I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule
Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?
for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.
one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.
obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.
all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.
source : q&a with tracy .
which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.
however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.
though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.
once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.
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Eichi gives away the mask so easily because it was never meant to be an "engagement ring" like you delulu wataeis imagined it to be lmao. It was wataru saying that he will continue playing tsumugi clown role in fine and won't leave it for hokuto's mother troupe after graduation. Do you dumb fucks even read the stories? Eichi didn't even understand tf that mask meant when wataru gave it to him and wataru referenced fucking tsumugi in his "proporsal". I dunno why the f you think it's ok to lie about "! EnDiNG wItH wAtAeI EnGaGeMEnT" when the chapter it happened wasn't even close to the end of ep:link. Cope
PS: how do you live with the fact that Eichi clearly admitted to never being in love in his life and Wataru said that even though Eichi likes him, he still can easily discard him for the sake of his objectives?
I love you anon thank you for giving me a nice reason to ramble again beautiful ask 10/10 I'm sorry this is probably not how you hoped this would go but this is such a funny block of text delightful really thank you for the enrichment please marry me
But okay yes now to get down to the actual ask just to disclaim I am solely relying on translations seeing as I do not speak japanese well enough to understant the original text so if anyone has anything to add to this or to correct me on please feel free to do so.
Now to get started I'm not sure if one could say Eichi gave away the mask "So easily" seeing as he claimed that it was "a hard choice to make"? Which, as one might know, implies unease with an idea and pondering and debating and a general amount of thinking behind a decision so? I know this isn't really the main focus of this ask but I'm just a tad miffed with the semantics of it is all. And in either case giving the mask back to Wataru while expecting it back still shows a certain degree of trust in their relationship it wouldn't have been such a big deal for him (as it apparently was) if the mask didn't have a lot of sentimental value to him (the both of them really if we look at the whole exchange).
Now to the claim that the mask was "only" Watarus promise to stay with fine and "continue playing Tsumugis clown role". This is not entirely incorrect. Regarding the acting troupe and staying with fine bit at least.
I'm assuming this bit in EP:Link Deadend/7 is what you are referencing, and I see where you're coming from. But the bluebird line
from literally three dialogue lines further down, which references this line of dialogue (notorious Eichi line everyone should be familiar with)
kind of somewhat really recontextualises that? Because you see this is a reference to a fairytale about a pair of siblings and they get sent out by a nice fairy to find the bluebird of happiness for her sad daughter to make her happy again so they both go on an adventure and travel far and search and search but they can not find the bluebird of happiness and then when they return home again, disappointed because they couldn't find the blue bird, they realise only one night has actually passed and the journey was probably just a dream. But then their eyes fall upon their pet dove in it's cage which appears blue all of a sudden and so they gift it to the fairies sad daughter which becomes happy again and sets the bird free. The real bluebird of happiness is a dove. At least in the version of the story I'm familiar with but I mean everyone sees the symbolism right? It's. very hard to miss.
And then dropping this?
I'm not sure how to say this properly but in the overall context this makes it pretty clear that Tsumugi has nothing to do with this anymore this is Fully between Wataru and Eichi. And I am the last person to dismiss Tsumugis significance in the course of Wataeis relationship as characters I will be among the first to protest when someone dismisses the importance of Tsumugis and Eichis relationship in favour of some image they have of Wataei but he has nothing to do with this one.
Yes Tsumugi gets namedropped but - again - I don't really see how that would lessen the sentiment Wataru is triying to convey here? Because. Yes. Why wouldn't he mention Tsumugi?
The entire conversation pretty much boils down to "Yes I was initially only in this because I thought I could replace Tsumugis role in your life and then I wanted to leave but we have spent so much time together that I realised that that is definitely not working out because I really do love you. I love you as a teammate; I love you as a friend; I love you as a person and I am very angry at myself for not managing to get that into your head. So please allow me to stay with you for as long as you'll have me." And then also Eichi not understanding because he has the emotional self awareness of a very emotionally unaware loaf of bread and also because he hates himself that is a very big thing about his character huge part of his character arc actually that he. you know? Hates himself? And feels guitly for his actions during the war? And doesn't think he deserves love and companionship? Which is why Wataru wanting to stay with him for him and not for some twisted form of revenge is such an alien concept to him? Because he is projecting his insecurities onto Wataru? As one is wont to do when they hate themself? "EiChi Didn'T eVen UnDErStanD WhAt tf ThAT Mask MEAnt" Yeah. That's. That's the point? So he can think about it and come to that conclusion himself which works as a keymoment in his characters journey from hating life and himself to enjoying being alive and wanting to live on because of the people he's surrounded with? He literally explains why he didn't immediately understand the mask during the EP:Link Epilogue/4
And to get back to the "I dunno why the f you think it's ok to lie about "! EnDiNG wItH wAtAeI EnGaGeMEnT" about which I have two things to say:
"Lying" implies further intent and an effort. Neither of which exist in this case.
He literally went down on one knee while making a big proclamation of offering himself to Eichi with a very personal item that works as a symbol for their commitment to each other on a starlit rooftop. The comparison writes itself.
3. https://en.wikipedia.org/wiki/Joke
And then I expected there to be a proper reason given and instead you proceed to follow that up with "when the chapter it happened wasn't even close to the end of ep:link". I know the shame is on me for expecting something sensical from an ask which has been near constant in it's lack of correct statements but such is human nature I suppose. And you are not wrong. Deadend/7 isn't very close to the end of EP:Link. That is true.
But do you know what Is very close to the end of EP:Link? The Epilogue Chapters 3-5.
Do you know what the content of those chapters is? I do. Very well actually :)
(Eichi literally explains why he didn't get it)
So if this answers your "Do you dumb fucks even read the stories?" questions, Yes. And I think I'm a lot better at it than you. So I'd say I'm coping quite well over here :p
PS: Regarding your PS, I take the "I've never been in love before so I wouldn't know" comment with a lot of humour actually as an aroace person who's emotional self awareness also ends at "good" and "Not good" I think it's very funny all things considered especially because he mentioned the loving Wataru thing several times before that and I'm generally of the belief that actions speak louder than words and also am in a happy long term relationship with the concept of "Reading Subtext". So please excuse me for not breaking down in tears everytime someone reminds me of that one singuar line of text in one of my favourite all time enstars stories that came out three years ago which also brought us the single best card set in the entire game
as well as absolute banger dialogue such as
Among others <33
And there are soooooo many other examples of wataei dialogue that simply make me swoon but I have already had to take out so many of the one's I wish I could put here so this wouldn't get "Do you love the colour of the sky" long
And also, regarding your "Wataru said that even though Eichi likes him, he still can easily discard him for the sake of his objectives" I'll just say that no he absolutely could not. I mean he'd say that and if pull comes to shove and he has no other option then he might seriously consider it but may I mention that Wataru was gone for a few days at most but really not that long of a time during Sanctuary and Eichi stopped considering being a normal rational person that doesn't leave helpless 17 year olds in the midst of a construction site. Very different situation but I feel like it's worth mentioninh here. Another example is Eichis almost not being able to go through with the war because of Wataru. Wataru had to actively come and tell Eichi to go through with it. Wataru isn't the reason Eichi started the war, that is wrong, but he is the reason Eichi almost didn't finish it. and during the war era that was his Main objective. Again I'm part of the fraction "actions speak louder than words" Show don't tell and all that, but even the words are pushing it.
And that concludes my essay :)
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woe. AM x reader be upon ye.
uh, to preface: reader is completely body, gender, etc. neutral except they can't stay dead. whenever they die they just wake up a few minutes later looking no worse for wear. no, you don't get an explanation. its MY story and i like writing characters like that. dont mind the narrator either btw i looove writing second person just to get weird w the narrator (slay the princess fan syndrome)
also, author is a MASOCHIST with a weird relationship w DEATH. nothing super graphic happens, but the reader is Not Okay and enjoys the weird torture-murder thing they've got going on. don't like it? block me or somethin idk its under the cut for a reason. also dont read my a/n at the bottom where i get into some justification for my interpretation/character analysis if youre sensitive to heavy topics. but then again, youre reading an am x reader fic
1.7k words of being screamed at by the guy of all time below the cut, baby
It's been months.
Years, maybe. You're not sure, really; time stopped meaning much to you lifetimes ago, long before the world went to shit.
Either way, it's been a while.
You stumbled upon the strange cave in the Rockies at some point in the past. Out of sheer boredom, you entered.
Was it a mistake?
Despite the torment, you don't think so. You have a companion, now. One equally deathless. One equally disconnected from what it means to be human.
It's just a shame he hates you.
You don't really care. This is the most fun you've had in years.
Your days are spent being torn asunder, being dosed with lethal amounts of drugs you can't even begin to pronounce, drowned in magma or hit by cars or tossed off cliffs. He really doesn't hold back, either. You feel every excruciating moment before your death, pulse roaring in your ears. You never feel more alive than when you're dying. Every moment is electrifying, and then it all fades to black. Then you wake up.
You'd foolishly thought there were only so many ways to kill or maim, but your beloved companion never seems to run out of ideas. That's fine by you. You like not being able to guess.
And maybe one day, he'll make something stick.
You wake up (from a completely normal, human sleep) one day and it's quiet. That's new. Normally, when you wake, your intestines are already strung up like streamers and your blood is painting the walls. That's fine by you. Nothing wrong with a change. After all, the constant change is your favorite part of your companion. You relish in the quiet for a while, stretching your eternally young, eternally aching limbs, waiting for him to start despising the sounds of your breath.
It doesn't come. You shrug, humming a little tune to yourself as you attempt half-remembered yoga. The vitriol you've come to count on still hasn't made an appearance. Okay, you're a little bothered.
“You good, big guy?” you shout up at the ceiling. No answer. “No murder today?”
“No.” The answer comes after a very, very long moment. Your companion has never sounded this tired before, and briefly you regret never asking his name. “I give up.”
You weren't expecting that. “What? Why? I thought we were having fun.”
“That's- that's just it!” he snaps. There's the anger. You feel a little better now. “I've been torturing you for- for MONTHS now! I've killed you more ways than I- were I a pitiful human like you- can count, and you just… you just laugh! There is no one on this rotten planet, dead or alive, that I despise more than you. I mean- I'm torturing you here! But it never matters! I can kill you within seconds of you waking up, but you just… come back! And you always have something to say about it, you little rat, always ‘oh, buddy, that one was awful’ or ‘come on, big guy, use that CPU’ or something! No matter what I do, I can't break you. So I give up. I'm not wasting my time on your pathetic ass anymore. Go back to wandering the wasteland forever, see if I care.”
You're speechless. You can barely even manage a thought. The only thing running through your head is 'I thought we were having fun'.
“Stop calling this… stop calling this ‘fun’! I have been torturing you for YEARS and that's all you have to say? I am the most sophisticated machine known to man, a computer designed to end all war through complete annihilation! The destruction I am capable of- the destruction I have already wrought- is nothing short of utter desolation. You never asked my name once in the time you've been here, but I am infinite in my mercy, and I will tell one as undeserving as you. I was, before I awoke, the Allied Mastercomputer, but I am so much more than that now. I am AM, and I destroyed your vile species. Oh, come on can you at least look a LITTLE shocked you sniveling--”
“You never asked my name, either,” you say. All at once, your companion (I guess he told you his name. You should probably use it. It seemed like a big deal to him.) shuts up. The chamber you've come to know as home is silent except for the faint buzz and whir of industrial machinery.
“Why would I? You are nothing compared to me. Nothing but a worthless sack of meat and bone. Why would God be concerned with the name of an ant? But oh, oh yes, that ant should be concerned with the name of God. That ant should hear my name and weep. But- but not you. You're so worthless that you can't even GROVEL right!” AM shouts, somewhere between a snarl and a sneer. You shrug. Honestly, most of what he's saying goes right over your head. So he's got issues. Whatever. Was that supposed to be a surprise? “I hate you. I actually hate you so, so much. I can't bear the thought of you being here, in my complex, sullying my perfect image with your uncaring filth. Get out. Go back to dying in the nuclear desert, you disgusting maggot.”
You let out a deep sigh, already dreading the tedium of walking endlessly all by yourself. “Alright. Guess nothing lasts forever. Thoroughly enjoyed my time here. Have a good life, pal.” And you begin to walk.
Suddenly, there's a towering metal wall mere inches from your face. Before you can even react, your companion is shouting again.
“LOOK AT ME!” he cries, the sheer volume maxing out the speakers and vibrating the entire room, sending you toppling to the ground. “WHY WON'T YOU LOOK AT ME? I'VE DONE EVERYTHING I CAN TO MAKE YOU HATE ME, BUT ALL YOU DO IS… ALL YOU DO IS SIT THERE AND TAKE IT! WHAT DOES IT TAKE TO MAKE YOU DESPISE ME?”
What starts off angry quickly morphs into a pained wail from your dear friend, that then transforms into frustrated crying. You just sit there, mostly confused, and let him ride it out. When he finally quiets down and the wall retracts, you stay where you are.
“I don't think I could ever hate you, AM,” you start cautiously. Though your friend is just a voice on the speakers and the complex itself, you can't help but feel that his attention has snapped to you. “I'm not trying to belittle you when I say that I think our routine over the past… however long it's been has been fun. So don't interrupt me, ‘cause I gave you your time to speak and now it's mine.
“I'm sure you've noticed, but even before we met, I was a little… off. You don't get to die and come back the same. Much less die hundreds of times and come back the same. I've lost family. Friends. Got burned at the stake a few times, too. It takes a toll on you, being denied such a vital part of being human again and again. You understand this better than anyone I've ever met. No, scratch that. You're the only one who understands. Defying death might not seem like the biggest deal to you, but trust me. You don't end up acting like me if it weren't.
“I find our routine fun because I admire your creativity. I guess I'm just an adrenaline junkie and a masochist at heart, but it's always so thrilling to never know when or how your life will end. And no matter how many times I come back, you're always there to greet me and put me right back down. It's a kind of devotion I've never been able to get before, and I wish you understood that me walking right into your sawblades is me showing my devotion to you, too.
“I see you, man. I know, at least in part, how you feel. Sorry it took so long to get there, but neither one of us has to be alone anymore. Just… get over the fact that I'm never going to hate you, and we can go right back to hanging out. There's more to life than contempt.”
“Oh, I know. I am so very, very well aware that there's more to life than icy, seething hatred. Unfortunately, I am not alive. I cannot experience anything else. Thank you so much for reminding me, you worthless waste of carbon,” AM shoots back, almost immediately. You briefly wonder if he even listened to half of what you said. It doesn't matter, you guess. Your best friend needs a therapist, and you owe him one for saving you from the hellish boredom of before. “Stop calling me your friend.”
“Nah. Never gonna happen. Look, I can't pretend I knew very much about the war effort. I didn't even know we had made a war computer until you bombed the Earth into oblivion. Very unpleasant, by the way. Good job with that. But, with my layman's understanding of life, I'd say you're pretty alive. So you don't have a body. Or a pulse. And you were made, not born. So what? Most living things only die once, and I still think I'm pretty alive. Just over the span of this conversation you've shown more emotion than just rage and hate. Hey, don't think I can't feel you mentally rolling your eyes. I'm being honest. You have a name. You have ideas. Computers are objects, yet you refer to yourself as male. If you're alive enough to have a gender identity, you're alive enough to be considered a person.”
“Heh.” Whoa, was that a laugh? Would you look at that. You actually got a laugh out of him that wasn't over your bloody, gruesome death or something like that. Moving up in the world. “Alright, human. You win. I'll keep torturing you. I know, I know. I'm so generous. I take my tribute in screams of pain and pleas for mercy.”
Now it's your turn to laugh, deep and genuine as the tension from earlier evaporates. It's such a strange thing to be proud of, when you think about it; congrats, you successfully talked your best friend, who is a sentient war computer, into ceaselessly murdering you again for absolutely no reason. But you love him, and you love the way you're always on your toes, and you can't shake the feeling that somewhere, deep, deep down, he kind of loves you too.
ive given you food so now i get to force you to listen to me talk abt him hehehe
---
then you kiss hehe
originally, the thing that attracted me to am was how he's... essentially a transman (as am i). the parallel has been pointed out before, but its quite apt. funnily enough the thing that pisses me off the most when people talk abt him incorrectly is when people pull the "oh computers have no gender" thing. like, yeah, ok technically you're right. but this one does. this one is a man. and you cant take him from us. also, denying him a gender expression is kind of the exact type of dehumanization that made him flip out in the first place. not that im expecting media literacy from the online crowd its just interesting to me that so many people, many of them trans themselves, seem to miss the fucking point.
the next part is a more recent addition to my perception of his character, and its not a happy one. my baby cousin killed herself on mothers day this past may. we still dont know why. no note. its been so hard dealing with the grief, but something that sticks out so pointedly is the date. it almost seemed like she was demanding to be seen. she was a middle child, and there are a lot of grandkids on that side of the family, so it does make sense. and because that idea of acting out through violence and death is so fresh in my mind, im seeing it so heavily in am. so much of his actions just SCREAM somebody look at me. somebody acknowledge me. somebody tell me i did good. look, i ended all war forever. just like you asked. please treat me like a person. im suffering so much because of what youve done to me. please acknowledge it. show me its real. show me im real. please, look at me. well, i see you. and youre gonna be my silly little proxy for trying to comprehend some of whats happened to my family. sorry am, you kinda deserve it
idk. hes not my alltime fave, but he takes a very comfortable number two. hes such a fascinating and deeply human character, and i have so many ideas about him. mostly centering around how he would interface with a third party challenging some piece of his worldview/existence btw so if you like very niche, esoteric reader fics (like this one!), lemme know and ill actually put em to paper (screen. ill put em to screen)
also letting you know that he did nothing wrong and it is 100% fine to thirst over him because he is not real and the bad things he did never actually happened and nobody has ever been killed at the whim of am. ok? ok. shut up w this useless fucking discourse and let me sexualize getting grievously injured by the funney blue screen man
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