#i NEED someone to say that to me

[haveihitanerve]

"I declared the war for the nibblers sake. You share no history with the nibblers. We humans here have many reasons to be indebted to them. What have the nibblers ever done for you?" "..." "They saved your life."

okay HOLY FUCK GREGOR MA BOI YES GET IT!!!!! this twelve year old s-o-b has more rizz than i will ever have in my lifetime hot damn thats a powerful line- literally the reason i am indebted to these animals is because they saved your life wholy fuck ahhhhh!!!!

[stil-lindigo]

lead balloon (the tumblr post that saved me)

if this comic resonated with you, it would mean the world to me if you donated to this palestinian family's escape fund.

--

no creative notes because this isn't that kind of comic.

I know I don’t owe any of you anything but I still felt compelled to write about my long term absence. And I feel far enough away from the dangerous spot I was in to be able to make this comic. I have a therapist now, and she agreed that making this could be a very cathartic gesture, and the start of properly leaving these thoughts behind me. I am still, at seemingly random times, blindsided by fleeting desires to kill myself. They’re always passing urges, but it’s disarming, and uncomfortable. I worry sometimes that my brain’s spent so long thinking only about suicide that it’s forgotten how to think about anything else. Like, now that I've opened that door for myself, I'll never be able to fully shut it again. But I’m trying my best to encourage my mind in other directions. We'll see how that goes.

I am still donating all proceeds from my store to Palestinian causes. So far, I've donated over $15K, not including donations coming from my own pocket or the fundraising streams which jointly raised around $10K. In the time since I made my initial post about where this money would be going, the focus has shifted from aid organisations to directly donating to escape funds.

If you'd like to do the same, you can look at Operation Olive Branch, which hosts hundreds of Palestinian escape funds or donate to Safebow, which has helped facilitate the safe crossing and securing of important medical procedures for over 150 at-risk palestinians since the beginning of the genocide.

[cozylittleartblog]

"content creator" is a corporate word.

we are artists.

[biomechabird]

Despite everything, it's still you.

[starcurtain]

2.1 Penacony Spoilers!

I know the scene after Ratio's "betrayal" can be read a lot of ways but I am shocked I haven't seen more people interpret it as Ratio being so worried about Aventurine that he couldn't stay away even though he was supposed to.

We know:

1) Ratio absolutely knew Aventurine's plan from start to finish, both his gamble to create "death" in the dream and with the three cornerstones. (Wish people would stop underselling Ratio in their analyses; "Three chips are enough" is a direct enough clue that, genius as he is, Ratio would never miss.)

2) In his own words, Ratio was acting according to Aventurine's instructions while in Dewlight Pavilion and with Sunday and felt that he did a good job not giving them away.

I think most people are on the same page up to there, but then I've seen a lot of people interpreting this scene after Aventurine leaves Sunday's mansion as Aventurine being genuinely angry at Ratio (possibly after having gaslit himself into thinking Ratio was actually betraying him).

But this doesn't make much sense to me because:

1) Ratio actually has nothing to gain by selling Aventurine out to Sunday. They're on the same side in this mission. Information about a Stelleron on Penacony wouldn't be news anyone with a brain like Ratio's and why would he need someone else's research on Stellerons when he already has ties to the Genius Society through Screwllum and Herta, as well as the Astral Express where the Trailblazer is actively housing a Stelleron?

2) One of Aventurine's most notable lines of dialogue is how it's perfectly fine and expected for "friends" to use each other and backstab. This is his default understanding of partners--why would he suddenly be mad about something he expected from the start?

3) If the betrayal wasn't already planned and was just a possibility based on Aventurine's understanding of Ratio, why would he ever have revealed there were "three chips" (aka three cornerstones) in play? If even the betrayal over Topaz's stone wasn't planned, just assumed, why would Aventurine reveal the existence of the third stone? He would gain nothing from doing so.

Instead, I think it makes a lot more sense to interpret Aventurine's frustration with Ratio in this later scene as annoyance over Ratio taking an "unnecessary" risk:

1) As far as Sunday knows, Ratio had just very seriously betrayed Aventurine, completely selling him out and essentially sending him to his execution.

2) In the scene afterward, Aventurine is out in public in the middle of Penacony where The Family's eyes are always watching, yet Ratio walks right up to him to check on him. Why would someone who just sold you out come up to you immediately afterward to check on your health?!

3) It's only natural that Aventurine would pump the brakes and go "Wow, didn't think you'd show yourself after you just betrayed me, remember?" Because that's the act they are supposed to be keeping up! They're still being monitored; it's not safe to break character!

But Ratio is a genius, right, so why would he break character here? From the standpoint of the ploy itself, revealing to the Family that he and Aventurine were still on the same side would only jeopardize the plan, not help it.

The logical explanation, then, is that Ratio went to Aventurine here because he felt like he had to.

He had to check in and make sure the situation was still under Aventurine's control.

(In fact, the entire exchange through the middle of this scene is Aventurine and Ratio confirming the rest of their plot in a veiled manner: Ratio brings up the plan and mentions what's concealed in the gift money bag, Aventurine confirms the cornerstone is good to go; Ratio asks what his next step will be; Aventurine says he's going to do the insane thing of handing out cash while looking pathetic [aka fishing for Sparkle]. Ratio essentially asks if he's crazy enough to take the final gamble with his own life, which Aventurine confirms, and then Ratio sets them up for the finale by gifting him the doctor's note.)

Ratio was willing to risk ruining their entire plan--something Aventurine does seem to be frustrated about at first--just to ensure Aventurine still felt all right about the situation.

He needed to deliver his note demanding Aventurine stay alive.

He needed to tell Aventurine to come to him if the situation got too painful to bear.

In short, Ratio was worried enough that he could not stay away even though, for the sake of their plot, it would have made significantly more sense for him not to appear. The gain of breaking character was worth more to him than the risk of being caught.

You honestly don't even have to take this in a shipping context. The real point here is that Ratio is an incredibly good person who wasn't okay with Aventurine's self-sacrificial plan and who felt morally compelled to check on a person in pain. He's a healer through and through, and ignoring Aventurine in this condition--ignoring someone who was taking so much risk on themselves--simply wasn't possible for him, no matter the danger it posed to the plan.

But for those who do ship Ratio and Aventurine... I hope more people will come to see this scene as another example of Ratio's genuine concern for his mission partner! He did not have to appear here at all; it would have made much more sense for him to leave Aventurine to his own devices to uphold the illusion of their "betrayal." He showed up in this scene--very likely against Aventurine's expectations--because he was concerned for Aventurine's situation and wanted to ensure Aventurine knew he could fall back on Ratio's support at any time if the plan went awry.

tl;dr: I wish people would stop interpreting this scene as the aftermath of a betrayal. Aventurine wasn't ticked off with Ratio in this scene because he felt like he'd genuinely been backstabbed; he was ticked off because Ratio was literally breaking their pre-established "betrayer" character just to be fussy over Aventurine's safety and well-being. (Okay, and to double check on the plan, but let's be real, the first part was definitely more important. 👌)

[enitsirk]

For the frostkettle truthers

[arospecsyourblockdudes]

To every trans person realizing their gender makes them straight:

You are good. Not despite your sexuality but because of it. Please don’t let yourself be ashamed about it.

There are queer people who say male heterosexuality is disgusting. There are queer people who say female heterosexuality is stupidity. There are queer people who will laugh about how silly and nasty it would be to be straight only to halfheartedly say “oh I guess trans straight people are the exception!” There are transphobes who pretend they’d care more about you if you just admit to your internalized homophobia/lesbophobia and stop being trans.

They’re all so fucking wrong. You are good for who you love. You are not ‘one of the good ones’, you are just simply good. Anyone who says otherwise is a fucking idiot.

You have a place in the queer community. You belong there as much as anyone else

[raviollies]

I know it's been said but the changes to Maria really grate on me because....this doesn't even read as the same character anymore. Maria's design was purposeful, a very clear specific concept of a 'cool sexy girl who wears leopard print and crop tops, and have a belly button piercing and a tattoo' - it combines to a stand out character portrait of not just Maria but of James, because THATS what he finds sexy and was a stark contrast to modest, sickly Mary. The new design literally just looks like a teacher or a manager now, what the hell is that supposed to tell me about either of their sexualities.

And no this isn't a case of 'tHe cEnSorINg' - this is just misunderstanding the themes. Maria wasn't needlessly sexy, objectified for the viewer; her sex appeal was referenced in the story, and was an important part of it, one of the MAJOR themes.

[inumbrapugnabimus-maybe]

did I ever mention how much I love these two?

(based on @birb-boyo’s wonderful post)

[littlebitofdnd]

Sandra-Lynn and Sklonda are having a "What Do We Do About Kristen" phone call as we speak

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[unfinishedslurs]

gay bar (steddie)

“Well, well, well,” says a voice from behind. “Steeeeeeve Harrington. I must be dreaming.”

Steve turns around to see a guy, dressed in black and chains. Rings decorating his fingers, studs in his ears, curly hair pulled back in a ponytail. He’s hot, yeah, but something about him has Steve squinting, trying to figure out why he looks so familiar. 

“I know you from somewhere,” he says, pointing out the obvious. The guy knows his name.

The not-a-stranger snorts. “Of course you don’t remember me. Why would the likes of King Steve stoop to—“

As soon as the nickname leaves his mouth, Steve’s brain lights up. “Munson!” He exclaims, snapping his fingers. “You used to climb on the lunch tables to give speeches.”

It was so obnoxious, too. The kind of thing that had him and Robin reminiscing late at night, celebrating some of the weirder shit about Hawkins that didn’t come from monsters, or Russians, or government conspiracy. Remember that one asshole? Yeah, he stepped on my lunch one time!

Condolences to Robin’s pb&j. She never sat at that table again.

Munson’s whole face turns pink. “Seriously? That’s what you remember?”

“It was pretty fucking memorable, dude. Like, gross, doesn’t this guy know not to put his feet where people eat? Dustin thought you were so cool for it too. I had to nip that in the bud before he started imitating you or some shit.”

“Oh,” he says, voice gone flat. “Because God forbid some poor kid try to immolate the freak.”

Steve gives him his bitchiest, most deadpan stare. “Feet,” he says slowly. “Nasty, fifteen year old boy feet. On my kitchen table. He almost slipped and cracked his skull, and I would have sent you the hospital bill.”

He had to get creative to make him stop, too. Stood there, hands on his hips, and made Dustin tell him exactly how many germs he thought were on his shoes. Then when he tried to do it barefoot, decided the only course of action was to stuff Dustin’s abandoned sock in his mouth and ask if he wanted that shit with every meal. Erica still has the photos. 

Munson has the decency to look embarrassed, face flooding an even brighter red that wouldn’t be out of place in a tomato patch. “What are you even doing here, Harrington?”

What does he think Steve’s doing here? It’s a fucking gay bar, it’s pretty self explanatory. “My friend is here somewhere,” he says, waving out at the crowd of people. “She’s going through a dry spell, so…”

“Right,” Munson says. Steve squints at him. Does he look disappointed?

Eh. Doesn’t matter. 

“You gave my kids the best freshman year of their nerdy little lives,” he tells him, because he knows Dustin would want him to. Plus, the guy was Mike’s gay awakening. He should probably get some credit. “So thanks for that.”

He lights up. “Yeah! How was Hellfire in my absence?”

“I had to hear them bitch and moan for months about how it ‘wasn’t the same,’ but it’s doing pretty all right. Erica Sinclair is running it now.”

“Erica Sinclair…” Munson mutters, snapping his fingers. “Lucas Sinclair’s little sister? Lady Applejack?” He beams when Steve nods. “She kicked ass. Best finish to a campaign my entire high school career. How’s Lucas, anyway? And the rest of the runts.”

“He’s doing great,” Steve says. “College basketball at Yale. Pretty sure he’s dying under the workload, but that’s what you get for majoring in physics. Dustin’s at MIT, and Mike’s taking a gap year.”

He whistles lowly. “Yeesh, I don’t blame him. How about Byers?”

“Which one?”

“Zombie boy.” Steve’s hackles raise, but Munson just grins. “God, that nickname was badass.”

“How do you even know about that?”

Munson taps the side of his nose. “A magician never reveals his secrets. Besides, all it took for you to remember me was calling you by your high school nickname.”

“That wasn’t my nickname.” Steve rolls his eyes. “Literally three people ever actually called me that, and you were one of them.”

He has a feeling it was Tommy who started it, bitter and vicious. Told himself Steve was self possessed, high and mighty, above it all. That’s why he left his old friends behind. Not because he was in love, or because he wanted to be better. No, King Steve just sits alone in his castle, looking down on the peasants with contempt. 

Billy must have taken his angry ramblings and run with them. After all, what better way to get a start in a new town than declaring yourself royalty? Never mind that Steve hadn’t cared about anything like that for almost a year by then. 

Munson had just been a drama-loving asshole. 

“That can’t be right.”

“I stopped being popular in junior year. Why the hell would anyone call a sophomore King?” Steve points out. 

“You were Prom King.”

“Again, in junior year. Pickings were slim. Who else would it have been? Tommy?” He has to laugh. 

Luckily, Munson takes the hint and swerves the conversation into new territory. “You know, I always figured you’d be homophobic.”

Steve snorts. “What, and get kicked out for nothing?”

Munson stares at him, and Steve furrows his brow, looking into his glass like it will have the answer to why the hell he said that to this guy he barely knows. He just decided he wasn’t going to spill all his daddy issues to a near-stranger in a dingy bar, dammit. Is he already on his fifth drink?

Actually, this might be his sixth. That tracks. 

“What?”

“My dad caught me kissing a boy,” he says. If he’s going to give Munson his life story, he might as well commit. “Can you believe that boy ruined my life in three different ways? Two of them didn’t even have anything to do with the gay thing.” 

Maybe four ways, if you accounted for the way he broke his goddamn heart, but everyone and their mother saw that coming a mile away. Even Steve. Especially Steve. 

No offense to Jonathan. None of those things were really his fault. Or actually life ruining, but it sure fucking felt like it at the time. 

He should give him a call soon, actually, see how he and Argyle are doing. He misses the guy. Maybe he and Robin should save up for a visit to Cali. Get Nancy on it. They could see San Francisco while they were there, that’d be cool. Apparently it was the queer capital of the country. 

He’s thinking about asking the bartender for a napkin and a pen to write down the plans he’s forming when Munson speaks up again. Steve honestly forgot he was here. 

“I thought you said you were here for a friend.”

What?” Steve blinks, confused, and then catches on. “Yeah, to get her laid. I’m not in the mood right now.”

Munson cocks an eyebrow. “Wearing that? Could’ve fooled me.”

Steve looks down at his Springsteen T-Shirt that Robin cropped, and picks at the frayed hem of his shorts. Okay, yeah, they’re on the skimpy side, but in his defense it’s summer and even if he’s not cruising Steve likes being looked at. “Yeah, yeah. What about you? Here for anything in particular?”

“Just to talk to some pretty boys,” Munson says, leaning on the bar to flag down the bartender. Steve smirks, reaching out a hand to tug at the hanky in his back pocket. Pinned, damn. 

Munson whirls around, a flush starting to crawl onto his ears. 

“Wearing that?” Steve echos snarkily. “Could’ve fooled me.”

He swears that for a minute Munson’s eyes darken. 

He’s almost tempted to follow through, high school reputation be damned, when someone crashes into his side and nearly sends him careening. 

“Steeeeeve,” Robin yells happily into his ear. “This is Bernie, she’s gonna take me home, see you la—oh, hi!” She says, noticing Munson. “I know you from somewhere.”

“Eddie Munson,” Munson greets. “Steve and I went to high school together.”

“Munson! That’s it, you climbed on tables and had shit music. I’m Robin. Okay, I’ll call the apartment and leave a message when we get there. Bernie’s waiting on me, it’s-nice-to-meet-you-bye!” Just like that, she’s gone. 

Munson’s mouth has dropped open. “You told her I had shit music?” He demands. “Wait, you talked about me?”

“She went to school with us, dumbass,” he says, as if he can talk. He still barely remembers her as more than a vague, glowering figure in his peripheral. “It’s not my fault you blasted your screamy music for everyone in the parking lot. Such a fucking headache, God.”

Munson turns his nose up. “Sorry for having offended your jock sensibilities.”

“Oh, I don’t play anymore,” he says, and knocks on his head. “Concussions, yanno. Apparently brain damage will fuck you up. Who knew?”

“What, like the fight you had with Byers? He did you that bad?”

“He did me just fine,” Steve blurts out, before he can stop himself. Munson chokes. “Shit, sorry, I’m kind of a horny drunk.” Weird thing to say, Steve. “Also, I cannot stress enough how much I needed to be punched in the face. It was a monumental moment for me, you know. Started me on the path for changing my entire worldview. Plus, he was my first guy crush.” He swirls his empty glass, lost in thought, before brightening up. “I should call him!”

Munson is staring at him, mouth opening and closing like a fish. 

“What?”

“You’re drunk.”

“Well, yeah. Duh.”

“I should probably stop you from booty-calling the guy who punched you in the face.”

Steve wrinkles his nose. “It wouldn’t be a booty-call,” he says. “He and Argyle are happy together, man. I’m not gonna ruin that.”

“Oh, so you’d call him because…”

“I call him all the time,” Steve says, confused as to why this is such a big deal. “We’re friends.”

“Jonathan!” He yells happily into the pay phone. Munson is standing to the side, looking on in annoyance. Whatever, it’s not like Steve asked him to do this. “Jonathan, man, how are you?”

“…Steve?”

“Yeah!”

“It’s like…” he hears something clatter in the background, like Jonathan is looking for something, “two in the morning there. You okay?”

“I’m doing great!” He exclaims. “How about you? It’s been ages, man, I miss you.”

“This is so fucking weird,” Munson whispers behind him. Steve ignores him. 

“Are you drunk?”

“No,” he says. “Well, maybe a little. Do you not miss me too?” He pouts, and Jonathan sighs loud enough he hears it over the phone. 

“I just talked to you yesterday.”

Steve frowns. “Yesterday? That can’t be right, it’s been, like, forever. Oh, hey, have you heard from Nance lately? How’s your mom? I love your mom, she’s so fucking cool. Does she know I think she’s cool? How’s Will? It’s been so long, is he taller than me yet? How’s Argyle doing with his degree? I miss you guys.”

“We miss you too, Steve.”

“Awww, Byers, getting soppy on me? Gross, man.”

“You literally just—yeah, okay. Are you alone?”

“Nah, I’ve got this guy with me, he’s walking me home. Oh! Dude, do you remember Munson?”

“Munson?”

“Yeah, Eddie Munson! From high school! The one who used to climb on tables and shit, remember him?”

“Jesus Christ,” Munson groans. “Please let that die.”

“No one is dying,” Steve informs him seriously, and turns back to the phone. Munson sighs. 

“Wasn’t he a drug dealer?”

“Yes! Yeah, drug dealer Munson! Did you ever buy from him?” He turns to where Munson is looking around furtively. “Did Jonathan ever buy from you?”

“How about we not talk about this here,” Munson says through gritted teeth. Steve sighs and turns back to the phone. 

“Never mind, he says he doesn’t want to talk about that. Not like we can judge him, but whatever. Maybe the guy’s turned into a prude—“

“Okay, give me that.” Munson wrestles the phone out of his hand, and Steve whines at him. “Hey, Byers,” Munson says. “Yeah, it’s Eddie. Or Munson. Whatever. Listen, I’m getting kind of sick of standing here watching Harrington slobber all over the receiver, can he call you tomorrow? What? No, I don’t sell anymore—yeah, total bummer, whatever. Listen, I’ll get him home safe—no, I’m not going to serial murder him. He’s gonna be fine, he’ll call you tomorrow—Nancy Wheeler? Like that girl he dated? Didn’t you—shoot me? Jesus, okay! I’m not gonna kill the guy, Christ. He’s gonna be fine, oh my God. He’ll call you tomorrow. Uh-huh. Uh-huh. Yeah, okay. Bye.” He slams the phone into its holder with more than a little contempt. 

“Hey!” Steve protests. “You didn’t let me say bye.”

“You can call him tomorrow and apologize,” Munson says. “Now c’mon, Harrington. I’ve been tasked with getting you home safe, and if I fail, apparently Nancy fucking Wheeler is going to shoot me in the balls.”

“Oh, yeah, she’s really hot when she does that,” Steve says fondly, and Munson splutters. 

“What, does Wheeler just go around shooting people? Does she even have a gun?”

“Of course Nancy has a gun.” Steve frowns. It was one of the sure things in the universe at this point. The sky is blue, Hawkins is fucked up, and Nancy Wheeler has a gun. “And she doesn’t shoot people, stupid. Well, she shot at Billy, but he deserved it.”

“Billy?” Munson mutters, starting to usher Steve in the direction of home. “Who the fuck is Billy?”

“He was trying to kill her first!” Steve defends. “I hit him with a car before he could, so she was okay.”

“Okay, yeah, sure. Why wouldn’t you hit some guy with a car? 

“It wasn’t some guy,” Steve says. “It was Billy. He was, like, possessed or some shit. Oh, and he beat me up. Total psycho.  And that was before the melted flesh monster.”

Munson stops and stares at him. “You know what, sure. Demonic possession. Yeah, okay. Some guy named Billy kicked your ass—wait, are you talking about Billy Hargrove?”

Steve lights up. “Yeah! You remember that? That’s one of the concussions I was talking about. I gotta wear glasses 'cuza that shit. Man, fuck that guy.”

“Didn’t he die?”

“Oh, yeah,” Steve frowns down at the ground. “Shit, I’m, like, speaking ill of the dead, aren’t I? Max wouldn't like that. Unfuck him, or whatever.”

“You wanna come up?” He asks. “For old times sake?”

Munson stares at him like it’s the craziest thing he’s said all evening. “‘Old times’ was your asshole friends calling me a satan worshiper and pushing me around in hallways, Harrington.”

“I know.” He grins. If he was sober he’d definitely feel worse about that, but as it is he’s pretty single minded. “Don't you kind of want to make me cry about it?”

Deer in headlights isn’t usually a good look, but Munson’s got the eyes to make it work. Or Steve is drunk. Either way, it’s kinda cute. 

“You’re drunk,” he finally says, stumbling over the words a little. If Steve pays close attention and ignores most of reality, it almost sounds like he’s trying to convince both of them. “You’re so incredibly drunk.”

“I’m not that drunk.” He totally is. 

“I just had to supervise you calling Jonathan Byers so you didn’t say something you’d regret in the morning.”

“What’s that supposed to mean?” Steve asks, offended. “I love Jonathan! I tell him all the time. Just because I said he ruined my life—“

“That was him?”

“Did I not say that? Huh. Whatever. Point is, I’m not that drunk.”

“You’re definitely drunk,” Munson says. “I’m not—yeah, no. I’m not coming up.”

“Damn.” Steve shrugs, not too put out about it. It’s a bummer, sure, but he handles rejection like a champ. Just ask Robin. “Worth a shot. See you ‘round, Munson.”

“Don’t kill me,” Steve says. 

“Oh, god, did you punch him?”

“No, I, uh.” Steve rubs the bridge of his nose. “I think I tried to fuck him.”

He has to hold the phone away from his face so Dustin’s screeching doesn’t break his eardrums. 

“Your exes are weirdly protective of you,” Munson says blandly. “Also, didn’t they date?”

“Yeah,” Steve shrugs, not exactly eager to start spilling his life story again now that he’s sober. Munson doesn’t need to know more about his dating history than he already does. “We’re all a little weird about each other, sorry.”

“Weird about your exes,” he hums. “No wonder you’re single.”

“Oh, fuck you. It’s not like that.”

He raises an eyebrow. “No?”

“Are you always this nosy?” Steve asks, a little waspish. 

“Absolutely,” Munson replies without hesitation. “I’d say sorry, but I’m not. When did you even date him?”

“Dude.”

Munson just cocks an expectant eyebrow, hip resting against the bar. He can’t imagine why someone would be so interested in the romantic lives of their old high school classmates. It’s not like Steve is about to ask what was going on between him and Chrissy Cunningham. 

“Well, Harrington?”

“First grade,” Steve answers, deadpan. He grins when Munson chokes. “Nah, it was actually after he and Nancy broke up. Fall of ‘86.”

Arms squeeze him from behind, and Robin slides into view, leaving one hand wrapped pointedly around Steve’s waist. She gets clingy when she thinks someone is bothering him, or when she’s just on the side of drunk that she gets possessive. She told him, embarrassed and hungover, that it’s because she registers someone he’s getting along with as infringing on “her Steve time.” Steve thinks it’s hilarious and kind of sweet, an obvious lesbian trying to pretend he’s her date. Especially because he gets the same way when he’s tipsy and feels like he doesn’t have enough of her attention, so she can't yell at him for being a cockblock. Cuntblock. Whatever the lesbians call it.

He wonders what category she thinks Eddie is. Of guy, that is. Not block-anything.

He'd actually be pretty damn happy if the guy miraculously changed his mind and decided to sit on his cock instead.

“What’s going on here?” She asks, almost cattily. He loves when Robin gets bitchy. It brings him back to their Scoops days, except he gets to see it turned on someone else. 

“I’m telling Eddie my life story,” Steve says blithely.

“Ugh. Who would want that?”

Eddie grins. “I’m curious about the adventures of a former king.” He dips his head in a bow, waving his hand in a flourish. “I don’t know if you remember me from last time, I’m Eddie—“

“Munson, I know. You stepped on my lunch in junior year.”

Eddie turns beet red in record time. 

“Aww, Robbie,” Steve almost coos. “Leave him alone. I wanted to be the one who made him blush like that.”

“It’s not my fault your boy’s easy.”

“Not my boy, clearly,” he mutters under his breath. “And if he were easy, I’d have gotten fucked by now.”

Eddie’s mouth drops open with a choked little sound. Whoops. Steve forgot volume control again. 

Robin takes one look at Eddie’s face and bursts into cackles. 

“He was asking about,” he waved a hand in the air, “the whole Nancy-Jonathan thing.”

Her eyebrows jut up. “You told him about the threesome?”

“The what?”

Steve sighs. “No, Robin. I did not tell him about the threesome.”

“…oops.”

“When?” Eddie demands. 

Robin gives him the evil eye. “Why are you being weird about this? It’s not gonna make him fuck you.”

Steve wisely keeps his mouth shut. 

Eddie does not. “Your boy here already asked,” he smirks, leaning closer. “I said no.”

Then, as an added punch to his ego, he twirls a strand of Steve’s hair around his finger and tugs slightly. Steve’s too stunned to protest. 

Robin watches the exchange. “Oh, no thank you,” she says. “Nope. I’m out. I don’t want to see whatever this is. Ugh, stop making me hear about your sex life.”

Hypocrite. “We have thin walls, Buckley,” Steve reminds her. He turns to Eddie and stage whispers, “She likes her girls loud.”

“Steve!”

“You do!”

“Oh, because you’re so quiet,” she snaps, smacking him. “How many times have I had to bang on the wall because you couldn’t keep it down? You wanna talk about loud? I know more about you than I ever wanted to.”

His mouth drops open in mortification. “You know it’s rude to be mean to the man who told you how to eat out,” he hisses. 

“I’m not dying without fucking Eddie Munson,” he declares. “I mean, his high school nickname was literally ‘The Freak.’ He’s got to be good in bed, right?”

“I think that was mostly because everyone thought he was communing with the Devil or something.”

“Maybe the Devil gave him sex magic.”

“Of course he thinks I’m cute.”

“I do?”

“Do you not?” Steve turns to him, widening his eyes in the same pout that always has Robin throwing something at his face, or the kids reluctantly agreeing to do what he wants. He’s found it’s useful for guys too, especially if he ducks his head to seem smaller and looks through his eyelashes. Makes them imagine him looking like that on his knees. 

Munson is no exception. He melts faster than Steve can say gotcha. “You’re very cute, Harrington,” he purrs, and Robin snorts into her drink. 

“You’re a weak, weak man, Eddie Munson,” she tells a blushing Eddie. Then she kicks Steve. “Stop bringing out the ‘fuck me’ eyes when I’m around, I’ll gag.”

“You could leave.”

She gasps, affronted, and kicks him harder.

“So you would fuck me if I wasn’t drunk?”

“Uh…” he looks everywhere but Steve’s face, which is just rude. He has a very nice face. He’s been called dreamy before. 

Which made Robin laugh so hard she fell off the couch when he told her, but he’ll take the lesbian’s opinion with a grain of salt. 

He makes his way onto the dance floor. He’s not a particularly good dancer, but he shakes his ass like he means it. Gets up close with a guy, stares at Eddie the whole time. Keeping eye contact as the guy puts his hands on his hips. 

Look, he means to say. This could be you. You could lose your chance if you’re not careful. 

From the burning in Eddie’s eyes, he gets the message. 

The message is a bunch of bullshit. It’s been over four months, he’s in too deep to go fuck off with someone else now. Still, he enjoys the way Eddie’s hands flex on his thighs, like he had to stop himself from reaching out. 

The thing is, Steve’s not an asshole. He can take a hint. No means no, and all that jazz. If Eddie really didn’t want him, he’d fuck right off and find someone who did. He even started to.

Except Eddie pouted up a storm when he flirted with someone else. Got even clingier when Steve tried to back off. At this point, he’s accepted that Eddie does want to fuck him, and maybe even be more (no one flirts with someone as long as they’ve been doing without wanting something like a relationship out of it. At least, he hopes there’s something more on the horizon), but has some weird hang up about Steve being even a little bit buzzed when it happens. Even though they only ever see each other at this fucking bar.

The problem is Steve has no idea when Eddie will be at the bar. He’ll stay sober one night, hoping to see him, and then go home alone only for next time to be when he sees telltale curls and a wide smile. It’s driving him up the wall. 

Robin has been similarly affected.

“It’s been six months,” she growls as Steve looks eagerly around. “Six fucking months of you two dancing around in the worlds most annoying mating ritual. I’m going to kill both of you.”

“We’re not that bad,” he says absently. 

“You don’t even have his phone number. It’s pathetic. I swear to God, if you see him again and don’t get laid I’m reviving the scoops board. I will go out and buy a whiteboard to keep track of all the times you strike out with a man who used to walk on tables. He stepped on my lunch, Steve. Do I need to keep bringing up the fact he stepped on my delicious, nutritious PB&J? I can’t believe that’s the guy you decide to be obsessed with, that’s so fucking embarrassing for you.”

“Embarrassing? You mean like your crush on my ex girlfriend?”

She screeches wordlessly, pulling her keychain off her belt loop and attacking him with it. 

Naturally, that’s how Eddie finds them. 

“I swear you guys get weirder every time I see you.”

Steve grins guilelessly at him, holding a flailing Robin in a headlock. 

“Eddie! Hey! It’s been a minute.” He hasn’t been able to come in a month, and it’s been longer since he’s seen him. It’s honestly one of the deciding factors on whether it’s a passing fancy or a full blown crush. He still went to sleep every night thinking about Eddie. It didn’t even have to be about sex. 

Although maybe not sleeping with anyone else for half a year should have tipped him off sooner. 

“Sure has, big boy. I was starting to think you were getting sick of me.” It’s a joke, but Steve catches an undercurrent of insecurity. 

“That’d make my life easier,” Robin snorts. She finally wiggles her way out of his hold. “I saw Arty somewhere around here, I’m gonna see if I can crash at her place tonight.” She levels Eddie with a look. “He hasn’t had anything to drink. If you don’t put him out of his misery, I will. And it won’t be the good kind. It will be the bad kind. With bad screams. Lots of screaming, and someone will call the pigs, and I’ll be arrested and jailed for life. Do you want me to go to jail, Munson?”

Eddie shakes his head dumbly. 

“Good! Then do something about it.” She slaps Steve’s back, a mocking echo of his jock days. “Go get ‘em, slugger!” 

With that, she’s gone, disappearing into the crowd. 

“She is,” Steve remarks with amusement, “the worst wingman on planet Earth. Mars too, probably.”

“I dunno, I think it might be working.”

“I’m not doing anything without a condom,” he says, eyes narrowed like he’s waiting for an argument. 

“Me neither,” Steve agrees. “Robin has, like, this big fear of diseases. Totally got me with it. She pulled out the library books, those pictures were fucking disgusting. Shit showed up in my dreams, man. Neither of us do anything without protection.”

“I’m going to be totally honest with you, because I haven’t been and it’s starting to eat at me,” Eddie says, hovering above Steve. 

Steve wrinkles his nose. “What is it? Are you a spy or something? Are you Russian? Do you have superpowers? Is your name not actually Eddie?” He pauses. “Oh, God, you’re not even Eddie Munson, are you? I’m just some asshole who’s been calling you by my old classmates name and you were too embarrassed to correct me. Shit, we made so much fun of you for walking on tables too—“

“What?” Eddie covers his mouth, expression hovering between amused and baffled. “What the fuck, why would I go along with that? No, Jesus, I’m Eddie Munson. Moved to Hawkins when I was eleven, took senior year three times, walked on the fucking tables, could you let that go?” He moves the hand covering Steve’s mouth to play with his hair, looking annoyed for a minute before it smoothes to trepidation. “No, I, uh, I just felt like I needed to tell you that I used to have a hate-boner for you in high school. Like, I used to jack it to the thought of kicking your ass and making a mess outta you. In more ways than one.”

Steve stares. 

“Also, that’s kind of why I approached you in the bar in the first place,” Eddie blabbers on. “And then you said you were just there for a friend, and I was disappointed but it’s whatever, yanno? And then then you told me about your dad, and threw my expectations to the fucking wolves, and then you asked me to come up to your apartment except you were drunk and you probably didn’t mean it. But then the next time I saw you, you kept flirting with me, which you were not supposed to do, and I kept pretending that wasn’t the reason I even talked to you in the first place, and, uh, yeah.” He smiles nervously. “Surprise?”

“I mean, not really.”

“You’re such an asshole, fuck off. At least pretend to be shocked.”

“It’s not my fault you stare at my legs all the time,” Steve says, affronted. “I know I didn’t do too good in school, but I’m not dumb enough to miss that. Like, hello, my eyes are up here.”

Eddie lets his arms give out, flopping on top of Steve heavily. Steve wheezes. “Am I really that obvious?” He whines into his shoulder. 

“You got sad and pouty when I even looked at another guy.”

“You could’ve fucked him,” he mumbles. “The guy you were dancing with. It wasn’t any of my business. I’m a big boy, I can deal.”

“Yeah, but I didn’t want to fuck him,” Steve says. “I wanted to fuck you. Can we go back to that please?”

“Thought I was fucking you.”

“Someone’s getting fucked or Robin will kill both of us. I’d like to live tomorrow morning. And not have to deal with any more of her teasing for having no game.”

“You have unfortunate amounts of game,” Eddie sighs, tracing the side of Steve’s neck. It tickles. “It’s kind of embarrassing for me.”

“Yeah, yeah, are we using those condoms or not, Moodkiller?”

“Oh, I’m the mood killer?”

“Yes,” Steve says matter of factly, and pulls him in for a kiss before he can protest.

[moeblob]

So does he, Gallagher.

[bandzboy]

from my twitter since i also wanted to post this here

[fairyhaos]

bro do u know who's an idol that i wanna gatekeep soooo bad? dokyeom. like this is a man who's so crazy talented that he's lead vocal of a hugeee group, belts high notes Just For Fun, is moodmaker, energizer, sunshine of the group, cute and funny and adorable and sexy buff all at once and is ALSO the leader of the incredibly successful bss on the side?? he's been in a musical, TWICE (bc he was so good that they called him in to reprise the show), and no matter how much he struggles he literally never fails to have the hugest smile on his face. he's caring and gentle and loud and bubbly and he's so fucking GORGEOUS. like it's actually insane how beautiful he is. people don't appreciate him enough and i think that this is a sign that we start gatekeeping him bc if lee dokyeom is gonna be treated with anything other than kindness and love, then others don't deserve to know about him at all.

[kedsandtubesocks]

after you get married, the first time someone yells out “Gojo!” both you and Satoru turn around and he immediately bursts into tears