#hope u can excuse me-

[pixel-moss167]

Oh it's back again-does anyone have advice on keeping ur head busy at a terrible school?

[shkika]

I teleport into your au and slap thousands of disney princess stickers on W1

They'd like that!

[b4kuch1n]

post-drive sketch commissions fulfilled so far! for Cookie Nomie, A. Peake, @azaelyas, viviiyon on twitter, bxby_ashhh on twitter, tsunesama, @trucbiduleschouettes, and Anna.

[dailyedgeworth]

today, another wolfworth but!! i bratworth beamed it (and he has a tail now)

[deus-ex-mona]

real talk: lxl should continue to explore romance fantasy concepts in their songs. it’s clearly working for them~

[stemacademics]

small update

ok so um I got my number theory paper today, and the TA had cut marks for me because i left the answer at 66^2 and not 4356 (fermat's little theorem) 😔 I even wrote the full proof

my friend told me I should mail the TA about this, I got 14/20 and should be getting 17or18/20 😔

scores aside, number theory is so much fun, so much fun. the only good thing here is that I know the concepts well, and I fully knew the paper (still fucked it up, because I'm so frickin slow while writing and time). and it hurts worse because there's not enough proof that validates my knowledge. which in turn makes me question if i actually do have any.

I am, in general, a person who does well in concepts but screws up the exams (70% of the time) and I'm trying, I'm trying to get myself out of this "exam paniK" that I often spiral into, just minutes before the exam. I hope I change and grow; I hope, I hope.

[craqueluring]

lets talk about will's journey through hannibals mind palace in s3a, the myth of theseus, the minotaur, ariadne’s thread, labyrinths, and mazes (there is a tldr at the end of this! and this gets better & more cohesive towards the end i promise lol esp after the uffizi gallery screenshot)

background on theseus: theseus sailed to crete intending to defeat the minotaur, a beast housed by the labyrinth constructed by daedalus. it was constructed so well, daedalus himself could not navigate it. ariadne was the daughter of king minos, who ordered the entrapment of the minotaur. she fell in love with theseus, and,betraying her father and her country, she gave theseus a thread to tie one end at the entrance of the labyrinth, and carry the rest with him, so he could find his way back out. theseus succeeded in killing the minotaur and returned safely.

will graham sails to italy as theseus sailed to crete, and enters the labyrinth of hannibal lecter's mind palace at the norman chapel in palermo, italy. the imagery of the many consecutive doorways and disorienting paths in the catacombs under the chapel is notably labyrinthine, and is actually what made me think of this connection in the first place.

*note the consecutive doorways/arches. this parallels the shot of will and hannibal in front of la primavera. in that shot, there are also many doorways behind them.

hannibal is simultaneously

daedalus, the maker of the labyrinth,

the minotaur, the beast at the center, and,

partly, ariadne, the one who betrays her father and her country, falls in love with theseus and allows him to navigate the labyrinth (i.e. the heart in the norman chapel is what confirms to will that he is going in the right direction). just as ariadne's love of theseus was a betrayal of her country and her father, hannibal's love of will is a betrayal of himself.

perhaps hannibal as daedalus-minotaur-ariadne represents the many contradictory parts of hannibal: the person suit containing the monster (daedalus), the monster (minotaur), and lover (ariadne).

but ariadne, the symbol of love, could also be more accurately represented by both will and hannibal: their connection, and its portrayal through will's hallucinations:

the ravenstag which leads will on the train tracks after chiyoh pushes him off

the blood puddle under the doors to the norman chapel catacombs

the fireflies that lead him to mischa's grave

& more

this thread of connection that leads will through the labyrinth of hannibal's mind is universally present throughout season 3a. it is not the physical actions of a lover that lead will through the labyrinth like ariadne did for theseus, but instead the undertanding derived from love of the labyrinth-maker himself which allows will to navigate the labyrinth. 

if the entrance ("foyer") to hannibal's labyrinthine mind palace is the norman chapel, the center is his home in lithuania, as will's imagined hannibal says while he is in the lithuanian forest in secondo 3x03:

"is this where construction began?" "on my memory palace? its door at the center of my mind. and here you are, feeling for the latch."

perhaps the center of hannibal's memory palace is actually hannibal's home and what happened there. "mazes intended to be more or less impenetrable have a center containing something so valuable or so shameful as to warrant protection" (x pg. 91) — hannibal's labyrinthine mind palace was constructed outward to protect something at his origin, at the center of his mind: mischa.

will's last stop in hannibal's labyrinth, and perhaps the exit, is where he finds hannibal in front of la primavera, once again in italy. the long hall of consecutive doorways in the center of the screen, which mirrors the doorways in the catacombs during will's 'entrance' into hannibal's mind palace, gives a sense of some long journey coming to an end. he tells hannibal "i wanted to understand you before i laid eyes on you again. i needed it to be clear what i was seeing," plainly stating his reason for his journey through the labyrinth — understanding. 

*note the consecutive doorways in the center, which parallel the arches in the aforementioned shot of will entering the catacombs in secondo

as explained by penelope reed doob, the purpose of a labyrinth can be to…

"…to entrap or enlighten errant mazewalkers, denying or controlling access to a center that may contain good or evil, and leaving the maze-walker with higher knowledge or in chaotic limbo" (x pg. 64)

certainly, will's journey through hannibal's labyrinth was, as doob calls it, "the labyrinth as a sign of difficult progress." as a plot device, will's journey through europe, hannibal's labyrinth, the mind palace, was a path designed to lead to will gaining higher knowledge, and the "transcendence of labyrinthine confusion" (x pg. 91) 

right?

but, even after will's journey, we as the audience, will as a character, and even hannibal himself, remain confused, turned around, and unable to see any end in sight, especially after both of their failed attempts at separation.

we are still in the labyrinth. 

"labyrinths, like life, involve chaos and order, destiny and free choice, terror and triumph — all held in balance, all perspective-dependent" (x pg. 252)

church labyrinths as a metaphor for life in particular emphasize a unicursal design, or there being only one true path — that of christ, who can act as a guide for humanity "to discover that the mythically multicursal and unstable labyrinth — of life, of the world, of hell — is in fact unicursal, stable, and extricable" (x pg. 133)

instead of this, nbc's hannibal purposefully emphasizes the multicursal and inextricable nature of life and the world through the use of a seemingly chaotic, and sometimes absurd, plot. there are so, so, so many paths will can (and does) follow in the labyrinth/maze of his life. but none are emphasized as the correct one. because that does not exist. everything becomes a matter of perspective, and even looking at the maze from the outside, one becomes disoriented.

thus, this gives even the viewer a sense that they are wandering through the labyrinth with will.

"The only pattern we are shown is the pattern of the labyrinth...all progress is illusory: we may think we are getting somewhere new, but really we are retreading old patterns, circling and turning and retracing our steps until suddenly we exit right where we entered, with an echoing line or repeated pattern, and not once only but time and again" (x pg. 336)

just as doob says of chaucer's the house of fame, nbc's hannibal as a whole "reconstructs, rather than transcends, the complexity of the many labyrinths in which we live and write — labyrinths we cannot, and perhaps do not even wish to, escape" (x pg 339)

the plot of hannibal has been criticized for being too absurd or chaotic, but the absurdity is the show's essence. it is a tool of emphasis to remind us of the fact that hannibal, will, bedelia, jack, abigail, alana, margot, are — everyone is — making their way through the inferno, wandering through the labyrinth, unable to see the forest for the trees, just as we are. 

"there is no overview of the labyrinth, at least not in this life, and nothing is clear but the uncertainties of the ambiguous maze above whose constraints we cannot rise. believing all this, some men might despair, but…if these be labyrinths, they are enchanting ones, as full of delight as of frustration…nightmarish as it may be, is colorful, energetic, chock-full of magnificent diversity, far more beguiling than cosmic spheres. it cries out for the shaping mind and voice of the poet to give order and perspective where none exists. if that shaping is no more reliable than its material, so be it: perhaps a well-wrought poem in such a world is all the more admirable, and much more fun. the confusions and errors of the maze may be as attractive as the transcendent view. and if truth is always deferred, redefined by another twist, a fresh perspective, a different viewer, so what?" (x pg. 337)

tldr: will's journey through europe, exploring hannibal's memory palace is comparable to theseus' exploration of the labyrinth in search of the minotaur. hannibal is simultaneously daedalus (the labyrinth's creator), his person suit, the minotaur, his monster, and ariadne, a lover who allows theseus to not get lost in the labyrinth. the ravenstag and hannibal and will's psychological connection and deep understanding of e/o could also be compared to ariadne's thread. the center of a labyrinth is commonly something that is protected; hannibal says his home is at the center of his mind — hannibal's mind palace protects mischa at the center. even when will leaves the labyrinth and finds hannibal, there is not much higher knowledge gained from the journey, as would be expected. that is because we are still in the labyrinth, such is life. the absurdity and chaos of the hannibal plot, the repeating themes, plotlines, and endless parallels exacerbate this point, and emphasizes the inextricability of life, and the fact that there is no one correct path in the winding maze of life.

[daydadahlias]

ashton irwin trying to get random people to sneak him into a festival today... did he forget he's a millionaire or

[smolsix]

so more LN III thoughts (not as many at least, read more is just for users who are avoiding altogether)

I keep thinking abt how the single player you'll be playing with an AI like LN II, and I think the game would offer a lot of replay ability if you can choose which kid you play as as they both do different things (the wrench kid has the wrench for puzzles and breaking things, and the masked kid has the slingshot). in multiplayer it makes enough sense you can pick which one to play as, but if you can choose in single I think it'd make the game have a lot more play value and that's super cool.

the fact it has online co-op can mean so much for cool additional things, and i do hope character customisation is still there (LN with Six's masks/hats and LN II with Monos also) even if you have to unlock it which would also still offer replay ability.

[otter-pop-supreme]

I wanna play mc w ppl but at the same time I suck ass. When I play with ppl I drag them like a newborn child.

And when I say "jsyk Im bad at it"

I don't think they QUITE understand

I can barely fight a zombie and honestly my performance goes down when playing with others

I died like 50 times the first time I played w someone on survival, it was so mf embarrassing

Like 50 times, just trying to get enough WOOL for a BED

I'm build in a way so I am incapable of having mc friends without being a drag

This is y I only play w my gf on creative-

[istherewifiinhell]

its MY blog! I WANNA clip the ground breaking tf character scene (<- not impling i think this is the ONLY one)

[VD: Transformers Earthspark clip of Mo and Nightshade Malto speaking with Optimus.

Intro to a gas station, a bag of goods dropped onto an outdoor table. Mo draws a face on a soda can, Nightshade watching. Optimus drops a six pack of glass bottle among other cups and wrappers to make a moveable planning "map": This is Mandroid's lair. And these piece represent all of us.

Shot of the Malto's leaning forward intently. Mo, Robby and Twitch sitting around the same table, Alex sitting hunched at an adjacent one, Thrash, due to size, sits on a third.

Nightshade, excitely, pointing to an owl figure infront of them: Oh may I be the bobblehead?

Optimus: Of course! Um, Morgan, can you switch... uh?

Nightshade's makes a considering face, eyes glowing, Mo looks to them, sound effect incating the commincation of emotion. Nightshade looks to her, Mo nods.

Mo: Nightshade's pronouns are they/them. [Mo smiles]

Nightshade nodding: He or she just doesn't fit who I am. [They shrug]

Optimus, sincerely: My apologies, please switch their piece [He nods his head]

Mo and Nightshade look around, pleased, and smile at each other. END

[3416]

love this tweet as if we don't have a winning record rn on the backs of our star players and woll actually

[akascow]

got secondhand cussed out by a customer today

[baeshijima]

so the wriothesley story quest huh….

[toastsnaffler]

oh wow just saw flatmate messaged saying another friend passed smth on like oh okay. I didn't realise he went too u didn't say. in fact none of u said anything to me so that's great

[sunnitypes]

requests for @wheezyboysclub!! thank you againnn i loved the skate ref..