#i do have issues with other character but lance is the worst offender

[harukamitsuki]

Okay... I am currently back on my Voltron bullshit and continuing my rewrite of Voltron. And I'm constantly reminding of HOW MUCH I HATE LANCE.

Don't get me wrong. I am still treating Lance fairly in my fic, making sure he gets screen-time and a proper character acr and stuff.

But by GODS. This man pisses me off so much and that's only made worse by his stans. I was scrolling through Keith's tag here on tumblr. I also have Kl@nce filtered out. I cannot see a single post without at least three pages of scrolling and then it's only ONE POST. AND IT'S STILL KLANCE BECAUSE IT HASN'T BEEN TAGGED CORRECTLY.

Anyway. Onto the actual things I hate about Lance and not just his fandom.

Lance is a fucking asshole. I mean that on the deepest level. Let's go through it chronologically because I cannot rank it from least to most assholery, because some things are on the same level.

1 - Allura wakes up from the cryopod and Lances catches her. She's confused and dazed and the first thing you should do is ask if she's alright. Oh, but Lance is above that. Instead, he flirts with her. Karma given immediately as she calls his ears hideous and puts him in a submission hold, which is why I kept that scene in my fic, but that was still wrong. I know it was played for comedic effect, but that doesn't make it not canon. It's canonically accurate that if you've awoken from a coma, Lance's first instinct is to flirt with you if you're pretty.

2 - Literally throws Hunk into the middle of a battle. I get that Hunk was supposed to leave the Lion anyway, but just shoving him out when there are lasers everywhere and Hunk has no protection? Yeah. So much for 'best friend'. Add on the fact that Lance never really treats Hunk like a friend. At all.

3 - Okay. Season 1 Lance isn't bad outside of those two examples, even if he has his dumb moments, so let's jump to Season 2. Starting shit with Keith for no reason. People can go 'oh, Keith obviously did something to him at the Garrison' but he DIDN'T. The writers themselves confirmed that Keith did nothing to Lance, he just started shit with Keith all the fucking time. Like accussing Keith of wanting Blue and cutting him off when he tried to explain what was actually happening, even though Lance is the one who was outraged initially that Keith had Red. Or how about Lance getting up in Shiro's face and screaming his head off about how Keith would rather kill people than listen to them, as if he knew Keith at all after bullying him the entire time.

4 - Okay. This one pissed me off the most and is the biggest reason I'm making this post. The fact that Lance used Shiro's death/disappearance against Keith. Keith outwardly expresses his lack of desire to become the leader and accidentally let it slip that Shiro wanted him to do it. To which Lance is all 'convenient that you say that when Shiro's gone'. What. What the fuck. Stans really say that Lance is precious but how the hell are you justifying that? A blind man could see how much Keith loves Shiro, and Lance has the fucking gall the say that Keith is USING his death/disappearance for a position he doesn't want? He didn't even apologise for it. He just told Keith to suck it up later on. This is one of the reasons I hated Lance as the Red Paladin, the others being explained in an earlier post of mine.

5 - Oh, yeah. We're not done. Because after Keith, it's Allura. Allur@nce is probably the worst ship that could have happened, apart from Kl@nce. If you wanted a straight ship, how about what was canon for the past Voltron series? Kallura? Anyway. Yeah, Lance treats Allura like a prize instead of a person. He's posessive in a way that he has no right to be because they were not together. He glares at Matt for flirting with Allura, something he only does once. He gets mad at Lotor and tries to stop them from spending time together, EVEN THOUGH LOTOR IS HELPING ALLURA AND BONDING THROUGH ALTEAN THINGS. HELPING HER KEEP IN TOUCH WITH ALTEAN CULTURE. In Season 8, he literally yells that it should be Lance and Allura?? What a fucking weirdo?? You can't claim that you're destined to be with someone without being together. That's not how healthy relationships work. That's how a stalker's mind works. Lance is constantly flirting with Allura throughout all of Voltron and she never once reciprocated until Season 8 where it's so obvious that Lance is just a rebound but the writers wanna make it so that it's 'true love' and they want Lance to be happier than anyone so they just gift her to him like some sort of trophy. Lance didn't care about loving Allura, he cared about winning her. At least Lotor actually cared for and respected her. I still don't like canon Lotor, but that's mostly because the writers didn't want to deal with gray morality. Cowards.

1 - Honestly the worst example of a leader. It's shown from episode one. Now, there is the argument of learning to become one, but Lance just never learns? He's never facing the consequences of his actions and, if he is lectured, he ignores it. Keith actually takes lessons to heart and tries to improve and he does. If Lance became the Black Paladin, the universe would have been doomed because he can't get over himself for a single moment to even bother listening to anyone else's advice.

So. Yeah. Those are the main reasons why Lance is an asshole. Now to make the Lance stans really pissed.

Reasons why Lance would have been a terrible leader and could never have been the Black Paladin.

Remember episode one? Remember how the hydraulic stabiliser was out in the simulator and Lance still tried to push on, even though Pidge and Hunk advised him not to? Totally great leadership qualities there. There's nothing better than a leader that refuses to listen to you. 'Oh, but Keith is stubborn and didn't listen--' yes he did. He's stubborn and unrelenting at first, but he eventually realises that they're right.

Remember episode three? Remember when Lance bragged about kicking, which made Voltron fall, then proceeded to try it again and failed again even when Keith advised him not to? Yeah. Lance does not make good decisions and does not listen to any advise. Even from the leader's right hand man.

Remember Season 1 Episode 12? Remember how they were waiting for Shiro and Allura to get back and then Keith saw someone taking quintessence so he decided to follow them? Remember how Lance said no and was ignored but did nothing more to stop Keith? He has no authority and no charisma to keep anyone at bay. Pidge herself mocks Lance for being the pinnacle for leadership. Sarcastically. Because he's far from it.

Pidge doesn't respect Lance as a leader, Keith never would considering Lance treats him like shit, Allura can't take Lance seriously with him hitting on her every ten seconds, and Hunk is always questioning Lance's decisions. If nobody respects you, you cannot be a good leader.

2 - Easily distracted. Yes, it's a very popular headcanon that Lance has ADHD, and I agree with that, but that doesn't make it okay. And he's distracted in the easiest ways. Just shove a pretty girl and he'll instantly get distracted and lead the entire team to doom. Remember Nyma and how easy it was for her to steal the Blue Lion? How he didn't even warn anyone that he was taking her out for a ride because he didn't want anyone contesting his conquest? Yeah.

Don't get me wrong. It's fine to have ADHD or get distracted easily. Monkey D. Luffy from One Piece is a great example of a leader who gets easily distracted, but the second he sets his mind on something, he blocks everything out. Lance just doesn't have the capability to do that, nor do I think he'd be able to learn how to.

3 - Gets jealous really easily. As in. Really fucking easily. He's jealous of Keith from the get-go, starting a one-sided rivalry that he's constantly on the losing side of because Keith doesn't care. He gets jealous of Matt when he flirts a bit with Allura. He gets extremely jealous of Lotor for having actual chemistry with Allura. He's constantly jealous and a good leader is only ever in competition with himself. A good leader will only strive to become better for the sake of the team, not to say that they're better than someone else, much less if they're someone that you are in charge of. It's a horrible trait to have.

Jealousy in and of itself is not a bad thing. It's when that jealousy overrides your logic and controls you, instead of you controlling your jealousy: which Lance struggles with a lot. And getting jealous over anyone who even looks at your crush is a very bad thing to do because you do not own your crush. It's okay to be jealous, but not posessively like Lance is. Not to the extent of trying to scare off any potential suitors.

4 - Nowhere near as skilled as Keith or Shiro. Sure, the writers may claim that he is better, but the proof is in the pudding. Keith and Shiro are fucking unmatched. I've defended Lance's skills in a previous post, but I also said in that post that, while he is skilled, he is nowhere near Shiro or Keith's level. I mean, Shiro was the golden child of the Garrison and set so many records. He was known as the best pilot. Keith beat those records and his flying capabilities are always, always noted. I haven't heard a single character comment on Lance's skills, other than to point out how bad they are. Keith was the only one who could have flew through the astroid field, he was the only one who could fly into the Marmora base which was in a blue star surrounded by two black holes, he was able to fly a Galra jet just by pushing the right buttons and knowing what the do, and he's the one who unlocks the warping abilities of the Black Lion. Shiro was able to connect with the Black Lion far before anyone else, able to see through Black and connect with Black to the point of his soul being saved by her.

Lance hasn't done anything spectacular. And, no. He was not 'done dirty'. He was given almost everything he wanted except the Black Lion. The writers claim he's the best pilot, but have not shown it at all. In my eyes, Keith and Shiro will always be the best.

5 - Selfish. Again. Nothing against being selfish. It's perfectly fine to be selfish, so long as it doesn't actively harm others. But for a leader? You should be as selfless as you can be. The team comes before you. And that's exactly what Lance isn't.

Lance is selfish and that's okay, but it's not leadership material. The whole reason Black rejected him is because he wanted the position out of selfish reasons. When he enters Black, he says 'Come on, Lance. You can do this'. In other words, he wants to pilot her because he wants to prove himself. He wants the acknowledgement. He wants the title of the Black Paladin and leader. Black accepted Keith, both at the start of Season 2 and Season 3, because he piloted her for purely selfless reasons. For Shiro.

Lance wants things for himself. Keith wanted things for Shiro. It was only after Shiro came back, (or so they thought), that Keith started focusing more on himself. Even then, he put everyone else before him. He distanced himself from the team so that Shiro could pilot Black again, and he was constantly risking his life for the Blades.

Lance just... isn't the type. He has put others before himself, but he expect things out of it. He expects a parade and acknowledgement. Nobody knew what Shiro went through to rid Zarkon of his connection to the Black Lion. Nobody knew what Shiro went through in his imprisonment because he doesn't want to burden anyone with that. Nobody knew what Keith went through to save Black and Shiro from Zarkon. Nobody knew what Keith went through when they were all mad at him for missing an attack. Lance doesn't withold that sort of stuff. The only thing he doesn't talk about is his insecurities, which he ends up spilling to the mice and Laika (the Yupper) anyway.

6 - Last one. Promise.

Nothing fucking happened. While Keith was gone, nothing of importance happened surrounding Voltron specifically. There was the Lion mind meld and Lotor joining, but all that served to prove was, with the mind meld, if Keith was there, he would have heard Shiro. And with Lotor joining, all it proved was how immature Lance was.

The second Keith gets back, things start happening again. Lotor gets outed as cruel and manipulative (still an ass-pull, by the way), Shiro gets outed as a clone, and so on. If Lance was leading, they all probably would have died ages ago. I'm talking Season 3 Episode 2, ages ago. Because Lance just isn't cut out for it.

So. Yeah. Those are the main reasons I hate Lance and why Black Paladin Lance is an awful idea. Screw the people who believe in it. It is awful.

Like I said, this won't affect my treatment of Lance in my rewrite, because I can fix those issues that come up. I don't have an issue with Season 1 Lance, it's later on that gets problematic. I just hate people building Lance up by bashing all the other characters, then claiming that Lance is the most traumatised, sad character when SHIRO AND KEITH ARE RIGHT THERE. NOT TO MENTION ALLURA, WHO LOST HER ENTIRE SPECIES, AND CORAN WHO LOST EVERYONE INCLUDING ALLURA AND NEVER GOT TO SAY GOODBYE TO HER.

Fuck. I hate Voltron so much but I can't help but love it.

[rachelbethhines]

Tangled Salt Marathon - “Rapunzel Knows Best!” ( A first half of S3 Recap)

So I decided to place the recap after Be Very Afraid for several reasons. For starters it’s where the season three hiatus took place. It’s also framed like a cliffhanger episode the same as The Great Tree and Queen for a Day; so while Cassandra’s Revenge is technically the midseason finale, Be Very Afraid functionally servers this narrative purpose better. Finally I want to keep the Cassandra heavy stuff contained in it’s own recap later same as I did for Varian’s arc in season one. 

Also keep in mind, everything I discussed in previous recaps still apply here. Nothings changed and you could argue that the issues I bring up now could have also apply to past seasons; they just happen to be at their worst here. 

Here are the past recaps 

To Filler or Not to Filler

Hey, What Ever Happened to That Varitas, Guy?

What Is the Point?

‘Whatta Twist’

And here are the episodes that’s covered in this recap

Rapunzel’s Return Part 1

Rapunzel’s Return Part 2

Return of the King 

Who’s Afraid of the Big Bad Wolf

The Lost Treasure of Herz Der Sonne

No Time Like the Past

Beginnings 

The King and Queen of Hearts

Day of the Animals 

Be Very Afraid 

Poorly Defined Conflicts 

I’m not just talking about Cassandra’s lack of goals here either, though that is a part of it. I mean in several episodes the central conflict isn’t laid out clearly enough before being resolved.  We flip from one set up to the next without ever resolving the first; like in Rapunzel’s Return when Cass and Varian fight for screen time or whenever Rapunzel is suppose to learn one lesson only for someone else to learn a completely different lesson in every other episode. And to this day I don’t know what Rapunzel and Feldspar’s subplot in Lost Treasure was suppose to be about. 

There’s also of course the ill-defined overall conflict; which at this point has become convoluted and nonsensical to the extreme, and will only grow more aggravatingly stupid as the season progresses. The main villains lack clear goals, their motivations don’t align with previously stated facts, and the actual interesting conflict involving the threat of the rocks and their destruction of people’s lives and homes is just shoved under the rug and forgotten about.  

There is no story without conflict. Having the conflict be all over the place is not only confusing but makes it harder for the audience to invest in what’s going on. 

Failed Narrative Promises 

Tying in with the above statement regarding conflicts, we have failed narrative promises. Rapunzel is repeatedly told to that she needs to learn something in several episodes only for her not to learn it at all. She either learns some unrelated ‘lesson’ that wasn’t established, (like in Rapunzel’s Return with her pervious goal about ‘opening up to others’ being switched out for a generic ‘responsibility’ lesson that at the last minute, where she doesn’t even do anything responsible,) or she winds up ‘teaching’ the opposite lesson to a different character thereby rewarding her for her bad behavior.   

And that’s just within the induvial episodes themselves; there’s also broken narrative promises through out the overall story arc; like...

no justice/redemption for Lady Caine, 

no acknowledgment that the Saporians are the victims of colonization

no conclusion regarding Corona’s murky past

no satisfying ending to Varian’s plot that sees everyone in involve grow

a poor copout of an explanation for Cassandra’s face/heel turn

The Dark Prince reveal going nowhere 

The Brotherhood being put on a bus 

King Frederic, or any royal, not being held accountable for their past actions 

Lance’s new found responsibilities just being thrown away for the tenth time 

The Disciples plot being being dropped 

next to nothing in season two winds up being relevant 

And Rapunzel, the protagonist of a coming of age story, fails to learn anything at all 

I could probably go on but you get the gist. Tangled is incredibly frustrating show to watch because doesn’t deliver what it promises. You’re not being clever by ‘subverting audiences expectations’ unless you can justify your narrative decisions with previous set up. Tangled is too lazy to build proper set ups so it’s ‘twists’ leave you wanting to punch things rather then impressing you. 

Character Assassinations 

Every single character in Tangled the Series gets thrown under a bus, driven off a cliff, and then allowed to drown in the ocean of their completely unaware self-congratulatory smugness.  

Rapunzel is turned into a bully

Cassandra is given the idiot ball to hold permanently 

The King and Queen are lobotomized

Quinin gets replaced by a robot  

The rest of the Brotherhood are pale shadows of what they could have been 

Edmund is transformed from tragic complex figure into a dumb jerkoff who abuses his kid for a laugh 

Zhan Tiri, once an ancient demon warlock, is reduced to a floating impotent ghost girl 

The Saporians become poor hipster parodies

Cap is put on a bus

Any villain who isn’t Cass is gets ignored

Lance is infantilized to the point of absurdity

Eugene becomes a doormat 

and poor Varian is forced to become a complacent victim to his abusers as oppose to being allowed to keeping his dignity 

I think the only person who escapes this mass murder of characterization is freaking Calliope, and she’s hasn’t even appeared yet! (Well okay her and Trevor, maybe) 

This all ties back into the poorly defined conflict and failed narrative promises. Rather than let the characters drive the story, they’ve become puppets to the plot, and plot is really stupid and forced, and circles back in on itself and is full of contradictions. 

Manipulating the Audience’s Empathy to Do the Work for the Writers  

The reason why the creators believe they can get away with such poor characterization and lazy writing is because they expect the audience to do all the heavy lifting for them.  

Cass isn’t given an on screen reason for what she does because they’re hoping her fans will just automatically excuse her because they like her/relate to her and not, you know, get mad at the writers for dumbing her down. And after all who doesn’t love the creator’s pet? Meanies! That’s who! 

No one calls out Rapunzel’s bullshit on screen, because if everyone likes her, then you, viewing audience, should too. Because if you have any sort of independent critical thinking abilities and a sense of right and wrong then clearly you’re ‘just a hater’. 

Everyone should just shut up and be satisfied that Varian is even on screen now and be grateful for the scraps that they get cause he’s not the real point of the show and according to Chris ‘Varian fans aren’t real fans’. Even though they make up most of his viewing audience. 

I could go on, but it’s just variations of the above. The writing in this series is very fond of gaslighting the audience and trying to trick them into justifying the absolute worst behaviors while desperately hoping they doesn’t noticed the continued downgrading and dismissal of characters they do like or once liked.  

And the sad thing is, it’s worked. There are people to this day that still try to justify this show’s shitty morals and bend over backwards to excuse the likes of Rapunzel, Frederic, Cassandra, and Edmund.  Worst, there are loud sections of the fandom, (usually on twitter) who think bullying is okay and follow in Chris and his characters footsteps. Most of them young impressionable girls who are now ripe for TREFS to indoctrinate because they use the same bullying tactics and excuses for authoritarianism. 

Media does effect reality, but not in the way purists and antis would have you believe. No one is going to become a violent manic from playing a video game nor a sex offender because they read a smut fic. But they very much will conform to toxic beliefs if it’s repeated enough at them by authorities they ‘trust’; like say the world wide leading company known for family entertainment and children’s media, and the ‘friends’ they find within the fandom for said company... 

I’m not saying you can’t enjoy Tangled the series or that you’re some how wrong for liking it’s characters, nor do you have to engage with every or any criticism thrown it’s way. But yes you need to think about the media you consume on some level and valid criticism is very much important to the fandom experience for precisely the above reasons. 

Conclusion    

This isn’t even the tip of the iceberg of what’s wrong with this show, but it is most of its biggest problems laid bare. Anything that haven’t covered here or in the past recaps will be explored in the final recap. Cause this is it folks; the last leg of the journey for this retrospective. When come back, hopefully next week, we’ll tackle Pascal’s Dragon.  

[iris-of-corona]

This will be a loooong post. I'm just going to warn you it's anti Cassunzel, the OT3 and Cassandra as a character. I also have some negative to say about Cassandra stans in general and Chris. You've been warned. Please don't read further if you just want to make me think differently about these, because it won't work.

Where do I even begin? I always disliked Cassandra since the beggining because of the subtle ways she acted as Gothel and reminded me of a toxic ex-friend. She always picked on Eugene and even if he always strikes back, as an Eugene fan, I agree that he uses humor as a way to hide pain, as I've personally done before. At the same time, she came across as entitled to protect Rapunzel and get Eugene out of the way. I understand everyone did not trust him because of his criminal past and it makes sense, but Cassandra did not let it slide even in season two. Eugene died for Rapunzel's freedom and suddently this new character we know nothing about is entitled to pick on him every time she could. How could I want to get to know her after that? First impressions matter more than I'd like, so yes. She sabotaged Rapunzel in Challenge of the Brave and I have never forgiven her for that. I've never changed my opinion on her and I felt like I had nobody to talk to about my dislike of her because a big part of the fandom loves her. Then season 3 came in and I began strongly hating Cassandra. She kidnapped and attempted murder multiple times and she did not even think of herself as the villan? Before you start with the "she was manipulated by Zhan Tiri" of course she was. But these were her actions. That she faced no consequences for so I just headcanon she was exiled from Corona anyway. And Rapunzel just not giving up on her. Hey kids, pin after your friends even if they backstabbed you and tried to hurt you and your loved ones! Yay, friendship! I'm not going further, the season 3 main plot was just messy and that I hope we can all agree.

Let's move on to ships and make some people mad we hate their OTP. I ship New Dream and just that from this show. Nothing more, nothing less. Now, I've noticed Cassunzel and the OT3 are quite popular in the fandom. I personally try to scroll past posts about those, but sometimes I don't. I'll tell you my problem with these two ships. First, Cassandra is toxic. There, I said it. At least in my perspective, toxic people are not enheretly bad. The toxic ex-friend I've mentioned is not a bad person, but she has to work with her issues. Same with Cassandra. She is not ready for any kind of relationship, platonic or romantic before she works on herself. Isn't that what is ending is about? Anyway, both Rapunzel and Eugene sister-zoned her so yeah. To make it clear, I hate how Gothel is important. She should have been forgotten. But I think calling them sisters could have been done in a way that doesn't imply Rapunzel is Gothel's daughter. Because she's not. But Rapunzel loves Cassandra as a sister and that's canon. Eugene also Cassandra as a sister and that's canon. Cassandra may or may not have a crush on Rapunzel, but it's canon is doesn't go anywhere, as Varian's crush on Cassandra or Lance's crush on Adira. Which explains why they are not an OT3. Or why there's no Cassunzel. They are found family, not lovers and that's canon. Anyway, I'll just stick with the ship which it's tenth aniversary of being canon is coming up :)

Now, Cassandra fans. I hate generalising a group of people, but many of those that I came across were incredibly offended and rude when you said their favourite isn't the second coming of Christ. Insulting people is not the way to go? It makes you seem childish, and I say that as a young teen. I'm the young one here and I understand calling people with different opinions that yours "cunts" is not ok in any way, shape or form. Good. Now, I hate when some of them- again some, not all- don't realize Cassandra is the villan??? And ignore that the show -**Chris**- push Eugene back for Cassandra and when he gets the tinniest bit of something, they wish it was Cassandra's (cue the dark prince reveal, the new position as the captain of the guards). Some of them also hate Varian because everyone inserts him in everything and only thinks about him?? Have you seen yourself? You. Do. The. Same. With. Cassandra. And you tell me Varian's a minor character and a plot device? Then, guess what, your favourite is a plot device. Moving on.

The worst thing some of them do is, in fact, the claim that you are sexist and homophobic if you don't worship Cassandra? No. I may take this too personally, but as someone who has a 90% homophobic family I've tried all my short life to have an open mind and spread understanding. And you tell me all my eforts are in vain because I don't like Cassandra? Are you kidding? I don't hate her because of that, I've stated my reasons. Using that insult feels cheap and almost hateful even. Ugh. As a female, I love strong girls and women, it's not a reason to hate Cassandra.

The last subject I want to rant about is Chris. @zhantiri made a great post on that subject and I agree completely check out her blog! I want to add that I understand why Chris is biased towards Cassandra: he created her, it makes sense. But what I wish happened was it wasn't painfully obvious he favored her over everyone else. Movie fans aka me came for Eugene and Rapunzel and their adventures and instead we got Rapunzel and Cassandra's while Eugene was there. He wasn't as important because reasons? By the third season, it felt as Cassandra was the protagonist and Rapunzel and Eugene were not even close in importance? That's not how things should have been handled. Also, you can't say you give Rapunzel a female best friend and pat yourself on the back for that then have said friend betray her. This show should have been about the mothers not the fathers but since Chris is a father, that's what we got. Rapunzel and Cassandra's friendship needed better writing, more exactly female writers. Chris knew he caused the divide between Varian and Cassandra fans.....basically Cassandra fans and the rest of the fandom. You should bring your fandom together, not divide it? Cassandra's arc and redemption was so bad and they focused on it so much, they forgot about the other characters. Lance deserved so much more but he was the comic relief and in the end adopted the girls and that's it? They done nothing with Eugene's heritage expect develop a relationship with his dad and that's it?And you tell me we have no hope for Eugene's mother? Not even Varian's? But now Cassandra's biological father has a story? She already has a father and her biological father was not even mentioned one time! Ariana had so little screen time but you throught about Cassandra's father? So now Cassandra is the main character since everything is about her nowadays? Ok. I understand people want more content, but first: it's probably not going to happen because that idea with Varian was refused. He's a series-only character. Guess what, same with Cassandra! I hear Chris doesn't work for Disney anymore and I doubt he would go back. Also people of the crew moved on to new projects so I wonder who's gonna do it now?

[monstersandmaw]

Male drider x male naga (nsfw)

This is a commission for someone who asked me to hold off posting it til today because it’s their birthday. So, happy birthday! I hope you like this. I really enjoyed working with these two characters of yours, and I’m totally in love with Ambrose...

Contents: one naga with some colourful language, one shy and arachnophobic drider boy, some thievery, some fluff, and some smut. Length: 4847 words

___________________________

Aiden cursed as he ducked and wove through the dense pine trees as evening pressed on relentlessly into night and the baying of the hounds and shouting of guards faded behind him.  

It had all been going so well until the duchess had returned early to her chambers and caught him red-handed with his sharp, taloned claws in her safe. She’d shrieked half the castle down, screaming about thieving snakes, leaving the naga no choice but to hurl himself out of the window and take a long dive into the freezing, filthy moat surrounding her castle. At least he still had her jewels in his satchel. He grinned wickedly to himself, canines flashing in the dying light of the day.  

Honestly, he was exhausted.

His python-like lower half was built for stealth rather than for prolonged speed, and his muscles were screaming at him to stop. The warmth had faded from the day, and the cold-blooded naga was starting to feel the chill as his muscles tightened and began to burn. His underside bore scratches and scrapes from his long flight, first through the remote castle’s extensive grounds, and then out into the wilder woods beyond. Sharp rocks had scored along his thick, red-scaled hide, leaving him bruised and a bit bloody, and he ached all over.  

Thirsty, weak, and with nowhere left to go, he eventually slowed his pace, breathing hard, and came to a halt in a quiet glade amid tall, silent pine trees. The wind hissed in the needled canopy above, but down here between the sentinel trunks, nothing moved. The baying of the duke’s hounds had long since faded into nothing, and as he swept his spiky, dark red hair back out of his eyes, he went utterly still, straining to hear any sounds at all. His head swam and his vision went double for a moment. He’d not eaten in days and while that wasn’t normally an issue for a naga, it was going to be problem for him soon after expending so much energy on escaping.  

Lightheaded, weak, and shaky, he swayed on the spot.  

Something darker than the surrounding shadows moved in the trees up ahead, and he swore softly, trying to get his eyes to focus.  

He ground his teeth and drew his body up tall, hoping to look menacing, but the extra effort sapped the last vestiges of strength from him and before he knew what was happening, he had pitched forwards and was lying face down in the carpet of old pine needles. Woozy, on the edge of consciousness, he watched as the dusk-dark body of a drider emerged hesitantly from the trees. He couldn't see enough to make out any features, but the blue-black of the delicate limbs that speared down silently into the forest floor was enough to tell him it was a drider.  

“Shit,” he hissed and his eyes rolled shut as he finally succumbed to his exhaustion. 

When he next stirred, he was chilled and sluggish, and lying in the dark somewhere. Warmth; he needed to get warm. And where the hell was he? The last thing he recalled was the approach of a drider. He realised with a jolt of fear that he should be wrapped up in webbing, stored for some future meal, if even half of what was said about driders was true. But he was free, if sluggish and sore.  

He blinked and tried to push himself upright on shaking arms, his cold muscles reluctant to obey him, and as he shifted, something squeaked at the back of whatever dank cave he was in. A rat?  

Still fighting the lingering grogginess, he lifted his head and saw a drider shoot backwards, stumbling over its tangle of spindly limbs, only to sit down heavily and stare at him with wide, panicked, dark eyes. The drider looked young, but into his adult years, and his dark, messy, almost violet-purple hair fell into his eyes as he panted, clearly terrified, and stared at the naga. The skin of his human half was bear and almost pure white, in stark contrast to his dark spider’s body, and his torso was rather scrawny, skinny, and a little pathetic, but flawless as carved marble.  

“Hello,” the drider croaked awkwardly. “You’re awake. You startled me.”

“No shit,” Aiden grunted. “Where the hell am I? And who are you?”

“My… My name is Ambrose,” he faltered, following it up with a frankly adorable smile, and Aiden was pleasantly surprised by the little dimples that formed in his cheeks at the gesture. “You’re… You’re in my -” he broke off with a screech and shot sideways, limbs scrabbling on the stony floor as he stared at the floor beside him.

“What the fuck?” Aiden muttered as he watched the drider panic at apparently nothing. “What is wrong with you?”

“Spider,” the drider whimpered pathetically, pointing a slender finger at the spot where he’d been sitting in a mess of dark limbs only a moment before.  

Aiden found laughter bubbling up inside him and he roared with amusement, the whole cave echoing with the sound of it. “You’re shitting me!” he wheezed. “Oh that’s fucking precious! A drider that’s afraid of spiders!” He laughed until his sides hurt and his eyes watered, but when he eventually got himself together, he wiped the tears from his eyes and crooned in a patronising baby-voice, “You want me to put it outside for you?”

“Yes please…” the drider mumbled miserably, not meeting Aiden’s gaze.  

Aiden snorted, still chuckling to himself, and scooped the tiny black spider up and chucked it out into the forest, feeling the drag of his cold tail and the ache of his muscles. He grunted and winced, rubbing the back of his neck and looking around the cave. “So, this dump is your home then?”

Ambrose’s cheeks flushed scarlet, and he nodded. “Yes. It’s… It’s not much. And thank you for putting the spider outside,” he said. “Normally I just wait over here until they’ve gone away…”

“You have to be the worst spider boy ever,” he snickered, ignoring the way Ambrose’s face crumpled dejectedly.  

The drider levered himself up off the ground, arranging his stick-like legs underneath him and, to Aiden’s surprise, the naga realised he was really quite tall. His legs were thin and fragile looking, and his pendulous, midnight black body was covered in silky-soft hair. The tactile naga was almost overwhelmed by the desire to touch it, and drew himself back before he could give in to the unexpected urge.  

“Well,” Aiden said, “I don’t suppose you’ve got a fire pit in this hovel, have you? I’m fucking frozen, and I stink from my impromptu swim in that foul bitch’s moat. I need a bath, and I need to warm the fuck up.”

Ambrose looked frankly horrified at the naga’s crass language, and Aiden reminded himself to rein it in a bit. No need to offend the person who’d been kind enough to pick him up and bring him here. He mused on that for a while and then asked, “Hang on a second… How the fuck did you get me in here? You look like one stiff breeze would send you spinning away like a tumbleweed!” He laughed at the image of the poor little drider cartwheeling away on the wind, only to find Ambrose looking hurt and embarrassed. “Ah, shit,” the naga added. “I’m sorry.”

“It’s alright,” Ambrose mumbled. “I’m stronger than I look though. I dragged you here. I made a litter out of web and pulled it like a sled. You’re heavy, but I managed alright.” He tucked a stray strand of his inky hair behind his delicate ear and added, “There’s a stream just a few hundred yards that way, if you wanted to wash. I’ll start a fire for you.”

Something about the quiet sadness in his voice made Aiden pause. He looked at the miserable looking drider and asked, “You live out here alone?”

He nodded mutely and turned away.

With a sigh, Aiden slithered painfully out of the cave and found the stream. It was freezing, but it washed off the muck from the moat, and with every icy wave that bit into his skin, he promised himself he’d be warming up beside a toasty fire before too long.  

Aiden hauled himself back up the steep bank, panting and groaning, his head aching and his vision blurred from exhaustion and lack of food. He let out a string of vile curses when he had to force himself to stop and take a breather. “Damned, fucking cold-blooded snake,” he swore, cranking his tail up the last bit of the incline and beginning his slow drag back to the cave.  

When he got there, he found that Ambrose was heating a pot of something over a now-roaring fire, and it smelled amazing. “What’s cooking?” he asked, nearly adding ‘good looking’ for good measure afterwards, but he decided against it.  

“Rabbit stew,” he said. “I made it this morning. It’s good to be reheated once more though. Is that alright?”

“Fuck yeah,” he grinned, and Ambrose gave him a very shy little smile in return. Something about it made Aiden’s stomach flip over and he crushed the sensation immediately. It wouldn’t do to go falling for some cute little spider boy when he was out in the middle of nowhere and still had to turn his thieved goods into his guild’s boss.  

The two shared their meal in relative silence, but Aiden couldn’t help noticing the way Ambrose always made sure he had enough, and how the drider watched him eat and then glanced away whenever he caught him staring.  

“You really don’t get out much, do you?” he asked boldly when it happened for the third or fourth time. “How many other people have you seen lately?”

Tears formed suddenly in Ambrose’s eyes and he looked away. Guilt lanced through Aiden, and he lowered his empty bowl, setting it down on the ground.  

“Hey, come on, don’t cry. I didn’t mean to be…” He broke off and turned away. “I know I can be a real dick sometimes. Maybe it comes from having two of them…” he interjected, and then cursed himself for saying something so crude. “Anyway, look, I just meant… you seem nice. You don’t deserve to be shut away up here in the mountains, living alone in a cave full of spiders that you’re absolutely terrified of.” He couldn't help the little giggle at the memory of Ambrose tripping over himself in his terror at the little spider, but his mirth was short-lived.

“I have nowhere else to go,” Ambrose said in a tiny voice.  

The way he said it made something in Aiden’s chest crack. “You’re serious, aren’t you?”

He nodded. “I’m scared to go out alone. So many people hate my kind. I’m scary to them, but really… I’m… I’m the one who’s afraid.”

“Come with me,” Aiden said before he’d even thought about what he was going to say. The sudden statement shocked him; Aiden was not known for random acts of kindness.

“Where? Where will you go? I saw what was in that bag,” he said, pointing to the satchel with the stolen diamond tiara and necklaces. “You’re a thief and a criminal. What kind of life are you trying to offer me?”

Aiden hissed out a sigh. “You’re right. But I mean… spider silk is really good for healing, and you could maybe work at a healers nearby if… you know… ah shit, what am I saying? I don’t know.” He scratched his head, feeling the rake of his sharp claws over his scalp. “You don’t even know me.” He sighed. “Forget I said anything.”

Ambrose looked at him steadily across the dancing flames of the fire pit. The light reflected in his big, dark eyes, and Aiden felt that strange coiling in his gut again that had nothing to do with the excellent food that the drider had prepared for him. He was strangely beautiful, in his skinny, slightly creepy looking way, but it was easy to see how some folk might be unnerved by the sight of him.  

The warmth from the fire began to make his head nod and a drowsiness washed over him as he coiled himself up tightly beside the fire pit a few minutes later.  

“You should rest,” Ambrose murmured quietly, coming over and stooping gracefully to pick up the wooden bowl that Aiden had abandoned beside him.  

“Thankssssssss…” he hissed, forgetting not to lisp as his body tipped towards sleep before he could stop it. He must have been more exhausted than he’d realised as he slurred, “That wassssss reallygood.”

“I’m glad,” Ambrose said in a soft voice. “Do you want a blanket?”

“Mmm,” was all Aiden could get out before he slipped into sleep.  

Inhaling deeply, he stirred and felt the warm weight of a huge woollen blanket over him, and he looked up to see Ambrose on the other side of the cave, curled with his legs stowed neatly beneath him on a wide hammock of web. The thought struck Aiden that he looked oddly sweet like that, and he smiled.  

The gentle vibrations caused by the naga waking and stretching must have reached the slumbering drider because he twitched awake with a yelp of distress and scuttled back into the deepest corner of the cave, eyes wide and fearful and unfocused.  

“Hey, it’s just me, dumbass,” Aiden chortled. “Remember, the criminal snake you adopted yesterday?”

Ambrose surprised him by beaming a wide smile at him that stopped his slow-beating heart for a few seconds and stalled his brain. Gods above; he was beautiful.  

“What?” the drider asked. “Do I have drool on my face? Have I leaked webbing or something?”  

“Is that like pissing yourself?” he snorted, shattering whatever moment had hung pendulously between them.  

“No,” Ambrose replied, blushing prettily. “It’s still embarrassing though.”

When he looked around and saw that in fact everything was as it should be, with no drool or webbing out of place, he sighed and stretched. Aiden tried not to watch too closely as his torso flexed, but he found that he had to turn away all the same.  

Ambrose went lax with a grunt and looked over at Aiden with his big dark eyes gleaming softly. “How are you feeling today?”

“Stiff, tired, achy…” Aiden complained. “But mostly alright, I guess.”

Ambrose’s previously relaxed posture tightened and he looked suddenly as though he were staving off tears.  

Aiden moved closer, his smooth, hard scales barely whispering on the cold rock of Ambrose’ dank little home. “Hey, what’s wrong?”

“Oh, nothing,” he said, trying to hide his emotions behind a wavering little smile. “Nothing…”

Aiden cocked an eyebrow, and Ambrose caved.  

“Fine,” the drider sniffed, turning away, legs moving like a clockwork automaton.  

Not having legs himself, Aiden would have been lying if he had said that he didn't also find Ambrose’ eight, slender legs fascinating. Forcing himself to concentrate, he shifted a little closer to the drider, who paused when he sensed him getting near, and drew in another long breath before speaking.  

“I suppose… I mean… it’s kind of lonely up here in the forest…”

“But this cave is full of spiders to keep you company,” Aiden jested, and Ambrose suppressed a shudder. “Ok, seriously though, if you hate it so much, why do you live here? There’s a town not fifty miles away, and for someone with legs like yours, that wouldn’t be a taxing journey… I don’t get the whole hermit act… Give people a chance… Trust me, there are way scarier looking beasties out there than you. You’re positively angelic in comparison to some of the folk in my guild, let me tell you…”

Ambrose looked over his slender shoulder at Aiden and gave a sad little smile. “You’re the first person who’s ever seen me and not run screaming.”

Aiden’s heart cracked at that. “What?” he breathed. “You’re shitting me! But… But you’re -” he cut off quickly before he embarrassed himself.  

“I’m a drider, that’s what!” Ambrose said hotly, drawing himself up tall, and for the first time, Aiden saw him as perhaps others did: more than a little ‘otherworldly’, with his big dark eyes and ghostly pale skin, his long limbs and his rounded, downy arachnid body. “People hate driders. They think we’re creepy or scary, or that we eat their children, or wrap them up in web for later and suck them dry…”

“You don’t?” Aiden snorted. “Damn, I quite liked the idea of being able to say I’d survived a few nights with a monster…”

The hurt on Ambrose’ face cut Aiden to the quick once again.  

“Ah, shit,” he said. “I’m sorry. I always run my mouth when I get uncomfortable.”

“See? I make even you uncomfortable!” he said, huge, crystal tears rolling down his pale cheeks. “And you’re a criminal and a thief!”

“What’s that supposed to mean?” he huffed defensively. “Just because I nick stuff for a living, doesn’t mean I hang around with creeps… Ok, maybe I do, but they’re alright. My crew is alright. We don’t steal from people who don’t deserve it, you know?”  

He darted back to where his satchel still lay on the rock and scooped it up, drawing out the sparkling gems.  

“The bitch who owned these has a whole vault beneath the castle. She just kept these ones in her room because they were her favourite. She also keeps a tiefling on a leash as some kind of sick pet, and she’s got a centaur whose coat she dyes baby pink and has her paraded around for her amusement. Trust me, I’ve seen monsters, and you, my friend, are not one.”

Ambrose was still crying silently, but he lowered his dark spider’s body close to the floor, legs moving seamlessly like the dwarven and goblin lifting mechanisms at the docks. “I guess I don’t want you to go yet,” he said in a small voice.  

“Who said I was going anywhere?” he grinned, wondering what he was getting himself into. This wasn’t like him. Had Ambrose been anyone else, he’d have left him in the dust a long time ago, but there was something about his curious innocence, and the way he had instinctively helped the weakened naga, despite his obvious wariness of others…  

Ambrose perked up visibly at that. “You… You mean you want to stay?”

“Maybe for a few more days,” he shrugged, putting the jewellery back in the sack. “Just until I feel myself again, you know?”

“This isn’t you at your best?” Ambrose joked, and he was met with an answering grin from Aiden.  

“Ho boy,” Aiden beamed at him, sharp canines showing. “I’m unstoppable when I’m on top form. Just you wait.”

The exchange seemed to have cheered Ambrose up, but when Aiden asked the drider if he fancied showing him around the surrounding forest, Ambrose shrank away again, shaking his head. “I can’t,” he said.

“What do you mean?”  

“I… I don’t go out much.”

Well, that much was actually obvious to the naga, but still… “Just a few yards from the cave?” he said. “I’m cold and I could use some sunshine on my scales, you know?” he said, flicking his red hair playfully. It was enough to draw a little smile from Ambrose, and he agreed to accompany Aiden to the mouth of the cave, and then just a bit further.  

Aiden found himself drawing the drider out more and more, both literally, and metaphorically as they laughed together over meals, or, more accurately, as Aiden scandalised him with tales of his thieving crew’s antics and escapades. However, after another four days, Aiden was certain of two things. The first was that he had stayed too long and his crew would be wondering if he’d just run off with the profits of the heist, and the second was that he was falling for this sweet, intelligent, shy, under-socialised drider faster and harder than he ever would have thought possible.  

“Come with me,” he murmured, on the evening when he had decided to announce that he absolutely had to return the next day.  

The two were lying beside the fire, Ambrose with all his legs tucked up adorably beneath him so that he looked like a little black cat with its paws scrunched in close to its body. He was also leaning his upper body against Aiden’s, who was coiled around Ambrose’ entire form. He was just long enough to be able to encircle him completely, the very tip of his tail just coming to rest in front of Ambrose’ spider body. Occasionally, the dark tip of his tail would twitch involuntarily, and Ambrose’ eyes would always dart down to look at it, and he would twitch his pretty lips into a little smile every time. Naturally, Aiden did it deliberately sometimes, just to watch his new friend’s reaction.  

“I can’t,” Ambrose whispered hoarsely.  

“Do you want to?” Aiden asked. “I mean, don’t you want to see the world? Do you really want to live out your whole life in this one cave full of spiders which you’re terrified of? How long do driders even live anyway…?”

His face crumpled. “We can live a long time,” he mumbled. “And no. Of course I don’t want to stay here alone forever.”

Aiden reached his hand out and ran the back of his fingers up the smooth, slightly fuzzy surface of the leg nearest to him. Ambrose shuddered violently and let out a gasp of shock, eyes rolling closed. When Aiden repeated the gesture, a moan spilled from Ambrose’ lips, and it was the most seductive and delicious sound that Aiden had ever heard anyone make.  

“Holy shit,” he breathed. “Ambrose, you… the sound you just made…”

“I’m sorry,” he panted, pink flushing his skin from collarbones all the way up to his ears. “That… That felt so good.”

“Has anyone ever touched you?”

Ambrose shook his head, his messy hair tumbling into his heavily lidded eyes.

The naga went very still and removed his fingers from the incredibly soft velvet at the ‘hip’ of Ambrose’ spider leg, where it joined his spider body. “Would you let me?” Aiden asked. “Would you let me make you feel good?”

Ambrose licked his lips and opened his glittering eyes. His pupils were huge in the dark, and he nodded slowly. “Please…”

“You want me to make you feel good?” Aiden asked again. “How far do you want to go?”

“I don’t know,” he said. His pulse beat rapidly at his throat, but he looked determined. “Will you stop if I ask you to?”

“Of course,” he said, and he couldn’t resist adding, “I know I’ve got two of them, but I’m not that much of a dick…”

Ambrose snorted, his lips hitching up on one side. “I barely have one, so…”

It was Aiden’s turn to be confused, and Ambrose’s turn to laugh.  

Ambrose blushed and giggled his way through a rapid-fire lesson in drider anatomy, and Aiden was suddenly very interested. “Male driders don’t really have a… you know… I mean we do, but it only really comes all the way out when it’s mating season. Mostly it just stays inside. Even if… you know…”  

“So wait, you’ve got a slit, or what?” he asked. “I mean, some male naga have both, so I’m cool with whatever you’ve got going on down there… but that’s… that’s kinda hot, you know?”

Ambrose’s answering blush was so pretty that Aiden felt his cocks stirring already, and the heat must have shown in his gaze because Ambrose’ blush only deepened when he realised. “You think…? I mean… You’re… You’re turned on by me?”

“Yes,” he hissed. “Very much so.”

“And it’s not just curiosity?”

He shook his head. “Part of it is - I do like the idea of something new - but mostly it’s just you. You’re sweet and bashful, and you deserve to be praised and told how beautiful you are. I want to give that to you.”

A single tear rolled down Ambrose’s cheek. “Alright,” he said. “How… How do you want to do this?”

A little while later, Ambrose was on his back, and Aiden was trailing his claws down his incredibly soft and wildly sensitive underbelly. Ambrose jerked and twitched and bucked, crying out and biting the back of his hand as Aiden worked him all over, just getting him used to the sensation of being touched and, quite honestly, worshipped. Aiden noticed almost immediately that Ambrose was getting wet in a very particular place on his lower body, and when he ran his fingertips over it, he discovered a slit that was slick and warm and wet.  

“Can I use my mouth on you?” he asked huskily.  

Ambrose whimpered and nodded his assent. “Wait,” he gasped, and the naga halted. “Are you poisonous?” His words were slurred and weak, but he cracked one dark eye open and tried unsuccessfully to focus on Aiden through the pleasure of the touches he was still receiving from Aiden’s fingertips.  

The naga snorted, amused. “ ‘Venomous’ is the term you’re looking for, and no. No juice in these,” he said, flashing his canines. “Some of us are, but I’m not. Don’t worry.”  

And with that, Aiden leaned his weight against the curve of Ambrose’ body and cautiously lowered his mouth to taste him. Aiden’s long tongue lapped at him, finding him slightly sweet and a little salty, and he soon discovered Ambrose’s cock seated deep inside him. As he worked his tongue repeatedly along the length of it, sometimes managing to curl the long muscle almost all the way around Ambrose’s hidden cock, he felt the walls of the slit pulse almost rhythmically, and he knew that it would feel incredible to be inside him.  

When Aiden paused and voiced this aloud, Ambrose, who was quickly becoming a whining, mewling mess of limbs and heaving body, groaned, “Yes! Please…”

Aiden looked down the length of his own, scarlet red body, and bit his lip. Not only was the larger of his two cocks fully erect and weeping profusely, but the second, which usually only became fully erect during the naga’s heats, was also hard and slick. “Well, well,” he said. “Look what the sight of you like this has done to me,” he chuckled.

Ambrose managed to open his eyes with a flutter of long, dark lashes, and he smiled. “Beautiful,” he rasped. “I want you…”

Aiden shifted, coiling himself up so that he could slide easily into the slick heat of Ambrose’ sheath. The moment their cocks touched, he felt a jolt run right through him, and he gasped, clinging to Ambrose’ body. “Fuck,” he snarled. “Fuck, you’re perfect…”

Ambrose was beyond words at the sensations coursing through him.  

“I’ve never felt so full,” he managed to gasp a few minutes later after Aiden had begun to rock back and forth inside him. “I… I don’t think I’m… I’m going to…” he panted, his body convulsing and shaking with over stimulation beneath Aiden. “I -” and with a rush of heat beneath Aiden, the drider came.

Spurts of thick, hot come pulsed around Aiden’s two cocks, and the naga lost his rhythm and his control, coming with a gasp a second after Ambrose.  

Ambrose’ uninhibited yell of pleasure echoed off the walls of his home as he came, his body twitching and rocking with pleasure, while Aiden rammed his eyes shut, cocks buried inside him, and ground his teeth, gasping at the intensity of it. He had never come like this.  

It took a while for both of them to come back to their senses, and when they did, Aiden laughed nervously and slid free of Ambrose. “You alright?” he asked, voice hoarse.  

Ambrose nodded and tightened his skinny torso, abs clenching as he looked down his body to where his lower half was frankly a mess. “I think I might need to bathe tonight,” he said. Then, with a wicked glint in his eyes that Aiden would never have suspected from him, he added, “Unless you want to go again?”

“What have I unleashed?” he laughed.  

In fact, they did go again, twice more, before the dawn.  

As they were both tired and spent, washing clean in the freezing stream, Ambrose said quietly, “I think I will come with you.”

“What, you only want me for the sex now?” Aiden joked.  

Ambrose remained serious as he said, “No. I was thinking about it before. If you promise that you will help me… I’d like to come with you. I’d like to see something of the world.”

Aiden was not expecting his heart to react in the way it did, but he flashed Ambrose a wide grin. “Great,” he said. “I promise. You’re going to love it. I just know it.”

___________________________

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[alluratron]

What’s wrong with VLD?

This is gonna be a two-parter post expressing all my various frustrations with VLD, and highlighting exactly where I think it went wrong (all of them. yep). I’m going to keep it ship-neutral because ship discourse has a tendency to blind people and make them belligerent (myself included, I can admit that) however I will be discussing the canon relationships. This isn’t ship hate by any means - in fact I like all the canon relationships (or at least I like what they could’ve been) - but I think it’s pretty undeniable that VLD did not do them justice, and in fact took the worst possible route with them.

That said, let’s dive in.

(sorry to those on mobile, this is RIDICULOUSLY long.)

“Voltron: legendary defender” is a show that began with a whole lot of promise. Off the back of the (widely regarded as) almost faultless storytelling in A:TLA and the much celebrated queer ending of LOK (which resulted in a lot of writing issues being brushed under the rug but I digress), VLD was heavily anticipated, tapping into these shows loyal fanbase(s) - as a show produced by their alumni - as well as the market of older viewers, nostalgic for the Defenders Of The Universe cartoon they grew up with. It always had a lot to live up to, and when it dropped in summer 2016, it seemed to live up to the hype.

I personally didn’t join the voltron bandwagon immediately. In fact, I wasn’t even aware of it until around November of 2016. I was late to the LOK and A:TLA hype (very late actually. I first watched LOK around October 2016 and then doubled back to watch A:TLA) but got deeply invested and quickly followed several blogs with these interests. Through following these blogs, I kept happening upon the word “voltron” but didn’t pay it much mind.

Until I came across a post titled “HERE’S WHY YOU SHOULD WATCH VOLTRON.”

I decided to give it a read. The 4 key points of this post were:

A diverse main cast, with 3/5 of the main characters being confirmed POC, and a dark-skinned princess.

Focus on character and team dynamics, reminiscent of the A:TLA found family spirit.

Possibility of queer representation as suggested by the EPs, whom both worked on LOK, as well as the freedom of the Netflix platform.

Beautiful animation thanks to Studio Mir.

(Only one of those things ended up delivering in a convincing, satisfying manner. Hint: it’s the animation.)

These 4 points were enough to pique my interest enough to delve into the show and, after watching the first season in late November 2016, I was won over. I thoroughly enjoyed the characters, burgeoning dynamics and light hearted tone interspersed with deeper moments. Was it perfect? No. It was a little goofy. But that was ok, it had time to grow and settle. I joined the fandom and excitedly awaited the release of season 2, which came in January 2017.

This is where it started to go bad.

I will admit that, with the benefit of hindsight, season 2 is not as bad as I initially felt it to be. It struggles with pacing and balancing of the 7-character core cast, with several characters reduced to more one-note figures (namely Pidge, Hunk and Lance, although Pidge’s note as a genius is more flattering than the latter two). But story-wise, it is a solid season. The biggest problem of the season comes from the poor handling of the conflict between Allura and Keith over his galra heritage.

Allegories for racial discrimination are always tricky, especially in children’s media. They’re storylines that should only be tackled upon input from people that have experienced such discrimination, so that they may be handled with tact and grace. VLD season 2 did not do this.

What we got was several scenes designed to frame Keith as the victim of Allura’s aggression and intolerant nature. Bear in mind that Allura is a genocide survivor, whose entire race was (at the time of the season) believed to have been eradicated by Zarkon and the galra, whom had previously been her allies. Her emotional response is entirely justifiable and yet, through the framing of the conflict, the narrative was able to manipulate viewers into seeing her as the offending party, with many fans taking to social media to call out her “racism”.

To add to this, Allura is, in design, a black woman. Black women are often portrayed as harsh and aggressive, and VLD played into this to further sway support to Keith’s side of the conflict. He - a light-skinned boy of unspecified ethnicity - was often seen looking hopefully at Allura or looking down dejectedly. Allura, however, was shown glaring, ignoring and turning away from him. We are given an episode (Belly of the Weblum, S2E9) in which Keith talks to Hunk about Allura’s “hatred” for him, but we never see Allura expressing her hurt to a companion (ideally Coran as a fellow genocide survivor) or even lamenting alone. In fact, the only time we hear Allura’s side of things is when she is apologising to Keith (Best Laid Plans, S2E12).

More still, the entirety of BotW has Keith on the receiving end of several microagressions from Hunk. Microaggressions are “slights, snubs, or insults, whether intentional or unintentional, which communicate hostile, derogatory, or negative messages to target persons based solely upon their marginalized group membership”. Hunk’s prodding about Keith’s heritage, initial discomfort about being alone with him and joking remarks (e.g. “do you guys all know each other?”) are strongly reminiscent of microagressions that POC (myself included) encounter on a daily basis. Except, voltron decided to flip the script. This time, the microagressions are directed at Keith for being part galra. Remember that the Galra are the perpetrators of oppression, colonisation and imperial rule, making them allegories for several White endeavours in human history (space nazis, so to speak). And yet, voltron has the fat, dark-skinned boy (who would ordinarily be on the receiving end of such microaggressions in our world) be the perpetrator of these microagressions against the slim, light-skinned, space-white boy.

To sum up, their handling of the arc of Keith’s discovery of his heritage was extremely tasteless at best, and insidious at worst.

And the issues surrounding the writing of the Galra don’t stop there. Though Allura was treated as in the wrong for distrusting the Galra as a whole, the story makes you question whether this should have even been the case. Throughout the length of the show, the Galra are continuously portrayed as a violent and warmongering race. Their history involves conquering all the other races that called Daibazaal home and their most prevalent salute, “Vrepit Sa”, is revealed to mean “the killing thrust” (Omega Shield, S6E1). Proponents of the Empire will often declare “victory or death”, while their counterparts in the Blade of Marmora have a mantra of “knowledge or death”. Even more pertinently, Keith is a character with anger management issues, prone to aggressive outbursts. Instead of these being treated as a character trait, something that he has to work through, it’s chalked up to his “galra side” by the EPs. When he faces Clone Shiro (The Black Paladins, S6E5) he occasionally fights with more aggression, with the clone’s remark of “that’s the Keith I remember” implying that this aggression is a trait that has been present in Keith for a long time. This comes with the animation of Keith with tinted yellow sclera, narrowed pupils, purplish skin and fangs. All of these are traits associated with his “galra side” and all of these only make an appearance when he’s fighting with more aggression.

So how is it that the narrative repeatedly shows us that the Galra are an inherently aggressive and violent race (which is such a problematic concept anyway: they’re not wild animals, they should have agency and self-control), yet also tells us that Allura was wrong for not trusting them?

It’s because the narrative was dead set on punishing Allura.

Throughout the length of the show, we see Allura put through emotional punishment time and time and time again. She is portrayed as wrong for her behaviour towards Keith in season 2 (as detailed above). In season 3, she is explicitly stated to be the “decision maker” (The Red Paladin, S3E2) then is swiftly demoted from that position (and yes, it’s a demotion, but more on that later).

In the same season, the team enters an alternate reality (Hole in the Sky, S3E4) where they find alteans, alive and well. This is especially exciting for Allura (which genocide survivor wouldn’t be thrilled to find their people alive and thriving?), but her joy is short lived when, after she helps the alternate alteans, they are soon revealed to be evil, arguably moreso than the galra in the main reality as they use technology to enslave races that oppose them by taking away their free will entirely. The comet ore that they manage to keep out of the Alteans hands to prevent them from making a second voltron is quickly snatched from them by Lotor when they return to their own reality. Allura laments that she “finally understands” why her father, King Alfor, scattered the lions: it was to prevent this reality. However, in the pilot episode (The Rise Of Voltron, S1E1) Allura spoke with King Alfor’s AI, complete with all his memories. The AI told her that she had in fact been right to want to keep voltron and fight the Galra, and he had been wrong to send them away. If he had sent them away to “prevent this reality” why didn’t the AI say that? HitS retcons Allura’s rightness in that call, further devaluing her judgment. How would Alfor have sent the lions away to prevent the reality where Lotor gets the comet ore, when Lotor wasn’t even born when Alfor died?

This tendency to punish Allura continues with Allura’s relationship with Lotor. When Lotor is first taken prisoner by team voltron (The Prisoner, S5E1) Allura doesn’t trust him at all. He asks her to see past his Galra race and, following her arc in season 2 of not seeing galra as an evil monolith, Allura eventually does. She works alongside Lotor even before discovering that he has Altean heritage. Eventually, they fall for each other and Allura is on cloud nine for a while as the war seems to be over and she is spending more and more time with Lotor, who encourages her, praises her and helps her connect more to Altea. So, of course, this doesn’t last for long. Lotor is revealed to have been manipulating Allura (and the others) all this time, using her to upgrade his Sincline ships while secretly using Alteans he found in the diaspora as batteries.

(Pictured: Lotor holding Allura’s hand in Bloodlines, S5E5. She agrees to help him search Haggar’s den and during this search, learns of his Altean blood.)

So, what was the need of this relationship? She was punished for not trusting the Galra, and then punished for...trusting the Galra. She clearly could not win. And why was it necessary to have Allura fall for Lotor, only for it to end on such a terrible note? Why did their relationship have to be romantic? Was it simply so Allura would feel the pain of his “betrayal” that much more? Because it sure comes off that way.

There are so many scenes of Allura breaking down in tears - Crystal Venom, The Red Paladin, that one episode in s8 that I can’t remember that has her crying bc Sincline was about to kill Lance, probably more - and she is constantly giving up pieces of herself and her heritage. In the very first season, she heals the balmera (Rebirth, S1E8) at expense to her own health. Through the length of the show, Allura continues to risk her life to protect others. She desperately wants to maintain connections to Altea (hence her joy at the alternate alteans, as well as her close bond with Lotor) yet she is constantly losing every connection she has. She has to destroy her father’s AI, the alteans turn out to be evil, Lotor turns out to be evil, they blow up the castle to save all of existence, she gives up the jewel from her crown (which she never took off) to save shiro, and then ultimately, she dies to save all realities (because...reasons). One would have thought that her arc would involve being less self-sacrificing, but no. Allura is tortured emotionally, loses everything she cares about and then dies.

On a similar note, while Allura was constantly put through emotional torture, Shiro was constantly put through physical torture. There are several pieces out there by people far more eloquent than myself that detail the constant use of Shiro for torture porn throughout the show so I won’t rehash them. I will say that, like Allura, his torture does not culminate in a satisfying ending that made all his suffering “worth it”. Throughout the first and second seasons, we see Shiro bond closely with the black lion. He battles Zarkon for control (Space Mall, S2E7) and almost fails, until he realises that “nobody controls the black lion” and this galvanises the lion to take action and save him, severing zarkon’s bond. In the final episode of the season (Blackout, S2E13) Shiro and the black lion connect more deeply than ever before and we are shown a montage of all their bonding moments, leading up to Shiro unlocking the black lion’s wings, which enable them to phase through Zarkon and collect the black bayard, a plot point introduced in the very first episode. After seeing Shiro work so hard to earn the black lion’s trust, forge a bond stronger than the one that lasted 10 thousand years, and triumphantly collect the bayard, his fans would be understandably excited to see him use it. But he never does. After all that hard work, Shiro never sits in the black lion’s cockpit again. His clone does for a while, but Shiro himself does not, and he never touches the bayard again. This is a huge disappointment to his fans, after 24 (technically 26) episodes of buildup to that moment.

And to add insult to injury, it’s never explained why he doesn’t. The EPs said in an interview that when Allura unmerged Shiro’s quintessence from the black lion, she also broke their bond. But this explanation comes with a number of issues. Firstly, this is never stated in canon. Viewers should not have to rely on extra-canonical material to get a full story. Extra-canonical material should be supplementary, an opportunity for eager fans to learn more about the universe and the characters. It shouldn’t be a requisite to understand the story. And, believe me, this information was. When I was watching season 7 with my (at the time) 10 year old brother, he turned to me and asked me why Shiro wasn’t flying the black lion now he was back. I shrugged and told him I didn’t know. I, in fact, did know the EPs explanation, but I wasn’t going to do their job for them. Secondly, the explanation falls apart upon the slightest examination. Say Allura did remove Shiro’s bond with the black lion (somehow...because that doesn’t even make sense). In the pilot, Allura says that “the quintessence of the pilot is mirrored in his lion” and this is why they can bond and fly together. Well, Shiro’s quintessence hasn’t changed, as Allura simply extracted and transferred it. The black lion’s quintessence hasn’t changed since nothing happened to make it change. When they first met, Shiro and the black lion didn’t have a bond. They formed and strengthened that bond upon flying together. So, why can’t they do that again? What is stopping Shiro from simply sitting in the cockpit and restoring their bond?

Short answer: Keith.

Long answer: the EPs desperate desire to have Keith in the black lion at all cost.

Keith was the leader of voltron in DOTU. This isn’t news, we all know this. Keith has also been the leader in every iteration since. This means that Keith has always flown the black lion. VLD following this trend makes sense, right?

Well, no.

Other iterations of voltron always begin with Keith in the black lion. They don’t shuffle him there later, they start with him there. Keith is always the strong, sensible, heroic figure that makes him perfect to lead the team, so he does. VLD strayed from that, and that makes all the difference. In VLD, Keith is introduced as a loner with a temper. He’s closed off from the team, only displaying affection for Shiro. This makes him unsuitable for the leadership position at the time of inception. Does that mean he can never lead? No. He can absolutely grow into leadership. But the problem is, the show already presents us with a valid position for him: the red lion. In the red lion, Keith’s fiery nature, intuitiveness and fast pace are positives. He’s allowed to stretch his legs, flying in the fastest lion and doing cool stunts, then returning to the team when necessary. He doesn’t have to change the core of who he is. Additionally, he is shown to have abandonment issues, hence why he clings to Shiro so tightly. It seems fitting then, that the lion he is matched with is the only one that comes to save their paladin so often, retrieving Keith on five different occasions (S1E1, S2E6, S2E8, S2E11 and S2E12) and even across several galaxies.

In previous iterations, the lions are not given personalities, nor do they demand unique traits/quintessence from their pilots. They’re just ships. But in VLD, Allura tells us in the pilot that the lions are meant to be piloted by these five alone. Their quintessence is mirrored in the paladins as she assigns them. They are perfect matches, just like with red and Keith. Hunk is fearful and Yellow has superior armour. Pidge is brilliant and Green is inquisitive. Lance is insecure (especially in relation to Keith) and Blue is nurturing, but more importantly, chose Lance out of all 5 pilots available (Keith visited the cave several times but blue didn’t take him. She waited for Lance). And Shiro and Black are both strong leaders that suffered from trauma and struggled for control over themselves.

Naturally, when you begin a story with a perfect fit, you want to shake things up because conflict begets growth. However, shaking things up shouldn’t cause them to end up in a worse place than they began because the question becomes: well, why don’t they just go back to where they were before? And that’s the big question in vld. Why didn’t they go back?

So, ok yeah. I think the lion swap is trash.

(Pictured: splitscreen of the paladins minus Shiro in All Good Things, S6E6. They form voltron with Keith in the black lion, Lance in the red lion and Allura in the blue lion.)

Now, like I said, you want to shake things up because conflict begets growth. And for that reason, I don’t think the lion swap was a bad concept. Putting Keith in the black lion forces him to learn to work with his teammates instead of remaining a lone wolf. Putting Allura in the blue (or any) lion brings her closer to the paladins. Lance and the red lion could have easily been the most interesting switch. In the pilot, the first major thing we learn about Lance is that he only got a spot as a fighter pilot because the best pilot of their generation had a discipline issue and flunked out. This student happens to be Keith, and Lance has a lot of insecurities about the guy, instigating a rivalry with him (mostly one-sided but Keith shoots back with his own barbs too). Coming back to the lion swap, the red lion is Keith’s old lion. There was a wide open opportunity to explore Lance’s insecurities here, as he would once again be stepping into the pilot role that Keith left behind. Lance could have felt that he would yet again be in Keith’s shadow (as Keith has now levelled up to leader) and this could’ve caused some major conflict. But nothing was done with it. Lance simply makes a comment about how Keith “probably trained it to bite my head off” and that’s the end of that. Lance then has no qualms about flying red and his Keith related insecurities (and indeed, all his insecurities that aren’t about romance) are brushed under the rug and he props Keith up as “team leader”.

Personally, I think each of the characters affected by the swap should’ve had a mini-hero’s journey. The characters start in their original lions (the castle for Allura). In their original position, they have whatever issues it is they need to tackle (Keith’s lone wolf tendencies, Allura’s self sacrificial nature, Shiro’s trauma and sense of worth, and Lance’s insecurities). When the swap happens, they struggle with their new positions, but are forced to grow. They then take this growth with them when they return to their original positions as wiser individuals (Shiro knows he isn’t a monster, Allura learns that the weight of the war against the galra isn’t entirely on her shoulders, Keith comes to trust and open up to the team and not only Shiro, Lance realises that he isn’t a discount Keith and he has his own strengths).

But the wasted opportunities aren’t the only problem with the lion swap. Arguably a bigger problem is the hierarchy it suddenly establishes. The concept of voltron is five equals coming together to form something that is greater than the sum of its parts. They cannot form voltron if even one of the lions is indisposed. So, by definition, all of the lions should be equally important. The black lion being the leader shouldn’t make it the most important, it should just be because every team needs someone to organise them and black happens to be that for the lions, just as Shiro was for the paladins. After all, of what damn use is voltron with only a head and torso? No, all lions should be equal.

But they aren’t. When Keith moves to the black lion, Lance moving into the red lion is framed as a promotion. Allura says that it is because Lance put his need for glory aside when accepting Keith as leader and this somehow passed the red lion’s test, but what about the others? Did they put their needs for glory first? Did Allura? Why was she unable to fly the red lion? The EPs said in interviews that the blue lion is the nurturing lion and is like a mother bird that pushes her baby out of the nest when the baby is ready to fly, suggesting that she pushed Lance to red because he didn’t need her anymore. They also refer to the blue lion as the “training wheels lion”, implying that those who fly the blue lion are not yet ready to fly a real lion. What does this say about Blaytz, the previous blue paladin? He was the leader of his planet, yet he spent his entire time in voltron in the training wheels lion? And, more pertinently, what does this say about Allura? It completely infantilizes her and is absolutely insulting.

Ultimately, the downgrading of the blue lion to a training wheels lion and the sudden insistence on the red lion being the right hand man to the leader establishes a hierarchy of Black > Red > Green/Yellow > Blue. Allura used to be the decision maker. In the pilot, Shiro says “Princess Allura, these are your lions, you've dealt with the Galra empire before. You know what we're facing better than any of us. What do you think is the best course of action?” From the very first episode, Shiro (who is already the leader of the paladins) defers to Allura. She was their commander, calling all the shots, superior to even the black paladin. But once she steps into the blue lion, she loses that rank. She falls to the bottom of the totem pole. Taking a dark-skinned woman and putting her in a powerful position, only to strip her of that and relegate her to the bottom (mind you, it only becomes the bottom when she gets there), is either the height of ignorance or deliberate malicious intent.

In fact, the lion swap leaves us with a very uncomfortable set up. With the establishment of the hierarchy, we know that the head is superior to the arms, which are superior to the legs. Well, the head happens to be the space white (arguably earth white too - his ethnicity was never revealed, possibly because they knew they would lose support if they countered the popular Asian Keith headcanon) male character. The arms are the white female character and the brown (but lighter brown) male character. The legs are the darkest-skinned characters.

At the end of the day, VLD was racist. Plain and simple. The characters of colour that remained in voltron were short-changed terribly, and Shiro was shuffled off onto the atlas because they weren’t allowed to kill him.

I mentioned how pretty much all of Lance’s insecurities were brushed under the rug, save for one: romance. From the very first episode, Lance displayed a crush on Allura. He flirted with her incessantly, to constant rebuffs but remained undeterred. In the 3rd season, he suddenly stopped flirting. He and Allura developed a friendly and mutually encouraging rapport. It was sweet. They were sweet. But then everything changed when the fire nation attacked Lotor arrived. Despite Allura and Lance’s continued sweet moments, Allura fell for Lotor. She didn’t shun Lance or anything, and she certainly still valued and cared for him greatly, risking her life to save him (Omega Shield, S6E1). But she didn’t see him romantically. How do we know this? Because when the mice inform her of the depths of Lance’s feelings for her (Timey Wimey ep, sorry idk the name, S6E2) she is initially surprised, but then sad.

(Pictured: Allura’s face after the initial surprise of the mice recounting what Lance told them about his feelings for her in S6E2. This episode comes before the one where she and Lotor share a kiss.)

It can be argued that she’s “conflicted” and not sad, but I personally don’t see that. I just see sad. But even if she was conflicted. Even if she did have romantic feelings for Lance by this point, her feelings for Lotor were stronger. We don’t see her torn between the two men. We see her consistently choose to spend time with Lotor and kissing him despite knowing how Lance feels about her. Whatever potential romantic feelings she may have for Lance, they weren’t enough to deter her from choosing Lotor. That is inarguable.

So after totally ignoring all other aspects of Lance’s insecurities, the narrative then validates the only one left by confirming that, yeah, he is the second choice. And I know people love to argue that just because he isn’t Allura’s first kiss doesn’t mean their relationship isn’t valid and obviously this is true. I’m not saying Allura can’t kiss more than one man in her life or she’s some sort of impure slut. Of course not. What I am saying, is that we know that Lance has insecurities pertaining to being second choice. He is insecure because he’s been told that he only made fighter pilot because Keith messed up. Well, guess what? He only became Allura’s boyfriend because Lotor messed up. He’s in the same situation all over again. Allura knew her options and made her choice. When that choice was no longer viable, she went for the other option. The narrative confirms Lance’s inferiority. There are so many other ways this could’ve been handled. For example, if Allura and Lotor had been spending a lot of time together working on the ship, and it only looked like they were dating, that would’ve been fine. Finding out about the colony would still have been heartbreaking for Allura because she trusted him. As another example, if Allura had feelings for both men but chose Lotor because she felt it was almost her duty, to secure a stronger alliance with the empire, that would’ve made the ultimate endgame with Lance more believable. Or, if the mice simply never told her how Lance felt and she didn’t know he was still into her. Or if they even had one moment after the colony reveal (The Colony, S6E4) where Lance did or said something and Allura was shown to be considering him romantically, before she walks up to him in season 7 all blushy and stammering (I don’t know s7 episode names but it’s there, I think it might be s7E10). That moment seems to come out of nowhere because all of Allura and Lance’s scenes that can be interpreted as romantic on her part occur before she kisses Lotor (and no, Lance comforting her in S6E5 doesn’t count because she’s literally crying on his shoulder over another guy. That’s not romantic. Her comforting him in S6E7 doesn’t count either because it’s essentially the same day as the colony reveal and there is no way she’s believably gotten over it that fast. Also he’s literally crying over their dead friend’s body. Nothing says romance like a corpse, amirite?) so we’re left wondering: when? When did she start liking him back? Which is a shame, because a relationship built on mutual support is a wonderful thing to show. VLD just didn’t show it well.

The buildup to relationship fails Allura just as much as it does Lance, because it appears as though she is being punished (yet again!) for making the wrong choice. She had the options of Lotor or Lance and she chose Lotor. And her reward for choosing Lotor is discovering that he neglected to mention the tiny fact that her people are not eradicated and he’s been using them as batteries all this time. A lot of heartbreak would’ve been avoided if, upon finding out about Lance’s feelings, she’d just chosen him directly instead of going through the Lotor thing first. Because she learnt nothing from that experience that required that she kiss him. There was no need for her to have romantic feelings for Lotor; after all, he needed her magical abilities so it’s not like they wouldn’t have gone to Oriande anyway. So what was the need to put her through that heartbreak When her romantic endgame was already available, willing and able? It ends up just feeling like someone working on VLD once had a crush on a girl who chose a suave bad-boy type over him, and he’s reliving it through this cartoon by showing how the bad boy type is actually just using her and she should actually have chosen him (my guess is JDS but that’s just me).

Continuing on the topic of romance, Shiro’s relationships are a mess. From the whole ordeal with Adam, his death and the 5 seconds of mourning Shiro was allowed, to Curtis’ name only coming up in captions and he and Shiro never actually having a conversation before getting married, it’s pretty clear how little effort was put into queer representation. The EPs knew how desperate the fans were to see queer rep and they played on this in interviews and at panels, stringing fans along with hope to see at least one queer main character and couple. But they never intended on fulfilling that. Several sources reveal conflicting information on how and when Shiro being queer was decided, with some sources saying it was Bex Taylor Klaus that asked for it, some saying it was a recent development and some saying they’d been sitting on it for a long time. In fact, the EPs themselves claim they’ve been sitting on the knowledge for a while, but with their awareness of the “Bury Your Gays” trope, they considered making somebody else The Rep™️ (because y’know. They wanted to kill Shiro. They have been very vocal about wanting to kill Shiro. Also The Rep™️ because heaven forbid you have representation for marginalised people in more than one character, right? Can you imagine having TWO WHOLE QUEERS? Scandalous!) but when their higher ups informed them that they were not to kill Shiro, they decided to make him The Rep™️ again. If this is true (and that’s a big if) one must ask: if they were aware of the “Bury Your Gays” trope, why did they do it anyway? And TWICE for that matter (thrice if you include Shiro’s death and resurrection. That’s right, shiro is Jesus).

They killed Adam supposedly to show the casualties of war, but we’ve only ever seen Adam once and it was during his and Shiro’s breakup scene. Of what emotional value is he to us? To show the emotional stakes, killing Sam would’ve made more sense because we’ve at least met the guy and we’ve seen how much Pidge loves her dad. Adam was barely a character. In fact, my brother didn’t even know we had ever seen the guy before when I paused during his death scene and asked him who that was (he said it was just some random pilot we’d never seen and had no idea what I was on about when I said it was the guy shiro was arguing with in the first episode). So frankly, I don’t care that Adam died. I only care that Shiro is yet again on the receiving end of the VLD stick of pain, and that a queer character was killed for no good reason. And Ezor is only alive because of the backlash after season 7 (sidenote: well done y’all. Making your voices HEARD and getting change is a beautiful thing). Yet another queer character would’ve been killed off unceremoniously if the EPs had their way.

I could go on forever about how much this show fucked up but I’m actually getting tired of thinking about it so I’m gonna summarise the next few issues in another post.

PART 2

[ganymedesclock]

Per the next season, slightly concerned that the paladins are returning to Earth while strategically weakened – I’m a little worried that the Garrison might try to claim jurisdiction inappropriately or make the Alteans jump through hoops to retrieve their own intellectual property. That said, the fact that the Kogane parents didn’t contact the Garrison because they didn’t want to drag Earth into things – not because of worries about the Garrison itself – is reassuring. Maybe things will be fine?

The short answer is no, I’m pretty sure that the paladins are not going to have to fight the Garrison. I’m gonna break up my reasons for this.

Stated values of the Garrison itself

While we know relatively little of the Garrison’s infrastructure, the highest stated rank we’ve heard is Commander, of which we have two examples. These would be Commander Sam Holt, and Commander M. Iverson (presumably “Mitch”, like the writer he was named after)

These are examples of people that the Garrison has rewarded and given power as people with the right ideas, so suffice to say their values reflect the sentiments of the larger Garrison.

Here’s what we know about Iverson:

He and Shiro appear to have been fairly close. Both forego rank when speaking to or about each other (Iverson calls him “Shiro”, Shiro merely calls him “Iverson” when Sam is “Commander Holt”) 

Explicitly, when training his students, Iverson emphasizes that the overall success of the team is more important than any individual victory (“And worst of all, the whole jump, they’re arguing with each other! Heck if you’re going to be this bad individually the least you can do is work as a team!”)

Chooses to enforce quarantine procedure over hearing out Shiro and puts the Garrison on lockdown / responds very significantly to an unknown crash near his facility. However, never once during breaking Shiro out does anyone shoot at Keith’s bike, even though we know the Garrison staff present is armed with guns. 

Iverson is also specifically physically present during the quarantine, though this is likely beneath him, and talks to Shiro directly, telling him to calm down and that they’re just quarantining him. In the order to sedate Shiro, he explicitly says to do so until they know what “that thing” (the arm) is capable of.

Iverson’s response to the arm is vindicated by canon, which later reveals Shiro’s prosthetic is, in fact, a weapon and quite a dangerous one capable of harming both Shiro himself and those around him.

He punishes both Keith and Pidge for transgressions against Garrison privacy or faculty, but both times, does not punish as much as he could. Given we learn in s6e5 that Keith had multiple difficulties at the Garrison that Shiro had to vouch for, it’s very likely what led up to his expulsion was the final straw. However, Iverson still chooses to emphasize Keith as the best pilot in his class rather than as the local delinquent.

Uses the Kerberos mission as a cautionary tale, clearly emphasizing that it is vitally important for the next generation of explorers to be as prepared as possible and survive where their predecessors did not. In fact, emphasizes the survival of personnel exclusively- Iverson makes no particular comment about the success of the mission, and Lance, Hunk, and Pidge are shown to fail the simulator when the ship crashed, not because they failed any specific objective. This is in sharp contrast to the Empire, who is established in the same episode as explicitly discouraging its operatives from self-preserving, emphasizing instead that they prioritize their mission over their own lives.

Here’s what we know about Commander Holt:

He’s often quoted as emphasizing the possibility to do something amazing over being too afraid of what could go wrong- but is otherwise indicated to be a reasonably cautious individual.

He possesses a certain disregard for Garrison secrecy- at least, is willing to breach official barriers to talk to his kids about them. Doesn’t have issues hiding things from the Garrison but doesn’t suggest that this is out of any fear or distrust of his workplace.

He has a fairly high level of clearance, and thinks highly of his organization, to the point that he has no qualms encouraging Pidge and Matt to follow in his footsteps.

Eager to help and motivated largely by curiosity and fascination for the wider universe.

Highly intelligent, to the point that his intellect was valued by even the capturing empire, hence his being transferred to a specialized prison and “office job”.

A warm, friendly person, and possibly one Shiro greatly admired (Shiro’s Monsters And Mana character’s mentor resembles Sam Holt)

Had no doubt the Garrison would listen to and cooperate with him quickly when returning to Earth.

This last point aligns with other testimonies- Shiro kept attempting to talk to the Garrison employees and tell them they didn’t have time, and while he doesn’t regret acting on his own, we’ve seen that Shiro does not have qualms acting behind the back of people that he otherwise respects (see his operations in s5e2 and s5e4)

Keith’s father also encouraged Krolia, on multiple occasions, to speak to the Garrison well after he had developed considerable fondness and empathy for her, thus making it very unlikely he’d want to expose her to dangerous people. Likewise, Krolia’s rationale is that it would endanger the Garrison, not that it would endanger her position.

(That’s a pretty big deal if you consider almost everything in Krolia’s experience would tell her that military organizations supported by the main government are not to be trusted)

If we assume Keith’s father was a Garrison employee, and add him to the ranks of the Holts, Shiro, and Iverson, there’s a consistent thread that basically every single Garrison person we’ve spent time around has been established as an earnest, moral person. 

Iverson is snappy and harsh, but in a show where one of its dearest and deepest-held morals is the Power of Friendship, that deep underlying virtue of the show is put in Iverson’s mouth first. His angriest criticism of Lance, Hunk, and Pidge is “forget the mission, forget the outside parameters, you need to stick up for each other and you need to stick together.” And Iverson’s proved right when we see Hunk, Pidge, and Lance (plus Keith) working together as a team, they get in, rescue Shiro, get out, and with Shiro’s help once he wakes up, get to the Blue Lion.

Sure, we don’t know much of the Garrison’s upper management, and they could be a bit of a wildcard... but the overwhelming message here is that the Garrison’s heart is in the right place. These are people you can trust to care about the right things, because their values, their ideals, are not only things our heroes can get behind, but the point where they disagree with the heroes is they’re more concerned with caution and preservation.

These are not the kind of people who are going to start shit with the Defender of the Universe when Earth might be in danger.

The Garrison doesn’t have a leg to stand on even if they were likely to

A good chunk of Voltron’s current forces are former Garrison cadets and personnel. However, Voltron itself is pretty unambiguously not Earth property. They’d be really hard-pressed to argue why they’re offending a foreign dignitary who has a lot more power and authority in the larger galactic community than they do- remember, Allura has a standing army at her beck and call, and while she wouldn’t leverage it against Earth, it’s going to be pretty obvious she’s not someone the Garrison can strong-arm.

And if they try to flex rank on the Earth paladins? Not going to work. Remember, these kids started out breaking quarantine to go find the Blue Lion. The Garrison already has a working model of what’s gonna happen if these people’s coworkers (in Shiro’s case) and instructors (in the other Earth paladins’ case) try to put their foot down and give them orders.

Shiro is a Garrison employee and they might have some grounds to direct him in that sense, but he’s also the Black Paladin, which gives him an obvious role and rank in the coalition’s forces- which is not under Earth’s jurisdiction. Earth hasn’t even properly joined the coalition yet and no matter the composition of the paladins, that’s not going to immediately give Earth a major role compared to, say, Olkarion which is far more entrenched as a coalition capital.

Besides which... Earth doesn’t remotely have the infrastructure or the technology to flex against the paladins, against the Lions. Other continuities have done plots of the Garrison stealing the Lions for their own uses, but you have to understand in most other continuities, Earth is already a superpower in the galactic community with FTL travel, allies, and influence. VLD’s Earth is not in a position where they have the muscles to flex against even a single Lion. All of the technology they have was given to them by Sam Holt, who was sent home with the grace and assistance of Voltron and the Coalition. That’s not a position to spit on the Coalition from.

It would rapidly become a standoff of Shiro going “listen, we like you, we deeply respect you, and that’s the reason we don’t want to reduce you to pulp right now, which is where this standoff is gonna go, because I am basically driving a sentient alien superweapon and you guys have modified lunar rovers at best.”

Furthermore, even if the Garrison brass isn’t woven from quite the same moral fiber as Iverson and Sam Holt... that just means that their defenses aren’t going to be ironclad because we can at least count on the Garrison folk we know outright defying those more callous orders. 

The Garrison is very likely going to have much toothier fish to fry than going after Voltron itself

Sendak’s still at large. Sendak’s already aired the idea, as far back as season 1, of going after Earth. And Sendak has also established a conspicuous track record of attacking people less out of tactical advantage and more in the interest of punishing them for resisting him.

It’s basically a given, at some point or another, Sendak is going to attack Earth. Even without him in the picture, part of the reason they sent Sam home was exactly what Allura said in s1e1:

“Earth is here. An attack on your planet is inevitable.”

Everybody’s been taking it as a given that the war is gonna come to Earth’s doorstep. The only question they have is when, and how much time they’ll have to prepare.

Now, it’s entirely possible we’re gonna see them pull a Dairugger/ Vehicle Voltron allusion out of it by having Earth mount a specialized combat fleet, but for the sake of drama (and the writers confessing they aren’t that attached to VV) it’s likely whatever Earth is planning won’t be ready for takeoff by the time trouble comes calling. 

[echodrops]

Issues with Voltron Season 6 (Part 3)

A continuation of my extremely long vent about the most recent Voltron season.

<-- Part 1 is back here.

<- Part 2 is back here.

This time it’s (mostly) about Keith and Shiro!

All right, so while I think the treatment of Lotor’s character was the true worst offender of this season, the entire clone Shiro plot line has just driven me nuts from start to finish, and the culmination of it in this season just heaped more salt in the fire.

Let me preface this by saying I love Shiro--I genuinely love this character and have felt like the EPs had no idea what they were doing with his character since the end of season one. Everything I say in this post is an extension of the fact that I feel like this poor man has been mistreated and misused by the writers since practically day one.

At least as far as I understand it, the EPs’ original intention was for Shiro to disappear at the end of season two and not return until this point in the show, which would have been an absence of a season and a half (19 episodes). I absolutely understand the higher level executive meddling from Dreamworks that forced them to scrap this idea and bring Shiro back into the story earlier. Simply removing a character from the plot for over a year’s time and then expecting to bring him back in and have some major emotional payoff would have been utterly stupid. No one would have cared at that point, and everyone would have been left wondering why they bothered to return Shiro to the plot at all.

But that doesn’t mean that the route the writers took to “fix” the issue is any better. Why in the world does this entire clone plot line exist? It’s honestly like they sat down at the table and said “What is the most roundabout, complicated, and unnecessary way to fix our Shiro problem?” and then went “Okay, let’s do exactly that.” There are so many ways they could have chosen to solve this problem instead:

1) Leave the real Shiro on the astral plane, and have periodic cuts throughout other episodes to Shiro struggling to “survive” on the astral plane, possibly dealing with apparitions of Zarkon etc. Experiencing difficulties due to the extreme isolation, trying to reach out to the team in critical moments--hell, he could have been there with the manifestation of the Black Lion, and and the writers could have shown him learning awesome things about the lions, the universe, the Alteans, etc. etc. Meanwhile, outside, Keith could have stayed with the team and grew into his Black Paladin leadership role organically instead of the artificial “Well, we aged him two years so now you know he’s mature and leader-worthy!” The drive to find Shiro could have continued to lead Keith and could have served as a more logical reason for Allura and company to be swayed by Lotor--he could have tried to convince them that Shiro might be trapped in the rift or something, and that could have been their reasoning behind being willing to explore the rift despite the imminent danger. Hell, it could still end with Haggar controlling Shiro into a Shiro vs. Keith showdown--maybe gaining the secrets of Oriande would allow her to reach out and control Shiro on the astral plane--they could have used literally any other excuse! And then we’d get our Shiro and Keith showdown on the astral plane as a perfect parallel to the Zarkon vs. Shiro showdown from the earlier season! It would have been great!!

2) Scrap the astral plane idea entirely and just put Shiro somewhere on the other side of the universe with like... minimal working tech. The show cuts between Shiro’s antics across the universe and his attempts to make it back to the team--allowing for greater world building--and the team, where again, Keith is allowed to organically grow into a leadership role. Same reasoning as above, the team could engage with Lotor after Lotor makes a promise to help them find their missing Black Paladin or something. Meanwhile, Shiro is being mind-controlled remotely from Haggar, whose magic got into him from the glowing wound way back in season one or something. We still get our Keith vs. Shiro showdown, tada.

In essence, what I’m trying to say is that literally any other possible plot would have felt more natural and been a better addition to the story than going with “Shiro’s an evil clone and the real one died inexplicably 19 episodes ago.”

I mean, can someone actually articulate any positive gain from the clone plot line? In what way did this particular plot--these particular events--actually make the story better? Is there something here that I am just flat out missing? Was there something in this plot that could ONLY be done via this particular clone story? I am honestly struggling here to see any profit in this. I can only see this as an example of writers choosing the worst possible solution to a simple problem, possibly even out of spite.

As an aside, I think my true biggest problem with the clone Shiro plot line is the the underlying issue of why the EPs thought it was a good idea to get rid of Shiro in the first place. Several of their interviews have led me to conclude that they never expected people to actually like or care about Shiro, and that they themselves never saw him as more than a stepping stone for Keith to overcome in order to achieve his ultimate role of leadership.

But that entire thing doesn’t make any sense, because it hinges on one major premise that the writers never actually sold to us: Keith needs to be the leader.

Why? We’re literally never given a single compelling reason for this in the show itself. There is nothing in this show to support the idea that Keith should be the destined leader of Voltron. There’s simply no logical explanation for this in the show at all. 

The only remotely reasonable excuse is that Keith was the leader in the original Voltron, so he should be the leader here too. Except “Keith” in the original show had an entirely different personality and was a perfect cookie cutter of the hero archetype. Sven wasn’t leader type in the original series; he bears minimal resemblance to the Shiro of this show.

So why does Keith need to lead Voltron? What does he bring to the table as Black Paladin that he could not have brought as the Red Paladin? Why are there so many parallels between Keith and Alfor, the Red Paladin, if Keith was just going to end up as the Black Paladin all along?

Am I genuinely supposed to believe “Because Keith was the leader originally” is the only valid reason the writers had for giving us this massive tumor of a plot--a plot that resulted in Keith’s leaving the team, Shiro becoming a clone, Lance being shoved even further aside, Allura getting a lion despite the EPs saying they wanted to make her a cool enough character she didn’t need one, and undermining essentially all the efforts of season one to show a meaningful lion/paladin bond?

I have never seen--from the very first episode of this show to the most recent--a shred of convincing evidence that Keith being the leader is, in any way, shape, or form, necessary or what’s best for the plot.

The entire lion swap plot line is, to my eyes, utterly unneeded, convoluted, and reductive. So much time was wasted on this that could have been dedicated to better examining the characters’ motivations and reactions to the numerous serious issues the show chose to instead gloss over...

Which is not helped by the writers’ lack of commitment to the color swap in the first place. If perhaps, from season three on, the show had consistently insisted that the color swap was permanent and we were never going to see Keith back in Red or Lance back in Blue, I might have accepted it. But the show writers are wishy-washy about even this!

This is literally how we ended season six:

Haggar deliberately says “the Red Paladin” in reference to Keith in this season--in a freaking episode titled “The Black Paladins.” The lack of consistency in messaging is actively painful to my sensibilities as a writer.

To sum up what I’m trying to say here: The clone Shiro plot line was the worst possible solution to a problem the EPs created for literally no reason, and the trajectory of the “Keith becomes leader plot” so badly shifted the tone of the show that tens of opportunities to better examine the world and characters were lost in order to progress a story line that the writers never convincingly sold to us as an audience in the first place. I can’t think of any word for this but “bad.”

(PHEW. THERE. I SAID IT.)

And this of course doesn’t even touch on the other issues raised by this season in regards to Shiro, namely:

1) How much of the clone body is actually organic material? Because in the flashback from season 3 (or was it 4?), the clone Shiro that was shown lying on the table made a camera sound as his pupils dilated, indicating that at least part of the body was mechanical, not to mention that the prosthetic arm literally grew to extend past the organic part of Shiro’s arm in the Shiro vs. Keith fight--did they put real!Shiro’s self back into a mostly robotic body? Are we ever coming back to this? Is it ever going to be discussed? Why do I get the feeling it won’t?

2) The fact that the clone’s existence was entire overwritten by real!Shiro is super creepy and maybe just because I’m coming from a long history in the Kingdom Hearts fandom, the idea of someone’s existence being absorbed despite them functionally being capable of being different people is super saddening. I was never emotionally invested in clone!Shiro because he was obviously a clone from day one, but the fact that he was a fundamentally good person who was trying his best, then had to face the horror of losing control of himself, fighting someone he thought was his best friend to the death, and then literally being swallowed by a person who wasn’t around to personally experience any of these things is discomforting. Not to mention that “Shiro just inherited all the clone’s memories!” makes absolutely no sense scientifically (and isn’t even explained magically in the show) and is, once more, a cheap way to handwave character growth--of course Shiro hasn’t missed out on more than a season’s worth of development! It’s all still there, even if he wasn’t the one to experience it! Now it’s just like he did, promise!) Miss me with this nonsense, please.

3) What kind of government does Earth have in place that a minor can leave foster care to go to military boarding school at the tender age of what looks like 12 on the apparent recommendation of a man who likely wasn’t even 21 years old? (It’s like, if the main plot itself was going to be completely illogical, couldn’t they at least make the backstories somewhat viable?) And not to mention, but... didn’t the Keith and Shiro backstory deserve more screen time? There was so much build up to this, and we got less flashback for Keith and Shiro than we did for Krolia and Tex! Matt and Pidge got more! I feel incredibly short-changed, especially because I feel like that was probably it and we’re probably not going to get many more flashbacks for Shiro and Keith specifically. I think their placement in the Keith versus Shiro episode was good, but there just wasn’t enough material there to really satisfy the longing I had to see Keith and Shiro grow up together.

“What I got wasn’t what I needed and I wanted so much more than what I got” is the summary of Shiro and Keith in season 6, essentially.

ALSO I CAN’T UNSEE THIS.

I burst out laughing at this scene when I actually watched the season--it wasn’t supposed to be funny but I could not stop laughing. Sorry Keith, or something.

Anyway, all of this also relates to one of the other major issues I have had with Voltron since season one:

4) The writers have no idea how to handle an ensemble cast, but they keep adding characters anyway!

Matt was introduced and effectively erased, Slav might as well no longer exist, Olia? Not sure why we even bothered to give her a name. Kolivan? Probably died off screen! Lotor’s generals? I have no idea why they even bothered to animate them into this season given how little impact they had! All the other existing Alteans on the colony? Erm... I’m sure we’ll get back to those guys eventually.

There’s a difference between “We don’t have time to dedicate entire episodes to side characters” and “These characters just functionally stop existing when we no longer have an immediate role for them in the plot.” The attention in this series is all over the place--Matt gets a ton of screen time in season 4, enough to make it seem like he’s going to be a recurring character--and then his existence is entirely ignored two seasons later. Slav could have proven useful at any number of moments in this plot--and yet he’s nowhere to be found. The allegiances of Lotor’s generals are so cheap that they could basically be swapped out for any random helmeted Galra cannon fodder with zero impact on the plot. I’ve genuinely never seen a show deliberately add so many characters to its cast and then so badly under-utilize them.

This is actively jarring because any new character that appears, you have to first ask yourself “Is it worth getting invested in this person’s story? How likely are they to never appear again after this season?” And there’s seemingly no rhyme or reason to who disappears--even people who could and should still be active in the plot get shoved entirely to the side without any explanation or justification for their absence.

And all this mistreatment of the side characters might be okay if the main characters were at least getting to grow and develop consistently instead. But that’s not the case either! We have Lance’s character back-pedalling, Hunk fans excited over mere scraps of their favorite getting screentime that isn’t a food joke, and Pidge... I was honestly concerned that some of her hacking footage from this season was stock reused from previous seasons. 

Screen time in this series bounces around like a ball--whoever catches it gets to do something cool for ten seconds then has to immediately pass it to someone else. Keith is a ball hog but somehow STILL doesn’t get his issues dealt with respectfully.

This show sold itself on the tried and true premise of “power of friendship.” The entire first season was really about becoming a team. And yet the show writers seem entirely adverse to letting these characters grow together. All the best moments of the show are moments in which the relationships between characters are expressed in believable and meaningful ways. Lance’s pep talk to Allura on Naxela. Pidge’s moving mourning for Matt. Keith’s refusal to let go of Shiro. The show writers KNOW how to believably develop more than one character simultaneously--they know how to let characters share the spotlight--and yet they continually fall back on scenes which give the foreground to a single character, leaving the audience with the constant feeling that other characters are being short changed. Lance, Hunk, and Pidge fans have every right to be upset.

There’s no reason that Keith and Pidge’s character developments have to take place in entirely different episodes. There’s no reason that Lance’s insecurities and Pidge’s fears about her family need separate screen time. All of these characters’ issues--everything they need to overcome in order to become stronger, happier people--could be dealt with together, saving time and animation budget in the process.

I have never come across a show about being a team that so violently rejects the idea of its characters being you know... an actual team.

And I guess, while I’m here, one last little gripe:

5) Chekov’s Gun is a serious issue for the writers of this series.

Lance unlocked a sword in season 4. Where is it? Why has it not been used? Keith got a dog that can teleport. Why not just teleport the dog into the Sincline ship and let it eat Lotor’s face while he was in a cramped and defenseless position??? When elements like these are introduced to the story, viewers are trained to expect something to come from them. We can only assume that Lance’s sword and Keith’s dog will be plot relevant at some point. But when? The timing is terrible in this show--why make us wait more than a season for Lance’s sword to pay off when there were plenty of opportunities to work it in before now? Did the EPs really give Keith a wolf just because they thought it would be cool for him to have a “lone wolf” to relate to, despite the fact that part of the entire trajectory of his character has been teaching him the importance of relying on others and making meaningful bonds to other people? (How does it make sense to even deem it a “lone wolf” if Keith adopted it when it was just a tiny puppy?)

I mean, I LIKE the dog and I still think its inclusion was nonsensical and pointless... They could have introduced this dog in any number of ways, but “randomly dropped on the back of a whale in a space-time continuum with no logical origin point or reasonable explanation for being there” is what the writers went with.

This is nitpicking, I know, and don’t get me wrong, I’m all for Keith having a cool space wolf--but did the show really need another example of badly shoehorning in the EPs’ whims? Did the none of the editors really stop to go “Maybe we should do this stuff later or in a different way”?

At the end of the day, there are just a lot of problems with the story. Enough that, at this point, I feel ready to divorce myself from it. I’m going to continue watching the show--there’s no point in stopping now, at the end--but at this point, Voltron is always going to go down on paper for me as a show I loved for what could have been, not for what really was.

I don’t say any of this stuff with a light heart. I definitely give my all to shows and games when I get invested in them, and Voltron has dominated my fandom time for two years now. I’ve written hundreds of thousands of words about and for this show. No one can accuse me of not caring about it.

But it’s because I care about the show--and the heights I know it could have reached--that I do feel this upset and let down. I know this show could have been better. I wanted better for it. I’m not spewing senseless criticism because my favorite ship didn’t come true or something... I really believe that the show has tons of untapped potential, and I’m saddened by the fact that I feel like it’s all going to waste.

I’m not asking anyone to agree with me, nor am I telling anyone that they have to suddenly start disliking the show just because I dislike where it has gone. People all have their own opinions, and like things for their own reasons. My reasons for liking Voltron are essentially gone, but for the other people that are still enjoying it, rock on.

I really do wish I was still there with you.

[keeloves]

My Top 10 least favorite Celebrities

Now keep in mind this list is simply my opinion I don’t mean to offend people and I do my best to give good reasons on why I don’t respect or like any of these people.

#10 Danielle Panabaker

I haven’t always had a problem with Danielle. She is the reason I started watching the Flash. I was also familiar with her work on Disney channel. She starred in the movies “Stuck in the Suburbs” “Read it and Weep” alongside her sister Kay Panabaker and most of you know she was in the movie Sky High. I was excited to see Danielle move on to bigger and better things. However, my issues with her began after watching her interviews and how I heard she tried to steal Candice’s spot as leading female. I tried to let it go at first but the more interviews I watched of her the more I started to lose respect for her. There was this ‘Ship war” between West Allen & Snowbarry. The problem with that is that Snowbarry is nonexistent. That was made up shortly after Candice Patton a black woman was cast as the leading female. Danielle has baited her racist shippers into thinking Snowbarry could happen. She has boasted about her and Grant’s chemistry right in front of Candice and Carlos and she has disregarded canon for the sake of baiting her SB shippers. Candice Patton has always talked about including more females on the show and Danielle boasts about being the “Only girl in STAR Labs” She even implied that her character Caitlin was jealous of Candice’s character Iris simply because of attention Iris waEs getting from guys. Candice on the other hand says, “That Iris will be fighting over a guy.” Danielle never once mentions Candice or her character in an interview but completely gets excited over Emily Bett Rickard’s character Felicity because “It was great having another female on the show.” Even though she got done bragging about being “The only female in STAR Labs” The worst thing is she tried to pass off a moment of sexual assault/harassment as a cute Snowbarry moment just get her portion of the fan-base excited. Even worse than that she did that in front of Candice and Carlos. Carlos even had to remind her she had her own ship called SnowStorm. In a most recent she did, she was asked about a Snowest friendship (Iris & Caitlin) she didn’t even give a straight answer she said something along the lines of “Iris doesn’t really make a lot of sense in STAR Labs and I am excited to see her journalism arc” and I am like that had absolutely nothing to do with the question that was being asked. Her answer sounded a lot like Iris West Allen haters. I don’t know if Danielle is doing this on purpose because she is mad at the fact she was not cast as the lead or is it because she really is that oblivious to the kind of horrible stuff people say about her female costar? Either way I don’t have much respect for Danielle because she is willfully ignorant to her privilege she has a white woman. Honestly Candice deserves a better female costar than the one she has now.

#9 Alexandra Shipp

She is known for playing Storm and the singer Aaliyah. Storm in the comics is a dark skin full blooded black woman. Alexandra Shipp is a mixed woman. Once again, the casting directors were too lazy to hire someone like Lupita to play Storm. When people expressed how upset they were that Alexandra Shipp was cast as Storm she basically told people to get over it. Okay now on one hand Alexandra is an actress so she should be allowed to play a part without getting back lash. However, the problem is that Hollywood has a long history of casting racially ambiguous/mixed women as all out black female characters who are supposed to be dark skin. Hollywood is colorist as hell. Alexandra basically said she isn’t going to miss any opportunity to audition for a part or take a part even if it is meant for a dark skin woman. As an actress she has a right to do that but the downfall this prove she is unaware of the privilege she has a mixed woman. As a mixed woman myself I believe we should be using our privilege to help up lift dark skin women. Media shits on black women enough and it’s even worse when mixed women who are half black are helping this problem. Sadly, Alexandra Shipp isn’t the only woman guilty of this. Yara Shahidi and Amandla Stenberg will acknowledge their privilege as mixed women but then turn around take parts meant for full on dark skin black girls. That is so hypocritical and this trend Hollywood and in media in general really need to die. So, I hope that these women stop doing this and really do something to fight against the colorism in Hollywood.

#8 Julie Plec

I have only watched to season 1 episode 7 of The Vampire Diaries. I have watched clips online too. Three reasons I have trouble getting through that show. One Damon is an abusive asswipe, two Delena and three Bonnie Bennet’s piss poor treatment. I put Julie Plec on this list because she called Delena sexy and treats her one black character the worst out of all the characters on the show. She is entitled to her opinion on Delena. However, my question is what is exactly sexy about an abusive relationship? Damon has raped and abused Elena and her friends, has killed several people she has care about because she didn’t do what he wanted, the biggest example is that when Elena rejected Damon he murdered her brother by snapping his neck. Yet she calls that a sexy relationship? She sabotaged Stelena and Bamon actual healthy relationships to force an unhealthy couple. The only time Damon is likable is when he is around Bonnie. Bamon on the show didn’t happen because Bonnie is black. They happened in the books because Bonnie was white in the books. The fact that Julie Plec can tease ships like Delena and Stelena but is so quick to shut down Bamon shippers is part of the reason racism in fandoms exist. Behavior like that from people like Julie Plec and Danielle Panabaker are only helping fuel a racist fanbase. You can’t tell me Julie has never seen the nasty racist stuff that Kat Graham the actress and Bonnie Bennet the character gets. If she has seen it and said nothing, then shame on her for not saying anything. Anyways I don’t have too much else to say but when I complete the series of TVD I will make sure to give more thorough opinion on the show and Julie.

#7 Marc Guggenheim & Wendy Mericle (This picture felt right due to my feelings on them)

These two will forever be known as the two idiots who ruined Arrow. I have three big problems with these two. One, their treatment of female characters, two the vast amounts of white washing and three how unprofessional they are. Every female character that has been killed off died in a way where they  had no chance to defend themselves. Shado and Moria stabbed with their hands tied behind their backs and killed off for the sake of man pain. Sara Lance shot off a building with arrows while caught off guard. Dinah Laurel Lance Earth 1 the true Black Canary frozen by magic stabbed with an Arrow gets successful surgery only to have a random seizure and die. Really? However, the men on this show no matter how evil get to die as a hero. The worst thing about Laurel’s last moments is that she spent it with Oliver a man who treated her like shit and her last words were spent propping up his relationship with Felicity. Laurel was treated like trash all through out the show. Marc and Wendy didn’t know what character was going in the grave until episode 16. The death took place in episode 18. Katie Cassidy found out two episodes before that her character was going in the grave and she didn’t even find out in person she was told over the phone. So not only are Marc and Wendy unprofessional but they have proven themselves to be incompetent writers. Even John Barroman was dissatisfied at his departure from the show. They are also heavily misogynistic in their writing in the way they kill their female characters without giving them chance to defend themselves as I have mentioned earlier and in the way, they write Felicity. Felicity is written as a jealous bitch. She has been jealous of every single one of Oliver’s relationships. They had her refer to Lian Yu as fantasy Island a place that Oliver describes as his personal hell, just because there were two other women with him on the beach. Now on to the problem of white washing. Arrow has a bad habit of white washing characters. Here is a list of characters that Arrow has white washed https://thenerdsofcolor.org/2015/04/10/white-canary-and-arrows-habit-of-whitewashing/  Arrow also treats characters especially female characters like they are interchangeable.  The character Evelyn Sharp is Starling in the comics but because she was introduced the episode after they killed Laurel she got the name Artimis attached to her due to the popularity of the Young Justice character to simply gain them more views. Evelyn Sharp/Starling are characters that have never had a live adaptation so why not do that character instead of mix matching characters. The next character they messed up is Dinah Drake who was established as Laurel’s mom on the show and she is the first Black Canary in the comics. Yet the show introduces to a new Black Canary named Tina Boland whose real name happens to be Dinah Drake.  Arrow now has had four different Dinahs two of them being Laurel. Conner Hawk is now randomly John Diggle Junior and they have completely erased the Asian half. William and Samantha are supposed to be Blasian characters named Conner and Sandra Hawk only to be random white washed nobodies. .I hate how they treat their queer/lgbtq characters like trash. They forced a lesbian into a hetero marriage and have their one bi character sleep around. Marc even admitted two bi characters of the oppososite gender hooked up simply because they were both bi. I am sorry to all the LGBTQ people out there for being represented so terribly. Anyways thank god Marc and Wendy won’t be around for season 7 of Arrow. All though sadly their damage of the show will be left behind

#6 Marlene King

She is the writer for Pretty Little Liars and Famous in Love.  I put Marlene on this list because of “creative choices” she has made in her shows. In Pretty Little Liars and Famous in Love she had characters statutorily raped and did nothing about it. Toby was raped by two women, one being his step sister Jenna and the second woman being Alex, Spencer’s identical twin sister. For those going to Alex didn’t rape Toby yes, she did because she pretended to be Spencer to trick Toby into having sex with her. Tricking someone into having sex with you is rape. The fact that Toby’s rape from Jenna was played off as a secret love affair is disgusting and purpurates the stereotype that all guys are horny and want sex. This ignores male rape victims. Then I watched the scene where Alex and Toby are “having sex” and the people in the comments are calling it cute just because Alex looks like Spencer. That is so gross. There is nothing cute about watching someone get raped. Then on Famous in Love Nina who is the mother of Jordan’s best friend was having sex with Jordan when he was 16 and she was an adult. All though I am having trouble with that because people say she didn’t know because Jordan lied about his age. I am not sure if that is true but if she didn’t and found out it was her job as the adult to put to a stop to it but if she did know and didn’t care then shame on her and she needs to be in prison in a cell next to Ezra Fitz who I will talk about next. Ezra Fitz purposely stalked four underage girls and started a relationship with one of them knowing full well that she was underage and knew he was going to be her teacher all to write a book about their missing friend who is another underage girl that he had a relationship with.  This was never addressed in a nuanced way. Ezra never went to jail or prison. Instead people questioned his relationship with Aria, but not once did they call the police on him.  He stalked the four girls while he claimed to be away on business.  Then at the end of the series Aria and Ezra get married. Yes, that is right folks Marlene King had a victim marry their statutory rapist/stalker. Sadly, that is not the only abusive couple that ended up together. The one LGBTQ couple that ended up together was abusive and only ended together because of whiny ass fanbase and Emily’s eggs being implanted into Alison without either girl’s knowledge which is a violation of both girl’s bodies. I have gone on in the past on why I hate Emison so if you want to know more read my Top 10 worst couples list where you will find Emison and Ezria.  The next problem I have is how Marlene treats poc characters and her lgbtq/queer characters. She treated Paige badly even though Paige had the most common sense. She made a few mistakes but learned from them and she didn’t get the happy ending she deserved. The show Pailey lived together but we don’t get to see that instead we get flash backs of Emison where Alison is abusing Emily. Maya a woman of color who was also bisexual killed off for shock value. Yvonne woman of color Toby’s finance killed off just because of Spoby, Charlette a transgender character made into a villain and killed off, Shauna made into a villain and killed off. Ugh. Anyways Marlene is guilty of promoting abusive relationships by having two be endgame. She is basically saying if “Your abuser is nice to you sometimes then you should give them what they want.

#5 Adam Horowitz & Edward Kitsis

They are best known for making the show Once Upon A Time. I wrote a long post on deviant art that I will copy and paste here if you want a more thorough explanation but those of you wanting a brief explanation on what my problem with them are here you go. I have four main problems. One, they way the treat male rape victims on the show, two the fact it took them seven seasons to have people of color on the show because prior to that they have been killed off, three the vast amounts of queer baiting they do and four the fact that a woman needs to have a child and a man to have a happy ending. The first lgbtq/queer couple they had were rushed, forced and slapped together and then the two characters were never seen again. It just felt like they wanted brownie points from the lgbtq/queer community for representation. They have had three females on male rape which two out of three of them were done by deception and two out of the three rapes had babies born from this. Okay now here is the long-winded version from Deviant Art about my problems with Adam and Eddie. Its long because it is my review on Once Upon a Time. “There is a lot I am going to say here. These are my overall thoughts on Once Upon a Time and the writers. Not all of this is going to be positive so be prepared.  Once Upon A Time was a show I really enjoyed because of the many characters I grew up with got to be done differently and interpreted different ways. I thought the names characters had were quite clever. For example, Cora is the Queen of Hearts and Core means hearts, Regina Mills last named being Mills was because her mom was the Miller's daughter or how Rumpelstiltskin was called Mr. Gold or Detective Weaver because he weaved and spun gold. I loved all the clever names. My favorite story lines were Ruby being the wolf, and her boyfriend being named Peter as a nod to Peter and the wolf. I also enjoyed Ingrid as a character and I enjoyed the show for what it was. However, this show has many problems which I will now get into. The show's main problem is that villains’ actions are not called out properly. The two biggest examples are Regina and Rumple. Regina, has mass murdered three villages worth of people, separated children from their families, locked away Belle in a tower for 28 years and straight up raped Graham and yes folks I said it she RAPED Graham. Several people of asked Adam and Eddy about the Regina raping Graham argument and they have dismissed the argument by saying it Graham was Regina's sex slave. This isn't the only problem with Regina. She has committed so many heinous crimes and none of her main victims have called her out for it they just give her a free pass because "She's good now".  Once Upon A Time has a huge problem with rape in general. Adam and Eddy have written three female on rape cases and never once bothered to address any of them. Two out of three of the came a child and two out of three rape victims ended up dying by murder basically and it was never dealt with again. Zelena killed Marion a woman of color (We are getting to that soon) shape shifted into her then raped Robbin Hood who was dating Regina at the time. Then Zelena gets pregnant and names her daughter Robin? Why? I truly believe it was to spite Regina and rub it in her face that she can't bear children of her own. What the hell were Adam and Eddy thinking naming Zelena's baby Robin? Then Gothel raped Nook/Wish Hook and had Alice. Why won't they address this issue. What about Emma and Neal. Neal aka Bealfire is over 300 years old or 24 for safety and Emma was 16 or 17 years old. No one thought that relationship was weird? I feel conflicted about Swanfire. The most problematic relationship to me is Rumbelle, it’s so awful even the actress who plays Belle hates the relationship. Why did Adam and Eddy make that a relationship at all? Rumple did nothing but lie and deceive Belle. He murdered Milah twice and now he can't respect Belle. It is honestly the most emotionally abusive relationship I have seen. These writers tried to shove it off as a dysfunctional relationship. It was that all right but it was very emotionally abusive and just really creepy. Rumple went so far as stalking Belle by putting a tracker bracelet on her and showed up at the library when Belle clearly didn't want him there. Belle honestly should have ended up with Ruby, Graham or Adam who was never introduced. Moving on from Rumblle up next the show's problems are how they treat their characters of color. Up until season seven there were no main characters of color. The characters were either one offs, or they died too soon. Rapunzel who was black appeared once and never mentioned again despite being a popular story, Gus Gus dies, Ursula basically a one off never seen again, Sydney a black man brought on and used as a slave or indentured servant depending on how you look at it either way bad. Tamera Neal's girlfriend killed off by Rumple, Mulan an Asian bisexual woman never got a happy ending but was there to cape for the white characters. The Dragon guy killed off, Merlyn dead, and many others have died as well. The next problem is the queer baiting on this show. This show took five seasons to give us a lgbtq couple and it was rushed, and they weren't seen again. The two most popular couples are Sleeping Warrior and Swan Queen. Sleeping Warrior was the closest thing to a healthy lgbtq interracial relationship. We were so close but nope Aurea had to get pregnant with Prince Philip's baby and they won't even let Mulan say she was in love with Aurea which really pisses me off because the writers have established her as bisexual but won't allow her a happy ending or a chance at true love. The only main canon lgbtq couple we got were Robbin and Alice. I think if Mulan were a white woman and in season 7 she would have gotten a happy ending and a wonderful love interest. (All though Mulan is Asian and should stay Asian because, I hate white washing) Swan Queen all though I am not big on it I do see why people ship it. All though can people take a minute and realize that Emma and Regina are step granddaughter and step grandmother? Then again Emma married her almost step father in law so this show is close to having incestuous relationship so why shouldn't they give Regina and Emma a chance? My biggest problem with the show is how Emma got treated like shit by the fandom and the writers. Emma who tried to save Marion's life had to apologize to Regina for "ruining her chances with Robin or making her life more complicated?" Excuse me but Regina was going to murder Emma as a baby, Regina is the whole reason Emma didn't have a family for 28 years of her life. Regina can drink a tall glass of STFU. Seriously these writers coddle the hell out of Regina and it is annoying as hell. As I said before Regina has kidnapped an entire town by cursing them, she raped Graham for 28 years and she mass murdered thousands upon thousands of people. Here these videos are a summary of all the messed up things Regina have done.www.youtube.com/watch?v=9q8bNf…. Then the writers have retconned Henry. He told Regina "You were the first person to love me." Excuse me but this kid was going to build an armory against her and ran away to Emma. Yeah Regina isn't abusive. Adam and Eddy also think that happy endings mean children and other true love. Really characters like Regina and Rumple should work hard to improve themselves but nope corners were crossed for those two and they got happy endings meanwhile good characters such as Mulan, Facillar, Milah, and many other characters who were actual good people didn't get a happy ending. Yet mass murdering rapists got happy endings that is so messed up. In conclusion Adam and Eddy are misogynistic assholes and have proven to be racist in their writing. They have also don't care about lgbtq people, male rape victims and the people of color on their show. I also found it really insulting that they portrayed women as incomplete if they couldn't bear children of their own. All in all, Once Upon a Time could have been a great show but instead it was mediocre.”

#4 Kanye West

If there were a contest on being the most arrogant and most full of yourself person Kanye would either win first place or he would take second to his in laws/his wife. He is colorist, he is an attention whore and he said that slavery is a choice. I hope he meant the mind set of slavery is a choice but I highly doubt it but I highly doubt it. He put a confederate flag on his clothing line. I have seen the price of his clothing is way too expensive. $200 for a shirt all because it says Yeeze? Then again there are purses that cost more than that just because the purse has the word Coach on it. His wife who isn’t even black takes things from black culture but never pays respect to the culture she is borrowing from and Kanye just supports this. Kanye has bashes other types music just because it is not his own and he is just so full of himself. He even said he supports Donald Trump which his right, but he probably said that for attention too. Anyways I have never really cared for Kanye I can’t say too much else about him.

#3 James Gunn

He directed both Guardians of the Galaxy movies which are both great. However, I don’t think he will be directing the third since he was recently fired over some ten-year-old tweets. Now tweets shouldn’t get someone fired but if you are making several jokes about pedophilia then that is probable cause to be to be fired. James Gunn made these tweets in his forties and never deleted them. First off why is James Gunn making several jokes about pedophile at the age of 40? He is now 50 and he didn’t use his common sense back then to know those are not things you joke about?  Second why is that type of thing on his mind. He didn’t just make one joke about it he made several jokes about child molestation. If that is on his mind constantly then he needs to be psychologically evaluated. I honestly hope he hasn’t acted on the pedophilia because the fact that is something on his mind at age 40 is terrifying and he needs serious help.

#2 Robert Sylvester Kelly/R Kelly

He refers to himself as the Pied Piper of R&B. Which is ironically fitting since he the Pied Piper is known for kidnapping children. R Kelly is one of the most talented singers I have ever heard in my life. I listened to his music growing up. He “wrote” the song “I believe I can fly” and the song “Ignition” Now for those wondering why I put the word in qoutioans its because R Kelly is illiterate he can’t read or write. I am serious he is not dyslexic he has never learned to read or write according to his brother Carrey and Wendy William. Now as I said before R Kelly is one of the most talented singers but sadly he is also one of the most garbage human beings I have ever had the displeasure of hearing about. Where do I even start? There have been stories since the early 90’s of him being a predator. He would hang out at middle schools in Chicago as an adult picking up young girls, and promising[HK1]  them money, gift cards and McDonalds. The girls he did get to come to his house he kept him them in their rooms or the basement, forced the girls to call him daddy and made them perform sexual acts on him. He pissed on a fourteen girl and married the singer Aaliyah when she was 15 and he was 27 at the time. In fact, for more detail about R Kelly and his creepy behavior here is a documentary of all the fucked-up things he did. https://www.bbc.co.uk/programmes/p060m6qx  When R Kelly was 49 he dated a 19-year-old which wasn’t illegal but given his past history with girls that is just creepy. I also hate the fact he could afford to pay someone to teach him how to read and write but won’t because he used his money for lawyers and paid off the families of the girls he abused to keep them quiet. One day R Kelly will go to jail. I think the reason he stayed out of prison for so long are for two reasons. Number one he is famous and loads of money to pay people off and two he targets young black girls/women who are the least protected group in America. Anyways R Kelly needs to be in prison in solitary confinement until the day he dies. He is disgusting, and he is probably just as disgusting as my next choice for my number one pick.

#1 Gregory Daniel Jackson

He is better known by his YouTube alias Onision. He is a famous youtuber who tries to be like Shane Dawson in video style and in hair style. I put him on the list for the countless fucked-up things he has done to basically gain attention.  He has met all his wives and his current wife over the internet while they were either 16 or 17. He was an adult at the time. He flies these women out to his house and has isolated them from their families. He put his first wife on blast because she didn’t want to have sex with him and gave out the number of partners she had as revenge for not wanting to have sex with him. The number was pretty high, then after treating her like garbage he left her several voice mails. If you don’t believe me here is the video of the “voice mails he left for her” https://www.youtube.com/watch?v=DPnC3n2fpYs&t=1s . His second wife Shiloh lost three years of her memory and posted a video of her having a break down but apparently she was faking I am not entirely sure. https://www.youtube.com/watch?v=cz_9s9SgQao and then filmed her having a meltdown https://www.youtube.com/watch?v=r7HcGsMb5PQ I am linking these videos as proof because Onision is just gross. He encouraged Lainey to get a girlfriend even though she/”they”  (Lainey is nonbinary but Onision calls her she all the time so I am not sure what pronoun to use for Lainey so I used both) was not into it. He only encouraged it to for his benefit. He killed his pet turtle/tortoise and to this day he will not admit that he did it. He put his turtle in on the grass put a plastic container upside down over the turtle and left it in the sun for two hours. He never owns up to what he did wrong and when he does he always makes himself out to be the victim. He has made jokes on self-harm, 9/11 and sexual abuse. He has made fun of people who struggle with their weight, eating disorders. He says things but later goes on to deny them. Anyways, he isn’t worth watching but if you plan on watching his videos I advise you to watch with caution. I almost forgot to mention people have had to call animal control on his ass. I pray he goes to prison soon. He even had to get a lawyer to find out if his marriage to his wife was legal or not. He lied about being honorably discharged from the military. Anyways, Onision is a narcissist, a sociopath and psychopath. He needs to go to prison and he doesn’t need to be making youtube videos. I forgot to mention if you are a meat eater Onion boy will hate on you wish death on you and get on his high horse on he is better than you because he doesn’t eat meat. He has done that in the past.

[ganymedesclock]

ok so i just saw a post that was like "keith never defends himself". like all the times lance insults him he never bristles up enough for it to turn into a fight, and when Allura is pissed about the "half galra" thing he just... accepts it. I don't think there's anywhere in canon where he actually gets upset for himself? like even when BoM!shiro called him selfish he seemed more apologetic than anything. i really want to hear your input on this, bc your character analysis is incredible,

So this is... picking at two actually unrelated threads.

The first thread: You’re right in that Keith clearly invests less in the rivalry than Lance does. This has nothing to do with Keith sticking up for himself, and it has a lot more to do with after the third episode, they are pretty much ambivalent to each other. Their “arguments”, both ways, become kind of lighthearted and ridiculous, not things to get offended about. Because in the first episode? We do see them nearly come to blows. Because at that point Lance is bitter and he’s taking shots at Keith that really hurt. Later on in the show that hurt isn’t there so neither is the vehemence of the response.

But in general, Keith isn’t passive towards Lance. The Paper Airplane comment in s1e9, s2e5′s “very far away.” We even see Keith instigate several times: s1e6 “Hey Lance, I got your Lion back,” and then claiming his radio isn’t working, s3e3′s “I’m glad we’re all making fun of Lance.”

Keith gives just as good as he gets. The thing is, again outside of the first two episodes it turns much more to playful rivalry. And even in those first few episodes, with the fall exercise in s1e2 both Keith and Lance pile into the ground because they both were escalating it. Also, arguably the first dispensed sass between the two of them was Keith to Lance. “We could toss off some non-essential weight.”

Keith is totally sassy! It takes him a little to open up to people enough to be willing to do that, but in s2e9 he cracks a joke at Hunk that Hunk points out. The thing is, he doesn’t care too much about the rivalry because he’s not particularly mad at Lance most of the time, and he never was. This was highlighted in the first scene with them together- you have Lance, hackles up, addressing his Rival, while Keith is sort of trying to recall who this person is and why Lance is so mad at him. Especially early on, you can see several times Keith just looks confusedly towards Lance, sees an irritated expression, and gets mad himself. So they bounce off each other as kind of a:

Keith “what the heck is your problem?”Lance “what the heck is YOUR problem?”

where both of them kinda feel like the other person started it. And as they get to know each other better, they learn what to, and what not to, take personally, and pretty much none of it is actually personal because they don’t hate each other.

You can see this pretty clearly at work in s3e3, for example- Lance gripes at Keith when he feels like Keith isn’t listening to him, but when Keith, super distraught, pretty much actively crawls back to Lance talking about how Lance was totally right and he got everyone in trouble- Lance clearly doesn’t exploit that, or even consider doing so- he sets his own ego aside, doesn’t mince words (”yeah, you kind of did”) but focuses on, in effect, reassurance- the issue is fixable, they can make this work and take responsibility and Lance is there to help him. And the only reason Lance was so angry in the first place was that he felt like Keith was putting the whole team in danger, which, he had a point.

Keith opens up these vulnerabilities to Lance because he can trust Lance with them. And Lance returns the favor- consider s3e6 and the “leave the math to Pidge” conversation. Again, Keith doesn’t mince words, but emphasizes proactive motion- that it’s okay, Lance can stay with Red, they’ll figure something out that doesn’t call for inordinate sacrifice from anyone. 

They’re “rivals” but they’re rivals who trust each other enough to actually genuinely let their guard down and say “here’s what I’m worried and scared about” and trust the other person isn’t going to mount it on their wall like a trophy because getting one up on each other was never a high priority and it’s certainly not higher than the other person’s wellbeing as a friend.

Keith doesn’t defend himself from Lance because Lance isn’t attacking. They have their back and forth but it’s harmless and they both react to it like it’s harmless. It might seem like Lance has a ‘bigger’ response because Lance generally is much more surface about his emotions than Keith is.

The second thread here: as you say, Keith specifically doesn’t defend himself against Allura’s rejection, and hologram Shiro’s rejection. I phrased that in a specific way because here’s the unifying thread there.

Keith is, to a traumatic degree, terrified of feeling abandoned by people. He laid this out very explicitly in his vlog: a large amount of his psychology was shaped by that first perceived abandonment- feeling like he was rejected by his mother. Later traumas- the loss of his father, likely rejections by other people in the foster system (official bio states he lost his parents at a young age, but doesn’t have any adopted family we know of which would suggest he shuffled around multiple places before leaving the system on his eighteenth birthday)- just sort of added fuel to that fire.

The reason why Keith folds up into a little ball and turns uncharacteristically passive in the face of perceived rejection from people he cares about (especially Shiro who is still a very high value friend to him) is that he is functionally, and quite literally, being triggered. His history and trauma tell him this is all his fault, that there’s a fundamental flaw in who he is, he’s a bad person and unlovable and everyone hates him.

Which isn’t true, not at all- but frankly? The way Keith engages with the whole galra revelation and Allura’s response, the way Keith sees this, it plays directly into his cognitive biases. His attempt at connecting with Acxa in the Weblum boils down to he’s trying to convince himself that maybe there’s a scrap of good to the galra that’s not just limited to the few rebels who’ve rejected their nature.

Keith is looking at his own heritage through a flawed eye here- so he doesn’t defend himself against Allura’s feelings, that she herself admits aren’t reasonable, that she still cares about Keith, that she’s hurt because she feels like he hid this from her and her own prior trauma is lending a huge amount of heat to it.

Because to Keith? Wholesale rejecting him for being a galra is perfectly reasonable. He’s got enough internalized issues he can’t really relate to the Blade because he’s a lot more scared he’s the other kind of galra they’ve encountered. The part of his brain that says “nobody likes you because something’s fundamentally wrong with you, all of these other people get along just fine,” just found something that seems to support that conclusion. “You’re related to the murderous space conquerors” is a hell of a lot louder in his mind than “the galra as a people are more complicated, we just met a bunch of rebels attacking them, even that mysterious person that robbed you saved your life and was not very Victory Or Death about it.”

The trial of Marmora was even more direct- it’s not showing us a real situation, it’s showing us Keith’s nightmare. That Shiro, too, will reject him, over some kind of perceived inherent nature (“You’re just being selfish like always”? not anything remotely approaching Shiro’s actual feelings or the reality of the situation) and leave, and Keith will end up alone and it’ll be his fault.

This is his worst fear, paired with ‘greatest hope’- that hurt, scared, and exhausted, he wants to see his only long-term friend pre-Voltron come tell him things are going to be okay.

Which, incidentally, it’s the hope, not the fear, that we see the real Shiro living up to. While it’s cut off by the awakening of the blade and Keith clearing the trial, Shiro would sooner fight his way past a huge organization like the Blade, alone, towing an injured Keith, than force Keith to give up the weapon to appease him. His decision, in that instant is, “I’m taking Keith, he’s taking his knife, and we’re leaving.”

But look at that picture- look at how Keith isn’t looking at Shiro. There’s a cognitive disconnect for Keith about how much other people mean to him.

In s1e4, we do see Keith trying to fight a perceived rejection- he’s the one who digs his heels in and yells at Pidge for trying to leave.

He aggressively avoids, in his logic, any implication of “please don’t do this, I care about you, I don’t want to lose you.” He tries to put everything in the most objective language he can put it in, but it’s pretty clear with how incredibly upset he is, this is not just about defending the universe.

Keith is both terrified of losing people and has an internalized attitude that he’s not good enough to make others want to stay around him. And this is something he’s processing, slowly, but out of the characters, this specter of perceived unworthiness is Keith’s demon- it’s what’s keeping him from the truth of who and what he is that is arguably his birthright as the Red Paladin, whose virtues are instinct, passion, and personal clarity.

In part, Keith has been deprived accurate mirrors to know himself- s1e10′s purple hand incident and the appearances of other half-galra we’ve seen tell us that Keith has seemingly been denied his own real appearance, as well as any contact with the galra half of his heritage. He has powers he doesn’t understand or even really realize they’re there, because no one has been around to recognize these qualities in him. He has had supports- Shiro and the other paladins- but all of them are, until outside intervention, just as stumped as he is.

But another part is- Keith is hiding from these revelations because he’s terrified of the idea of becoming- or having been all along- something unacceptable to other people. Something fated to be alone. Because again, deprived of people he can relate to and the context that makes everything about him make perfect sense? He’s mis-diagnosed himself hard as an inherently unlovable person and while that’s something he can fight in many situations, certain issues and scenarios seem to feed that fire and when it does, Keith tends to just give up.

So yeah- Keith doesn’t tend to defend himself when he feels like someone is rejecting him, and it’s a particular flavor of learned helplessness and cognitive biases.