#he went off on this one i apologize

[dollypopup]

I can't stop thinking about Colin on his travels. Colin, alone, on a journey to 17 different cities, across several countries. Colin on his own.

Colin who writes letter after letter, to his family, to his friends, and barely gets a response back. How long before he understands that they didn't get lost in the mail? How long until he realizes that, just like when he was a boy, no one has the time for him? The space for him? How many letters unanswered before he lets it finally take root and fester in his mind?

He could have died on that tour.

Would they even notice? Would they see when the letters slow until they cease? Would they wonder why? His mum, surely (maybe, possibly, but she has enough on her hands, besides, and he's never been a concern, in need of her assistance, before), but anyone else? Anthony on his honeymoon, Eloise a stormcloud personified, Benedict taking on the familial responsibilities, Fran preparing for the marriage mart and in Bath, regardless. Daphne, his closest sister, a mum running her own estate.

Greg and Hyacinth who enjoy his stories, but are children.

Pen who ignores him. No explanation, no goodbye.

Colin who has no one in his corner. Colin who travels city to city, putting on personas. Will they like me? What about now? Colin who has hardly anything to read from the people he loves. Who do not think of him.

And yet he thinks of them. Brings them back gifts, writes his recollections for them until it hits him that, oh, they don't care. They don't care what he's doing, how he's doing. They didn't want to hear it before, when he was there with them, and they do not want to hear it now, either. Did they even open those envelopes? Did they see them come through the post, just as proof he's alive, and shrug off the contents? Did they look? Once, Colin sends an empty page. No one notices. Easier, then, to send just the outsides. People only ever care about the outsides. Pretty and prim in neat packages, uncaring of what lies beneath. Sea sick on the rocking boats, staring up at stars on the continent, Colin grows aware, but not bitter. Sad, but resigned.

He loves his family, he loves Pen, loves them to grace, loves them to it's okay. It was him, he determines. Too chatty, his letters too long, uninteresting, his passions dull or droll, or else, worse, he's displeased them in some way. Colin who takes refuge in stranger's arms and homes, who dreams and tries to sate his curiosity. Colin who pretends, because anyone, anyone but him would be received better, he's sure of it. Colin who must talk too much, surely, and with no one to listen. Colin who learns to hush.

Yes. Remarkable- as in, I have many remarks about it.

How many times did he go to excitedly write of what he did that week, and stopped himself, knowing it was a waste? How many times did he write and throw into the fire a letter asking Why don't you see me? Why don't you care?

If he didn't make it, how long would it take for anyone to notice? A month? Two? A year? Would they wave it off as his frivolity, denounce him as a flake and fume about the funds? Would they wonder where it was he had lost himself off at?

He cannot fall into that, so, he writes in his journal, instead. Of the ache of it, of how he longs for connection, for understanding, for someone to take him seriously. He keeps it with him, this log of his discontent, of his folly and felicity, of his pitfalls and pains.

If he didn't make it, would they realize all that's left of him is what he sent them, not even a body to bury? Did he look over the side of a bow of a boat and look at the churn of the ocean and think of how many bones it held? Did he tip his face to the sun? How many new scars did he earn? Who did he befriend?

Who did he become?

Somewhere along the line, Colin learned. He learned the real him wasn't wanted.

Somewhere along the line, somewhere between Patmos and Paris, Colin left Colin behind.

And, somewhere along the line, Colin laid face to face with loneliness in his bed, and it wrapped its arms around him.

[shadystranger]

What was up with cass fighting for his life to stop dean from rescusing sam (not to mention his almost enthusiastic jumping to move past sam's death) He did NOT have that energy when the roles were reversed

like summin smell fishy and it aint just cass's pussy

[ourfag]

i think part of the resistance i’ve seen in response to the view of ed as an abuse victim—not just the view of izzy as someone who abused ed, but of ed as someone who was abused by him, as opposed to interpretations that pursue an image of Nuance and Complexity (unnecessarily, because their dynamic has heaps of both, but there seems to be a popular impulse to conflate complexity with shared culpability) by characterizing their relationship as being toxic/unhealthy in equal reciprocity, or as “mutually abusive” (oxymoron)—i definitely see the influence of racism there, but i think the racism is also working to amplify an adjacent issue where we tend to receive very specific cultural messaging about What An Abuse Victim Looks Like, and ed is excluded from a lot of that criteria.

he’s outspoken. he’s boisterous. he’s Very Cool and he Wears Leather. he’s physically bigger and browner than the person mistreating him. he spends the first season with a big grey beard, he’s covered in tattoos, he projects the image of A Man’s Man, to say nothing of his being a man in the first place. we see him get aggressive and we see him get angry (and sometimes we even see both at the same time). we see moments where he’s surly, prickly, insensitive, arrogant. his survival techniques and trauma responses incur collateral damage to other people, and in the second season this extends into affecting people we actually sympathize with. he’s extremely private about expressing fear. without examination, his professional relationship to izzy seems to position him as the one with the power slanted in his favor.

most damningly, we see him react multiple times to izzy’s abuse with physical violence. this is behavior that gets referenced all the time in the construction of narratives condemning subjects of physical abuse, let alone emotional abuse. which is why writing that intends for its audience to interpret a character as being unambiguously A Victim Of Abuse will often, for simplicity’s sake, avoid showing the character regularly engaging in anything of the kind.

and again, all of these departures from the image of The Model Victim are compounded by his being a man of color.

without any of the shorthand designed to point a big flashing arrow at his mistreatment, all we have left to work with are the words and actions we see from ed and izzy onscreen. who instigates conflict, and how does the other respond? how are they able or allowed to respond? how do we see them speak about each other to outside parties? does one go out of their way to control or isolate the other? what consequences does either party stand to face in saying “no” to the other? in acting against the other’s wishes? in trying to leave the relationship? when either of them attempts these things, how do we see the other respond?

i realize and appreciate what people are driving at when they garnish their analysis with disclaimers that they’re not saying ed’s just a poor innocent abuse victim, they’re not saying he’s a perfect angel who’s never done anything wrong, and that’s true, but these are points already contained implicitly in statements like “this show’s protagonists act like human people” and “ed’s emotional struggles are portrayed in a realistic and believable way.” my assumption is that these disclaimers are anticipatory responses to worst-faith interpretations of any discussion that attributes any victim status to ed whatsoever, so i definitely sympathize with their inclusion, but a (very small) part of me still worries about them potentially reflecting or reinforcing a belief that there is any way for someone to behave towards their abuser that imparts a responsibility for them to make right whatever damage the abuser receives, or for that matter any degree of ambiguity over their status as an abuse victim in the first place.

part of what i find so gratifying about ed as a character is that i don’t feel like the show’s writing is pressuring me to consider that ambiguity at all. which was a really nice thing for me to discover!

and tbh—did using ed to deconstruct The Model Victim even factor into the writers’ agenda?? ive got no clue. im guessing no? ??maybe?? probably not?? but if you create a main character whose central premise is that he feels trapped in a performance of exaggerated masculinity that he’s desperate to escape, and then you set him up with a character premised on embodying a tangible obstacle against that escape, then i guess that’s the natural shape your story’s gonna be inclined to take

[jrueships]

im going into my new work tomorrow, first time ever😐

[cubffections]

so argenxi . . argenxi at it's finest ꒰ᐡ⸝⸝σ̴̶̷̤ . σ̴̶̷̤⸝⸝꒱꜆

[trashcanwithsprinkles]

Do you have any Zhongli/Zhongchi fic recs? I haven’t found any that are nearly as good as yours 😔😔

funnily enough someone already asked this, but it was quite a while ago and tumblr is a mess to search old shit thru so here, this is the post this was asked during the ao3 crisis of- .......last year? i can't remember. either way, the post starts w me saying i don't have all the names and links but dw, after ao3 came back up i edited the post so you should see all authors and links in the recs.

i have to admit that for reasons unrelated to the fandom i haven't been reading many zhongchi fics as of late? so like- bear in mind i don't have an updated mental picture of any of the recs after the post was made. so if one went off the rails or if one of the WIPs finished, i'm not aware;; i also mention in the post that i'd add more recs if i had access to ao3 (which i didn't at the time bc it was down), and while that is true, it's been so long since i read any of them that i wouldn't be able to confidently reccomend them outside of 'i somewhat remember the plot and i remember liking it'. also i don't remember half of their names. so uh- yeah that's the list i think

[butterflieswhisper]

hhelp wait this is so funny. didnt you follow me forever ago after a scott themed october song analysis . sorry if you dont remember that and this ask doesnt make sense but this is still funny to me

hi!!!! yeah. it was the cherri crane lives art i think and also where you made your flower husbands tag! I have never really interacted with fh outside of you (and like, seeing pretty fanart) but i am nonetheless deeply invested in your interpretation specifically!!! I honestly haven't watched jimmy outside of rats and the beginning of empires2 either i genuinely have no clue what they get up to you just seem to have a lot of fun with it

[dimensionzero]

the funny thing about stranger things season one is that they really build up the idea that steve harrington is a POPULAR JOCK which means that he's a SELFISH DOUCHEBAG BULLY who's USING nancy for SEX and DOESNT CARE that people are DYING and then steve actually shows up and hes just like a regular guy

[aethernightmare]

[aria0fgold]

There's this new trend happening in the former bird app where people show how long it'd take for a character to apologize by drawing the head and a line connecting to an apology at the end. And honestly, I'm not good at keeping up with trends but this one is fairly easy to do so!

Good timing too cuz I've been thinking bout the scenario of Alec and Ray arguing so I took this chance to do my own spin on the trend!

Also this is what Ray said for easy reading (and for better viewing cuz it's pretty hard to do bold and italic on a single word in ibis):

"Can't you be a little selfish for once?! Can't you at least just THINK ABOUT THE PEOPLE THAT CARES ABOUT YOU?! Think about your parents! Think about your siblings! THINK ABOUT ME! IT! HURTS! Every single time you go to who knows where, it hurts! My chest tightens so much and my mind is filled with so much worry at whatever the FUCK you're doing and I don't! I don't even know where you are, WHAT YOU'RE DOING!

And the thought of opening that damn door to someone telling me you're in critical condition or worst yet-- dead-- HURTS! SO MUCH!"

[pfudorqueen]

.

[ronanlynchbf]

"all this foreshadowing abt declan dying and then he didn't even die" well personally i think declan got murdered dead by mstief in greywaren so. actually 2 me he did die. Badly.

[aroace-number-eight]

I've mulled over this for a while and it's not fully coherent yet but I think John's defining characteristic is that he wears his heart on his sleeve and it's what prompted a majority of his mistakes yet has also moved the plot forward

[mainfaggot]

just found out the guy i was frenemies with in middle school got a boyfriend

[themagical1sa]

Go write a love letter for him! Then you can give it on valentine's day! I think it's pretty obvious that you both like eachother, why not confess first?

🫂

Well, you see– [loud construction noises from the neighboring house making my speech incoherent /j]

[lesbianstarlightglimmer]

One day I won’t worry about what my f*ther will do. One day I won’t worry about what my mom will think. One day I won’t feel like running away when I hear someone get angry even if it’s not aimed at me. One day deciding where to eat w someone won’t be such a stressor (nor will eating with them). One day my decisions will be my own and I’ll be proud of them. One day I’ll be able to express myself without fear of being made fun of. One day I won’t be talked down to and treated like an adult. Etc etc etc