#i didnt want this to be true

[mauvemischief]

never forget that Andrew Minyard was probably so convinced that Neil's behavior was something he hallucinated because no one had ever treated him like he was a human being or like he was more than just what he could give. Neil Josten didn't call him a monster to his face or close ranks when things got hard, Neil Josten wrapped the bloodied bedsheet around him and was there when he came out of rehab.

[monobmp]

More Bill practice

[c-kiddo]

thinking abt this .. the panic :( the way he just holds onto himself :( just tells himself theres work to do : (

also look at the little beetle carapace belle left for him :(((((

[skunkes]

[anakirui]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[hinamie]

atla!au designs part 3 !! one of these things is uh. not like the others

first year trio gojo/choso/nanami

[musubiki]

redraw of this limochi post from 2020!! 🍭

[faunandfloraas]

[puppyeared]

updated Sleight ref!!

[myokk]

the black lake🫶

[todayisafridaynight]

[ponchizs]

I’m in love with how they are giving so many subtle hints about Alhaitham and Kaveh’s relationship and how important it is to Alhaitham, despite the way they always seem to be bickering.

Throughout the 3.2 archon quest Alhaitham tells us that the reason why he is so interested in helping Sumeru is because he doesn’t want his daily life to change. After that Kaveh starts being mentioned very frequently by him or we hear other people in the akademiya complain about how they daily argue.

Then, of course, we meet them both arguing with each other in the House of Daena, which was quite the argument. We also know many of their casual interactions and how they go to the café/bar frequently together. Furthermore, Alhaitham pays all of Kaveh’s bills (something no one would do for someone they don't care for).

And now, during Alhaitham’s quest, their tones were so soft (At least in JP and CN) and also domestic. Kaveh seems to worry a lot about Alhaitham and exchanges glances with him, which made me melt inside. I also love how Alhaitham is constantly smiling while bickering with kaveh. Remember, we dont see him smiling like this that often. Which means he really enjoys it. I really liked how after the second time Kaveh asked him if he is okay, he replied with a tease about the painting Kaveh had mentioned before. Also smiling.

But most importantly, something I see no one talking about: the moment when Alhaitham was explaining why he resigned from being the Grand Sage to being the scribe again and he tells us that “It’s important to keep your priorities straight”, the camera points at Kaveh.

I know this game will probably never have any canon ship because they need to make everyone happy, but we do get hints like this from time to time and I think this was one of them.

After all, why would they bother to add all of those scenes with Kaveh when the quests had already concluded, if not for showing us how is what is Alhaitham’s daily life he wants to protect that much? We saw how happy he is, how eager he was to get home and go have dinner with Kaveh. We also see how Kaveh had been waiting for him as well.

I’d like to know more about their relationship, even if it ends up not being romantic (though how do you explain that face Kaveh made when paimon asked if they are friends).

[bibxrbie]

One Star Wars headcannon you will have to pry from my cold hands, is that Luke absolutely made Leia carry him on her back when she decided to pursue Force training.

[piggiebonez]

fav pokemon character justinrpg

i played pokemon black 4 times in a row in these past 2 months that fucking game just captivates me for some reason its absurd. i dont even like pokemon games that much. i didnt like any of the previous ones. bw rules though

i didnt play any gen7 games but that cutsecene with ghetsis fcuking punching a pathetic looking little girl so hard she fell on the floor and then threatening the player made me almost throw up from laughing when i first saw it i love grandpa

гетсис

[emulation-0]

Utahime dancing Dabke !! id in alt - as always, from the river to the sea, palestine will be free

Embedded within the heart and soul of the Palestinian people, the dabke – an ancient folkloric dance native to the Levant – transcends mere artistic expression, serving as a resolute act of defiance against the Zionist state's occupation. With each rhythmic stomp and synchronised movement, Palestinians reclaim their cultural identity, defiantly asserting their existence and resilience in the face of systemic oppression, while igniting a flame of resistance that resonates with generations past and present, affirming their connection with the land. - Fadila Khalid, Dance & Defiance: Dabke as an Emblem of Resilience in Palestine

below are resources for information on palestine and donations !! and reference photo is below that

donation masterpost by @/nabulsi:

info:

An Indicative Archive: Salvaging Nakba Documents | Institute for Palestine Studies (palestine-studies.org)

A Threshold Crossed: Israeli Authorities and the Crimes of Apartheid and Persecution | HRW

Institute for Palestine Studies | (palestine-studies.org)

Free Ebooks for a Free Palestine! | HaymarketBooks.org

Palestinian Culture - Anera

reference:

[potatobugz]

Lucky is he, Who lives unaware