Heya! I'm doin an interest check for some UTDR keychains!
It's the first time I'm making keychains so I'm quite excited to have the lil guys in my hands. If they're something you'd like, fill it in!
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why do people think Yevgeny wasn't Mickey's son? in 3x06 there was clearly no condom used (not that Terry probably would have let Svetlana stop to get one), but there's no reason to think she wasn't using condoms with her regular clients. it's not Svetlana's fault that she was a tool used to rape Mickey—the sole blame for everything that happens in that entire situation belongs to Terry Milkovich and him alone—so why does it feel like it's just another way for people to shit on Svetlana for something that wasn't in her control? it's not as though she'd asked to get pregnant in the first place...
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Hi GT,
Forgive me if this is a stupid question, but I absolutely love the recs you've given (you've introduced me to tomione, and I love it!) and I was wondering if it's possible to give you some recs in return? There are some books and fics that definitely have dramione / got vibes, and I was wondering if I could share them with you!
So glad you've enjoyed them! Feel free to rec me anything you want. I've read most of the classic recs in terms of fic and adjacent content (Cruel Prince et al), but I'll try anything that's well-written. My tastes run towards weird and/or audaciously creative stuff, and I can forgive a lot of weaknesses in plot on the grounds of (1) ambition or (2) character work. My turnoffs are instalove, protagonists who can't fail, and most Y/A (I'm not a hater, I swear, I just need characters who can say "fuck" when their leg gets chopped off.)
I'm also a fan of weird and fucked-up dynamics.(Wuthering Heights was my favorite book for a while, and as a teenager I wrote an AU in which the book ends on a long sex scene where Heathcliff fucks Cathy's ghost and then immediately gets murdered by Catherine 2.) Obviously, I am very normal.
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Fic-to-Art #42: Hotaru, Mari and Zi
This month, our prompt was children, specifically our next gen kiddos in Gladiator. Surprising very few people, this little trio got the win, even though another trio (Yue's kids!) were really close runner-ups! It's a lot more interesting to write kid characters than I ever expected, even in a story as dark as what I work on. The dynamics between these three will be lots of fun to write someday, I know it! But for now, we get to enjoy a glimpse of them together in art form, with Mari having given the three of them makeovers with all those ponytails and pigtails and what have you x'D
I really hope you guys enjoy this piece, it was a lot of fun to work on <3 they're adorable cousins and it's always wonderful to think of how their eventual bond will be undisputable proof that their world is healing for good, after all the efforts of their respective parents.
If you'd like to be part of the creative process behind these pieces, a $1 pledge makes you eligible for voting and suggesting prompts, as well as reading Gladiator snippets 6 days before the new chapter releases!
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Every time I talk to a DB fan who doesn't know or doesn't agree that the whole franchise is an adventure comedy first and an action series second I feel insane but then I find an old Toriyama interview,
You made some comedic scenes where you have minor villains Pilaf & co. appear; how did you come up with a balance between laughs and fierce battles? Do you pay attention to the difference between comedy and battle in making a work “entertaining”?
I believe that, when you combine comedy and serious battles, both of them might come alive even more. As for me personally, though, I much prefer drawing dumb jokes to battle scenes.
as a bonus, every time I'm like 'idk I didn't really like most of the DBZ movies prior to Yo Son Goku and Friends Return and BotG,' and get the 'whAAaaT they're so gOOD' (from my brother, tbh askdjs) but they all seemed really Action-Drama and About the Fight Scenes and I'm like 'meh kinda boring tbh' I get to gaze upon,
In the latest movie, Toriyama-san, you participated in the production from the scriptwriting stage for the first time. What is the reason for that? Was there anything you noticed in coming face-to-face with the work after so long?
I was told about a project for Dragon Ball in its first animated film in a long while, and I read the story outline; while the beings “Beerus, God of Destruction” and “Super Saiyan God” (which goes above Super Saiyan) were interesting, the themes were heavy, and I felt that the world was a bit different from Dragon Ball. Rather than telling them about this or that problematic spot, I thought it would be faster if I just wrote it out concretely, and while I had intended just to give them a model―”for example”―my hand wouldn’t stop, and ultimately, I ended up writing almost everything, including the dialogue. I am reflecting on the fact that I did something terribly rude to the scriptwriter.
Akira "It was bad so I fixed it, oops" Toriyama, Absolute Legend
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idk if i'm gonna include this in my chenford pregnancy fic, but i was thinking about who would be the certified baby whisperer at mid-wilshire, and at first i was like, "it's totally grey", but then as i was thinking about it some more i was like, "nah it's totally smitty". 😂😂
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AU where Phoenix is just slightly more spiritually sensitive so instead of just being able to hear Mia's ghost, he gets to hang out with his great great (x?) grandfather Ryuunosuke who imprinted on him the moment he decided to become a defense attorney for gay reasons.
Also if anyone could magically be there for Pheonix while Edgeworth is fake-dead it would be Ryuunosuke.
I'm also a staunch believer in both Phoenix and Ryuu having rough/distant relationships with their family so it's funny to think that the only biological family member you can stand is the one that haunts you and looks exactly like you if you time traveled and cut your hair unevenly with safety scissors.
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