#hideki satomi

[anitaipu]

Up on my personal site today is an examination of Hideki Satomi's design, the man that has supervised slice of life manga for the better part of three decades as a support for names like Kiyohiko Azuma (Azumanga Daioh, Yotsubato!), Keiichi Arawi (Nichijou), Barasui (Ichigo Mashimaro), and many more. Give it a read!

[horrormoviemonstermakeout]

MONSTER RATING: Godzilla (Shin Godzilla)

Shin Godzilla is a new spin on Godzilla from Japanese directors Hideaki Anno and Shinji Higuchi, and it fucking rules. Look, I love most of the Godzilla movies, even though it went from a metaphor to the horrors of war and the nuclear bomb to basically just kaiju WWE, Godzilla was meant to be a terrifying monster. Shin Godzilla seeks to rectify it with this new incarnation - a mutilated, radiation-scarred amalgamation of tumorous, charred flesh.

Shin Godzilla follows the members of the Japanese government as they attempt to weave their way through the bureaucratic and social nightmare of a 400 foot tall irradiated monster seeking to destroy one of the most densely populated cities in the world. It’s a fairly interesting concept - it’s less a typical kaiju story and more of someone going “Okay, seriously, what if Godzilla actually existed in real life, what would happen?” I’ve been known to enjoy ridiculous hypotheticals and I, for one, am glad that Shin Godzilla follows through with it and still manages to make it interesting. The wonderful performances really sell that these people are responsible for the lives of several million citizens and that they are utterly aware of how limited their powers are. These are people trying to do the best they can to not let this be the worst humanitarian disaster on the face of the planet.

The movie’s cast is huge, I could swear they have enough actors to replicate the Japanese government one-to-one, which makes it a little difficult to pick out who our main protagonists are. The one we focus on the most is Rando Yaguchi (Hiroki Hasegawa), Deputy Chief Cabinet Secretary, our main protagonist with his friend Hideki Akasaka (Yutaka Takenouchi), the Prime Minister's aide, and Kayoco Anne Patterson (Satomi Ishihara), the US President’s envoy. As Godzilla grows more and more dangerous - with mutations that threaten to obliterate Tokyo, if not all of Japan - they must organize as many people as they can muster in order to devise a plan to stop Godzilla in its tracks. All the while attempting to placate the US, who is more than eager to destroy Godzilla, along with all of Tokyo, with nuclear force.

I know political commentary is not usually what people come to Godzilla for, but the “what if”-esque nature of this movie lends itself to it surprisingly well. Godzilla is treated both as a force of nature, much like an earthquake or hurricane, that appears randomly to cause arbitrary death and destruction, and a hostile entity that has to be combatted. It’s shockingly realistic for a disaster movie, we see how the government is stretched thin trying to handle evacuation, military deployment, trying to seek reason in a country with an itchy trigger finger resting on the nuke button - it gets tense watching them despair and panic, doing everything they can to minimize the loss of human life.

No punches are pulled at the expense of America, of course. Our response is immediate military deployment, with little to no regard for collateral damage or civilian casualties. Props to the movie for accuracy, even if attempts to fight Godzilla with raw military power are futile. Gunfire, cannonfire, missiles, everything seems to bounce off its burnt exterior without so much as a scratch. The only thing that manages to pierce its skin are the missiles dropped from American B-52 bombers. In response, Godzilla discharges dozens of laser beams from his back, destroying the bombers and reducing the metropolitan area to a burning, irradiated wasteland. Even if the missiles did succeed, the movie is quick to point out that the carpet bombing would’ve annihilated Tokyo anyways. When conventional weaponry doesn’t work, the US immediately plans to destroy both Godzilla and Tokyo through use of a nuclear bomb. Every character is justifiably horrified at this.

Godzilla in this movie is a being of ultimate violence, absolutely nothing can trump it. When there’s a weapon it can’t shrug off, it evolves to surpass it. More importantly though, he’s basically a wild animal trapped in a corner. Of course it’s going to lash out, you’re provoking the god of violence and he’s scared shitless. He is the ultimate hubris punisher, a being that exists to humble humanity and say “Your violence will only be met with destruction.” The calls for violence against it are noticeable once you pick it up, even in the beginning when it’s a large, unknown, whale-like creature in the Tokyo bay, the government officials are already calling for its extermination. The only way he is defeated is through scientific research and understanding, a blood coagulant that is developed only through study of its molecular structure and behavior. The movie’s big message is “Violence will only ever beget greater violence, it’s only through cooperation and understanding that humanity can survive,” and it’s using the American proclivity towards violence as the cudgel for this metaphor, which is great.

We talked a lot about what he represents, but let's get literal for a moment. Let's talk about the big man himself.

- MONSTER RATING - GODZILLA -

CREEPINESS: 7/10 - Classically, Godzilla is just one big dinosaur, and like, conceptually it’s pretty terrifying. He’s a giant monster that’s almost impossible to fight and can kill thousands of people pretty easily, though a lot of the older movies have added a bit of narm to him. For a lot of people, Godzilla is more a goofy rubber monster than something horrifying.

Shin Godzilla is horrifying. His design makes it look like he’s one-half dead, useless flesh and the other half painful, tumorous overgrowth, with the exterior of thick, folded over, burnt skin and dull red light faintly glowing from where it’s thinnest. Raw, exposed flesh that’s visible from the parts that aren’t covered in charred skin. The shriveled, contorted arms that seemed to have lost functionality. The several overlapping teeth that seem to just grow randomly from in and around its mouth. This beast is a product of radiation and every single part of it seems to yearn for a swift release. Existence for Shin Godzilla seems to be one of endless pain, as its tumor-ridden body continues to survive despite it threatening to fall apart.

Though what makes him even scarier than his design is that the movie portrays him like the personification of natural disaster. It cannot be reasoned with, it cannot be stopped, and the more you try to stop him, the more death and destruction he will cause. Even then, nothing humanity can do can actually stop it, it’s more powerful than any weapon on Earth, and its existence only signifies inevitable annihilation. Humans are no longer on top, and they’re no longer safe either. 

The ONLY thing that stops Godzilla from being truly terrifying is - and I’m sorry to say this - the eyes. Big, googly-eyed peepers that don’t suggest any form of brain activity in that skull. A lot of people seem to think it’s first appearance in the film, when it’s younger and less developed, is actually pretty cute in an ugly pug sort of way. The googly eyes carry on even to hid final form, which makes him look unfortunately goofy with his beady little eyes. I understand the movie is trying to go with the glassy, dead-eyed fish appearance to make it look even more like a walking corpse, but it doesn’t really stick. Otherwise, the design is phenomenal.

WETNESS: 6/10 - Surprisingly not as wet as you'D think for a giant fish. His final form makes him look like he survived an hour in the incinerator. The dry, black, cracked skin with a faint red glowing underneath conveying the unbridled nuclear heat stored inside. Though he loses his wetness as he evolves, his first appearance is wet as HELL.

Godzilla is a fish that’s become irradiated, and you can certainly tell that when he first appears. His skin is still green and not yet covered in burnt flesh, though with some parts that are just exposed musculature, as if its rapid growth is literally ripping him apart. As he crawls through the streets of Tokyo, blood spills out of his gills with every breath. This is the midpoint between what it once was and what it will become and it looks utterly painful. If his final form is nuclear incineration, his first form is nuclear disintegration. His cells are just barely holding together as he’s forcefully evolved into a being of destruction.

DATEABILITY: 8/10 - Let me give you a quote from the director of the 1954 Godzilla film, Ishir⁠ō Honda:

“Monsters are tragic beings. They are born too tall, too strong, too heavy. They are not evil by choice. That is their tragedy. They do not attack people because they want to, but because of their size and strength, mankind has no other choice but to defend himself.”

You’re a fish in the ocean, and by happenstance you accidentally find yourself in a nuclear waste dumping ground. The radiation mutates you. Slowly, painfully, you grow larger. Your fins are replaced with distortions of limbs, blood spills out of your gills, and you have no idea what is causing the pain you feel. Soon enough, you start surpassing buildings in size, and in a blind, pained stupor you find yourself in a city. Your body is too huge and unwieldy, as you move the infrastructure around you turns to rubble, and hundreds die in your wake. In response, humans have no choice but to try and kill you. You never chose this, you never even realized what was happening, but now you’ve become a god of death, the only thing you will ever cause is misery and disaster. You are utterly alone, because you’ve become built for violence, and violence will be the only thing you’ll know for the rest of your life.

Godzilla is all alone in this world, and no one can possibly understand them. He might be a terrifying destructive god on the outside but on the inside they’re angry and terrified. Can you imagine suddenly mutating into a gigantic monster, whose existence can only destroy? How alienating it must be that you cannot coexist with the life around you, that the only thing that can follow you is unmitigated death. No one will try to understand you, let alone sympathize with you, because you will only ever be a threat and nothing more. It’s fascinating that the song that plays when Godzilla unleashes his nuclear beams, “Who Will Know,” is one that’s sympathetic to him.

“If I die in this world / Who will know something of me? / I am lost, no one knows / There’s no trace of my yearning.”

Godzilla in this movie, despite his city-destroying size and power, is still the scared little guppy he once was. He doesn’t know any better, he doesn’t even know why this is happening to him in the first place. What he needs most of all is someone next to him, to see him for what he is, and to love and care for him despite his irradiated and monstrous appearance. Someone to quell the fiery radioactive fear in his heart, and show him the love he needs in a world that only seeks his death.

FINAL RATING: A GIANT TUMOR WORTH LOVING / 10

[demifiendrsa]

Ayakashi Triangle TV anime new PV

Ayakashi Triangle TV Anime will premiere in January 9, 2023.

Key visual

Cast additions

Haruka Tomatsu as Yayoi Toba

Hina Kino as Lucy Tsukioka

Shōya Ishige as Sōga Ninokuru

Satomi Arai as Ponosuke Ninokuru

Previously announced cast members

Shōya Chiba as Matsuri Kazamaki (Male)

Miyu Tomita as Matsuri Kazamaki (Female)

Kana Ichinose as Suzu Kanade

Tesshō Genda as Shirogane

Staff

Director: Noriaki Akitaya

Series Composition: Shogo Yasukawa

Music: Rei Ishizuka

Character Design: Hideki Furukawa

Sound Director: Jin Aketagawa

Producer: Nobuhiro Nakayama

Assistant Director: Kei Umabiki

Animation Production: CONNECT

[jadesolation]

Chapter 3 Event (Secrets/Ballroom) Recap 2/2

As the evening wore on, each pair took to the floor. Some were clearly better dancers than others, but for the most part, everyone did their best. They waltzed, twirled, box stepped and tangoed. Some performances were lighthearted, and others urgent, determined. The sight of everyone dancing across the floor in their finery was certainly a show, but, unfortunately, this was still a competition.

Winners had to be chosen, and the winners were…

Milamella and Satomi.

( by @/tendouary on twitter )

Following suit, were: Mitsue and Juliet.

( by @cleokatriadraws​ )

Arisa and Wisteria.

( by @/moxy_by_proxy on twitter )

Ryouji and Hideki.

( by @dr-astormylasthurrah​ / @/crowkerus on twitter )

And tied for last were Margo and Rhoda…

( by @/ToyTsf on twitter )

( by @/reesecore on twitter )

( by @/ToyTsf on twitter )

and ED3N and Lychee.

( by @wrenkos​ / @/wrenkos on twitter )

With the conclusion of the competition came, at last, the time arrived to reveal everyone’s secrets — during which emotions ran high, and reactions ran the full gamut from outrage to grief. 

https://docs.google.com/document/d/1s32jBtkN6qaA_qVFh3ayIXDSnqgv2TeicTJTnEdsEeI/edit

With the unfortunate promise that the next time they would be summoned would be for a motive, the participants were allowed to leave, with their now-exposed secrets hanging over their heads.

PARTICIPANTS REMAINING: 16/20.

[dr-rp-overgrown-hope]

Welcome to the farm...

 Rikuto Ikeda, SHSL Narrator Satomi Agawa, SHSL Pastry Chef Maemi "Mazzy" Yajima, SHSL Advice Blogger Shion Kannonzaka, SHSL Sound Technician Daichi Ikeda, SHSL Physicist Techie, SHSL Inventor Suzy White, SHSL Actress Jupiter Osbald, SHSL Playground Creator Jonah Harding, SHSL Tattoo Artist Katsumi Hideki, SHSL Trickster Ethan Bordellon, SHSL Shepherd Sandy Seaton, SHSL Musical Instrument Builder Shiori Kido, SHSL Costume Designer Mika Aso, SHSL Publicist Tobias Williams, SHSL Doctor Julie Beaumont, SHSL Opera Singer Noa Enatsu, SHSL Herpetologist  Bo Moreau, SHSL UFOlogist

[mateushonrado]

Status Post #8045: Super Sentai 1-100

Row 1 - Goranger [Akaranger (Red): Tsuyoshi Kaijo (Naoya Makoto), Aoranger (Blue): Akira Shimnei (Hiroshi Miyauchi), Kiranger (Yellow): Daita Oiwa (Baku Hatakeyama), Momoranger (Pink): Peggy Matsuyama (Lisa Komaki) and Midoranger (Green): Kenji Asuka (Yukio Itou)] and JAKQ [Spade Ace (Red): Goro Sakurai (Yoshitaka Tanba), Dia Jack (Blue): Ryu Higashi (Tairayama Itou), Heart Queen (Pink): Karen Mizuki (Mitchi Love), Clover King (Green): Bunta Daichi (Yuusuke Kazato) and Big One (White): Sokichi Banba (Hiroshi Miyauchi)]

Row 2 - Battle Fever J [Battle Japan (Red): Masao Den (Hironori Tanioka), Battle France (Blue): Kyousuke Shida (Yuuhei Kurachi), Battle Cossack (Orange): Makoto Jin (Naoya Ban), Battle Kenya (Black): Shirou Akebono (Kenji Ohba) and Miss America (Pink): Maria Nagisa (Naomi Hagi)] and Denjiman [Denji Red: Ippei Akagi (Shinichi Yuuki), Denji Blue: Daigoro Oume (Kenji Ohba), Denji Yellow: Jun Kiyama (Eiichi Tsuyama), Denji Green: Tatsuya Midorikawa (Naoya Uchida) and Denji Pink: Akira Momoi (Akira Koizumi)]

Row 3 - Sun Vulcan [Vul Eagle (Red): Takayuki Hiba (Takayuki Godai), Vul Shark (Blue): Kin'ya Samejima (Kin'ya Sugi) and Vul Panther (Yellow): Asao Hyou (Asao Kobayashi)], Goggle-V [Goggle Red: Kenichi Akama (Ryouji Akagi), Goggle Black: Kanpei Kuroda (Jyunichi Haruta), Goggle Blue: Saburo Aoyama (Shigeki Ishii), Goggle Yellow: Futoshi Kijima (Sanpei Godai) and Goggle Pink: Miki Momozono (Megumi Ogawa)] and Dynaman (Red and Black) [Dyna Red: Hokuto Dan (Satoshi Okita) and Dyna Black: Ryuu Hoshikawa (Jyunchi Haruta)]

Row 4 - Dynaman (Blue, Yellow and Pink) [Dyna Blue: Yousuke Shima (Kouji Unogi), Dyna Yellow: Kousaku Nangou (Yuu Tokita) and Dyna Pink: Rei Tachibana (Sayoko Hagiwara)], Bioman [Red One: Shirou Gou (Ryosuke Sakamoto), Green Two: Shingo Takasugi (Naoto Ota), Blue Three: Ryuuta Nanbara (Akita Osuga), Yellow Four: Jun Yabuki (Sumiko Tanaka) and Pink Five: Hikaru Katsuragi (Michiko Makino)] and Changeman (Red and Black) [Change Dragon (Red): Hiryu Tsurugi (Haruki Hamada) and Change Griffin (Black): Shou Hayate (Kazuoki Takahashi)]

Row 5 - Changeman (Blue, White and Pink) [Change Pegasus (Blue): Yuma Ozora (Shiro Izumi), Change Mermaid (White): Sayaka Nagisa (Hiroko Nishimoto) and Change Phoenix (Pink): Mai Tsubasa (Mai Ooishi)], Flashman [Red Flash: Jin (Touta Tarumi), Green Flash: Dai (Kihachiro Uemura), Blue Flash: Bun (Yasuhiro Ishiwata), Yellow Flash: Sara Tokimura (Youko Nakamura) and Pink Flash: Lou (Mayumi Yoshida)] and Maskman (Red and Black) [Red Mask: Takeru (Ryousuke Kaizu) and Black Mask: Kenta (Koichi Kusakari)]

Row 6 - Maskman (Blue, Yellow and Pink) [Blue Mask: Akira (Issei Hirota), Yellow Mask: Haruka (Yuki Nagata) and Pink Mask: Momoko (Kanako Maeda)], Liveman [Red Falcon: Yuusuke Amamiya (Daisuke Shima), Yellow Lion: Joh Ohara (Kazuhiko Nishimura), Blue Dolphin: Megumi Misaki (Megumi Mori), Black Bison: Tetsuya Yano (Seirou Yamaguchi) and Green Sai: Jun'ichi Aikawa (Jin Kawamoto)] and Turboranger (Red and Black) [Red Turbo: Riki Honoo (Kenta Satou) and Black Turbo: Daichi Yamagata (Fumiaki Ganaha)]

Row 7 - Turboranger (Blue, Yellow and Pink) [Blue Turbo: Youhei Hama (Keiya Asakura), Yellow Turbo: Shunsuke Hino (Junichiro Katagiri) and Pink Turbo: Haruna Morikawa (Yoshiko Iwaya)], Fiveman [Five Red: Gaku Hoshikawa (Toshiya Fuji), Five Blue: Ken Hoshikawa (Kei Sindachiya), Five Black: Fumiya Hoshikawa (Ryohei Kobayashi), Five Pink: Kazumi Hoshikawa (Kazuko Miyata) and Five Yellow: Remi Hoshikawa (Ryo Narushima)] and Jetman (Red and Black) [Red Hawk: Ryu Tendo (Kotaro Tanaka) and Black Condor: Gai Yuki (Toshihide Wakamatsu)]

Row 8 - Jetman (Yellow, White and Blue) [Yellow Owl: Raita Ooishi (Tomihisa Naruse), White Swan: Kaori Rokumeikan (Rika Kishida) and Blue Swallow: Ako Hayasaka (Sayuri Uchida)], Zyuranger [Tyranno Ranger (Red): Geki (Yuta Mochizuki), Mammoth Ranger (Black): Goushi (Seiju Umon), Tricera Ranger (Blue): Dan (Hideki Fujiwara), Tiger Ranger (Yellow): Boi (Takumi Hashimoto), Ptera Ranger (Pink): Mei (Reiko Chiba) and Dragon Ranger (Green): Burai (Shiro Izumi)] and Dairanger (Red) [Ryuu Ranger (Red): Ryo (Keiichi Wada)]

Row 9 - Dairanger (Green, Blue, Yellow, Pink and White) [Shishi Ranger (Green): Daigo (Tatsuya Nomi), Tenma Ranger (Blue): Shoji (Ei Hamura), Kirin Ranger (Yellow): Kazu (Keisuke Tsuchiya), Houou Ranger (Pink): Lin (Natsuki Takahashi) and Kiba Ranger (White): Kou (Hisashi Sakai)] and Kakuranger [Ninja Red: Sasuke (Teruaki Ogawa), Ninja White: Tsuruhime (Satomi Hirose), Ninja Blue: Saizou (Hiroshi Tsuchida), Ninja Yellow: Seikai (Shu Kawai) and Ninja Black: Jiraiya (Kane Kosugi)]

Row 10 - Kakuranger (Navy) [Extra Hero (Navy): Ninjaman (Hideaki Kusaka, voiced by Kazuki Yao)], Ohranger [Oh Red: Goro Hoshino (Masaru Shishido), Oh Green: Shouhei Yokkaichi (Kunio Masaoka), Oh Blue: Yuji Mita (Masashi Goda), Oh Yellow: Juri Nijou (Ayumi Aso), Oh Pink: Momo Maruo (Tamao Sato) and King Ranger (Black): Riki (Shoji Yamaguchi)] and Carranger (Red, Blue and Green) [Red Racer: Kyosuke Jinnai (Yuji Kishi), Blue Racer: Naoki Domon (Yoshihiro Masujima) and Green Racer: Minoru Uesugi (Yoshihiro Fukuda)]

[recentanimenews]

Mobile Suit Gundam: Cucuruz Doan's Island Full Trailer Depicts Fierce Mobile Suit Battles

    Along with a main poster visual featuring its main characters, the official website for he forthcoming anime feature film Mobile Suit Gundam: Cucuruz Doan's Island to be released in Japan on June 3 has posted a 60-second full trailer.

  The film is based on the first Mobile Suit Gundam TV anime's 15th episode of the same name, which was aired in Japan on July 14, 1979. The new clip features the crew of White Base, M'Quve of the Principality of Zeon army, as well as Doan's MS-06F Zaku, the MS-06GD Zaku High Mobility Type, and the RX-78-02 Gundam holding two beam sabers. You can also listen to the theme song "Ubugoe" sung by Hiroko Moriguchi.

    60-second trailer:

    30-second trailer:

    RELATED: Hiroko Moriguchi Sings Mobile Suit Gundam: Cucuruz Doan's Island Theme Song "Ubugoe"

    Main poster visual:

    映画『機動戦士ガンダム ククルス・ドアンの島』 【新ビジュアル 本ポスター公開！✨】 いま、名もなき者たちの大いなる戦いが始まるーー。 4月29日（金）より全国の公開劇場にて順次、掲出予定になります！#ククルス・ドアンの島 は6月3日公開 pic.twitter.com/a8ftTiUaUD

— 機動戦士ガンダム ククルス・ドアンの島 (@g_cucuruzdoan) April 26, 2022

    Also, two additional voice cast members were announced. Fu Hirohara voices Cara, an island girl whom Doan has protected, as her debut role. Meanwhile, Yuma Uchida (Megumi Fushiguro in JUJUTSU KAISEN) plays Marcos, the oldest of the children in the island.

    【追加キャスト発表✨】 カーラ役：#廣原ふう さん マルコス役：#内田雄馬 さん　に決定！！！ ▼6月3日全国ロードショー ????映画の詳細は公式HPをチェックhttps://t.co/A4JfsQi7qg#機動戦士ガンダム　#ククルス・ドアンの島 pic.twitter.com/yMPGy9CocF

— 機動戦士ガンダム ククルス・ドアンの島 (@g_cucuruzdoan) April 26, 2022

    Main voice cast:

  Amuro Ray: Toru Furuya (Tuxedo Mask in Pretty Guardian Sailor Moon)

Bright Noah: Ken Narita (Sesshomaru in InuYasha)

Mirai Yashima: Satomi Arai (Beatrice in Re:ZERO -Starting Life in Another World-)

Sayla Mass: Mugumi Han (Momiji Soma in Fruits Basket)

Kai Shiden: Toshio Furukawa (Asuma Shinohara in Mobile Police Patlabor)

Hayato Kobayashi: Hideki Nakanishi (Alan in Nodame Cantabile)

Fraw Bow: Misato Fukuen (Yoshika Miyafuji in Strike Witches)

Sleggar Law: Tomofumi Ikezoe (Furanken in Francesca)

Cucuruz Doan: Shunsuke Takeuchi (Alexander Yamato in KING OF PRISM) 

    RELATED: Yoshikazu Yasuhiko Says Cucuruz Doan's Island will be His Last Gundam Film and Anime Work

    Source: "Mobile Suit Gundam: Cucuruz Doan's Island" official website / Twitter

  ©SOTSU, SUNRISE

  By: Mikikazu Komatsu

[ask-tamaki-uchida]

(Persona 2+Onward) Whats your boyfriend like?

Oh, are you referring to Tadashi Satomi? He used to be my boyfriend, once upon a time, but to be honest, I can’t really remember why...we don’t get along at all. We still work together at work because I know his patterns and he my own, but unless its an emergency like the Dark Hour, I won’t really willingly go visit him. There’s complicated feelings attached and I prefer to not deal with them. However, I did recently start dating this other guy, Hideki, who is super sweet. He doesn’t know anything about the Dark Hour, or the Sumaru Incident, or the Mikage-Cho incident, or even Karukozaka. It’s very refreshing, and I hope this relationship goes well! 

[gotojobin]

#ArifuretaFromCommonplaceToWorldsStrongest #ArifuretaShokugyouDeSekaiSaikyou #ArifuretaShokugyou #DeSekaiSaikyou #Arifureta #SekaiSaikyou #ありふれた職業で世界最強 #KingDevinJoseph #キングデビンジョセフ #おたく #Otaku #オタク #GotoJobin #後藤Jobin #デヴィンジョセフ王 #Weeb #WeebDar #王デヴィンジョセフ 1. 13th Story Incompetence Musou A boy with gray hair and eye patch who appeared in front of Kaori who struggles with the female matrito family, Cattlea. It was classmate Nanun Hajime who had fallen into the abyss of the labyrinth before and was thought to have died. While each classmate has various emotions, the hajime, once branded incompetent, overruns the demons with overwhelming force. Screenwriter: Sato K. Sato, Kinji Moto Storyboard: Naoki Ohira Director: Naoki Ohira, Satomi Nakamura Animation director: Tomoka Kojima, Hidetsugu Hirayama, Meiko Okada, Toshie Kawamura, Miyoshi Onogi, Eri Sano. 2. Episode 13 A boy with a gray-haired eyepatch who appeared in front of Kaori who struggled with the female demon tribe, Cattleya. It was a classmate Hajime Nagumo who was once thought to have fallen into the abyss of the labyrinth and died. As each classmate has various emotions, Hajime, once impressed by incompetent thumbs up, defeats the monsters with overwhelming power. Screenplay: Katsuichi Sato, Koji Enomoto Storyboard: Naoki Ohira Directed by Naoki Ohira and Satomi Nakamura Animation Director: Tomoka Kojima, Hideki Hirayama, Maiko Okada, Toshie Kawamura, Sansai Onoki, Eri Sano. https://www.instagram.com/p/B3fgt1xHWxU/?igshid=12t1ldgwmeaz6

[kamen-rider-con-soul]

(Kamen Rider Bounty) Future riders: Hideki knocked on the door at Satomi's place.

"Hmm?" Satomi opens the door. "Oh, hey, Hideki."

[newsintheshell]

Novità dall’AnimeJapan 2019 -  Parte 4

Annunci e aggiornamenti direttamente dall’edizione 2019 dell’AnimeJapan.

Black Fox

Nuova locandina, terzo video promozionale e cast addizionale di “Black Fox”. Il film debutterà nei cinema giapponesi in autunno. 

-CAST-

Ren: Hiroshi Tsujiya 

Hyoue: Eizou Tsuda 

Oboro: Keiji Fujiwara 

Madara: Aki Toyosaki 

Kasumi: Kousuke Toriumi 

Lawren: Nobuo Tobita 

Bled: Hiroki Touchi 

Harold: Rikiya Koyama 

La sigla sarà eseguita dai fripSide.

Joshikousei no Mudazukai

Locandina, staff, cast addizionale e video promozionale di "Joshikousei no Mudazukai”, a serie uscirà a luglio 2019.

-STAFF-

Direttore capo: Takeo Takahashi 

Regia: Hijiri Sanpei 

Composizione della serie: Masahiro Yokotani 

Character Design, Capo regia animazioni: Sachiko Yasuda 

Assistenti Character Design: Hideki Furukawa , Yukiko Ban, Takayo Mitsuwaka 

Assistente regia Saori Tachibana 

Direttore artistico: Takahiro Satou

Art Setting: Yoshihiro Nakamura 

Color Design: Sakie Suzuki 

Direttore della fotografia: Miyoshi Yamamoto 

Editing: Ayako Tan 

Direttore del suono: Jin Aketagawa 

Musiche: Tomoki Kikuya 

Music Production: Kadokawa

Studio: Passione

-CAST-

Lily Someya: Satomi Sato 

Hisui Kujou: Mao Ichimichi (M.A.O) 

Masataka Sado: Kazuyuki Okitsu 

Ni no Kuni

Svelati due nuovi personaggi di “Ni no Kuni”, il film uscirà nei cinema giapponesi questa estate.

-CAST-

Tooru Fujisaki: Serishun Nanako Hayashi: Haruka Minase

Machikado Mazoku

Staff di “Machikado Mazoku” (Street Corner Demon), la serie andrà in onda nei canali TBS e BS-TBS.

-STAFF-

Regia: Hiroaki Sakurai 

Composizione della serie: Keiichirou Ohchi 

Character Design: Mai Ootsuka 

Studio: J.C.Staff

Sito ufficiale Twitter ufficiale

Ougi

FONTE 1 2 3 4 

[teamgensokyo-blog]

TV anime adaptation of horror novel "Ousama Game" (King's Game) announced for October!

<Cast> Mamoru Miyano as Nobuaki Kanazawa Shinya Hamazoe as Shingo Adachi Yoshitsugu Matsuoka as Toshiyuki Abe Miyuu Tsuji as Satomi Ishii Suguru Narisawa as Hirofumi Inoue Pile as Ria Iwamura Yūma Uchida as Yōsuke Ueda Yui Makino as Kana Ueda Fukushi Ochiai as Akira Ōno Kimito Totani as Yūsuke Kawakami Ami Fukushima as Chia Kawano Konomi Yūzaki as Akemi Kinoshita Yuka Ōtsubo as Mami Shirokawa Hisayoshi Suganuma as Daisuke Tasaki Kenji Akabane as Hideki Toyoda Mirai Sasaki as Minako Nakao Risa Yuzuki as Misaki Nakajima Shinnosuke Tachibana as Naoya Hashimoto Minori Suzuki as Nami Hirano Kōdai Sakai as Toshiyuki Fujioka M.A.O as Chiemi Honda Mariko Honda as Kaori Maruoka Misaki Suzuki as Emi Miyazaki Shūta Morishima as Shōta Yashiro Miya Amamiya as Hiroko Yamaguchi Yui Nagano as Keita Yamashita Yusuke Sasaki as Kenta Akamatsu Yū Sanada as Masatoshi Ōi Saki Fujita as Aya Kuramoto Hitoshi Horinouchi as Daiki Kurosawa Ai Nakajima as Yūna Kobayashi Hayato Horiuchi as Toshifumi Sakakibara Satoshi Hino as Takuya Sakamoto Tatsuhisa Suzuki as Yūichi Satō Yuusuke Tonozaki as Tatsuya Shinba Hiroyuki Kagura as Ryō Sugisawa Makoto Takada as Shin Takada Rie Hanafusa as Nanami Takumi Ryōta Suzuki as Teruaki Nagata Masashi Uchida as Tsubasa Furusawa Yui Horie as Natsuko Honda Yuka Ozaki as Aya Matsuoka Akari Uehara as Riona Matsumoto Kana Yūki as Rina Minami Ibuki Kido as Aimi Murazumi Kazusa Aranami as Haruka Momoki Suzuna Kinoshita as Mitsuki Yukimura

src: http://4NN.cx/.119529

[jadesolation]

Game modded by Mints, Xiang, Emily, and Gale. 

Art assets made by Mints, Xiang, Moa and Del. 

Audio is Bubblegum K.K. [REMIX] by Qumu. 

Video made by Xiang with assistance from Smelly Shai (derogatory) (affectionate).

Thank you for everyone's support! Please give a warm welcome to...

Akinari Ueda - Ouendan Danchou  Arisa Takahashi - Mermaid Dieter Zwirschitz - Computer Scientist  ED3N - Record Producer  Eito Kondo - Track Star  Hideki Kuromiya - Surgeon  Joshua Walker - Surfer  Juliet Ashikaga - Food Critic  Lychee Li - Webpage Designer  Margo Majoris-Maroune - Magician's Assistant  Milamella Maestri - Fine Art Restorer  Mirče “Молох” Glišić - Editor  Mitsue Miyahara - Game Master  Naruki Satono - Office Assistant  Olivia Gaines - Controllerism Artist  Rhoda Denoble - Fantasy Novelist  Ryouji Atsui - Prep Cook  Satomi Matsuoka - Jeweler  Toki Hikami - Innkeeper  Wisteria Yuuki - Forensic Cleaner

Earthen Idyll awaits.

[tonosgratis]

+ Mario Bros. Mario Kart (1992)

10 Tonos

Bienvenidos a la Historia de los Videojuegos

Hoy queremos rememorar una saga que ya tiene 25 años: Mario Kart, probablemente el spin-off más popular de la eterna mascota de Nintendo.

Mario Kart tiene su origen en otra franquicia de carreras futurísticas llamada F-Zero (Nintendo, EAD, 1990), la primera en implementar el Modo 7, un modo gráfico de la Super Nintendo que permite rotar y escalar una capa del fondo para crear diferentes efectos, como por ejemplo, crear perspectivas y gráficos que parecen tridimensionales. Ahora esto nos suena "retro" pero en su momento, este concepto revolucionó el mundo de los videojuegos.

Mode 7, test

Con estas premisas, el equipo de desarrollo Nintendo EAD (Entertainment Analysis and Development), liderado por los productores Shigeru Miyamoto y Hiroshi Yamauchi, con la dirección de Hideki Kono y el artista gráfico Tadashi Sugiyama, decidieron realizar un F-Zero en el que dos jugadores pudiesen correr simultáneamente. Trabajando sobre esta idea descubrieron que si dividían la pantalla, la potencia de los 16 bits de la SNES no daba la talla para visualizar buenos gráficos y que además se moviesen a una velocidad vertiginosa. Así que... ¿qué pasó entonces? 

Pues que tuvieron que sustituir los bólidos espaciales por otros vehículos más lentos, es decir, los karts. 

Ya solo faltaba incluir los personajes, y esto supuso otro problema a solventar ya que vistos desde atrás todos parecían iguales. La mejor forma de solucionar este problema fue utilizar a los carismáticos y bien diferenciados personajes emblema de la marca Nintendo: Mario, Luigi, la princesa Peach, Toad, Yoshi y sus "amistosos rivales": Bowser, Donkey Kong JR. y Koopa Troopa. A cada uno de estos 8 personajes les dieron la capacidad de saltar y derrapar, y para diferenciarlos aún más, se les asignaron una sabia combinación de unos parámetros básicos: peso, aceleración y velocidad.

Super Mario Kart : 8 Personajes jugables

Para el diseño de los circuitos definieron varios tipos de terreno: tierra, piedra, madera, agua y asfalto. Una gran idea que sirvió para crear 20 circuitos distintos agrupados en 4 trofeos: Copa Champiñón, Copa Flor, Copa Estrella y Copa Especial. Crearon tres niveles de dificultad en función de la cilindrada de los karts: 50 cc., 100 cc. y 150 cc., ésta última había que ganársela con mucho esfuerzo. Luego tuvieron la genial idea de repartir por los circuitos los objetos y elementos procedentes de los videojuegos de plataformas de Mario: monedas que sirven para acelerar nuestro kart, resbaladizos plátanos, caparazones de tortuga (rojos y verdes) que pueden ser lanzados contra nuestros oponentes, setas que nos aportarán gran aceleración durante un breve período de tiempo, plumas que aumentan nuestro salto, rayos que disminuyen el tamaño y velocidad de nuestros contrincantes, fantasmas [Boo]que te hacen invisible y roban objetos a otros corredores y las míticas estrellas que te hacen invulnerable por un rato.

Koopa Beach: "Mario Number One!"

La implementación de estos objetos aportaron a Super Mario Kart de una jugabilidad admirable y que además funcionaba con gran precisión ya que, aunque un jugador no sea un gran piloto, siempre tendrá la posibilidad de ganar alguna carrera gracias a las ventajas competitivas que se pueden obtener de dichos "powers-ups". Un detalle muy importante a tener en cuenta es que los objetos que podemos recolectar no son iguales para todos los corredores. Los karts que van más rezagados podrán obtener ítems mejores que les darán "vidilla" y poder así remontar posiciones. Atacar y defenderse de nuestros rivales otorga al juego una visión estratégica muy bien compensada y tremendamente divertida, adictiva y a veces, frustrante. A más de uno le ha hecho gritar o insultar a algún rival.

Modo Batalla

Para poner la guinda final a un cartucho fantástico, Nintendo EAD añadió un modo de juego de un jugador contra otro jugador en el que la victoria no se obtiene quedando el primero en las competiciones: el Modo Batalla. En este modo de juego nuestro objetivo es explotar los tres globos que rodean el kart de nuestro oponente, lanzándole objetos. Lo que en principio iba a ser una secuela de F-Zero se convertiría en otro Proyecto que iba a dar mucho que hablar. El éxito de la saga fue y es, absoluto. Mario Kart es una fórmula magistral que se ha ido perfeccionado todavía más con cada nueva entrega de la saga para todas las videoconsolas de Nintendo (N64, GBA, GameCube, Wii, DS, 3DS, Wii U y Switch) e incluso, en potentes máquinas recreativas (Mario Kart Arcade GP 1, 2 y DX).

Deseamos rendir culto a Mario Kart recogiendo los momentos sonoros y musicales que más nos gustan. Para ello, hemos confeccionado 10 Tonos.

SUPER MARIO KART (SNES, 1992)

El título primigenio de la serie Mario Kart contó con el talento de los compositores japoneses Soyo Oka y Tarō Bandō para las melodías y para los efectos. Hemos seleccionado dos tonos bien distintos, uno con la dulce y playera melodía del circuito Koopa Beach y otro con el inmortal efecto de la inmunidad que nos otorga la estrella.

ESCUCHAR TONO 1: KOOPA BEACH

DESCARGAR TONO 1

ESCUCHAR TONO 2: ESTRELLA

DESCARGAR TONO 2

MARIO KART 64 (N64, 1996)

Los 64 Bits de la Nintendo 64 sentaron muy bien a la fórmula Mario Kart. Nuevos objetos como el caparazón azul con pinchos, los triples caparazones verdes y rojos, el triple champiñón, el champiñón dorado, el plátano quíntuple o la caja de objetos falsa aportaron todavía más jugabilidad. 

De la música se encargó Kenta Nagata y en la programación del sonido repetiría Tarō Bandō junto a Yoji Inagaki. Y en 2007, salió al mercado este título para la consola virtual de Wii con música de nuestro admirado Koji Kondo.

Os dejamos con este espléndido tema del circuito Frappe Snowland (Tierra Sorbete) capaz de emocionarnos y levantar nuestro ánimo. También le hemos añadido un par de efectos fantásticos: última vuelta y llegada a meta.

ESCUCHAR TONO 3: CIRCUITO HELADO

DESCARGAR TONO 3

MARIO KART: SUPER CIRCUIT (GBA, 2001)

En 2001 todos los que teníamos la portátil Game Boy Advance pudimos disfrutar de un Mario Kart que sumaba lo mejor del título de la Super Nintendo y de la Nintendo 64. En total, 40 circuitos para no aburrirnos jamás. En el apartado sonoro y musical participaron artistas como Kenichi Nishimaki, Masanobu Matsunaga, Minako Hamano y Kenji Yamamoto.

A continuación podréis escuchar el sorprendente y psicótico tema del circuito Boo Lake (Lago Boo).

ESCUCHAR TONO 4: LAGO BOO

DESCARGAR TONO 4

MARIO KART: DOUBLE DASH! (GC, 2003)

El Mario Kart de la videoconsola de sobremesa Game Cube aportó una gran novedad: dos jugadores por kart. Esto añadió nuevas estrategias ya que mientras un jugador conduce, el otro usa objetos, o viceversa. Además gozó de un modo LAN hasta 8 jugadores. En el apartado sonoro se utilizaron numerosas voces reales, composiciones musicales de Shinobu Tanaka y Kenta Nagata, efectos de sonido de Tarō Bandō y Yoji Inagaki en la programación del audio.

Para nuestro Tono, hemos seleccionado el tema principal: ska, fanfarrias y silbidos. ¡Una maravilla!

ESCUCHAR TONO 5: MAIN THEME

DESCARGAR TONO 5

MARIO KART DS (NDS, 2005)

El segundo Mario Kart portátil apareció en la revolucionaria consola táctil Nintendo DS. Este título supuso un gran avance en el mundo online ya que ofrecía la posibilidad de jugar con otros rivales o amigos en cualquier sitio a través del canal WiFi de Nintendo.  Recuperaron circuitos antiguos, un modo de batalla mejorado y un nuevo modo: el modo misión, con diferentes tareas a realizar para un solo jugador.

Mitsuhiro Hikino se encargó de la dirección sonora con efectos especiales de Sanae Susaki, melodías de Shinobu Tanaka y con multitud de voces digitalizadas. Entre dichas voces, por supuesto, no podía faltar la de Charles Martinet, el norteamericano de origen español que lleva poniendo voz a Mario (y a Luigi, a Wario, a Waluigi, a Toadsworth, a Baby Mario, y a Baby Luigi, etc...) desde 1996 (Super Mario 64). Hemos seleccionado dos circuitos magníficos para poder ofreceros dos momentos estelares: Yoshi Falss (Cataratas Yoshi) y Luigi's Mansion (La Mansión de Luigi).

ESCUCHAR TONO 6: YOSHI FALLS

DESCARGAR TONO 6

ESCUCHAR TONO 7: LUIGI'S MANSION

DESCARGAR TONO 7

MARIO KART WII (Wii, 2008)

El equipo EAD de Nintendo supo sacarle un rendimiento admirable al control inalámbrico de la Wii. Carreras con 12 corredores, pistas más anchas, y por primera vez, los jugadores podían manejar motos. Un espléndido trabajo que contó con el inestimable apoyo de dos enormes compositores: Asuka Ohta y Ryo Nagamatsu, y dos grandes artistas de efectos como Atsushi Masaki y Masato Mizuta. Os dejamos con la presentación y la maravillosa Moo Moo Meadows (Pradera Moo Moo).

ESCUCHAR TONO 8: MOO MOO

DESCARGAR TONO 8

MARIO KART 7 (3DS, 2011)

Para la portátil tridimensional 3DS, Nintendo EAD aunó esfuerzos con el desarrollador de Austin (Texas) Retro Studios Inc. para crear el inmortal Mario Kart 7. Además de añadir nuevas pistas y escenarios, se implementó el uso del ala delta para volar y planear sobre las zonas más altas de los circuitos. Una idea estupenda que hace aún más divertida la experiencia. 

El planeador vino para quedarse...

Otra grandiosa innovación de este título es la personalización de nuestro kart, para ello tendremos que elegir los tres componentes básicos de cada vehículo: el chasis del kart, las ruedas y el ala delta. Este sencillo concepto agregó multitud de nuevas posibilidades y estrategias para configurar los vehículos a nuestro gusto o a nuestra manera de conducir.

El apartado sonoro y musical es deslumbrante, con la participación de Kenta Nagata y Satomi Terui en las melodías, y de Takahiro Watanabe y Tarō Bandō en los efectos de sonido. Os hemos preparado un tono con la intro a las carreras y el bellísimo tema del circuito Cheep Cheep Lagoon (Cabo Cheep Cheep).

ESCUCHAR TONO 9: CHEEP CHEEP

DESCARGAR TONO 9

MARIO KART 8 DELUXE (WITCH, 2017)

En 2014 Nintendo EAD publicó Mario Kart 8 para la "recién olvidada" Wii U. Una maravillosa plataforma retrocompatible provista de un mando-pantalla-táctil, que aunque tuvo un período corto de vida, estuvo nutrida de un puñado de títulos imprescindibles como éste u otras obras maestras inmortales que pasarán a la historia como Bayonetta 2, Xenoblade Chronicles X, Rayman Legends, Pikmin 3, Donkey Kong Country Tropical Freeze, Super Smash Bros, Pokken Tournament, Splatoon o todos sus videojuegos del universo Mario (New Super Mario Bros & Luigi U, Mario 3D Land, Super Mario Maker, Paper Mario color splash, Captain Toad) o del universo Zelda (Wind Waker HD, Twilight Princess HD, Hyrule Warriors y Breath of the Wild). 

Bella Bayonetta

La versión de Mario Kart 8 en la nueva híbrida Nintendo Switch incluye todos los contenidos físicos y descargables de Wii U, nuevos personajes, nuevos circuitos y un modo batalla renovado. Además goza de una nueva opción con nuestros objetos, y es que ahora, tenemos la posibilidad de poseer dos power-ups a la vez. Otra sencilla "reforma"  que aporta nuevas estratagemas en la contienda. En esta revisión aparecen los quads y regresan las motos, seguimos configurando nuestros vehículos,  utilizando nuestros amiibos, planeando... En definitiva, uno de los mejores títulos que tiene la increíble Switch.

Wii U, ya es leyenda

La banda sonora de Mario Kart 8 es alucinante y en ella colaboran multitud de artistas y músicos bien conocidos como Shiho Fujii, Atsuko Asahi, Ryo Nagamatsu, Yasuaki Iwata, Asuka Hayazaki, Tōru Minegishi, Kazumi Totaka, Tarō Bandō, Sanae Uchida, o el mismísimo Kōji Kondō, por mencionar algunos. En la elaboración de nuestro último tono no hemos podido resistir a la tentación de publicar la música del circuito de Hyrule, una revisión muy especial de la melodía de Zelda de nuestro admirado Koji Kondo.

ESCUCHAR TONO 10: HYRULE

DESCARGAR TONO 10

Con Mario Kart 8 hemos llegado al final de nuestro circuito musical. Somos conscientes de que nos hemos dejado en el tintero muchas otras melodías fantásticas así que os animamos a que nos deis vuestra opinión al respecto.

Hasta pronto.

Texto: Gelosoft

TONOS ZELDA

TONOS MARIO

NINTENDO

SEGA

http://ift.tt/2Ad0pKr http://ift.tt/2AdyLwZ

[recentanimenews]

Shunsuke Takeuchi Joins Mobile Suit Gundam: Cucuruz Doan's Island Film as Doan

    The official website for the forthcoming new feature film Mobile Suit Gundam: Cucuruz Doan's Island announced today that Shunsuke Takeuchi (Producer in The Idolm@ster Cinderella Girls, Alexander Yamato in KING OF PRISM) is cast as the title character, Cucuruz Doan. He is a former MS pilot of the Principality of Zeon Army, who lives on an isolated island with many children and livestock for dairy farming.

  As its title suggests, the film is based on the first Mobile Suit Gundam TV anime's 15th episode of the same name, which was aired in Japan on July 14, 1979. The episode depicted the melancholy of war through the interaction of the protagonist, Amuro Ray, with Doan, a deserter from the Zeon army. In the original episode, the character was voiced by Kan Tokumura, and after his passing in 2011, Kenji Nomura had taken over the role.

  "I feel very honored to be involved in the Gundam series at this time, which has just passed its 40th anniversary, and to be a part of the 'first series' directed by Yasuhiko-san," Takeuchi says. "I have known about the existence of the 15th episode for a long time, but I had no idea that it would be rebooted. In order not to disappoint your expectations, I reviewed the entire first series and took on the challenge myself. As with the original episode, this film will be enjoyable for those who know Gundam as well as those who do not."

    ＼#ザクの日 ザクザクキャンペーン4⃣????／ 【ククルス・ドアンのキャラクター設���画を公���！】 『機動戦士ガンダム ククルス・ドアンの島』 2022年6月3日（金）全国ロードショー ≪ガンダム、再び大地に立つ≫#ククルス・ドアンの島 #機動戦士ガンダム #ガンダム pic.twitter.com/ViVj3aq4i3

— 機動戦士ガンダム ククルス・ドアンの島 (@g_cucuruzdoan) March 8, 2022

    Setting visuals of RX-78-2 Gundam and MS-06F Zaku Doan's Custom are also revealed:

  ＼#ザクの日 ザクザクキャンペーン1⃣????／ 【RX-78-02 ガンダム 設定画公開！】 『機動戦士ガンダム ククルス・ドアンの島』 2022年6月3日（金）全国ロードショー ≪ガンダム、再び大地に立つ≫#ククルス・ドアンの島 #機動戦士ガンダム #ガンダム pic.twitter.com/fchkt19vlt

— 機動戦士ガンダム ククルス・ドアンの島 (@g_cucuruzdoan) March 8, 2022

    ＼#ザクの日 ザクザクキャンペーン2⃣????／ 【MS-06F ドアン専用ザク 設定画公開！】 『機動戦士ガンダム ククルス・ドアンの島』 2022年6月3日（金）全国ロードショー ≪ガンダム、再び大地に立つ≫#ククルス・ドアンの島 #機動戦士ガンダム #ドアン専用ザク#ドアンザク pic.twitter.com/iFl8P5nSVF

— 機動戦士ガンダム ククルス・ドアンの島 (@g_cucuruzdoan) March 8, 2022

    The film version directed by the first TV series' character designer / chief animation director Yoshikazu Yasuhiko is set to be released in Japan on June 3, 2022. Toru Furuya and Toshio Furukawa from the original series are confirmed to reprise their roles as Amuro Ray and Kai Shiden, respectively. 

    Main voice cast:

  Amuro Ray: Toru Furuya (Tuxedo Mask in Pretty Guardian Sailor Moon)

Bright Noah: Ken Narita (Sesshomaru in InuYasha)

Mirai Yashima: Satomi Arai (Beatrice in Re:ZERO -Starting Life in Another World-)

Sayla Mass: Mugumi Han (Momiji Soma in Fruits Basket)

Kai Shiden: Toshio Furukawa (Asuma Shinohara in Mobile Police Patlabor)

Hayato Kobayashi: Hideki Nakanishi (Alan in Nodame Cantabile)

Fraw Bow: Misato Fukuen (Yoshika Miyafuji in Strike Witches)

Sleggar Law: Tomofumi Ikezoe (Furanken in Francesca)

    映画『機動戦士ガンダム ククルス・ドアンの島』は、 2022年初夏公開！ ＼超特報映像解禁／ 《ガンダム、再び大地に立つ————》 劇場版『機動戦士ガンダムⅢ めぐりあい宇宙』から40年、RX-78-02 ガンダムとアムロの物語がスクリーンに舞い戻る！#ククルス・ドアンの島 pic.twitter.com/Lfnyw9Cen1

— 機動戦士ガンダム ククルス・ドアンの島 (@g_cucuruzdoan) December 20, 2021

    Teaser visual:

      Sources: "Mobile Suit Gundam: Cucuruz Doan's Island" official website / Twitter

  ©SOTSU, SUNRISE

  By: Mikikazu Komatsu

[jculture-en]

'Shin Godzilla' CG makes us miss rubber suit days: movie review

#Figureskate #YutakaHiguchi [New York Daily News]Tokyo is terrorized by a giant monster and everybody’s talking! With Hiroki Hasegawa, Yutaka Takenouchi, Satomi Ishihara, Mansai Nomura Directors: Hideki Anno, Shinji Higuchi. (Running Time 2:00) Unrated. Select theaters. Japan takes back its giant monster …