#i adore this new age of protagonists

[dalishious]

Dragon Age: Origins is still great today, and you should give it a try

I want to preface this post with an important disclaimer: I am not about gatekeeping, and I think that ultimately, you should play or skip whatever Dragon Age games you want. If even after this post you feel like Dragon Age: Origins just isn’t for you, that’s fine! That doesn’t mean you can’t still enjoy the Dragon Age media you do want to consume, and it certainly doesn’t mean you’re any less valid a fan. But I personally adore Dragon Age: Origins to this day, and I would love to see more modern gamers give it a chance, despite it being from 2009.

It’s a great introduction to the world of Thedas

Dragon Age: Origins had the tall order of being the first in a potential franchise, yet it climbed those heights and beyond. It perfectly balances the need to explain the world setting and tell a story within that world at the same time, by organizing the plot into puzzle pieces. You, the protagonist, have to recruit different factions into your cause to save the kingdom of Ferelden, so each piece of the game has a different focus on those factions. It spoon-feeds the player information at an easy to understand and absorb pace.

Dragon Age: Origins also makes good use of codex entries for those of you who are big lore buffs and want even more information. Yet at the same time, it does not overly rely on the codex; all the most crucial parts of the lore that you need to know are included in your interactions with characters and plot.

The player gets to shape the story

The nature of those puzzle pieces also means that you have huge control over the story from start to finish, because the puzzle itself is shaped by you! The outcomes of each piece form the blueprint of the climax. The end of the game is reactive to the choices you make in the story throughout. (Mind you, a lot of those choices have been retconned in later games, but still, within the confines of Dragon Age: Origins itself, it’s still fun to see the outcomes of your decisions.)

The story itself is great

I would consider Dragon Age: Origins to have the most straightforward premise of all the Dragon Age games released thus far, with a strong identity linking the different main quests all together. You are a newly recruited Grey Warden, left to unite Ferelden against the big bad Blight after 99% of the Order within the nation is wiped out in a catastrophic battle. You may get caught up in dwarven politics, ancient curses, demonic possession, and plenty more along the way, but no matter where you find yourself, your motivation always falls back to that ultimate responsibility.

The characters are also great

Almost all the companions you’re able to collect along the way are very easy to love, or at least appreciate them for what they are.

Alistair is also a new grey warden. He is struggling with grief over the loss of his mentor, and the weight of having no control over his identity his whole life.

Morrigan is a witch who grew up isolated in the woods with no one but her abusive mother for company. Now she must learn to interact with others, and dependant on the player, perhaps even make a friend, lover… or enemy.

Leliana is a bard from Orlais, whose faith told her to assist the grey warden plight. But beneath the demure outward appearance, she has a much darker past she’s running away from.

Sten is a Qunari warrior who was taught that outside his culture, everything is backwards and nonsense, but he cannot return home until he has restored his soul by recovering his lost sword. Along the way, he may learn to appreciate or despise Ferelden.

Zevran was enslaved by the Antivan Crows as a child and made into an assassin. If the player can chip away at his nonchalant mask, they will find his past has left a lot more scars on him than he thought it safe to admit.

Wynne is a mage from the Circle who is struggling to deal with the nature of age, death, and life purpose.

Shale is a golem who was once under complete and total control by her former master, now learning what it’s like to be free, and wanting to uncover her forgotten past before losing that freedom.

Oghren is there too, unfortunately.

And the player character really feels like they are of your own creation. The choices you make, little and small, offer a lot to shape whatever kind of protagonist you want. Additionally, the benefit of starting the game with a different origin, and playing out that origin before getting recruited into the grey wardens, offers a lot of prompting to get into the roleplay!

The datedness can be easily upgraded with modding anyway

Do you find the combat clunky? There’s mods for that. Do you find the graphics too bland? There’s mods for that. Do you wish you could kiss Alistair as a man or Morrigan as a woman? There’s mods for that, too. Dragon Age: Origins is very easy to mod; most of them you just drop the files into your override folder and start playing. Otherwise, you use the DA Modder app for DAZIP files, which is also not that complicated.

A lot of people consider Skyrim to be dated without mods, too. I personally don’t think there’s anything wrong with appreciating the ability to mod a game, as a positive point.

If you want to play, make sure you use LAA though!

Large Address Aware is a must-have on PC for Dragon Age: Origins.

For GoG or EA App/Origin users: You can just run LAA like normal!

For Steam users: You need THIS first

[ghibli-collector]

For anyone who’s already seen Boy and the Heron i found this really interesting article where Ghibli Boss/Producer Suzuki was interviewed recently by indie wire and explains the background of the characters from the new Ghibli film, I’ve copied the full article below or you can click the link to go to the interview but once again it contains so many spoilers

‘The Boy and the Heron’ Is So Personal, Hayao Miyazaki Needed a Year to Grieve Before Pivoting in a New Direction

Miyazaki came out of retirement for his first film in a decade, about his friendships at Ghibli with the late co-founder/director Takahata and co-founder/producer Suzuki.

When Hayao Miyazaki pitched “The Boy and the Heron” (GKids, now in select L.A. and NYC theaters) to Studio Ghibli co-founder/producer Toshio Suzuki in 2016, he asked permission to make the story about himself. This took Suzuki — his friend of nearly 40 years at the time — by surprise; the legendary anime director isn’t known for getting so personal. And yet this aligned perfectly with the notion that Ghibli films are devoted to reliving memories.

“I agree that it is Miyazaki’s most personal film because he actually told me,” Suzuki told IndieWire over Zoom through an interpreter. Not only is “The Boy and the Heron” inspired by Miyazaki’s childhood (he endured the firebombing of Japan during World War II and his father was director of the family’s aircraft manufacturing factory), but also his career at Ghibli with his two closest friends: the late studio co-founder/director Isao Takahata (“Grave of the Fireflies”) and Suzuki.

“Miyazaki is Mahito [the 12-year-old protagonist voiced by Luca Padovan in the English-language version], Takahata is the great uncle [voiced by Mark Hamill], and the gray heron [voiced by Robert Pattinson] is me,” Suzuki added. “So I asked him why. He said [Takahata] discovered his talent and added him to the staff. I think Takahata san was the one who helped him develop his ability. On the other hand, the relationship between the boy and the [heron] is a relationship where they don’t give in to each other, push and pull.”

Collectively, it’s a lot to unpack: Miyazaki came out of retirement for the second time after “The Wind Rises” (2013) to make his 12th feature — the semi-autobiographical, hand-drawn fantasy for his grandchildren. It’s about destruction, loss, and rebuilding a better future through imagination, inspired by the novel he adored as a child (“How Do You Live?”).

Mahito loses his mother in the firebombing of Japan and relocates to the countryside, where his father (voiced by Christian Bale), who runs an air munitions factory, marries his sister-in-law, Natsuko (voiced by Gemma Chan). Traumatized, angry, and confused, the boy encounters a talking heron (part bird, part man), who tells him that his mother is still alive and guides him to an alternate world in a magical tower shared by the living and the dead. There he encounters his great uncle, the architect of the tower, and reunites with both his mother (voiced by Karen Fukuhara) and Natsuko.

At first, Suzuki resisted green-lighting “The Boy and the Heron” because of Miyazaki’s age (he’s 82) and the great expense (it is arguably Japan’s most expensive film but has made the equivalent of nearly $80 million at the country’s box office). Yet Miyazaki wore down his resistance with his enthusiasm and impressive storyboarding. The film took seven years to complete, and Suzuki needed to hire some of Japan’s most talented animators outside of Ghibli to handle the task (including supervising animator Takeshi Honda of “Neon Genesis Evangelion” fame). With diminished stamina and failing eyesight, Miyazaki was unable to oversee the production in the same manner as when he was at the height of his creative powers and relied on Honda to draw, redraw, and review under close advisement.

But with the death of Takahata in 20018, a grief-stricken Miyazaki was forced to scale back the role of the great uncle in the story, who had previously been more central to the boy’s life. “After Takahata passed away, he wasn’t able to continue with that story, so he changed the narrative and it became the relationship between the boy and the Heron,” Suzuki continued. “And in his mind, initially, the Heron was something that symbolizes the eeriness of the mansion and that tower, even ominous, that he goes to during war time. But he changed it to this sort of budding friendship between the boy and the Heron.”

Miyazaki first toyed with the idea of exploring the theme of friendship in “The Wind Rises” (inspired by real-life fighter design engineer Jiro Horikoshi during World War II) before abandoning it. “So this time around, when the Heron became the centerpiece of the story, and he came with the storyboards, I was careful for him to not portray me in a bad way,” Suzuki said. “Having said that, I’ve known Miyazaki for 45 years. I remember everything about him. There are things that only I know. There are things that only the two of us know. And he remembers all these small details, which I was very impressed with.”

For example, when Mahito and the Heron sit and chat at the house of Kiriko (voiced by Florence Pugh), a younger, seafaring version of one of the old maids, it is a recreation of the way Miyazaki and Suzuki would meet. “The place that we do our meetings, where we have our conversation is at his studio, his atelier,” he added. “And he has this like large table, but we don’t sit facing each other, we sit next to each other, and we never look at each other when we talk. And what we discussed was very similar.”

During production, Suzuki became impatient to see the new storyboards with the great uncle. It seemed Miyazaki was intentionally stalling while grieving about Takahata. “My question was: ‘So when is the great uncle going to appear?'” said Suzuki. “He built this great character, but he never appears in the storyboards that he would bring me. But it took him actually about a year after the passing of Takahata that he was able to draw that character into the storyboards in the second half of the story.

“And the most surprising thing for me was when I saw the storyboard where Mahito was asked by his great uncle to carry on with this work, this legacy, and he says no — he declines the offer. Miyazaki was someone who followed the path of Takahata for so many years, and I thought it was a huge thing for him [to follow a different path].”

Meanwhile, Suzuki confirmed that Miyazaki has not retired. The film has given the director renewed confidence to keep working on other stories. However, Miyazaki can’t focus on new ideas while “The Boy and the Heron” remains in theaters. “He needs to empty his mind again,” Suzuki said, “and then when he’s emptied his mind with a blank canvas, he usually comes up with new ideas. So we have to wait a little more.”

[ohnoitstbskyen]

Oh no. Sir I believe I'm going to need you to explain that Dragon Age 2 opinion, that is a BLAZING hot take

I really don't think it is. Although of course all of this is personal opinion, not some sort of divine proclamation on high about which video games people are allowed to prefer, so take please it in the spirit it is offered.

Origins is a worldbuilding walking tour as much about explaining its own in-universe lore and fantasy history as it is about either its characters or the actual story that is happening in the game. It's a cool world! With some great lore! But also it is built entirely around Generic Fantasy Plot Structure #1 and never particularly seems interested in innovating, or surprising the player. On top of which, a lot of its setting and lore is pretty weakly sketched and doesn't really get developed into something either visually or narratively compelling until it gets built out in later games.

And while Inquisition has some genuinely fantastic characters, everything else about the game suffers very badly from the plague of BioWare Magic™, i.e. the production was an absolute mess up until the last minute when five hundred extremely overworked and underpaid creative geniuses somehow managed to wring a functional experience out of the trainwreck. It was made with fucking Frostbite of all things, jesus christ, it's holding together with spit and duct tape.

Now, Dragon Age 2 shares a bunch of the problems of Origins and Inquisition. It too bears the hallmarks of "our executives couldn't plan a healthy game production cycle if their lives depended on it" with a lot of unfinished content, half-assed sidequests and a truly frustrating over-reliance on a combat system that isn't half as engaging to use as it needed to be.

But Dragon Age 2 also has something neither of its siblings could ever even hope to match: an actual compelling protagonist.

Like, listen, I know people adore their headcanons about their Wardens and Inquisitors, and it has made for some truly amazing fanworks, but Hawke is literally the only actual character out of all of them. Hawke has conflicts, problems, needs and drives that actually inform and push the story forward, they have a family and a history and a reason to give a sh** about the central conflict of the narrative.

In Origins and Inquisition both, your character becomes the main character of the story entirely because of fate and random chance. You are the Chosen One and you are the only one who can Save The World because you're the last of the super special elite fantasy Hero Squad, or because you got some green magic stuck in your hand by being in the wrong place at the wrong time. Because the character is a complete blank slate onto which the player is expected to project themselves, random chance and circumstance are the only tools the plot can use to position them as main characters. There is no character to drive them to it.

In Dragon Age 2, Hawke becomes the champion because they're trying to build a new life for their family in Kirkwall, and end up embroiled in the chaos and politics that befall the city as a natural consequence of living in it and dealing with the conditions of it. Hawke and their family's needs and wants drive their actions, and push them to engage in endeavors that influence the course of history. They have agency (in the conceit of the narrative, at least) over how their life turns out, they make choices that have consequences, rather than being dictated into the position of Main Character by a literal looming apocalypse that permits no other course of action.

And I'm not about to sit here and claim that Dragon Age 2's story is perfect or that every character is a masterpiece or that every plotline is amazing. No, there's plenty of scuff and jank and things that have aged poorly and unresolved plot threads and all the rest of it.

And I am definitely not forgetting the godsdamned DLC where BioWare threw it all overboard by inventing a Special Bloodline Plot where oops it turns out Hawke actually IS a special chosen one specially chosen by a special fate to have a special role in Saving The World because they're special because of fate and destiny and blah blah, I still think that was phenomenally stupid (especially when Corypheus wasn't even Hawke's goddamn main villain to deal with what was any of this supposed to add to their character ffs BioWare)

But even with all its problems, the simple fact that Hawke is a character you can give a shit about independent of your own projection as a player - the fact that Hawke isn't just an empty bland blank slate with no personality, no traits, no wants or needs or drives - that has made Dragon Age 2 infinitely more memorable to me than either Origins and Inquisition. I think about it to this day. I think about Hawke to this day. I care about what happens to the character in a way that I just simply could never bring myself to do with either my Wardens or my Inquisitors.

[innuendostudios]

new video about Edgar Wright's Cornetto Trilogy, and how everyone* keeps getting them wrong! this video is sponsored by Nebula, a place where you can watch the original version of this video before I had to tweak it for YouTube's copyright bots. (by clicking that link, you can get an annual subscription for 40% off.) or you can just back me on Patreon, which is also cool and good.

transcript below the cut.

I adore Edgar Wright’s Cornetto Trilogy. I flirted with making a video about it ages ago, had a draft of a script, but ultimately decided it wasn’t about anything except “here’s a thing I like, and here are its (I thought) very obvious themes.” So I shelved it. But, in the years since, I have seen multiple video essayists on this here website claim that these movies are about growing up and taking responsibility. (I say “multiple.” It’s not a lot. But it’s more than one! And that’s enough.)

These people are 100% wrong.

Lemme lay it out: the Cornetto Trilogy is not about growing up. It is not about taking responsibility. It is the exact opposite, and that’s not subtext. It is three movies about stunted manchildren thrust into extraordinary circumstances, and each, in the end, is saved - is redeemed - by abandoning his character arc and failing to grow or change. It is a three-part love letter to immaturity.

And I guess I have to set the record straight.

Sometimes making a video about a thing you love is an act of appreciation. And sometimes it’s out of spite.

The Cornetto Trilogy is three movies: Shaun of the Dead, Hot Fuzz, and The World’s End. All three are written by Simon Pegg and Edgar Wright; Pegg stars, and Wright directs; all three center on a relationship between Pegg and real-life best friend Nick Frost, which makes each film a reunion of the core team behind Spaced (excepting, but for a small role in Shaun of the Dead, Jessica Hynes). The three films span three genres: zombie apocalypse, buddy cop, alien invasion; each features a Cornetto ice cream cone: strawberry to represent blood, original blue to represent the police, and mint to represent little green men; this is a joking nod to Krzysztof Kieślowski’s Trois Couleur films, Bleu, Blanc, and Rouge, which were based on the colors and themes of the French flag (I don’t care what you say, Emily: #TeamRouge); that nod is funny because Trois Couleur is high-art drama and these are comedies. All three are parodies of, tributes to, and actually surprisingly good executions of their respective genres. And the hook, the gag at the center of all these movies, is that Simon Pegg plays a character wholly unsuited to be starring in this kind of film.

Shaun, the burnout, is the wrong person to survive the zombie apocalypse; by-the-book British bobby Nicholas is the wrong person to lead an American-style bombastic actioner; and alcoholic asshole Gary is the last person to save the world from aliens.

And I think that’s where people get stuck. Because “schlub finds himself protagonist of a genre film” is the elevator pitch for like a dozen Adam Sandler movies. The genre trappings may be as mundane as parenthood or mandated anger management classes, or as high-concept as action movie, whodunnit, or time travel It’s a Wonderful Life if Clarence were Christopher Walken as the angel of death (that… that makes it sound good, it’s not, don’t see Click; leave Frank Capra alone, Adam). But all these movies have the same basic shape: an extraordinary situation forces a guy to confront his shortcomings, which always stem from having never grown up. And you probably haven’t seen all of these movies, but if you’ve seen any, I bet you have assumptions about how the rest end: even though “Adam Sandler acts like a child” is generally the selling point of an Adam Sandler movie, they all end with some lip service toward becoming an adult: hey man, grow up a bit; appreciate your family a little more; square your shoulders; clean your room. This is so standard, it was parodied mercilessly in Funny People.

And this was a formative microgenre for my generation! Whole universe turns itself upside down to teach some shitty dude to, like, do the dishes and pay his wife a compliment now and then - Liar Liar, Bruce and Evan Almighty (all directed by the same guy, by the way). So I don’t blame people of a certain age for seeing the first act of Shaun of the Dead and thinking “I know where this is going.” And when, at the last minute, it swerves and goes someplace else, you could read that as a gag, a final subversion of expectation, still the same basic shape. But no! No! Once is a gag - thrice??? Thrice is a thematic statement!

So lemme make my case. I’ma take you through these movies one by one - we’ll talk about the manchildren and the expectations set by the genre, and then we’ll talk about that last-minute swerve and what it means. And then you’ll tell me I’m right and apologize!

Shaun of the Dead:

Shaun is a man in his twenties. What kind of manchild is he? He’s the slacker.

What is his problem? He needs to sort his life out. Shaun doesn’t know how to take action. He hasn’t advanced since college - he’s been working the kind of job a teen takes over the summer for like a decade, lives with the same best friend, has the same petty fights with his stepdad, goes to the same pub every week with the same group of people. He can’t make a reservation, he can’t manage a calendar, he’s a washup. This makes his girlfriend, Liz, feel stifled, trapped; he is a weight around her ankle, taking her on the same date week after week, keeping her from living her own dreams, having her own adventures. She gives him one last chance to prove he can sort his life out, and he blows it, and she dumps him.

And then: a zombie movie happens.

The genre forces him to confront his shortcomings: to survive, and save his loved ones, he’ll have to take action, make plans, be decisive. This is a common fantasy: when you feel ground down by the mundanity of life, you might imagine, oh, if only a crisis would happen, like a zombie virus outbreak, where my normal-life problems like “am I gonna make rent,” “is my girl gonna take me back,” “is my roommate gonna kick out my stoner buddy who’s crashing on the couch” become meaningless, and it’s immediately clear what’s really important, what matters. Then I’d know exactly what to do. It’s why disaster movies work as escapism: a necromantic plague - or at least the fantasy of one - is sometime preferable to normal life.

Hot Fuzz:

Nicholas is a man in his thirties. What kind of manchild is he? He’s the hall monitor.

What is his problem? He can’t switch off. He is a hypercompetant police officer with a rulebook where his brain should be. He’s so good at being a cop that he’s spotting and unraveling crimes even on his day off. He can’t maintain a relationship, has no friends, all his coworkers hate him because he keeps finishing their work for them, and his stats show up the rest of the force so badly that they scuttle him out to the country.

Now you might be thinking, “Mmm. A fastidious police officer who can’t have fun? How is that a manchild? Sounds pretty grown-up to me. You’re reaching, bud.” Ohhhh ho ho, smartass, do you remember this scene? [bar scene] Yeah! Nicholas Angel has a five-year-old’s notion of law and order. He’s still playing cops and robbers.

And that’s a problem, because then: an action movie happens.

It doesn’t happen all at once: he goes out to the country and finds they do things a bit differently there. They are (ostensibly) less concerned with rules than what than the rules are for: if the purpose of drinking laws is to keep the streets safe and orderly, and letting some people off with a warning or allowing kids drink so long as they do it inside achieves that end, the rule can be bent. That’s a judgment grown-ups can make; I mean, they’re the ones who wrote the rules in the first place. So be lenient with shoplifters, don’t hassle people for speeding; this isn’t the Big City, you can use your better judgment. But Nicholas never got past doing whatever Mom & Dad said; obedience, and trusting whoever’s up the chain, is his entire moral framework. He can’t accept that bending the law could be more righteous than following it.

But also maybe there’s a criminal conspiracy murdering people and writing it off as accidents and the police chief might be in on it. Or maybe Nicholas is so desperate for a big case with no moral ambiguity that he’s seeing things where they aren’t. 

The genre forces him to confront his shortcomings: either there’s nothing going on and he needs to chill out about procedure, or the department is corrupt and he’ll have to go rogue like it’s Point Break - and this is how he experiences Point Break. [“paperwork”]

No matter what, he’ll have to bend the rules, which he constitutionally cannot do.

The World’s End:

Gary is a man in his forties. What kind of manchild is he? He’s the delinquent.

What’s his problem? Pfffft. What isn’t his problem? Gary is a manipulative, narcissistic, lying, self-destructive, ignorant, violent, thieving, shit-talking, unapologetic asshole who peaked in high school when being all those things was still kind of badass. The greatest night of his life was the drunken pub crawl after graduation he and his friends didn’t even finish, and he’s been tumbling downhill ever since. He’s spent his life ruining everyone who knows him until there’s no one left to ruin but Gary King. So now it’s time to bully the old gang into going back home with him to relive that night by finishing the pub crawl, because, in his own words, it’s all he’s got. And he and his friends have to confront how home has changed since they left - the bars have gentrified, not everyone recognizes them; the defining, epic deeds of Gary’s youth have been forgotten. You can’t actually go back because that place doesn’t exist anymore.

And then: a sci-fi movie happens.

Turns out the town’s been taken over by aliens, and all the people who couldn’t conform to their new order have been replaced with robots! That’s why no one recognizes them! And that’s why the pubs all look the same: the aliens are homogenizing everything! And it’s clear, if they can’t get Gary and his friends to play ball, they’ll roboticize them as well! The obvious move is to get the hell out of town, but Gary keeps inventing excuses to stay and finish the pub crawl, and they sound pretty sensible because the group’s already five pints in. The genre forces him to confront his shortcomings: sooner or later he’s gonna have to give up on recapturing his youth and do what’s best for him and his friends now, even if it means running back to the city where all his problems live.

So there we have it: the characters cross the threshold into an unfamiliar world where an external conflict cannot be addressed without resolving the tension within. The slacker will have to get his shit sorted, the hall monitor will have to break the rules, and the delinquent will have to do what’s good for him. And, to an extent, all three know this! The movies Wright and Pegg pay homage to exist in these stories - Shaun knows what a zombie is, Danny keeps Nicholas up watching Point Break and Bad Boys II, and Gary and friends know bodysnatcher movies so well they have philosophical debates with the robots about whether “robot” is the PC term.

So, yeah, if you turned the movies off there, I could forgive you for thinking that’s where they’re headed. But you goofballs watched them to the end and then made content about them, what is wrong with you???

What actually happens in the second halves of these movies?

Shaun twigs that he’s in a zombie movie and, at first, tries to play the part - his survival plans are miniature hero’s journeys with him as protagonist, wherein he’ll save the day by neatly confronting all his flaws. He’ll resolve parental conflict by saving his mom from his zombified stepdad, resolve romantic conflict by showing his girl he can come through when it counts, and resolve internal conflict by being a man who saves the day. And all his plans suck! It’s just the same plan he always comes up with! Dragging around the same useless liability of a bestie, collecting the same group of people, and holing up in the same pub! He doesn’t save his mom: his stepdad apologizes, resolving their conflict for him, and then survives in zombie form but Shaun’s mom gets killed; most of the friend group gets killed because the crisis does not actually suspend but in fact amplifies their personal grievances; and he doesn’t save the day, just manages not to die long enough for the military to show up.

But… well, Liz wanted adventure and now she’s had enough for a lifetime, so… she’s down to just be boring with him for a while - sit on the couch, watch TV, hit the pub. Beats running for your life. Tensions with the roommate are gone cuz roommate died, but rent is covered cuz Liz moved in. Zombies don’t get eradicated, just folded into normal life, so Shaun can mindlessly play video games with his bestie forever, and it’s not a problem that bestie doesn’t have an income cuz he doesn’t need food or shelter.

The zombie apocalypse doesn’t make Shaun sort his life out, it changes the world til he doesn’t have to.

When Nicholas discovers that, yes, there is definitely a murderous criminal conspiracy inside the police department, he recognizes the only way to bring about justice is to become what Danny has always wanted and go Dirty Harry on the town. It’s either that or just swallow the crimes. But he does neither. He and Danny go on an epic shooting spree, recreating famous movie scenes, taking out the entire criminal organization against all odds, and spouting badass one-liners… but everyone who helps them is a cop, they don’t actually kill anyone, all perps are formally arrested, and they fill out all the paperwork. I think he even properly signs out the weapons. He never switches off, never breaks a rule, does absolutely everything by the book, only… louder. And this violent showdown saves him from the chill town with lax rules he thought he’d moved to. Now he, with his five-year-old notion of right and wrong, is in charge of the police department.

The buddy cop actioner doesn’t make Nicholas bend the rules, it changes the world til he doesn’t have to.

Gary knows exactly how a movie of this sort is supposed to go and spends the whole movie running from it. Friends and secondary characters keep sharing these poignant moments with him, because they know this story, too: yeah, he’s gonna reject help at first, but sooner or later he’ll hit rock bottom and then someone will get through to him. And, as the night goes on, and the characters get drunker and drunker, and Gary passes up more and more opportunities to abandon the pub crawl and go home, these moments take a tone of desperation. They start to sound more like interventions; like, Gary, we all know you’re going to come to your senses but could you hurry up with it??? How many of your friends need to literally die for you to shape up? Are you gonna get them all killed?

And the answer is: Gary will never shape up! To Gary the Human Dril Tweet, his friends trying to save him, psychiatrists trying to treat him, and aliens trying to assimilate him are all the same thing. He doggedly makes it to the end of the pub crawl and confronts the alien overlord who tells him all the technological advancements of the past few decades - all the efficiency and homogenization that’ve changed the face of his home town - are their doing. The Information Age is an intervention on behalf of Earth, a pan-galactic effort to save humanity from itself. And the reason they’ve been replacing people with robots is some people are too fucked up to go along with it.

And here’s Gary, King of the Fuckups, brashly declaring that fucking up is what makes us human. There is no freedom without the freedom to ruin your life. We are endowed by our creator with the right to be drunken, ornery pieces of shit.

He tells the aliens to piss off and he’s so fucking annoying that they do, and they take the Information Age with them.

Now… I know… ugh… I know a lot of people love this movie, say it’s the best of the three. Some friends who’ve struggled with mental health or just being an adult under late capitalism really identify with Gary, and the valorization of being a mess. I see you, you’re not wrong, I get it, I really do. But can we just… not “but” but “also” can we… can we also admit that this ending is… this is Space Brexit.

Like, literally it’s an alien invasion but symbolically this is Gary rejecting the adult world of rules and authority and doing what’s best for the community and that’s how Brexiters view the EU. And people keep telling him “Gary, this is in your best interest” and Gary says, I don’t want my best interest! I am registered in the anti-Gary’s Face Party and I will cast my vote by cutting my nose! I choose to do what’s bad for me.

And, like a true Brexiter, he chooses for everybody.

Now tell me that’s a movie about growing up. Gary collapses human civilization in its entirety rather than change, and in the world that follows, he thrives… by being an immature, irresponsible bag of garbage.

To Wright and Pegg, growing up is death, and these are movies about being alive. These characters don’t cross the threshold back into the ordinary world with the ultimate boon of character growth; all three stay in the extraordinary world. The zombies remain, the robots remain, Nicholas is offered his London job back and chooses to stay in the country. These are stories about normal life spontaneously turning into a genre film, and they are made with deep love for those genres; why would they end with leaving those genres behind? Because it’s what Adam Sandler would do?

So there you have it. I rest my case.

“Okay Ian. Why does this matter?”

…what was that?

“You’ve made your point: these movies aren’t about growing up or taking responsibility. So what?”

Uhhhh.

“Bring it home for us.”

…

“Why do you care so much?

[breath]

I wrote the first draft of this script when I was around Shaun and Nicholas’ age, and “so what?” is why I shelved it. Now I’m Gary’s age, this video’s been in the back of my brain the whole time, but I got this far and “so what” is where I got stuck, again. This is why the CO-VIDs came out quicker, cuz I let myself end with “so that’s interesting!” and got on with my life. But there’s clearly something sticky here, more than “someone is wrong on the internet.” (Also, to the YouTubers I’m vaguebooking, who said these were movies about growing up - I’m way more annoyed at the folks I’ve argued with on Twitter about this, you just made a better rhetorical device; you do not owe me an apology!) (Also, to the commentariat: I am not extrapolating this from like two data points, this is chronic and recurring and has been bothering me for years.)

There are a few directions I could take this to give it some “cultural weight.” I could put on my social justice hat and talk about how the “crisis of adulthood” doesn’t play as broad comedy unless you look like Adam Sandler or Simon Pegg, or put on my class analysis hat and talk about how signifiers of adulthood are, traditionally, ways of spending and accruing capital which are, today, often inaccessible to people under 40.

And that’s all legit, but here’s the real deal: I’m just mad at Gary. The world changed around Shaun such that he could stay a child. And Nicholas ended up somewhere he could stay a child. If you missed that, you’re wrong, but whatever. But to say that Gary grew up grinds me, because Gary chose this. The whole movie is people telling him to grow up, and he says no! He says it out loud! He says it to the literal end of the world. To walk out of the theater and say “that’s a movie about growing up” is more than a mistake, it’s a refusal. It’s trying to “fix” the movie by fitting it into a more familiar shape, so it doesn’t say what it says, so Gary isn’t who he is, who he chooses to be.

I’m being cheeky when I say this because he’s a fictional character, but saying Gary grew up is enabling.

Gary says there’s no freedom without the freedom to ruin your life, which is the problem with alcoholics and libertarians: it’s not just your life, Gary! You live in a community, a culture, and an ecosystem! Your actions - everybody’s actions - impact other people! That’s just the way the world is! You can’t shit yourself at the bar without other people having to smell it. We’re all fuckin’ connected, man! You don’t want anyone’s will imposed on you; you spend the whole movie imposing your will on everyone else! You say humans don’t wanna be told what to do, and then you decide humanity’s future by yourself with no input or consent from anyone!

People point to Gary ordering water in the last scene instead of beer as evidence that he got sober, like that’s proof that he did grow up in the end, which are you fucking joking??? Getting sober is a shorthand for maturity the way buying a house is, it doesn’t signify anything in and of itself! Gary drank to escape the adult world of rules and responsibilities! So, yeah, under normal circumstances getting sober would mean he’s made peace with that world and is ready to integrate. But that’s not what happened! The thing he was escaping doesn’t exist anymore! He literally destroyed it!! People died! Probably millions! Now he lives a happy life LARPing as Omega Doom - no I don’t expect you to catch that reference! He doesn’t need to drink! He is literally reliving the best day of his life forever. And even if it did mean personal growth, the idea that a person could make what would be, unequivocally, the most selfish decision in human history, and then spend his life celebrating the outcome, oh but if he overcame a personal demon in the process then on balance that’s maturity? That is lightspeed solipsism! Who are you if you think that way? Are you all Adam Sandler???

And none of that makes this a bad ending, or Gary a bad character. I mean, he is the reason The World’s End is my least favorite, and I don’t like the ending, but I don’t think it’s bad that I don’t like the ending. Rather than watch another addict pull his life together or destroy himself, we watch a downward spiral with so much gravity the whole world self-destructs alongside him. And that’s why The World’s End is the most interesting of the three: it is a bold choice, and I think we are free to feel however we want about the conclusion Gary engineered for himself. I don’t think it’s valid to pretend it didn’t happen.

In the context of the trilogy, we see that Shaun’s immaturity is mostly a problem for Shaun: he would be, at worst, a footnote in the lives of the people who love him; “yeah, I liked Shaun a lot, but I couldn’t carry him through life anymore.” Nicholas is the kind of overachiever that is useful if pointed in the right direction; juvenile code of ethics aside, he is, empirically, helping the community (within the entirely fictional framework where that’s a thing police do). If the world hadn’t changed to turn their flaws into strengths, they would still be relatively harmless. Gary is what happens when immaturity isn’t harmless, and shows us how a world built by that immaturity would look.

There is an appeal to Gary King, a wish fulfillment. Letting your id fully off the leash because you no longer care what anybody thinks - it’s why some people drink, and it’s why some people would like to drink with Gary. But if that’s not just your Friday night, not just your twenties, but that’s your life? There is a destination at the end of that road, and it’s Gary doing something truly ugly. And we see that ugly thing the way Gary sees it: as awesome. But then you see the reality: the Monday morning after the Friday night. We went out with Gary and he did something terrible.

And I’m not telling you to hate Gary for it; I’m not saying Gary can’t be forgiven. In fact, seeing it for what it is is the only way Gary could be forgiven, because, if he “grew up and took responsibility,” there’s nothing to forgive.

I think this is the only way the trilogy could have ended. I mean, you make stories about boys who get older and older and don’t grow up, it eventually becomes a problem. There’s only two ways to resolve it: you either end with a guy actually sorting his shit out, or you go for broke and show what happens if he doesn’t. And I think some of us boys saw that and said, “no, noooo, they did grow up! all three of them!” rather than say, “haha! hahaaa! ……………shit.”

[popawritter12]

Yandere! Lin Kuei clan x Fem! Reader

Author's Notes: GUYS I DON'T UNDERSTAND WHY EVERYONE LOVES BI-HAN (Yes, probably because he has terrible tits- BUT THAT'S NOT THE POINT). I think that he is bitter from start to finish but IDK there are colors for tastes.

Also, this one-shots is from a Wattpad request

(Don't let my favoritism towards Tomas be noticed jsadhjasfa <;3)

-

Yandere Characters: Bi-Han, Kuai Liang, Tomas Vrbada, (mention of Sektor and Bi-han, Kuai Liang and Tomas's father)

From the video game/manga/anime/series/movie: Mortal Kombat 1 (World of "the new age" as I investigated)

Case: Confinement, forced adoption, unhealthy obsession, extremely strange "family" relationships.

Warnings: NO, SUB-ZERO'S FATHER AND DOES NOT WANT TO FUCK THE PROTAGONIST, HE WAS OBSESSED WITH HAVING HER AS A DAUGHTER (I'll clarify just in case)

Finished: Yes

-

You still had vague memories of the last time you were free, or the last time you were with your mother. For many nights the question of your mother's whereabouts echoed in your head. However, it wasn't that long before your father's disappearance knocked on your door.

In the middle of the night, a group of warriors from the Lin Kuei clan found your dying father, who only had one last wish; Let the men who found him take care of his little daughter.

He didn't know them, he didn't even know their names, but something in his heart pumped in such a way that it only announced his time, and only "Protect my daughter" came out of his mouth.

He didn't even know why he said it, but in his heart there was only the desire to protect that little girl that he adored so much.

The warriors who were in charge of burying your father had to notify you of your existence, and the existence of a now orphaned girl generated some curiosity in several warriors.

And when the leader of that generation of warriors learned who the man who had died was, he only generated some surprise and anger.

It is there that, after asking the universe so much and mainly asking himself what he should do, he decided to call a clan meeting.

In the midst of all the doubts about why the leader called all the Lin Kuei, there was only one sentence which unleashed the beginning of chaos.

—One of my best friends, one of the people I loved most in my life, died in the hands of some thieves —The man began —, and his daughter, (Name) (Last name), is lost in the middle of the crowd, in "A town not far from here." The man looked up, the crowd realizing the seriousness in his words. His last wish, as the father of a little girl, and of a warrior who once belonged to this clan, is that we take care of his first-born daughter.

All the men and women present noticed that, amidst all the façade of concern for a friend's last will, they noticed that there was a hint of insecurity behind his words. It was a sensation that generated some intrigue as to who this young woman was.

—I strongly request that you investigate her whereabouts, and bring her to be part of the Lin Kuei from now on.

The chaos had begun, and the woman behind the mirror only longed for one thing from the bottom of her soul; May she find an escape from the chaos that was to come.

Even Liu Kang himself had a bad feeling, which heralded a change in the most powerful clan in the entire land. A change which began a breakdown in the clan's principles.

-

The dawn marked her presence in an imposing manner with its tormenting solar rays, while the crowing of the roosters echoed in all the nearby fields, a harmonious song that seemed to strain their vocal cords just to cause such a noise. And it was a noise that was as annoying as cutting onions.

The glass of the window collided with the first rays of the sun, and the temperature of the room began to rise where the solar lights shine. And just as those lights collided with the fabrics covering the young woman's body, a grunt of protest came from her, her body moving off the mattress, the friction making soft noises throughout the room as she felt the cold of the dark wood against her. the transparent fabrics.

Even with the discomfort of the floor, her heavy, closed eyelids refused to move even an inch, and her muscles only relaxed against the coldness of the wood.

Three soft knocks against the wood sounded from the other side, while the young woman only pressed her face against her wrinkled pillow.

—(Name), Are you awake?

She pretended not to know anything, and her head was cradled against the soft, cotton-filled fabric. Her fingers approached the fabric that covered the rest of her body, and her nails dug against the loom, only dragging to cover a part of her jaw and leave the soles of her feet. in the air.

—(Name), I'm going to pass.

The screech of wood opening and old metal moving invaded the woman's ears, generating a certain tremor in her eardrums. But even then, pr

He continued without separating his eyelids.

The man moved quietly, the softness of his steps at the same time as he tried not to move too much to the bed. The soft aroma of the lavender scented sheets and the sound of the leaves moving to the sound of the wind, gently colliding against the wood of the house. With each step, he just tried to see throughout the room some trace of disorder, but he was all pretty well done to make a complaint.

Since the girl took charge of issuing a complaint when she felt how her only free hand was suppressed against the ground.

The man took several steps back, now giving more firmness to his posture in his final retreat.

—What the hell is wrong with you?!

The brown-haired man's gaze lowered gently, noticing how a figure emerged from the ground, barely lifting his body. A sudden movement of the woman's wrist was heard as more moans came from her lips.

—That hurts… —she whispered with her voice barely high-pitched.

The man noticed the mistake he had made in taking steps, and only gasped angrily, lowering his shoulders along with the tension in his body.

—Are you sleeping on the floor again?!

—Stepping on my hand again, Liang?!

The two exchanged glances after a few seconds, a stinging pain spreading tension and burning through the skin and muscles of her injured limb.

—How many times do I have to tell you that you shouldn't sleep on the floor? —The man in yellowish clothes complained —, it's not healthy, and you leave everything lying around as soon as you get up.

—Yes, yes, yes… Whatever you say —The woman clicked her tongue, —, not even your dad was so complaining about me sleeping on the floor.

The man rolled his eyes, before kneeling on his feet. His gaze was fixed on the injured skin, and the circular movement that (Last Name) exerted with her wrist, trying to keep her body from focusing on the stinging burning in her hand. A somewhat heavy sigh left him, before her hand took his hand, her fingers taking gentle walks over her skin.

—It hurts?

A question so stupid but so loaded with worry that he asked her between nausea and wanting to jizz in her face, but he just shook his head, taking her wrist now. The man, even with his muscular build, allowed himself to be manipulated by the woman's soft movements.

—Yes, you idiot —she joked, before releasing the wrist of the man in front of her —, but I just need an ointment to calm the pain."

The look of doubt on her face didn't leave her grimace, but she just accepted her hasty excuse.

—Why did you come so early? —The woman asked, before taking the pillow and placing it on the mattress again.

Liang wasn't specifically someone who liked to interrupt people, especially her, so the few times he did, it wasn't especially for pleasure.

—Things happened, —he whispered, before moving from her position to get back up. —Can you go to the living room? Tomas wanted to tell you something.

The woman's face scrunched up a little, confused as to why the gray-haired man wanted to talk to her, but she assumed it was some kind of warning or something.

—Alright.

She gave gentle tugs on her muscles before moving her feet to stand up. The woman looked quite overwhelmed by the lights coming from her window, but she just ran her palms across her eyes, her back leaning back solely to stretch her lower back muscles.

It had been some time since the war, and she heard only prattle of the events of the great war that had been fought between this world and others. For some reason, a deja vu passed through (Name)'s mind after hearing what happened during those fights, as if in her soul, she knew something about the events of the war.

However, she just shook her head. The grimace on her face changed to a gentle smile as she greeted some newcomers from the clan, while her rigid body became accustomed to moving around the large place that until that day you dared to call home.

And at one point, she ran into someone particularly well-known, mostly because of her distinctive hair color. She smiled, giving a gentle click of her tongue against her teeth as her steps quickened a little, but maintained a certain stealth.

(Name), being close enough to the man —Particularly a couple of centimeters from his body, or rather her back—, she almost jumped on top of him, wrapping her arms around the edge of the waist of her. A soft gasp came from the man, his body generating some tension as he felt her hands so close to the gray garments, gently squeezing the fabric against his skin.

The man smiled after realizing who had made such a 'deadly attack', and her shoulders released their tension after a few seconds.

—Hello, (Name) —The man greeted.

The woman smiled, before walking away from him.

—How have you been, Tomás? —The woman asked, now located next to him.

—I'm better than I expected, luckily, —he replied, his gaze escaping to rom where he was looking to admire the girl next to him.

The two exchanged words, a conventional conversation typical of two people who had known each other for years that resembled a sibling relationship more than anything else. However, that was the thought the woman had about how they both looked in the eyes of other people.

He told her what the end of the war was like, and the "extra jobs" that both he and his brother did after said event. Even as boring as what he explained to her was, you just nodded silently while he continued talking to her.

But, to (Name)'s surprise, the people that she previously found everywhere around the house began to leave, or rather, began to stop appearing in her circle of vision, but the woman was not very focused.

It wasn't long before they arrived at a vast place full of plants and flowers, the bright colors spread harmoniously throughout the place, with a table in the middle of the grass. From the warmest colors to the coldest and dullest adorned the place, while the metal table and chairs of the same material with a spongy padding on the part where the weight of the body rested.

It was a special place for her, being one of the few outdoor places that she could access without having to ask the grandmaster for permission, and one where she hung out the most with your best clan friends.

When you sat down, Tomas sat next to her, his words pausing for a second as both of them gazed at the soft colors that adorned the garden.

—(Name) —He called you.

—Yeah?

—There's something I've wanted to tell you for a while —the man said, —, it's something I wanted to tell you but I never found the words to say it correctly.

—Well, that's new. —She leans back gently against the chair —, so, tell me.

—It's… complicated, you know? After so long of us being friends.

Her words seemed to take a very obvious direction, but the young woman did not seem very excited, just curious about what her best friend wanted to tell her.

—It sounds like something important, may I know what it is?

But there was no response, and not specifically because Smoke wanted it that way.

—Smoke! —A scream was heard in the distance.

Both of them looked at who called the man near them, turning out to be the young man that you and Smoke had known for a long time, but never as well as Smoke or Bi-Han, or his brother.

—Sector? —Smoke asks, intrigued —what's going on?

He stands up from the chair, moving to stand in front of she. She didn't notice it because she only saw his back, but there was a serious grimace on his face, knowing that a bad event was approaching.

—I need to talk with you.

His brow furrowed, as that feeling in his head that something bad was about to happen grew like a graph rising exponentially. The gray-haired man asked her to go to her room, which confused her, after all, why did she need to get away from someone she knew as well as Sektor?

She shook her head, her eyes closing for a moment before she snapped back to reality, and decided to get up. Obeying the request—although it was more like an order—from her best friend, she couldn't even say goodbye to Sektor, because the tension in the air didn't allow it.

She left the garden, getting away from everything to be able to access her inner thoughts, which you always kept locked in her room. In her face, which was always that of someone carefree, dropped to a thoughtful grimace; It had been several weeks since she stopped seeing Bi-Han, and both Liang and Smoke refused to talk to her about him, dodging your question almost in an Olympic manner.

You shook your head, trying not to go overboard with her thoughts, so as to vent the darkness of her soul on pages full of ink in Morse code. However, when she opened the door, she was surprised that someone was already waiting for her.

With his characteristic bluish clothes accompanied by his hair tied up and a permanently serious face in any situation —which he did not let her see because he had his back to you—, she saw him, the man from whom she heared so much expected even to know his whereabouts.

—"It is then that, by mere self-awareness, I notice that nothing is the same. For a long time I mistakenly thought that they were only kind to me, but inside me, very buried deep in my soul, I knew that the lie was extensive, a which had invaded my life and brought me to a point of no return, now I ask myself, over and over again, what can I do to escape them?"

A noise of piles of pages suddenly colliding with others in a book is heard. It is then that he extends that dusty book into your range of vision, allowing you to see where he had gotten those words from.

—I always figured you weren't as dumb as the former grandmaster led us to believe, —Bi-Han explained, his serious voice sounding surprisingly relaxed —after all, you were going to be my wife one day.

The woman shook her head, her jaw rubbing against her bottom and top teeth.

—My father taught me that I should get a woman who had a lot of intelligence, one who could help me and that I would give her the same help in return —He began his explanation—, and when he picked you up from that house, I thought you were going to be that woman.

He got up from the ground, while (Name) stepped back, but the moment she wanted to open the door and leave, she realized that it was closed, and locked. When trying to push against the door, someone responded by exerting much more pressure against the wood to prevent it from being opened.

—But, I was unpleasantly surprised that he didn't want you for that —The man threw her book on the bed —, he wanted you for himself, he wanted you to be his perfect daughter, the girl who was destined for a life of her own. , or rather, to a life with him.

She shook her head again and again, her gaze dropping to the ground, fixating on the remains of destroyed metal on the ground in front of the window.

—He wanted you for himself, he wanted you to be just his daughter until the end of his life, and that when he died, you would be left alone, taking care of this place as if it were yours —The man gritted his teeth —, and he became obsessed with the idea that you really were his blood daughter.

The woman's heart palpitations were such that it seemed like it was threatening to break the bones in her chest, she felt as if the air did not seem to reach completely into her lungs, as if it had stopped in the middle of the breath. veins of her.

—Kuai Liang and Smoke believed the same thing, that you were destined to give them orders, and they took care of you in a cradle of gold —He continued, now taking slow but forceful steps towards her —, you grew up away from the world, and they taught you what was necessary to that you could do everything from here.

She shook her head, her hands going to her ears, applying pressure, as if she wanted not to hear the reality behind the man's words, however, he took the woman's hands, easily forcing them to stay in her ears. shoulders.

—And Liang and Smoke became obsessed with the idea that you were weak, that you needed protection, that you were destined to lead from this damn room while they risked their lives for you—He press her hands against the wall—but I know better than that. You deserve so much more than that, someone like you needs much more than these four walls.

Her cries of denial echoed through the room, a wish that someone would magically appear and save her from Bi-Han's words. But she knew it was reality, that she couldn't deny the fact that she was like a bird in a cage full of harmless traps to keep it locked there.

—I will give you the life you deserve, and I will not let either of these two interfere in our destiny —He brought her face closer to her neck, pressing gently—. I am not alone, both Sektor and other Lin Kuei know what your destiny is, and they are willing to do everything to make it come true.

The poor woman sobbed, her arms too weak to fight someone as big as him.

But then, an explosion of smoke covered the place, while both of them heard the door being torn out. One arm took hold of her waist, taking hold of her body and stepping back with her in her arms.

—I knew they were up to something, —Liang whispered, before setting her down again —. Don't you understand that this is not right?

Smoke took her into her arms, pressing her face against her neck, while her hands clung to her body.

—You speak as if you know what she wants, —Bi-han replies, leaving the room —. Do you really think that someone like her deserves to be locked up in this place forever?

—Shut up now!.

It was the first time in a long time since she had heard Kuai Liang respond with such aggression, and in fact, she had never heard him speak with such expressions of anger.

—You don't know her, you just made yourself sick with the idea that she deserved to be by your side —Liang says, taking the blade out of his pocket —You already betrayed all of our father's will, what do you think gives you the right to also kidnap our future leader?

It was strange to hear him use that word, being that the idea that she was secretly in charge of keeping the clan alive in the new generations, but now that that idea had become a reality, she just wished it was a lie, an ugly one and horrendous lie.

Smoke walked away from the fight, carrying (Name) in his arms to safety place.

She knew the truth, she knew she had to take a path, one that was always going to be linked to obsession, and a sick feeling of horror invaded her chest at the idea that, wherever she went, it would always be the same.

Sorry if it took me too long, I was working on some headcanons that I had pending on Tumblr, soon there will be more one-shots and headcanons <3

[anhonest-puck]

hellooooo!!! this is intro post v.3 :)

general info!!

name: neil, but ralph/ralphie works too :)

pronouns: she/he

age: MINOR!!! just be aware of that when talking to me please :’) (any1 can talk to me just don’t be odd)

birthday: may 14th

myers briggs type: ENFJ-T (the protagonist)

poetry blog: @nightskies-and-sweetnothings

fun facts!

i have a cat named ester jo

i’m part of the student council for my school (overachiever….)

i make jewelry/accessories (keychains, etc..)

i adore poetry and literature!!!

i’m a cheerleader

ocd and adhd!

tags!

#rambling on and on: literally just rambling. about what? who knows :’)

#neil’s tweaking hours ™️: tweaking and freaking out or something i thought it was funny

#my stuff: my art or other things!

#reblogging 🖌️: i’m honestly lacking on this tag recently but it’s just stuff i’ve reblogged :)

interests!!

dead poets society, lord of the flies, maxxxine, gravity falls, horror (i’m such a wuss but i love it sm :’) ), fantastic mr fox, halloweentown

music stuffs!!

the velvet underground (after hours, i found a reason)

the cure (friday, i’m in love, a night like this)

the smiths (how soon is now?, half a person)

joost klein (offline, PTSD)

lana del rey (doin’ time, fuck it i love you)

hozier (nobody’s soldier, angel of small death & the codeine scene)

mitski (carry me out, working for the knife)

tyler, the creator (answer, peach fuzz)

david bowie (lady grinning soul, heroes)

matt maltese (intolewd, curl up & die)

kin list!!

neil perry (dead poets society)

ralph (lord of the flies)

maxine minx (X, maxxxine)

lovely people!!

@noctilucaa @wilsons-three-legged-siamese @neil-perrys-suicidal-tendencies @lv3buzzz @yourfavvgal

@ace-misplaced @xxcherryberriezxx @sweaty-toothed-mad-woman @1mlostnow

@pingunaa @todds-diary @basementcorelingo @vessel214 @mikeru-funzies

@toddandersonsblog @neilperryismine @y-a-w-p @poetsinnyc @richardcameronshusband

@desire-mona @chaoticamberr @neil-perrys-reincarnation @sillypoetssociety @hyacinthi-mortem

@lefthandedspaghetti @grungelvrr222 @star-laboratory @vampjro @rubeslovesthesmiths

@ra1nc0at @persona5striker5

(if you’d like to be added/taken away from this list feel free to DM me!!)

if i ever talk about one of the dps boys and DO NOT tag the character in the tags, then i’m most likely talking about one of my irl friends!! i might tag if it fits but ill always say that too so just thought id specify 😸

please do ask if you’d like to be mutuals!!! i’m always open to new friends :) i don’t bite i swear.. maybe.. /j

[staerplatinum]

Some of my favorite doodles from my headcanon/redesign concept sheets used as an excuse to list my headcanons about the main six (for an AU that I'm writing)! More under the cut!

Charlie Morningstar:

She's way more hot-headed than in canon, albeit still keeping her cheerful and gentle persona.

She loves food, and she's always hungry. I always loved the trope of protagonists (both male and female, like look at Goku himself, Usagi Tsukino or Minako Aino) and I think it could fit Charlie perfectly!

She loves planning (and this is already canon) and she has a lot of stationary gadgets. "Sure Alastor, you can borrow any pen! ... Not that one! :D" And takes good care of them.

Her birthday is February 29th. I thought that it wouldn't be strange if her birthday ended up being that day if she follows a demoniac calendar...

Vaggie:

It's canon that she likes everything to be clean and organized. I think she would help Niffty with the rooms and everything! They bond!

She and Angel Dust absolutely have BFFs vibes. Before Hazbin Hotel I remember they were meant to be a couple, but with the new canon they're still adorable as best friends and I love the dynamic more. They get into fights but it's never anything serious, they look like a big brother and a little sis, even though sometimes she definitely acts as a big sis to him. Angel sees Molly through her :(

As we know she doesn't really believe in herself, but she actually makes a very good leader!

In my fanfic, contrarily to the series, she was really fighting with burning hate towards the angels that cast her out. She holds a deep grudge and it's hard for her to come out of it. (I want Out for Love to be useful, it's my favorite song ç_ç)

Her name as a human was Agata Flores, she was born the 28th of June in 1993. If we still count 2014 as her death and if she was once a winner that then became sinner... my headcanon is that she died of a hate crime in March 25th 2014, aged 21.

Angel Dust:

He's not in drag 24/7. He really is feminine, but sometimes likes to try masculine outfits too. (which make Husk wonder "why am I staring??")

He's secretly a nerd. Or not so secretly. He owns video games, and especially likes RPGs and life sims.

He overanalyses everything. Well, almost everything but still. He actually likes reading, and this led him to analyse anything that comes into his eye. (Oh, I can't wait to write one of those scenes because I already had fun outlining it LMAOO)

He's probably Charlie's food buddy. Give them some food and they'll be happy (Valentino doesn't like this but get screwed Val, give him food too)

His name as a human was Anthony (canon) Cavallaro and had Neapolitan heritage. He's born in April 1st (and this is canon) 1912, he died of overdose (canon) in October 11th 1947, aged 35.

Alastor:

I loved his pilot persona more than the series', and most of the things are confirmed canon... but I do have some headcanons for him, too! (also yeah I don't think that will be my last radioapple drawing or doodle lol)

We know he either doesn't sleep or sleeps with his eyes open. Well, I imagine him that in the few rare occasions he actually sleeps, his radio works as a mental surveillance "camera". Also, he's a light sleeper and would definitely go "Do you fellows mind? I'm trying to sleep." like the old man he is.

I would like to explore Alastor's feelings for Charlie more, and how he sees her as a daughter. While we may not know if he was telling the truth, I think they both seeked each other as a fatherly and daughter figures in a way. Many in the fandom headcanon Alastor's father to have been shitty to him. If he truly sees Charlie as a daughter, it could be because he would like to be a better father than the one he had, and since he never had children, he grew affectionate to Charlie as such.

He knows how to handle alcohol well, but I like to think that when he's really drunk he doesn't even know what he's doing. Oh, you saw him playing with Angel's Nintendo Switch? He even brought it into his room to continue playing Animal Crossing by himself? He was totally wasted.

His name as a human was Alastor (which is apparently canon, but I wonder if it'll be retconned or not?) Boudreaux-Alexander. Boudreaux was his father's last name, Alexander was his mother's. He didn't like his mother taking her husband's last name and wanted to keep his mother's. He was born in March 7th 1901, and died in August 4th 1933, aged 32, after being shot by a hunter that confused him with a deer and was mauled by dogs afterwards. (Yikes, I'm so sorry)

Niffty:

She definitely has written lots of fanfics about her fellow hotel friends. Especially men. Yet, she loves Charlie and Vaggie too, so they're there as well.

We know both Niffty and Husk have deals with Alastor. She loves them both, I love to headcanon that when she feels lonely and can't sleep well or had nightmares, she either goes to Husk's or Alastor's room to sleep with them. They welcome her warmly ç_ç

Alastor and Husk most definitely know Niffty's story, which is why they care about her so much. She's childish for her age, but it could be tied to a past that only the two of them know very well.

Niffty knew Vox when they were alive. Now I know it could be a weird headcanon since Niffty is Japanese and Vox is American, but if Niffty's work brought her around the world it wouldn't be weird if they crossed paths. When Vox died Niffty was 19, she either saw him die in front of her eyes or something else happened.

As I mentioned in my concept sheets, she used to wear glasses when she was alive so she can't see really well without them after she died. Sometimes she borrows Alastor's monocle, and if we apply the headcanon that he's colorblind, without his monocle not only he can't see anything but can't even see colors LOL

Her name when she was alive was Sachiko Tanaka, born February 27th 1934. She died September 1st 1956, aged 22, there are popular headcanons about the way she died and yikes, if it's true she didn't have a good death either. Not at all.

Husk:

Maybe I'm overanalysing but what if the reason why he grew affectionate to Niffty was because he once had children? Or just one? Either he had a child and was with him but felt like he wasn't a good father or his ex-wife left him because of his gambling addiction and this made him feel guilty, not able to see his child ever again. (I feel bad just thinking about this but ç_ç)

Despite the fact he hates being on a leash and none other than Alastor's, he actually cares about him. If the two were friends when they were alive (including Mimzy), this could explain why he's still around Alastor even if reluctantly. (Sure he says he's forced, but in the pilot Alastor summoned him, so it's safe to assume either Alastor-Husk-Niffty were roommates before coming to the hotel and did their business without telling Alastor, or simply we need more explanations of Alastor's deals)

His name when he was alive was Ivan Goncharov, born January 29th 1900, and died in December 23rd 1967, aged 67. As I mentioned in my concept sheets, he was friends with Alastor and Mimzy when they were alive and he was the last one of them to die. He would often visit his friends' graves when he was still alive :(

[door-insurance]

So I played Life is Strange 2 for the first time ever

I didn’t wanna play it for a long time not cause it didn’t have Chloe or max (tbh I got sick of their asses around BtS they’re not even my faves)

By that point I was in college and had lost interest in the whole franchise but also I was very apprehensive of white creatives writing racism with no input from the group they’re portraying, they don’t usually do a good job

Sometimes they make it cartoony, sometimes they trivialize it, sometimes they romanticize it

So years later adulthood kicked my ass and I came back crawling to this franchise for some comfort, I finished True colors annnnd I finally started 2 after hesitating annnnd

^sketched this while playing

SPOILERS

I actually liked it

I liked Sean, the drawing segment he does- he was such a likable main guy, deserved better honestly.

I also liked Daniel, he was very adorable and I never got it when people called him annoying like no shit the 9 year old is gonna act like a 9 year old- just don’t be a jerk to him, I know he can be frustrating but that’s what taking care of a kid is like

And lis had always been about realistic complex characters, y’all can’t handle a traumatized nine year?

I have two younger siblings and two nieces plus I’ve been a bratty younger sibling to two older sisters

Maybe I’m just used to it?? But honestly Daniel wasn’t that bad

The racism portrayal in the first few episodes was not all that cartoony and it actually felt real at times, like I can check for American news rn and find stories similar to what you see in episodes 1-3 (minus the telekinesis)

Although the gas station racist hick spouting trump slogans was a bit on the nose, it’s more of dialogue thing

Some people thought the gas station detainment was egregious but it can happen unfortunately, especially to vulnerable people in rural areas and by someone of a higher systematic advantage

One other thing I did not like was the love interests, I thought Finn and Cassidy were alright characters on their own but why do we need romance in this game where the protagonists are always on the run?

I don’t like to compare lis 1 to 2 but when it comes to the romance the former did a better job as it spent more time establishing it, plus max stayed in the same place for the majority of the game- but you know what? Sean doesn’t have to be in a relationship right? It can be a one off thing, that’s fine

Which brings me to my next point

How old are Cassidy and Finn?

Cause Sean is still 16 and no, being on the road didn’t mentally age him- he’s not “mature” for his age

He is still a kid

So for some reason Dontnod never really specified their ages but some articles described them as teens (they look 30 to me) and they can be around 18 right? Their lives are hard stress ages you- it happens, we can with live that, it’s just a two years difference

But teens or not

why did they animate a whole knocking the boots scene???

Of all the games in the series, the only one that gets a sex scene is the one with the much younger protagonist and his ambiguously aged older looking love interest and I think it’s only with Cassidy you get to do it in the tent

Alex Chen was robbed of a on screen booty call from a beanie wearing lesbian with a sexy radio voice or a buff ass Adonis of a man who was Smokey the bear’s regional manager or something

Anyways I’m gonna move on I’m uncomfortable lmao

*im not hating on people who ship Sean with either Finn or Cassidy, I’m not even tagging your ship names- im just stating my personal preferences on my blog

One last thing I did not like about LiS 2 and it was the one thing that kept me from playing it for years

That one scene from episode 4

So at this point Sean Diaz went through the following:

-lost his father, had to abandoned his loved ones, education and home

-was accused of killing a cop

-had to take care of his little brother on his own while on the run, the same brother with telekinesis and none of them know how to control it

-was harassed, beaten then detained by a racist white man

-had to take refuge in an abandoned cabin with little resources

-the dog that they adopted at the gas station eventually gets mauled

-the one time they found solace at their grandparents house they had to leave abruptly cause the police was hot on their trail

-on their way out they can potentially witness the neighbors kid that they befriended get hit by the police car that’s chasing them

-they find shelter at a nomad campground but oh no they get involved with drug trafficking cause they barely have any other options to make money (unfortunately this happens a lot IRL this isnt egregious)

-Sean now has to deal with the trafficking, making sure that Daniel doesn’t get into any trouble with his powers while fake ass giancarlo esposito is breathing down his neck

-and guess what happens next… Daniel gets robbed into pulling a heist on temu gus fring and it goes badly, Sean can potentially lose a love interest/friend in Finn

-Sean gets hurt, Daniel goes so mad that he blows the whole place up; a shard glass flies into Sean’s eye and he ends up losing it

- Sean wakes up from a coma and learns that his brother is missing and he’s about to be taken to jail

- the one thing that consistently brought him joy during this trip was his art and because of the missing eye he can’t even do it the same anymore cause it hurts now

- Sean has to escape the hospital with a hot wired car, little money and has to drive across two states just to get to his brother

-on the way he dreams of his father, he wants him back he wants his old life back but that’s not gonna happen so he has to move forward

Im not listing all this as examples of bad story telling, a lot of these are real life experiences of homeless people. im just painting a picture of the shit that Sean had went through so far

Cause right after the dream sequence, Dontnod didn’t think all that was enough no you had to see Sean get hate crimed by two lifetime movie, sitcom special of the week racists- be made to either sing or suffer a brutal beating

It added nothing to the plot, it didn’t need a choice system either- it’s a hate crime, you’re not asking Joyce for fucking pancakes or eggs n bacon at the whales diner or hosing down Lisa the fckin plant.

This to me went straight to trauma p*rn category, it’s wheelchair Chloe all over again

I hated it then in LiS 1 and I hated now in LiS 2, this is why I don’t dick ride Dontnod that often

They always had this tendency right before the end they single out a particular character and mentally whip them, they become the writing teams punching bag- they think we didn’t get it the first time that this character is going through it, they just hammer it in with the subtlety of a heart attack and I hate it

“Yeah but it’s there to show Sean’s resolve to find Daniel-“

HE ESCAPED FROM THE HOSPITAL AND THE FEDS, HE HOT WIRED A CAR TO DRIVE ACROSS TWO STATES

He’s starving, dehydrated, suffering from chronic pain

That’s enough

Let the character breathe

You ask why not a lot of people wanna play this game and I’m gonna tell you, as much I enjoyed it myself it’s not an easy game to play- it gets brutal, especially right around the end

I’m not against bleakness or extreme conflict, I’m into that but sometimes that doesn’t translate well to any gaming format- especially a choices matter game that’s meant to be replayed

Some people have asinine reasons not to play LiS 2 like it dealing with racism and those people suck, lis had always dealt with progressive themes like calling out objectification, cyberbullying and sl*tshaming

Racism shouldn’t be the exemption

but misuse of racial trauma and not knowing when it’s appropriate to invoke it is a huge turn off and hella triggering to a lot of non white players and I remember when LiS 2 dropped I’ve seen (mostly white) lis fans at the time proclaiming that not wanting to play it meant that you were racist

Like I said there were probably racists who didn’t wanna touch the games cause of the main characters skin but there were people like me who were apprehensive of the “Let’s go to the mosh pit Shaka brah” people handling racism

This is the same studio that had Ms Grant (one of the few black characters from LiS 1) claim that the white settlers peacefully shared the stolen land with the native Americans

I find that shit harder to believe than the time traveling powers

And they were doing alright in the first episodes they covered stuff like unconscious biases slipping through, dog whistles, polite racism from the grandparents segment, police brutality, racial profiling and being targeted/othered- some of these things I went through when I visited western countries

Then they did the bullshit I feared theyd do…

I really don’t blame myself for being hyper vigilant at the time and honestly I was going through a lot then, even if I wanted to I wouldn’t have touched LiS 2 cause it’s a very heavy tasking game to play

I know I kinda made it seem like I didn’t like this game but I did, its the best one in terms of the choice system

It had more weight to it, seeing Daniel internalizing what you say to him or how you act around him was so cool

Also what the second game has over the first one aside from the choices system is the ending selection- I never liked picking the endings for max, I wanted her to pick the ending or her coding/script to do that

Its definitely more fleshed out technically even though LiS 1 has a special place in my heart it’s always gonna be no. 1- but im also glad that I got to experience the 2nd game for the first time, I liked it

Personal lis ranking

1: Lis 1

2: Lis 2

3: True colors

Discount bin: BtS

My personal fave moments from LiS 2:

- beating up the racist bully and giving him a concussion

-mushroom (rip icon)

- victorias letter

-winning that that bear from that claw machine

-gorillaz song that was not feel good inc

-Brody pointing at a fucked up looking arcadia bay yelling “that’s the past!”- that was hilarious

-Sean paying tribute to Arcadia bay in his sketchbook (this fucking kid man, he’s so sweet he deserves the world- what did he do to make DONTNOD mad at him)

- the wolf animation and the story that plays before every chapter

-this was the worst hate crime in the whole game

[inquisimer]

dragon age character study fic recs

I'm back with another fic rec list, this time focusing on character studies! There were so many more than five that I flagged as interesting 👀 when I was putting this together, so there's definitely a chance that this theme makes a repeat in the future.

Check these awesome fics out! And leave a comment + kudos to let the author know you did💜

Vote in this poll to help me choose a theme for next week's rec list (:

-

New Tricks by Penknife (@penknife)

Dorian Pavus & Cullen Rutherford, Josephine Montilyet & Cullen Rutherford & Leliana | G | 1968 words | No Archive Warnings Apply Author's Summary: Five times Cullen found that he didn't have to do everything the hard way. Mer's Rec: If you're into Cullen & Dorian friendship, or really any Cullen friendship, this fic will be right up your alley. Penknife does an excellent job of contrasting Dorian as a beleaguered academic (beloved) with Cullen's quieter intelligence. They also highlight Cullen as a strategist and commander, not just the "send the troops" guy, and the advisor interactions resonate with coworker friend energy, which I loved. I always adore fics that explore Cullen's habits and traits leftover from so many years as a Templar and this story seamlessly weaves in those details, which brings a real depth to both Cullen and his interactions.

Names Are Cloaks by EllanaSan

Female Adaar & Josephine Montilyet | G | 2963 words | No Archive Warnings Apply Author's Summary: They can’t have that, she supposes, the Herald of Andraste being called names behind her back… The only way the situation could have been worse is if she had been an elf. She could tell the ambassador that there are people in this very camp disrespecting her at every turn but she is far too used to it to care. They call her oxwoman. They call her witch. They call her chosen or your worship. They call her Tal-Vashoth. Names are weapons. For the bearer to hold and to wield. Names are cloaks. For the bearer to wrap themselves in and discard when outgrown. Mer's Rec: With Bioware's scant lore about Qunari and the Qun, I was impressed by how this story immersed me in Adaar's history. Tidbits from canon interwoven with fascinating-slash-heartbreaking details about the Qun, Vashoth, and Saarebas, plus her introspective musings on the past and her identity make this Adaar stand out from the cookie-cutter protagonist in the best way. I want to know more about her! From Josephine's dialogue and mannerisms to the uncertainty, fear, and alienation the Herald can experience in Haven, everything about this story feels like it could be straight out of the DAI canon.

I have outlived the night by lilith_morgana (@senseandaccountability)

Loghain Mac Tir, Minor/Background Relationships | T | 2106 words | Creator Chose Not To Use Archive Warnings Author's Summary: He's five, he's eighteen, nineteen, twenty, forty-six, and fifty-five, he's fifty-six, fifty-seven and ready to die. Instead, he lives. Mer's Rec: The emotion in this fic is so palpable, so visceral, and it slaps you in the face the way careful consideration of complicated characters should. With repeated contrasts between Loghain in his youth versus his later years, the author takes us on a journey from hot-headed kid to weary veteran, and it just makes your heart ache😭 It features strong exposition on Loghain's motives, feelings, and regrets during the Fifth Blight, which I love to see since it's fairly absent from the game itself. Their portrayal of Loghain in Inquisition also felt fresh and different, including a conversation with Cullen, which is a dynamic I hadn't considered before and found incredibly interesting to read. And of course it ends on a bittersweet note, as it always does with Loghain.

To Yield Is Not Weak by disasterhawke

Alistair/Anora Mac Tir | M | 4018 words | Creator Chose Not To Use Archive Warnings Author's Summary: She may not like her new husband, but Anora Theirin is not about to let the world treat him like it has treated her. She will do whatever it takes to earn his trust. This is not quite what he expects. An Anora character study that explores her arranged marriage to her husband's bastard brother. Mer's Rec: this 👏 was 👏 everything I wanted out of an Alistair/Anora fic! While I think antagonism between those two has a place, this fic explored their relationship through the lens of teaching and working together, rather than animosity. It works SO well and there was a definite give-and-take, with Anora running the show immediately post-coronation, but gradually softening her harsher edges and highlighting Alistair's strengths while they grow as rulers. Anora's internal monologue, not only about Alistair, but also Cailan and Loghain, does a fantastic job showing the humanity she usually has to hide, without diminishing her competence in the least.

when the bough breaks by gummies (orphaned)

Morrigan, Flemeth | G | 1124 words | No Archive Warnings Apply Author's Summary: In her hands, the mouse is kept still. The only movement Morrigan feels from it is the beating of its tiny heart. With her eyes closed, it almost seems that she is holding in her hands its heart alone. Tiny, vulnerable, and so stutteringly fast. It must be afraid, Morrigan muses. Something twinges in her chest. Empathy. She cannot help the flare of protectiveness inside her. For now, the mouse is hers. Plucked from the world from whence it came, tucked away and safe. She wonders if this is how Mother feels of her. Mer's Rec: What struck me most about this fic was the author's grasp of character voices. Flemeth is just as cunning and calculating as she comes across in game, but I was beyond impressed by their young!Morrigan. I could see and hear so clearly how Morrigan would get from the childlike hope she has in this story to the harsher, bitter Morrigan we meet in game. I don't even know how they did that, but it was incredible to read, even as this slice of Morrigan's childhood and her abuse at Flemeth's hands was breaking my heart.

Don't forget to get your fic and art recs lined up for tomorrow's Fan Work Friday!

[caw-oticdork]

Hiya! I started listening to the Lost Terminal because you mentioned it on here. I'm a few seasons in and really loving it. My friend is looking for some new narrative pods and I know you listen to a bunch. Got any suggestions? They can be finished or ongoing.

Oh do I! Have a couple, in alphabetical order:

Absolutely No Adventures - An outright pratchettesque fantasy parody about a (very) Chosen One who has studied the art of baking instead heeding the call to adventure and refuses to go on any quests.

Care and Feeding of Werewolves - A (in-universe) podcast addressing current events and issues in the (American) paranormal community, hosted by a witch and medical practitioner. Has very good plot and worldbuilding.

Folxlore - Queer horror podcast set in Glasgow. Excellent show. "This apartment complex is very haunted, extremely cursed, and it sometimes randomly shifts to an eldritch nightmare realm. Everyone here's queer though, including the building itself. 4 stars out of 5."

Gabriela & The Inn Between - A recent botany undergrad takes a job as Innkeeper at an inn with very strange and unusual guests. Cozy and low-stakes.

Gastronaut - Set a couple hundred years from now, a food journalist travels from Earth, then Mars, then a distant space colony. He's pathetic but in a good way. Excellent food descriptions, nice anti-capitalistic and anti-colonialist themes. Higher stakes and fewer steaks than expected.

Ghost Wax - I've always disagreed with the idea that necromancers are always evil. This show agrees - it's a horror podcast about an ancient necromancer solving supernatural murders by interviewing the victims. Very thrilling. Many feels.

Icarus Rising - Queer airship pirates! Stow-aways! Rebellion! Chases and Thrills! High-stakes drama and action among the clouds! An adorable ship cat!

Kalila Stormfire's Economical Magick Services - Very cool story about witches, fairies, werewolves, and more, a story about what makes a community, about modern-day working class neighborhoods, psychology, love, and of course magic.

Parkdale Haunt - This one I haven't listened to yet, but I've heard very good things about it. It's a horror show about a haunted house, set in Toronto, made with love for that city. Disregard this suggestion if you don't like Toronto, I've never been.

SCP: Find Us Alive - A podcast set in the SCP universe, about a site getting sucked into some sort of pocket dimension that keeps resetting in a sort of time loop. Very interesting cast of characters. Requires minimal knowledge about how the SCP Foundation works.

Starfall - Fantasy audio drama about the adventures of a theatre troupe that uses magical items and illusions in their work, and about a young warrior with mysterious powers who joins them.

Tell No Tales - Horror story about a company that specialises in removing ghosts from haunted places. The protagonist quickly becomes concerned about the ethics of that and tries to prove that they need to start treating spirits with the humanity they deserve.

The Antique Shop - Urban Fantasy drama about a student getting a job at the kind of antiques shop that you only find when you need to. Lots of cursed items. An excellent cat. Queerplatonic relationships.

The Mistholme Museum of Mystery, Morbidity, and Mortality - An AI audio tour guide shows you various interesting exhibits and learns how to be a person. There's lots of feelings here.

The Strange Case of Starship Iris - Sci-Fi story set in the aftermath of a war between Earth and extraterrestrials. It's about outer space, survival, espionage, resistance, identity, friendship, found family, romance, and secrets. The intro song is excellent.

The Tower - A young woman climbs an ancient, unfathomably tall tower from a forgotten age. It stretches up into the sky, through the smog and the clouds. Very vibes.

The White Vault - Travel Is Not Advised. Very scary story about what's been hiding below the ice and the stone. What's been slumbering for ages. What's now beginning to wake anew.

I hope this selection helps! I have more, but I felt it would be better to keep the list short-ish.

[mxtxfanatic]

Book of the Week: Rebirth of the Malicious Empress of Military Lineage

Author: Qian Shan Cha Ke (千山茶客)

Genre: ancient setting, josei

Rating: M (very mature, dark themes but not too graphic of depictions)

My Synopsis: What happens when a girl gets tired of being nice and decides to go apeshit? You get Shen Miao, our adorable 30+ year-old protagonist recently stuffed back into her 14-year-old self and ready to eat the flesh and drink the blood of her enemies! Using this new lease on life, she’ll methodically and maliciously ruin every antagonist’s life using the tools in her versatile skillset, including: knowledge of the future, a psychological understanding of assholes, weaponized gender stereotypes, and men. And lest we forget our love interest, Xie Jing Xing: the boy/man (cause god forbid the author know how old anyone BUT Shen Miao is…) who thought he had it all figured out until he discovered that Shen Miao is a horny drunk. See just how far they’ll go to bathe in the blood of their enemies while keeping their loved ones safe in this very long but extremely satisfying novel.

My Actual Review: It’s so satisfying to see a previously downtrodden character scheme her way into a happy ending, and Shen Miao fucking deserves it. Some reviews that I’ve seen have claimed that the LI eventually takes over her revenge schemes, but I didn’t see it. They just partner up and she uses his manpower to do what she wants. There are also places where their separate goals intersect, so it just makes more sense for him to do the cleanup. The thing about Shen Miao is that she has no issues with letting others do the work for her, especially if it’s against people she wasn’t invested in putting work against to begin with. It’s the empress in her, I fear. As for the main pair as a couple, I loved their every interaction, and their descent into romance felt natural and gratifying. Greatest thing about this romance is the fact that it truly kicks off because Xie Jing Xing did not know to guard against horny drunk Shen Miao lmao!

The translation is pretty good outside of some clunky grammar, but once you train your eyes to glaze over the the five-millionth time the translator inserts directly into the story to complain about how often the LI is described as hot (unlike every other character, I guess???) as if this book is their early 2000s fanfic, it gets even better! Another thing that may or may not be here nor there is that this author is really weird with age consistency. Like, “MC is forever un-aging while everyone else ages 2 years every few months” weird. Shen Miao is forever 14 until the time skip in which she is forever 16, while Xie Jing Xing goes from “the same age as the students” to “17/18ish” to “vaguely in his 20s” during the same course of time where we literally never see Shen Miao acknowledge a birthday in any year. As for more serious content warnings, this story involves underage relationships (including non-explicit sex, marriage, and pregnancy), rape as a weapon, (assumed) incest between cousins, child abuse, and described but not explicitly shown torture. Though there are some humorous parts, this is not a lighthearted story. Read if you want something dark with an ultimate happy ending.

Translation: complete

[eerna]

I absolutely adore Bridgerton, am obsessed with it, have rewatched it multiple times. Its becoming a comfort show at this point. But it's also crazy because my brain is fully aware that it's all icing, no cake, pure vapid nonsense, nothing good for the brain to chew on. I'm a huge fan but also the show's biggest hater.

Anyway I found it really funny when passionate fans got so angry about season 3, saying stuff like it's a huge downgrade from the GENIUS that was the first two seasons. Like I agree that it was bad but besties, my loves....the show sucked from the beginning. This is not new. Whenever I see fans praising S1&2 to bring down 3 I feel like I'm in another dimension.

Idk why I'm dropping this in your inbox. Probably because you're the only person I know whose also an enthusiastic bridgerton hater lol

BJKbcdjksbkabk my door is always always open to takes!! Truly it's so funny seeing people discussing the show as if it had ANY variation in quality and actually wasn't entirely dependent on which tropes appeal to them personally. There is no logic to be applied here. It's all in the feelings and what you personally like. I think s3 was the best one yet simply because it had neither a weird age gap, nor Anthony Snifferton as the protagonist. Anything else I could say would be useless

[astridhoff03]

My top ten favorite Barbie movies

Like every young girl I loved the Barbie movies. These are some of my favorites. I like that they are timeless, that you can watch them in every age and still enjoy them like DreamWorks Trilogy Classics or Disney and Pixar Movies. They are still fun too watch and I am really happy the Masterpiece of the Barbie movie that Greta Gerwig created, accomplished this again with a deep meaning behind the story, which is why this movie is so great.

I also recently saw some of the new Barbie movie stuff that is animated and I have the feeling it’s no longer also for us old fans, it’s more for the younger audience. Which isn’t bad don’t get me wrong, it’s always nice to see when Barbie gets new fans, but with the old movies and the cinema version of Barbie I had more the feeling that it was for everyone. But the new Barbie dreamhouse show feels still for everyone. It’s a good show maybe not as iconic as life in the dreamhouse, which is still the best Barbie show today, but it takes another interesting turn on Barbie, her family and friends. I like that her parents got introduced, they are very nice and seem to love each other dearly, which is wonderful. Barbie herself is as always a great protagonist and I like that they tried to make her more relatable. Ken is a bit similar to his life in the dreamhouse self so he is still a dork but adorable, which suits him perfectly. They also have a Ryan and Raquelle, which are called Tammy and Tray. Which is fine but I would’ve liked if Ryan and Raquelle had a comeback in this, they were the best characters in the previous dreamhouse series.

[ofoceansandtombsanew]

the leaves were sparkling

cw. olnf week 2024, pre!release, step 1, day 1

pairing. sparkling leaves

notes. it's august 3rd and @olnfweek2024 is finally upon us. i'm not gonna lie, i'm the most boring our life player. with my favs, i just play as myself and act accordingly to the age i would have been at the time. across both games, tamarack is my absolute favorite lead and i can't not indulge in the shenanigans. not apologizing for my shitty editing skills lmao

Standing in the fork of a road in the autumnal forest of Golden Grove, Nyla feels more like the protagonist of a movie than a normal person.

Gone is the familiar scenery of Richmond, California and the people that came along with it. Richmond came with honking cars, oil-stained parking lots and the turbulence of being an inner city kid. Golden Grove, Oregon is practically a new world in comparison to the hoods Mom normally could afford to live in. And if it wasn’t less-than-savory neighborhoods with gang violence and shady neighbors they were staying in, it was Grandma or Grandpa's.

It isn’t the first time Nyla’s moved out of California but this time feels so different.

Everything about this is different.

They weren’t moving into the house of extended family Nyla only knew through stories beforehand. Or moving in with either of her grandparents. As far as Nyla knew, they didn’t have family in Oregon.

It’s just be her and Mom.

And we’re in a house!

A house not an apartment.

An actual home not temporary residence.

Nyla would have her own room, her own space, her own everything and it was far, far away from the normality that had been Nyla’s life until today.

And it’s just ours! At least once the real estate person finally came and let the both of them in the house. 

Until then, Nyla was free to play in the neighborhood and she wasn’t restricted to Mom��s normal “you can go from that corner to that corner”. At least, she wouldn’t be as soon as they’d moved in properly and gotten to know all they needed to know about the mountain town. Who cared about the town itself when there was a veritable forest to explore right behind their new house, however. 

In the forest, she’d find an answer to the mystery at present.

Hello.

Go out.

Hideout.

Nyla.

Nyla reads over what had been a paper airplane once more.

Hello.

Go out.

Hideout.

Nyla.

What does it mean?! Perhaps this is how Jack felt when he was equal parts confused and enraptured by the lights and toys of Christmantown.

Strange paper in hand while she stands between two roads, it’s not hard to believe Nyla's life has suddenly become a movie. Was this some strange code left to her by the mythical beings of Golden Grove? Where is this hideout she is supposed to go to? Would this entire journey take her into one of the fantasy worlds she adored reading about? There is only one way to find out and it all comes down to whichever path she takes.

“I’m right-handed, so I should go to the right, maybe,” Nyla mumbles thoughtfully. Talking to oneself is an easy habit to develop when your many siblings live far away from you and you have to make company somehow. Nyla loves to talk, she doubts she’ll ever be incapable of shutting up and being quiet like a good chunk of her relatives desired. “But I always go right though.” Because I’m right-handed.

Going right has never steered Nyla wrong before.

In spite of her tried and true method, brown eyes can’t help wandering to the path less traveled. She can feel it in her bones, something really really good is going to happen if she goes left.

Magical adventures never happen to characters like Chihiro or Kiki or Yusuke because they decided to do what they’d normally do. Chihiro got into the spirit world because she took a risk, Kiki met Tombo because she left earlier than planned and Yusuke would have never become a spirit detective if he never pushed that kid from getting hit by a car.

Adventures come from being different.

“I’m going left!” Nyla announces to no one in particular, wide-eyed in her excitement. Humming Smile Bomb obnoxiously loud, Nyla continues her quest.

What if this really is her moment, Nyla wonders.

What if she manages to stumble onto something mystical and normally unseen? In a forest like this, it’s easy to imagine being like Alice and falling into a rabbit hole into Wonderland. Or perhaps she’d find a cave with a sleeping dragon. Or perhaps she’d even stumble upon a faerie revelry and dance with the queen?

All of the aforementioned scenarios are easy to picture in a place like this.

There were no forests in Richmond, at least not where she lived.

Nor were things so magical.

Reds and golds blend into one another, mushrooms dot the forest floor. Living with the faerie folk crosses Nyla’s mind more than once as she takes in the sights and sounds of the forest.

Then she hears it; a clatter.

With as much reckless abandon a ten year old can possess, Nyla walks off the dirt path to find the source of the noise. Thin branches and crunchy leaves splinter underfoot and her heartbeat quickens in anticipation as she reaches a cluster of trees akin to the Circle of Holiday Towns. This is magic.

It has to be, Nyla thinks, as the golden rays that peek through the canopy paints everything in a pale glow. This is a place where faeries have their revels. The trees were harmoniously aligned and leaf piles dotted the ground. What if faeries are in them? Faeries are supposed to be good at hiding, Nyla remembers from her stories as she follows her instincts to one pile in particular. This one has a faerie.

Fate doesn’t give Nyla a second later to act on her faerie tale references.

“Hello!” Leaves red, brown and orange rise in a whirlwind as a kid around Nyla’s age leapt out of a pile, arms raised high. Brown stares into red as everything they’d thrown up gently drifts back to earth and just when it seems magic can’t be anymore real, their chests are aglow in berry-reds.

This is the prettiest person I’ve ever seen.

Sparkling, everything is sparkling.

It’s like all the sparkle in their fluffy gold hair was sharing its glow on everything surrounding it. The air and the leaves resting around them. If this is what magic is supposed to be, Nyla doesn’t feel the urge to argue against it.

“You’re so pretty,” Nyla breathes, brown cheeks warm.

“No you!” The sparkly-haired stranger giggles, round cheeks flushed pink as she beams in return.

I met a girl I'm gonna marry.

soulmate au: when you meet your soulmate, your chest glows. one of my favorite spins on soulmate verse that i rarely ever see, so i decided to whip it out for my olnf week debut! within my playthrough of olnf, it's love at first sight for the two of us, kid nyla knew she was marrying this girl when they grew up.

[scientistservant]

I have never heard of the Dark Crystal until I saw your posts. What is it about, and what do you like about it?

Oh ho?

Sit down, anon, and let me tell you the tale of... The Dark Crystal.

*theme music plays*

In a world called Thra, there exists a powerful gem called the Crystal of Truth. It is in tune to all of Thra, including the planet's most civilized race, the Gelfling.

A thousand years ago, new beings came to Thra: the Skeksis. The Skeksis, wise, hedonistic and benevolent, were tasked with protecting the Crystal of Truth by Thra's avatar/mother-nature of sorts, Mother Aughra. Because of their wisdom the Skeksis also ruled over the Gelfling and their seven Clans, while Aughra journeyed the stars and space.

But one day, the Crystal cracked, causing the Crystal to become corrupted, and a miasma, the Darkening, to spread throughout Thra. In an attempt to fix the Crystal, the Skeksis discovered Essence - the soul or life-force of every creature on Thra. Instead of taking life from the Crystal, they decided to take life from something else - the Gelfling. Because the Gelfling are the closest creatures to Thra, their Essence is pure, more potent.

The Skeksis became obsessed with Essence, and obsessed with draining Gelfling, killing them and drinking their Essence to obtain eternal life and youthfulness. All Skeksis, but the Emperor especially, were terrified of death. For when Skeksis die they do not return to Thra.

And so, a genocide occurred, and all Gelfling perished.

All but one. For there was a prophecy, told of a young Gelfling named Jen, who is destined to heal the Crystal and bring the Skeksis reign to an end!

What I love about The Dark Crystal is its world-building and characters. Its cast isn't just black and white in morality, it's more than that. The protagonists can make mistakes, and so can the antagonists. The Skeksis were good once upon a time, they once cared about the Gelfling, but their greed and fear of death overtook them. Thra is beautiful with many different settings and wildlife, even the Castle of the Crystal is gorgeous with it's fantastical and alien gothic architecture.

I'm mainly talking about the prequel series, Age of Resistance, here. It was made almost 40 years after the original 1982 film, but unlike many modern sequels and prequels it's not a cash grab at all; it was made with love and respect to the original, expanding on the world of Thra. Not saying the original film was bad, it's a wonderful piece of media! I just think it's lacking a bit in world-building and context, and Age of Resistance helps immensely.

As for characters, I'll be talking about the Skeksis, Gelfling, and Mother Aughra. There are other characters and creatures too, but I don't want to venture into spoiler territory!

The Skeksis

As I said above, the Skeksis are not from Thra. They are reptile-like alien vultures with a very hedonistic lifestyle. They adore food, various forms of entertainment, the most lavish of robes, and being praised for their wisdom and status as Lords of the Crystal.

Each Skeksis has a title and role they must uphold. For example, the Ornamentalist makes his fellow Lords' robes and decor for the Castle, while the Scroll-Keeper is in charge of the Castle library and keeps records of tomes and scrolls going back a thousand years of Skeksis rule.

All the Skeksis are important and unique, but the most popular and well-known by far is the Chamberlain. He has a "whimper" as a tic and speaks in slight broken English, yet is the craftiest, manipulative, and cunning of the Skeksis. A very Starscream/Littlefinger-type character, he's fantastic to watch. (He's one of my favourite characters, but not my top favourite, that honour goes to the Scroll-Keeper.)

The Gelfling

The Gelfling are small, elf-like humanoids that vary in looks, culture and skill between their seven different species/Clans. There is the Stonewood, Vapran, Drenchen, Spriton, Dousan, Sifan, and Grottan. Unfortunately, many Gelfling tend to be xenophobic and untrustworthy towards other Clans, though some do manage to become friends despite their differences. Most Gelfling are also illiterate, but there are a very small few that can read and write.

Gelfling are the closest beings to Thra, and have the special ability to Dreamfast with one another - a rather intimate gesture that allows them to share their memories and thoughts by touching hands.

They also differ between genders; female Gelfling have wings, while male Gelfling do not.

Because of their small noses and large eyes and ears, some of the fandom tend to call Gelfling "fairy mice", even giving them whiskers and tails!

Mother Aughra

Mother Aughra is Thra, and Thra is Mother Aughra. She is as old as the planet itself, and perhaps as old as the Crystal of Truth, too. She is connected to the Crystal, able to tell when it is healthy and when it is not.

She and the Skeksis used to be friends, admiring their wisdom and beauty, yet that all ended when she discovered what they had done to the Crystal of Truth.

Aughra is sassy and somewhat grumpy, yet she loves and cares for all the creatures of Thra, especially the Gelfling, who see her as a mother-figure. She has the ability to remove her one eye and use it to spy on others or to see things up close, even from far away.

If you enjoy the fantasy genre, puppets, practical effects, and alien worlds, I highly, highly recommend The Dark Crystal and The Dark Crystal Age of Resistance! There are also graphic novels, and YA novels by J.M Lee.

The world of Thra must never die!

[piracytheorist]

ngl i usually dont like child characters in shows, they tend to just be huge obstacles for the protagonists. however, anya manages to be likeable and fairly realistic depiction of a child which i greatly appreciate. that may be because she is actually helpful, even if she greatly over and undervalues what she does (depending on what the situation is, such as not understanding the gravity of certain actions she took that ultimately ended up helping the entire world).

it's rare we get a useful and extremely young character in shows that doesn't either make them immensely intelligent for their age, or very bitter. She acts her age and still helps at times, but of course not all the time. I appreciate Endo so much for that 🙏🙏🙏

Yeah, writing kids in fiction can be really tricky, and the success in Anya's character is one of the main things I respect Endo for. She is very much written like a child; impulsive, emotional, she thinks very simply but with great imagination, she's full of energy and she's developing her cunning. It's either that Endo has studied a lot how kids work, or he's possessed by a child's soul whenever he writes big Anya scenes.

And of course, thanks to her powers, she's made more active in the story. She has her own adventures going on at school, but then with her mind-reading she can get into the stories of the adults and help them, while also confusing them (Loid, for the most part 🤣). That way she can still act as a child but be relevant in the stories of other characters, without acting out of character or too mature for her age.

And I just love how she's neither cute nor annoying 100% of the time. She has the perfect balance of being adorable and being an absolute gremlin.

Like, kids in media tend to be either one or the other. Anya is a spectrum, gracing us with the cutest cute to ever cute one day, and the "sleep paralysis demon" face the next. And that's how kids are in reality. They experience the world for the first time through their small, developing brains, and they adapt to their new experiences through various feelings, which can vary from adoration to monstrous cunning. Anya has expressions and we love her for that.

That said, she still has a lot to learn, as you said sometimes she undervalues the things she does to the point where she caused the deaths of the two hiding assassins in episode 35 and then slept like a baby. Like. Homegirl actually caused two people's deaths. I'm not saying she should have lost sleep over it, but it is kind of funny within the context.

In short, Anya is a great, adorable and funny character, providing great foil to some of Twilight's and Yor's traits so the story feels balanced.

(Anime only fan here, don't spoil me for the manga)