#howls a fucking bumbling idiot of a man child

[thebiffmethod]

i think i’ll never forgive tiktok for oversaturating the howls moving castle market with fans who only give a shit about the romantic undertones of the movie and literally nothin else

[runesrule]

"Girls kick ass; says so on a t-shirt”: Feminism in James Cameron’s ‘Dark Angel’

Author’s note: goes without saying the following meta contains some spoilers, and language warning coz it’s me writing it. Now, read on. 

Recently, I have dived into a re-watch of James Cameron’s cyberpunk/biopunk scifi Dark Angel. The first time I watched Dark Angel was sometime around 2009-2010 mark, and a few things about it made a serious impact on my budding ideas of feminism. The series, which ran for two seasons from 2000-2002, is the story of Max, a genetically-engineered super-soldier (or ‘transgenic’) who escapes the top-secret government facility known as Manticore as a child. She, along with twelve of her ‘siblings’ split up in order to disappear into a ‘pseudo-post-apocalyptic police state’ AKA a United States of America where an Electromagnetic Pulse has wiped out most of the technology pre-2009. She eventually becomes entangled with Eyes Only, an idealistic hacker battling police corruption and the oppressive regime which controls Seattle, where most of the action in the series happens. Eyes Only AKA Logan Cale, is a cyberjournalist played by Michael Weatherby. 

James Cameron has said that Max is medium of bringing back the ‘tough, female warrior’ to our TV screens, and for most part, he succeeded. The character, played by Jessica Alba, poses an interesting question in regards to feminism. On one hand, Max AKA X5-452, is undoubtedly a warrior; a bad-ass, ass-kicker with a banging bod, who oozes female sexuality and doesn’t back down from a fight. However, it really isn’t Max’s downright lethal fighting skills, or her sharp, scalding wit that make her memorable to me. It’s her relationships throughout the series with other women that always attracted me to the series, and to the character herself. In the first season is Max’s roommate, the perky, blonde Kendra as well as the wonderful series regular, Original Cindy, a black, gay woman who is Max’s best friend, as well as Asha, the idealistic crusader against government corruption. Asha’s one of those characters who gets dismissed as the unwanted third point on the inevitable love triangle. She’s introduced as a further complication in Max and Logan’s heart-wrenching love story in the second season (Uh, geez, Cliffnotes version: Max gets injected with a virus that’s targeted directly for Logan’s DNA sequence, when Manticore discovers his secret identity as Eyes Only). The thing is, Asha is so much damn more than simply a love interest. She’s a fighter for the S1W, a group of activists working with Eyes Only to fight the good fight, a great friend to Logan, and a genuinely decent human being. Ultimately, despite her position as the ‘other woman’ in the narrative, she and Max not only find common ground, but on more than one occasion, the two of them actively display mutual respect for one another. As rare and uncommon as that is in the love triangle trope, it’s the fact that despite initial hostilities between them—to be fair, Max is basically hostile to everyone she doesn’t know and love—they manage to move beyond the romantic entanglements. It’s a refreshing example of women supporting women, despite the narrative having every opportunity to pit them against one another in a bikini-wearing, wet t-shirt catfight to the death. It might be my lifetime membership to the SHARON CARTER IS NOT HERE TO BE STEVE ROGERS’ GODDAMN LOVE INTEREST club, but I really, really adore Asha and Max’s relationship. Next up to the discussion booth is the one, the only, the incredible Cynthia McEachin AKA ‘Original Cindy’. Hit me up: how many black, gay women who wear their natural hair, are nurturing and kind as well as sassy and unafraid to throw a few punches are actually represented in today’s media? Right?? Anyway, Original Cindy is Max’s best friend. She’s sex-positive as hell and multi-faceted. She’s also a normal-sized human, which is a nice element to have when Jessica Alba is running around being lithe and tiny and fit as hell. I am one thousand percent here for more Original Cindy’s in popular culture. Firstly, she has an understandable what the actual fuck reaction to finding out that her best friend is a genetically engineered super-soldier on the run from shady Men In Black types who will kill and maim whoever they have to in order to get their hands on her. Then, when she’s processed, she stands by Max, unhesitatingly. At one point, she literally puts herself between Max and a sniper’s rifle while pretending to be Max’s hostage. (However, she’s also biphobic as hell, uses some fairly transphobic language at one point in Season One and the one time Cindy gets a grounded, well-rounded love interest, Diamond gets stuck in the ‘bury your gays’ plot. Horrifically.) Of course, no discussion of feminism is complete without addressing our transwomen. I guess the fact that there is actually something to discuss gives the show props? I’m cisgender, so I’m not qualified to write from any platform of authority. The facts are this: Louise is a transwoman (who, by the way, is played by a transwoman Jessica Crockett) and lesbian who dates our heroine’s hard-to-like boss Normal before realising she’s gay. I would love to hear from any transwomen who might have watched Dark Angel, and what they think of Louise. As I said, a lot of the language surrounding Louise’s split second feature in a S1 filler ep is problematic and dated. She’s kind of outed against her will when Original Cindy rifles through her purse in order to find out what kind of woman would go out with Normal at all. The thing that always stuck in my mind is that Normal doesn’t give a shit that she’s trans, and it’s only the fact that she likes women that stops him from pursuing her romantically. To continue on the ‘Your favs are problematic’ roll I’ve got going now, let’s talk about Annie. Annie is introduced in Season 2 as a love interest for Joshua, a Manticore experiment who has ‘dog in his cocktail’ resulting in some altered facial features and super senses, as well as truly abominable table manners. She’s a black, blind woman who receives a grand total of three episodes before being unceremoniously murdered by Season 2’s antagonist Ames White. Her death facilitates Joshua moving to Terminal City, where the grand finale of the series goes down. Phew, boy. It’s telling that I completely forgot about Annie’s existence until this recent re-watch. The thing that drives me completely mad is that narratively there were ways around this. Sure, there always is, but sometimes character deaths are the most straight-forward, least convulated way to move a plot forward. I’m a writer, I get that. Sometimes it sucks, but you gotta do what you gotta do. Annie’s death did not have to happen. Sure, her murder by White shocks the audience into realising that Ames is indeed a monster (There were some episodes preceeding this one where his attitude towards his Murder All The Non-Humans deal seems to be softening slightly), and forces Joshua to move to Terminal City, where they find the rest of the Manticore transgenics and stage a last stand. But… Annie’s murder takes place during a chase to find Joshua in the labryth-like setting of the sewers under the city. Another series regular, Max’s workmate and friend the dorky, lovable Sketchy, is also in the sewers, chasing the story for his beloved gossip rag. He emerges, unscathed from the battle, while Annie is left behind to die at Ames’ hands. Now, Sketchy has had a heap of close calls: he’s been kidnapped by the government goons chasing Max and released on the assumption that he’s a bumbling idiot (Spoiler alert: he’s actually not) He’s also been knocked out by Max on more than one occasion and nearly beaten to death by a bunch of ‘steel-heads’: cybernetically enhanced punks. Sketchy is comic relief. He’s the jester of the court; you want to wound our heroes and shock the audience? Take him out. This is a character we’ve been rolling our eyes and laughing at for two straight seasons, and he would have died before we saw his redemption from hating the transgenics to realising that he’s best friends with two of them in Alec and Max. How is that not just as tragic as Annie’s death? I suppose because Sketchy is a loud, skinny white boy not a gentle, helpless blind woman whom Joshua loves, because as always Man Pain™ must win out. (I mean no disrespect to Joshua; Joshua is a golden retriever human and must be protected at all costs) See, Sketchy dies in the sewers, our heroes are collectively enraged and heart-broken, and Joshua still moves to Terminal City because it could have been Annie who died, I must protect her, whine-whine, howl at the moon, love sucks. See? We get to keep Annie and her guide dog Billie alive, and the plot continues in the exact same way, Man Pain™ included. 

So I don’t mean to try and make out that ‘Dark Angel’ is a bad show. It may fall victim a little to the our strong female lead is strong because she can kill twenty grown men with her little finger while wearing booty shorts and a bikini top type of thinking, but it is genuinely a really cool, female-led scifi with a unique idea and really cool, edgy world-building. 

Max is one of those heroes that sticks around in your head, and despite the unsatisfactory finale, ‘Dark Angel’ is a show seriously worth the watch.