were anyone else, would you still-"

"Fuck no."

That was certainly abrupt.

"Henry, He brought you to me for a reason. You remember? When you first stepped into the Black and White? I knew," he took his face into his hands, "I knew from the moment I saw you. Fuck, dove. You're like-like the greatest gift I could have gotten. And you don't even need to be all wrapped up in a pretty lil bow.... that would be nice though." He smirked when Henry chuckled.

"Oh I can't wait to unleash all manner of hell onto this plane when He's born..." There was a slight pause, another him leaving the professor. It almost made Cross start to worry, until. "How can we be so sure it took though?"

"Did you see that storm? Think it's safe to assume you're good and knocked up." And the way he said that came out as some mix of proud and smug.

"Well, no harm in making sure of things, you know. Could always go for a few more goes between the sheets, see if we can conjure up another storm for the hell of it." Now that got Cross' attention. "Just one thing, I'm not naming our child 'Wiggly', that's heinous."

"I-Henry you can't rename our savior."

"Oh hush, why don't we discuss this over some pie? Hm? It's fresh and hot."

".... You made this to butter me up, didn't you?"

"Nooooooooo..."

#starkid black friday #black friday #Wilbur cross #henry hidgens #starkid #cridgens?#cridgens #long post #goodies.fics

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lovehotelreservation · 5 years

Text

Emerald with Envy

Summary: You weren't looking at him. You were looking at the crowd, the orchestra, the lead actor of the show. Claude knew it couldn't be helped. You had to shift your gaze elsewhere. He understood why you didn't want to look at him.

Even if he was your husband.

And yet, as he continued to watch you perform on stage, he just couldn't ignore the envy that was beginning to seize hold of his heart.

Rating: NC-17

Pairing: Reader/Claude

HELLO BELOVED!!! it's been a while since I've completed writing this piece, but with the holidays here, I thought now would be nice to post the rather l e n g t h y Claude piece I've been working on. CONSIDER THIS AN EXPRESSION OF MY FEELINGS AFTER ACHIEVING HIS S SUPPORT ENDING AFTER THE WAR ; v ;

ANYHOW I HOPE U ENJOY!!!

..............

For all his tremendous efforts, crafted schemes, and unwavering resolve, there was something just so humorously ironic that Claude von Riegan, the newly annointed king of Almyra, could not even get a general admission ticket to a sold out show by the Mittelfrank Opera Company.

And yet he could not bring himself to chuckle at the absurdity of the situation.

It was not so much as his standing as king that caused the issue--especially with Archbishop Byleth's successes of bridging Fódlan together with other nations.

Rather, he was simply too late to buy a ticket for tonight's performance. The theater house was packed to the brim with nobles and common folk, all eager to witness the last run of a special production directed by none other than Mittelfrank Opera's former songbird, Manuela Casagranda.

And while Claude was curious to see how a show under his former instructor's helm had turned out, his true reason for zooming across the skies on his wyvern from Almyra to Enbarr was the star of the evening's show.

The Golden Deer representative who had won the White Heron Cup of the year 1180.

The one who would soon bear the crown as queen of Almyra.

You, the wife he cherished above anything else in the world.

And while he never doubted your love for him, he understood if there was a wariness in your heart.

He was asking so much of you upon quietly taking your hand in marriage after the war before immediately heading off for Almyra, after all.

But you understood him, as you had all this time. Beyond just his own vision, his actions in Almyra would shape the world for the better--for the kinder. As sad as it was to part so soon after the two of you had exchanged your vows, you eagerly awaited the beginning of a lengthy letter correspondence between you both.

It was by those letters that he learned of the show in the first place.

Your lifelong passion for performance had led up to this debut with the Mittelfrank Opera. However, constant negotiations and intense reformation within Almyra demanded his presence throughout nearly the entirety of the show’s run. With the production ending on this very night, your last letter expressed hope that he would be able to come watch you on the stage that served as the realization of your dreams.

And thus, rather than stand downtrodden outside the theater with a gorgeous bouquet of your favorite flowers in hand and a new Almyran-crafted wedding ring in his pocket to adorn your finger, he still made his way inside.

Backstage to be precise.

With all his efforts in his motherland, sneaking by security was nothing for him.

Surely, while he was going to have to figure out just which spot in the theater he would have to scale along for a good view of the stage, his utmost priority was seeing you.

To say hello, to kiss with love, to embrace so tight, to adorn with gifts.

Though, with the bustle of actors in the midst of powdering their faces and tugging at tights, orchestra members preparing to saunter out to their seats with instruments in hand, and the overall chaos of stage hands preparing scenery pieces and props, finding your dressing room wasn’t going to be easy, especially with the performance so close to starting.

However, he only managed a couple minutes of searching before a familiar robust and pristine voice called out to him.

"Claude? Is that you?"

Truly, Claude thought he was past the point where people could easily get the jump on him. And yet, he couldn’t hold back his surprise as he turned around with raised brows and a somewhat slack jaw.

Sure enough, with the elegant mane of fiery red hair--tied and tamed into a loose low ponytail--that was the first to catch his eye, he remarked with astonishment, "Ferdinand! Good to see you!" A grin quirking onto his lips, he took a step back as he took note of the duke’s overly embellished yet stylish red waistcoat and a matching black pair of tights and pointe shoes. "I'm digging tonight's look. No trusty horse boots though?"

Releasing a rich chuckle, Ferdinand beamed with pride as his hands rested on his waist, "A good eye, Claude! Though, I’ll happily have you know that I am performing tonight."

While not immediate, somehow Claude felt his smile wane ever so slightly. Still, maintaining his exuberance, he let out an astonished, “Really now?! That’s a surprise to me. Surely the news coverage in Enbarr isn’t so slack that a duke performing in a sold out show would go unnoticed.”

”Surely not!” Ferdinand remarked as he shook his head, a knowing smile on his features. “My inclusion was last minute, as the original male lead injured his leg during rehearsal. It was a great honor to be asked by Professor Manuela to step in as his replacement--like I could ever turn her down while she's in need.” Bringing a hand to his heart, he let out a sigh of nostalgic delight. “I happen to know this show by heart from how many times I’ve seen her perform it all those years ago. Plus to reunite in dance with--"

The moment your name was uttered from Ferdinand's lips, Claude’s shoulders tensed slightly as he immediately inquired, “Not meaning to butt in like so, Ferdinand, but where is she?" Lifting up your bouquet, he continued with a sheepish smile, “Gotta make sure these get into her hands asap.”

It was now Ferdinand whose smile turned from cheerful to reserved. His tone calming down, he answered, "As far as I know, she's still getting ready for tonight’s show.” The look in his eyes turned serious, if not narrowing slightly as he gazed towards Claude. “The last I saw her though, she did not look to be in the best of spirits. She even asked Professor Manuela for absolute privacy unless needed otherwise."

Claude felt hollow. “Did she now...?”

The words of your last letter flashed in his mind, as did memories of days from Garreg Mach. Those nights when the two of you would toe the line of curfew to instead take a stroll by the greenhouse and pond, you expressing your dreams of captivating audiences on a prestigious stage, to spread joy through the art of performance.

His response to your letter was expressing an apology, an honest admittance that he was unsure of how he would be able to take the time to come see your performance.

For someone who always managed to pull off the most inane but effective schemes, how could he have not realized that his absence during such an incredible milestone would leave you upset?

The fine wrapping paper around your bouquet crinkled slightly as he squeezed around the stems.

Noticing the change in Claude’s mood, Ferdinand let out a sigh. “All I will say is that she was hoping that you would show up to watch her. And having heard nothing from you since your last letter, she came to terms that you wouldn’t get to see her at all. This time at least.”

Claude’s lips quirked into a smile, albeit a bittersweet one as he let out a humorless laugh. “I can’t blame her for feeling that way. Though…” Resting your bouquet against his shoulder, he shook his head. “I’m not just gonna sit around and feel sorry for myself. Not when this night is--and should--be about her.”

His gaze shifted towards a nearby hallway, wondering if your dressing room was somewhere down along those walls. “I’m gonna make things right by her, whether I even have a seat or not.” Determination in his voice, he smiled as he raised his hand in a departing wave. “I appreciate the heads up, Duke von Aegir. Be careful when you break a leg out there, alright?” Amused at the thought, he chuckled, “From whatever seat I manage to whip out, I’ll be sure to give you your deserved applause as well.”

"Before you try to bring a wyvern into this sacred space to give yourself a seat, I'd rather you take this, Claude…!” Ferdinand exclaimed, his complexion paling at the idea of any sort of shenanigans occurring with Manuela around. Reaching in his pocket, he quickly withdrew and held out a theater ticket. “This was given to me for any guest of my choosing just moments ago, but it was originally set aside for this single hope that you would be in the audience."

His eyes lighting up, Claude grinned from ear to ear as he cheered, “Ferdinand, if there was ever a reason for me to take up religion, it’d be now!”

With a good-natured chuckle, Ferdinand seemed hardly affronted at his less-than-suave rush to pluck the ticket from his fingers, "It was already rightfully yours, my friend! However, if I may overstep, I would advise you go now to claim your seat, lest someone try to argue it is theirs."

Casting another glance down the hallway, his grip on the bouquet shifted. Though his gut churned at the thought of not getting to seek you out until after the show, the noble had a fair point. Yet, despite his inner conflict, his smile remained charming and untouched as he tucked the ticket into his pocket, fingers brushing against cool metal while doing so, "Right you are. I'd hate to cause a scene--tonight at least."

As the activity backstage picked up and with the ticket now in his possession, he bid his goodbyes before quickly taking off for his seat. There was much on his mind as he thought over what was revealed to him just moments ago, namely how he was going to make it up to you.

While he was already mentally cataloguing all the gifts and experiences he intended on showering and spoiling you with, he knew there was one thing that you wanted most of all.

And him being here at the theater, now seated at the balcony closest to the stage with a full view of the production below as it began, was the first step.

The title of tonight’s show brought back faint memories of Garreg Mach, having been a required read for all students as a means to have them become more cultured in the fine arts of literature. A story of a triumphant hero who sought to protect his motherland from an enemy nation that wanted to scrounge every bit of precious resources from a sacred forest, which was protected by an angelic deity.

Ferdinand eventually dragged himself onto the stage as the hero, looking distressed and weary as he was forced to retreat from battle. His character wandered about as stage hands deftly moved a set of glittering trees and flowers around in tune to the orchestra’s lamenting score.

All up until the composition fell silent before a dreamy melody filled the theater space.

Claude found himself grasping onto the railing, peering forward as a spotlight shone upon the furthest side of the stage.

In but a few moments, you soon stepped forward for your first appearance of the show.

His breath turned still, jaw slacking, eyes widening, heart fluttering.

You looked so radiant and beautiful.

While surely he would always be enchanted by your beauty, you looked so ethereal--absolutely perfect for your role. Your hair lusciously glistening under the lights of the stage, your face painted with make-up that accentuated your features, your body adorned with frills and drapes that would make for a delight to see as you danced.

Even by merely walking, you left him feeling captivated by the grace you exuded with each step.

And all the more guilty that he was not there to support you more than he did in the months leading up to the debut of the show and beyond.

Regardless, as he was already determined to amend anything and everything with you in light of his absence, Claude kept a steady eye on you throughout the performance.

As the plot progressed--with a newfound alliance between your and Ferdinand’s characters--it didn’t take long for him to remember the fact that a romance was woven into the story.

So dedicated to your role, you were able to convey a deep sense of yearning with every shy glance and each flustered sputter made towards Ferdinand, who carried himself with just as much earnest emotion.

Truly, the both of you looked as though you were lost within your own world together, even with asides to the audience, whether by a passionate decree, or a lamentful thought voiced out loud.

At no point did you look to Claude’s direction from where he sat above.

It was to be expected.

He gave you no reason to be hopeful.

Though he marveled at the sight of you carrying yourself so splendidly on stage, his elbows resting on the edge of the balcony while his chin rested upon his steepled hands, the vibrant glint of his emerald irises was more subdued.

For his eyes reflected the sight of you being embraced so affectionately by Ferdinand.

Again, you both were playing your respective roles. The war hero who was destined to fall helplessly in love with the enchanted forest’s deity.

Together, you waltzed amidst sweet, airy chords from the orchestra, Ferdinand’s arm curled around your waist, fingers laced with yours.

Together, you confessed and declared your love towards one another as he embarked for the final confrontation that would either save his country--and thereby the forest you swore to protect--or damn everything to ruin.

Together, as he staggered back from the final standoff only for his battleworn form to be caught within your comforting embrace, you shared a kiss.

And together, you both were ushered on stage for curtain call, boisterous applause welcoming the two of you for your performance.

Without fail, the theater was lively with praise from every patron for tonight’s performance.

Yet somehow, as you stood upon the stage, gazing out towards the audience with an appreciative smile on your face and a look in your eye that conveyed muted joy, one cheer caught your attention.

“That’s my girl!”

A whistle that soared through the air with such distinction, carrying a tone that was as striking as arrows that pierced the skies.

Amidst astonished gasps--was that a horrified “Claude?!” uttered from Lorenz down below?--and curious looks, at long last, you looked towards the balcony.

To him.

From the very moment he saw your head shift towards his direction, he beamed from ear to ear, bringing his fingers to his lips as he whistled once more.

The look on your face wounded Claude’s heart from how preciously surprised it was.

This only made him want to swoop you right into his arms and barrage you with kisses, to make up for lost time, for all the affection he could not physically convey.

And so he quickly took off to do exactly that.

As the audience proceeded to make their leave, Claude used the opportunity to sneak his way backstage once more.

Undeterred by any security who would come to stand in his way nor the near endless wave of cast members and orchestra musicians alike, he hurriedly sought out to find you--as he was certain that you were probably scrambling to seek him out as well.

However, the moment he was able to reach the main lounge area, he soon faced the sight of you, still looking so radiant in your costume.

All while surrounded by a multitude of adoring admirers, namely those of nobility, all of whom were instantaneously recognizable.

As he anticipated, there was Lorenz, singing high praises of your performance while near bathing you with roses. From how much he prattled out his passion for the show and the opportunity to watch the esteemed Mittelfrank Opera, it was more likely than not that he would refrain from bringing up Claude’s outburst.

By his side was a grinning Sylvain, who crooned on your graceful movements and expressed his appreciation for the fit of your dress. He gifted you with a bouquet of red orchids, but not before plucking a short-stemmed one to tuck behind your ear.

And as this occurred, Ferdinand stayed near you. While surely it was to catch up with Lorenz and Sylvain, he hovered by your side protectively as to ward off any bold, intense advancements towards you.

There was a look of overwhelmed but touched awe on your face as you were bestowed by a multitude of sweet words and gifts.

The eagerness in Claude’s smile waned.

And the wrapping paper of his bouquet crinkled slightly further in his hands.

”--with this, it would be best for us both to prepare for the cast dinner celebrating the final show,” Ferdinand hummed with a satisfied smile. “I do hope to see the two of you there. Professor Manuela would be thrilled for a reunion.”

”But of course!” Lorenz declared haughtily with a flick of his silken purple locks. “To miss out on this opportunity would be a disgrace on my nobility.”

Memories from the Officers’ Academy resurging into his mind, Sylvain’s expression became rather tense. “Professor Manuela huh…” Still, his expression soon brightened as he continued, “So long as all those pretty ballerinas are around, I’m game.” His eyes shifting towards you, one closed in a wink. “Especially if you’ll be there, angel.”

”Me?” You repeated curiously right as Ferdinand proceeded to lead you towards the dressing rooms with his arm raised in a polite wave, all while eyeing Sylvain sternly.

”We’ll see the two of you later then!” He remarked, all the while he swore that he saw a familiar flash of golden fabric from the corner of his eyes right as he guided you away.

With the fervor of everyone beginning their celebrations early with champagne and hors d'oeuvres or preparing to leave for the celebratory banquet, you and Ferdinand didn’t get to speak much once he brought you to your dressing room. Before he left to change in his own reserved room, he confirmed the details of the evening’s dinner with you.

Upon his leave, you soon let out a sigh as you took in the emptiness of your dressing room.

For just a moment, Claude was here in this theater, cheering for you at the top of his lungs.

And now he was not.

It almost felt like this was the twist in your dream that would cause for you to jolt up in bed.

There was so much swirling about in your mind and heart, all much too vast for you to even attempt to sort through, especially right before a celebration that called for merriment and bliss.

Not wanting to possibly damper the atmosphere of dinner, you resolved to sort this out upon returning home.

As you prepared to set down your gifted flowers and the like, you noticed that at the very center of your vanity was a bouquet of your favorites.

Astonished, you froze in place as a hushed “Claude?” tumbled from your lips.

“Heheh, now that’s the sound I’ve been wanting to hear.”

And then you heard the door lock.

You were swift to turn around.

There, proceeding to lean right against your dressing room door with a playful twinkle in his eye and a cheeky grin on his lips was none other than your husband.

Though his attire was more Almyran in style, his matured, yet still boyish features now more devilishly rogue by his decision to grow out his beard--one still kept neatly trimmed along his jaw--the man before you was the one to whom you had sworn an eternity with.

Claude.

Just as when you were too stunned to do anything but gawk in awe when he called out to you on stage, you were frozen from the rush of feelings that came surging from within at the sight of him. The indescribable joy of seeing him in front of you after so long, the immense relief that he was able to see you perform at least once, the lingering bittersweetness of his absence.

You didn’t know what to do or say.

He could tell with just a single look.

Still, his tone was light, now especially gentle as he spoke to you while his expression softened. “Something wrong?” He stepped closer, his usual proud stature loosening as he neared you. “I understand if I’m probably the last person you want to see--”

You held up both of your hands.

He felt something prick at his heart.

While you braved a smile on your face, you reassured with a shake of your head. “No it’s fine. I just…” You quickly turned around, your back facing him once more. “Just give me a moment to get out of this, okay?”

The sight of your back only weighed heavier on his heart. While he still played everything off coolly, he craved nothing more than to absolve the tension that was keeping the two of you apart. Though you could hear the grin in his voice, you couldn’t hear the ache in his soul. “A moment to wait for you is nothing. Take your time.”

While he went to mind himself with all there was to see in the room--scripts, costumes, small portraits of Mittelfrank alumni--you proceeded to change out of your dress.

Or at least, attempted to.

Being married, undressing in front of your husband wasn’t what was causing your fingers to tense.

It was this overall situation, this feeling of guilt for being upset over a noble cause, of feeling selfish for a man who just wanted to change the world for the better.

Your love for Claude was undoubtedly there.

But there was a lonely sadness that had lingered for so long nonetheless.,/p>

Which only made it more and more difficult to reach for the hooks and silk ties that held the back of your dress’s corset.

As your focus sunk deeper into the twisted nature of your feelings, this endeavor amidst such a tense situation only caused your body temperature to rise for a myriad of reasons.

But it only took the feeling of warm, calloused hands taking hold of your struggling ones for you to feel a welcome, shivering chill.

Furthered by the heat of breath that fanned over your ear and neck.

“Need some help?”

Standing before your vanity, you gazed at the reflection shown on the mirror, of you and your husband together.

Once again.

You had a feeling of where this moment would soon lead to. While one side was elated for what you foresaw, a part of you was adamant to not allow for your emotions to be swayed and cast aside so easily.

Steadying your voice as best as you could, you reassured, “I-It’s fine. You don’t have to worry about it--”

“I may not have to worry about it, but what kind of husband would I be if I left my pretty wife to struggle?”

His eyes peered at you as he stared at your reflection off the mirror before you, his words murmured just centimeters away from your ear. Though his tone carried some mirth and his lips were quirked in a smile, the usual playful light in his eyes was muted, his emerald irises dark and shadowed.

It was a look of passion.

And of love.

Just for you.

The tension in your fingers weakened within his grasp.

”...I’d appreciate your help then.”

And help he did.

Seeing your costume for the first time up close, he could be forgiven for any fumbling, especially while trying to assist you. Tugging at the top halter tie of your dress revealed a small hook that had to be undone, the tugs of your corset’s strings revealed clasps that his nimble fingers made quick work of.

As he continued to slowly help you undress, he could tell when the heat of his breath ghosting over your bare shoulders and his fingers brushing along your sides made you stiffen or shiver. While he certainly wouldn’t have minded if you shut your eyes in pleasure, what he came to notice was that you eyes were downcast to the floor, instead of staring right ahead to your respective reflections.

And in turn--

“You’re not looking at me.”

He found himself gripping onto the front bow that crossed right over your decolletage, emotions pushing the words past his lips before rationality could retain them in place.

Your eyes suddenly flashed towards the mirror, wide from surprise. “I’m sorry?”

In any other situation, he would have taken a step back to calm himself so he could approach the situation sensibly. But knowing that there was so much hesitation in your heart that you probably felt too guilty to admit, there was just no way that he could refrain.

His other arm curled around your waist as he drew you against him, holding your body close as he rested his chin on your shoulder with a sigh and a bittersweet smile.

“It’s selfish of me, especially to even bring this up as something bothersome. All night, you’ve had your eyes cast elsewhere.” His eyelids closed for a moment as he recalled your performance. “To the audience, to Ferdinand, Lorenz, Sylvain--and now your eyes are looking everywhere besides me, even when I’m right here, holding you in my arms like this.”

While his emerald stare revealed itself once more, he proceeded to bury his face into your neck, lips barely tracing over the delicate skin as he murmured, “But you have good reason to do so. I won’t deny that.”

Lifting his head, he gazed up at you with reverence as your eyes shifted over to look into his. "Actions say so much more than words ever could, and all I want to do is show--rather, to reaffirm the undeniable fact that you are the most important person in my life."

His fingers lingered at the front bow of your dress. From what he could assess, one tug at the fabric would free and expose your chest. As much as he craved to see your skin after so long, he waited for what you had to say.

You were quiet in response, an understandable hesitation given everything that had happened.

Though, he didn’t have to wait for an answer for long, by the way your hand rested comfortably over his and squeezed, all while you stared at him earnestly with the soft but yearning response of, ”Then show me.”

Claude had nothing else to say, but an answer to give.

The kiss he then hungrily planted on your lips was just the beginning.

Upon the dressing room sofa where you would sit upon to read over the script or letters from your husband while steadying your racing heart prior to a performance, there was a flutter within your chest as you were laid upon it with an urgency that was as needy as it was tender.

With all the intricacies of your dress, usually Claude would have loved to take his time tugging and undoing every ribbon and button, a pride in the dexterity of his nimble fingers as he undressed you like he would unwrap a present.

However, at this moment, after so long, he was in no mood for such indulgence. If something had to be torn or ruined, so be it. As king, he could easily offer monetary compensation to the seamstress of your costume --perhaps even commission for more lovely outfits for you to wear.

The orchid that Sylvain tucked behind your ear joined your pile of discarded clothes, with his Almyran garb soon following suit.

For every inch of skin revealed to his eyes, his mouth watered to kiss while his fingers ached to touch. He almost forgot to strip you completely from the moment his lips encircled around your nipples, all while his palms kneaded your breasts. How could he have ever forgotten the sweet warmth of your skin against his nuzzling face?

Your mewls from his attention to your chest reminded him to continue onward. For as much as he wanted to near worship your chest, there was still so much more of you he wished to revere once again. His lips continued their journey downwards, mouth ghosting over your stomach, trailing over your hips. His teeth just barely caught hold of the band of your panties before he tugged them down to your thighs, his hand dragging them off before he spread your legs wide apart.

Beneath the flickering flames of your dressing room chandelier, your naked body was bathed in soft golden light. Even now, fully stripped of your costume of a forest enchantress, you still looked so gorgeously ethereal.

As he thought during his days spent at the Officers Academy to now, you were lovelier than any divine deity.

His gaze shifted down to between your thighs, love and lust clouding his emerald eyes in a haze. Catching sight of the glistening shine of your dribbling core, he let out a groan before hurriedly planting his face down, his lips eagerly parted. Long, skillful strokes of his tongue had you mewling and arching against his head.

He grinned happily to himself. Even after so long, he still knew how to make you squirm by his self-proclaimed golden tongue, whether by its teasing flicks or the utter filth he would murmur to you. The focused pressure of quick circles over your clit to tender suckles had his name pouring out from your lips.

And truly, he did not want to cease. After countless months from having your addictive taste linger on his lips, he was ready to spend the night with his face right between your thighs.

However, it was for that same reason he could not indulge for too long, if by the increasingly aching throb of his cock.

For too long he had been away from you.

It was time at last that the two of you were joined together once again in the absolute most intimate way possible.

Looming above you upon the couch, chest broad and fine with hair, eyes gleaming with need and affection, Claude was settled between your legs. “Fuck,” was the word hissed so sinfully from your husband’s lips as he nudged the leaking tip of his cock against the slickness of your center.

Right as he slowly slid every heavy inch of his dick inside you, his lips sought out yours for yet another kiss. Somehow, for as much as he has kissed you up until now during this evening, he felt like he was still far from having his fill. He just wanted to make up for lost time, to satisfy his present urges, to express all the love he should have been putting more effort with doing so.

His hands cradled your waist as he worked his thrusts into a rhythm. Moderate at first, but hearing your moans and feeling your fingers thread through his hair while your legs curled around his hips encouraged him to start pounding into you. He wanted his name the only thing on your lips, to have his hair pulled and his shoulders near clawed, to have your body cling to him with absolute need.

In-between kisses that become messier, amidst the noisiness of his cock stuffing into your sopping center while his balls slapped against your ass, he still had a coherency as he spoke to you, his words husky but the look in his eyes sincere, "I've had my eyes cast to the future--our future--so much that I forgot how important it was to be with you now--"

A knock at the door.

The call of your name.

”We will be taking off soon. Are you ready to disembark?”

Ferdinand.

You were astonished, your eyes breaking contact with Claude’s to turn to the door. Your lips were about to speak when your husband spoke up, his voice cheeky yet firm.

”She’s not ready yet, but I’ll be the one to take her to dinner, Ferdinand. We’ll see you in a bit.”

Ferdinand’s flustered squawk went unnoticed by Claude, who only continued to hammer his cock into you.

Your gasped “Claude-!” was smothered by his lips with yet another kiss. When the two of you parted for breath, his gaze seized contact with yours as he gruffed out, “Don’t think of Ferdinand. Him, Lorenz, Sylvain--anyone. Just keep your eyes on me, okay?”

You were utterly surprised, breathless as you questioned, “Claude, you-- Are you jealous?”

”I’m your husband,” he clarified with absolute resolution, his grip on your waist slacking to instead give way for his arms caging around you. As his lips readied to claim another kiss from your mouth, he purred, “And I’m going to make that clear.”

He was certain that you would admonish him, whether immediately now or when the two of you were finished. However, seeing as how you were the one to initiate the kiss before he could, followed by your hands releasing his hair to cup his bearded cheeks instead, what he heard you say next was all that he could ever want to hear.

Dazed with pleasure as you were, the love in your voice and on the look of your face was absolute. “As your wife, you better.”

A wide grin soon spread over his lips. “Leave it to me.”

And so the two of you remained joined together. By lips, by skin, by words of affection. Your hips rutted back against his thrusts, his teeth made their presence known on your neck, making sure to leave at least one that would be hard to hide during dinner. It wasn’t long until you were both teetering on the edge of orgasm, you and Claude clinging and holding onto each other amidst it all.

“I’m gonna cum,” he gasped out, shuddering as he readied to draw out. “And unless you wanna get to bearing heirs already then--”

Your legs hugged his hips tighter, a mewled “That’s fine” escaping you.

Claude’s jaw went slack for a moment, just before tightening as a fiery resolve took over him as he proceeded to fuck you even harder, his voice in a low and satisfied growl, “That’s my girl. My sweet girl. Mine…!”

With the cries of each other’s names soon released into the air along with the heavy, hot rush of his seed pouring into you, your bodies soon collapsed back onto the sofa together in a satisfied heap, at last the two of you fully reunited--in body and in soul.

Though you both would have to soon get ready as to not miss dinner, for now, Claude was insistent on hugging you close so he could leave an endless trail of kisses along wherever he saw fit, all while your fingers gently stroked through his messy brown curls. The air was tender and light, any bit of tension and guilt from before completely washed away.

When his mouth met yours yet again, Claude stared at you adoringly, his tone tender as he remarked, “And to think, you’ve just captured the hearts of Fódlan with your talents on stage.” One eye closing in a wink, he grinned. “And you get to do it all over again to your adoring people in Almyra.”

Your head tilted slightly to the side, your expression curious if not confused. “My what?”

Claude froze. “Oh...right. About that--”

How he so very looked forward to spending forever with you.

#claude von riegan #fire emblem three houses #fe3h #reader insert #Fic #super freaknasty writing #management will return in a queue minutes

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