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e-adlirez · 5 months

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Treasure Seekers 3 Review/Ramble

Welcome to the third and last entry of the Treasure Seekers trilogy :D

"Wait what?" I probably hear you ask. "What about the other four treasures they said the girls would find?"

And to that I say

yeah it do be a bit sad that they never made a book 4

But make no mistake, Legend of the Maze is a doozy of a third book, and I'd say it's almost on-par with book 1 if not surpassing it. Unfortunately there is no free digital copy of the book, so uh if you're down to spend a bit on a digital copy on the E-book site of your choosing or on a physical copy in a bookstore, I salute you for your determination.

As for the rest of you, you're just gonna have to trust me bro :] /j

Ready? Let's go :D (also this is being written by a sleep-deprived E running on hyperfixation juice so if you find any grammar issues feel free to let me know so I can fix them)

The story begins with the Thea Sisters touring the Capelletti House in Verona with their Italian friend/tour guide Sebastiano. Yes, this Verona.

So yeah Colette is fantasizing about Romeo and Juliet as a romantic ship, Vi is trying to kill her Santa by telling her that Romeo and Juliet are fictional characters (which Colette responds to with "oh hush I can dream"), and oop-- loose floorboard-- what's this package under the flo-- LE GAAASSSPPPP LANE LOOORRREEEEE

The girls fangirl about the ABL jumpscare a lil' too loudly and Sebastiano is a lil' confusion, soooooooo the squad goes out for some snacks outside the Capelletti house to explain stuff to Sebastiano

buckle up Sebastiano you're about to get two 300-page books worth of Lane Lore™

While listening to the story, it turns out that Sebastiano may or may not have heard a peep about a legend about a treasure called the Treasure of Eternal Love (adapted Scholastic name is "Treasure of True Love" which ew, snatches the original Italian name instead), which was said to have been owned by Juliet and tho a lotta people are trying to find it, they dunno where it is now. Sounds very Seven Treasures of the World to me :]

How does Sebastiano know a peep about this very obscure legend? Turns out he learned about it from a letter written by his great-grandpappy Jacopo, who was an archaeologist like Aurora :3

So Sebastiano invites the girls to dinner at his place so the girls can look for the letter. Vi don't get too comfy with the house library I know it looks very cool and antique but we got a goal and that is sifting through a lil' box of Jacopo's kept things and find some-- HOLY CRAP LANE LORE™

"Hi Jacopo, tysm for helping me with my research on the Treasure of Eternal Love, you're a real g my guy, regards from me and my sister Linda, also tysm for the tour of Verona."

-- ABL

The girls tell Sebastiano their findings over a dinner of bigoli al pomodoro, give some extra Lane Lore™ about Jan von Klawitz and Aurora's six sisters, and mention the possibility that Linda knows where the treasure is, which means that Luke is probably after it too, but also Linda might know where the treasure is, which means a lead >:3

First stop: Verona's city hall, where Sebastiano's friend Guido works and is able to help them with finding information about a Linda Lane who may or may not have lived in Verona approximately a century ago. They find a document that says yes, Linda did in fact live in Verona once, and also her address is listed there because legalities, y'know how it is.

So the girls head on over to the address, knock at the door, and are greeted by an old lady, and :0 turns out this old lady (her name is Mia) knew Linda personally.

Linda and Mia met when Linda was in her older years and Mia was a smol child. Mia would read for Linda since her eyesight deteriorated in her old age, and they hung out a lot together. When Linda left to return to England, she left the house to Mia, as well as a good chunk of the stuff she had in said house as mementos for Mia to remember her by.

Hey guys you wanna see a trick, it's called "the Lane Lore™ %", aka how fast can we get this old lady up to speed with the ABL drama-- /j

Unfortunately Mia doesn't really know anything about the treasures, but she does have this wack painting of a scenery in Japan that just won't align correctly no matter how much finagling you do to it-- oh there was an envelope inside-- LANE LORE™?

So the letter inside the envelope is a letter from Aurora to Linda basically Aurora telling Linda she found the Treasure of Eternal Love, but because Jan is on her tail, she left the treasure in the "House of the Sun" for now. Now, if you tried looking up "house of the sun", you'd get a hotel in Florida, a manga, a former Incan temple that's now a monastery-- you get the picture, it do be a weird detail and probably not it bro, besides Aurora's too much of a gremlin to be that obvious with her riddles.

At least if you're not a Shakespeare nerd like Colette is (the kind that never read past Romeo and Juliet's wedding), because if you were, you'd know that at one point Romeo equates Juliet to the sun rising in the east. Romeo is simping for Juliet, Juliet is the sun, ergo, the Capelletti house.

But uh, thing is we already went to the house and we already know that Aurora came back for the treasure and took it somewhere else. Sooooo might as well see what the last letter says--

"Hi so I'm on the run rn I can't chat for long because Jan is pissed and he wants to find me and force me to reveal the treasure, and I don't think I wanna know how not-kid-friendly this is gonna get if he does find me. Thanks for introducing me to your friend tho :D she's cool and thanks to her help, the treasure is safe and sound in the shade of the cherry trees! I'll come back for it one day, hopefully that day comes soon. Anyway, hugs and kisses, Linda." - ABL

Spoiler alert, despite having a beeg cherry tree on the painting, there was in fact nothing else hiding behind the painting.

LUKE TRANSITION

So Luke is doing Luke things, not touching grass as per usual. Cassidy comes by to give him a lil' souvenir from great-grandpappy Jan von Klawitz's house in London: Jan's old notes. Luke immediately dismisses Cassidy without even so much as a thank you -- Cassidy girlypop you're not scoring that man no matter what you do, he's the Adrien to your Marinette girlie we're only at book 3, you might as well accept your fate -- and Luke takes a lil' peek into Jan's notebook (he also calls his great-grandpappy "Jan", like just "Jan". I dunno maybe I'm just finding it weird because I'm Asian . .) for the goods.

And goods Luke does find, which he proceeds to consume like a goblin. Bit of Klawitz lore here:

"Grrr grrr stupid Aurora and her smartass tricks grrrrr who does she think she is grrrrr she beat me to the Treasure of Eternal Love in Verona grrrrrrrrrrrr well at least now I know how she works, I managed to find this friend of hers Jacopo, who definitely knows about the treasure even though he keeps playing stupid like I don't know that he knows Aurora. Something something cherry trees, I ransacked every single cherry tree in Verona and there was literally nothing, wth, Aurora why are you like this" - Jan von Klawitz

Luke responds to this seedy lore from his great-grandpappy with "hehehHEHEHAHAHAHAHAHAHH JAN YOU IDIOT, YOU COULDN'T SEE WHAT WAS RIGHT IN FRONT OF YOU BECAUSE YOU UNDERESTIMATED THE LITTLE PILOT GIRL, I ALREADY KNOW WHERE TO LOOK"

Cut back to the girls, and they know where to look next, too

It's Japan, i-it's Japan, y'know Japan's relationship with their sakura/cherry blossoms

Turns out Linda has a friend named Kyoko Bianchi, a Japanese-Italian botanist who was raised in Japan. Since Aurora mentions in her letter that Linda's friend came in clutch, she was obviously referring to Kyoko and now the treasure is in Japan.

So Japan transition :D (based on my personal experience in Japan and also a bit of canon continuity consistency, I headcanon that despite being written in English, this segment of the story mostly had the girls speaking in Japanese, a language they would know how to speak a bit of at least (and apparently Vi is conversational in Japanese so c'mooonnnn).)

The girls land at Narita Airport and take a train to central Tokyo (damn Kumi from Cherry Blossom Adventure you came in clutch possibly teaching the girls how to Japanese subway offscreen because they actually didn't get lost using it on their own :D). Kyoko's hometown was Tokyo, so might as well start searching for her descendants/relatives there. First stop: Shibuya.

Colette is playfully ribbed a bit for having a big-ass bag while everyone else only brought smol backpacks around with them, the luck of the girls not getting lost using the Japanese subway must be balanced out so Paulina's GPS decides now is the right time to be a dick, Shibuya Crossing, and finally they make it to the hotel where Amrita Bianchi, their first Kyoko descendant candidate, is at.

And this is the first time the girls come across the concept of cosplaying, I genuinely don't know how they managed to sidestep it for so long especially since they've been to Japan before for a student exchange, all I can really justify it with is that university has been kicking their a-- RATSUNE MIKU??

Gahd even in 2018 Italy there was no escape from her /j

Anyway so Amrita didn't know Kyoko, so their second candidate is Shinobu Bianchi, a guy living in Shinjuku. They find him-- or more accurately run into him (literally) on his way to work, try to explain things to him but this man is running late, so he invites the girls to follow him to his workplace. They find themselves in a cafe on opening time, customers start filing in before the girls can even tell Shinobu what the whole deal is, soooooo karaoke break :D

Vi c'mon it's not like there's much else to do while waiting for Shinobu-- what're you gonna do, sit there and wait? A-actually y'know what that sounds like something Vi would happily do but c'mooonnn Vi where's your sense-a humor :D

Thirty minutes of singing later, they finally get five minutes to explain to Shinobu what they're looking for and Shinobu says "sorry I dunno Kyoko, I am half-Italian on my dad's side, but my mom has a different Japanese surname"

So the girls Peter William a bit emotionally, Pam goes to what Scholastic is telling me is a kiosk but might as well be a 7/11 based on the banger food Pam got from said kiosk, the girls take a taxi to a Capsule Hotel (judging from the illustration it looks like the Shinjuku Kuyakusho-mae Capsule Hotel), and after a bit of dinner, Peter William into their capsule rooms physically.

The next morning, Nicky goes out for a morning jog as usual (she prolly slept with her capsule open so she wouldn't get claustrophobic), and she finds a gardener tending to a Kyoko Bianchi flower :0 like no joke that's the name, it's a K. bianchi, named after a botanist who founded the Fairy Garden (Disclaimer: neither the K. bianchi nor the Fairy Garden Foundation in Japan exist, they're fictional bits for this fictional story and that's fine :3). Nicky gets the address for the Fairy Garden, runs back to the girls who are having breakfast, and they head on over to the venue.

At the Fairy Garden, the girls meet a gardener named Toshio who happily shows them around, and despite not knowing all the Lane Lore™ (yet), he knows enough to lead them to Kyoko's perfectly preserved office, where the late Bianchi has displayed some pictures from Verona, as well as her furniture and encyclopedia collection.

After a search, they find what was presumably a haiku alluding to Jomon Sugi and the writer's voice being hidden in there, and one jaunt to the record of Jomon Sugi in Kyoko's encyclopedia collection and uhp-- a hidden cassette tape inside the volume!

On one hand, victory, the girls have found a VHS tape that is implied to have a personal recording from Kyoko Bianchi herself, so they're super-close to the treasure now :D

But on the other hand, they found a VHS tape in the year of our lord 2018.

Good news, Toshio knows a buddy who's super tech-savvy, and that's including tech things. Bad news, he's in Kyoto, which is about 445 km/283 miles away from Tokyo.

So the girls quickly take a shinkansen and some bento boxes to Kyoto :D (their wallets are probably sobbing in an 86-USD ticket per person)

At Kyoto, meet Ren, are lowkey surprised that his house is a traditional Japanese house as opposed to a modern flat but hey it's a pleasant surprise, and Ren is able to play the tape for them.

In the tape, Kyoko explains the Treasure of Eternal Love, how it ended up in her hands at the ripe age of 20 through Linda and Aurora, and some Treasure of Eternal Love lore, or rather Ring of Eternal Love lore:

Yeah sure Romeo and Juliet were fictional characters, but reality, so it goes, isn't that much different. The Ring of Eternal Love was a courting gift from a suitor to a bachelorette of the Cappelletti household. The suitor and the girl's families had hate boners for each other for a while now, but instead of spiraling into a destructive mess of family feuding and death like in Shakespeare's play, they decided to call off the feud so the two lovers could be happy together. And now the ring, as Kyoko puts it, has been passed down from her to "one who shows love every day, in every way, towards everything that grows from the earth."

The girls are happy they got to see the tape and its contents, but they Peter William emotionally once more because well, they're back to square one now-- literally the only clue they have is the thing Kyoko said, and what is the thing Kyoko said? It's cryptic and weird and h a h ? Ren offers to accommodate them for the night, the girls get to sleep on futons for the first time since Secret of the Snow, and the next day they decide to have some downtime vacay-ing in Nijo Castle. A vacay that results in Vi having an epiphany about the riddle and thus who has the ring.

Meanwhile with Luke, he's planning something. Something that's got Cassidy in Japan and putting her master's degrees in Engineering, Chemistry and Computer Sciences to use by assembling a drone (I'm wondering how Cassidy has so little braincells out on the field despite having THREE MASTER'S DEGREES like holy crap--)

Cassidy tries complimenting Luke on the motherboard he sent in from Alaska and-- ew Omar why are you here I thought Luke fired you-- ooh what's that package thing-- oi don't diss on Japanese people being polite, once you see the ruder options you're gonna be pining for that shnit-- wait what how's this drone gonna find the Ring of Eternal Love--

Anyway the girls plus Toshio and Ren take the train back to Tokyo (istg if they took the shinkansen--) and back to the Fairy Garden Foundation, where they talk to the current head gardener: Mr. Murakami.

Mr. Murakami does in fact know Kyoko personally, and after a bit of persuading (it involves a bord like many good things in this world), he decides to bring them to his hometown Nara (which involves a train to Kyoto and then a train from Kyoto to Nara which on the Kodama plus the cheapest option from Kyoto to Nara is-- CHEESUS CRUST 91 USD PER PERSON AND THEY HAVE TO GO BACK TO TOKYO AFTER THIS???)

ANYWAY Mr. Murakami takes them to Nara Park, where he hid the treasure. He brings the girls to it, he checks the hiding place and

It's empty?

Wait, the hiding place is empty?

WAIT WHAT THE HIDING PLACE IS EM--

Off in Alaska, Luke is cackling in his fancy custom-made not-gamer chair.

Mr. Murakami is distraught, most of the girls stay to comfort him while Nicky and Ren scout out the area. In their search, Nicky and Ren find a big broken drone that seems to have crash-landed in the garden, and oop-- LVK logo. It was probably used to spy on Mr. Murakami to snatch the treasure. "DAAAMMMNNNN YOOOUUUU LUUUKKEEEE" Nicky probably would've shrieked at the top of her lungs if she weren't A. in Japan (it's very quiet generally), and B. within earshot of poor Mr. Murakami, who's still recovering from the horrible shock. The girls, Toshio and Ren take the drone to Kyoto while Mr. Murakami stays in Nara with the fam to recover because man, he deserves the break :(

In Ren's house in Kyoto, Paulina and Ren get to work hacking into the drone to snatch its data, and they find that the drone's memory goes as far back as to being in Alaska for some reason. Why would an LVK drone be in Alaska? Unless-- :OOOOO SECRET BASE??

With that lead, the girls depart for Anchorage, Alaska (if I plugged it into Google correctly the price for the flight totals out at a 567-USD one-way flight holy crap girlies have mercy on your wallets-- not including the mini shopping spree for winter clothes Colette was more than happy to drag the girls on). Ren gives Paulina a little flash drive with some written code that could come in clutch in whatever shenanigans they end up in in that secret base of Luke's. Yes Violet as much as I think you're the only person in the group who seems to be concerned for your wallet, ya'll are nawt surviving Alaska with those summer clothes ya'll are wearing.

Behold, a long rest/14-hour timeskip in the form of the last two letters the girls have yet to read from Aurora to Linda. (Well the girls besides Vi, God's sleepiest soldier over here is eeping in the back before the flight's even taken off--)

(These are the real letters this time around lmao, if you're confused, Aurora addresses Linda in these letters via her middle name Amaryllis.)

Dear Amaryllis,

I'm very sorry that, because of my job, you are taking on a responsibility that is perhaps too great, and that puts you at risk.

It's all because of the greed of my former professor, a mouse who is incapable of recognizing that beauty should be shared. My dear sister, I have thought about it for a long time, and I have come to the conclusion that the best solution is to take the Treasure of Eternal Love from Verona, where it is not safe... and put you at risk. I am sending you a copy of one of the photos I hold the most dear, in memory of the love that binds us. I hope it will help you make the best decision...

Yours, Aurora

Dear Amaryllis,

You wrote me that you are making a decision about the treasure. I agree that the mouse you're planning to entrust it to is worthy of that trust, and I will wait for more news. But you must be careful, even when you write to me, to not mention names or places. We need to watch out, because my former professor is more alert than ever.

It seems that he's building an underground shelter for his riches, designed as a kind of maze to test anyone who manages to enter it...

Professor Jan is clever, and he's always loved riddles, puzzles, and mysteries. I wouldn't wish for any mouse to find themselves in his maze!

Now I must say good-bye, my dear. Sending a big hug.

Yours, Aurora

Once the girls land in Anchorage, Alaska, they rent an SUV, pull out Google Maps, read some of the brochures Ren printed out for them just in case, fangirl over a moose (Nicky that's not something to fangirl about have you seen what they're capable of--), and accidental secret tunnel discovery?

Well, accidental secret garbage chute discovery, anyway, since the one thing that allows the girls to not break their ankles when landing is some garbage bags. Food waste garbage bags no less :D Ew :D

Some old aircraft bits are found too which is nice but it's never elaborated on whose old aircraft bits those were so we're moving on to the girls entering Luke's secret headquarters and Nicky trying not to die from claustrophobia :D

CCTVs pose an initial problem, but Ren's flash drive comes in clutch and allows Paulina to freeze the cameras so they can go in undetected (Ren how do you know how to program that is there something you wanna share to the class--). One lengthy labyrinth later, the girls manage to get out of the "we're walking in circles" loop-dee-loop they wound up in and find this little room with a little lit fire pit and an ominous riddle involving the "elements of nature". Pam has the idea of extinguishing the fire pit, and sure enough, inside the fire pit is a key that fits perfectly into the door across the room.

And right after Pam turns the lock on the door, a trapdoor opens up beneath her and she falls into the pit below. It's padded, it's kinda cozy, but it's way too deep for the girls to reach Pam from above without a rope or attempting to risk falling in and getting trapped as well. The girls are very reluctant to leave Pam, but Pam unfortunately only metaphorically slaps some sense into the girls and tells them to go on because they've gone too far to back out now so COMMIT TO THE BIT GODDAMMIT

(you guys like the rhyme-y bits? They're kinda fun to write I do like the rhyme-y bits a bit <:])

And thus the girls minus Pam go through the door to the next room, where there's this swimming pool with a key inside it, which Nicky swims down for, assuming that the trap in the room will only activate once they get the key into the door leading to the next room. Obviously she winds up being very incorrect, as the moment she takes the key from the bottom of the pool, the water starts to drain away until all you got left is a sopping wet Nicky in an empty pool and the key to the next room, which Nicky tosses over to Paulina while asking for her shoes and her dry clothes that they packed. Colette is devastated, devastated I tell you at the idea of leaving Nicky behind, on top of having to leave Pam behind, but Nicky's got faith that the girls will pull through and come back for her; so Colette, Paulina and Violet move on to the next room.

A LOT of walking down a twisting hallway later, the trio make it to the next room (which they use Nicky's key for), and we got four pots with something or other in them, lighting too dim to discern properly what's in the pots, a button sequence puzzle with no margin for error, and a wack riddle. Oh and Paulina's tablet's finally died after possibly uh, 18-ish hours of not charging it. RIP Paulina's tablet, that's gonna be set aside in the corner for the time being.

The pots turn out to have different types of sediment in them, and the wack riddle turns out to be the clue to the correct sequence to input, so the three figure that out fairly quickly and slide down the chute leading to the next room. Except for Paulina, who had to get her tablet from that corner she set it aside in, and wasn't able to make it to the trapdoor-chute in time before it closed on her face, leaving her trapped "forever", as the wack riddle states. The one time you're told to stop holding it, man, unbelievable. I'm never letting go of my tablet again /j

Now Vi and Colette find themselves in an empty room, and they only realize when they get down that Paulina wasn't able to make it out in time. Now this entire time, Colette has been going through it. Of the girls, Colette's been taking the whole leaving-my-friends-behind-for-the-greater-good thing not well at all, and it culminates in an emotional breakdown. Violet comforts her and reassures her that they'll get the ring, they'll pick up the other girls and they'll get outa here soon, but they gotta be brave now for the other girls. (Kinda hard to capture in short and sweet words what the emotion of the scene was but oh well). After a bit of calming down, Colette and Violet look around to find themselves in a... surprisingly simple room? There's a door on the other side of the room from them, and besides that there's literally nothing but thin air.

The two go to the door and move to open it. Yeah this one's surprisingly simple. Just walk on over, pull the door open, walk o-- a gust of wind slammed the door shut . .

Yeah that's right. You ever leave a window in your room open on a windy day and leave your door also open, and the wind going into the room slams the door shut? Yeah, it's that multiplied by uhhhh how much is a vent opposite the door opening up just to blow f%#ken WIMDY-level winds just to slam that metal door shut? However that much multiplies that. The two find themselves in a situation where had all five of them been there to do this puzzle, it would've been far easier; but it is doable with only two people. The plan is one of them wedges themself between the door and the frame and prop it open, while the other crawls under the first person's leg. Transitioning to the second person propping the door open for the first person is gonna be a bit dodgy, but it is doable kinda.

Now Colette has been going through the ringer emotionally, and if you've seen this trope before, you'd know that it'd be a real damn shame if they lost their emotional pillar and had to carry the entire plan on their own, riiiiggghhttt? She's been the handling this situation the worst (emotionally), and it would bring her a belly of the beast to trump all bellies of all beasts and force her to do a The Next Right Thing (hot take: Anna's arc in Frozen 2 was really good), presumably after a lot of sobbing in the corner! It's perfect for angst, and it's perfect for empowerment to see Colette pick herself up and be strong for the girls and save the day!

Which is why Colette doesn't end up being the last one standing :D

Colette was the one who propped the door open for Violet, who crawled through to the other side. The plan was to have Vi switch with Colette so Colette can get through, but one thing they didn't take into account was the fact that the vent would slowly create stronger and stronger winds the longer the door is held open for, so Colette winds up allowing herself to be trapped in the air room so Violet can do the thing. (Oh and the plan was Colette's idea too.)

Heeyyyy Viiiiiiii~ Do you have some cash left over in your wallet? Because I think it's time for you to put your money where your mouth is :DDD

So yeah Violet continues on alone.

Also if you're wondering where Luke is this entire time, he is in fact in his base, still not touching grass and none the wiser about the whole five lil' rat girls sneaking into his base because of the whole frozen cams situation. He does technically notice something's off, but he thinks that the clock in one of the cameras is broken and he ends up complaining about it to Cassidy, haha L. It is also at this point where we learn that the girls have been in Luke's base for a little over three hours at this point :D

Meanwhile, Violet goes down the narrow metal staircase in the hallway outside of the last room and finds herself reminding herself to stay calm but also inside Luke's treasure room, where treasures of all shapes and sizes reside. From whole dinosaur skeletons to ancient Egyptian statues to paintings to suits of armor and-- holy shnit Luke has the Ark of the Covenant in there too o o yeah this guy means business holy crap--

The Ring of Eternal Love is in there too, the lone treasure in the set of seven empty pedestals that Luke was prolly intending for the Seven Treasures of the World. So Vi, clearly not having watched Indiana Jones Raiders of the Lost Ark, attempts to lift the glass case protecting the ring, which sets off the alarms in the treasure rooms, and whoa holy crap there's a robot voice speaking through the alarms? WAIT WHAT DO YOU MEAN FIFTEEN MINUTES TO SELF-DESTRUCTION

Luke, having the shock of his life, comes down to the treasure room to see what's up, and of course it's one of the five brats who's been getting in the way of his endeavors. Hardly a surprise, really, those five have been a pain in the ass from minute one of Luke looking into the Seven Treasures-- from stopping him getting the Alabaster Garden (he didn't even get to see what it was smh), to duping him with the most audacious of gottems to exist only partially due to his goon's stupidity, and now sneaking into the heart of his base without him, his cameras, or his sensors noticing. Strange how there's only one of them, though.

Just like Aurora Beatrix Lane almost a hundred years prior, this young lady is naive, morally stubborn, and idealistic. She is preaching out about sharing these treasures to all, even when the worth of these treasures comes partly in the luxury of not everyone being able to enjoy them. There is value in that sense of rarity, and it's not like any of the uncaring, ignorant whelps working in the museums look at the pieces that sit before them and realize the true value that they have the privilege of looking at everyday. They wouldn't care about them-- they would do the bare minimum to these unique masterpieces and leave it at that. And this naive brat thinks that they are more loving, more caring to these pieces than Luke is?

But as naive and morally pretentious and... ignorant of time and place this woman is (did she really not hear the self-destruct alarm and is thus willing to babble to her grave?)... she is clearly very intelligent. She was able to affect the base's security system such that she could come in undetected. She was able to get past all four traps without getting trapped herself. It is strange how she is alone here, though. She is usually with four other girls-- ah, that's it. They got trapped, and she left them, so she could get to the treasures on her own. What a show of common sense, that is! She must've seen that the traps were designed such that risking oneself to rescue a trapped person is just not worth it, and that first point already makes her far more intelligent than Cassidy or her buffoons could ever be. It could even be on-par with Luke himself. What if... perhaps....

What if they worked together?

Luke, after a bit of back and forth with Violet, gives Violet an offer to ditch her friends and become his partner. If she accepts they can divide everything between each other in the vault, and together, they'll be able to uncover the treasures of the world and enjoy them all to themselves.

I mean of course Vi turns down the offer in favor of sticking with her friends but y'know what it was worth a shot, Luke, kudos to you for spotting a gemstone instead of covering it with mud and pretending it's not there.

Heavily disappointed by Vi turning him down for the sake of "the power of friendship" (I wish I was kidding)(Scholastic!Vi's (?) words not mine)(I would be incredibly disappointed too), he turns to leave her in the treasure room, and it's only then that Vi realizes she kinda effed up. Luke is the only guy here who knows the base inside-out, and thus would know a way to get the girls out so they can Not Die. And to add insult to injury, Luke made a bomb shelter out of his treasure room, so the entire base may explode and the girls might die, but the treasures are gonna be completely fine. Intact, even. Luke leaves, and the robot voice announces ten minutes before self-destruction.

As soon as she's able to, Vi calls the elevator, juggling anxiety and being able to think under pressure. She figures out that Luke oh so helpfully uses pictograms for his elevator buttons instead of numbers, and presses the button for the control room (the heliport floor is locked by a key). She arrives in the control room, eight minutes before self-destruction.

Just as Vi enters the control room, the cameras get kicked back into action, oh so conveniently showing to Violet a timer ticking down to the big kaboom in real time, and footage of Nicky waiting anxiously in the pool room (and Luke leaving), for extra stakes. One Perception check said "yeah, this is a LOT of buttons, TOO MANY BUTTONS", and the tablet sitting on the desk required a password, so oh god what do

Six minutes before self-destruction and one panic attack later, Vi manages to psyche herself up enough to roll for Investigation. She finds a button for disarming the traps, and that allows the girls to get outa the traps and meet up again in the treasure room. Happy reunions aside tho, four minutes to self-destruction

Turns out the girls (thankfully) didn't know about the self-destruct situation. No need to explain tho because Vi is deadlifting the group braincell like she's never done before. She drags them down to the base's... basement, where a train that was probably used to carry the treasures into the base sits unused and ready for the girls to figure out how to work. Three minutes before self-destruction, no pressure :D

Pam sits at the train's controls, Paulina tries to help but immediately brain crashes at the old-timey controls, thus deciding she'd rather help Nicky get the bars off the rails up ahead. Two minutes left, and Pam figures it out and is ready to-- wait they need electricity-- okay cool Nicky and Paulina are taking care of that, cool

Pam gets the train to start up, Nicky and Paulina manage to hop back into the train, and escape the base's explosion range with about ten seconds to spare :D

After stopping the train in a spot where their braincells could afford to deflate, the girls take a minute or two to breathe y'know, just take a minute to breathe, nibble on some wild raspberries growing in Denali National Park, before figuring out what the hell their next move is.

Vi suggests they tell the authorities about the whole secret-base-under-the-park situation and the treasure room and the stuff inside it (since Luke oh so foolishly gloated to Vi about the treasures being perfectly safe), on top of removing the train so it's not getting up in nature's business. They head back to the car talking about their adventure, get a bit sad that they weren't able to find the Ring of Eternal Love-- and oop just kidding, Vi pocketed it in the treasure room right after Luke dipped :D

So on top of the girls escaping with their lives, not only is Luke gonna lose the Ring of Eternal Love as quickly as he got it, he's also losing his entire treasure vault. Can I get a ripperooni

And that's Legend of the Maze :D

I would say that the hyperfixation-that-consumed-these-girls'-lives-for-a-whole-week energy is very strong in this one in the best way, and the girls' personalities are at their most showcased here. The banter is bantering, the girls' dynamics with each other is very believable here, Vi is carrying the group's braincell the entire time and she looks like she's a bit tired from carrying it but y'know wut she's still willing to carry it because it's honest work and she knows how important it is to have it :3 also her trying to kill Colette's "Romeo and Juliet are so romantic" Santa but failing miserably because Colette unashamedly likes believing in the power of love is hilarious

The main thing I wasn't sure about was.... all the infodumpy bits? The infodump goes a significant bit harder in this book than the previous ones (even more than Compass of the Stars, which is an achievement), and it's Scholastic-style infodumping, so you get the girls calling Luke an "evil mouse" or "selfish mouse" and I'm sitting here like "just call him sewer rat please ya'll had no problems calling him that before please for the love of god use that instead it sounds better--"

Don't even get me started with Amrita Bianchi explaining to the girls what cosplay is like she's the damn Merriam Webster dictionary--

Also the Japan segment with y'know Japanese culture and stuff had the terms localized for some reason??? Like haori became "dark jacket", kimono became "long, elegant Japanese dress", they didn't even mention Ren's hakama (he was wearing a very traditional Japanese look), they felt the need to explain bento boxes as "typical Japanese portable lunch boxes" even though "Japanese lunch box" probably would've gotten the point across just fine and also there was an illustration of the bento boxes, Japanese characters became "logograms" for some reason, and dango became "rice dumplings" which became infinitely more confusing for me because the illustration made it look like takoyaki--

I could go on and on but yeah, there are a lot of these and it felt very infodump-y to me. I'm hoping it's just a translation thing, because the story overall feels pretty solid. Scholastic, what happened to the asterisks? Were they just too much for one page? I feel like you would've been able to squeeze them in just fine to make the reading experience a little smoother,,, just like, so it's an optional thing for the reader to read the mini-infodump of the term if they dunno what it means,,,

Other than that tho I don't think I have much to complain ab--

COUGHS GAGS SCREAMS CRIES WRITHES ON THE FLOOR

(I have the magic-of-friendship-invocation tolerance of an angsty teen I'm sorry :'3)

Scholastic, buddy chum pal buddy chum buddy chum pal,,,,

You could've had Vi say "the only way I got here was thanks to my friends", and it would've been fine and infinitely better-sounding and probably more in-character,,, o<-<

Gahd I hate it when Vi's used as the power of friendship prophet -m-

There's a more minor one as the girls are going back to the car and Vi is telling the girls about the deal Luke offered her, and the girls ask her what she said, and she says "I told him I already had the greatest treasure in the world... true friendship!"

Meanwhile I'm sitting there like "MMMMMGGGGGGHHHHHH 'friends like you' or 'sisters like you' or 'my friendship with you' would've sounded better -m-"

(Also the girls call each other like "friends", so like "you were in fact right, friends", which is like, what happened to "sisters" or "girls" those work perfectly fine and get the girls' close relationship across significantly better than "just friends")

Most of what I'm saying here tho are just nitpicks and probably (hopefully) are just stuff with the English translation-- in all seriousness, the book is pretty good.

Aurora's trail here makes sense and is rather logical, and the interesting thing I find about it is that it feels different from the previous two books' worth of shenanigans. Aurora in this one had far less veers and nation hopping shenanigans, and I feel that it was perhaps intentional. Perhaps to give off finale vibes-- Aurora works far more closely with her sister in this one, and the main thing the girls had to work with was not Aurora's diaries, but the letter she wrote to Linda when they were discussing the Ring of Eternal Love. Something about it feels closer, more intimate, more tragic than the previous ones. I felt the need to put her last to letters in the book verbatim because they were emotional dammit -m- Damn you British Amelia Earhart you've done it again /lhj

Luke's character I think is the strongest here. He gives off in a way the most... normal? Vibes here? He's still not touching grass and muttering to himself ominously a whole lot, but his mindset is nice and easy to wrap your head around here. He literally doesn't care about his goons unless he needs something from them, he is more than happy to overanalyze the crap out of a piece of text if he feels Cassidy didn't look through it thoroughly enough, and he wants what he wants right away, and that includes the things he needs to get the thing he actually wants. He as a character literally observes everything happen from his base in Alaska and backseat gamers the crap out of his goons if he sees something they didn't, or if they fumbled the bag and it was perfectly avoidable had it not been for SM being SM--

Also his blatant disrespect for his great-grandpappy Jan is holy crap haha-- it might just be my cultural background, but when I saw Luke call his great-grandpa "Jan" and then say "you disappoint me, Jan", I was flabbergasted haha, not a criticism I just wanted to mention it because I thought it was funny

I really like the fact that Stan and Max (aka SM) didn't show up at all in this book. It would've been easy to have them show up for regularly scheduled hijinks, but in Luke's mind, none of SM's operations have ever been... up to Luke's standards. Especially with how much of a ruckus they tended to make with their presence, they were more of a liability to Luke than an asset; therefore Luke changing up his strategy to be as hands-off and clean and non-intrusive as possible feels like something he'd do, what with how laser-focused he is on min-maxing efficiency to get what he wants as soon as possible.

Omar still being there despite being "fired" might just be a Scholastic oopsie so I can forgive it, Cassidy is still simping for Luke and trying to impress this man and trying to prove she's at an equal level to him, but every time nah. Just nah. Girlie you think you're on the same level as him, which can't possibly be further than the truth. I haven't seen Miraculous Ladybug, but I'd bet Cassidy has even less of a chance of impressing Luke, than Marinette had a chance at getting Adrien to see her as more than "just a friend" before they finally got together.

Now here's something I've been wanting to ramble about for a while: Violet being left alone instead of Colette. It's actually pretty clever when you think about it: Colette is the closest the girls have to a heart (tho she plays hot potato with Paulina when it comes to that role imo), so she's been the most emotional and the most sentimental of the group this entire time. From daydreaming about Romeo, to wanting to believe in love, to happily picking up a microphone to sing karaoke with the girls, to her strong reactions to having to leave the girls behind one by one for the sake of their mission, Colette was being set up for a moment where she is the one who is left alone. You see it a lot in media: the main character is the most sentimental one and as their friend squad make their way to the Big Bad Evil Guy, the supporting characters are forced to get left behind one by one to either hold the evil minions back or because there's no way for the character to move forward with the MC; so the MC is forced to go through the five stages of grief knowing that their friends trust them to get the job they'd set out to do done. It literally happened in Geronimo's third Kingdom of Fantasy book Amazing Voyage, and in that one Geronimo was the one who desperately didn't want to be alone, but he wound up carrying on alone anyway. You see this kinda thing everywhere.

However, in this bit, it makes total sense that Violet is the one who ends up carrying the last leg of the journey alone instead of Colette. Compared to Colette (and honestly the rest of the girls), Violet is the most level-headed. She's the girls' braincell keeper (in this trilogy), the babysitter holding the leash tied to the four gremlins, the one keeping everyone on track and also making sure that the group's collective ADHD doesn't spiral down as badly as it could possibly be. Whenever the girls make a big move that could affect the whole group, Vi is the one asking if it's a good idea or if it's worth doing, and she's the one thinking ahead enough to say "if x happens instead of y, what then?" You get the idea-- Vi is the most capable of keeping herself level-headed even when she's under all this pressure, and she's good at analyzing and planning on account of her often taking the position of the quiet observer.

With this context, it sort've makes you wonder what was going through Colette's head when she offered to help Violet get out of the air room. Violet and Colette in particular get paired together fairly often, and it's probably because of how well they're able to understand each other-- so with the plan, was Colette volunteering herself to prop the door open out of "it was my idea" courtesy, or was she thinking that maybe Violet would be able to figure things out better and thus needed to get to the other side? She probably was expecting to get to the other side with Vi, but would she have thought far enough ahead to a what-if where that wasn't possible? :3c

And Scholastic and power-of-friendship funkiness aside, Violet did handle the situation well, all things considered. The one bit where she only realized Luke was hers and the girls' only ticket out of there was a bit weird, but it can be chalked up to her not being able to take that into account in the moment because of a mix of stress, sheer bafflement from Luke's deal, and the fact that when put on the spot, observers don't exactly handle taking the driver's seat that well :'D (speaking as an observer myself here)

It makes me wonder a bit if Violet and Luke were meant to be foils of each other, what with how similar they are to each other (both of them being observers and planners who delegate more often than they do the work themselves), yet different enough that the contrast between the two is striking. Said difference being

Violet touches grass. Luke does not :)

Anyway so yeah, that's Treasure Seekers 3, and while it is kinda sad that this is where Treasure Seekers ends, y'know what? It gave a solid show as the last installment in the trilogy. I liked it, I liked the canon compliant blorbo angst, I liked the characters character-ing when the dialogue was letting them breathe :]

And of course, we can't forget

God's sleepiest soldier <3

She deserves that nap after what she went through and you know it--

#geronimo stilton #thea stilton #thea sisters #violet conked out the moment she got into the suv and the girls drove off to plan stuff out. change my mind /j #there's a bit where nicky fangirls upon seeing a moose like she suddenly turned ten and like #she inched closer to the window to see it better but violet was like “hey you're squishing me”#and nicky was like “sorry vi.. i got a bit excited.... y'know how much i love nature”#and vi in this moment where she gave straight-up the most mom vibes #was like “here let's swap seats"#like UEUEUEUEUWAAAAA....#also like remember the bit where colette wound up lugging a big-ass bag around with her while the girls had smoller backpacks #well surprisingly it backfired but not in the way you'd think #the rest of the girls were basically stuck wearing the same clothes the entire time #meanwhile colette was happily not having to deal with wearing clothes that weren't accumulating sweat from having to walk around #if not y'know because of japan's heat #i wrote this while i was sleep deprived so maybe i missed more than a few things in this review that i wanted to say because forgor #maybe i'll end up editing stuff in here a bit after like #i'm more awake #but yeah <3 #if the infodumpy bits and dialogue quirks are the same in italian i will cry /hj #*psst hey angst lovers wait for my next post i got something for you*#wait for like #when i wake up and hopefully actually get to sleep tonight lmao #before i go consider #alternate scenarios where any of the other girls end up in that same situation with luke #i'll leave those ingredients on the counter. take them and use them however you wish :3 #book rambles #book rant #book review #rambles

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mostly-imagines · 4 months

Text

The Alchemy vol. I

jason todd x fem!reader

aka the progression of your relationship with the red hood

vol II

warnings: slow burn, mentions of attempted sa for reader, depictions of blood and injury, mentions of standard gotham violence

Dear fuck, he’s as heavy as he looks.

You use all of your weight to pull him backwards towards the couch, almost giving up when you realized you’d have to lift him up off the ground to actually get on it.

Getting him through the window was enough of a hassle, challenging the difficulty of the decision to bring him in here at all.

Thankfully you don’t have to think too hard on it because you feel his body stiffen up suddenly. He jolts upright, though clearly pained to do so, hand flying to the gun holster on his side.

You take a step back, hands out in front of you. “Hey, it’s alright.”

“Who are you?” His voice is interrogative.

You put your hands down, “You’re the one who passed out on my balcony, I think if anyone gets to ask that question it’s me.”

He stares at you, white lenses bearing into your soul.

Okay, yeah. You tell him your name. He doesn’t move. “You just looked like you needed some help..”

His posture loosens a bit, and his hand finally leaves the holster.

He glances down at his abdomen, a sizable tear in his suit and a nearly alarming amount of blood. “You got any bandages?”

“Uh, I—yeah, yeah, I do.” You dart down the hall into the bathroom, shuffling through your first aid kid. You toss a few wraps into your arms, along with some antiseptic spray you suspect he’ll need. You grab your hand towel and get it wet under warm water.

When you return, he’s moved himself onto the sofa, lifting his shirt up to assess the damage. You round the couch, seeing more blood than you’d have hoped for.

“Can I?” You ask, motioning to his injury.

He looks up at you for a long moment. He nods.

You kneel down in front of him and replace his hand in lifting up the shirt. It’s a cut, it doesn’t look terribly deep, but still not shallow enough that he could just leave it.

You take the rag and dab it around the wound, trying to clean up the blood as much as possible without making contact with it.

He’s very still as you work, and you get the strong impression he’s watching you carefully.

You grab the antiseptic spray, shaking it. “This’ll sting.”

He grunts.

You apply the antiseptic thoroughly and he doesn’t even flinch. Doesn’t move his gaze from you for a second.

You unwrap one of the bandages and place it on firmly, making sure there’s no bleedthrough.

And not that you particularly want to be thinking about this right now, but the man is noticeably ripped. Stacked like a house of cards.

You rip away your gaze and stand up, hands on your hips, taking a deep breath. You look at him—at his helmet.

You don’t know how you can tell, but he’s studying you. Trying to get a read on you, maybe. Regardless, you’re eager to escape the gaze.

You shovel the remainder of your supplies back into your arms and bring them back to the bathroom, calling out, “I didn’t take off your helmet, if that’s what you’re worried about.”

There’s a short beat.

“Do I seem like someone that worries often?”

You peek your head out of the bathroom door.

You look at him. “You seem like someone that doesn’t worry enough.”

He snorts. “You’re not far off.”

You make your way back once you’re done, looking at the disregarded meal you’d been interrupted from. “I have pasta if you…eat.”

“I do.”

“I can go in the other room if you—”

He clicks the lock on his helmet, taking it off. He’s left with a second mask underneath, covering his eyes and nose. His dark hair sticks up from the helmet, a white streak poking out in the front. He looks younger than you would’ve expected. Cuter, if his jaw is anything to go by.

“Don’t worry about it.”

Okay then.

You grab a second plate out of the cabinet and scoop on the rest of the pasta from the pan.

You hand him the plate, avoiding standing too close.

“Thanks, sweetheart.”

You turn back around as casually as possible after hearing the name, wanting to avoid letting your face give anything away.

This guy kills people, right?

You sit down in the armchair across from the couch, spooling the pasta on and off the fork. He doesn’t show the same hesitation in dining away that you do—you guess fighting crime would require some calorie exchange.

“You a nurse?” He asks after a few minutes.

The question takes you by surprise. You hadn’t taken him as a small talk kind of person. “Huh? Oh, no, I’ve just taken a few first aid courses and stuff.”

He gives a short hum, thoughtful.

“What?”

“You’re good.” Hardly.

“I didn’t really do anything.”

“You did enough.” He says, not leaving much room for argument.

He stands up at once, walking past you to the kitchen. Your gaze follows him silently. He puts his empty plate in the sink and returns to the edge of the living room.

He looks at you once more and pops his helmet back on followed by the click of the lock.

“I’ll see ya.” He says shortly, before ducking out the window.

You’re left alone, sitting in your armchair, plate of cold pasta forgotten on your lap.

That could’ve gone very badly. Maybe not your most thought-through decision to literally drag the Red Hood into your apartment, but hey. Maybe you’re exercising your ability to be an upstanding, helpful person. Or maybe you were just hoping to prevent a vigilante being found dead on your fire escape.

Regardless, you close the window after him, leaving it unlocked. Just in case.

You wake in the middle of the night to the sounds of footsteps in your living room. You shoot upright, immediately spotting the lamp light flooding in from under your door.

Creeping to a stand, you grab the baseball bat next to your bed and slowly walk to the door.

You creep the door open as quietly as possible, inching out half a step at a time. A nearby creak on your floorboards had you swinging blindly, only to have your bat get stopped midair. You look up to see Mr. Hood himself, blocking the blow of your hit with his hand.

“Wow. You and a bat against Gotham, huh, sweetheart?”

“Fuck!” You let go of the bat and drown your face in your hands. “What is wrong with you?”

“Apparently that I don’t carry enough baseball bats with me.” He says coolly, inspecting your bat. Though he’s got to admit, your bat is probably a hell of a lot more useful than his.

You drop your arms at your side. “If I’d known bringing you into my apartment one time was going to be considered a free pass forever, I might’ve thought twice.”

“If I’d known I was going to nearly be concussed with a baseball bat, I might’ve too.” Barely. If you’re being honest with yourself, you’re still half asleep and it was not a very good swing.

He looks at you straight on for the first time. His helmet quickly drifts down and back up to your face just as fast.

You look down. T-Shirt, underwear, and…no that’s it. Not…ideal. You pull down on the unfortunately not at all oversized shirt, wanting to creep back into your room.

He turns his back, allowing you to do just that and scramble for some shorts to throw on.

“Very gentlemanly of you.” You call out from your room, “And only thirty seconds after breaking into my apartment.”

“Okay, one, I’ve been here longer than that. In a non creepy way.”

“Right.”

“And two, I didn’t break anything. You live in the middle of Gotham and don’t lock your window?”

You reemerge in the doorway, “I live on the eighth floor.”

He turns around to face you again, helmet in his hands. “Didn’t stop me.” No it did not.

“Mm. So are you here specifically to judge my home security or was there something you needed?”

He takes a deep breath, “Actually yeah. I just need a place to rest for a minute.”

“Rest from what?”

A series of gunshots echo from down the street.

“Next question.”

Concise.

You and Hood sit on the couch in the dark, per his insistence, because for some godforsaken reason, you have no curtains. It takes a few minutes for the silence to dissipate into forced conversation, which takes a few more minutes to fade into actual conversation.

“Can I be honest with you?” You ask him.

“Does it matter how I answer?”

“I don’t understand how you’re not dead.” You poke your head up, turning to him. “Are you human?”

He cranes his neck to look out the window, “Maybe getting shot at isn’t the worst thing that could happen tonight…”

You roll your eyes with a smile that you’re glad is hidden by the darkness. “Oh, fuck off.”

“You don’t have much in terms of self-preservation skills, do you?”

You ignore him as to not acknowledge that he’s probably right and roll through to your next curiosity, “Who the hell was shooting at you anyways?” Though, you don’t really expect an answer.

He shakes his head. “Doesn’t matter. They got ‘til sunrise anyway.”

You tilt your head, “‘Til sunri—” oh. Yeah. Come to think of it, he does have two guns on him right now. At least that you can see. You squint blankly at the wall, “You know, I’m placing a lot of trust in the hope that you’re not just as bad as those guys.”

“Yes you are.” He nods, not doing anything to convince you that he is in fact a good guy. He hasn’t tried to harm you in any way though, so you guess that’s a good sign.

You tilt your head at him. “Do you get paid to do this?”

“I’m pretty sure there’s a lot of people who would pay me not to do this.”

You nod solemnly, mouth turned into an exaggerated frown. “So you have a day job?”

He looks over at you, “Do you always ask this many questions?”

“Are you always so dodgy about answering them?” You shoot back. If you’d thought for .5 seconds longer on that, you might not have said anything. But you feel comfortable here, in your apartment with a man whose face you’ve never seen, name you don’t know, and always has at least two loaded guns on him.

He huffs out a laugh, “Yeah. I am.” He looks over at you. “You live here by yourself?”

You look around at the empty apartment before turning back to him, “Seems that way.”

He shrugs, “Boyfriend could be out or something.”

“Well most people are asleep at one in the morning. Like I was. Remember that?”

“No.”

You sigh, curling up into a ball on your end of the couch, resting your chin on your knees. You’re quiet for a minute before piping up, “Do people actually break into apartments on high floors a lot?”

“Stupid people.” He pauses, looking over at the frown on your face. “Look, I’m in the neighborhood a lot. If I see somebody climbing your fire escape I’ll shoot them.”

You let a little smile out, “I’m thinking there’s other steps you could take before you get to that point.”

“If you want to waste time.” His gaze doubles back at you, “That was a joke, by the way.”

You bark out a tired laugh, “Yeah, I picked up on that, thanks.”

He removes his eyes from you, fixing on a set of pictures you have hanging on the wall.

Your eyes flutter and you move to rest your head on the arm of the couch. “Is this going to be a regular thing then?”

“You could lock your window.”

“Living on the eighth floor didn’t stop you, I can’t imagine a shitty lock will do much more.”

“If you don’t want me here, I won’t be here.” He says gruffly.

“If I don’t want you here, I’ll let you know.” You mumble, eyes closing.

You can barely make out a laugh from him, “Good to know.”

You’re not quite sure how much time goes by when he leaves, but you have a pretty strong feeling you’d fallen asleep. Your main indicator was feeling the blanket draped nicely over you that you could’ve sworn was on the chair across the room.

Maybe it’s ten o’clock at night and you’re sat on your kitchen floor, bawling your eyes out. Maybe you’re going to have to quit your job. Or maybe you’ll have to face a lawsuit. Maybe this is the worst day in the history of time. Maybe it’s about to get worse.

The sound of your living room window sliding open has you startling into a rush, body panicking as if you’ve done something wrong and desperately need to cover the evidence. The past few weeks of sporadic visits leaves no question about who it is, and you just hope the kitchen island in front of you will be enough to convince Hood that you’re not in and he’ll leave.

But because today is today, that’s not how it goes down.

You can vaguely make out the sound of his footsteps approaching, a courtesy that you’re sure he incorporated on purpose.

“Oh fuck…” you mutter to yourself, wiping your eyes.

He rounds the counter, looking down at you. “Wha—what’s wrong?”

“Fuck. Nothing.” You say, standing up and adjusting your clothes. “Are you hurt?” He better fucking not be at only ten.

“No, I—why are you on the floor?”

You roll your eyes, “I live alone, forgive me for assuming I would be given the privilege to cry on the floor in private.”

“Did something happen?” You’re trying really hard not to call him an idiot.

You raise your eyebrows, giving a light nod. “Uh, yeah, I’d say so.”

He shifts in his stance, “Do I need to talk to someone?”

You scoff, knowing damn well his version of ‘talk to someone’ does not include talking to someone. “Why are you even here so early?”

“Wanted to stop by before I went out.” he says quietly.

You’re about to snap something at him again, but the burning in your eyes takes immediate priority. You wrap your arms around your middle and try to calm yourself down, with very little success. The tears fall easily and your shoulders start shaking as you look at the floor, letting the melancholy take over.

It feels like much longer than it probably was, but sometime after the first few tears fall he wraps his arms around you and pulls you into his chest. This only makes you cry harder, sobbing against his armor. Your arms stay wrapped around your center, while his hands remain completely still against your back, though firm. You don’t realize it immediately, but he’s holding a good portion of your weight up, you’d for sure collapse onto the floor otherwise. You kind of wish you would. Sitting on the floor felt nice, maybe falling down on it will feel even better.

You slowly start to regain your breathing, the well in your eyes drying up again. He waits for you to stop completely and slowly pulls back from you, hands momentarily still wavering next to you like he’s ready to catch you.

It takes you a minute to notice, but his helmet is locked on to the finger-shaped bruises on your forearm. You awkwardly move your opposite arm to cover them, looking around your apartment with nothing to search for.

He’s quiet for a long while, clearly thinking hard. “What happened?”

You sniffle, “Some asshole at my job.”

“Some asshole?” He doesn’t believe you. Rightfully so, but he has no business being able to tell that you’re lying about one single word in that sentence.

“My boss. Was very intent on successfully hitting on me.” You exhale deeply, “His approach could use some work though, if I’m honest.”

His posture remains statue-like. “Where do you work?”

You look at him straight on for the first time that night, “What does that matter?”

“I’ll take care of it.” He says simply.

You wave him off, “It’s fine.”

He waits a moment before letting you know, “I’m being polite by asking, I’m going to find out either way.”

You plop back down on the kitchen floor, knees to chest. “Well, then do it the hard way.”

About ten seconds of him staring down at you in silence go by, before he sits down next to you. It’s a bit funny how he tries to shrink himself down next to you, you’re assuming because he doesn’t want you to get panicked again because this massive stranger is sitting next to you in your kitchen in the dead of night.

You don’t look at him as he clicks his helmet off and sets it on the other side of him. It’s quiet for another minute when he holds his gloved hand out to you, and you’re not quite sure how you know what he wants, but you do. You place your bruised arm in his hand, letting him gently pull it closer to him and scan over it.

“Are you hurt anywhere else?”

Again, you don’t know how, but you can tell he’s asking how far things went. “I started screaming and it freaked him out. He let me go.” you say numbly.

You can see him nod out of the corner of your eye, bits of red making their way into your peripheral despite the discarded helmet. You turn slowly to look at him, finding him looking at you already.

His face is more covered than it had been the first night, the same black mask covers his eyes but the lower half of his face is also hidden by a red mouthpiece. You’re in the lamp light and closer to him than you had been before and you’re counting out specks of green in his blue eyes. He lets you, to your surprise, and when you run out of emerald hues you take focus on his thick, dark eyelashes. Your gaze moves back ever so slightly to make eye contact with him and you tear your eyes away, zeroing in on the kitchen tiles.

You sigh contemplatively, “I’m worried if you kill my boss it’ll be traced back to me and I’ll get pinned for it.”

He doesn’t laugh. But your delivery was a little dry in the wrong way so really it was on you.

“I’m not going to kill him.” he tells you, “I wouldn’t gamble with my pied-a-terre like that.”

Your head falls back, hitting the drawer behind you with a light thud. “Then why waste your time at all?” Maybe you should slow down with the snide comments.

He wants to, but he doesn’t call out the implied self-slighting in your words. “Maybe it’s a ‘me’ thing but I don’t particularly like men that hurt women.”

You let out a dry laugh. “In Gotham, it just might be.”

He sits with you on the linoleum tile of your kitchen until your eyes start to droop and he lightly corrals you to your bedroom before taking his exit through the window. You told him multiple times that he could go and you were fine, but he insisted that nothing important was happening in the city that time of night. You didn’t quite believe him though, because it was past midnight by the time he’d headed out.

When you showed up to work the following day your boss wasn’t there. Wasn’t there the day after either. Or the day after. He didn’t make an appearance again until the following Monday. And when he did show face, he did so with a neck brace and a cast on his leg. But once more, he absolutely refused to make eye contact or speak to any of the female employees. It actually became a whole thing when he wouldn’t give instructions or feedback to any of you, and insisted on having his secretary replaced with a man, who he then used as a middle man to speak to all of the women for him. HR got involved three times in the span of the next five days, and by the Monday after, he’d been fired.

So to recap: yes, no, no, undecided, and hard no.

Maybe you’re really starting to like this Red Hood guy.

Hard yes.

You’re slightly on guard upon hearing a clattering on the balcony, though if the past few weeks have been any indicator, you’re not in much danger.

Your posture slumps as you peer around the hallway corner, “Oh, it’s you.”

“Good to see you too.” he grumbles, dropping onto the floor.

“Well, I have to imagine I’m a step up from the last person you saw.” You say, looking him up and down, seeing what sure as hell looks like a gunshot wound on his chest armor. “What happened to you? The Mad Hatter uses guns now?”

He groans, “Ah, I said something about him being a heartless fuck, and I guess he took it personally.”

You sigh, “Jesus Christ, Hood.”

He waves you off, “It’s not that big of a deal.”

You scoff, “He tried to shoot you in the heart.”

“Yeah, well, he missed.” He grumbles, adjusting his position on the couch.

You exhale sharply, “How do you know?”

“How do I know?” He tilts his helmet at you, exasperated.

You throw your arms up at your side, “I don’t know! I’m not equipped for this scenario.”

He huffs, “Look, it’s fine, it hit my armor. It’ll probably just be a bad bruise.”

“Probably?”

“I don’t think there’s blood. Could you…” he vaguely gestures to his torso, but it's enough for you to get the hint.

You shake the panic out of your head, “Yeah, yeah, of course.”

You help him shrug off his jacket as he strips off his armor, and you lift his shirt up as slowly as you can in case the injury is worse than he thinks.

You’re not shocked to see that he has scars, that’s kind of a given in his line of work. What you are shocked to see is one very long scar that lines directly up the center of his body. It’s a deep scar, too.

And, oh. The long scar extends further, splitting off into a fork at his collar. That’s—oh. Oh. Oh. That is an autopsy scar.

You’re not sure what to do. You’ve never seen a living person with an autopsy scar—though you have to imagine neither have most people.

He clearly does not want to talk about it and you’re happy to let him keep the skeleton in the closet.

You avert your gaze back over to his diaphragm at the area of reddened skin.

“There’s no blood, but…” You inspect it a bit closer, “I think there’s going to be a bad bruise. You might end up with bruising on your ribs, you need to get that looked at.”

“I am.” He says shortly.

You stand up straight, dropping your shoulders. “By someone who went to medical school. Or has taken more than one anatomy class in their life.”

He yanks down his shirt, standing, apparently too quickly, and wobbling. You catch his arm as he sways, attempting to steady him. “You should sit down.”

“Need to go back out.” He grunts, trying to pull away from you with little force.

“To get killed? ‘Cause you’re going the right way about it.”

He tilts his head at you like he’s daring you to be so bold again. At least that's what it felt like. You sigh, gesturing to the couch, “Sit down.”

You didn’t expect it to work but he does as told.

You look around, unsure of what to do next. “Do you need ice?”

“What?”

“You’re hurt.” You say slower. “Do you need ice?”

He falters for a second, “No, it’s—no.” A couple beats pass before he adds, “Thanks, sweetheart.”

It’s impossible not to notice that he’s staring at you. You feel hot under his gaze, not knowing what to do with yourself. You clear your throat, telling him to hang on for a second.

You call out behind you as you walk to the kitchen, “Take your helmet off, it’s rude.” You grab the painkillers from their new easily-accessible place on the kitchen counter and grab a water bottle from the fridge.

It was a joke but when you come back his helmet is off and he’s just wearing his domino eye mask. His hair is extra tousled, the white streak barely visible in the mess of loose curls. You toss the bottle of meds at him, followed by the capped bottle of water. He catches them easily, downing more than he probably should have but he got shot tonight so you figure you’ll give him a break about it.

You plop down on the couch next to him, honestly closer than you’d meant to. Your knees and shoulders lightly brush against one anothers, though neither of you make any moves to scoot over.

You both look straight ahead at the wall, simmering in the amity. “So did somebody else deal with the Hatter or when you get shot do you just bounce back like a T-1000?”

He scoffs, “No, getting shot at is a bit of an inconvenience for me.”

“Wrong line of work.”

He cocks an eyebrow, “You’re telling me.”

You turn your head to him, “Why do you do it then?”

He looks back at you earnestly. “Someone has to.”

“Someone does.”

He tenses up a bit at that, breaking eye contact. “Not well enough.”

Your head slowly lulls and drops into a rest on his shoulder, causing him to stiffen up a bit more before almost completely relaxing.

“So violence is the answer to violence?” you ask, not argumentative, just genuinely musing.

Hood sighs, “Half-assed reform programs didn’t do anything, shitty ‘crisis interventions’ didn’t do anything, the cops sure as hell don’t do anything.” He shrugs under you. “You run out of options eventually.”

“And that’s why you took it upon yourself to intervene?”

“Mm. ‘When reason fails, the devil helps.’” He says, quite melodramatically, in your opinion.

“I-Is that—” you squint, shooting off of his shoulder to look him in the eye. “You spend your nights getting in street fights and shootouts and you spend your days reading Crime and Punishment of all things?” You gawk at him, “That explains a lot about your disposition.”

He shrugs with a shake of his head. “It’s a rough world. Can’t afford to be reading about Hogwarts.”

You pause, combing through your next words, “‘Man only likes to count his troubles; he doesn’t calculate his happiness.’”

His eyes crinkle under his mask as he smiles, clearly pleasantly surprised that you know your shit. “Touché.”

You grin back, pleased with yourself.

There’s a brief recession where your smiles both get caught in the flicker between on and off, where your eyes take the opportunity to scan over each other’s faces.

You realize that this may be the first time you’ve seen him properly smile and it’s so magnetizing. So much so that you don’t realize you’re staring at his lips until your eyes snap back up to his and find that his are on yours.

His eyes don’t leave yours as he nudges you a bit with his shoulder. It does just enough to break the trance, giving you the cue to rest your head on him again. This time you allow more of your weight to lean against him and he actually seems relaxed for once.

You glance at the clock on the wall without moving and realize it’s almost four in the morning. “I’m tired, Hood.” you mumble into his shirt.

“You don’t—” he falters for a moment, “You don’t have to call me that.”

You squint at him, “What should I call you then?”

He’s quiet for a moment. “J.”

“J?” you whisper, like it’s a grave secret. You guess it kind of is.

He nods.

“Okay.” Your cheek flattens against his shoulder. “J.”

You nearly think you’re imagining it when you feel him rest his head against yours.

“You don’t know how to protect yourself?”

You roll your eyes at him, “You saw the way I swung at you with the baseball bat, what do you think?”

It’s only just after sunset, you could still see some purple-pink hues in the sky if you looked out the window. He’s started showing up before patrol some nights, saying he felt bad about waking you up at 3 am multiple times a week. So now, he mostly only drops in late if he’s a manageable amount of injured.

You stand in the middle of your living room together, after you’d made a joke about needing him as a bodyguard in Gotham. As it turns out, that was a one way street to him finding out that you’re useless in a fight.

“I was hoping you were having an off night because you just woke up, but now I'm concerned.” He says, grimacing.

You shrug, “I carry pepper spray.”

He grumbles, displeased. “Put your hands up.”

You drop your head to the side and glower at him, “Really?”

He raises his eyebrows at you. Just do it.

Alright, you’ll humor him. You put your fists up and he holds his hands open in front of you in kind. You throw a light punch.

“Come on, put your weight behind it.”

You do, hitting his hand harder. “Hood—”

He tilts his head forward at that, looking at you through his brows.

You inhale impatiently, “J, Why do we have to do this? I don’t have any illusions that I could knock you out and I can’t imagine you do either.”

He shakes his head, “It’s not about knocking someone out, it’s about defending yourself. Gonna be a hell of a lot harder to hurt you if you’re throwing punches. Harder.”

You give a raised hum, “Not if they have a gun…”

“Well, we’ll work on that too.”

You groan, throwing a half-assed hit. “Where’d you learn to fight?” You ask before throwing another.

“Turn your body into it.” He corrects. “My, uh, my dad taught me.”

You hum, hitting him again. “Are you guys close?”

“You’re being nosy again.” He grunts amidst a hit.

“You’re being evasive again.” You shoot back.

He drops his hands, taking your wrists in his, “Here, put your hands in front of your face when you shoot so you can block counters.” He tells you, adjusting your stance accordingly.

You make a face, “I’m confused, am I fighting a mugger or a kickboxer?”

He ignores you, moving his hands around to give you different angles to hit at.

You go at it for a few minutes, taking his critiques with reluctant concedence. “Alright, that’s good.” He says, relaxing his body.

You perk up, “We’re done?”

“No,” he shuts you down before asking earnestly, “Do you trust me?”

Your brain hadn’t even fully processed the question before you nod, mumbling a ‘yes’. He takes a measured step closer to you, watching carefully for your reaction. You almost back up in surprise, angling your head up further to look at him properly. You give no objection, so he continues, “I want you to try to get me on the ground.”

You let out a sound that’s half-laugh, half-scoff. “You’re twice my size.”

He sighs, looking at you somberly. “Sweetheart, odds are you’re not going to be evenly matched against someone that wants to hurt you. You get ‘em on the ground ‘n you have the upper hand or it’ll give you time to get away.”

You throw your hands up at your sides, “I don’t—” You huff, “Fine, okay.” You try to trip him by sliding your leg behind his and kicking, but he blocks you expertly.

You, against better judgment, shove your shoulder into his side, though it does nothing to phase him, let alone knock him down.

“You gotta get more creative than that.” He chastises with a tut.

In response, you take a step back to reassess the situation. You try to maintain a poker face as you strategize in your head. You make a dive for his legs, wrapping your arms around the back of his legs and pulling hard to make him lose balance. You’re sure if he were actually trying for a damn you would immediately be done for afterwards, but it does make him wobble. You then throw all of your weight against him, pushing him backwards and causing him to hit the floor with a thud.

He probably allowed for gravity to come to your aid, but he lands on his back all the same. You land half on him, half on the carpet, your hand resting on his chest. He looks up at you nodding, “Good. That was good, sweetheart.”

You smile, quite proud of yourself, and start to stand up when he hooks his arm around the back of your knee and pulls you to the ground too, switching places with you. You hit the ground gently with a sigh, “Really?”

He has one hand rested next to your head to balance him in his place above you. He smirks down at you and lets a tussle of white hair hang over his forehead. “Can’t be getting cocky, sweetheart.”

You laugh sourly, “Coming from you?”

You quickly push at the bend of his arm and use the distraction to adjust your position to wrap your legs around his center and push your arm against his chest in an attempt to rotate him off of you.

He counters you by pushing your shoulder down, holding you down to the floor. His opposite hand flies to pull your forearm away from his chest, pinning it next to your head, careful to avoid your hair. He moves so quickly that you have half a mind to think he acted on pure instinct. That, and the look on his face when the dust settles says that he hadn’t intended for you to end up in this position.

Your legs are still wrapped around him and you’re too frozen in the moment to make any changes. He’s in no more of a rush to move, large frame towering over you. You feel his touch stutter against your shoulder, his eyes flickering across your face.

You gaze up at him, taking in the soft look in his eyes behind the mask. You think you can see more green than you did before. You unwrap your legs from around his waist and slowly start to sit up. He releases your wrist and eases the pressure on your shoulder. He leans back half as quickly as you move forward, stopping when you’re propped up on your elbows.

Your faces are only a few inches apart and it feels like your only option is to look down at his lips. You have a feeling he’s doing the same to you. The adrenaline of the hassle has long since faded but the rhythm in both of your chests remains quick.

He leans forward so barely, but it’s enough to make your breath hitch. “J…” you say breathily, not sure what implication you’re aiming for.

He stills and this time you’re sure he’s looking at your lips. He blinks a few times like he’s trying to come back to himself and inches his face away from yours slowly.

You let the hold in your breath release, disappointed more than anything. He eases off the floor to a stand and holds his hand out to help you up too. You take it with more of a frown than you’d meant to let out and rise to your feet.

“Let’s, uh…” He looks at the ground before taking a step back and putting his hands up again. “Let’s try some combos.”

You blink up at him for a second before raising your hands too.

Alright, one step at a time.

vol II

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