#i finally managed to merge my two hyperfixations
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kafeicreme · 28 days ago
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HEAR ME OUT
My two children.
Used to serve greater plans. Denied from existence. The power to manipulate memories. The sheer will to live when they are not even real.
One write the fairytales the other illustrates.
She's like a moon in a sunny attire, he's a ray of sunshine in the star realm.
She's a child of the sea and long for the shining outside, he was born in the sunless underground.
Her story is just at its dawn, his has ended at dusk.
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asuyaka · 2 years ago
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Hello there! It's the anon who made the Gojo x affectionate reader request, I have to say I absolutely love your writing, it's so adorable and wholesome!
Anyways, I wanted to make a similar request like the one I previously asked for, but with a different scenario- kinda.
So my prompt is that Reader is like Mitsuri(not female tho, but if you're ok with it maybe make them a bit effeminate? Like the soft boy aesthetic!), they are a 1st grader but have enough strength to beat even the strongest adult in Jujutsu High to the ground like a ragdoll, they're very sweet and affectionate and just precious in general. They are best friends with Gojo and Geto and were sent to deliver the Star Plasma Vessel with the boys since their strength and durability can put them in the same level as a Special Grade student.
Now here is where this whole scenario actually takes place; Reader somehow managed to enter the domain(?) that Suguru and Toji were fighting on, unfortunately they only manage to get to where they are after Toji had already defeated Geto and after seeing their best friend now bloodied and unconscious on the ground, Reader gets very pissed off and make it their personal goal to give Toji some righteous ass whooping for what he did to their friends and Amanai. And after they took care of Toji they took Geto and ran out of the domain before it could collapse on them.
Sorry if that's a long request! I like making my asks as detailed as I can and tend to go overboard, especially if it's about my current hyperfixations. I hope you' have a great day/afternoon/night! Also remember to stay hydrated and take breaks!😁
- Sincerely, 🌈 Anon.
★ - 'm so glad you liked it !! o(*////▽////*)q req's a tiny bit confusin' but 'm think 'm got the general gist of it!! :3
★ - 'm sorry but 'm wasn't exactly sure who the main character was, so 'm decided ta use em both cauze yanno they're right there!! ^_^
☆ - Teen! Satosugu x Male Reader — can be read as platonic or romantic!
♡ - Zuha's a bit silly n doesn't know how t'write fight scenes s'forgive 'im if it isn't suuuper good! ꒰#’ω`#꒱੭
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This whole 'merging' with Riko was extremely taxing on you, Suguru, and Satoru, but it's almost over so you three can relax and play Digimon 'till you passed out!
"Uwaaa! I'm so tired..." You mutter, leaning on Suguru's shoulder as your group climbs the stairs leading to Tengen's barrier around Jujutsu High.
Riko beside you huffs. "You can at least pretend not to be!"
"I'm sure [Name] didn't mean anything by it." Kuroi smiles softly as the five of you finally reach the top of the stair way, safely inside Jujutsu High barriers.
You let out a sigh of relief. At first, you weren't entirely sure why you were put on the mission, you're only a first-grade sorcerer while Suguru and Satoru were special grades, but Yaga chalked it up to you being strong enough and your friends needing someone responsible to be with.
The mission took more out of Satoru than anyone else, you and Suguru were heavily aware of that. On Day Two, you stayed up with him the entire night, busying yourself with whatever videos you could find and an unhealthy amount of Sakura Mochi.
You hear Suguru tell Satoru he worked hard, and he did. Harder than the two of you could thanks to his technique. You make a mental note to yourself to treat the two of them to food when the merging is finally complete.
"I never wanna get stuck babysitting a brat again." Satoru rolls his eyes, the blue glow that indicated he was using his Six Eyes dissipating.
You walk up behind him and hug Satoru from behind. "Goob job 'toru!" You make sure not to squeeze too tight, he was tired and you didn't want to make him physically hurt too.
The next thing that happens, hurts.
You feel something— it's sharp — enter your abdomen and exit through Satoru's sternum.
The two of you instinctively look back. You're inside the barrier which is supposed to protect you from any intruders, but obviously from the blood that's piling up your throat, it didn't.
Satoru uses a small version of Blue and Suguru uses a curse. It hurt, obviously. You couldn't use your technique to nullify it because it wouldn't do it's job of hurting the man behind you, so you let it pass.
You breathe to calm yourself and analyze your situation. Your eye is bruised, not blind but there is blood obscuring your vision. You definitely have internal bleeding, but it missed vital spots so you can suck it up and deal with it.
Satoru and Suguru are talking about something, but you're worried about Riko and Kuroi— some could argue that you should be worried about the hole in your stomach but your injuries come later, Riko and Kuroi need to be safe.
"Suguru, [Name], get them to Tengen-sama."
Suguru tenses, gazing between you three before nodding. "Be careful!"
You get up, internal bleeding be dammed, grabbing Riko's arm and running the other way with Suguru.
The bleeding of your eye gets worse with every step and you have to keep running despite coughing up blood more times than is healthy. Suguru looks back at you, worried, but you assure him you're okay.
You can't let Satoru down. You can't let Suguru down, so you force your body to deal with it— force your body to use RCT, something you know like the back of your hand due to your technique.
The four of you reach the elevator that leads to where Tengen stays. Suguru makes sure You, Kuroi, and Riko enter in first before pressing the button for the lowest floor.
"H-here!" Kuroi hands you a handkerchief to clean the blood off your hands. You mumble out a small "thanks" using it to wipe your face as well.
You're strong, you know that. Being a first grade while in the second year is an amazing feat, but fuck you were scared.
You're able to go through Satoru's Infinity just fine, but that's because of your technique. That man, whoever he was, shouldn't be. "Satoru's going to be fine, don't worry," Suguru says as if he can hear your thoughts, patting your arm for reassurance.
If Suguru says everything is going to be okay, then everything is going to be okay. You remind yourself to focus, focus, focus— because after this, you two will go help Satoru, and everyone will be fine.
The elevator stops and the four of you get out. You're beside Suguru and Riko and Kuroi trail behind you. All of a sudden, Kuroi stops.
She's crying and you can feel your heart breaking. This 'merging' thing was fucked up from the get-go. No kid should have to always have in the back of their mind that they're going to die, and there's nothing they can do to stop it.
"Suguru..." You mumble softly. You shouldn't be seeing this— it's private, meant to be between them. Suguru nods. He understands, he knows what's happening is messed up and he's going to do something about it, who cares what Tengen needs?
The walk is silent, unnervingly so but you're about to kill a kid. The thought makes your stomach churn but you do nothing about it. You're strong, you can deal with it.
"Suguru, I'm staying back." You say, hands pressed into a fist and your head hung low. You can't stomach the thought of willingly killing a kid— you won't forgive yourself even though you know you can't do anything about it.
Suguru doesn't say anything, he doesn't need to. You were put on the mission last minute, and he knows how empathetic you are.
You watch them make their way to Tengen's territory and you feel sick. You feel sick to your stomach, hunching down and forcing yourself to calm down.
"focus, focus, focus." You say like a mantra to yourself, even though you're scared. You know how to focus if the situation is right, but you just feel nauseous.
You hear steps walking closer and your heart jumps. It's Satoru! Satoru did it and now he's coming back to show that he's a part of the strongest duo in the Jujutsu world.
"Damn. Didn't know they had security here."
Your eyes widen. That voice doesn't sound like Satoru, and it doesn't look a thing like him. It's that man, the same one that went through Satoru's Infinity.
You can see him clearly now thanks to the yellow fluorescent lights on the sides of the wall.
He's more muscular than you you can tell that easily. His hair is flat against his head with eyes that don't have any form of empathy in them, and with a scar on his lip.
You aren't scared, surprisingly, you're angry— fucking livid.
He killed Kuroi, a woman who was so nice, so grateful for the things she'd had in life, a woman who didn't deserve to die. He killed Satoru— he killed the people you care about.
You don't ask questions, you don't stare with your mouth open like a moron, you start fighting.
You're struggling to keep your emotions in check even though the first and basic rule of Jujutsu Sorcery is to not let your emotions get in the way.
The man, whoever he is, grabs your wrist, hastily pocketing his gun and grabbing a knife, stabbing it straight through your sternum and dragging it down to your hip line.
He takes it out, your blood staining his forearm. He switches the way he's handling it and stabs you through your throat.
Your vocal cords and blood vessels are in pain, but you can't yell, can't scream, can't do anything. Your body face-first falls limp on the floor, pushing the knife deeper into your throat to the point it comes out the back of your neck.
He stomps on your head for good measure, grabbing his gun and walking towards where Geto and Riko are.
You feel your heart slowing down as your blood leaks to your fingers. You're dead, you're dead if you don't do something—anything. Your eyes close and blood leaks out of your mouth. You're done for.
The sound of rubble falling wakes you up, your hand twitching before you lug yourself up, the front of your uniform stained with your blood as the energy from your subconscious RCT flares off your body.
You pull the knife from your throat. It stings, obviously, but you don't care about that.
You know for a fact now that Satoru, Kuroi, and Riko are dead. With every step, you hear more crashing and buildings getting destroyed.
Your eyes scan the area. You can feel the output from one of Suguru's stronger curses, it's faint, most likely due to distance, but it's definitely there.
Jumping from the platform, you hastily make your way to where the energy was coming from.
You're there— so close until the building fucking collapses.
Your heart drops when all the dust and smoke clears. Suguru is lying down— is he dead? Oh Suguru, please don't be dead — an 'X' on his torso his eyes are closed and that same fucking man is standing in front of him.
"Shit kid, just can't stay dead can you?" His grin pisses you off. It's full of teeth as his scar grows wider.
He notices your expression, holding back a snicker. It looks just like the curse-eater's when he realized Gojo died. "Might wanna close your mouth, you'll catch a flyhead in there." He snickers, putting the blade he had back into his cursed spirit and getting a smaller weapon with two blades on it.
You grab a weapon out of your back pocket. Your technique barely helps in hand-to-hand combat so you're used to carrying a weapon on you that you're used to using. Why you didn't use it the first time, you aren't sure yourself.
It's a decent-sized blade Yaga had made with the technique of a retired sorcerer. Hammerspace or something, you don't really care. All you need now is that man dead.
You throw the knife at him for a distraction. He deflects it, like you expected. You ducked behind him, your hands curled up into a fist as your hand connected with the blade of his sword.
You had to make this quick so you can tend to Suguru.
Not giving him any time to land on his feet, you grab your blade from the air switching the grip into a reverse hammer and brute-forcing your way through his hand.
The blood splatters on your cheek, grabbing the blade out and using your other arm to hit him from the side.
You take a second to breathe. His arm has a hole in it and he's breathing heavily. That cocky grin finally wiped from his face.
Every single bone in your body was telling you to kill him, to put an end to him right then and there for killing people who didn't deserve it— for killing teenagers.
But then you remember Suguru. Suguru who's lying on the floor somewhere, most likely bleeding out. That is what pulls you out of your anger-infused trance, turning your back to the man and rushing for Suguru.
He doesn't try and kill you, thankfully, but you notice Riko's body is gone.
Pushing all that to the back of your mind, Riko's dead body, her lifeless face— her life that was cut too short because she was born as a vessel, you find Suguru.
His breathing is there, very faint, but it's there. Immediately starting RCT on his body as tears brim your eyes. You're crying now, crying over all the things you should've cried about before but were too busy trying to keep yourself alive— not that you could die anyway, you do RCT subconciously.
"Suguru... Suguru, please open your eyes," Your voice wavers as his uniform gets damp with your tears.
You keep RCT going, pressing your ear where Suguru's heart is as his blood stains your face. You cry over the death of Satoru, you cry that you weren't able to save Kuroi or Riko, you cry about how you couldn't kill the man that would've killed most of the people you knew— most of the people you care about.
"[N-Name]...?"
Suguru's voice sounds so weak. It sounds horse, like he's dehydrated, but it's there— God, Suguru's alive.
"'m sorry- was too weak- 'm so sorry S'gu!" You wail as the tears fall harder, your decently muscular arms wrapped around his torso as you wait for him to berate you, to yell at you for not killing that man when you had the chance.
"[Name]— It's okay, I just... fuck, okay, listen, it wasn't your fault, alright? He had a heavenly pact and from what I can see, you at least caused him to bleed." Suguru's hand wipes the blood on your cheek, his thumb presses against the grass to get the blood from that monkey off him.
"I'll check on Satoru, so wait here, okay?"
You don't have the heart to say no to him. You're too weak, too mentally fatigued to stand up and see the corpse of someone else you loved, someone else you cherished.
So you watch Suguru leave, accompanied by wet sniffles and dry wails, you curl in on yourself and wait obediently for someone to come get you.
You don't know if you're hallucinating, but you swear you see a patch of dark blue hair, blood leaking from Riko's the person's head before you pass out.
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lappel-du-vide83 · 1 year ago
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You know when brains merge together stuff you know like ooh this is cool let me add it to my obssession
Yeah so have og cale and asoue TOGETHER
Okay so obvious parallels first: the three siblings. The henituse county might have fallen during the battle but doesn't mean they had to die then and there. If i may be so mean, the siblings died one by one with ogcale the last one standing.
The extended family members are already presented in the story as douchebags so why not make it one step further and make them secretly work for the white star?
So it goes, once the henituse county fell, without Deruth and Violan to take charge, the reconstriction is delegated to an extended family member but with none of the existing family members willing to take on this burden in times of unrest, they come across a thames willing to take over who is very eager andhella suspicious (the evil uncle if you will) (also i have yet to read past like chapter 200 in part 2 of tcf so the hunter lore WILL be headcannon). And surprise, surprise, he wants the henituse fortune. (the want for money runs in the family) So begins the torment as the siblings protect eachother and try to find a way out. They finally manage to convince someone from deruths side to take them in, finally escaping his clutches.
Thus begins the hunt.
The uncle starts killing every new guardian they get and they try explaining that this mysterious uncle that is not one record wants then either dead or in his clutches but no one will listen to them. They get called the bearers of misfortune that will kill anyone that cares for them and why would anyone believe them? One's trash and the other two aren't even adults.
Bonus points if, like i said earlier, if they were working for the white star, the very bane of their existance and the reason why their family is dead. Because yes, how awful, but they were still better than living under that guy and there's this guilty conflict of emotions.
Now unfortunately, canon dictates (wait does it tho im not actually sure) that i must kill off the siblings so it happens as freak accidents--unexpected and something that couldnt be prepared for. They were already living on the edge but then something slips past (more pain of its a betrayal) and (e.g) basen dies. And it slowly consumes the other two because they couldnt protect him because why was it him it should have been me.
And then its lily. She dies honourably in battle because she wouldn't have it any other way but it ruins cale because what if he's the reason everyone he loves is dying?(i stand by the parallels in ogcale and krs life) He's literally been the centre of it--the only one connecting these deaths.
There's no one else for him to blame and take the anger out on because i think the uncle would die tragically and in vain too(cant believe he spent part of his life hunting down kids) and now there's nothing tying cale down except his obsession to kill the white star anddd we come to the part where he signs up for the final battle and dies.
In the middle, i think it will be cool if he encouters the hunters and theyre like the vfd. They keep seeing references to it everywhere and meet members that either want to help or kill them but never get a concrete answer for who they are and everytime they get close to finding out the truth something stops them (or just cale trying to find out who the FRICK his mom was being affiliated with for them to cause mass destruction so easily)
And just like asoue we get an ambiguous ending. Is he happy? Is he not? Who knows--not the readers! But we can imagine he is for our mental health.
Dang the angst is strong but i think it gives way for more thames lore and sibling shenanigans and, well, more angst and this was run on 11pm hyperfixation so ill add more if i can think of it. Hope you enjoyed reading! Also lemme know if you can think of more i would love to read it
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theangelofangst · 3 years ago
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The Merging of Oscar & Oz’s leitmotifs
I thank @hyperfixation-hideout for making me remember the comment on the video of Oscar’s leitmotif. Because it sparked my further interest to talk about it and post it on tumblr because I love it so much.
Because I just love it? I love the way they developed it slowly as time went on. And by far my favorite rendition’s of his leitmotif is from volume 4 and 8 because of what they imply emotional wise as well as story wise, or at least to me.
First off Volume 4, Oscar’s introduction into the show itself, when we first hear the leitmotif it has such a high degree of peace, it sounds so hopeful, warm, and filled with such a childlike innocent while still somehow managing to sound mature.
But in volume 8, you can hear that it’s slowly taken a drastic change, it still sounds hopeful, but listening carefully you can hear that it’s turned a little more somber and sad, and what I love about that, is that its due to and of everything he’s been through since he was first introduced; he’s been through hell, especially these last two volumes and he’s suffered at the young age of fifteen and the boy is exhausted emotionally and mentally, and I think it was a brilliant idea for the writers to add and show that fatigue in his leitmotif
And the part that is literally my absolute favorite is that only only do we see Oscar’s leitmotif becoming more wary but still filled with a warm hope but then to add to that we now have Oz’s leitmotif is slowly merging with Oscar’s.
We hear it just a bit when they have that conversation in episode 2 and then by the time they have that conversation about fairytales comes around in episode 9 we can clearly hear the two leitmotif have merged that much more, it’s like both of them are playing harmoniously now. Like a well-balanced ensemble of melodies and directives working in harmony with one another.
And it’s just— it’s beautiful? Music in general makes me so happy and hearing and knowing this is actually happening makes me giddy every time I listen it. Because it shows that they are finally working together, that Oscar is no longer at odds with Oz and he’s finally understanding him and knows that he wants to help and be better, while Oz is trusting Oscar in turn and learning from him that he can trust and doesn’t have to let his fear consume him.
And as a Dadpin fan, it makes my heart soar but even if I wasn’t (I always will be though) it would still make me be on cloud 9 just seeing them being able to work together, because camaraderie is a beautiful thing
I once again tag my friends because they are amazing.
@bowl-of-shortness @collectingsparechangemadeeasy1 @maripr @the-wonderful-imp-of-ozcar @hyperfixation-hideout @immortal-green-snom
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ask-artsy-oncie · 5 years ago
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Days Apart - A Llewerius “Playlist”
I’m posting this late af because I’m a bastard.
So like, there are a few songs I like to listen to while drawing these two. Because these songs make me think of them. It’s nowhere near a proper playlist’s worth, but I thought I may as well share them with you for people who were looking for more Llewerius content before me and Lolly are ready to unveil what we’re working on. I’ll even give little explanations as to why they’re up here.
Elaborate Lives & Elaborate Lives (Reprise) from the Aida Soundtrack - This is probably one of the most “out there” choices, which is why it’s at the top, so we can get to the real meat, next. I can’t really explain myself outside of the fact that the Aida musical soundtrack still really moves me and this song always inspires me when I’m drawing more “adversarial” couples, in this case, Louie being deadset in the idea that he doesn’t actually like Ty, Ty being deadset in the idea that he’s straight, and the both of them lamenting in repressed yearning as a result. Naturally, the nature of the reprise in particular is MUCH more serious in the context of the musical, and that’s actually why it inspired the out-of-context drawing I did based on the scenario of THE kiss.
Rezonate’s The Phoenix - Okay. So. I’mma be real with you guys. This is the song that sparked the very concept of the scenario surrounding the kiss. Y’know, THE kiss. It doesn’t actually spoil anything because there are barely any lyrics in the song, and even then, the lyrics are fairly generic. It’s mostly due to the fact that, as I listen to music, I tend to think of what I could potentially animate to it, what feelings I want to express through it, what feelings I think the song expresses to me. And as a result, a specific portion of the song (I will not say which) fine-tuned my brain into thinking “I want to see Ty and Louie in THIS situation”. It was a very rough, very vague, honestly rather strange concept. I relayed the concept to Lolly, and, good gods, she took the inch I offered and gave me a mile in return. The story she managed to concoct from such an odd idea was not only WAY more fleshed out, but also engaging and emotional. I really can’t wait for you all to finally see what she’s done, but for now, you can have the piece that allowed that first little spark of an idea.
Tatsuro Yamashita’s Ride on Time - Obligatory City Pop song because I listen to that too much. Not only is this my favorite Tatsuro Yamashita song, and thus, I must tie it to what I happen to be currently hyperfixated on, but I also really like to consider it a Llewerius song because the lyrics (as far as I can tell from the translation) are about falling in love without even realizing it, and gods does that ring true with our two little disasters here. It’s a bop, please listen.
Cascada’s A Neverending Dream - HELL YEAH BITCHES WE GOT SOME CASCADA ON THE LIST. Honestly you can just throw any Cascada song from the Everytime We Touch album on and I could probably relate it to Llewerius somehow (Except Miracle. Not That One.) But this one in particular makes me think of the Fairytale AU! It’s a good AU and I hope either me or Lolly (or both) have more time to make content for that.
Studio Killers’s Grande Finale - This is actually another song I attribute to multiple pairings, but I feel like it fits here particularly well. Louie inspires Ty to be a better person because Ty thinks so highly of Louie’s ability to use their natural advantages (traits Ty had always considered “evil) for the sake of, as Ty sees it, being a hero. On the flipside, Ty brings out the best in Louie by driving him to put more effort into what he does due to the naturally competitive nature of their relationship, as well as the fact that Ty is able to check Louie on his more... morally unsound behavior, just by having a much stronger moral compass. It just kinda works with this song. These two are the respective “ends” (life is more complicated than that) of their bad sides.
Klaus Veen’s Ordinary Days (V2) - This song is mostly here because most of the Lethal League soundtrack makes me think of Ty, and this is the piece on the soundtrack that most reminds me of Louie, so it kinda of just merges into making me think of the both of them!
HOME’s Resonance - Is it a surprise that this song is here? Maybe?? I dunno. I like this song a lot so I listen to it a lot regardless of what I’m thinking of. But it is relevant, trust me. By now you’ve probably been curious about the drawing atop this post. Well, Louie has spent a lot of nights at Ty’s house as a friend (and, well, moreso because Ty has this inexplicable ability to calm Louie down if he wakes up in the middle of the night anxious, more effectively than anyone else in his life has been able to. But he would never say that out loud. They’re friends, they’re having a sleepover, they’re capable of being normal about it, most of the time) and Ty has a little radio in his room that’s constantly playing at low volume as a “white noise maker”. This song just makes me think about that room, comfortable, nostalgic, sleepy, music coming from somewhere. IDK it works for me.
The Beatles’s You’ve Got to Hide Your Love Away - Yeah, I was raised on the Beatles and Jethro Tull, I’m not surprised this made it here. (I’m actually a little bummed I didn’t get any Jethro Tull on this list) This is my favorite (one of my favorites?) Beatles song and I can easily imagine Ty singing this idly while he’s thinking about Louie. 
That’s pretty much the end of the list. I wanted to put the Moulin Rouge! version of Your Song on here, but, ehhhh. I like the scenario of Ty becoming flustered and fed up and just belting out a heartfelt serenade to Louie, but part of it just feels too weird to throw into the mix. Instead, let me leave you with this raw line from Moulin Rouge! that’s 100% relevant to these fuckers:
“The greatest thing you’ll ever learn is just to love, and be loved in return”
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starsarefire824 · 2 years ago
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@sparks-olivarpente​ heeyyy thanks---seems like I’m doing lots of these kinds of things today XD.
1. Stranger Things- The current hyperfixation. Truly just obsessed with the lore and theories of it all, the writing style of the Duffers, the fantastical feel of it grounded in real life, and have emotionally imprinted on Will Byers for some reason. Let’s not analyze that one too much, shall we?
2. Turn- This show is one that’s sort of slipped under the radar, but definitely one of my favorites. It’s such a fun, exciting take on the Revolutionary War with some exceptional characters, my particular favorite being the Quaker, Robert Townsend. George Washington Spy Show? Into it!
3. Boardwalk Empire- I think this is the one that got me super interested in these big sweeping historical series. It had absolutely fantastic characters: my favorite being Richard Harrow, the disfigured war veteren and best friend of Jimmy Dormandy. I need to rewatch this actually.
4. Sex Education- Absolutely LOVE this show. It’s hilarious, made me cry on multiple occasions, has some incredible characters and deals with real topics teenagers find themselves facing. It deals with sex in a wonderful and realistic way without sensationalizing it. I got particularly attached to Adam and Eric. Eagerly awaiting season 4!!!!
5. Shadow and Bone- I read the book series and it just hit in all the right places for me at the time. Sucker for the Darkling/Alina dynamic. The show is entertaining and did a pretty good job of bringing the world to life. I think the second season is going to really find it’s feet and I really like how they melded the trilogy and the duology to make it one big cast of characters.
6. Hey Arnold- My childhood GO TO.
7. Black Sails- A perfectly written, perfectly executed series. I think it truly is one of the best pieces of television I have ever watched. Beautiful, poetic, historical, and the way they merged real life historical figures with a prequel to Treasure Island. Acting is fantastic and it’s a rare show that manages to balances many perspectives and do it well: black, queer, female, disabled. Like Stranger Things, it is one of the few shows that really is coming from a very real feeling of the outsiders perspective and does it in a way that’s not diminishing or making fun or just cause the writers want it to be cool. It really delves into it from a historic and very real societal perspective. And I just love that. There is SO MUCH.
8. Interview With the Vampire- I did not think this new series was going to be as good as it was! The writing style is so awesome, slow and sticky sweet just like Louis’s accent. Had me on the edge of my seat and Louie and Lestat finally have the relationship everyone wanted in the film. The two actors have chemistry that is OFF THE CHARTS. Just try it. You won’t regret it.
9. Our Flag Means Death- Fucking fantastic fun! Had me laughing so hard my ribs hurt. Izzy stan for Life. Lucius Spriggs, my beloved.
10. Severence- SOME OF THE BEST FUCKING TV I HAVE SEEN IN A DECADE. Adam Scott for the fucking WIN. He’s so talented and I am so ecstatic he’s finally had something like this to sink his acting teeth into. Damn bro. It’s a mind-boggling, emotional, and really makes you think about A LOT of ethical quandaries, a lot revolving around the American work/home life dynamic and how rights are so easily taken away. The Innie vs. Outie debate is fascinating and heartbreaking. The last episode of the season was one of the best episodes of television I have ever watched. My heart was pounding for a straight 45 minutes. Cannot wait for season 2. Also, there are waffle parties (!!!!) and John Turturro and Christropher Walken are in love. What more could you want.
Tagged by my dearests @sailorsally @cloudcas and @saintedcastiel
8 TV shows to get to know me
I'm not listing Supernatural cuz that's obvious lol
1. Frasier - I have rewatched this show 25 times, I quote it constantly, and every time I remember that I first watched it as a child my entire personality starts to make sense
2. Gilmore Girls - my mom and I first watched this when she was diagnosed and it became a staple in our lives. We were so much like Rory and Lorelai in our relationship, but even better.
3. Modern Family - seeing a big family like this constantly in each others lives and doing stuff together felt very familiar lol. Also it was pretty influential in breaking down some of the homophobic brainwashing I'd had through the church, both in me and my parents.
4. Avatar: The Last Airbender - just finished my rewatch of this show. It's so utterly beautiful and fun and compelling. I first watched it as a kid and its infinitely better to watch as an adult.
5. Top Gear/The Grand Tour - my emotional support middle aged men driving cars and being hilarious. I only have a mild interest in cars but they make it so interesting. This was a CHM blog before it was a spn blog.
6. Grace and Frankie - this show is EVERYTHING to me and I need Sol Bergstein to be my best friend forever pls. I wanna go to a farmers market with him and Coyote.
7. Sherlock - only because it was unfortunately my introduction to tumblr fandom and now I've been here nearly 10 years 😔
8. Friends - not just because I quote it constantly and have rewatched it 12 times but because my mom used to sing a lullaby to me to the tune of Smelly Cat and I didn't realize it until I was 16 and watched the show for myself!!
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Tagging: @sadnatural @birdstiel @daydreams-in-the-moonlight @1x20 @monstermoviedean @fruityjackles
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