itsyaboi-deicide-blog

[teen-spirited-away]

If there was a gintama cafe...

I wish I had good puns for the menu.

[the-technorats]

3, 5, and 7 for the writing asks :)

!! thanks for the question!! :D

What is your writing ritual and why is it cursed?

man, i feel like i don't have a good answer for these first two but i'll yap about it anyway. i think maybe because i'm still learning and figuring myself out as a artist/writer in general, i don't have too many specific behaviors engrained? i'm pretty bad at getting started at writing things so clearly i haven't found the ritual that just gets me in the zone. also, with my depression, it gets hard to self-motivate to do things - often times i need external pressure/reinforcement (ideally positive, but, yknow. negative also works lol) to really get moving since it's easier to do things for others (or the idea of a general audience/'s enjoyment/validation) than find reason to do things for myself.

some preferences i do have include: having tea (jasmine and earl grey are some favorites), having a candle lit, writing at dusk/night. and then often times i reread old stuff i've written/posted to remind myself that i'm capable lol. after that, i just have to bully myself to get the ball rolling. the blank page really fucks with my head, enough so that i can't even make a new document to write my notes, i have to put them in my notes app or in the discord server i have with myself because it tricks me into thinking the stakes are way lower than i've convinced myself they are. (this is, ofc, on the occasion that i even have notes at all, which i often don't.)

something else i've found that unfortunately works for me is making writing the lesser of two evils; writing is one of those things that i love doing but never opt to do even though i want to? i wish i did? i hate it i dont know. even now, i'm writing this because i don't want to be writing an academic paper. i find it a lot easier to write fic/tion or other leisure types of writing when my alternative is doing something way more dreadful.

Do you have any writing superstitions? What are they and why are they 100% true?

honestly, i don't have a good answer for this one either. i wish i had a more glamorous writer lifestyle than my run-of-the-mill "start two days before it's due" or "hammer out two pages and then abandon the idea for two years" process. i feel like all of my writing habits are purely logistical and not spiritual. (maybe i should try and be more spiritual about it? i'd try anything to make writing an easier process but i also think i have a sort of house m.d. mentality about suffering and artistic process and whatnot.)

the only thing i can think of is that i can only look back and edit a few paragraphs behind my current progress. i can't go all the way back to the beginning and reread until the first draft is finished. if i realize a continuity error at the current point that would warrant needing to go way back, i still can't edit it, i have to leave myself a comment. only once i officially proofread/do a second draft can i touch any of the earlier stuff. again, though, this seems almost entirely logistical; i just know if i go back to reread, the rest will never get written. (tangent note: i have a friend who makes a new document for every draft. i don't know if that's normal? maybe like using layers for digital art? but i definitely don't do that. the doc i start in is the doc i paste my notes in is the doc my final draft is in)

also, once i post something/deem it finished, i will never edit the google doc again. i just believe in like, the sanctity of the way i chose to write something as the me i was at that point in time, including the font, grammar, cringiness, etc. (and i also like how google puts the timestamp of "last edited on [x]." if i edit it again, that timestamp won't be true to when the writing was finished.) this one's still not exactly superstitious, it's just like. you wouldn't go back to your childhood drawings and make edits.

What is your deepest joy about writing?

all of the typical artist shit rings true, of course - materializing something that didn't exist before; being able to create something that others can connect with; of course being a part of communities that share my interests and obsessions and nerdiness and insanity. the most indulgent part of it is the part where i get to play god in my own little head, projecting all of my emotional inner workings onto a character and getting to therapize them via their environment. allowing the things that depress or upset me to receive comfort and gentleness and understanding and all of the things i don't think i deserve when they're in my head.

and of course, writing is one of those things, like art, like any form of just - physically making marks - that is so innate. like how beautiful is that, that since the beginning of time one of the things we've always done is depict. illustrate. we just want to understand things. weather and outer space and the elements and animals and human nature. we sang songs to remember epics before we ever wrote them down. and god, damn, fuck its just one of those things that fucking gets me, deep down, that i'm just human and part of humankind and no different than anyone else has ever been, in a good way. that someone will sing the epic to me and i will sing it to someone else and i don't have to do some monumental thing to have a purpose; i can just pass on one more story.

[ellsbclls]

you write hurt/comfort so beautifully, it makes me want to have tom comfort me like that ): do u think you could write something where he's taking care of you after a long day at work?? and if it's a little nsfw i wouldn't mind but u dont have to do anything ur not comfortable with. again L O V E ur work!!

thank you so much 🥺 i guess i just try to portray a type of love i think everyone deserves! but also thank you for giving me this idea because my mind went rampant. i also don’t know why the reader is a musician, but just roll with it i guess idk what happened there??? 

i hope this tickles your fancy! nsfw, so extended warnings will be under the cut! please do not interact if you're a minor!!

extended warnings: cue fingering, and some messy, needy sex in the bathtub 🛁✨

The steam rising from the bathtub makes light work of your weary muscles, menthol vapors kissing up your spine, soothing the knots scattered across the length of your back. You were in dire need of this, after the plight of a day you’d endured. A couple of hours in the studio had quickly spiraled into a six hour-session, with nothing to show for it but a lousy sixteen measures of brass ensembles — and by the good grace of your talent and patience, the artist has requested you drop in for their session again.

The thought makes you want to drown.

Instead, you opt to curl into yourself, softly pressing your cheek into your knee, watching the spindles of warmth waft up from your well earned bubble bath. In retrospect, the weight of your day didn’t fall solely on this new client — if you’re being honest, they actually had a lot of potential. You wouldn’t mind having your name tethered to a couple of their hits — but Tom had just returned home from a three month long shoot, and you’ve only been graced the luxury of his presence for less than 24 hours. Any time that isn’t being spent with him feels blasphemous, but since he has yet to return from his unknown whereabouts, you seized the opportunity to flush out as much irritability as possible before he returned.

You didn’t know just how tired you were until you were woken up.

A half an hour passes before you’re tousled from your dreamless slumber by a docile touch, familiar digits scaling the curve of your spine before they take a detour at the nape of your neck, carefully parting stray strands of hair to either side of your frame.

“Tom?” You hum, dulcet tones wafting through the steam akin to a dream as it ebbs from the rim of your subconscious.

“Yes, darling?” He muses, entranced by the frothy remnants of your bath soak as he dips his fingertips into the water.

“I missed you today.” You melt into his touch, allowing your head to fall to the side and survey his attire. His hair is all tousled, chestnut locks sprouting from the bottom of his backwards strewn baseball cap, and those honey-dipped hues you adore so much are creased with concern. You want nothing more than to soothe them away with the pad of your thumb, and so you indulge yourself, reaching over the edge of the tub as you continue to ramble. “I started the day already praying for it to be over with, and somehow, every single inconvenience fathomable decided to fall onto my lap. I mean — who the fuck needs seven different french horn tracks in an overture? A real band barely needs one.” Tom’s nodding along to your ramblings, but you both know that he doesn’t fully under the lengths of your frustration — just as you’ll never truly understand the inner workings of his own career. “The only thing keeping me together was the thought of coming home to you.”

“I’m so sorry, my love,” He coos, and continues to caress your back, working out all of the knots that the steam couldn’t relieve. “If it’s any consolation, I was only running late because I had to stop and buy some pancetta on the way home.”

“Don’t apologize. I assumed you would be back since all your stuff is still here.” You tease, mirroring his bemused smile, letting his world seep into your slowly booting brain. “Pancetta…” Not many people knew this, not even Tom before his first attempt, but the boy could whip up a mean bowl of pasta. You remember floundering across the bed the night before, identical to a little kid throwing a tantrum, moaning over just how badly you were craving carbonara. Silly of you to think that he’d take your melodramatic request in stride. “Are you-“

His enamored gaze is answer enough, but he pairs it with a chaste kiss to your forehead that has you nuzzling into his touch. “Only the best for my lil’ lady.”

You show a mere fraction of your appreciation with a swift, flurry of kisses over his cheekbones, pulling him closer by the downy bundles of his hoodie. Lovedrunk giggles and contented sighs bounce off the tiles before you’re both submerged in a comfortable silence, one that leaves the both of you free to shamelessly examine the other, one clad in their comfy, weatherworn disguise while the other dawns nothing but an enchanted smile. Even with the disparity between your attire, you both end up with flushed cheeks and dopey grins.

Hours, days, years seem to press on until you break the silence with a silly question, one that you ask in hopes of hearing his gentle, candied voice once more — or even better, his laugh. “What would you do if I was as big as a thumbtack? Would you still love me?” You query, a childlike sense of wonderment tinting your sugar-coated sigh.

He takes a second to ponder your questions, taking it into far more consideration than you had in bringing it to fruition. You can’t stifle the tiny puff of air that leaves your lips, the semblance of a chuckle, and Tom, with his wild brow and theatrical ways, whips his head in your direction, sending you a cautionary glare. “I suppose I would…” He starts, only to tap his finger against his bottom lip, drawing the suspense to its boiling point by the time you shove his forearm. “But then again, it doesn’t matter what size you are, there’s no limit to how much I love you.”

“Hmm,” you manage to vocalize. Your heart is now a star, an incandescent ball of fire caged beneath your ribs, and if he hasn’t gathered it by now, then he can bask in the warmth of your smile and know that for him, for him it is the sun.

You have to admit that you got ahead of yourself. One moment, you were binding your lips in a bruising, indulgent union, urging him to bask in the lovelorn rays of light he summoned, but only managing to pull him into the bathtub, fully clothed and unsuspecting. What was once your lukewarm oasis is suddenly a swirling cauldron of spearmint, teatree, and now unmistakable notes of him, sloshing against the edge of the tub as his frame struggles against the latent tide. There’s bound to be one hell of a mess waiting on the bathroom floor, but now that he’s settled in your grasp, you see no reason to fret just yet.

“Y/N.” His voice is deadpan, which can mean one of two things — he’s either overwhelmed with joy, or exhibiting a great deal of restraint in not drowning you right then and there. You choose to cancel out the latter, and offer the best attempt at innocence your babydoll eyes could muster, peering at him through your lashes with a teeth-rotting gleam.

“What?” You ask simply. His eye starts to twitch, and you only double down on your facade. “I just wanted to be closer to you.” Wading through the newly shallow body of water, half of its contents now dispersed across the tile floor, you make light work of his soggy hoodie, sloughing it over his head as he grumbles beneath it, giggling when it catches against that razor-sharp jawline of his.

“Well, you are very close now.” You notice how his voice drops down an octave, and you’re embarrassed to admit just how quickly the coil in your stomach tightens at the sound of it, how it already aches to be pulled taut. 

Tom seems unsuspecting enough when he captures your lips once again, his brims as delicate as baby’s breath against your own, tentative as they glide in a sultry dance. He doesn’t need to coax a confession out of you, the truth is already there, nestled in your urgent, needy pressure, in the whimpers threatening to spill into his lips. He’ll indulge in this little game for a moment longer — where you pretend that you aren’t desperate for his touch, and he pretends that he isn’t just as desperate to provide it — but once you fumble into his lap, clumsily grasping for more, and more, and even more of him, his resolve begins to crumble.

“I need you.” you whisper into the hollow of his mouth, golden-tongued and virtually earnest, coaxing a trembling sigh from the back of his throat.

He hums back, contented, basking in the intoxicating warmth of your silhouette, tracing the curve of your breasts with his knuckles. “Long day, my love?”

“Mhmm,” You demonstrate your point with a wistful sigh,  enveloping his great hands with your smaller ones, coating them in languid kisses until there was no skin left untouched.

You’re just too fucking cute, he muses. He can never say no to you, not even in jest.

Two of his slender digits roam the valley of your stomach, knuckles ghosting over your navel in their listless descent before they venture between your thighs, surveying just how badly you really need him. He dips his middle finger between your folds, tender and slick with your arousal, and emits a husky groan as he traces a steady line between your entrance and the spot just below your clit, ghosting your little bundle of nerves with each taunting caress. “You’re already soaked, my love. This all for me?” He coos, nudging your jaw with the tip of his nose, pressing a wet, open mouthed kiss against the column of your neck.

“All for you,” You sigh, digging your nails into the broad planes of his shoulder. “Please, Tom, please touch me.”

He finally spares you, thumb sloppily circling your clit as he plunges two digits into your opening, welcoming the lithe intrusion with a warm, velvety embrace. You slump into his embrace, nipples straining hard against the soaked fabric of his t-shirt, and raggedly whimper as he starts to work you open. The reminder of your nude form plastered against his clothes, albeit soaking wet, summons another pool of wetness to your core. You’re flooded with thoughts of delectable anguish — of denim kissing your hips, dragging against your bundle of nerves, as he ravages your bare little cunt, proving that you’re so desperate for his cock that you can barely wait for him to undress.

“Is this all you needed, baby? My fingers? You wanted me to stretch this pretty little cunt out?” He can’t stop the filthy words tumbling from his lips, especially not when your tiny mewls of pleasure are flooding his ears — you’re just so soft and pliant under his touch, so eager to be filled to the brim, it’s intoxicating to know that you’ll take anything he has to offer you. “I’ve got you, baby. I’m gonna give you everything you need. Gonna have you spilling all over my fingers and then — fuck! — then i’m gonna fill you up with my cock. How does that sound?

“Y-yeah,” You’re rutting against his palm at this point, grinding down to meet each thrust, to feel impossibly closer, fuller, ambling toward an orgasm that is already barreling toward you. As he finds a new angle, the pads of his fingers nudge against your g-spot, and the heel of his hand careens over your clit with such a delicious pressure that your thighs begin to quake. “‘M so close.” You whine, prompting him to punctuate each thrust with a curl of his fingers, dragging your orgasm from the pit of your stomach.

“Then let go, baby. Let go for me.” You need no further persuasion, your eyes squeezing shut as you teeter off the edge, with nothing but a raspy, desperate string of obscenities, clawing at the slope of his shoulders, and bathing his hand in sultry waves of nectar as it spills from your weepy little hole. His fingers are trapped between your fluttering walls, working you through your climax with nimble, tentative thrusts, stretching each wave of pleasure out until you’re trembling over little ripples.

“That’s it, that’s my girl.” You feel so small beneath his gaze, teeming with endless pools of adoration, like you’re a freshwater clearing and he’s parched. It nearly distracts you from his fingers as they slip from your opening, but each receding wave of bliss is tethered to him, so you groan at the loss of contact. Your walls flutter hopelessly around nothing, chasing the delicious stretch of his digits in their absence, but you’re instantly qualmed by the sound of his zipper being pulled down, no doubt freeing himself from the waterlogged confines of his jeans.

“Can I?” You sink your hands into what little water still remains in the tub, hooking your fingers through the belt loops of his jeans, but he swats your shaky hands away, adamantly shaking his head as a small frown of confusion forms between your brows. “You don’t wanna take ‘em off?”

“This is about you, my love.” He whispers, his free hand smoothing over the small of your back, stroking the patch of dew-ridden skin with his thumb. “And right now, all I wanna do is keep my promise.”

“You’re so good to me,” You whisper just above his lips, leaning back into his touch, peering between your bodies to survey his ministrations. You’re still a bit dazed from your first, earth-shattering orgasm, but the prospect of another has you buzzing with excitement, and Tom knows that look well enough to speed up his course of action.

Pearly veneers sink into the swell of your bottom lip at the mere sight — his cock is beyond compare. Even as its impatiently pulled through the opening of his jeans, it’s put on a mouth-watering display as he leisurely pumps himself, smearing tiny pearls of precum across his flushed, leaky tip with each upstroke. He’s far too enticing, far too pretty with his rosy cheeked, droopy-eyed charm, to resist, and you’re quick to replace his hand with your own, curling your fingers around the base and mimicking a couple teasing pumps before guiding him to your entrance.

Tom spreads his legs a little wider to accommodate you, the sensation of wet denim rubbing against your thighs, knocking your legs farther apart, causes a soft whimper to fall from your lips. It doesn’t take long for you to align the head of his cock with your entrance, teasing him with a couple of lascivious drags through your folds before you sink onto his length, reigniting the remnants of your last orgasm as inch after delicious inch prods your tender walls apart. By the time he bottoms out, you’re nothing but a trembling pile of limbs, and his lips seek out your own just to muffle your staggered breaths with a burning kiss.

You allow yourself a couple of seconds to adjust — no matter how or which way you take him, he still pushes up every crevice of your insides, demanding every square inch of your velvety heat. A wild flurry of crimson blossoms across the high planes of your cheeks as Tom nuzzles his forehead against your own, brushing his nose against yours, coaxing a melodious string of giggles from your chest while you scrunch up your nose. He presses a chaste kiss to the corner of your lips and smiles against the spot. “You look so pretty like this, my love. With that gorgeous smile of yours, and that pretty little pussy squeezing my cock.” You feel like you’ve got whiplash, trying to come to terms with how obscene he can be under such tender movements. “Just wanna turn you over and bury myself inside. See how tight you feel when you’re folded in half.” His hands reach down to rub gentle, circular motions into the small of your back, and you can’t help but pulse around him at the juxtaposition.

Once the uncomfortable stretch of his girth melts into pleasure, you finally start to work yourself over his length, and you swear you can feel every gorgeous ridge and vein of his cock as you rise up to the tip, only to plunge back down with a impish yelp, setting a clumsy, needy pace that certainly gets the job done. You don’t really find your rhythm until Tom helps you out, sinking his fingers into the supple curve of your ass, orchestrating a hard, punishing pace as he drives up into your sopping cunt, meeting you in the middle with each thrust.

All at once, the bathroom is washed in a crude symphony, the combination of your heavy panting and slapping skin intermingles with the shallow splash of water as it laps against the edge of the tub, punctuating the sinful drag of his length, and how the tip pounds against your furthest wall as you impale yourself onto him. You can feel another orgasm start to build, and since Tom has made it his solemn vow to not only study, but master, every little, scrumptious detail of your body, he senses it as well. 

“You got another one for me?” He asks between labored pants. His own orgasm is starting to peak over the horizon, following in the blazing trail you’ve set, you can tell by the way a thin sheen of sweat starts to build against his hairline, and his brows almost meet in the middle, as if the feeling of your pussy pulsing around his cock is unfathomable. He uses the grip he has on your waist to take control, using one hand to scale up the breadth of your back, and as his palms leave a blistering trail up, up, up your sides, he pulls you flush against his chest, attempting to plant his feet against the floor of the bathtub, 

He needs the leverage to piston his hips up into your own, to pound into your greedy hole at an unyielding pace — to keep his promise — and as you start to feel the tell tale edge of your climax cresting over your weary frame, you spoil his shoulder with sweeping, butterfly kisses and flood his mind with sweet, sweet nothings, luring him to the brink with the same dulcet tones you know drive him wild.

His hips stutter into your own, and before the words can even exit your lips, you’re dragged to the edge of bliss with a couple of rough, uncompromising thrusts that have you wildly spasming around his length. He joins you almost immediately, throbbing against your sensitive walls as he fills you to the brim, driving the mixture of your arousal further into you as he fucks you through your orgasm. 

Once he pulls out, he’s quick to wrap you up in a soothing embrace, planting kisses over every acre of skin he can get his lips on, but you’re too focused on the trail of cum leaking down your thighs to really indulge him, curiosity getting the better of you as you gently weave your arm between your bodies and collect the wetness on your thighs. You swear you can feel the rumble of his chest once you pop your fingers into your mouth, humming around the sodden digits, making a spectacle out of the addicting elixir pooling on your tongue, but his glimmer of reinvigorated stamina is put to rest by the sight of your drowsy, half-lidded stare.

“Why don’t we get you dried off? Then I can start dinner.” He hums against your cheek, punctuating his suggestion with yet another chaste kiss. It’s genuinely like he can’t get enough, and neither can you as you sleepily nod.

“Will you wake me up when it’s ready?” You sigh, teetering on the edge of slumber once more.

“Of course, my love.”

[fang11803]

Wrow Colleen i sure am glad you reblogged that artist questions list three times today. I'm sure all of your followers and mutuals have already flooded your inbox with numbers, because its really easy to just click on a blog and type a single number into someone's ask box and hit the submit button, thus giving you the illusion that you aren't screaming into a void, but i just GOTTA KNOW what your answers would be for EVERY QUESTION, please.

Golly random anon, I'd be happy to do that. In fact, this will be the only ask I'll answer out of the windfall of messages in my inbox, because it's so convenient to have allllllll the answers on one post instead of many individual posts. How helpful of you.

1. Art programs you have but don't use: I've had a program on my computer for a while that lets you draw only in hexagons. It's neat but has limited uses.

2. Is it easier to draw someone facing left, right, or center: Left.

3. What ideas come from when you were little: Well, Fang is my oldest oc, so anything having to do with her. I had a lot of cool ideas about werewolves when i was 12.

4. Fav character/subject that is a bitch to draw: I like plants a lot, especially Weird Plants(tm). The issue is when it comes to making a bunch of foliage for a background, i end up making everything look too samey or too busy.

5. How much of your art do you post online vs. Keep to yourself: I keep 90% of it to myself now for two reasons. 1) little to no feedback on pieces i worked hard on. 2) number 2 is personal but related to number 1.

6. Anything that might inspire you subconsciously: music, probably. Music affects my mood which affects what i want to draw.

7. A medium of art you dont work in but appreciate: Anytuing related to sculpture. From ceramics to metal work that stuff is cool af.

8. What's an old art project idea that you've lost interest in: when i was about 22 i had this idea for a comic series that was just me illustrating dreams from my journal. I didn't get very far because i didn't think people would enjoy it.

9. What are your file name conventions: up until I save the final draft it's called whatever, but after I'm done I usually do title_year_intendedUse

10. Favorite piece of clothing to draw: Jackets. Or those skirt things i made up for world building purposes.

11. Do you listen to anything while drawing: Sometimes, usually music.

12. Easiest part of the body to draw: Hands.

13. Skip. Unnecessary drama starter.

14. Any favorite motifs: i love celestial bodies and floating crystals. And eyes.

15. *where* do i draw: at home. On my bed or at my desk.

16. Something you are good at but don't really have fun doing: Clouds imo. They sure are there. In the sky.

17. Do you eat/drink while drawing: No thats messy

18. An estimate of how much art supplies you've broken: ive worn out two drawing tablets and dried out much acrylic paint.

19. Favorite inanimate objects to draw: jewelry

20. Something everyone else finds hard to draw but you enjoy: architecture and interiors in perspective. I don't bother most of the time, but i really enjoy it when i take the time. It's like a puzzle.

21. Art styles nothing like your own, but you like anyways: pixel artists are Next Level Coolness

22. What physical exercises do you do before drawing: i do wrist stretches

23. Do you use different layer modes: yes? Work smart party hard.

24. Do your references include stock images: if i can't draw the thing i google it and upload all the results directly into my brain and then hopefully i can draw it afterwards.

25. Something your art has been compared to that you were NOT inspired by: one time someone saw a picture of Bill and asked why I drew a genderbend of that green haired girl from code geass, which I had never heard of at that point.

26. What's a piece that got a wildly different interpretation from what you intended: have you ever been part of an art pipeline where you hand your drawing off to be digitally inked, and the other artist completely misinterprets the facial expressions you gave the characters, because this has happened on several occasions!

27. Do you warm up (etc): No oh my god.

28. Any art events you have participated in in the past: ive participated in a zine and a few game jams.

29. Media you love but doesn't inspire you artistically: most podcasts. I don't really draw anything for podcasts.

30. What piece of yours do you think is underrated: i once did a big painting of Korra and Raava in a field of stars that i thought was beautiful but nobody else seemed to like it. I want to get it framed someday.

[illfoandillfie]

ok sorry but how many people do yall think rog has ever slept with cos i’m guessing four figures no lie

okay, i don’t normally respond to messages like this because, frankly, i dont really feel like its my place to speculate on roger’s sex life. Theres a difference between writing a fiction story with a character named after and inspired by him and discussing his actual personal life which i have no real knowledge about. What he gets up to in his free time is between him and the women he does it with. but i didn’t really feel able to ignore this one. please don’t take this as me telling you off or shutting you down or anything like that. If you want to speculate about roger’s body count thats up to you, go nuts with it. and i love when you guys message me and I don’t want to discourage you from feeling like you can talk to me or just send me your random thoughts or whatever about any subject. But I feel like I need to address why I disagree with this sentiment. Also so I can ask ya’ll to please stop asking me questions like this. 

So firstly, just to get this out of the way. 1000 is a lot. even 100 is a lot. I think if rog had slept with 1000+ people he’d have a least a few illegitimate kids and probably would have been checked into rehab for sex addiction (not to mention STIs and such because lbr people in the 70s specifically probs werent the most careful especially if drugs were involved). I mean even if we were going to say Rog got lucky with a different woman after every show we wouldn’t reach 1000. According to google, Queen played around 700 shows in their entire career. If we add shows played by The Cross thats only another 67 odd shows (according to wikipedia). 

now, i think there are 3 things that contribute to this idea of roger as especially promiscuous. 1. His attitude/demeanour/general way he sells himself. 2. the generally held conceptions about rock stars and rock star behaviour. and 3. what i’m going to call fandom dumbassery (but i mean that with a lot of love) 

So lets start with the man himself. Roger Taylor is loud and opinionated and not particularly humble. He knows he’s talented and attractive though for at least some time he was a little self-conscious about how feminine he looked. He’s always up for a laugh, likes to party and has admitted to enjoying his drink and his women. He’s had kids with two different women, who’s relationships “overlapped”, and is currently married to a third. At least that’s the perception we can gleam from his interviews, behind the scenes videos, and other public appearances. 

It’s easy to see how that image leads to accusations of being a womaniser and a cheater and basically a bit of a slut lmao. But here’s the thing. I think Roger, in part, markets himself that way. The thing is, if you look at his solo songs and the relationships he currently has with his kids and their mothers, and things other people have said about him/his relationships over the years, I think it’s fair to say he also has a bit of a romantic streak maybe? idk if thats the best way of describing it...he’s self confessed to not being a fan of marriage and the like but he’s not opposed to writing and singing love songs and seems to believe in ~love~ as a concept/power. He certainly cares deeply for those closest to him. Whether or not that translates to an agreement with monogamy I can’t say for certain. It’s hard to draw conclusions here because a lot of what we know of his personal life was fed to us through magazines and news paper gossip column articles and they were never looking for the truth, they were looking for scandal and sensationalism. 

For instance the whole thing with the overlapping relationships. I think most people who have read anything about roger and dom and debbie realise that it’s not as cut and dry as “he was cheating with debbie and left dom for her” even though that was the story being sold by the press at the time. The reality (or at least the version closer to reality since obviously no one outside of them and whoever they were closest with knows all the nitty gritty details) is that rog and dom had already split when they got married. it was a marriage of convenience to make sure her and the kids would be looked after financially etc even after he’d moved out. So while it looked to the public like he married one chick and 30 odd days later was spotted with another, there really wasn’t anything untoward happening.  I’m not saying he never had casual hookups or one night stands and i’m not saying he never cheated, but I do think some of it’s been exaggerated, whether by him to encourage the rock star perception or by newspaper/magazine articles.

Now, obviously, we have stories of rog, particularly in the late 60s and into the 70s, being with multiple women. There’s that bit in the Interview with a Queen “Groupie” (which is a fantastic read and i defs recommend checking it out if you havent already) where she talks about roger being a chick magnet and says that, at the time, it was pretty common to sleep about. But, she also says she didnt notice him doing it more or less than anyone else and seemed to mostly be with Jo (his girlfriend at the time). This is the same Jo that got a mention in the Queen in 3D book (”i think we all had the feeling that these two were together for life, but it was not to be”). Conversely, we have that quote (which i cannot find rn but i’ll link it when i do) about roger sometimes having one girl upstairs while another waited in the garage for them to be finished. I think it was about Rog in the mid-late 60s in Truro but whatever. Obviously he wasn’t anywhere near celibate and it’s likely was sleeping with people outside of his relationship(s). But one has to assume that as he got older those kinds of antics stopped happening, at least as frequently.

There is one potential story that I remember reading somewhere along the way about Roger cheating on Debbie while she was pregnant. But, take that with a grain of salt because I can’t find the article again and also I think it was from like The Sun or something equally as rubbish. The press was notoriously always printing mean shit about the boys and that might have been another thing they published to create scandal. Even so, if we assume it’s legit that is still only 1 story. Not to throw him under the bus but Brian is the one with multiple confirmed affairs, who literally wrote songs about it all. So why is Roger the one with sleazy reputation? 

This is where my second and third points come in. There is a pervasive idea about what it means to be a rock star. The whole trashing hotel rooms, sleeping with groupies, passing out drunk every night thing. And I’m sure that Queen was like that to an extent. I think it’s pretty common knowledge that all of them got up to shit on the road. Between innuendo laden interviews and songs, videos and accounts of their parties, stories CT has put online, and other stories like the one of Roger bringing out lines of coke as dessert when he was having dinner with motley crue. They definitely embraced the rock and roll lifestyle. And I think with Roger’s personality being what it is, it’s easy to link him to those traditional rock star tropes and say it was all true all the time. I also think Roger has done nothing to counter those beliefs. He’s been open about how he wanted to be a rock star since the minute he picked up a guitar, he’s labelled himself as a great lay in magazines, he’s joked about girls pulling their tits out over dinner in interviews (though he said he didnt take her home), he’s written songs like One Night Stand and Dirty Mind and Airheads which explicitly mention his preference for women and alcohol. I think it’s fair to say he’s kind of encouraged that view of himself. Whether it was just a side effect of being part of such a well known band and having such a boisterous demeanour/personality, or whether it was intentional as a version of promotion i don’t know. maybe a mix of them? I mean I’m sure it didn’t hurt sales and stuff. it’s the whole guys want to be him, girls want to be with him thing, right? Maybe that’s just me being cynical though lmao. 

Anyway, the fandom brain has taken all of that and compressed it into memes and jokes about rog being the band slut. Which i’m not complaining about, lord knows i’ve made the same jokes and reblogged the same posts and used those tropes in my fics. They’re funny and lend themselves to interesting fic concepts. Plus, i think roger is the sort of person who would probably laugh about most of it. But it’s an idea that keeps feeding into itself through fandom, perpetuating what is probably a misguided view of his personal life.

Again, I am sure he’s had his fair share of fun and I’m not trying to make out that he was always perfect or whatever, but I don’t think he’s been with as many women as the popular discourse would imply and I certainly don’t think he’s in the 4 digit numbers. 

[ankhisms]

the always wonderful shelley @shanheling tagged me to do this thank u so much!! i think that everyone i wanted to tag has already been tagged to do this but if you feel like doing this feel free to consider urself tagged by me!! im putting this under a readmore bc its long and i ramble a lot

the piece i was tagged to explain my process on is this oc piece! unfortunately i have a habit of deleting my original clip studio file once ive finished my art and saved it as a new png file, so i dont have the file to show the sketch and different stages of this piece. but I still can go through my general process and talk about how i did that piece!

1. planning

honestly i think about the art that i want to do a lot, and in this last year or so ive thought about the art i want to do more than ive been able to actually create and finish that art that i want to do. for my planning i tend to do a lot of different thumbnail sketches for the art im thinking of

these are some examples of thumbnails, a lot of times ill do thumbnails just on pencil and paper and with some of these theyre done quickly with my fingers on my phone note function on a day where i was feeling too bad to get up and draw on paper but still wanted to get the thumbnail ideas down. two of these are for the same songxiao piece that i still havent finished and i have more thumbnails digitally on clip studio for the same piece, i do a lot more thumbnails when a piece isnt working the way i want it to and theres times where ill completely scratch a thumbnail or a sketch and start over in order to do more thumbnails because i dont feel happy with some aspect of it.

two of these are small gouche painting thumbnails for two pieces i did maybe a month or so ago, i did the thumbnails and then tried to expand on them digitally and im wanting to do more thumbnail paintings like this in the future because it was fun

for the piece of my oc trio it was based off a series of ask prompts i got for a few different outfit prompt memes i had reblogged, so i based their outfits on the ones in the meme. when im drawing figures i tend to try and get the movement down in the poses when im sketching, i do several rough sketches of the pose before beginning to start setting down lines (if im doing lineart at all because sometimes i dont like doing lineart and do a more lineless painting kind of style). i really try to get my art to convey some kind of emotion, in the oc piece i wanted it to feel fun and like youre seeing three best friends while theyre out on the town having a fun night

2. creating

this is the only real example i have of a piece in the middle of being filled in and created, this piece is one that im really not very happy with & have had lying around for a while and ill probably scrap it and try to come at it from a different perspective at some point. but anyway it still shows what i do, i lay down a kind of neutral gray color underneath my final sketch/lineart if im doing lineart in that piece and then i start picking out the colors that i want for the piece and kind of setting out a pallette for myself. i dont do this color pallette thing 100% of the time but i do it really often, especially if im working on a commission or a larger piece where i know theres going to be a lot of colors or if its a piece where im not sure exactly what color scheme i want so laying out the colors together helps me kind of decide what kind of scheme i want. i am sooooo picky about my colors in my art i am genuinely obsessed with colors in art and there are times where i really have to stop myself from working on something forever just constantly adding more colors or putting little tiny changes and gradients in the colors.

after ive got the colors i want down i tend to try and block out parts of the piece with the base color for that section, and then i start to paint with the colors that i want to go on top of that base color from there.

once im satisfied with the colors/shading/rendering and everything ill go back and look over things and will fix things that look off or sometimes completely redo segments if they dont look right to me. when i was younger and mainly doing digital art using my phone and my fingers i would use a lot of filters and overlays on top of my art once i was done, and honestly im glad to not be doing that anymore because i dont think it made my art look any better. i do color adjustments and sometimes will put on a color overlay or a layer to emphasize the shadows and the light in the piece, but i try to keep those layers to a minimum and like i said before i have a tendency to obsess over the colors and ill spend a good amount of time in the color adjustment tool of clip studio and then ill just decide "actually it looks fine as it is" so yeah!

3. posting

i feel like i dont have a lot to say here gbfm i mean i honestly have a lot of thoughts about the relationship between artists and social media and how social media changes our views on art including our own art and how we can feel like we constantly need to be posting new art and just become content machines churning out new stuff. but ill save that rant for another time. i used to be really concerned about how many notes my art would get when i was younger, and i dont at all blame anyone who still is very concerned about that bc it sucks when u work hard on something youve created and then you dont get a lot of recognition for it, but honestly within the last two years or so i feel like ive begun to have a lot healthier relationship with posting my art. i really just post my art on my art blog, reblog it to my main blog, and then thats that yknow! i do really appreciate any and all support people give me, it means the world to me, but for me having the mentality where i dont need to post all the art i make and i dont need to be posting every day or every week or every month even has been a lot healthier for me because then im not constantly asking myself why didnt this get notes is my art awful??? and yeah i just kind of post it and my brain goes okay were done with that art we gotta make more

ive honestly been struggling a lot with art thru the pandemic and if youre reading this and have been struggling with creating in any way recently or even before the pandemic, please know theres no shame in having trouble creating and it doesnt make you bad at whatever it is u create!

thank you for reading this, feel free to consider urself tagged by me again if u want to do this!! love u all

[tangerinegod]

Hello! I am sorry to bother you but I am a senior getting ready for college this year. I am in the US and I wanted to major in the same thing you did, do you have any possible tips for me? I still haven't even looked for colleges that would be best for animation majors so I figured if you were up to giving out any tips/saying any basic ideas if you wanted to/if you had the time to then maybe I'll have a better idea! I apologise for if I sound weird! I'm tried to word it correctly but I can't 😿

hi!! i’m totally down to share my experiences! someone else also had some questions so i’m going to put them all together in this post haha, hopefully this helps! it’ll get pretty long so apologies ahead of time but art school is a lot to think about so i wanna be as helpful as i can around it, its a lot of time and money. I’m gonna put it all under a read more cus it is really really long!

i wanna start off with the fact that I had the privilege of attending school in a financially stable environment, my parents were/are really supportive so w merit scholarship i only came out with around 20-30k in debt and i also had housing support my entire time in school. they were ok with me focusing on academics so i didn’t hold a retail job unless i was out of school like summer/winter break. Ofc though i regularly take commissions/do merch/cons to try and pay for all bills that arent rent cus i did want to be financially independent where it was possible. I also did try and work during the semester but everytime i did my body would deff start to breakdown from the fact that i didnt wanna compromise schoolwork with jobs.. so just read ahead know this experience is from a student who was able to attend focusing only on school work for most of the time!

the biggest thing is knowing art school is not required to become a professional in either freelancing or industry! there are a huuuge amount of online tools and classes these days that provide the exact same education and for cheaper too. i think it depends on what experience you prefer/can handle/want but it’s definitely possible to make art/animation art your living without higher education. the thing that college will for sure give you though is the ability to meet deadlines, work even when you dont want to, and connections with peers+teachers. i think the connections part is invaluable because you’re basically coming out with a network of people you already know and who know you! 

also its good to know if you want to attend/can handle art school! it’s a lot of time and energy and students get burned out really fast. the best piece of advice i got before going was ‘if you draw every single day, even if its for only like 5-10 minutes or a doodle for a whole year you should be fine’ consistency is super key because you’re attending school to draw, and you’ll have to create work for stuff you aren’t excited for at some point or another. burnout is extremely real and the only reason i didn’t experience it was probably because i got super into drawing naruto fanart again inbetween sophomore and junior year! it helped give me something to draw seperated from school which is the only thing i was drawing for since i had entered rip. a heads up id also consider myself a workaholic so i fit in ok with the ‘art school’ environment but it is suuper unhealthy. if you are fantastic at managing your schedule then it’s definitely possible to take care of yourself! freshman year i got 8 hours a sleep a night and only pulled all nighters for some second semester finals at the end. sophomore year + up though i ended up prioritizing hw over sleep and like for sure, definitely shortened my life span. there’s another q down below where i’ll go more into detail but ya, be careful w ur work balance!

another tip especially for animation is knowing for a fact what type of animation you’re looking to go into, and what the school is offering. I didn’t think i’d get into art school at the time so i only applied to two places + decided if i didnt get into either id attend community to get credits out of the way while building portfolio. honestly? i did not do a lot of research LOL but like i did end up having the chance to tour and stuff! just know that each school will have a very different curriculum. The main differences are schools that prioritize 3D (cg animation, cg modeling, ect) and 2D/traditional (hand drawn, ‘oldschool’, digital or traditional based) this is a huge difference so make sure you do research for it! in most cases a 2D/traditional program will also offer 3D since it’s at the forefront of the industry animation wise rn. My school taught 2D but like hand drawn on physical paper 2D, frame by frame. while it was a good experience it’s super outdated because digital tools make it way faster + easier! i’d recommend looking for a program that is digital 2D over traditional 2D. 

if after your senior year covid is still affecting campuses in the US to keep them shut down i’d recommend attending a community college to get credits and then transferring into school. one of the negatives is paying money for gened classes when ur not there for them; if you can get them out of the way sooner and cheaper there is absolutely no negative + you could graduate earlier or use the extra time for better work or to work a job! 

these are all the general tips i think i’d give on like a broad basis of attending or not to think about? let me know if u have more q’s! someone asked q’s im answering below that go more into personal experiences + work culture so heres those:

- how many hours a week do u spend studying, in class, otherwise making art? like how much of ur life does it consume?

I was basically working on art.... 24/7! since i wasnt working a job at the same time i crammed as many credits as possible into my schedule so on avg i did 18 credit semesters (around 6 classes) art classes go for 6 hours and non art go for 3, so i’d spent around 30-35 hours in class a week! hw wise it varied on the class but combined it would be around 35-50 hours a week... im guessing? on average studio classes would have 8-10 hours of hw, maybe 5 for a light week, and gened classes 5 hours w them all combined. or this was probably how things were before junior year? junior+senior year i had thesis + everything else ontop.. i’d spend around 30-40 hours on thesis a week with other classes ontop of that bc my film was super long cus im a dummy! 

- is it hard going to art school n realising that altho u were probably quite talented… so is everyone else? Like. all of a sudden. ur not special and everyone seems as good as u, you know? More generally, how do u deal with comparison?

kinda?? i think instead of the idea of like you vs others it feels more of like a competition at first to be the best. this varies hugely on school culture though; my animation year was really friendly with each other and get along extremely well, so my answer to this is v different than some others who attended different schools. i think that the idea of ‘comparison’ only lasts a portion of the first year because at some point you realize that it’s not a who’s better as much as its a ‘these are my coworkers’ type thing? like healthy competition 100% because we’re all working to improve but i think most of us learned pretty early on that viewing each other as peers going into the same workforce helped a lot. also at some point everyone develops their own style/starts to develop their artistic preferences so there isn’t a way to compare whos 'better’ anymore? i dont think there ever is tbh because style is appealing based off of an individuals preferences. If anything realizing everyone else is also amazing makes you wanna work harder ig? or thats how i felt! it’s inspiring to be surrounded by so many people who create such amazing work. 

- is there a lot of workaholic culture? all nighter culture?

100000% there can be a workaholic and all nighter culture. i know people who avoided it and thats honestly fantastic because i fall super easily into that pit. sometimes i’ll pull all nighters on a personal project just because i really want to finish it... i am definitely considered a workaholic all the way through and its not healthy rip... i’d estimate at the worst i was pulling 2-3 all nighters a week and only 4-5 hours of sleep on the nights i didn’t? that was only for one year tho, after that i was like yeah ok this is really bad for my health in the long run LOL so i tried to cut it down to one all nighter a week and around 5-6 hours of sleep the rest of the week! by senior year my decision to cram in full semesters paid off and i was able to consistently get around 7 hours of sleep a night + no all nighters minus finals since my schedule was lighter despite thesis 😭 while there is that culture i don’t think people view it as like a badge of honor or something to be proud of anymore which is good, we mostly view it as a flaw of the art school system and something that needs to be fixed!!

- are you glad u did it? how did u know it was what u wanted?

i am glad i did it! i’m definitely in a limbo right now of if it was worth both my time, money, and my parents money rip but i think with what i got out of it i definitely wouldn’t be as far skill wise or knowledge wise when it comes to the art industry. i would say it was only worth it for be because i had so much support going in though so i was able to focus so much on improving. if i had only been able to put in part of the effort and not make full use of the resources provided i would honestly have a different answer.. 

i knew it was what i wanted when i realized i really couldn’t see myself pursuing a different profession happily! despite all the bumps and stuff im fully in love with drawing still and feel honored that it’s a field that can provide a living. my second profession choice was to go into culinary school? and third option i think going was into music cus i was also a band kid hehe.  

- how do u cope with ur hobby becoming ur job? how do u deal with art going from something u do for fun to something u do on command constantly?

i think seperating work art from personal art is important! in my case im doubling naruto into being personal work so i have something to fall back onto that isn’t work related. its been a hyperfixation for 12+ years? so drawing it at this point is just like personal art imo. some people have hobbies outside of art and only draw for their job! i think after attending classes for so long the idea of hobby turning into job feels extremely natural? also i enjoy doing it so thats a huge plus! 

sorry this is SO long but i hope i answered your guys’ questions! if you have more just lmk!

[crowsent]

👶,⭐,💘, and💻. Love you!!

thank you for ask anon! writer ask game is here if yall wanna send in something. still taking asks for these btw

👶- advice for new writers =

yall this is hella fucking generic but PRACTISE. theres a reason almost literally every writer on tumblr gives the advise of “practise practise practise” and that reason is it works. practise doesnt mean ��oh just write bc youll automatically get better over time’ it means ‘write bc if you dont, you wont figure out what you need to improve.’ did yall know that i literally had no sentence variation in the past? i started every sentence with [character name] or [character pronoun] and i didnt realise until i was 15/16 and i only realised bc i started writing a lot.

i think there’s a fear of failure with new writers. there’s this lingering doubt of  “what if its not good?” and boy howdy i will answer that question right fucking now. it wont be good. when i compare my current work to my earlier work, my earlier work sucked fucking shit. i spelled soldier with a fucking ‘j’ and i had no idea what the hell a point of view was. and thats okay. whoever tells you that youre going to perfect writing is a fucking liar. there is no perfecting writing. 20 years from now, imma look at the writing from today and im gonna think it sucks shit. writing is a process. its a craft. you get better and better over time and the way you get better is by experimenting w different styles, different genres, different ways of writing.

and the only way you can experiment and improve is through practise. in video games, especially rpgs (which are my favourite kind of video games), you struggle in the early game. youre at a low level, you dont have good equipment, you have a hard time moving to the next area. but the only way you progress is by grinding, gaining levels, and getting stronger. same w writing. if youre a level 1 writer, just starting out, no idea what to do, just experiment. fuck around a bit. write crackships, write rarepairs, write niche self-indulgent reader/character fics. at the end of the day, you should write for yourself. its good and cool if other people like your stuff and validate all your hard work, but at the end of the day, the one who should enjoy your writing the most is yourself.

you WILL mess up and you WILL struggle, but thats the only way you can improve. i struggle with pacing the most. still do. but others might have pacing down pat and struggle instead with word choice or pov or something else. cant figure out where you need to improve if you dont write, so just practise and worry about all the fine print later

⭐️- how do you get your inspiration? =

this is definitely not universal, but i just sit on my bed, close my eyes, and meditate. cycle through all my emotions and thoughts and filter them out. then i just toss everything out the damn window. like. id just meditate for a while, focus on breathing, on experiencing the present, picture a field and a tree and myself and breathe. thoughts fly by and i let them happen but dont focus on it.

meditating gives me some semblance of emotional control bc i normally have none, and it gives me kind of this space. this safe space that only exists for me and me alone. so i use that space to let the world drift away. just me and my thoughts and sometimes, those thoughts end up being good writing ideas. but i usually meditate for a set amount of time. like 15 minutes or 30 minutes so i dont write until i finish meditating.

then when i get out of my headspace, i open up my laptop and see what i remember. thinking too hard about something causes it to muddy up. same with art. in digital art, artists flip the canvas to refresh their eyes, see if there’s anything weird or wonky about the illustration that they normally dont see bc theyve gotten used to it. flipping the canvas is like giving our eyes a jumpstart and lets us see what we could do better. in traditional art, its turning the canvas this way and that or repositioning yourself. meditating is like that. a break. a cleanse. a kind of pause where you dont think about anything and just try to process what you already have. you relax and kind of let yourself float down a river of thoughts and sometimes, a fish would jump out of that river and youd go “hey, thats a good idea. i should try that” so when you get out of the river, youre refreshed and ready to go.

same principle with showers. more ideas come to you in the shower when you dont have anything to write with bc youre not thinking about it. youre not focusing on finding inspiration or motivation so ideas naturally flow through you. you know that feeling when you want to do x then someone comes along and says “hey you should do x” and suddenly all motivation to do x leaves? same w your brain. focus too much on “i should be writing” or “i want inspiration” and its never gonna come. just let things happen. at least, thats how i do it. some people might get inspiration by reading or watching tv. everyones different so if thats not what works out for you, dont feel pressured to try my method

💘- what’s your favorite AU? Least favorite? =

magic au. specifically fantasy au set in like a pre-modern era. shows like avatar where theres all this magic and fantastical beasts and so on and so forth. semi-modern like six of crows and nevernight are great too. i want that magic to be woven into people’s lives. harry potter is okay but there’s like this separation between magic and muggle. there’s this feeling of “magic” but like as a tool. like a spoon or a gun or a shovel. i want magic au’s that are INTEGRATED with the world its set in.

like in atla, earth kingdom people have trains they move with bending while fire nation people have machines powered by heat and steam. both correspond to their bending and makes sense for the world they live in. but if your plot is like harry potter and its less worldbuilding and more action, then there’s this book series called seasons rising (read it. so good) where there’s a bunch of spells but the spells have character. the people using the spells GIVE it character and it feels much more intimate. pokemon does the whole fantasy mixed w reality better. give two trainers the exact same pokemon and by the time that pokemon reaches lvl 50, its gonna have a different moveset, different fight style, etc bc it was shaped by the world and people around it. i like harry potter but tbh it could have been so much better

for the least favourite au, it’s A/B/O i dont like the whole “omegas are only good for breeding hurr durr” and “alphas are violent and aggressive and cant control themselves around omegas” thing and it squicks me out. major squick. i read the original harry potter squick (THAT one. yeah. you know the one) and i still hate a/b/o more. i get why people like it, and there are one or two fics set in a/b/o au that i enjoy reading, but as a whole, i severely dislike a/b/o fics.

the themes are squick, the character dynamics get so messed up, and shipping dynamics (bc a/b/o fics usually have shipping) just get so blown out of proportion. there are so many a/b/o fics that turn ooc or the character interpretations radically change or something else. no hate against a/b/o fans bc yall are amazing for writing/drawing yalls au. there are things that you can only do in this setting and exploring those things can be incredibly fun for people, but for me personally, its not an au i like to visit.

💻- three works of yours that are must reads =

i. dont know what fandom youre in anon or your genre preferences. so ill just rec you one fic for a different fandom each with kind of different genres. ts masterlist is on my side @hufflepuff-deceit and regular fanfic masterlist is on my writing blog @crownonymous 

(BNHA) Viper. its my first serious attempt at fanfic in YEARS and its my baby. currently has 7 chapters, i havent updated it in a while bc im hyperfocused on ts rn, but i love it to bits. its just all of my fav bnha fics crammed into one fic. quirkless kind of villain izuku with stain as a mentor as they work together to bring light to the injustices of hero society and where bakugos bullying has visible and long-lasting repercussions? sign me the fuck up. you can read it on ao3 HERE bc its not on tumblr. kind of fast-paced, has a lot more action scenes than anything else ive written. heavy plot-wise but has a lot of humour and comedy to break things up

(Kimetsu no Yaiba) I Pray To God He Hears You. not related to my other kny fic oleander which is a multichap retelling au. iptghhy is a standalone one-shot and kind of a character study on one giyuu tomioka. i love him so much. giyuu is my baby and i adore him. so of course i wrote a sad fic focusing on him. well technically, the fic focuses on giyuu AND his relationships.  SPOILERS for chapters 130 and 131 of the manga. focuses mostly on giyuu and sabito, but there’s a fair bit of giyuu and tanjiro and urokodaki.  you can read it HERE bc this is also not on tumblr. also deals with heavy things but more emotion-wise since it doesnt have that much of a plot. loss. grief. moving on. survivors guilt. that kind of stuff.  very sad. hurt but with comfort, especially at the end.

(Sanders Sides) Logan’s Birthday Fic: Logicality. just what the title says. i wrote 5 different fics and published them all on logans bday but the logicality one received the most feedback and honestly? the cutest of the bunch. its gonna be crossposted onto ao3 but for now, you can read it HERE on my ts sideblog. theres no plot since its literally just domestic and relationship fluff. and puns. patton is in the fic, theres gonna be puns. nothing but good things and warm feelings bc logan deserves it.

-

thank you so much for such interesting asks anon! i enjoyed answering these. have a lovely day!

[irishagganixd]

My Three Ideas

Idea One:

Dog Friendly App

My first idea is a 'dog friendly' app. This app would consist of lots of information on areas which are dog friendly in Belfast/Northern Ireland. Belfast specifically, is continuously becoming more dog friendly - therefore I believe people need a more easily accessable way to find out all of the pooch-friendly places.

Pros:

A huge pro is that I am part of the target audience! I have two dogs of my own, and I am always looking for dog friendly things to do. I have joined Facebook groups, and researched deep into the internet to find fun things to do with my pups. Therefore I not only understand how much of an unnecessary hassle this can be, but I also am widely knowledged in this area!

This is something that has little to no competition as it has not been done before within Northern Ireland. The information is online, however this means people have to go out of their way to find it, and it is very difficult to find specifics such as whether they want to find a dog friendly hotel, or a dog friendlt cafe etc. I would include a filtering option on the app, so that users can filter by area, type of venue or activity.

Cons:

I would use Adobe XD for the design creation of this app - which I am completely new to. I would need to do vast research on how to use the programme efficiently - which is fine because I have a huge interest in learning XD anyway, this just gives me a push!

This will be my first time creating an app, so I will need to research further into User Experience, and how to make the user journey as easy and as fun as possible! I will also need to consider accessability issues, so that the app is free to be used by all!

Target Audience

This app would be specifically for dog owners/lovers in Northern Ireland; however, I do believe most users will come from Belfast as that is the more popular area for dog friendly activities at the current time.

What's the business model?

If I created this app, I would like it to be free. This is because the information is already out there, I would just be making it more user friendly. Making it free could also then boost the amount of users, therefore helping me gain exposure! I could attempt to get featured in articles, since this is new and specific for the local area, news companies may be interested in featuring this new and exciting application.

As the app grew, I could start to earn money through some dog friendly advertising. Such as dog day cares, dog bakeries, and even the dog friendly companies who maybe have events going on.

Idea Two

Paw Prints

The idea of this product is dog themed printables. This will include digital drawings of multiple different dog breeds with dog related quotes, dog memorials and maybe even birthday cards!

Pros:

Being a dog lover, I have looked a lot into this type of product myself. Being the target audience for your own product will definitely aid the creation process, as I will be making things that I would want to buy.

I already know typography basics, which will benefit me for any text focused posters. I am also reatively experienced in Illustrator and InDesign - therefore, I will not need to learn any new programmes.

I worked with Belfast Met for 7 months on full time placement, creating posters and other things for print. Therefore I generally know the rules for print, like what resolution is required and how to stay within the bleed etc.

One of the designers I keep up to date with, Alice Thorpe, just opened her own printables site on Shopify, I have kept up to date with her journey and I have been very inspired! I could base my knowledge of watching her journey, to help with my own!

Cons:

I have not made anything like this before, therefore I know I am going to struggle with with a few things. Being a perfectionist doesn't help either, and I know I am going to spend a while trying to perfect this new 'skill' of making printables.

Even though I am relatively good at using Illustrator, that does not mean that I am any good at drawing. Therefore, this will be something that will be very challenging. The drawings may be downgraded to silhouettes rather than detailed drawings. However, I am willing to challenge myself as this may be a project that could pay off if the additional hard work is put in!

There would be a lot of world-wide competition, especially if selling on Etsy. I would try to stand out with my different aesthetics, and also my contribution to animal charities could aid my ability to stand out.

I would also need to use my own money to do multiple test prints

How will it be built?

As I mentioned before, I will be using Adobe Illustrator and (maybe) InDesign. Illustrator will be used for the custom text and drawings, then InDesign can be used for positioning of everything and making sure the documents are print ready.

I also mentioned that I have been following a girl called Alice Thorpe, who released a similar product on Shopify, therefore I know that this is an option. However, I think it would be easier and more efficient to open a shop on a site like Etsy, and let people download the PDF printables to print at home, rather than to have it printed and sent out to them? Maybe there could be an option for them to download them on the promotional website as well?

Target Audience:

This product is definitely not for everyone, however it is widely targeted to dog lovers. Dog lovers are not age specific, however I'd say between 18 to 40 would be the main target audience of the type of products I would product. This may also only be targeting to an audience who own the breed specific products I design, therefore I am aware to make some more neutral dog themed products in order to widen the number of people who may be interested. The audience would be world-wide, since the product is just a PDF.

What's the business model?

Since I am only interested in making PDF printables, I believe the price should be very low. I considered free but then I had an idea to give a percentage of the profit to an Animal Rescue Centre? Not only is this something that I would love to do, but it is also something that could get the product more exposure! Being a dog lover myself, I know of some of the best Animal Rescue Centres in Belfast, and they have some impressive audiences themselves. If every print goes for £2, then the Rescue Centre could get £1? I could also work on a specific print where 100% of the profit goes to the chosen centre, maybe with "adopt dont shop" quote etc.

If I make rescue specific prints, I could print a few myself and give them to a few centres, for them to sell to new rescue dog owners. They would keep this money, but I could attach my business card and a web address to where they can buy similar prints. Therefore I am loosing money, but potentially gaining more exposure.

I could have an email list set up on the promotional website, and anyone who pre orders one print, gets it for 50% off, or something similar in order to try and boost the initial sales.

Idea Three

Quirky Quards

This product would be cards for all kinds of events. I have always been fussy when buying people cards, I prefer the simplistic and funny cards to the over crowded tacky cards. I therefore would create cards similar to those that I would love to buy people myself. These cards would be fun and creative, I would include lots of different options for different audiences. Cards for dog walkers, people with foster parents, congratulation cards for transgenders and much more!

Pros:

I would once again be the target audience and therefore all I need to do is make things that I would like to buy! Cards like these are relatively hard to find, or when you do find them theyre usually about ��4/5 for a basic simplistic card. I would like to try and do the same style of card, for a much cheaper price.

"The average person recieves 20 cards a year". Cards are always being purchased, and different types of cards are always required!

I already know the software in order to create the design of the card.

Cons:

Learning to draw, and learning how to print these cards in the most cost effective way.

There is also a good bit of competition when it comes to making cards. Although I will be trying to stand out with the ability to create unusual cards and keeping them affordable.

How will it be built?

I would use illustrator for the creation of the illustrations and typography of the card. I would consider printing these myself, however I know it would be an investment. If this was not possible, then using websites like Shopify and Printify to print on demand might be an option.

Target Audience:

People like me who have a certain aesthetic when it comes to cards, I always shop at Urban Outfitters and Paperchase for cards, this is where they are usually priced at around £4/5 for a basic small square card. I would use these shops as inspiration, and target the same audience. This audience would definitely be mostly teenagers, probably 16 to 23. As I said previously, I would also be targeting these cards to minority groups who do not usually have many card options, although this is not the specific audience.

What's the business model?

As I mentioned before, these would need to be sold somehow. As it is going to cost money one way or another to create.

I could also promote the cards by making them out of recyled paper and envelopes, not only is this a great thing to do for the environment, but it will gain interest of those who wish to help the environment also!

If this idea does not go to planned, I could always create the graphics and come up with a new technology focused way of sending cards! Rather than E-Cards, I could create the graphics so people could share the card over messenger and text etc. I could maybe even create some sort of Instagram story template for peoples friends to post and tag them on their birthday - many people wish their friends and family a happy birthday over social media now, so this could be a more fun way of doing it!

[tumblunni]

Okay I know that kingdom hearts has a bad reputation for sticking crucial plot information on obscure spinoff games but HOLY SHIT I just finally watched a lets play of the fuckin digimon tcg game and found out it ACTUALLY HAS A GODDAMN CONCLUSION TO ANALOGMAN FROM DIGIMON WORLD 1

like 90% of the damn game has no plot whatsoever let alone indicating its a digimon world sequel! and then suddenly in the last battle without being foreshadowed whatsoever analogman returns and gets possibly the best boss battle ever IN A GODDAMN TCG GAME

holy shit his whole fight is framed as ‘this is literally the same guy from digimon world 1, hacking another game’, the interface wigs out and a bunch of fake command windows pop up with rapidly scrolling code of the game supposedly falling apart. And then his boss battle flips the entire gameplay system on its head by giving him fourth wall breaking special moves that pull overpowered effects by “hacking the engine”, with cool animations to fit. Fuckin badasssss!!

and it also fuckin FINALLY EXPLAINS THE DAMN PLOT LIKE GEEZ

digimon world’s conclusion was so rushed, you never even meet the villain until the final battle and it ends all weird with just “something” going wrong that causes him to get sucked into a portal or something while screaming dramatically in weirdly high resolution terror faces??? the tcg game confirms that this was him attempting to flee back to the human world after you defeated him, but one of the stray attacks from the battle damaged his machine and it caused him to essentially commit accidental suicide when he turned it on.

and HOLY SHIT MY FUCKIN OBSCURE HEADCANON IS TRUE????

the game had some sequel bait hints that maybe analogman is somehow still around and that the portal explosion just turned him into “corrupted data” so he can never return to the human world. and i always thought it would be super ironic if he actually got turned into a digimon aka the thing he hates more than anything

WELL OKAY I GUESS CRITICAL LORE IN A TCG GAME IS OKAY WHEN ITS A BIG YES BUNNI U THEORY BE CORRECT

he appears in this game as a malomyotismon who does a damn good vexen face during the fight, lol. And he’s all “gahh that stupid kid ruined my plans but this accursed body at least improved my hacking abilities!” Tho its implied that his corrupted state is more like a bodyless cloud of data that can possess/copy different digimon, which would be REALLY FUCKIN CRITICAL to explaining the goddamn plot of Digimon World Next Order!

Seriously wtf is up with this series? Digimon World 2 is not the sequel to Digimon World 1, all the numbered games are entirely separate individual stories with wildly different genres from pet sim to roguelike strategy. The real sequel is fucking DIGIMON THE CARD GAME THE GAME and then Digimon World Next Order a bazillion years later for the ps4. In which i am STILL REALLY SALTY that they have a FUCKIN RAD remix of analogman’s boss theme yet he doesn’t appear in the game. The added context of this damn tcg game confirms once and for all that the Ambiguous As Fuck Ending actually WAS him appearing in the game, this unexplained “oh wait the villain was good all along and he was just possessed by an evil virus” was supposed to be corrupted-digi-analogman and seriously WHY DONT THEY JUST FUCKIN EXPLAIN IT!!! this tcg game wasnt even released in europe!! and even american fans probably had no clue it was linked to this entirely separate subseries! You have to friggin piece it together with context clues like the battle music and the fact analogman’s signature mon was machinedramon. I mean vjesus christ Next Order is a litera; sequel with the grown up version of Digimon World’s protagonist as a badass home ec teacher who still defends the digital world in his free time yet you couldnt spare ONE LINE OF DIALOGUE mentioning the name of the villain?? and summarizing the fuckin tcg game everyone missed??? AND CONFIRMING THAT THE VILLAIN IS INDEED MAKING A REAPPEARANCE POSSESSING THIS GUY??? oh god everything makes SENSE, thank you terrible card game adaptation. ehh but i do still love Next Order for making Hiro/Mameo’s canon partner Mamemon, he’s even more badass as this big tough bishie version of himself with a tiny adorable pal that can shoot rocket fists through space and time. (its funny tho cos the DW1 intro movie showed metalmamemon and metalgreymon and the american boxart flipped a coin and decided metalgreymon must have been the one the protagonist was using in that scene. Whoops!)

anyway even with the added context that IT WAS INDEED GODDAMN ANALOGMAN, the final boss fight in Next Order was as terrible as the rest of the plot. So I’m glad trash gramps got a suitably badass boss fight after all, even if it was a CARD GAME VERSION! lets all celebrate the awesomeness of this obscure fuckin spinoff game’s obscure fuckin intercontinuity cameo with the boss fight music that other game wasted

seriously fuckin hell the biggest challenge in that final boss was that i was so distracted by SHEER OFFENDEDNESS at the cool music not matching it that it was hard to keep focused

its not just a great boss theme for a terrible boss, its a really fuckin EMOTIONAL song for anyone whose childhood was fuckin defined by the first game!!!

and look you had a PERFECT FUCKIN EXCUSE for a REALLY GOOD boss battle against MY MAN GRUMPY GRANDPA OF THE COOL DAMN NAME. Seriously guys analogman was THE FIRST digimon villain! digimon world came out before the anime, digimon world was the BETA FOR THE ANIME! this was the first place they had the ideas for file island, so much of the areas in the game are awkwardly mistranslated versions of stuff that would later appear in the anime in a different form. before this digimon had never been anything more than a fuckin 2-bit graphics tamagotchi and this was (after the manga) only the second goddamn time these monsters had an actual full colour character design! all of those charmingly janky 90s gross out show styled tcg illustrations? that was concept art that this game was working from! fuckin hell this game thought up the idea for metalgreymon’s changed design that ended up becoming the iconic partner of tai in the anime. (you can also see beta tai in the manga with a beta veemon as a partner instead! o_O)

SO LIKE...

JUST....

I HAVE FEELINGS ABOUT ANALOGMAN OKAY!!! he’s a badly written guy with only like five sentences across all the videogames but fuckin hell he was such an Iconique part of the development of this series that they named him fucking ANALOGMAN

like dude you could have SO EASILY made me scream at my tv in a more positive way by bringing him out as the surprise villain and showing us wtf his deisgn is even supposed to look like cos god all we have is a blurry faceless early ps1 model buried under the glow filters of Mt Infinity’s funky background effects.

AND FUCKING

IF IT IS CANON

THAT MY FUCKIN

STUPID THEORY

IS CANON

slap a fuckin O on this man and LITERALLY LET ME BEAT HIM UP

like dont even give him a team or anything, just let me fight THE MAN HIMSELF

you canonically fuckin said he’s a digital ghost now and basically the same as a digimon

let me beat the shit out of a regular businessman in a suit and tie while he pulls his badass ‘i’m hacking the game i’m in’ bullshit from the GODDAMN TCG GAME THAT WAS MORE CLIMACTIC THAN YOUR SHITTY CASH GRAB FAKE SEQUEL

man god i didnt expect a fuckin TCG GAME to revive my righteous fury from back when i first played that piece of shit. i hate it cos Next order is so pretty and its gameplay is so good and i really loved my twin digis but there were SO MANY bugs and cut corners and missing content and really bad writing and GOD it made me so sad that the dub team really really tried, they tried so hard that they got fuckin renamon’s original voice actress back even though the renamon in this game has nothing to do with the anime one. THE DUB WAS REALLY GOOD BUT IT COULDNT SALVAGE THAT SCRIPT!! THE MUSIC WAS REALLY GOOD AND THE ART WAS REALLY GOOD AND THE DIGIMON THEMSELVES WERE MY BEST DAMN FRIENDS FOR THAT MONTH OF MY LIFE BUT THE GODDAMN FUCKIN SCRIPT!!! the postgame was MORE FUN because FINALLY everything opened up like the sandbox of the first game and you could just fuckin hug u digis without being distracted by constant cutscenes butchering your childhood nostalgia

man i wanted to write a fic/draw a comic about my headcanons on how to fix it but i never managed to do it cos holy shit it was basically “throw everything out and make a different game geez” I COULD RAMBLE FOR HOURS ABOUT THE ENTIRELY DIFFERENT SEQUEL THIS SHOULD HAVE BEEN!! and a fuckin!! tcg game!! was closer to that sequel!!!

and fuckin MY THEORY WAS RIGHT AND MY BETTER GAME IDEA ACTUALLY WOULD WORK IN CANON

fuck it im gonna do draw myself decking business gramps in the face

oh! and the female protagonist design! thats another rare good part of that thing! i loved the pixellization effect on her ponytal, way better than the male equivelant having a very ordinary costume design just with a pixel corner taken out of his jacket. also why did the plot never actually make a thing out of that? like you’d think that ‘unlike every other digimon tamer i’ve got this scar of my digitization’ would be a plot point. like they didnt give everyone else a cool pixel squares mark! they could have at least used it as an excuse why the protagonist is the Only Chosen One who can do all this plot shit. or if it was me i would have made it early foreshadowing for the Return Of Business Gramps, like you were partially infected by the Oooo Mysterious Unexplained Digi Virus (seriously why did they not just have ONE SENTENCE explaining its the fuckin original villain returning????) during the prologue and i dunno somehow that gives you powers to break analogman’s control on the digimon he possesses. or maybe the pixel thing is like a tracking device he put on you? or just give that cool design trait to the protagonist of digimon cyber sleuth instead, whose entire plot is that theyre a digimon human hybrid with literaly the power to pixellize themself into computers.

ALSO!!! actually do something!!! with mameo!!!

they really fuckin hyped up in all the prelease materials that the digimon world 1 protagonist was gonna be in this game and he’s all grown up now. and then he does NOTHING in the plot except babble exposition and stand around your home base. and has one line about how he’s a badass teacher now and his partner is mamemon but hey we made a bullshit excuse for why his digimon is sealed away and he never gets to fight :<

give me an actual cool teamup of new protag girl and her cool teacher dude beating the shit out of business trash with their bare fists and also their digimon’s bare fists while THE BEST DAMN MUSIC GOES UNWASTED

...fuck i sure do Feel Intensely about nostalgic games lol. i wonder if i’ll be so rambley when i play kh3? maybe itd be a really shitty lp, aaagh...

[domesticangel]

here’s a big ol dump of art thats been sitting in my folders for anywhere between 1-3 years that at this point ill probably never finish to accompany some Really Long rambling under the cut

im a junior in college now (””should be”” a senior/whatever that means/since i took a gap year but) but when i was in my like....sophomore-senior years of high school i drew like.....every. freaking. day. like literally i feel like i would draw like, 1 or 2 fully fleshed out, give-all-my-attention to type drawings every single day of my life, and i always had so much fun doing it.

after having a while to self-reflect though ive concluded theres kind of some layers to this. because i figure theres at least a little romanticization of the past going on, because i KNOW i wasn't a very happy person in high school; in fact, mental health wise, late high school into my freshman year of college was probably my very lowest point. i did lack motivation at these points, but not for drawing; i kind of put off school work and college prep, which wasn't good, but drew like HELL every single day, and pretty much all of it was fan art. thats one of the main differences between me then and me now; i used to dedicate so much of my time and energy to “fandom” and the media i was into, and it totally fueled my desire to draw, whereas now, i obviously still enjoy different series, but... my life doesn't really revolve around them like it used to.

the way i see it, i think i definitely used to use media and fandom participation as a form of escapism, but not really the good kind... i think it was more of a maladaptive obsession i failed to keep in check that i know for a fact really got in the way of my schoolwork, and i only doubled down when it came time to apply to colleges, because of course that stressed me out and scared me; during times like that, which was almost always due to my mental health issues at the time, i clung to fandom because its what brought me comfort and kind of shielded me from my responsibilities.

either way, that obsession with whatever media i was into at any given time is also what i think gave me that desire to draw all the time that i miss so much. i think being THAT invested in something is what actually gave me the constant desire to create, and being able to create something and feel accomplished in something without having to face anything uncertain or scary kept me totally hooked. so its weird trying to parse how i feel about that time period in my life.

on one hand, my mental health has gotten SO much better. obviously ive matured a lot since high school, so over time ive learned about much better coping mechanisms and ideas about mental health, ive gotten on a medication that works for me, and ive really gotten into my major so I'm really enjoying school as well. and obviously this is progress that i would never, ever, just want to give up or throw away. however, its also this progress that seems to have inadvertently influenced how often i draw, because I'm no longer fully diving into media/fandom because i dont need that escapism anymore, and therefore i don't have this like, feverish, obsession-fueled desire to draw like i used to. its kind of a double edged sword i guess and something i don't have a clear answer to.

i also think another factor i can't ignore is that i used to have a very large following in a lot of fandoms on tumblr, and if i remember correctly before i deleted my old tumblr i had around 12,000 followers that i had accumulated over probably the course of about 5 years. so that meant that my fan art got a LOT of attention. not to sound like hur-de-blur-social-media-is-evil but like at least in my personal experience, i kind of taught myself to think, “your art is only worth something if it gains a huge, instantaneous reaction, and peoples’ reaction to your art is the ONLY thing that decides its value.” and thinking like that really has hurt how i feel about my art over time! often times, after deleting my tumblr, i would find myself thinking, “well whats the point in doing any art, because nobodys going to see it anyway” so i honestly didn't draw or feel anything for art for a long, long time. in that time i channeled my feelings and energy into much more harmful activities, and i really could've used art at the time, but it had become such a worthless concept in my head since i could no longer associate it with immediate praise and attention.

i forgot a lot of important things about art, most importantly, how it could be fulfilling to just ME and that that was ok. i forgot that drawing regularly would help me improve, or give me something to focus on when i felt down, or give me the power to create something when i felt like i messed up everything else around me, or just make me happy because i thought of something i wanted to put on paper and then just put it on paper. and thats one of the main reasons i created this tumblr; i want to kind of rekindle that passion i had for art, but this time, without the maladaptive obsessions and without the need for approval from everyone around me. and i know this isn't a unique struggle; i know lots of artists who share their work online get discouraged by how little attention their work gets after they put so much time and effort into it, and like them, i don't have an answer as to how to “fix” this feeling either. but i can at least try. i want to prove to myself that the time i spent feeling hopeful and happy about something i created justifies its entire existence regardless of now many notes it gets, whether its OCs, fan art, digital, traditional, whatever. i just want to learn how to draw because it makes me happy.

that said, finding the motivation can be hard. however, i think I'm sometimes a little too hard on myself. I'm on winter break right now, and ive kind of defaulted to thinking “you haven't drawn enough, you've wasted so much time wishing the motivation fairy would visit you and make you draw that you haven't put in the time and effort needed to make yourself do it, youre pissing away every chance you have.” but when i think about it, i don't think thats true.

ive spent a lot of time thinking about OCs recently, which is kind of wild, because i haven't had the desire to make OCs in probably literally ten freakin years, so thats honestly huge for me--i actually really WANT to make original content despite the fact that i know it won't get as much attention as fan art, and i want to just do it for me, because i want to get it out. ive done a whole character sheet and I'm working on another! and sure, it didn't take me half a day like it maybe used to would've, but what does that matter? i thought, hey, i wanna get this out, and i got it out, and thats good enough for me. ive even written up storyboards in case i wanna ever make some small comics about my OCs just for fun, which is exciting cause ive never done it before. ive also been working on a commission for a close friend who wanted me to design her a fursona, and not only has it been a really fun process, but its the first commission ive done in a really, really long time, and it feels really rewarding. on top of that, I'm working on a painting for my dad as a late christmas present, and its my first really ambitious traditional piece in a while, so thats been pretty exciting too. and sure, ive done some fan art, but it feels like its coming from a better place; its less “please assign me value” and more just, really feeling something for the characters and wanting to try to connect with other people who feel something for those characters as well.

so, while it seems challenging, i also need to remind myself not to be blind to my own progress. i think i am doing better, and feeling better about art even if sometimes it feels like i spend way more time thinking about doing art instead of actually doing it. i think thats probably normal, and i think i can keep heading in the right direction.

ANYWAY this got really long but sometimes typing out how i feel about something and then reading it back helps me understand my own head a little better, so thats ok

[thelifetimechannel]

ROXY: so ur the 1 w/ all the answers ARADIA: is there something youd like to know? ROXY: well apparently uve got cosmic info + hells of motivational one liners so can u tell y it has 2 be this way ROXY: why this game gotta suck so hard ARADIA: can i let you in on a secret ROXY: im not so gr8 w/ those ROXY: spill stuff when i shouldnt or sit on stuff i should spill ARADIA: ill have to trust you anyway ARADIA: i dont have all the answers ARADIA: just what ive learned from talking to people or trying things out and making mistakes ARADIA: trial and error thats how a lot of things work ARADIA: thats what got us here ROXY: and wut left all those ghosts out there ARADIA: yes ROXY: which brings me back 2 my question ROXY: why does this game suck ARADIA: some things just do ARADIA: but i am inclined this time to say because it was made this way ROXY: by callie ROXY: the other 1 ROXY: thats what i heard ARADIA: see you have more information than me in that respect! ARADIA: the waking world is not my area of expertise ARADIA: out in the bubbles i knew what to expect ARADIA: this is new and harder to navigate ROXY: were all in the dark rn ROXY: but thats my place ARADIA: ive been a maid for a long time ARADIA: cleaning up what i could and making the way easier ARADIA: maybe a rogue from outside the system has a different perspective ROXY: i bet other ppl have more ideas n schemes but if ur lookin 4 the roguish attitude uve come 2 the rite place ROXY: i can give u lessons on being feisty + a rule breaker + lookin damn good while ur at it ROXY: did u ever encounter my brand before out there ARADIA: nope! ARADIA: there arent many humans out there ARADIA: youre new territory for me ROXY: oh ROXY: guess there was only the 1 ROXY: it wouldve been nice for her have some1 there ROXY: id want that if i was dying and alone ROXY: but enough of the heavy shit ROXY: we just met and im already being a PARTY POOPER ROXY: u said u were a maid ROXY: guess thats obvs bc uve got the same kinda outfit as jane ROXY: does that mean ur also nice n cute but morph into a terrifying badass when necessary ARADIA: it has been known to happen ROXY: honestly i havent met a troll girl who wasnt a terrifying badass ROXY: we ladies r def carrying this adventure ARADIA: flarp is called a game for girls for a reason ROXY: flarp? ARADIA: a live action roleplaying game four of us used to play ROXY: that sounds wicked awesome ROXY: i always wanted 2 do something like that but my friends were all long distance and sburb ended up being a little TOO immersive ARADIA: we had a lot of fun playing together ARADIA: unfortunately it led to some... accidents ROXY: maybe we should all try playing sometime ROXY: w/ our powers it could be rly cool ROXY: even snowball fights are gonna have the intensity and firepower of a world war ARADIA: i can ask terezi if she has any copies of the rulebook that arent defaced ARADIA: or we could write our own rulebook! ARADIA: that might be fun, and we could make it safer for the players ROXY: what happened 2 u guys anyway ARADIA: tavros broke his torso column ARADIA: terezi went blind ARADIA: vriska lost a few body parts she could live without ARADIA: i died ROXY: k thats more than i was thinking when you said accidents ROXY: usually its more like some1 got hit w/ 3 draw 4s in a row and rage quit or u slipped on some dice and fell on ur ass ARADIA: none of that was the fault of the game though ARADIA: vriska did most of it, egged on by an otherworldly meddler with objectives of his own ARADIA: working in a few tweaks theres no reason it should result in so much carnage ROXY: if u say so ROXY: ive had my fill of killer games ROXY: u couldnt pay me 2 go a round of jumanji ROXY: maybe ill stick to my retro computer games where i can only die digitally ARADIA: oh, those are fun too! ARADIA: you have to find entertaining things to do indoors when its not safe to go exploring outside ROXY: trust me im an expert at whiling away cabin fever ROXY: but i dont think weve got any danger of that now ROXY: there r gonna be so many wacky shenanigans w/ all of us hanging out together i can already visualize it ROXY: sweet sweet shenanigans ROXY: every moment worth snapshotting and putting in a picture album to preserve it 4ever ROXY: hopefully none of these shenanigans will end up w/ ppl getting broken tho that doesnt sound like good times for all ARADIA: we will have to avert any incoming disasters ARADIA: whether they arise from injudicious game selections or otherwise ROXY: a bunch of badasses like us shouldnt have any problem ROXY: well make games safe and fair ROXY: and well figure out how 2 take on this world on xpert mode ARADIA: sounds like a plan

[kenmagoesblep]

tagged by @cubistemoji!! 

1) How many works in progress to do you currently have in progress?

I currently have like,,,,, 4 works in progress that i’m willing to continue, that are 3 oneshots (2 bnha and 1 haikyuu) and 1 multichaptered bokuaka fic that is posted right here. theres also 3 fics i completely gave up on, and at least 1 more fic i already have outlined but didnt begin lmao

2) Do you/would you write fan fiction?

i do!!! i really love fanfiction, and i even did a presentation about fanfiction for a class once. the teacher was very impressed klgsdhgldskg he knew nothing abt it

3) Do you prefer paper books or ebooks?

if i can choose, i’ll always try to go for paper books, bc i just really like the sensation of the paper in my hands and the smell of new, untouched books, as much as i like the characteristic old book smell. but if i really wanna read it and i cant get a physical copy, i wont hesitate to get a digital one, even tho i get really distracted in contact w tecnology

4) When did you start writing?

honestly? i dont really remember why i started writing in general. i remember writing original stories since age 8, because i was a very lonely child and spend a lot of my time alone, playing games on our old computer. i wanted to be a comic artist one day and i drew a lot of comics, but at some point i decided to start writing them down bc i’d forget them before getting the oportunity to draw them.

i started really writing fanfiction when i was 12 to 13 years old and i got really into anime to cope with my crippling anxiety and depression. anime gave me life, and i had already came across the concept of fanfiction before that, but never really got interested in reading or searching for it. i knew it existed, but wasnt particularly interested, until i was getting into soul eater and i came across a fic on google. clicked it, read it and i was like “WOW.... PEOPLE CAN GIVE COMPLETE DIFFERENT DESTINIES TO CHARACTERS.... I CAN DO THAT, TOO” 

it also gave me the oportunity to pretend to interact with those characters that i considered my friends, since i had no one irl. so i started writing slice of life, comedy fics with self-insert OC’s. 

5) Do you have someone you trust that you share your work with?

my closest friends, especially @todoyamas, @jangbaekgi, @KwonSheri and @tinycute_turtle (all three from twitter), are usually the ones i ask for help the most, and the ones i trust the most. theyre almost always up to help me and theyve been supporting me almost since the beginning of time. sometimes i wonder how they never got tired of me. @shouyoto and a lot of other good people from our haikyuu!! server help me a lot, as well. 

6) Where is your favourite place to write?

on my computer, at home. cand and will write anywhere else if i’m either very inspired or bored. 

7) Favourite childhood book?

i dont remember most of their names since my actual favorite books were from my school’s library lhlkghsdglks but i remember all the clarice bean books as if they were written by me

8) Writing for fun or writing for publication?

mostly for fun and validation. writing is pretty much the only thing i feel like i’m any good at and the only thing i ever got validated for doing, so.... yes i like validation. and i also like making others happy. but its also because my ideas will haunt me like ghosts until i write them down, so i dont have much of a choice gklsdhgsdlk 

9) Pen and paper or computer?

nowadays i’d rather write on my computer, but when i was younger, i used to write on paper a lot, mostly because i’d get frequently grounded for things i didnt even do and had to entertain myself in some way. will still use pen and paper if, again, i’m feeling inspired or bored enough when im not home. 

10) Have you ever taken any writing classes?

i mean,,,,,,,,,,, not exactly,,,,,,,,,,,,,,, but i am a literature major mostly because i wanted to study literature and write better. so, in my head, my major is a fic major. i use all my literary knowledge in fanfiction lkgsdhglsdkgdsl dont tell my teachers shhhhhhh

11) What inspires you to write?

honestly, nowadays what keeps me going, what keeps me writing, is the love and support of my friends and my desire to make them happy. i thrive on people’s reaction, i live to make others happy. i’d probably wouldnt feel all that motivated to write if it was only for myself. i want to cause people emotional reactions, i want them to feel what i’m writing about, like i feel when i read great fics around ao3. knowing something i worked so hard on made someone’s day make my day.

but, in case this isnt what youre asking me, i guess a lot of little things inspire me??? the stories my literature teachers tell us in class, new songs i find around, good fanfiction, good games, ghibli movies, disney movies. and also sushi. sushi fuels my creativity gklshdglkds 

Thanks for tagging me!!! this was fun, and also very,,,, enlightening. i’m tagging @larytello , @smoke-and-bone-bender, @tenyalite, @tenseii and @shouyoto to do this game!!! ilu

[misterbitches]

i try not to be too personal-personal here cos tumblr is this thing that is the most chill for me. twitter is so hard. also tehre’s this whole fucked up panoramic thing. 

but

1. i have a now defunct blog about black filmmaking. or not defunct just. unused

2. i am a filmmaker and artist; writer-director and editor specifically. do digital drawing

3. i love art. and i was a big fashion fan. that has influenced my life HEAVILY and continues to do so. it is never apolitical and is a hotbed of thought. i also love music but i dont want to do it cos i wouldnt be good and also i dont want to hate music. 

3.5 i am a bigger fan of films than tv. i love film and art like i said but my rship to visual mediums has changed drastically since i decided to pursue it. because of that you will find my intense analyzation too. it becomes more abaout output and less about enjoyment because it means SO FUCKING MUCH. so when i get to observe wha ti cant do or havent created it’s a reprieve. for music i know so much less aobut it than the rest that i just stay consistently in awe

3.75 im still in awe at those better than me. but we compare ourselves to no one.

4. i had a fashion / regular blog before this. it was mcqueens. i was not internet famous but had a decent following (people are stupid.) a popular post of mine is a pic of lena dunham and taylor swift and i said grand wizards at a meeting. if you know you know

5. i don’t have an ID for leftist terms because i don’t really care. i am not a tankie but i support communism’s dream. best bet woudl be libertarian socialist. 

6. i believe we’re reaching towards a world we want. so im gonna help fight for it. 

7. there’s a lot of good texts out there. i only read articles and fanfic but my best friend bought ‘we do this til we free us’ by mariame kaba and im getting through it. i recommend that

8. im a wobbly

9. i type super off the cuff. stream of consciousness. i try to edit it but i wanna hvae fun. this is unfiltered me. sometimes long, sometimes short. i coudl spend hours editing and analyzing it but it’s just me here. i just wanna say what i am thinking no pressure. i can only be the woman i am. sometimes there’s a hard line of communication (people not understanding me) but i refuse to believe i am unintelligible and i have to stop internalizing that

10. going off 6, my thoughts and humor can be terrible and idk some ppl dont like it. even leftists. that’s life but my god im sorry i said money was bad why did u block me? why do u like cops?????? smdh

11. idk how i got a lot of followers on here but think of me as a mirage. a revolutionary mirage :) 

12. in case it wasn’t clear, i’m black and it means a lot to me. also a fat cis woman. also means a lot to me. so when i engage, knowing my background, bitch imma lean in if i got sth to say. 

13. i always say i dont know everything. i do nnot. i knwo some things about some stuff. i know what i like and what i can do. i am open to learning. i don’t have to be suuuper nice if i dont feel like it though. i dont tolerate bullshit.

14. life is awful and incredibly serious. the conundrum is genuinely not killing yourself. sisyphus! it’s heavy and fucked. but i NEED you to remember this if anything.... for me life is about dignity and doing what you want, okay? so if you get anything out of these posts just fucking laugh and have fun and nod when i say money bad. or just read it if you want. i’ve gotten so many ideas from other ppl like even storywise going through tags and have had such great food for thought. people are insane in the greatest of ways. i may seem pesimistic and melancholy but honestly im an idealist trying to live in the now. i realize that it sucks but there’s beauty in that and that’s why it’s super important to have a place for me to engage but also feel like it’s my space. its been tanquil here actually and i appreciate it even if fsr almost 400 ppl followed me. i really dont know why bc from jump i’ve just been terrible. i dont want praise unless it’s genuine so that’s not it. i have to just trust in myself more because i know my strengths but i dont trust em. i will conquer her !

15. piggybacking off hte middle of 14, I LOVE TO LAUHG. I LVOE COMEDY. i have a specific type of humor i guess. grew up on dave chappelle. arrested development, home movies. home movies isnt sociopolitical but recently i got into king of the hill and i am so impressed with it. great story telling, satire, funny, heartwarming. i love bob’s burgers too. i dont rly watch tv out of that

16. yes i love art and film yes talk to me about it if u want i can give u some recs if u want too and also we can talk and stuff abt that. maybe. and no filmmakers dont watch as many movies as u think. u probably have seen more than i have.

[noidsome]

The big issue with the digimon tri movies, and why you should be pissed too.

I just finished watching the 5th digimon movie, and to put it short, i excpected nothing and im still let down. This is a big negative critique on what ive seen so far from the tri movies, but its also more of a vent for me, because theres something about these movies that really fucking grinds my gears and i feel i finally need to let that out somewhere. Look at this as a sort of....badly written analyctic rant. So far this movie, in short, was as i dreaded, 70% meiko bullshit and 20% kari...which is so fucking insulting i dont even know...but thats why im here.

Now before you assblast me with your stupid crap, please try to understand that as harsh as im writing this, im trying to look at this movie from a critical standpoint, and no im not going to put in the effort to be “nice” about it because if digimon tri can get away with half assing everything about itself, then wont bother. If you cant handle that, move on. If your interested, click the read more and we can begin this shit fest, because i think its about god damn time someone put these mediocre movies in their place.

The pacing.

I dont know about you guys, but to me it feels like these movies, or episodes, are either dragging on forever, or they rush really fast. This movie especially took its sweet ass time to give us 2 whole half an hour scenes of meiko being depressed about her shitty OC digimon, to leave the actual interesting fights and plot to 1 and a half episode, out of 4. Im sorry but i feel like ive been following this fucking story for 6 years, its so fucking slow and it drags on for fucking ever sometimes.

I do understand that its important to establish character interactions, and god damn does this fucking series need some, but sometimes it really stops the action dead in its tracks, and as much as i appriciate the movies giving each character some focus, it goes on for too long. the ending to movie 5 was....well rushed as shit. 

But despite all this, its just really frustrating that half the entire series is just them standing around and TALKING...talking talking talking, exposition exposition exposition. It also feels really slow and stagnated sometimes, and the cheesy music in the background of the sad scenes dont really help much. And other times things are glossed over so fast that im standing there wondering if i missed out on something because i accedently blinked. Like how they entered the digital world, only to just suddently fall out of it immediatly after from a big digital gate just like that. Or how meiko just...SUDDENTLY appeared in the digital world with no warning or real reason. huh?? shes here now?? what?? meicoomon is still infected? what?? gennai is back with the dark masters? what where did they come from? why are they following him!? WHAT?? HUH??? HELLO???

im just….frustrated. im frustrated that i have to wait for 6+ months every a new movie comes out, only for the movie to stall for fucking ever and leave the actual OH SHIT moments to the last part, AND END ON A CLIFFHANGER. Its such fucking god damn bait to get us to watch the other movies, its almost INSULTING how incredibly obvious it is. Last movie ended with gennai fucking around and choking meiko. Then, as i saw my fat ass down in the chair, waiting for the big battle, no meicoo just...opened portals and then left with her copy paste army. Oh well so much for that. 

Then the digidestined actually FALL OUT OF THE DIGITAL WORLD, and they are right back to standing around and getting chased by the cops...and then they spend THE REST OF THE EPISODES on meikos useless crying and baiting for meichi shipping material. im sorry but was that neccecary? was it neccecary to stop the entire god damn movie just so we could have tai standing there with spaghetti falling out of his pockets? and the mega evolutions for the other digimons felt really rushed too, i had hoped for more build up...but guess i get fuck alll.

The filler.

Now i do enjoy myself a little “filler” once in a while, i wont lie. and i will also not lie when i say that i really enjoyed seeing my boi tais hot nipple-less body. But, again…. DID WE NEED THE FIRST HALF BEING JUST THAT?! i swear to fucking god if you cut out all the filler content from these movies your going to get the entire series down to 5 episodes. Movie 2 was just...filler. fucking filler. i didnt have much issue with movie 3 but they just NEEDED to shove more meiko in..

movie 4 was kind of a bitch to sit trough because the whole damn “plot” made no sense. why was soras digimon the only one who was mad and while the others were just like before? why JUST her? why couldnt the others be like that too? Its just plot convenience at this point. and then it was pretty much just watching tai and matt spew spaghetti out of their pockets and be awkward because sora cant communicate with her friends like a normal person. Honestly it was a little charming at first but it got old pretty quickly…and then dark masters out of nowhere that died as fast as they came on. what a rushed little cameo for that extra nostalgia bait.

Honestly i found myself first liking the character interactions a little once the movies took a break from the action and fighting...but i much more often found myself angrily tapping my foot and going “REEEE MOVE ON.”

The god damn meiko.

Alright you all saw this one coming probably. Now let me just start by saying, i originally didnt mind meiko, or the idea of a new digitestined in the first place. Its welcoming to try and add something new to your otherwise soulless nostalgia cash grab. However we need to look at her from a critical stand point. im not trying to start a hate train, im just going to analyze her for how shes written as a character.

Im sorry to say this guys, but no matter how you look at her, shes a mary sue. Im sorry but all the tropes are there!! but why do i feel this way? heres why:

Her digimon is the sole reason for everything going to shit.

her digimon is in adult stage like gatomon just because.

essentially her digimon is “special”

all the other kids befriended her really fast just because.

everyone likes meiko and nobody seems to have a problem with her

shes the typical “uguu” shy type of girl.

her digimon OF COURSE won the costume contest in movie 2 or 3

leomon finds HER DIGIMON adorable enough to make the others run off... of course….

she cries constantly and does nothing but wine as the others hold her.

She takes up MAJORITY of the screentime for almost all movies. Almost.

POSSIBLY a relationship with the main character, if they actually are baiting us with those scenes in movie 5.

acts and feels like a self-insert OC in a canon universe.

The reason i dont like her is just because im SICK OF HER!! im sick of seeing her fucking face every god damn movie. im sick of the others shoving a friendship speech or talking about her belonging to them for the 700th GOD DAMN TIME, im sick of constantly hearing ME-MEI and MEIKOOOOOO, and im so fucking sick of seeing her sit down and cry or act sad and do NOTHING! shes just THERE TO BE THERE! her “cute little sneezing quirk” wasnt even something they bothered keeping any more. Shes so god damn obnoxious and shallow, and the ENTIRE HALF OF THE 5TH MOVIE WAS SPENT SHOVING MORE FRIENDSHIP SPEECHES IN HER FUCKING HEAD UNTIL SHE NUTTED UP AND STRAIGHT UP TOLD THE OTHERS TO AXE OFF MEICOOMON, while kari got 5 fucking minutes and got posessed or some shit i dont fucking know, does anyone care at this point?! 

shes such a god damn self insert its PAINFUL! and ive read plenty of crappy OC digimon fanfiction in my days to be able to tell when someone props their crappy OC in a canon story. IVE DONE IT MYSELF!! its INSULTING that im watching a canon produced digimon FANFICTION more then an actual OVA. If you like her, FINE, but you CANT ignore how incredibly shallow and flawed shes written. This isnt someone “hating female characters” this is someone whos frustrated a shittly written character who is just causing repetitive sob scenes over and over and over. im sorry but have we not gotten enough flashbacks from meiko and her digimon? do we need 4 more in the fifth movie??? WE GET IT! ITS SAD! SHES SAD!! THEY ARE FRIENDS! MOVE ON ALREADY!!

i dont feel bad for her anymore, its just getting repetitive now. She ate up the entire 5th movie and left nothing to kari but the sloppy leftovers at the end, and because she ran off like an idiot to meicoomon she got tai axed off too……………...but i will get to that.

The lack of animation.

The biggest insult, and this is….dare i say…….something coming from an animation student, is the insufferable animation. The first movie is fine, but from thereon, i feel like the quality dropped significantly. and oh boy, dont get me started on the amount of time they just pan a fucking picture instead of animating them doing shit.

im sorry but did i wait 4-6 months for a fucking clipshow? I know that animating is hard, and the animation industry in japan is absolute fucking shit, but come the fuck on guys. i think movie 5 had so many times where they just panned pictures of the digimon fighting, and the kids running. I guess when you put all your budget into overanimating the short action scenes you got, you dont have much left for them to trow a punch outside of that. and i wouldnt mind if they had just bothered not doing it so much. they do it WAY TOO OFTEN!

in the 4th move they didnt even fucking bother drawing the kids wet while they were in the water. no wet droopy hair, no indication the clothing was soaked, nothing. not a god damn fucking detail or anything.

The nostalgia bait

Hey kids, remember the bus in the digital world??? remember the gear desert? remember the house mimi was a princess in?? remember the pink forest? remember seadramon? remember the dark masters???? remember any of that shit!? remember primary village?! YEAH??? REMEMBER ALL THOSE COOL 01 THINGS??? ok cool, anyway moving on.

The lack of personality/soul

one thing im really passionate about is expressions. expressive characters and facial expressions i something i enjoy drawing a lot. in the original digimon, every character was spesifically designed to be its own thing. sure they stank of the 90s, but they wer UNIQUE. Digimon tri has trown all that shit out the window. Now they all look boring as hell. the only unique thing about them now is their hair. take that away, and you get a bunch of similar looking, boring samefaced characters.

the digimon movies are just so fucking SOULLESS! everyone looks so god damn watered down and tame compared to their former selves. everyone wears a school uniform even when they got summer vacation. they even wear school uniforms as they get to the digital world, and they have NO facial expressions. NONE! the way they talk and show emotions is almost nonexistant. even once they are seriously screaming at someone or focusing on something serious, they still have that stale, boring as shit facial expression. stone faced and COLD! its like you dont even care!! seriously its so frustrating to watch sometimes because they are so god damn bland and barely deviate at all from their typical “idle” face.

^count how many fucking times tai makes this face troughout the entire series. 

^am i the only one who thinks they looks very..bland and dull here? and this happens way too often.

seriously, watch the movies again and notice just how little the animators bothered giving them any fucking emotions. the screenshots here are just from a few minutes in the new movie.

And dont get me started on how everyone seemed so.........accepting of tais “death” i mean sure they might still be in shock,.....but......why did none of pic under appear???? 

WHy was everyone so.....noble??? except kari...who got....fucking owned.

and the digimon....most of them are just....comic relief now. i feel like most of them have little personality, but fucking agumon. what the FUCK have they done to agumon!? hes just a walking talking “i like to eat” joke. hes fucking nothinng. an empty boring sack of shit who just talks about food and NOTHING ELSE!! oh and maybe fights sometimes...but seriously.

The BAIT.

The trailers for these movies have made me fall into the bait they put out. But its getting infuriating now. All the trailer bait for movie 5 was just taken form the last 5 minutes of the film. that little teaser we all thought were going to show the dark ocean? yeah that was what….5 seconds at the very last minute of the movie? Hime was the one who went there, and they even rushed that part. 

remember when we all tought that tai was the kaiser because the animators thought they copy the excact same hairstyle? remember how they all baited us with the kaiser thinking we were gonna get some 02 action? i sure as FUCK do.

i LOVED the last minutes of the movies. i loved the last half of episode 3 and the entire episode 4… but im so fucking angry that i have to wait 4-6 months for the conclusion to when the movie was JUST GETTING INTERESTING! i fucking hate it!!

The 02 kids, or lack thereof.

Ok honestly ive completely forgotten about them, and i dont understand why they bothered putting them in this movie. and they give us absolutly nothing to go on for ALL of the movies! WHY? WHATS THE POINT?! with this series endless stalling, how can they possibly explain their absence or death or whatever in what little time we have left?! how will they half ass this?! i seriously dont get how they can begin with something so intense, only to give us absolutly nothing till the last movie, IF AT ALL!

Taichis “””””””””””””””””death.”””””””””””””””””

So the fuckers had the BALLS to kill off my boi tai. They actually went there. they fucking killed him off. AND LEFT IT ON A CLIFFHANGER! wow fucking good job guys, you sure got me there. i cant believe tai is fucking dead.

except wait a second here…..tai isnt dead. of course he fucking isnt. i mean come the fuck on, are you really expecting them to kill off their marketig king? the face of all their merc? PLEASE! we all fucking know that hes going to come back. THEY BASICALLY SPOILED THE MOVIES FOR US ALREADY, didnt they say in an interview far back that these movies were whats going to lead everyone up to their careers? so why the fuck would tai die when we know hes going to be an ambassador? 

i dont fucking understand why they even bothered with this fake ass death. WE KNOW HES GOING TO COME BACK! im not mad that tai “died,” im mad that they actually bothered making it a cliffhanger, as if we arent going to fucking figure out hes coming back in the next movie. WHATS THE POINT?! Are they going to just shove him off till the last 5 minutes of the last movie? is that it? are they going to do what they did to kari? or are we FINALLY going to see tai resolving his persional issues that have been shoved away to make room for everything else? who knows, who cares at this point?!

The conclusion

Digimon tri was something enjoyable for me to look forward to..but now, its just a bunch of frustrating, medicore, nostalgia cash-grabbing shitfests of movies, and i need to get it out of my system. 

Im angry because i have to wait 4-6 months between each movie only to get nothing. im angry that i have to wait 4-6 months for an hour long movie that has actual content thats 20 minutes long. im sick of having my excpectations set to low, only for them to be lowered even more. im sick of seeing meiko basically becoming the main characters as the others are somewhat side characters at this point. im sick of the shit-tier animation quality and the stone-bored dull surprise faces. im sick of wanting this to be good, only to see that the fucking directors and animators arent even fucking trying anymore. Im sad, that the sequel was put in the hands of incompetent fucks who only know digimon trough their most basic character traits, and nothing more.

i do like tri...and im sad to see it go so soon….but part of me wants to get this over with, because if you like it or not, tri isnt a passionate fan sequel. tri is a boring, mediocre cash grab, and im sad it cantt be more then that, and im sad its over soon...

[winsbuck]

Hello! I love your art, I'm trying to learn how to draw and such, but I have no idea where to start... do you have any tips?

Hello. Oh man this is going to be hard. This will take a while:

Well they are always advice to start studing proportions and all that thing, i dont think u need learn that deep at the start u dont have to know every muscle. Just draw doll from different angels that will help u fully understand it. Someth like this:

(source: rofelrolf.deviantart.com) 

Do same thing about everything: eyes, nose, lips etc. U dont have make it accurate - u are learning. U can use real life objects as references or found tutorial. There are huge amount on pinterest boards.  https://ru.pinterest.com/search/boards/?q=tutorial%20drawing

Also i have little collection of refs / tutorials u can check this

Youtube tutorials channels:https://www.youtube.com/channel/UClM2LuQ1q5WEc23462tQzBg

https://www.youtube.com/channel/UCUQTqWAaSzhAKRanOpes1nA

https://www.youtube.com/channel/UCzZPlxdKOnqz7wZwSywD3wg

I think coloring, shading is second thing to learn. 

There are lot of people who do speedpaint on youtube, so watch them to understand what tricks they use ^^

When it comes to digital art programm that u use important too, some good:

easy paint tool sai - as title said it easy, perfect for one who started.

photoshop - i dont like it that much, but it had many options, but i dont advice u to use it when u just start.

clip studio paint / manga studio - programm that i use, its simple and have many options, ii love it ^^.

Hope i was able help u!