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gluion · 3 months

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finger trapped (ripped to its seams) ➵ myung jaehyun

myung jaehyun x reader

with an unexpected reunion, you and jaehyun relive the memories of cheongju—and confront what could’ve been between you two.

general genre/warnings ➵ friends to almost lovers, angst, fluff, gender neutral reader, some depressive and insecure thoughts, hurt/comfort, the last five years story-telling method (aka present will be told going backwards while past will be told moving forward… i hope that makes sense), brief mention of blood from picking on your skin, tiger parents so… parental issues, both of you come from cheongju for the sake of the story, unexpected reunion, keeping secrets & lying, jealousy remains but love triumphs, journalist reader (u kno i had to do it), reader is a nerd and jaehyun is a student-athlete, kms jokes from jongseob (all /lh), finger traps aren’t efficient after all

word count ➵ 15.7k words

playlist ➵ end of beginning by djo // high school in jakarta by niki // i know it won’t work by gracie abrams // no big deal (i love you) by dodie // keeping tabs by niki // no one knows by stephen sanchez & laufey // so what now by reneé rapp // i wish i hated you by ariana grande // the 1 by taylor swift // seasons by wave to earth

a/n ➵ it's finally out! this work is so so personal to me on so many levels so i hope you all love and treat this fic with care :')) for the bitches who struggle with parents and dreams.... this one's for you (i am in the same boat) i appreciate everyone who's been so patient and looking forward to this fic's release. you can access the changmin & hanbin vers as well! please do reblog and leave feedback!!

want to be part of my taglist? send me an ask! masterlist

present -> three weeks after the interview, 2024

the newsroom never sleeps. the rings of landlines and clacks of keyboards bounce off the four walls. through light bulbs or sunshine, light continues to remain. and at every corner, a journalist stands—ready to enter the depths of slumber but remain on their toes as they await for an update on their unraveling story.

but the newsroom is rarely busy unless there’s a major nationwide event, election season or the super bowl to name a few, for most journalists are out to discover what the world has to offer.

knowledge doesn’t only come from the chitchat of your coworkers. it’s only on the field that you’ll hear of hearsay and testimonies. after all, the choice to probe rests on your shoulders.

“there’s a typo over there.”

“huh? where?”

“over here,” you mumble as your finger darts to point at a section on the screen. “it’s supposed to say “with their climactic performance,” not climatic.”

“ah, i see it now. sorry about that,” lee jihoon of digital development says as he corrects the error. his hair is disheveled from the hood that once perched on his head during the night he spent in the newsroom. you would’ve scolded the guy—go home and take a shower before you stink up the place—but you are no better, grouped with the other journalists who stayed up in the office.

“there we go. should be all good. now, are you ready to go through the profiles?”

an exhausted chuckle departs from your lips. “yeah, let’s go—”

“what’s the update?” life and arts editor kim namjoon—your editor—comes to you with a smile.

the grey hoodie he wears paired with comfortable jeans shows that he’s a little relaxed. for once, you don’t see him on his phone, battling the deadlines or getting pitched stories by the other editors. it’s a nice sight but one that won’t last for long.

“we just finished going through the article about the group, so we still have yet to go through the profiles.” jihoon then looks at you. “i can’t believe you basically wrote seven articles. like, six profiles and one main article is a lot. you didn’t want to work on it with anyone else?”

once namjoon stands beside you, you bump your shoulder against his figure. “i didn’t have a choice, did i?” it’s a rhetorical question but one your editor still chooses to answer.

“unfortunately, we’re understaffed, but it seemed like you got the hang of it. i wouldn’t have trusted anyone else to do it.” namjoon shoots you a smile before redirecting his attention back to jihoon. “and as much as i’d love to tell y/n more, we have to pick up the pace.” without any further questions, the three of you resume with work.

there’s no time to waste in the journalism industry. still, his praise doesn’t go unnoticed.

one article turned into eight done in a matter of 30 minutes, all with the help of three pairs of eyes to go through them. (namjoon seemed to carry the heavy lifting. after all, the guy was trained to be quick in reading and spotting errors.)

it should’ve been easy to keep up with your editor for all the other articles; you know each profile like the back of your hand.

then, the face of a boy who you once knew sits on the screen.

his gaze seems to pierce through your soul, almost in the same way you last talked to him. the loose ends of composure slip through your fingers; your breath’s stuck in your throat as the hammering of your heart fills your ears. yet, he stands still on the monitor.

as your eyes drift through the passages you’ve written, every sound is drowned out. the voice of your editor fades like the everchanging seasons and the clicks of the keyboard resemble the sobs you let out in the comfort of your childhood room.

and suddenly, the hands of the clock have turned all the way back to 2019. the cubicles transformed into aisles of chips and instant ramen, and you hear mr. kim’s voice in the distance—i have some hotteok! fresh from the pan! but amidst it all, you hear the giggles of the boy, your best friend, as he rushes towards you—i’ll go audition and make you proud. as your arm is wrapped with the heat of his fingers, you almost believe that your life as a journalist is nothing but a dream—

“i knew him.” the illusion disappears within a blink of an eye. namjoon’s eyes snap towards you and jihoon stops scrolling through the website. “we went to the same high school.”

you aren’t sure why you revealed that to your coworkers, let alone your boss. it’s an old memory—your weight to carry. before you can apologize for disrupting their work, namjoon’s hand rests on your shoulder, his thumb drawing shapes into it. when you look over at him, you’re greeted by his smile. it resembles your bed after a long day of work or a slow day at the newsroom.

but it never lives up to him, whose giggles resemble nature’s symphonies. the two shots of espresso you need at the start of the day once came in the form of his warm embrace. most of all, his smile is enough to illuminate the world even through the strongest storms and times when power went out.

for the remaining articles, not a single word leaves you. before you know it, all seven articles were ready to go up on the web.

“that’s all of it. should i still schedule them to go up around 12 p.m.?” jihoon notes as he saves the drafts.

“yeah, 12 p.m. still sounds good. thanks a lot.” namjoon nudges his shoulder before looking over to you. “let’s talk in my office.”

you don’t question his orders. once namjoon takes off, you follow him all the way to his office. as he swings the door open, you are met with the familiar sight of his workspace. hues of green and brown mix, where nature and art meet within the space of corporate.

once namjoon takes a seat on his chair, you find your spot across from him. his eyes stare off to the window. for a moment, you’re not sure what to expect from this impromptu meeting.

seconds pass and not a single word has been said—

“this place’s always alive,” your editor breaks the silence. “don’t you think so?”

you follow his line of sight. busy seoul never changes; the skyscrapers pollute the sky and the people never sleep, off to work or off to party.

“where’d you grow up again?”

you look back at namjoon whose eyes still remain locked on the city. “cheongju.”

he hums. “i haven’t been there. nice place?”

“yeah, but i haven’t gone back in a while.”

“when was the last time?” his eyes finally meet yours.

your teeth grasp the inside of your cheek. “2019, since i first left,” you admit.

“do you miss it?”

you’re not sure how to answer. the pavements you’ve scraped your knees against and the walls your laughs bounced off of—do you miss them all? or is the reason behind your laughter and scabs the one you long for?

“is that why you were hesitant about interviewing them?” namjoon’s thumbs fiddle with each other. “because of your history with him?”

now, you stare at your linked hands. maybe the silence from you is enough to answer his question but you know namjoon would never settle for a soundless answer.

“i—i’m not a good person. and even if i didn’t make the choice to leave, i—” you hold yourself back. your fingers start to pick on the skin around your thumbs, peeling it so blood can spill.

“it’s okay, i understand. you don’t have to share it with me.” your eyes drift back to namjoon, spotting a small smile that rests on his face. “it must’ve been hard to relive it all.”

the bond you have with namjoon is one that you hold close to your heart. through his mentorship, you got to learn about what it means to be a writer. the fears of being a journalist would loom over you, where questions of salary and demanding work hours would occupy your mind, but namjoon became someone who would absolve them all. he became a pillar in your life, one that provides you hope and comfort within the industry.

“so, don’t feel pressured to talk about it. but if you ever want to open up about it, then i’ll be here.”

namjoon’s giving you an exit. are you willing to take it?

you cross your arms as you lean back into the chair. “you know how i was a science major then?”

“yeah, i remember looking over your resume. and then i saw that you were part of your university’s publication.”

your tongue pushes against the inside of your cheek. “i would’ve gotten some job in that field, like, i had it lined up for me.”

“really? like lab coat and all?”

as namjoon attempts to hold back his laugh over the image, you chuckle along. “yeah, lab coat and all! it’s crazy how my life was all set for that field, but i’m here now.” you look down at your arms. “i think just facing him in a completely different field that i once used to imagine with him was just strange. but i think hearing his answers really did it for me.”

namjoon nods at your words. “care to have lunch with me?” your eyes snap back to your editor. “i’m guessing you want to talk about it, after all.”

all you do is smile before getting off your seat.

spring of 2019

the season of spring has graced cheongju; the sun gleams in the expanse of blue and birds perched on tree branches sing their songs. it’s the perfect season to embrace the wonders of the town.

while it would be a delight to bask under the returning warmth, you’re stuck within the walls of the classroom, head resting on crossed arms.

still, the lilacs have yet to bloom.

“y/n.” you quickly sit up before your eyes settle on your adviser, ms. jeon, who stands in front of the classroom. “let’s take attendance.”

with that, you’re beside her as you call out each name on the class list. it’s a quick process of saying your classmates’ names for them to respond in variations of “present,” until you reach the section of last names that start with an ‘m’.

“myung jaehyun.” no response.

you rip your eyes off the piece of paper, only met with your classmates who either look at each other in confusion or spaced out in their own worlds.

“myung jaehyun?” when you’re met with the same reaction, you’re ready to mark the student absent—

“sorry!” the doors slam open. a boy clad in a white polo and jogging pants is panting by the entrance, covered in sweat as he rests on the edge of it. “sorry, i’m late.”

“oh, it’s okay! you arrived just in time.” ms. jeon smiles at the tardy student. as you watch him take a seat, his eyes lock with yours, but your adviser nudges you before saying, “y/n, proceed.”

myung jaehyun made his name a few years back at a competition. the applause and roars from the crowd marked his spot in the school. others describe his movement as of cranes, standing in the middle of a pond as they do their best to minimize forming any ripples, or of elephants, swaying their trunks with control like no other.

but he’s a versatile dancer; nothing can truly capture him.

once you’ve finished marking the attendance, you go back to your seat. you’re ready to start the day with no bother but you can’t shake the feeling of being watched.

“now, you can see in these,” your art teacher, ms. park, points to the screen showcasing works from her favorite contemporary artists like kwon yongju and félix gonzález-torres, “that there are no borders to what constitutes art. and that’s not wrong because we have to recognize that art comes in different forms as we progress, from traditional painting and sculptures to digital ones.”

this field isn't your strong suit. with a greater understanding of the sciences, you struggle to create anything that could be on par with the works of any artist. yet, you enjoyed learning about every piece that your teacher shared, like unfolding and admiring something you know you can never replicate or create. still, the universe decides that they have other plans for you.

“as i mentioned before, i’ll be giving you time to work on your final assessment, which is to create an artwork for the class exhibit. for this deliverable, i’m asking that your work will be a collaborative one, meaning you aren’t working alone.” in a sea of chatter, some groans exit your classmates. “remember, inspiration doesn’t come from your own bubble! take this as your opportunity to create something that you’ve never imagined.”

within a split second, students are off their seats as they attempt to find a partner to work with. you, however, were struggling to think of who you could team up with. admittedly, you have a very different work style compared to others—even baek jiheon, aspiring valedictorian, didn’t enjoy working with you. she turned every activity into a competition against you. (you didn’t enjoy her, either.) while you’re considering shamefully going up to your classmates like a stray dog looking for anyone willing to care for them—

“hi!” in front of you stands the tardy student of today, all smiles as his hands find comfort in the pockets of his jogging pants. “do you have a partner already?”

with furrowed eyebrows, you can’t help but look him up and down. “no, why?”

“well,” jaehyun looks around the classroom, “everyone seems to have paired up except for us.” as his eyes drift back to you, he flashes you a smile, one that shows the dips engraved into his cheeks. “which leaves me to ask if you would like to work with me for this.”

you don’t have a choice. ms. park would never bend the rules for you. if anything, she would find a way to pair you with another student who would dread the idea of working with you. (“i’m sure they won’t mind being partners with you, right?” is what she would ask the poor student, only to be met with their retreat.)

“unless we accept a failing mark, which i’m sure we both don’t want.” it’s not like jaehyun had a choice as well.

“okay.” with one word, light fills his eyes, enough to resemble the starlight that grazes your skin every night. “we can meet and discuss our schedules, especially because i’ve got ap stat, and you have, uhm,” a cough leaves you, “training, i’m assuming, or rehearsals. i don’t really know what you call them.”

his eyebrows shoot up as his mouth parts open. “o—oh, yeah. i usually have training after class until 8 p.m. on tuesdays, thursdays, and saturdays.”

“same. my classes are until 7 p.m. on tuesdays and thursdays, so maybe we can use the other days to work together?”

with one nod from him, his dimples reappear. “great! i’ll see you tomorrow.”

before you know it, everyone finds their way back to their seats for ms. park’s final reminders. you do your best to pay attention to every announcement, jotting down every word on your planner and planning out your agenda for the upcoming weeks. yet, your eyes seem to have a mind of their own as they drift back to the boy who discreetly passes notes to hwang intak, another dancer on the team, all while listening to the teacher.

you don’t notice how long you spend staring at jaehyun until he turns to meet your gaze. in that split second, you look at each other—then, embarrassment washes over you. you shift your attention back to ms. park. as you drum your fingers against the desk, mentally kicking yourself over the interaction, you still can’t shake the feeling of being watched.

you look back at jaehyun; he’s still looking at you.

his dimples make their reappearance before he looks back at ms. park. you do the same as you attempt to listen to her ramble about banksy’s works.

(you’re still thinking about the dips in his cheeks.)

the first time you get to meet with jaehyun for the project happens the following week. you two had different commitments to attend to, whether it be other projects or training. and while you would usually settle to meet in the school library or a cafe nearby, you find yourself inside the empty gymnasium, sitting on bleachers while your partner stands in front of mirrors.

“don’t you think it would be nice to combine our hobbies together?”

your pencil taps against the notebook. “like, your dancing? with what?”

“whatever you like to do!” once he makes his way to you, he leans on the row in front of you with crossed arms. “i mean, do you have anything you like to do during your free time?”

a scoff leaves you. “funny of you to assume that i have free time.”

“what’s your schedule like?”

“well, i have our classes and ap ones, then kumon at night.”

jaehyun reels at the thought of your schedule. “that’s brutal. the last time i had kumon was back in grade 4.”

“yeah, but i’m sure yours is busy as well. the amount of time that you put into training is…” his eyes are wide, hanging on your words. it’s the hope they hold that has you say, “admirable.”

a shy smile takes over his features. “yeah, but it’s only because my family is supportive of what i do.”

then, limbs whose color resembles the void slither their way to your heart, wrapping around it while the organ struggles to beat; it’s a slow process but an unending hole that will birth from it. yet, you do your best to fight off these limbs, unraveling them one by one in hopes it will give up—until you settle for shaking them off.

you only muster out a hum.

“do you have anything you like to do during those short breaks?”

your lips trill. “i don’t know. watch something on youtube?”

his cheeks puff up, stuck in his thoughts as he tries to navigate this project—and you—until his eyes glint. “what do you do when you want to vent?”

“you sure have a lot of questions,” you comment, trying to hold back a chuckle at his curiosity. “i can just adjust to you. maybe attempt to draw, picture, or even film you.”

his eyebrows furrow. “but that wouldn’t make it collaborative. i want us to work on something that aligns with what we do.”

a beat passes.

he holds your gaze. “i want us to create something that shows us.”

inside you, a gong is struck; its sound reverberates throughout your body, from the crown of your forehead to the tips of your toes. then, silence seeps in—a moment only for you and him.

“i, uh, write,” you whisper as your eyes shift to the notebook resting on your lap.

“really? like, stories and poetry?”

you nod. “i like writing people’s stories more, but i do like making ones.” when you look back at jaehyun, his eyes are still filled with curiosity. “i would, like, find interviews online and try to make my own, sort of, uhm—god this is embarrassing. forget about it.”

“huh? no, it isn’t!” he attempts to reassure your shrunken figure. “i mean, you don’t have to share more if you really don’t want to, but i’d like to hear more about it.” and when his dimples appear, you almost can’t help but feel your face warm up.

“i’d make articles, i guess?” he nods along with your words. “i don’t know, it’s just interesting to hear about people’s lives and kind of create something out of it, and i like thinking about all the possibilities of who would love to hear them. like, don’t you think that some of the stories that we read hold fragments of someone?”

“that’s an interesting way to look at it.”

as you doodle on your notebook, you say, “yeah, it’s just fun to hear these stories and maybe create something out of it. or even think of stories that i could never live out, you know?” you expect yourself to be met with the bored face of jaehyun but his eyes remain on you.

“what if you interview me?”

your eyebrows shoot up. “you?”

“yeah,” he stands up before walking up to your row, finding a spot beside you. “think of me as your first interviewee if you want.”

the sudden suggestion has you stumbling over your words. “huh? b—but, i don’t have questions prepared. and how does this help our project?”

when his arms brush against yours, you start to become aware of the distance between your shoulders—and his face from yours. warmth spreads throughout your body, almost like you’re about to have a fever. once his open hand rests near yours, you don’t know what he’s asking.

“let me draw it out for you.” you hand him your pencil and notebook, allowing him to see your doodles. (you don’t miss his grin.) “you know, with that article you make, we can cut it up and create something out of it.” a roughly drawn sketch of a boy posed in the middle of a dance move now rests on the page. “i don’t know if a collage would be okay.”

as you think about what can be done, you perch your chin on your palm. “we can do papercut art? basically, it’s cutting up the article in a way to form an image.”

“oh, that sounds cool!”

“yeah, but the only challenge is that we can only use one piece of paper.” a sigh leaves you. “it would be impossible for me to even do that.”

“that’s why you have me.” his small smile causes wind chimes to ring. (you’re positive you heard them, even if there were no such things in the gymnasium.)

he continues to sketch out the layout of your joint artwork. “how do we feel about this?” on the paper, there are two boxes beside the figure, where one is labeled as “photo of me” while the other is labeled “an article by y/n.” your head tilts. “it’ll be a three-set piece. so, it’ll be a photo of me and your article, and in between is the papercut art that we’ll make.”

you hum. “you know, you’re very creative.” you look at him only to see that he’s been staring at you. “like, you’re inclined to the arts. i wouldn’t have been able to think of something like this.”

“you’re just as creative,” he argues back as he writes down something.

you shake your head before retorting, “jaehyun, you’re very talented. i’ve seen the way you dance,” his movements halt, “and you’re like no other dancer i’ve seen. if you ever try out to be an idol, i’m sure you’d do great, maybe end up on the list of the best dancers in the industry.”

but he shakes his head, going back to writing on your notebook and shutting down your compliments. you decide to not push.

“i can get the photo sometime during my training,” he says as he hands you your notebook.

“then i can have the questions sometime this week. for the article, i can have it done maybe four days after the interview. how does wednesday, after school, sound for the interview?”

he shoots you a smile before standing up from his seat. “that’s perfect! i’m looking forward to meeting journalist y/n.” you can’t help but scoff at what he calls you. “what’s wrong?”

“nothing,” you shake your head. “it’s just a silly name.” because the reality is that you had your future planned out—and it definitely didn’t involve that field.

he shrugs. “i don’t know, i think it would fit you.”

“but you haven’t read any of my works.”

“but i want to root for you in the same way you do for me. i don’t want you to feel ashamed of your works.” a fire ignites in your heart; it’s a fireplace.

you’re baffled that jaehyun, out of all people, now holds your secret, but you’re even astounded over the idea of him supporting you. you almost can’t remember the last time you heard such words of support. is it genuine or nothing but a facade?

“anyway, i’ve got to go. i need to catch up on some homework.” while you shoot him a nod, his dimples make their appearance once more. “i’ll see you tomorrow!” as he takes off, you’re left in the gymnasium with your opened notebook and unlocked heart. you look back down at his sketch surrounded by your doodles, but you don’t miss his little note—cute doodles btw <3

the season of spring has unfolded in cheongju; a single lilac has bloomed.

present -> a day before the interview, 2024

it’s a late night on a tuesday, about to be a midnight wednesday, and you’re in a convenience store as you scout for your dinner. all hauled up in the newsroom, the idea of ordering food during a time where restaurants would still be open slipped your mind. now, you’re left to scan through the same options you’ve eaten for the past years since you started living in seoul.

the convenience clerks are familiar with you, both kim jongseob and kim jiwoo. with your constant late-night meals at the store, you’d talk to whichever one had a shift. jongseob is saving up to upgrade his setup at home to record more music. with all the stories he shares about his time in underground rap battles along with the short verses he’s performed for you, you’re positive that he’ll get signed to a label soon. as for jiwoo, this is one of the many jobs she has in order to save enough money for fashion school. you’ve seen her sketches and outfits she’s put together and you’re hoping that she’ll get accepted.

a sigh leaves you. you didn’t have a problem with eating the food here but you were craving for something new in your life in seoul. the perpetual cycle of eating takeout food and unconsciously skipping meals for work needed to be disrupted just for a moment. but you weren’t seeking michelin-star food—all you wanted was something home cooked. something from home.

the spice of tteokbokki, the burn of freshly fried hotteok, and the sweetness of homemade peach iced tea—mr. kim’s convenience store had it all.

your tastebuds long for cheongju.

“planning to beat your record of spending 23 minutes on deciding what to get?”

you roll your eyes before looking to your right, seeing jongseob stock up the drinks in the fridge. “i hate you.”

“what? i’m just saying, you’re taking a lot longer to decide today.” he chuckles before placing the last bottle of sweetened probiotic milk in the fridge. “none of the options look good to you?”

“sort of,” you hum before you scan through the aisle of packaged meals. “i think i’m craving for something different.”

“i get it. the food here can get boring, which is why i’m planning to order pizza if you want to split the costs.”

your eyebrows shoot up at jongseob’s suggestion. “really? you’d share pizza with me?”

“yeah, as long as you pay for your share.” he shoots you a smile before grabbing on a trolley carrying empty boxes. “unless… you want to pay for the whole thing.”

you bite back a smile as you shake your head. you should’ve known the guy would ask you to buy him food, but you knew that he needed the money and you at least had a stable income to keep you comfortable. “fine,” jongseob’s smile grows as you fish out your wallet from your pocket and pull out a couple of bills. “just order enough for us two.”

“of course,” he says as soon as you hand him some money. “i’ll make sure to order the most expensive thing on the menu.”

you scoff at his joke. “just make sure to treat me to something.”

the bell by the door chimes. “sorry, can’t hear you over that! need to attend to a customer!” jongseob dashes away from you while dragging the trolley. that little shit just knew how to press your buttons, but you love the kid, anyway.

still, you stand in the middle of the mart and your heart longs for home.

then, you shut your eyes, and you’re transported back in front of the familiar aisle filled with bags of potato chips and sweet corn. the noisy fan along with the soft sounds of mr. kim’s korean drama fills your ears. a mix of yellow and orange hues paint every corner of the mart, including you—and you’re not alone.

your best friend stands on your right, wearing the unbuttoned school uniform polo over a tank top along with jogging pants. he’s lost in thought as he scans through the options of snacks you two can have for today’s afternoon. he starts to giggle to himself, probably from a silly thought he’ll share with you in the next second or a memory involving you, and the dips in his cheeks appear—your heart thumps in your ears.

and just like how quickly you were transported back to cheongju, your surroundings transformed into the cool-lit convenience store found in seoul. all you have left is the image of him bathed in the sunlight.

but he fades away like the ink on old receipts, never gone, because the glowing image of him warps into a different version who stands next to you in the cold mart. he’s grown a few inches taller and his hair doesn’t get in the way of his line of sight. while he wears a green sweater, you notice that he’s gained some muscles. his eyes scan through the aisle behind you filled with different brands of instant ramen.

but he bites the inside of his cheek and his dimples appear.

it’s a tornado that brews within you, enough to uproot trees and displace buildings, all because of an unexpected reunion with jaehyun. why did the universe decide to bring two ex-best friends on a random tuesday night? what brings him to the convenience store at the same time you’re there? and why did it have to happen a day before the interview?

you weren’t going to commit the same mistake; keep your eyes off of him and make your way out of the store. it didn’t matter if you had an empty, growling stomach, or gave free money to jongseob. you need to leave without the distant, familiar face noticing.

your feet act fast, and you're almost certain that might’ve caught his attention, but it didn’t matter as you see jongseob standing behind the cashier with his phone out. “i just ordered the pizza. it should arrive in about… 20 to 30 minutes.”

“yeah, about that…”

“don’t tell me you’re taking your money back.”

at the sight of jongseob’s pout, you roll your eyes. “no, keep it. i just—i need to go.”

“what? why?”

you peek behind you. it seems like he didn’t recognize you, after all. “i’ve got… work!”

“but don’t you only have your interview with boynext—”

“hey!” your fingers snap at him. “you cannot—i mean, you just… just take the goddamn money.”

“but we’re supposed to share the pizza. you haven’t eaten.”

an exasperated sigh leaves you. “jongseob, just treat me next time. i can eat at home.”

and you’re ready to leave the convenience store, bid farewell to jongseob and a delicious pizza made for two, and never greet or say goodbye to the living fragment of what you last know of cheongju—

“y/n?”

and the plan failed.

when you meet his gaze, you’re able to take in the different version of him. he’s grown so much—it’s such a pain that you weren’t there to witness it. his eyes are a pool of emotions; you can’t identify them.

all it takes is one breath from you. “jaehyun.”

a beat passes.

“i’m just gonna… go through the storage,” jongseob points his thumb at the back of the mart, “and maybe kill myself afterwards. i don’t know.” before you can protest, he’s already gone. (and he still has your money. that fucker.)

you and jaehyun were once painted with the hues of the sun. this reunion is tainted with blue.

jaehyun’s fingers tense up, almost as if he was hesitating—debating—on how to approach you. his body would waver, but he never took a step towards you. “i… i wasn’t expecting to meet you here.”

“same here.” you lean your back against the checkout counter. “d—do you stay around this part of the city?”

he shakes his head. “i live around 15, maybe 20, minutes away from here. i’m only here because…” your breath gets caught in your throat. “i don’t know.”

fate. that’s what brought us here.

“do you live here?”

you nod. “yeah, ever since—” the sentence never gets completed; you and him already know.

for a moment, sorrow flashes in his eyes, but a smile shows up. the dimples don’t appear. “i, uh, i was going to get something from here but it seems like your friend is busy.”

“sorry about jongseob.” you whip out your phone and scold him through text. “he should be with us in a bit.”

jaehyun hums before walking to the freezer filled with different ice cream. as he looks through the selection, he asks, “do you still like twin bar?”

“y—yeah.”

“still the grape flavor?” you don’t know what to say, but when his gaze meets yours, you settle for a nod. with your favorite ice cream in one hand and a sandwich in the other, he finally walks towards you. you don’t miss the slight stagger in his steps.

jaehyun finds his spot beside you. there’s still distance between you two—two tiles worth, enough space for one person—but it’s enough for your muscles to freeze. thankfully, jongseob comes just in time to manage the cashier (with an awkward smile plastered on).

he scans jaehyun’s item first before grabbing onto your ice cream.

“oh, i’m paying—”

“no, let me,” jaehyun insists. “you can always treat me another time.”

you bite the inside of your cheek, thinking over the second half of his sentence. jongseob holds back from scanning the item, until you shoot him a nod. jaehyun pays for the food before jongseob hands them to you.

“i’ll just let you know when the pizza gets here.” his small smile is enough for your shoulders to ease and a quiet exhale to leave. a small nod is all you give him.

you follow jaehyun outside to the tables in front of the mart. once he’s settled on a spot, you sit across from him. he tears away the plastic wrapping of his food while you play with the ends of yours.

while he swallows what you assume to be his dinner of the day, you’re left to swallow your own pride.

“i’ve seen your performances.” his chews halt. “you’re—” captivating. “you’ve improved a lot.”

with one gulp, a shy smile takes over his face. “i still have a long way to go.”

“you always say that, even back then.” a half bitten sandwich now rests on the wrapper. “but i admire your drive.” always have.

while a different version of jaehyun sits across you, the one you knew back in cheongju still lives. in the busy, unfamiliar expanse of seoul, meeting five years later, he’ll never be stranger. you could never treat him as such, even if you wanted to.

“there’s always room for improvement,” he says.

you hum along with his sentiment. “did you stick with early childhood education?” you’re met with his orbs that hold a thousand of emotions, some you can name as shock, confusion. a question hangs in the air—what did you deserve to know?

“sorry, i’m assuming you still went to college, which is totally fine if you did or didn’t, by the way. and it’s also okay if you didn’t stick to your major. i mean, you always talked about pursuing a performing arts degree before—”

“y/n,” he giggles, “you’re okay. i still went to college but i took media & communication.” your eyebrows shoot up at the revelation. “i thought it made sense to study something related to what i do, just the more technical and theoretical side of it, i guess. and the online classes were easy to squeeze into my schedule.” he lifts up the sandwich. “what about you?”

“uh, i ended up in the same course as well.” a hum of shock leaves jaehyun. “yeah,” you chuckle, “i managed to shift courses.”

“that’s amazing! i’m happy for you.”

you smile at him. “thanks. now, i’m just—” you should tell him what you do. what would be a better time to reveal that you ended up in the path he dreamed for you to be than now? “—figuring things out.”

with your vagueness, jaehyun only nods before munching away. if there’s anything about you that still remains, it’s that you shouldn’t be pushed to share something you didn’t want to talk about. he still knew that.

as he finishes his sandwich, you tear off the plastic wrapping of your ice cream. with the twin bar in your hands, you snap it into two before you hand him a piece. confusion paints his features, wide eyes glossing over the popsicle in your hand, but he takes it before you can say anything.

“thanks.”

you shake your head. “don’t even worry about it. it’s only tradition.”

silence settles between you two. as you eat away on your share of the twin bar, you look up to the sky. from where you sit, you can’t see a single star; the lights of seoul seemed to outshine them. and during those moments, you almost can’t help but miss the view of the starry night from your childhood room.

you glance at jaehyun who looks up to the sky as well. yet, one hand remains in his pocket, almost as if he’s fiddling with something.

as if he feels your eyes on him, he asks, “did you ever think about coming back?”

you halt your movements. if there’s one thing you were expecting your old friend to ask, it would be related to your sudden departure. but you’re hit with an entirely different question, one you didn’t get to rehearse the answer to in case you ever cross paths with him.

because after all this talk about your yearning for cheongju, why didn’t you choose to visit? despite how much you long for mr. kim’s home cooked meals, skies filled with stars, or the presence of your best friend, why didn’t you ever come back?

if you miss home, why is your first instinct to run away from it?

and the reality is that you do think about it all the time. since you left cheongju, you drafted out how many plans to go back. you were homesick, missing the familiar landscape you spent your entire childhood growing up in. but most of all, you missed jaehyun. as long as you had him, you would survive anywhere, whether in seoul or cheongju.

despite how much you yearned for him during your years away, you learned that your relationship wasn’t always filled with the warmth that would grace you two every afternoon. for so long, you’ve sat with jealousy. while his family was his pillar of strength, you were met with a home that offered nothing but criticism.

the black limbs slowly ate away at your heart; the void was born.

it became easier to remain resentful. with the distance, you weren’t faced with jaehyun’s genuineness. yet, with time, you discovered that you still cared for him—regardless of your jealousy—because you still wanted more for him than you did for yourself.

for a long time, you resented. now, it’s only guilt that held you back from going back to him.

so when you remain silent, jaehyun takes it as your answer.

and for the first time, the distance feels greater since you first left cheongju.

summer of 2019

it’s the peak of summer. amidst the expanse of verdant fields, bees seek solace in the fully-bloomed sunflowers and kaleidoscope wings illuminate as they soar.

but summer is where mouths go dry and clothes cling to skin. as days blend with each other, the comfort of your bed is all you have until the season passes.

the fan rumbles against the wooden floor, doing its best to cool you, but the heat prickles against the back of your neck. the wind has turned into nothing but hot waves. with your elbows perched on the desk, a sigh leaves you as you attempt to make sense of the worksheet filled with math equations.

your room is your favorite place in cheongju. within these four walls are scattered fragments of you, from your favorite books and mangas that rest on the bookshelf to the stuffed toys that rest on your bed. book tabs stick out of your workbooks lined up on your desk and your cork board is filled with crossed out to-do lists.

and every once in a while, you would look out through your window, admiring the neighboring houses and all their greenery. as people walk on pavements, you cannot help but think about where they’re off to—are they on their way to work? did they leave an important document back home? or are they coming back to a meal and home filled with warmth?

despite the halo soundtrack filling your ears, the cogs in your brain seem to drown them out. the numbers on your paper have jumbled up. it should’ve been easy. after all, you’ve become friends with the letters who’ve squeezed their way into math. once you’ve wrapped up on this assignment, you know you’ll wake up to another set of work to do. it didn’t help that you’re stuck watching kids your age enjoy their break.

with a tired mind, you consider making yourself another cup of iced coffee. maybe another dose of caffeine will make sense of the numbers—

your phone buzzes against your table. as your eyes rip from the unfinished worksheet, you spot the familiar name flashing on the screen. with one glance at your door, you bring your headphones to rest around your neck. it takes three rings for you to answer.

“what do you want?”

“the fuck? what’s wrong with you?”

you roll your eyes as you fiddle with your pen. “i’m studying, you fucker.”

“on a sunday?” jaehyun’s question has you only groan. “what happened to resting?”

“i wish,” you murmur as you scratch the back of your head. “i’ve been stuck on this stupid worksheet for the past hours. it’s annoying too. i mean, i already know this topic, so i don’t know why it’s so hard.”

“awe, is my best friend suffering over kumon?”

your forehead rests on crossed arms. “yes. i think i’m going to die.”

“okay, then. i’ll take that as my sign.”

“sign to what?”

he chuckles as if it were obvious. “to save you! let’s go to mr. kim’s.”

a groan leaves you as your back meets the chair. “no, i can’t. do you know what would happen if i don’t finish my kumon?”

“uh… no?”

“me, neither. i’m not taking my chances.”

“but, you’re not even doing anything!” jaehyun pointing out the obvious has you rolling your eyes. “wouldn’t it be better to take a break with your best friend? i can even help out.”

as you bite the inside of your cheek, you glance once more at your closed door. you weigh it out; would you rather take a break with your best friend or would you save yourself from the consequences brought by home?

but the answer was already clear. “give me 10 minutes.”

jaehyun laughs before you drop the call.

it’s the smell of fresh hotteok that greets you. the quiet buzzing of the fan accompanied by mr. kim’s favorite trot music fills your ears. while the owner seems to be away from the cashier, a white, stray cat takes over, body flopped on the counter as it snores away the heat. as the sun pours through windows, coating every corner of the mart with a glow of fireflies, you know this will be a place of its own.

“y/n, over here!” a familiar voice calls out. as you whip your head to the source, you see your best friend by the chest freezer, eyes crinkled and all dimples.

now, you’re certain that nothing could ever replicate this.

you walk towards jaehyun, finding your spot beside him as you two look through the collection of frozen treats. “so, what do you want from here?” you ask.

“uh… i’ll be honest, i just realized i’m short on money.”

you glance through the price tags, only for a groan to leave you. “i’m short too. when did mr. kim raise the prices?”

“no clue. i thought i’d have enough to get a summer crush,” jaehyun complains as his eyes are glued to the coffee sorbet. “i hate inflation.”

“come on.” you fish out for the coins in your pocket. “let’s see how much we have together.” jaehyun does the same. with palms out, you two count through your shared funds.

“we can get a summer crush!”

“you can get one. i’ll be left with barely anything.” you look through the selection once more. “man, i really want samanco. the red bean sounds so good right now.”

defeat casts over jaehyun’s features. for a moment, you almost consider giving up on having a frozen treat and settling for a glass bottle of orange soda, until you spot a familiar popsicle brand.

“holy shit, it’s right there.”

“what?”

“there!” your finger points at the stack of twin bars. “we can probably get that and split it.”

jaehyun’s expression morphs into realization. “okay, let’s get—”

“dibs on grape.”

“dibs?” he furrows his eyebrows at you. “you can’t just call dibs. you’re doing it wrong. clearly, we should discuss—”

“nope,” you retort. a chuckle laced with disbelief leaves your best friend. to him, it seemed like you were joking around. “i made the suggestion and contributed a lot more to our shared funds.”

“okay, but—”

“don’t tell me you want the peach flavor more than the grape.” as you continue to shut him down, he knows there’s no way around you.

(plus, he wasn’t a fan of peach-flavored things, anyway. how unfortunate that mr. kim only has those two flavors right now.)

“next time, we’re choosing a flavor that i want,” he gives in. you let out a cheer before grabbing the frozen treat.

you two make your way back to the cashier and spot mr. kim slouched in front of the television, hand stroking the sleepy feline. he’s still wearing an old, red plaid apron on top of a pair of basketball shorts and a loose graphic tee which had the name of a band you’re unfamiliar with. with how he sits, you’re afraid that his back problems will get even worse. (still, you don’t say anything. he’ll only play it off and say he’s still one of the “youngins”... whatever that means.)

once his eyes land on you two, a grin takes over. “ah, my favorite kids! it’s nice to see you both.”

“yeah, it’s been a while,” jaehyun starts off. “y/n’s always busy with kumon.”

you narrow your eyes at the boy. “hey! you’re busy, too! you’ve been practicing at the studio almost every day!” the wrapped popsicle now rests on the counter. “every time i’m free, you’re not.”

“hey! whenever you’re free, i’m tired from training!”

“okay, let’s settle down,” mr. kim breaks up the banter. he then takes note of the ice cream on the cashier, the price showing up on the cashier. “isn’t the heat hard enough for you two to be studying or practicing?”

“yes, very much.” you count the coins once more before dropping the exact amount on the counter. “but,” you glance at jaehyun and his disheartened expression is enough for mountains to move, “i don’t think we have a choice.”

in reality, these were the circumstances you two had to work and live with. during the days jaehyun ended practice early, you were drowning in summer school assessments. whenever you managed to finish your homework, it would be during the hours your best friend was off at the studio or passed out at home from exhaustion.

“choice, no choice, people always say that.” mr. kim counts your payment before putting it into the cashier. as he takes note of what you’ve bought, he says, “everyone has a choice. i’m sure you two can figure it out.”

the only difference is that one chose this path; the other had to suffer from the decision forced onto them.

“don’t worry, mr. kim,” jaehyun nudges your shoulder. “i’m sure we’ll figure it out.” and when the dips in his cheeks appear, you find yourself smiling back.

maybe you were okay with the life you had to live, just maybe.

“anyway, we’ll go ahead,” jaehyun bids farewell to mr. kim.

you giggle. “he means we’re just going to eat our ice cream at the front.”

as you two slowly make your way out of the mart, mr. kim shakes his head. “you lovebirds go ahead. i’ll see you next time!”

“mr. kim!” you and jaehyun shout in unison before glancing at each other.

“what?!”

your best friend groans. “you know we aren’t together.”

“yeah! like, i can’t imagine it,” you join in.

still, the owner laughs at your reactions. “you two are so funny. just go and enjoy your ice cream.”

you roll your eyes at his words. “bye, mr. kim!”

with that, you and jaehyun were out of the mart and took a seat on the benches. you hand your best friend the wrapped frozen treat before letting out a sigh. “i still can’t believe this is one of the few times we got to meet up during the break.”

“i know.” he tears the plastic wrapping off. “you would think that summer break would mean we get to hang out nonstop, but i’m starting to think we saw each other more whenever we had school.”

you hum. “i know. and i had ap stat while you had training.” your eyes dart at jaehyun who grips onto the popsicle sticks, struggling to split it into two. “oh my god, don’t tell me you can’t split it.”

“hey! it’s hard.”

as you giggle, you reach your hand out. “let me do it.” once jaehyun hands you the twin bar, you attempt to split the two. for a moment, you almost think about agreeing with him. yet, the frozen treat splits into two perfectly, and a satisfied smile rests on your lips.

you hand him one popsicle, only to be met with his glare. “i know, i’m just better.”

“just shut up.” to that, another laugh leaves you.

under the sun, you enjoy the coolness of the twin bar. while you would’ve stared off to nowhere, you and jaehyun were here at the right time to catch civilians bustling away. some were on dates, where one would go on about their interest while the other would smile at their rambling. there were kids whose chatter could be heard all the way from the end of the block, and blue-collar men who were off to enjoy their break.

you can’t help but imagine what people saw—thought—of you and jaehyun. did they think of you as unexpected friends? has it ever crossed their minds that you two were only classmates who seemed to always be paired together? or did they ever think the same as mr. kim?

“you know,” jaehyun starts off, causing you to look at him, “i was going through college courses the other day.”

your eyebrows shoot up. “oh?”

with your reaction, jaehyun giggles. “i was just curious, you know? not that i’m giving up on dance or anything, but,” he licks the popsicle, “early childhood education sounds cool.”

you hum. “i wasn’t expecting that.”

“what’s that supposed to mean?”

“no, it’s not a bad thing!” you reassure the boy. “it’s just,” you rip your gaze off of jaehyun and look at the playground, “i always thought of you as a dancer, you know? kind of like you were meant for the stage.” the laughter of the kids who passed by you two bounces all over the block and you can’t help but smile. “but i don’t doubt it.”

the breeze graces your sweat-covered skin. “what about you?” you look back at him. “would you ever consider journalism? maybe communication as your major?”

you’re quick to laugh at his suggestion, but when confusion paints his features, you realize it’s a serious question from him.

“no.” it’s a straightforward answer from you, but jaehyun could never settle with that

“why not?”

a sigh leaves you. “i just don’t consider it. i mean, i think about it,” all the time, “but not enough to consider it. plus, astrophysics is cool.”

“but is it your dream?”

jaehyun’s question is an easy one to answer—not at all. you’ve had enough learning about theories and making sense of the numbers. if your future is going to only complicate that further, then maybe astrophysics isn’t made for you.

but who’s to say that you’ll even enjoy journalism?

“we’ll see.” you leave it at that and jaehyun didn’t push for more.

because the reality is that if you ever did consider it, transform those dreams into action plans, you were terrified to be met with your parents’ disappointment—it wouldn’t only be from your lousy desires but from jaehyun’s role in your life.

the first time you mentioned jaehyun to your parents happened over dinner, letting them know you would be staying later at school to work on the final project for art class with him. they didn’t bat an eye at his name as they continued to talk about what happened during work and pester you about your progress in other classes. (art class didn’t matter to them, only the sciences and math were ones they seemed to track. still, they would criticize you if you didn’t place first honors.)

with your parents’ oversight, something blossomed between you and jaehyun. from there, there were more days you would get home later than usual. while you were still on top of your work, they took your late arrivals as a form of negligence.

all it took was one night for them to demand an explanation. the reappearance of him in the conversation had only caused them to reprimand you—jaehyun’s not like you. he’ll only hold you back.

from that day on, you’ve learned to keep his name out of conversations. you’ll enjoy what you have with jaehyun, even if it has to be kept under the wraps.

“how’s training?” you change the subject, trying to keep the attention off of your failed dreams to jaehyun’s flourishing ones.

“well, it’s a lot,” he chuckles as he munches a piece. “you already know that it takes how many hours to get to the company, and the hours i spend in the practice room are unlike the trainings i have at school.”

as his eyes meet yours, you only shoot him an apologetic smile. it was never going to be easy; you two knew that before jaehyun entered the doors of the company. yet, he still held on.

“you know, i never considered it before, but i like where i’m going,” he admits. “even if i’ve always had dreams to pursue dance, i want to make my family proud if i ever get to debut.”

jaehyun knows how to persevere. regardless of all the bruises he gets from performing complex dance routines or the hours of sleep he longs for, he knows how to hold on. you wish you could say the same for yourself.

“and you will,” you reassure the boy, wrapping your arm around his shoulders. “who wouldn’t be proud of you?”

he holds your stare and your smile falters. for a moment, you don’t know if you touched on a sensitive topic. would he shrug your arm off? do you think he’ll shut you off, maybe cut your time together short? will jaehyun get mad at you for something you didn’t know was wrong? would he be just like them?

“i want to make you proud.”

that’s enough to answer it all.

you shake your head. “don’t even doubt that for a second.” your arm finds it spot back to your side, and jaehyun’s loops his with yours.

although he knows how to persevere, he never knows when to shut his ears from the shadows.

“i am proud of you,” you tell him. “always have, always will.” he can’t help but smile. all you can hope is that he’ll listen closely to your voice.

“i almost forgot,” he says out of nowhere.

“forgot what?”

as he tugs his arm away, his hand fishes for something in his pocket. “close your eyes.” you furrow your eyebrows. “just do it!” you follow his orders. “and keep them closed, okay?” you let out a hum.

before you know it, something wraps around your index finger. you would’ve opened your eyes, confused over the foreign yet familiar material, but they remain shut.

“okay, open.”

your gaze rests on your finger wrapped in yellow and blue. it’s a finger trap—and the other end is connected to jaehyun. despite your tug, it still holds you two together.

it’s the warmth that fills your cheeks, the heartbeat in your ears, and your starstruck eyes that has him smile. “no matter what happens, we’ll stick together, okay? regardless of what paths we end up pursuing. all that matters is that we have each other.”

he’s filled with hope. hope for his dreams. hope for your relationship. hope for what the future holds for you two. you can’t help but hope as well.

all it takes is a nod from you to solidify the promise to the universe.

you two sit in silence, finishing up the popsicles as people continue to pass by. at one point, you heard mr. kim let out a curse over the drama he’s watching. the sun is about to set, wrapping you two in a golden blanket, and all that matters is the finger trap.

present -> two weeks before the interview, 2024

it’s no surprise to you that the newsroom is quiet. while your peers are off to gather more information, you’re with lee chaeyeon of news as she tries to meet the deadline for her article’s first close.

“do you think dokyeom will be late?” you ask as you watch her rephrase sentences.

she laughs. “when is he never? minho’s always assigning him coverages.”

“that’s true.” your eyes drift to the hallway. “i’m just hungry. he still owes me food, you know?”

“over another bet? or you saving his ass?”

“over helping him with an article,” you reveal, earning a shocked look from her. “for some odd reason, he needed another writer to help out with a live coverage, and all the sports writers and sports editor were busy handling the other events.”

“holy shit.” chaeyeon continues with her work. “i didn’t expect you to work on anything sports-related.”

“yeah, but it helped that it was a dance competition. at least i know something about dance.” you only know who to thank. “i’m going to make sure i get compensated for that. i’m planning to raise it to minho and namjoon, anyway. that’s if dokyeom would fucking come and help in explaining the situation.”

with the mention of the tardy writer’s name, he’s scrambling through the halls with his backpack in one hand and a paper bag in the other. the moment he sees you, he shoots you an apologetic smile.

“speak of the devil,” you say as you stand up straight. “why do you always show up late? i helped you with the article.”

dokyeom finds his spot beside you as he sets down the bag on your desk. “i’ll have you know that wasn’t the only article i had yesterday. i was catching up on other ones that minho assigned me.” before he can plop down on his seat, he spots chaeyeon working. “damn, tough life at news.”

“no need to point out the obvious, doofus.”

“wow, harsh,” he replies to her insult. “just so you know, i bought food for us.”

“thank god,” you exclaim as you open the paper bag filled with takeout containers and sealed cups. as you pull them out one by one, you spot your usual order from the vietnamese restaurant around the corner. “oh my god, thank you for getting me this.” you take a seat before you pass dokyeom his food and utensils.

“yeah, i know. i’m just the best.” his shower of compliments for himself only has you rolling your eyes. “but thank you, by the way, for helping me out with the article. i needed an extra pair of hands and my own editor couldn’t stand in to help out.”

“it’s fine. just make sure you help me get compensated for that article,” you say before you open the container. as the smell of bun bo nam bo fills your nose, you can’t help but let out a quiet moan. “holy fuck, i’ve been craving this.”

“i made sure to get you some vietnamese coffee also.”

“yeah, i saw. thank you.” you split the chopsticks with one hand. you’re about to mix the bowl of your favorite food—

“is y/n here?” your editor calls out, causing you to let out a sigh before you stand up from your seat.

“yes?”

namjoon’s gaze lands on you. “can i talk to you for a bit?”

despite your grumbling stomach, you give him a nod and set your food down. as he retreats to his office, you glare at dokyeom who munches away on goi cuon. “i hate you.”

“hey, what did i do?!” you ignore his attempts to defend himself as you make your way to your editor’s office.

once you swing the door open, you spot namjoon whose eyes are stuck to the screen. “you can take a seat,” he says with no attempt to look at you. you sit across from him, hands folded on your lap, while he types away on his keyboard.

the moment he hits the ‘enter’ key is when he finally looks at you. “sorry about that. i was just replying to minho regarding your compensation for the article you worked with dokyeom. we both appreciate what you did. next time though, make sure to loop in minho or me before you two start working on beats not within your staffs.”

“sorry about that,” you start off. “dokyeom only asked for my help and i thought it would be fine since i’m familiar with dance, anyway.”

namjoon shakes his head with a small smile plastered on his face. “it is fine, just make sure to inform us.” you only nod.

“anyway, i’m sorry to have this meeting with you right now but i have to leave work early today, and i thought that you’d appreciate that i tell this to you now instead of tomorrow,” he says. you hum, curious about what he has to say. “i have a coverage for you, a very, very, long one.”

over the sight of your wide eyes, he can’t help but chuckle. “it’s seven articles,” he says and your mouth gapes over the number. “well, one main article and six profiles with very brief introductory paragraphs.” his attempt to ease your shocked state does nothing.

“namjoon, that’s… a lot.”

“yes, i know. i would love to split the workload but everyone else is handling other articles, and i trust you. i know i’m asking for a lot but i’ll make sure to help you out with them. it’s just that we’re working on a time crunch and i don’t know anyone else i can ask but you.”

the faith that your editor seems to have in you is like no other.

“profiles, like, those q&a transcripts?” you ask.

he nods before saying, “yes, and just a brief introductory paragraph for each profile. i’m just expecting you to put more work into the article about the group. i’ll make sure to help out with the profiles.”

namjoon’s trust should be anxiety inducing, enough to send you complaining, but you find yourself relieved. your mentor became your second-in-command; the mountain of workload transformed into a hill.

“okay.”

a relaxed smile appears on his face at your acceptance. “thank god! i was going to stress about this the whole day if you refused. i’ll make sure to send you the details about this once i’m done with my appointments, and then we can see how we’ll divide the work later on.” he types something. “we’re covering a k-pop group which is why there’s one main article about the whole group and then six profiles.”

“yeah, i figured that out.” this isn’t anything out of your usual articles. “can i ask who we’re interviewing? maybe i can do some research on them while you attend your meetings.” you pull out your phone, ready to search up whoever your editor says.

“don’t know if you’re familiar with them but they’re called boynextdoor?” you still in your seat. “wait, let me check. yes, that’s their name.”

“boynextdoor?”

namjoon looks at you, now met with your features that have transformed from wide eyes to scrunched eyebrows. “yeah. do you know them?”

you shake your head without a second thought. “no, i don’t think i do,” you whisper the last sentence to yourself. his narrow eyes look over you, almost dissecting you.

the walls surrounding you are painted in solid colors of pearl, almost untouched. yet, under the paint are cracks that spread like cobwebs. every burst is a testament to the earthquakes they’ve faced; no one should be able to see a single line of black amid the white sea. now, they’re filled with paste, and it should be enough to cover them all.

but for the first time, the paint has chipped and the paste has deteriorated; the different colors of cheongju seep through the cracks.

you clear your throat as you straighten your back. “i’ll be sure to research them.” you wave your phone at him, hoping to divert his attention, but his gaze remains on you.

a sigh leaves him. “okay. expect to receive the documents later in the afternoon.”

he doesn’t push any further. for now, the walls remain intact. (or appear as so.)

it was never going to be easy.

“honestly, i gave up expecting to win as we practiced,” the youngest says through tears. as they huddle, they let out silent wishes for the upcoming years. before they blow the candle, they don’t forget to express their gratitude to the fandom who stuck with them through thick and thin.

a time of celebration turned into a moment to remember their struggles. these were pockets of their time that marked their spot in history.

“oh, everyone behind us is crying!” another member points out as the camera captures the team’s bittersweet cries.

and when you catch sight of the brunette who hides his tears behind his friend, the ache in your chest starts to spread through your veins. the video cuts to his low-hanging head as his members comfort him. they knew all of his hardships—you only know a fraction.

such a tender moment happened a year ago; it’s shorter than the amount of time between this achievement and your departure. within those years, what did jaehyun undergo? did his trainings waver his passion or did the fire burn just as bright as it did since he first auditioned? was he confident in his skills or was he still critical about every performance he had?

but most of all, what did he face? what did he learn? to hate? to love?

what did he go through without you?

you don’t forget to take note of their first win on your document filled with bullet points of information. while you were going to continue watching, a recommended video caught your attention. it’s a jaehyun focus. you don’t hesitate to click it.

the video starts off with him checking up on the fans before the performance starts. as he mimes out eating, they answer his question with reassurance.

and there they come—his dimples appear.

it transitions to their group in their opening formation. as they await for the song to play out, jaehyun’s familiar smile shifts into a dominant gaze.

in the same way the first notes draw people to listen, your eyes never leave the boy. his movements are fluid, like water droplets sliding off leaves. he commands the stage regardless of where he’s positioned.

jaehyun is meant to be on the stage—no, every stage is made for him. every crowd is meant to cheer his name and remain captive to his talents, and every spotlight is meant to shine on him.

you rest your chin on crossed arms. long gone was the bowl cut and loose school uniform. he’s grown. matured, even. yet, the moments where his smile appears makes you realize one thing: the 16-year-old boy you knew still lives within him.

as their performance comes to an end, you don’t bother to move your cursor, letting the next recommended video play. and when his vlog plays out, you realize that a fragment of his identity is a whole of what you know.

what an honor it is to have known him for even a fraction of your lifetime.

his voice is a lullaby, the same one you used to fall asleep to, so you allow yourself to close your eyes. you let go of the responsibilities for just this moment, and allow yourself to be transported back into the warmth of his arms.

fall of 2019

out of all the seasons, autumn took its spot in being your favorite. clusters of green slowly morph into shades of oranges and browns. it’s a symphony of chirps that fills the silence. while the breeze brings you comfort after the heat of summer, it also reminds you of the looming winter.

it’s a shame that autumn does live up to its other name: a season of fall.

“you’re always like this,” your mother comments. you stand in front of your parents, slumped shoulders and downcast eyes, as they hold a sheet of paper they believe dictates your future. “always so sensitive. we’re just asking you what went different. why did your grades drop?” to them, a shift from a to b+ is a threat to your future.

while your feet stand on wooden floors, a flood starts to form. murky waves crash against your legs, but you do your best to keep your balance.

“answer us when you’re being talked to.” your father snaps you out of your thoughts. “what have you been doing for your grades to drop?” you want to answer but a single sound that leaves you may only lead to blubbers that your parents will scold you for.

with your silence, your mother sneers. “i knew we shouldn’t have let you do your own things. i told you so.” she shifts her gaze to him. “what did i tell you about y/n? you know they’ll only slack off!”

“i thought we could trust them. clearly, i was wrong.” your father’s glare raises the water levels, reaching your chest. you don’t know how to swim in the foggy ocean.

“i know why.” she crosses her arms. “it’s because of that jaehyun boy, isn’t it?” she says his name laced with disgust.

you don’t think twice to defend him. “no, it isn’t!”

“don’t you dare talk back at me!”

“but i’m not! he’s done nothing.”

your father begins to raise his voice. “and that’s what’s wrong! that lazy boy does nothing for his studies. he clearly doesn’t care about his future.”

you always knew it would be a losing battle, but you’ll put up the fight to protect your best friend’s name. “that’s not true! he does care. he’s planning to do early childhood education for college, maybe become a teacher.”

“that job has no money. see, i can already see that you’re being influenced by him,” he argues back.

and as the murky waters rise, filling your lungs, your first instinct is to close your eyes and scream. “stop saying that about him!”

a beat passes.

“i don’t want you hanging out with him.”

“but—”

“shut up.” your mother’s words cause you to look up, meeting your parents’ faces filled with anger. “go to your room. now.” you’re nothing but a puppet for them.

was it even a battle if you always knew you were going to lose?

despite the safety of your room, you don’t let the tears flow down. you do anything to distract yourself; maybe a book will convince you that your life is only a figment of your imagination.

waves continue to crash against your body. if you let them take your body, would they send you far away from cheongju? from your parents? from the weight you were entrusted to carry since birth?

but would you allow the waves to send you away from jaehyun?

your phone buzzes against the mattress. with tear-filled eyes, you see your best friend trying to reach you. you don’t think twice about declining his call and shutting off your phone.

as you curl in your bed, you hope the sea will swallow you whole—the slow, burning pain that comes with drowning won’t compare to the burns that haven’t healed. but you know that the blame rests on your shoulders. if only you had studied harder, cut off hours of rest for your work, then maybe you would be the perfect child your parents wanted.

were you wrong for allowing yourself to enjoy the small breaks between classes? was the time spent in the mart supposed to be for schoolwork? should you have found yourself a tutor? were you in the wrong for not working yourself to the bone? did you not work enough?

are you not enough?

then, a knock. your eyes snap open. like a stroke of light in the middle of the dark, jaehyun is by your window.

you get off your bed to open the window. as the glass barrier disappears, he enters your room. “are you okay?” he spots your glassy eyes and his hands find their spot on your shoulders. “what happened?”

you break eye contact. “what do you want, jaehyun?”

“you didn’t pick up your phone. and when i tried calling again, i couldn’t reach you,” he starts to explain.

you shrug off his grip on you before you take a seat on your bed. “i’m fine. my phone died.” as you feel the spot beside you dip, you look at your best friend. at the sight of his furrowed eyebrows, you know he doesn’t believe you. “i said i’m fine.”

“i didn’t say anything.” for you are an open book to him.

he opens his arms towards you—it’s your move to make. then, a tight-lipped smile shows on his face, his dimples appear, and you allow yourself to fall. with his arms wrapped around you, you shut your eyes as you nestle your face into his neck.

breathe in. breathe out.

his hand finds its spot on your back, rubbing it in circles.

breathe in. breathe out.

“it’s okay, i’m here,” he says, and you allow yourself to crumble in front of him for the first time.

the tears hit jaehyun’s neck like a light drizzle. your wails bring earthquakes into his world.

yet, his warmth is enough to dry up droplets, and his embrace protects you as you fall into the cracks of the earth and into the depths of the world. the flood starts to subside.

in your time knowing jaehyun, how much did he know about you after all? had he always known of your strained relationship with your parents? did he hear about it from others or was he able to connect the dots?

because you didn’t know yourself outside of your parents anymore. did you like science because of your kumon classes? was your interest in writing birthed from a desire for validation from your parents?

are you nothing but an array of achievements and failures?

but your parents will never be satisfied; a standard too high is practically nonexistent.

jaehyun moves so that you two can lie down. his arms remain wrapped around you as you hide in his neck. “i’m sorry if i wasn’t there for you when you needed it then.” his whispered apology causes you to shake your head.

“you didn’t do anything wrong,” you blubber out to his neck.

“and you didn’t, as well.” his hand finds its spot behind your head. with every stroke, a tear streams down. “and i want you to know that i’ll be here for you.”

in your house, your room was the only space you called home. solace built by you.

now, your home is jaehyun.

present -> two weeks before the interview, 2024

something about the newsroom feels odd to you. there’s nothing out of the ordinary aside from it bustling with journalists. the familiar sounds of printers and chatter from your workmates fill your ears. it’s a typical occurrence for your peers to meet their deadlines on the day itself. the tug in your gut doesn’t resemble ones formed out of your anxiety. why does it feel like one of destiny?

“where is dokyeom? i swear, this guy never shows up to the office.”

you snap out of your thoughts, looking over at chaeyeon who browses through her phone. as you shove a bill into the vending machine, a chuckle leaves you. “when is he never?”

“maybe if he finishes his coverages on time then he’d be getting enough sleep. then, he won’t be late.”

you side-eye your friend before you click on a button. “you know that’s not true.”

she sighs at the same time your bottle of iced tea drops. “yeah. apparently, if you have free time, you’re not a good journalist or some shit which i find stupid.” you grab your drink before facing her. “am i not allowed to do something else that’s not related to my job? i swear, this is why i’m single.”

“then date another journalist.” your joke earns a scowl from her.

“i’m never dating anyone in my field. a journalist dating another journalist is like,” she looks up to the ceiling as she thinks, “a long distance relationship with how much they’ll never see or have time for each other.”

a laugh erupts from you, one that may be too loud for your liking. “true.”

as you walk out of the breakroom with chaeyeon, you notice something in the corner of your eye: a brunette by the restroom. while you can’t see his face, you spot what’s in his hand and you halt in your tracks—a finger trap.

“hey, is there someone there?” your eyes snap back to your friend who looks at you in confusion. when your eyes drift back to where the brunette once was, he’s already gone. you shake your head before walking back to your desk.

the same gut feeling lingers. with a frown, you open up your article only to be met with a few comments that namjoon left last night. maybe your gut knew that you weren’t done with your work. thankfully, it’s nothing too major, and you can have them done within the next few minutes.

“there you are!” chaeyeon exclaims, causing you to look up from your screen to a panting dokyeom. “were you working on your articles again?”

“actually, i went out last night.” while you shake your head at dokyeom’s reveal, chaeyeon gasps. “yeah, i did! i actually had fun for once!”

as he nods proudly at last night’s events, she complains, “are you serious?! how come you have time to go out? i was just talking to y/n that we never have time to ourselves.”

“i’m in sports,” he points out as he shrugs his shoulders. “you’re in news.” at this point, you’re expecting the two to spiral into an argument, so you redirect your focus back to your article.

“hey, did you hear though? there’s a k-pop group in the building.” you glance at chaeyeon.

your other friend leans on the cubicle. “really? who?”

“no clue.”

dokyeom lets out a groan. “what type of journalist are you if you can’t find out?”

“yah!” chaeyeon smacks his arm, causing him to wince in pain. “says you who can never submit on time.”

“hey, i’ll have you know that minho has been understanding!”

“whatever.” she rolls her eyes before looking at you. “that means you’ll probably be handling them. i hope they’re cute so that you can finally have something going on with your life outside of work.”

a chuckle leaves you as you get back to work. “i’m never dating an idol. i’d get hunted down by their fans.”

“yeah, but can’t you dream a little? do you ever imagine what it would be like?”

the past plays in your mind. after school performances and interviews. broken-up popsicles. finger traps. a life you shared with jaehyun then—one you still cling onto.

yet, you shake your head as you edit your article. “not even.”

it’s a life you’ll keep to yourself.

“what’s the update?”

the three of you look away from each other, spotting namjoon who comes to you with a smile. long gone were the sweaters that failed to drown out his figure and the boxy glasses that would rest on the bridge of his nose. now, he wears a dress shirt and trousers with hair slicked to the side. there were no frames for him to hide behind.

“ah, namjoon! you’re dressed so nice today.”

with dokyeom’s compliment, he can’t hold back on his smile. “thank you. are you guys done with your articles?”

as your friends nod, you add the finishing touches to the document. “and done! i just finished addressing your comments.”

“great. thanks, y/n.”

“do you have something?” chaeyeon asks your editor, causing you to roll your eyes. one thing about journalists is that they love to know everything.

namjoon nods before saying, “i just had a meeting with some possible interviewees.”

“is this the one with the k-pop group?” as dokyeom asks the question, you can’t help but laugh as chaeyeon looks at him in disbelief for spilling confidential information.

your editor chuckles. “yes.”

“can we know—”

“no, you can’t know.”

chaeyeon pouts at namjoon. “not even a hint?”

namjoon ignores her question and begins to walk off. “good work, y/n!” he calls out before leaving you three alone.

“man, namjoon never tells us shit,” chaeyeon complains as she leans on the table.

“to you guys, at least,” you argue with a small shrug.

still, the gut feeling remains.

something about the newsroom feels odd to jaehyun. while he’s had his fair share of paranormal experiences, his gut tells him that there’s something in the office. yet, the tug isn’t one that speaks of danger. why does it feel like one of destiny?

“should we have a short break before we discuss the schedules for the photoshoots and interviews?” jaehyun is snapped out of his thoughts by namjoon’s suggestion.

his manager looks at the group. “do you guys need a break?”

“should we have a short break before we discuss the schedules for the photoshoots and interviews?” jaehyun is snapped out of his thoughts by namjoon’s suggestion.

his manager looks at the group. “do you guys need a break?”

although everyone seemed fine with proceeding, he couldn’t shake off the feeling. maybe the leftover curry he had this morning went bad. “i’ll go,” he says as he gets off his seat.

namjoon slowly stands up. “okay, i can bring you there—”

“it’s okay! i saw the washroom on the way here,” jaehyun says before walking to the door. “you can discuss the details without me first.”

with his manager’s nods, namjoon settles back into his seat. “okay then, here are some of the dates i have in mind...”

jaehyun exits the room. he bites on the inside of the cheek as he thinks of what his gut could be telling him. is it the nerves for the upcoming tour? is he worried about the next comeback they’ve been preparing? or is he scared about what the future has in store for his group?

with his mind on these questions, he doesn’t realize that he arrives in front of the bathroom door. a sigh of frustration leaves him. the worst thing about gut feelings is never knowing what they’re trying to say.

he grips the handle, ready to swing the door open, until a familiar laugh hits his ears. one of the past. one he hasn’t heard in years. his muscles freeze.

when was the last time he heard that chortle? when was the last time he became the cause of it?

his eyes dart around the area for the source but no one else is here. he can’t help but shake his head in disbelief.

it should be stupid for him to think you two would ever reunite. in what world would you be in the same place as he is? it’s been five years. you could be anywhere around the world. yet, he fishes for something out of his pocket; the same finger trap he linked you to him rests on the palm of his hand.

he sighs before entering the washroom and shoving it back into his pocket.

maybe he’ll hold out a little longer.

winter of 2019

out of all the seasons, jaehyun’s favorite is winter. snowflakes fall, filling the sky with stars that people can touch, and snow piles on sidewalks, letting him throw snowballs at his friends. despite the freezing temperatures, jaehyun prefers this over nearly-boiling ones.

he can’t wait to share this season with you.

yet, the familiar, chilly breeze of the season transforms into whispers, and word gets around like thrown snowballs.

“is y/n really not going to school anymore?” jaehyun looks up from his desk to see jiheon standing in front of him. he tilts his head in confusion, causing her to roll her eyes. “are they not going here anymore?”

he frowns. “huh? what kind of rumor is that?”

“i don’t know. it’s what people have been saying,” she says as she crosses her arms. “i asked because i wanted to know if my competition’s gone, you know? and you’re the only one here who has an idea about their whereabouts.”

jaehyun laughs in disbelief. “no, i was with them last week.”

when jaehyun last saw you, you asked for space. with what’s been happening with your family, you needed time to process and cope with your issues, and he respected that. after all, he only knew a fraction of your relationship with your parents, and he didn’t want to intrude in anything you didn’t want him to be a part of. still, jaehyun reminded you that he’ll be there if you need him.

“damn, that sucks,” jiheon groans as her shoulders slump. “these stupid rumors.” as soon as she leaves jaehyun alone, he shakes his head.

the bell rings. students start rushing into classrooms and teachers scold those who aren’t on their seats. ms. jeon enters the room, walking to the desk in front and setting her things down. “baek jiheon, you’ll be in charge of attendance today.”

as jaehyun’s classmate gets off her seat, he can’t help but look at your desk that still remains empty.

“you have to message us when you land,” your mother says as she fixes the collar of your coat. despite your nod, she clicks her tongue. “answer me properly.”

“yes, i will.”

once your father finishes placing the last luggage in the trunk of the taxi, he stands beside your mother. “don’t forget why we’re sending you there. we expect you to do better with no distractions.”

your phone buzzes in your hand. as you look down, you see a message from jaehyun. as he asks about your whereabouts, the weight gets heavier—will you stand or crumble under it?

“who’s that?”

you stash your phone away as you look back at your parents. “nothing. it’s just an email from the school. they sent over the date for the orientation.” at the sight of their satisfied smile, you let out a small sigh of relief.

“well, go on.” your nod at your mother before getting in the car. with the windows still down, she adds, “don’t forget to get endorsement letters from the professors i sent over to you or else you won’t get to study abroad like we planned.” her choice of pronouns is funny; a plan that they crafted which never considered your input.

“okay.”

as your father commands the driver to go, your gaze remains on the two. it should be okay with you to leave cheongju; you’d be far away from your parents and experience an entirely different landscape to explore. it’s time you break away from the chains of this town. learn a life outside of what your parents forced you into.

yet, as the car takes its leave, the figure of your parents slowly shrinks. the distance from them should’ve given you the space to breathe, a relief you’ve longed for, but it only reminds you of your strained relationship. to them, it would be better that you’re out of their sight—and with your farewell, you never heard the three-word phrase.

the window rolls up. you try to hold back the tears, but the scenery of cheongju that you pass by births a storm within you. you didn’t want to say goodbye to home, regardless of how much you say you didn’t have a home in this town. every corner holds a piece of you in the same way you hold a piece of them.

the car approaches a safe haven you share. despite the snow that piles at the front, mr. kim’s convenience store is still open. you’ll never get to have his hotteok again or hear his favorite dramas play in the background. worst of all, you never got to say goodbye.

then, the familiar figure of your best friend exits the mart, and the storm transforms into a typhoon. the plastic bag he holds is filled with your favorite snacks, from the grape-flavored twin bar to a bottle of mr. kim’s homemade peach iced tea.

and in that moment that your car passes him, he pulls out his phone from his pocket, and you spot the familiar trap wrapped around his finger—the other end holds no one.

as quickly as you came into jaehyun’s life, he disappears from your view.

finger traps were fascinating. if you tug hard, the contraption won’t let your fingers go. yet, if you allow the two fingers to meet, allowing the toy to loosen, it’ll let you go with no harm.

but your finger trap with jaehyun was different. maybe it was already ripped to its seams.

interview

q: what made you decide on becoming an idol?

a: i’ve always loved dancing. growing up in cheongju, i always made time [for dance] whether it be [for] school competitions, talent shows, or even [choreographies] i wanted to try out. but i never considered becoming [an idol] until high school. a lot of my friends and family thought i was capable, and i’m glad they trusted me. it feels good to give back to them with every performance.

q: compared to your other members, you’ve spent a lot of years dancing and training to become an idol. what kept you going throughout your years of training?

a: my family’s support was one big thing that helped me [during my training.] every trip from my house to the company would last hours, and it drained me physically. so as the years went by, i started to question if all the time, money, [and] effort i was putting into an unpromised debut would be worth it, but my parents and brother were always there to support and [take] care of me. but i’d also like to think my best friend was a major support in training years. i think they were the first one to [tell me that they saw me as an idol,] and at the time i brushed off the idea. but, look where i am now? so i think i owe a lot to them.

q: is there anything you’d like to say to those who’ve supported you as boynextdoors’s myung jaehyun? a: mom and dad, thank you for believing in me. i know it wasn’t easy to wait until midnight for me to come home or take care of me whenever i got sick from training. thank you for always supporting me in every performance. to my brother, thank you for helping mom and dad out at home. every day, i remind myself that you gave up so much just so i can pursue my dreams, and i want you know that i’m forever grateful for your sacrifices. to the rest of [boynextdoor], thank you for always allowing me to rely on you. i’m glad i can say i have brothers who i get to achieve my dreams with. onedoor, thank you for your love and support over the years. i wouldn’t be boynextdoor’s leader or myung jaehyun if it weren’t for you. and lastly, thank you to my best friend. i hope you’ll always be proud of me the same way i’ll forever be proud of you.

taglist: @kflixnet @blankjournal @blissfullsvn @lovialy @onedoornet

#works of moni #onedoornet #kflixnet #bjnet #k-labels #boynextdoor #myung jaehyun #myung jaehyun x reader #myung jaehyun fluff #boynextdoor x reader #boynextdoor fluff #myung jaehyung imagines #boynextdoor imagines #myung jaehyun angst #boynextdoor angst

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vidavalor · 2 months

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Aziraphale & Shostakovich's 5th

So, I did a little digging and there is a sweet and very funny Crowley connection to this symphony-- one that would make sharing it with him actually a very romantic gesture-- which is likely why Aziraphale was gazing at it fondly and so completely beyond excited to have it...

...and it also has a very Good Omens-esque history that is worth a look. Deep dive on the relevance of Shostakovich's Symphony No. 5 below. Happy anniversary, friends! 🤗💕

The first thing to know is that Shostakovich's Symphony No. 5 is one of the most analyzed and frequently performed symphonies in the world. Recordings of it are not rare by a long shot. Maggie probably has at least one other recording of this symphony in the classical music section of her shop. Aziraphale definitely already owns other recordings of it. (Especially because he knows exactly how long the first half of it is without that info being located anywhere visible on the record he's holding in the shop.) What Aziraphale is excited about is not just this symphony but *this particular performance* of this symphony because of its relevance to him and Crowley, as you'll see.

Unlike other pieces of recorded classical music that Aziraphale has in his collection, this is a record of a very historically significant live performance and it is, I'm willing to bet, one that is personally significant to Crowley and Aziraphale. It took place in a completely different era when it came to sound recording technology, as the record is a performance that was recorded live on October 20, 1959. The record that Aziraphale is so excited to receive is a digitally remastered recording of this performance. What Maggie has gotten for Aziraphale and Crowley here is, through advanced technology, some human magic. For Crowley and Aziraphale, this will be the auditory equivalent of a time travel experience.

This live performance took place at what was and still is, acoustically, one of the top places in the world for live music to be heard and recorded-- Boston's Symphony Hall-- and the equipment used to record it was state-of-the-art for its time. Obviously, though, the ability to record sound has changed dramatically since 1959. Records of this performance that were released soon after it were good by the standards of the day but were never stellar and they are really difficult to listen to by our modern standards. The recordings made then could not really fully capture the sound in a way that makes someone listening feel like they're there the way that a recording of a performance held today could.

You and I can pull up the digitally remastered sound files from this performance in under 3 seconds on our phones or computers and listen without issue to a performance with sound quality so good we will feel like we're sitting there in the music hall but for Crowley and Aziraphale? That feeling was only had on the night they were there in 1959. Records of that performance were unable to do it justice until very recently in history, when humans invented technology that could bring back the sound of that night as it truly sounded to them.

Adding to this is that humans, as a whole, despite all this advanced technology, have still not given up on a sense of the romantic so they've taken these advanced recordings and pressed them onto what is, technologically-speaking, an "outdated" form of technology-- vinyl records-- so that people who enjoy listening to music in this more old-fashioned but imminently more soulful way can have an experience that blends modern technological magic with something more intimate and personal. The result is the ability to have the romantic vinyl experience but one with the transportative quality of modern technology.

That is what is Aziraphale has had Maggie get for him and Crowley.

In 2.01, Aziraphale is so excited because he has in his hands the ability for him and Crowley to listen to a live performance of a concert from 1959-- a concert I am sure that he and Crowley were at-- and hear it sound, for the first time since, as they heard it then. Gabriel and Beez's "Everyday" records and Maggie's failed attempt at giving Nina a Nina Simone record do have a Crowley and Aziraphale parallel. We might have been distracted by the idea that, because "Everyday" is Gabriel and Beez's song, that the Crowley and Aziraphale parallel is "A Nightingale Sang in Berkeley Square" but, as you'll see, it's subtly not-- it's the other record in S2. It's Shostakovich's Symphony No. 5.

Ok, so why is Aziraphale so obsessed with this particular performance of this particular symphony and what does this have to do with Crowley?

For that, we have to look at the symphony itself.

Music is language and, within the language of classical music, composers-- particularly the sort like Shostakovich, who was limited in expression by confines of his society-- would slip bits of hidden language into their music. In his case, it was a form of rebellion against the repression of dissention by the Russian government, much in the way that Crowley and Aziraphale's hidden language-- which they speak right under the nose of Heaven & Hell-- is for them. The first movement of Shostakovich's Symphony No. 5 contains the single most Crowley & Aziraphale-ish bit of hidden language in music imaginable.

The piece of music being referenced has ties to a very famous religious parable that is Ineffable Husbands-y in the extreme.

You all have heard of Saint Anthony, yeah?

No, no that Anthony-- Saint Anthony. 😉

Patron Saint of Lost Things? The dude your grandma tells you to pray to if you misplace your car keys? The patron saint of sailors and all things nautical? And also the patron saint of pregnant people, as if Saint Anthony weren't already amusingly professional midwife Crowley-esque enough? 😂 If you know this guy, then you probably then know the most famous Saint Anthony-centric religious story, which is the one at the heart of the musical interlude that is the hidden message in Shostakovich's Symphony No. 5:

Saint Anthony's Sermon to the Fishes.

Oysters. Bouillabaisse. Gravlax in Dill Sauce. Sushi... we could go on and, indeed, I have, about Crowley and Aziraphale's ability to elevate the-sea-as-sexual-metaphor to its own art form and we all know how much they revel in blasphemy. As a result, a musical hidden message referring to Saint Anthony and his Sermon to the Fishes is possibly the funniest little romantic in-joke in a piece of music possible for Crowley and Aziraphale.

For those of you unfamiliar with this story, it goes a bit like this: the future Saint Anthony was getting a bit miffed about these heretics who weren't listening to him while he was trying to spread the word of God. He goes to his church one day and finds it empty because everyone's out doing non-God stuff. So, to make a point, he went down to the river and began to preach to the fish. (Yes, the actual fish in the river.) The story goes that the fish were all really interested in this and came up to the surface to listen to the sermon, all rapt with attention. They absorbed Saint Anthony's words and found God, leading them to then bow their little fish heads and pray hard in response.

The human people walking by? Well, their attention was naturally had as the fish were acting like people and listening to this dude preach and that was, ya know, a bit weird. The story goes then that people thought that if fish were listening to the words of Jesus as preached by Saint Anthony then maybe they should, too. The point of the parable is that Saint Anthony found a more receptive audience in the fish and, in preaching to these beings who wished to hear what he had to say, his message wound up amplified by being both received by those open to it and by drawing in others who then saw all of these engaged people listening. It suggests that the best way to speak to people and be heard is by starting with those who are already predisposed to listen and focusing on them, instead of ignoring them in favor of those whose minds are not yet open to new ideas.

(There are actual humans, though, who believed this dude really talked to actual fish, in case you needed another reminder to vote.)

As a little sidebar: there is also another story in a similarly Crowley & Aziraphale vein about Saint Anthony that is not part of the symphony in question but does relate a little bit to S2. In that story, Saint Anthony was dining with some non-believers who poisoned his food as a way of testing the fact that apostles of Christ were supposed to be immune to poison. Saint Anthony realized the food was poisoned and confronted them, found out why they did it, blessed the food, and then ate it without harm as a way of trying to prove to the non-believers that God was real.

So, yeah, the Sermon to the Fishes parable here boils down to a comparison between people and fish. It's using fish as a metaphor for humanity, which Crowley and Aziraphale do in an, erm, slightly different way lol by using fish as a metaphor for their human-styled sexual relationship. To the blasphemous and fish-obsessed Aziraphale and his partner, Mr. Anthony J. Crowley, there might not be a funnier bit of Biblical humor to be had than the story of Saint Anthony's Sermon to the Fishes. So, how does this story fit into this symphony?

In the 17th century, a priest named Father Abraham a Sancta Clara wrote a poem describing Saint Anthony's Sermon to the Fishes but this priest really kinda got how insane the whole thing is because the end of it is a bit tongue-in-cheek. It is also more insightful than the actual religious story itself is because it basically says that the fish listened to Saint Anthony-- but then they went back to being their usual fish selves as soon as he was done speaking.

The humor in the poem comes from the priest using the fish as a metaphor for humans listening to the sermons of Saint Anthony and others. The priest is saying in the poem that people listening to sermons do not fundamentally change as a result because they don't take the words to heart and really apply them to how they are living. He conveys this in the poem by saying things like "the carps still stuff themselves" and-- amusingly considering the references in Demon's Guide to Angelic Beings and elsewhere to Crowley as an eel-- "the pikes remained thieves/the eels, great lovers."

If you wanted to, you could make a case that Crowley or Aziraphale influenced the poem a bit (or, even, the whole Saint Anthony story in the first place.)

Anyway, the point of the poem is... ironically... that these fish people?

They heard the words but they didn't truly listen to what was being said.

*laughs in Good Omens S2*

In tone, it's also very similar to how while Crowley and Aziraphale are overall optimistic they also are, through their experience of human history, a little jaded when it comes to the ability of someone to really enact massive amounts of change in people. The poem is in the same tone of their responses to the reasons for why Jesus was being executed for preaching kindness:

Right, so, anyway... the symphony ties...

This poem was then later set to music by the composer Gustav Mahler, with both the poem and the score included in a book called Des Knaben Wunderhorn, which was the go-to compendium of German folk songs and stories. In its inclusion here, Mahler's song-- called Des Antonius von Padua Fischpredigt (which is just German for Saint Anthony's Sermon to the Fishes)-- made the jump to what is, technically, a secular book of folk songs. In those days, there was not as much of a separation between religious music and secular music but this book is kind of a blend of both them. The song is then played all over the place and becomes an extremely popular, well-known song. Everyone then knows Mahler's tune about Saint Anthony and his fishes.

Like Crowley and Aziraphale forced to hide a bit from the regimes to which they belong and using hidden language to communicate, Shostakovich, feeling the pain of government suppression that kept him from full, open expression in his art, was forced to make sure that his compositions sounded appropriately Yay! Russia! enough to not, ya know, be killed... but he slipped in little things along the way to troll his oppressors and inform his art for those who knew to listen for hidden messages in it.

In the first movement of his Symphony No. 5, he slipped in a musical reference to Mahler's Des Antonius von Padua Fischpredigt to express his distaste for Stalin and his government.

The exact bit of Mahler's Saint Anthony's song that is musically referenced in the first movement of Shostakovich's Symphony No. 5, off of the second movement of his Symphony No. 4, is the musical accompaniment to the lyric: "He goes to the rivers and preaches to the fishes." So, in addition to the rebellious nature of this and the blasphemy, Aziraphale has bought his Anthony a symphony that begins with a musical interlude that basically says "let's get it on" in Ineffable Husbands Speak. 😉

It was only decades later, though, when people realized just how much of a fuck you this musical reference to Mahler's Saint Anthony song really was-- and that is because of the fact that Shostakovich had actually first put that very same musical reference into the companion piece to Symphony No. 5-- his suppressed Symphony No. 4.

Here's where this whole thing becomes a really Good Omens-y meta joke as well...

Shostakovich composed and completed his Symphony No. 4 during 1935 and 1936 with the intent of its first public performance being in Leningrad in December 1936. However, he and the opera he had composed that was being performed at the time-- Lady Macbeth of Mtsensk-- were targeted by Stalin. All art criticism in Russia was monitored and influenced by the state and Stalin had been growing concerned about Shostakovich getting a bit political with his art in a way that didn't benefit Stalin and his government so he fired a bit of a warning shot at Shostakovich by targeting his opera. He didn't outrightly imprison or kill him because Russia only had so many really amazing composers who could make patriotic music for Stalin lol but, at the same time, he was warning Shostakovich to toe the party line and reminding him that was always being watched.

As a result of this targeting, the public performance of Symphony No. 4 in 1936 was canceled. The symphony was not actually publicly performed at all for the next twenty-five years. It did not see the light of day until it was first played publicly by an orchestra in Moscow in December of 1961. Back in 1936, though, Shostakovich kept composing and fought against being targeted a bit by hyping his next work-- Symphony No. 5-- as being this super-patriotic ode to Russia. He somehow actually managed to get Symphony No. 5 publicly performed for the first time the very next year after Stalin was threatening him-- in 1937.

Why this matters is that the two symphonies are thematically connected and they both contain the musical motif of this reference that's relevant to Crowley & Aziraphale but musical audiences-- including Crowley & Aziraphale lol-- actually learned all of this both backwards and decades apart...

...just like how we viewers are learning the story of Good Omens.

Shostakovich composed a story between the symphonies but that story wound up presented to his audience beginning in the middle (with the start of Symphony No. 5) and with a long wait of decades before the crucial beginnings of that story (Symphony No. 4) was ever shown to the audience-- even though Symphony No. 4 had existed for a quarter of a century. It's a bit of a meta wink at how Good Omens is presenting its story out of sequence and to the fact that more of its story with Season 2 took decades to make its way into being publicly viewed.

Maybe more to the point? Audiences who heard both symphonies then took awhile to realize how interconnected they are and their understanding of Symphony No. 5-- which they've been analyzing for decades-- was changed dramatically by the revelation of Symphony No. 4 and their understanding of how the two works connect.

Since Crowley and Aziraphale lived in the eras of Shostakovich's music being revealed and first performed, these two symphonies are a classical music version of understanding a full story that took decades to be fully understood. It's kind of like their version of what Good Omens is to us.

To understand it from their point of view? Symphony No. 5 was, as we said above, first performed publicly in 1937 and the performance that Aziraphale and Crowley saw-- the significance of which we're going to talk about in a second-- took place in 1959. Symphony No. 4 was still not publicly known when they were at the performance on the record Aziraphale got from Maggie. It would be another two years after that until Symphony No. 4 debuted in 1961, even though it was written in 1936, and it would take time after that for people to begin to understand how the two pieces went together... and to really fully appreciate the fact that this canceled 4th symphony that Stalin oppressed did contain a hidden reference to Mahler's music that made it as secretly radical as Stalin had feared-- which Shostakovich then turned around and stuck right smack dab at the beginning of the first movement of his Symphony No. 5-- less than a minute into the start of it-- as a middle finger to Stalin.

Saint Anthony's Sermon to the Fishes, as we can see, has taken this longer, cultural trip to wind up being used in this symphony as a pretty delicious act of rebellion and it's pretty easy to see how Crowley and Aziraphale would be very into that. By putting the Mahler interlude again into Symphony No. 5, Shostakovich was just growling fuck all of you idiots-- you'll never stop me! beneath a socially-acceptable exterior of this symphony that managed to pass as not subversive enough and quite literally saved Shostakovich from being killed by Stalin and allowed him to keep having his work performed publicly... and he was doing so by referencing this hilariously Crowley-esque Biblical story and adding some rebellion to its social history.

That, alone, would be more than enough for why Crowley and Aziraphale love this symphony but there's actually more...

The second bit relates to why Aziraphale is so excited to have a good recording on vinyl of this particular performance of Shostakovich's Symphony No. 5. That relates to the performance's role in international relations and history, how Crowley and Aziraphale use (and the story uses) the political relationships between countries as a metaphor for Heaven & Hell, and just the really, really beautiful symbolism involved in this historic performance of this symphony.

The record that Aziraphale gets from Maggie in 2.01 is a recording of Shostakovich's Symphony No. 5 as performed-- live-- on October 20, 1959 by the New York Philharmonic, under the direction of Leonard Bernstein, at Boston's Symphony Hall. This single performance of this particular symphony happening in this way, at this time, is maybe nothing short of a miracle and is a really great example of art transcending borders and how it can bring out the common humanity in us all.

Leonard Bernstein, a first-generation American whose parents emigrated to the U.S. from what was then part of the Soviet Empire, became the first American-born composer to lead an American orchestra when he took over the New York Philharmonic. Bernstein is the composer of West Side Story and the scores for films like On the Waterfront and is known for leading the Philharmonic as a conductor to international fame as one of the world's best orchestras. Under Bernstein's direction, the New York Philharmonic made recordings of American orchestral music-- like their completely stunning version of Gershwin's Rhapsody in Blue-- that really exemplified a kind of wild, passionate, expressive feeling in the music that combined elements of jazz into classical music and has come to be globally synonymous with America.

In 1959, during the Cold War and with the Space Race in full swing, Leonard Bernstein made headlines for taking an American-government-backed, art-as-diplomacy type of trip with his orchestra to Moscow to meet his fellow composer, Dmitri Shostakovich. In a 20-day trip that is monitored by everyone under the sun lol, Bernstein and members of his orchestra are shown artistic and historically-relevant places in Moscow and get to dine and spend some time with Shostakovich and other musicians. They're all admirers of one another's work and are excited to be able to talk about music and make some together. Their countries are enemies but they are not-- they're just people aware of the politics involved of their visit but just excited to have that visit so they can talk about art with other artists they admire. While they are there, Bernstein and the New York Philharmonic perform Symphony No. 5 in Moscow for Shostakovich.

Bernstein and the New York Philharmonic play the piece a bit differently than Shostakovich and other conductors in Europe do. The main difference is playing the piece a bit faster in parts, particularly in the last movement, Movement 4 (which is the piece of the symphony that is playing in Good Omens when Gabriel arrives.)

If you listen to recordings of how Movement 4, in particular, is played by orchestras under Russian and other conductors in the decades after its first performance in 1937 in comparison to Bernstein and the New York Philharmonic's take on it, it has a very different feel to it. The change in tempo in parts changes the feeling of the piece in such a way as to basically make it emote more. It is wilder, more openly passionate and less restrained. I've seen it described as the piece shouting its own joy at being set free and that's really it.

So, the Americans played it this way in Moscow for the composer himself and in front of half the Russian government, who seem to just see it as a coup that this younger composer is coming to their country to see their composer. Bernstein is most concerned with just not offending his new friend with his take on the work-- and he is thrilled to learn that Shostakovich loves it.

Bernstein and the American government had been hoping to somehow get an exchange trip out of this but Moscow is hesitant. Rumors exist that they were worried that Shostakovich would defect so while they're fine with the Americans playing music of Russian composers, they subtly (and, probably, not so subtly) threaten Shostakovich into staying in Moscow.

Bernstein, as thanks to Shostakovich for his friendship, expresses his intent to go ahead with what they had been planning on doing if Shostakovich could come to America and that is to conduct the New York Philharmonic in a performance of Shostakovich's Symphony No. 5 in Shostakovich's honor in the very musically and politically-significant place they had wanted to bring him to to hear his work played-- Boston's Symphony Hall.

Symphony Hall in Boston is considered the finest concert hall in America from an acoustic perspective and one of the top two or three in the world. If you enjoy music performed by an orchestra, there is almost no better place in the world to music played than Symphony Hall and there is not a place of its caliber anywhere in Russia. For a composer like Shostakovich, secretly long-suffering at the hands of the Russian government, it would have been one of the highlights of his life to hear his own music performed in this wild and free way by his American friends in what is basically the classical music equivalent of paradise and that, as a bonus, just so happens to be located dead center in the birthplace of the American Revolution.

Bernstein had hopes that they could convince Moscow to let Shostakovich come to Boston to hear his music performed at Symphony Hall but Moscow won't budge so Bernstein gets an idea that both governments also like because it winds up good press for both for them-- the New York Philharmonic is going to perform Shostakovich's Symphony No. 5 in Boston's Symphony Hall in honor of their time in Moscow with Shostakovich and they will make a record out of it, which the record labels love because the attention paid to the trip means the record will sell tons of copies. The musicians are all really also doing it, though, to make a record of the performance out of love for Shostakovich himself, so he can have the closest thing possible to hearing his symphony performed in Symphony Hall.

So, naturally, when this concert took place? The musicians were all really emotional and played the living fuck out of this symphony as a love letter to their friend trapped behind the Iron Curtain. There are many people who consider it to be the best performance of Shostakovich's Symphony No. 5 in existence.

It's October 1959-- there is no internet. No one can get Shostakovich a VPN and link to a livestream. He had to wait months for the record to be pressed and to get a physical copy on record through international mail before he could hear it. When he did, the sound quality was the best 1959 had to offer but it still was nothing like what the digitally remastered version of this live performance that Aziraphale has on this record is like.

Even though he was not able to hear this performance in person, Shostakovich did receive the record in 1959 and was able to hear with the best sound of that time what his music sounded like in Symphony Hall when performed by a bunch of Americans going wild out love for him and his work and giving what some consider one of the best orchestral performances ever in the process, in a place that is, acoustically, musical Heaven. Shostakovich died in 1975. Sound had barely improved by then by comparison to today. He never actually got to hear this Symphony Hall performance the way that Crowley and Aziraphale did in 1959 and can now again by listening to the record Aziraphale has just bought from Maggie.

Aziraphale's love of classical music, plus his financial and magical resources and having plenty of time to travel mean to me that he has undoubtedly heard music live in Boston's Symphony Hall before. Because of how much of an international and cultural event this particular performance was in 1959, it was hyped for weeks before it happened. It was almost impossible to get seats but Aziraphale is very wealthy and very magical. Given how much he loves classical music and the really moving story of this performance, Aziraphale, if he didn't already have an in from knowing different composers (probably Bernstein heh), he would have gone so far as to give away a book to get to this thing. He and Crowley were at this concert.

Given how much the story of this concert parallels he and Crowley and their love across enemy lines, this would be worth the risk. They definitely would have had no trouble being inconspicuous and blending in amongst the crowds here as this concert was very sold out. They snuck off to America together for a date to watch its best musicians play a passionate ode to the subtly subversive music of their fellow artist with whom they couldn't always physically be because of who he was forced to work for but whom they love madly anyway.

The hidden language, the hilarious blasphemy of St. Anthony and his fish, the way they use Russia and America as a parallel, the absolutely beautiful music itself and all the parallels to their relationship in this particular, live performance and how it came to be, and the fact that he and Crowley were there together... It all makes this record different from other ones Aziraphale is shown to have or has listened to in the past.

He loves those, too, and they probably have significant meaning to him but the Schubert he was listening to in 1.01, for example, is not a live performance. A lot of classical music recordings are edited. It's music played by others that is like music Aziraphale once heard live. This is a literal record for Aziraphale, in the sense that it's a live concert and he and Crowley were there.

Think, for a moment, about how special that really is to Aziraphale and how much it will be to Crowley when he finally finds out Aziraphale has this record...

They have souvenirs but nothing that is overt and nothing that is any sort of audio/visual record of any time they've ever spent together. They either destroyed or have deeply hidden the one picture of the two of them together that they had. Everyone else in the modern world is walking around snapping photos and making videos left and right of the people they love but Crowley and Aziraphale are not. They don't have pictures of each other or videos or a recording of each other's voices. It's too dangerous. They've been sneaking out for dates for literal ages and they don't have a single record of what any of those countless nights sounded like.

Aziraphale is vibrating with excitement over this record in 2.01 because he is thinking that, when Crowley comes back later in the day, he'll be able to give him this record of the music from this very memorable night they once had together in 1959. Aziraphale knows this is romantic as all holy hell and that Crowley is going to love this so he can't wait for later that night when he and Crowley can listen to this album together. Aziraphale knows he has a very amorous evening in store as that demon is going to be mush over this record.

I think that's actually the joke as to why he's listening to the album backwards.

As others have pointed out, it's the first half of the symphony-- its first two movements-- that are just over 21 minutes long and one might assume that someone would begin listening to the record of the symphony with Side A of the record. This is what Aziraphale seems to tell Maggie that he's going to do when he makes the hilariously lewd little "21 minutes" comment. However, when we actually see him in the bookshop after just a few minutes have passed, it's clear that he actually put Side B on the record first and began in the middle of the symphony with Movement 3, as the record is playing the very beginning of its ending-- Movement 4-- when Gabriel arrives. There's an etymology joke that explains this a bit.

Aziraphale is obviously thinking about Crowley while being excited to get this record and about the hidden language within it and his and Crowley's own hidden language. Both of them actually frequently phrase sentences to other people around them that sound normal to those people but actually mean something slightly different if the words they say are viewed through a filter of the rules of their vocabulary. Crowley will say things to Maggie in their speak in 2.06 when he's irritated over the fact that she says they don't talk and Aziraphale is doing so with the "21 minutes" comment. The key word in the sentence that actually changes the meaning of it is the word next.

Next, from the Proto-Germanic nekh, meaning near, and nigh, meaning near and soon.

In other words, Aziraphale's comment sounds like he's, ah, really excited about his music and is about to go, ah, really enjoy the first side of this album but, while he is rather excited to have the record, the 21 minutes of the first side of it are not something he's going to be listening to in the next 21 minutes-- meaning, the exact following 21 minutes-- but that he will be listening to in the next 21 minutes with next in its etymological root meaning of soon.

He's saving the first half of the symphony and its Saint Anthony's Sermon to the Fishes for Anthony.

This actually though winds up making the lewdness of Aziraphale's "21 minutes" comment even funnier when you take into account the musical natures of the different movements of this symphony. While everyone's taste is different, I feel like it's a safe bet that if all of you go listen to this symphony in full right now, you will agree with me that the only truly fuckable-music part of it is Movement 3-- which is very much so.

The joke winds up being more like Aziraphale is listening to the second half of the symphony on the B side of the record alone when we first see him because he really loves the damn symphony itself and wants to hear all of it right away to appreciate the performance of the music in its own right but he knows that he and Crowley are going to be getting busy from the hot Movement 3 on and he will not be able to pay attention to the music so he's sneaking a listen to Side B of the record first just to have the musically orgasmic experience as well. 😂

It also adds a funny element to Gabriel's arrival. Movement 4 of the piece is wild and soaring and then winds up in this weird kind of funeral march-- these two and their sex and death-- and Aziraphale's just trying to appreciate the piece when a naked, American-presenting bit of celestial harmonies shows up on his doorstep, bear hugs this Shostakovich, and defects to his and Crowley's embassy.

Gabriel's arrival causes a chain of events that culminate in Aziraphale still not having shown Crowley this record and, as Gabriel is in the street, arriving in 2.01, he is being recorded with ease by hundreds of people on cell phones-- all of them easily making high-quality records of an event with technology that is nothing shy of magic that now exists in everyone's pockets-- Aziraphale is inside listening to a record on vinyl that was made during this same modern era, using its advanced technology to act as an accurate recording of a concert from the past that would have been lost to it without the magic of the humans and their technology.

It continues the theme of different kinds of records-- Muriel the Scrivener, books and diaries, Maggie's record shop, "Everyday", the Gabriel file in Heaven, the Satanic nuns and their lots of records that were lost in the fire, etc.-- and underscores the themes of memories and existence.

Ok, a couple of more things about this record here that tie to the story. We should probably note that the Movement 4 that Aziraphale is listening to when Gabriel arrives is labeled allegro non troppo, which means fast, but not overly so. Not only does it describe both the original intent of the music and still works with Bernstein's interpretation of it but when you consider the pacing aspect of Crowley & Aziraphale's story with the car and around that particular word of fast (which also means to withdraw from eating for a period of time), it adds in the music motif to some of that as well.

Also about the final movement: not within the part we hear in the show but within Movement 4 as a whole, Shostakovich references a song he wrote separately from this symphony that was musical accompaniment for a poem by Russian poet Alexander Pushkin called Rebirth. It is worth a read as there might be some threads to pull on there when it comes to where Aziraphale ends up over the course of the season and in general.

Another thing is that the first movements of the symphony have been described as a kind of mix of lamentation and grief with a sense of pining and longing to them, which I got when I listened as well. There is a lot of angst in it and musical motifs that kind of go nowhere at times, representing a lot of anxiety and unfinished threads. Some attribute this to the fact that Shostakovich had a tragic romantic life and, around this time, a woman with whom he was madly in love refused his marriage proposal, fled to Spain and married a film director there.

Shostakovich also included something else of Crowley and Aziraphale relevance in the first movement, possibly off of that failed romance of his-- so, alongside the reference to Saint Anthony's Sermon to the Fishes. It is a musical reference to the Habanera, the famous aria from Bizet's Carmen.

While lusty and playful, lyrically, the Habanera is also a bit of a pine fest about not knowing when or if you'll ever get to be with the one you love but about how that love is wild and untameable and cannot be stopped.

Its formal name is its first lyric, which is:

L'amour est un oiseau rebelle, which is French for...

Love is a rebellious bird.

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