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bongaboi · 4 years

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ISML 2020: Dark Horse Kurumi Tokisaki Takes Topaz Necklace

ISML 2020: Dark Horse Kurumi Tokisaki Takes Topaz Necklace Second Choice Miyuki Shirogane Foils Touma Kamijou, Claims Pendant

By Jo-Ryan Salazar The Bedlam On Baltic Avenue September 26, 2020

Match Day 6 of the 2020 International Saimoe League Topaz Period is history, and in the Upset of the Round, Kurumi Tokisaki, a dark horse to win the Saimoe Prime Minister's seat and the ISML Heavenly Tiara, scored a 3939-2937 scalp over Mashiro Shiina to win the Topaz Necklance. Mikoto Misaka, favored to win the Necklace, is expected to see her odds for the Amethyst Necklace drift significantly after finishing third with 1784 votes. Yukino Yukinoshita was fourth with 1406 votes, Kaguya Shinomiya has 1066 votes to finish fifth, Yui Yuigahama was sixth with 773 votes, Mai Sakurajima was seventh with 628 votes and Chika Fujiwara was last with 1784 votes.

Listed as a 4-1 second choice, Miyuki Shirogane defeated Touma Kamijou 3858-1671 to win the Topaz Pendant. Kiyotaka Ayanokouji was third with 1543 votes, Tomoya Okazaki was fourth with 1135 votes, Yuu Ishigami was fifth with 947 votes, Gilgamesh was sixth with 799 votes, Levi was seventh with 695 votes and Taki Tachibana was last with 625 votes.

Another dark horse won the Topaz Bracelet. Shouko Nishimiya was listed at 20-1 to win, but she defeated the more fancied Ai Hayasaka 3549-2795. Tamako Kitashirakawa was third with 2131 votes, Schwi Dola was fourth with 1678 votes, Utaha Kasumigaoka was fifth with 1313 votes, Iroha Isshiki was sixth with 1014 votes, Mitsuha Miyamizu was seventh with 870 votes and Eriri Spencer Sawamura was last with 645 votes.

Just like in the Pendant race, the Ring race was won by the second choice as picked by the Bedlam. Sorata Kanda, listed at 5-1, defeated Subaru Natsuki 3428-2396. Takashi Natsume was third with 1591 votes, Shirou Emiya was fourth with 1356 votes, Ryuuji Takasu was fifth with 1031 votes, Saitama was sixth with 834 votes, Eugeo was seventh with 729 votes and Edward Elric was last with 635 votes.

Eru Chitanda won the Tournament of Champions four-way race in the women's division to be listed as Saimoe Leader of the Free World with a score of 50257.3. Houtarou Oreki made it a Hyouka Party sweep, defeating Hachiman Hikigaya 52579.2-33116.2 to be Deputy Saimoe Leader of the Free World. Kei Shirogane defeated Kotoko Iwanaga 4720-1503 to inch one step closer to being Speaker of the Saimoe Diet for the 2021 session.

In the Winter Seasonal Race, Kaede Honjou defeated Yukina Himeragi 2859-2313. Priestess was third with 1482 votes and Risa Shiramine was fourth with 886 votes. Miko Iino won the Spring Seasonal race with 3645 votes over Kyaru, who garnered 2540. Kokkoro was third with 1564 votes while Pecorine has 1039.

Making the cut for the Divine Circlet on the Female Division side were Shinobu Kochou (2881), Alice Zuberg (3142), Nagisa Furukawa (3574), Origami Tobiichi (3039), Nino Nakano (2717), Homura Akemi (2659), Sakura Matou (2951), Touka Yatogami (2948), Yoshino (3189), Mafuyu Kirisu (2754), Ginko Sora (2924), Ereshkigal (2620), Cocoa Hoto (2748), Holo (2708), Hinata Hoshino (2605) and Mizore Yoroizuka (2944).

For the Divine Crown, the qualifiers on the Male Division side include Satoshi (2643), Mochizou Ouji (3152), Taihei Doma (2736), Akihito Kanbara (2996), Bell Cranel (2672), Tomoya Aki (3266), Shuu Ouma (2535), Hiro (2588), Giovanna Giorno (2513), Seiya Ryuuguuin (2502), Sesshoumaru (2628), Fuutarou Uesugi (2441), Inosuke Hashibira (2630), Haruka Nanase (2633) and Li Syaoran (2603).

Finally in a special dual exhibition between SHAFT franchises, it was Nisekoi that triumphed over Monogatari, as Chitoge Kirisaki and Kosaki Onodera defeated Shinobu Oshino and Hitagi Senjougahara 3347-2073.

Keep it right here on the Bedlam on Baltic Avenue for the first predictions from the Amethyst Period Match Day 1 of the 2020 International Saimoe League, the world's premier anime character competition. Vote for your favorite characters at InternationalSaimoe.com and join the ongoing debate.

#2020 #isml #saimoe #international saimoe league

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zachwritesstuff · 6 years

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Dragon Pilot: Old vs New

Warning: This article contains spoilers to Dragon Pilot: Hisone and Masotan’s later parts and ending.

Dragon Pilot: Hisone and Masotan is, in many ways, a fabulous series. The animation is great, the characters are lovable, and the story hits emotional high points in strange and unexpected ways. It’s probably one of my most recommended series of the Summer Season, and possibly of the year! But I could spend paragraphs talking about how much I loved this series, when really, I want to talk about one specific thing that stood out to me about it.

I don’t think it’s a controversial statement to say that anime has changed in the last decade or two. In fact, it has to change, or else it will stagnate and die. But in recent years, there has been a different kind of change happening, not on screen, but behind the scenes. While reports come in on Anime shows and franchises seeing record high profits, more reports are coming out about the troubling financial and personal conditions that animators and production assistants on shows have to live in, and the treatment from upper management and fans alike that people inside the industry have to go through. It’s no surprise that more public figures, like voice actors and idols, become traumatized and sick from all of them issues they have to deal with outside of their control.

It’s reassuring to see that things might be looking up for the lower workers in the Anime industry, from more affordable dorms and housing being crowdfunded, to new avenues of production opening up new ways to get anime to an audience, doing away with the strict and punishing guidelines. And creatively, more challenging shows are starting to be made, ones that poke fun and challenge the classic cliches and tropes of Dumb Big Breasted Women, Blank Slate Heroes, and Marketing Driven Shows. Instead, we are seeing more uses of Absurdist Comedy (Pop Team Epic, Asobi Asobase); Introspective shows about the creators of anime and the people who indulge in anime (Shirobako, Wotakoi); And shows that take classic romance plots and apply them in new, inventive ways (Miss Kobayashi’s Dragon Maid, Recovery of an MMO Junkie).

A wholesome slice of life comedy~

Even outside of the industry, Japan is seeing political change, with more protests against militarization of the country and support for LGBT rights popping up to challenge the instilled conservative views that have been a mainstay in Japan for so long.

I bring all of this up because I believe, whether purposely or subconsciously (And I do believe that it’s mostly on purpose), Dragon Pilot is a reflection of the changing industry and how it’s dealing with these issues, especially when it challenges the classical/traditional way of doing things.

The first major clue, and the thing that caught me on to this theory, is the design of the show. From the get go, it stands out from other shows in how it lays out it’s world. It strays away from the use of Key frame animation and highly detailed backgrounds, instead using a much more fluid movement and watercolor spaces to give everything a more down to Earth feel. And even when they use newer technology, like CG animation, it’s only used sparingly, as to not interfere with the natural flow of the animation. The two styles are used complimentary, instead of as a way to fill space.

Inside the actual designs of the Military base, everything looks old and lived in. There are spots of dirt everywhere, doors are uneven, and equipment has been put through the ringer. Even the character designs themselves seem to carry this style, many of them being a mismatch of character archetypes from the 60s, 70s and 80s. This all in spite of being in the modern day, and many of them having smart phones and updated Military hardware, like the parts that make up the Dragon’s disguise.

This, I feel, sets up the main conflict, even before you learn what the series is even about. It’s an establishment that has done things in one way for many years, and even though it tolerates minor advancements around it, it always sticks to its core values, never straying too far from what they believe to be the proper path to success. This could be applied to the Anime industry, as even when experimenting with new ideas, core ideas have always been forced in: Fanservice, merchandising ability, storyline tropes, etc...

Awkward situations is the main staple of modern anime

Which brings us to the main plot of the show. In a quick summation, the main Pilots, called OTF pilots, must control dragons, disguised as planes, to lead a world destroying God Dragon to it’s new resting place, a tradition that they must do every 76 years. They do not find out until after they begin, however, that one of the main parts of the journey involves sacrificing a shrine maiden, in order to ensure safe passage. This appalls the main characters, and they hatch a plan to prevent it from happening, eventually succeeding with much hardship.

This, I feel, reflects the current state of the Anime industry. For years, it’s been leaning heavily on the things that made it the most money, like shows with heavy fanservice, shonen shows that were played into the ground, harem series that allowed the viewer to place themselves into the empty husk that is the main character. While they allowed little changes in technology and storytelling, the core values have roughly been the same since the 70s. But it’s not the 70s anymore, and things do have to change, lest they get eventually outdated and left behind. Of course, the people running things do not and will not agree, so sometimes you have to be a bit more forceful and creative with how you make those changes.

It’s not just the overall plot that clues into this either. Even the smaller side plots play with classical tropes in interesting ways. Romance ends up being a leading factor, as the Pilots end up not able to link with their dragons properly if they are feeling love for someone else. While it’s mostly played literally straight with Hisone and vaping engineer Haruto Okonoji, things play out slightly differently with the other three pilots.

The biggest crime of the entire anime, promoting vaping...

For example, let’s look at the other focused romance between the hard nosed dragon pilot Eru Hoshino and the perverted male pilot Yutaka Zaito. On the surface, they are introduced as a very played out idea: Perverted, somewhat sexist boy falls in love with a girl that is sickened by his attitude, yet still falls for him when he starts to become less sexist and perverted. And though it’s pretty much done word for word as it’s done in the past, they do pull one interesting twist out. Because she fell for him, she’s unable to pilot, and despite the man’s best wishes, he actively sabotages the relationship, making her hate him so as to complete the mission successfully. Though it works out in the end, it’s a surprising route to take for a show that has romance as a main plot mover.

And speaking of romance, let’s talk about the other two pilots: The motherly Mayumi, and the sullen Liliko. When they are analyzed for their possible romantic links, they are simply written off as “not a concern”. While it’s never openly stated, the coding for the two characters seems to be that of an aromantic type, and at least in Liliko’s case, asexual. Throughout her time on the base, Liliko seems to show no romantic interest in anyone, and when even asked at the end if she was interested in anyone, she simply mentions “Kingdom”, the manga she reads. Mayumi is a little harder to tack down, as her interests seem to lie in caring for someone rather than having an active relationship, shown in her way she deals with her dragon and how she only seemed interested in someone else because they seemed well fed and groomed. When you have an industry filled with strict guidelines for relationship (Shonen has only hetero relationship, romance is either m/f, m/m or f/f, no crossover), it’s very refreshing to see a mishmash of different ideals represented.

One of the funnest characters, btw

Even the way that Hisone reacts to her choice between love and duty is different. Hisone is forced to choose: Either stop loving the engineer boy Okonoji-san, who represents her personal life and self worth, or else never be able to pilot Masotan ever again, who represents her dedication to her craft and what she’s built her life around. When faced with a final choice, she initially chooses neither, instead choosing to quit. This gets a negative reaction from her higher up, who somewhat literally throws her out, yelling insults the entire time. But soon after, she chooses to actively follow the plan, only to go against it at the last moment when she learns about the sacrifice, ultimately deciding to take things into her own hands and perform the ritual herself, risking her own life.

This, in a sense, could represent the constant struggle of newer animators, producers and voice actors face when breaking into the industry. They are told the traditions and things they have to do, and to question or reject them could lead to their abilities being insulted or questioned, their job threatened, and in some cases, termination and blackballing from the entire industry.

No pressure

When Hisone reenters the Air Force, apologizing for what she did, she is showing her respect for what the tradition is, and how it has helped their country for centuries. She feels that she can balance work and her personal life if given a chance, despite the heavy toll it takes on her, like having to work for dozens of hours on end because that’s the expectation of her; Having to follow ridiculous order after ridiculous order, with little explanation of why or what the benefit is; And any question she places against it being shot down. These conditions which might resonate, not only with production workers, but also many other jobs around the globe…

But when faced with the horrible idea of having a person losing their life, she knew it was the final straw. She saw a young person forced to take the fall for an institution that consciously and knowingly lied to and built up this person for failure, something they had done for years. Hisone knew it was too far, and instituted change herself, despite those around her telling her it was a suicide mission.

And what happens? Hisone does it, and everything works out. Despite being told for eons that this thing must be done one was, and any other would destroy everything, when Hisone tried a new, inventive, and more importantly, less toxic way of doing things, it worked out fine. Hisone lived, the Air Force learned that their lesson, and everyone was left to figure out how to live their lives with this new way of doing things.

And being fucking adorkable while doing it all~

Ultimately, Dragon Pilot is a show of hope. It shows that, even against overwhelming odds, the way things have been done before are not the way things must always be. The world evolves, so with it, an industry must as well, or else they’ll simply be left in the dust. And even if it might seem hard, impossibly hard even, sometimes that’s just a sign that you must work even harder to make it happen. So hopefully, the Anime Industry learns a lesson from it’s own show and cleans up its act a little. A little less of shows like Darling in the Franxx, and a little more of shows like Dragon Pilot.

#dragon pilot #hisone #masotan #zach #writing #article #anime #old #new #netflix

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recentanimenews · 2 years

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Hyouka TV Anime Gets 10th Anniversary Projects

Ready to bring out your curiosity again? This year the Hyouka TV anime is commemorating its 10th anniversary, with celebrations occurring throughout the year. To start off the celebrations, the logo for the 10th-anniversary project was revealed alongside the first event and an online lottery in partnership with Kujibikido.

Logo and visual for Hyouka's 10th anniversary

The first event for Hyouka's 10th anniversary will be held at the GAMERS main store in Akihabara from May 25. The event will be a museum for the anime adaptation by Kyoto Animation looking back at the series' 22-episode run. The Kujibikido collaboration will have goods available to win through the site's online lottery system.

RELATED: Japanese Singer Gen Hoshino Is Watching Kyoto Animation Anime as Inspiration for Next Song

Kyoto Animation's Hyouka adapted the novels of the same name by Honobu Yonezawa and aired from April 22, 2012, to September 16, 2012, with the late Yasuhiro Takemoto helming the series as director. Crunchyroll is streaming the series both subbed and dubbed, describing it as such:

A worthy addition to any animation fan's collection, Hyouka is a stunning masterwork that spins a charming tale of high school romance and mystery. After disenchanted student Hotaro Oreki joins his school’s Classic Lit Club, he meets Eru Chitanda, a kindhearted and inquisitive girl with boundless curiosity and a knack for getting him caught up in all sorts of trouble.

Source: Mantan Web

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Daryl Harding is a Japan Correspondent for Crunchyroll News. He also runs a YouTube channel about Japan stuff called TheDoctorDazza, tweets at @DoctorDazza, and posts photos of his travels on Instagram.

By: Daryl Harding

#Anime #News #Latest in Anime News by Crunchyroll!

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brella · 7 years

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i feel like we always ask you about books so today i wanna ask you some anime recs :)

HOW INTERESTING THAT YOU SHOULD COME TO ME NOW, JUST AFTER I FINISHED ATTEMPTING TO BRIBE A TWITTER MUTUAL WITH A PHYSICAL CAKE SO THAT SHE WOULD WATCH AN ANIME I LOVE. i am always happy to share anime recs.

ping pong: the animation (dir. masaaki yuasa): effusive yutaka “peco” hoshino and reserved makoto “smile” tsukimoto have been best friends since day one, and both of them love to play ping pong. peco, a child prodigy at the sport, loves it with all of his soul, and is so confident in his own talent that he’s become arrogant; while smile, in spite of his natural talent, does not take ping pong seriously, seeing it as nothing more than a way to pass the time. things are shaken up for the boys by the arrival of wenge “china” kong, a chinese player sent to redeem himself in japan after being kicked off the national team, who skunks peco in their first match, sending him spiraling into crisis; meanwhile, smile catches the interest of the school’s coach, a former star player, who is determined to make sure smile does not waste his talent. also joining the cast are manabu “akuma” sakuma, peco’s belligerent rival since childhood, and ryuichi “dragon” kazama, vanguard of the elite ping pong team at kaio academy. when all is said and done, will smile and peco’s friendship—and the love of ping pong that bonds them—remain? i urge everyone to watch this anime; it is perhaps the best i’ve ever seen. a work of art, of joy, of sadness and failure and triumph—a tribute to being alive, and to what it means to love something so much you feel like there’s no point in being alive if you can’t do it. and the animation, voice acting, and score are outstanding! 11 episodes.

the tatami galaxy (dir. masaaki yuasa): an unnamed college student is perpetually dissatisfied with his life, bemoaning the fact that he can never seem to grasp that “rose-colored campus life” he was certain he would have upon attending college in kyoto. just about the only thing he has in his corner is his mischievous frenemy, ozu, who drags him into scheme after scheme that only seem to make his situation worse; and a fellow student, akashi, who the protagonist has feelings for, but can never quite seem to spit it out. after a bad break-up sends him over the edge into total cynicism, he starts to wonder if his college years would have been spent differently (i.e., better) if he had chosen to join a different club on his first day. unbeknownst to him, the desire to go back and do it over again does send him back in time—each episode is an alternate timeline based on which club he joined. no matter how things change, though, he always seems to keep running into ozu, to just miss akashi, and to get involved with a man calling himself higuchi, who claims to be a god of matrimony; a bone-headed popular senior named jougasaki; and a beautiful but intense dental hygienist named hanuki. in the protagonist’s quest for the perfect college life, however, will he miss what’s right in front of him? i really love yuasa as you can probably tell and this, just like ping pong, is beautifully animated, great fun, and unexpectedly moving. a testament to the little things, to seeing the beauty and wonder in what we have. and the opening and ending are GOD TIER. 11 episodes.

gekkan shoujo nozaki-kun (dir. mitsue yamazaki): if you somehow haven’t watched this yet, please love yourself and do it. a romantic comedy series that follows 16-year-old chiyo sakura’s attempts to woo her crush, umetarou nozaki, gsnk, contrary to the shoujo form, actually begins with her confessing to him—but he misunderstands and gives her... his autograph?! yes, it turns out nozaki moonlights as a hugely successful shoujo romance mangaka, and he’s been needing an assistant, and sakura is in the art club... convenient! this show has it all—uproarious humor, masterful comedic timing, incredibly charming characters, and just the right dose of heartfelt romance to warm any heart. other cast members include mikoto mikoshiba, nozaki’s best friend, whose flirtatious antics constantly cause him to nearly die of embarrassment; yuzuki seo, chiyo’s best friend, a brash and oblivious jock with a beautiful singing voice; hirotaka wakamatsu, a mild-mannered basketball player constantly aggrieved by seo’s bullying; yuu kashima, star of the drama club and dashing prince of the school; and masayuki hori, drama club president and kashima’s ever-frustrated director. love is in the air not just for sakura, but for a few others, as well—it’s going to be an interesting year! 12 episodes.

kids on the slope (dir. shinchiro watanabe): kaoru nishimi is a shy and depressed honor student, classically trained to play the piano, who has spent his entire life moving from town to town due to the nature of his father’s job. at the beginning of the summer of 1966, he is sent to a small coastal town in kyushu to live with relatives, and is prepared for another year of loneliness until his world is turned on its axis when he meets delinquent sentaro kawabuchi. the two develop a strange and unlikely friendship, and kaoru soon discovers that sentaro, or sen, is an avid fan of jazz, then an emergent form of music in japan, and plays the drums in the basement of a record store owned by the family of his childhood friend, ritsuko mukae, with whom kaoru immediately falls in love. when ritsuko says that she would love to hear kaoru and sen play together, kaoru begins to acquaint himself with jazz, too, and finds that it holds more magic than he expected. part classic coming-of-age drama, part love letter to the jazz genre, this series was, fun fact, directed by the man behind cowboy bebop and samurai champloo—so, like, if that isn’t a testament to its quality, i don’t know what is. it will make you cry, though. just warning you.

silver spoon (dir. tomohiko ito): desperate to escape the pressures of his home life, beleaguered honor student yuugo hachiken foresakes his chances of attending an elite tokyo high school and applies to ezonoo agricultural school in hokkaido. at first holding himself a rung above his peers, due to his perception of them as bumpkins who have never had to work hard academically due to their security as farmers, hachiken quickly learns that there’s a lot he doesn’t know, and he’ll have to work hard if he wants to keep up with his peers. though initially withdrawn, hachiken comes to make many new friends, and soon begins to take his studies seriously, earnestly trying to learn all he can about the world of agriculture and how it affects the lives of his friends. this series is easily something i’d call “the feel-good story of the decade,” but it also has many profound and emotional moments, and a hugely relatable protagonist in hachiken. it’s definitely a comedy, but at its heart, it’s one of those special series that kind of takes your hand and smiles at you and says, “yeah. i get it. i know how you feel. but it’s all right. life’s pretty fun, even if you don’t notice.”

hyouka (dir. yasehiro takemoto): to this day i’m still a bit stunned that kyoto animation managed to come out with something as good as hyouka, since it’s so different from their other works, but the truth is there. it’s simple, with a cast of only four characters and few recurring side ones; a subdued score using mostly public domain classical pieces, a quiet high school as the backdrop, a close and intimate portrait of the four kids it brings together. the PV actually does a fine job of introducing the characters—apathetic houtarou, inquisitive eru, cheerful satoshi, and caustic mayaka—so i won’t go into that too much. essentially, houtarou is urged by his sister to sign up for the classics club after no one else does, since it will be disbanded if it does not have at least one member. much to his surprise, someone else already has signed up by the time he does—a curious girl named eru with an insatiable appetite for mysteries. though houtarou lives by a philosophy of what he calls “energy conservation,” eru has a power over him (read: he has a big, beautiful crush on her) that compels him to go along with her antics, and his penetrating intellect doesn’t help much. satoshi, houtarou’s best friend, and mayaka, a childhood... acquaintance of houtarou’s, also join the club, and hyouka chronicles all of the things that happen to them over the course of their school year. when asked about the meaning behind the title (”hyouka” means “frozen dessert”), the author of the novels said, “the colour of youth is like ice cream. its many flavours are like the spectrum of a rainbow, but no matter how it tastes, what doesn’t change is its richness and flavour. another distinguishing feature of ice cream is the short time one has to eat it, and how we must take care to avoid polluting it. it’s just like how youth is full of numerous possibilities, but its fragile and limited energy is easily challenged by the outside world.” i think that probably speaks for itself in alluding to the bittersweet tone of the series. it really is one of my favorites.

and, because my fingers are getting tired: yu yu hakusho is my favorite shounen series by a mile and one of the few for which i highly recommend the dub—it’s long though, 100+ episodes, but worth every minute. i’ll be glad to go into why yyh specifically is the best in a separate post if anyone is interested bc hoo boy. uchouten kazoku season 1 is great and one of my favorites but season 2 was kind of eh to me. if you like action and tragic romance, kyoukai no kanata is my second-fave kyoani series after hyouka, though it does have some fanservicey bits and fetishy humor that kind of date it a little bit. and if you haven’t started boku no hero academia yet—PLEASE GET ON THAT; IT’S SO MUCH FUN!

and, of course, the anime of my heart and soul: lovely complex, a romcom about a tall girl and a short boy, and their arduous, hilarious, heart-melting journey from vitriolic best buds to lovers. hits all the right notes. no other shoujo compares. it’s a series that anyone and everyone can AND WILL enjoy.

i hope that’s enough to get you started! :’D pls let me know what you think if you watch any

#long post /#anonymous #ask #Anonymous

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ben237 · 6 years

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Old Trunk Funky a hisone to masotan AU

#hisone to masotan #amakatsu hisone #kaizaki nao #hoshino eru #hitomi mayumi #AU #BEN237 #my art

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ben237 · 6 years

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Old Trunk Funky a hisone to masotan AU

#amakatsu hisone #kaizaki nao #hoshino eru #hisone to masotan #hisone and masotan #AU #BEN237 #my art

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imasallstars · 3 years

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HAPPY BIRTHDAY: MAKI KAWASE

The 31st of December, is the birthday of Maki Kawase (Chanmaki), the voice provider for Tsukasa Kiryu! She is currently employed under ARTSVISION as a voice actress. She officially debuted as a voice actor on 2015, doing multiple background roles, before obtaining her first main role as Eru Hoshino in the Hisone to Maso-tan(2018) anime.

She joined the Im@S family on the 21st of May 2020 through a voice inclusion through a Starlight Stage SSR for her characters placement in the 2nd Voiced Idol Elections

Data

Website　　 : ARTSVISION Twitter　　　 : @maki_kawase

Official Profile Translations:

Birthday　　　: December 31st Place of Birth : Chiba Prefecture Alumni　　　 : Japanese Narration Institute Hobbies　　　: Reading, Watching Movies

Trivia

※ Is a big fan of anime in general, which pushed her to become a voice actress ※ Submitted a flower stand for Hiromi, Hotaru, and Yuuki for Comical Pops months before her debut and even before Tsukasa’s placement in the elections [source image]

Thank you for joining the IDOLM@STER family, and let’s wish her all the best of luck in her career! Again, happy birthday!

#birthday update #maki kawase #kawase maki

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bongaboi · 4 years

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BoBA ISML 2020 Predictions: Topaz Match Day 6

ARENA 1 [[Tokisaki Kurumi - 7]] [[Yukinoshita Yukino - 5]] [[Shinomiya Kaguya - 2]] [[Misaka Mikoto - 1]] [[Shiina Mashiro - 3]] [[Fujiwara Chika - 8]] [[Sakurajima Mai - 4]] [[Yuigahama Yui - 6]]

Over/Under: 50000 Over

ARENA 2 [[Shirogane Miyuki - 2]] [[Ishigami Yū - 8]] [[Kamijō Tōma - 1]] [[Ayanokōji Kiyotaka - 6]] [[Tachibana Taki - 5]] [[Gilgamesh - 7]] [[Okazaki Tomoya - 3]] [[Levi - 4]]

Over/Under: 70000 Under

ARENA 3 [[Isshiki Iroha - 3]] [[Sawamura Spencer Eriri - 5]] [[Miyamizu Mitsuha - 7]] [[Schwi Dola - 1]] [[Nishimiya Shōko - 6]] [[Hayasaka Ai - 2]] [[Kitashirakawa Tamako - 8]] [[Kasumigaoka Utaha - 4]]

Over/Under: 49000 Over

ARENA 4 [[Kanda Sorata - 2]] [[Natsume Takashi - 1]] [[Saitama - 6]] [[Natsuki Subaru - 5]] [[Emiya Shirō - 3]] [[Takasu Ryūji - 7]] [[Edward Elric - 8]] [[Eugeo - 4]]

Over/Under: 60000 Under

ARENA 5 [[Chitanda Eru]] [[Katō Megumi]] [[Tachibana Kanade]] [[Violet Evergarden]]

Over/Under: 50000 Over

ARENA 6 [[Hikigaya Hachiman]] [[Oreki Hōtarō]]

Over/Under: 60000 Under

ARENA 7 Iwanaga Kotoko [[Shirogane Kei]]

by <=400 Over/Under: 9000 Over

ARENA 8 [[Honjō Kaede(Maple) - 1]] [[Shiramine Risa(Sally) - 3]] [[Priestess - 4]] [[Himeragi Yukina - 2]]

Over/Under: 60000 Over

ARENA 9 [[Iino Miko - 1]] [[Kyaru - 2]] [[Kokkoro - 3]] [[Pecorine - 4]]

Over/Under: 60000 Over

ARENA 10 [[Kochō Shinobu]] [[Alice Zuberg]] Furukawa Nagisa Tobiichi Origami [[Nakano Nino]] [[Akemi Homura]] [[Matō Sakura]] [[Yatogami Tōka]] [[Yoshino]] Kirisu Mafuyu Sora Ginko Nakano Yotsuba Ereshkigal Tōma Kazusa [[Hoto Kokoa]] Holo Enterprise Koito Yū Yoshida Yūko Hoshino Hinata Shiina Mayuri Yoroizuka Mizore Reines El-Melloi Archisorte Rachel Gardner

ARENA 11 [[Satoshi]] [[Ōji Mochizō]] [[Doma Taihei]] [[Kanbara Akihito]] Bell Cranel Iwatani Naofumi [[Aki Tomoya]] [[Kuzuryū Yaichi]] [[Ōma Shū]] [[Sakamaki Izayoi]] Karna Norman Ishigami Senkū Hiro Giorno Giovanna Ryūgūin Seiya Sesshōmaru Tsukamoto Shūichi Uesugi Fūtarō Kurogane Ikki Hashibira Inosuke Kageyama Shigeo Nanase Haruka Li Syaoran

ARENA 12 [[Oshino Shinobu]] Kirisaki Chitoge [[Senjōgahara Hitagi]] Onodera Kosaki

by >=400 Over/Under: 50000 Over

Voter Id: 2d5920af-56b1-5ae5-9a5a-e31a4f4cafd5

#2020 #isml #international saimoe league

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