#i have a lot of thoughts about this film but i had fun

[jqnehr]

❝ 𝐚𝐧𝐲 𝐝𝐚𝐲, 𝐝𝐚𝐫𝐥𝐢𝐧'. ❞ | boothill.

boothill x fem!reader.

𝐬𝐮𝐦𝐦𝐚𝐫𝐲: you and boothill meet in a bar, and have a very nice chat (aka, you flirt like mad).

𝐜𝐰: SFW!! no use of y/n, alcohol consumption (it's a bar come on now), bar banter/flirting. (pathetic attempts at) funny haha humour, and ermm well inspired by old 1950s western films (my dad adores john wayne i cannot escape them HELP), but like in the hsr universe yk. this one was meant to be funny because i had a BALL playing around with boothill's CANONICAL censor oh my god i love him. imagine calling him a fucktard and the only thing he can clap back w is "you son of a biscuit-eating bulldog" (what the french toast?) or something idk. can he say that? or can he only say nice things—anyways enough rambling 😔

𝐧𝐨𝐭𝐞: (continuation from above basically) this man i tell you. i can't sleep. can't eat. he plagues me. day in and day out. i do not have the funds to pull for him. how dare he look at me with that sexy smirk? ain't got no money pal sorry. anyways here's a lil thing i wrote in honour of this man making my chronic fatigue worse <3 NOT PROOF READ. it is currently 12:44am as im posting this so there will be MANY typos haha im going to sleep now.

masterlist.

"You look like you should be in a saloon."

The gun-slinging Galaxy Ranger glanced up at the woman who just took a seat beside him from beneath the brim of his hat, drawn from his thoughts. She had taken a seat that was a respectable distance from him, two bar stools down, the message clear that she wasn't here to chat him up and lead him off to somewhere secluded and have some 'fun', but was only here for small talk and a drink. Good thing she wasn't coming onto him, too. Saved him having to turn down yet another woman looking for a fleeting one night stand.

He went back to absentmindedly swirling the malt juice around in his glass. Car oil, basically. He let out a small chuckle. "Ain't the first time I heard that one."

"Yeah? Makes sense. Fit's cool, though." She nodded to his cropped jacket, his spurred boots, his pants with their sides unzipped. She didn't seem to be bothered by the sight of his belt lined with ammo and a holstered gun. "What's that your drinking? Looks like engine oil."

"Malt juice," Boothill humoured her. "Can't drink nothin' else. Perks o' bein' a machine."

"Machine?" The woman lifted a brow, taking a sip of her beer. "Ah, gotcha. You're a robot?"

"Cyborg, yeah." It didn't matter if he divulged in her what he usually wouldn't. It was just tedious small talk, a nice weight off his mind, and he wouldn't ever see her again, anyway. "Got its pros and cons."

"I see." He was starting to become rather surprised at how...nonchalant she was about this. She lifted her beer jug to her lips once more. "So, what do you do for a living? Go around cosplaying as a cowboy?"

"Heh. If ya like, sure." Boothill was getting curious. It was once in a blue moon he came across someone as relaxed as this woman. "Let's say, it's my...signature look. Across the galaxies. Helps people remember me."

"You're starting to sound like a criminal on the run," she laughed lightly, only out of politeness, really. "Considering the people I've come across around here, I wouldn't mind getting you've got a bounty on that pretty head of yours."

"Uh-huh." He swigged the last of his malt juice. "Perceptive of you, sweets. You a local? Frequent?"

"Pretty much." She shot him a glance. "And it seems I was right. Eh, don't worry. I don't care enough about ya to turn you in. How much you wanted for, anyway?"

"A lot." Boothill grinned impishly. "Those IPC cuties keep bumpin' the ‘prize money’ up, if ya like." He made air quotation marks. "Yer'd be set fo' life if ya got yer hands on that money."

"I'm sure I would be." She really didn't seem to care. "If you don't mind me asking, what's your name?"

"Boothill," he answered, inclining his head towards you. "What about you, darlin'?"

You gave him your name, downing the last of your beer, before hailing the bartender over for a refill. "Nice to meet you, Mr Boothill."

"D'aw, shucks, haven't been called 'mister' in a long time!" Boothill flashed a toothy grin, showing off his shark-like teeth. He noticed how you didn't recoil, barely even blinked, at the sight of them. "Makes me wanna buy you a drink, sugar."

"By all means." You're never one to pass such a offer up. "And you like to flirt, too, huh?"

He watched you rummage around in your purse for something. You finally pulled out a compact mirror and checked your appearance in its tiny mirror. He leaned forward, took your free hand, and placed a kiss to the top of it, winking at you from under his cowboy hat's brim. "With such a lovely lady as yourself? How could I not?"

You laughed in a rather unladylike way—you, more or less, gaffawed—before retracting your hand and tipping his hat right down over his eyes, disorienting him. Your cheeks burned. "You're a funny one, Mr Boothill. You sure know how to woo a lady."

He adjusted his hat, huffing, leaning back in his seat. "I wasn't bein' funny. I like ya. I don't just kiss any old woman's hand."

"Got a little crush now, have you?" You raised your beer jug up in his direction as a friendly salute of sorts, grinning. "Cute of you. I like you, too, but I'm not letting you take me home."

"Ain't got one to take ya to." Boothill shrugged, not noticing how your smile suddenly vanished and you were looking at him. "Sons of biscuits made sure I couldn't have one no more, 'cause I wasn't about to let 'em get away with shady things they keep nicely under wraps."

"'Sons of biscuits'...?" You echoed, puzzled. You were also suddenly feeling quite sorry for the man. He was a roamer—a nomad of sorts, never stuck in one place for very long. That, you were instantly able to tell once you first laid eyes on his broad back.

"Someone had a little play around with my Synesthesia Beacon, so now I can't say nothin' mean—I'll try to say honey, honey, ugh. I'm tryna say honey." He tsked in frustration. "See? Can't say it."

"You can't swear?"

"Yep. Very aggravatin' at times. Whenever I wanna yell the s-word in combat, I just say somethin' ridiculous like 'terrific!' or 'groovy!' I sound like a right looney tune."

You chuckled. "I can tell that if you didn't have that censor on, you'd have the mouth of a sewer."

"Heck yeah. I'm goin' to town with all 'em bad words right now in my head," Boothill scoffed. "Love 'em, love 'em, love 'em—see what I mean? Hopeless. Wanna drop the f-bomb real bad."

"Perks of being a cyborg, indeed," you laughed, patting his shoulder. "It's rather funny to see such a tough-looking guy like you run around without anything else to yell but 'unicorns! Cotton candy!' when someone jumps you."

He snorted. "That's about right. Had one cutie pie try to mug me once and I was gonna swear his ear off, but all that came out was "look at this angel!" instead of 'punk', but it's a way more colourful word than that."

"Gotcha." You leaned your elbows against the wooden top of the bar. You opened your mouth to continued, but a sudden commotion at the other side of the bar cut you off. Glancing over also, you and Boothill watched as one drunk mountainous guy versus a scrawny little weasel of a man went tooth and nail at each other.

"How's the skinny one still alive?" Boothill amusedly remarked, leaning his cheek on his fist. "Looks like a cartoon."

"Happens all the time." You watched on rather boredly, almost wincing when the small guy very narrowly missed getting his face flattened by his opponent's massive fist. "Those two baffoons are too drunk to think of anything other than settle this scrap with punches. Makes for a good show, though."

Boothill hummed, before turning back to face you. "Can you fight?"

"Me? Well, I know basic self defence, and when to tell someone's spiked my drink." You pushed the beer jug around on the bar top absentmindedly. "This environment's dangerous for a woman. Gotta look out for myself around here. I should stay away, but I like my alcohol."

He chuckled, gazing at you. "Glad to hear that. You ain't some damsel in distress. You're really somethin', you know that, sugar?"

You blushed at his stare and words. "Oh, get off it. It's something every woman's got to know in life. We shouldn't have to, but we do. It's sad."

"Sure is." He pursed his lips, suddenly grave. He may have been a vagabond in a way, but that didn't mean he didn’t have morals. And then he playfully nudged you. "Ya know, seeing an independent, badass lady like you is real attractive."

You grinned. "Boy, if you were anyone else, I would've slapped you for that. That is an instant red flag for any woman in a bar."

"Well, I'll tell ya right now, I'd never harm a woman unless I had no other choice." Boothill stared at you. "Especially not for my own gain. Hurtin' people ain't fun, even though it's my lifestyle."

You shrugged, trying to ignore his intense gaze and the way your heart rate picked up. "A sad reality, but it's nice to come across a man with manners." You finished off your beer and stood, slinging your handbag strap over your shoulder, giving him a kind smile. "Well, thanks for the talk, Mr Boothill. You're a gem."

He stood after you, the spurs on his boots jingling with the movement, before he took your hand and pressed another smooth kiss to the top of it. Then he winked once more, just as a finishing touch, and your cheeks flared. "Any day, darlin'. Say, how about I give ya my phone number? Have another drink sometime."

"You sure? Your vigilante habits wouldn't get in the way of it?"

He laughed goodnaturedly. "Oho, that's funny, sugar. Nah, I'd always make time for you. Here, hand me ya phone."

So you did, and he swiftly typed in his number, before returning your phone to you. "There ya go. Send me a message so I'll know yours." Then Boothill stooped down to eye level with you, staring at you from beneath his lashes and hat, lifting a hand to ruffle your hair affectionately. "Till we meet again, sweetheart."

With that, and a lingering stare as he strode by, the cyborg cowboy left you stunned, heart pumping, phone limp in your hold. He was gone in a blink, giving you no room to wish him farewell also, so you did it by text.

you forgot to pay the bill for your drink

so I covered it for you.

you owe me one, cowboy

His reply didn't take long, and it made your face burn hotter.

Oopsies 🤭

How about I pay you back by taking you to dinner huh?

His emoji usage made you laugh. And so you accepted his offer.

Alright then

I want steak

Can you even eat?

You liked how he always replied fast.

Nah

But that's fine

Your company's better

Suffice to say, you liked the man's suave manner and flirty compliments. It made you feel exhilarated.

Maybe it was because of his classic cowboy moves. Tipping his hat to you in respectful greeting or goodbye, a gaze much too human for a cyborg, and his smooth gestures that made you hot all over.

Yeah. Maybe it was. But, either way, you couldn't wait to see him again.

© jqnehr 2024. all rights reserved. do not translate, repost/redistribute and plagarise any of my works.

[bengiyo]

Unknown Ep 11 Stray Thoughts

Last week, Wei Qian tried to hide his health problems from Yuan, but Yuan knew the whole time and was super pissed about Wei Qian always choosing to shoulder every burden on his own as well as lying to Yuan. We left them at another critical moment where Wei Qian admitted openly that he also can't live without Yuan.

Of course Yuan is a "if he looks back" gay. Where are all my Andi Mack girlies?

Episode 11: Embracing Regrets Magnifies Courage

Wait, when did they start making out?

Oh, I see, they're playing with time. This is the first time I've really felt like the show's stylistic choices have gotten in the way of its storytelling. We have been building to this moment with Qian and Yuan, and I don't like this choice to show them connecting sexually while intercutting the emotional decision to be intimate and Yuan's flashbacks. Both of these moments are important and happen sequentially, not simultaneously.

I feel like they really botched this sex scene and I'm annoyed about it. I really don't like that we didn't lead with Wei Qian's choice to be intimate with Yuan. It feels like we skipped an important decision. I also don't like all the constant cuts of flashbacks interspersed with the pre-sex convo. This is a huge moment for Wei Qian and I really feel like they got this wrong by making it primarily about Yuan's feelings culminating. We know that Yuan has wanted to fuck this man for like a decade at least. We know Wei Qian hasn't let anyone touch him. We really needed to stay in that moment and not constantly jump around to other moments. It feels like the show got shy about sex, or that the sex scene itself lacked a narrative when they filmed it.

These walls thin as fuck! Like Li Li didn't hear what was happening!

Okay, Li Li is still capable of being adorable when it suits her and I love her.

Man, I'm grumpy from earlier. Wei Qian daydreaming about sex with Yuan at work would have worked a lot better if we weren't flashing back to a scene dominated by flashbacks.

I hope this is the last of the gangster stuff.

Okay, I'm having fun with the dinner date and the decision to be public about themselves.

Test results?? They denied me seeing this man choose to go to the hospital???

Mhmm, we recognize that Li Li is smart. She definitely knows what's up.

Okay, I actually like Qian not answering about the hug and instead just kissing his head. That feels appropriate because that line is quite blurred.

I'm feeling mixed about the mom stuff resurfacing on the episode they had sex for the first time. We suspect that Yuan's mom abused him, and that feels unresolved for me. I'm having a hard time separating his sexual trauma from his abandonment trauma in his breakdown here.

"Nobody cares about Qian." Okay, I cried. Wei Qian's siblings saw and understood what he was doing for them the entire time, and they both wanted to care for him in return. Also, San Pang is a great listener in this scene. Truly one of the best characters of the year so far.

And we deal with the rest of their people finding out next week. Okay.

I said what I said above. I didn't think the turn worked this episode, and I didn't fully connect to Wei Qian's emotions this week. It's a letdown and I'm disappointed.

[peridot-tears]

Truths that Co-Exist

Barbie (2023) is a giant product placement that profits off nostalgia.

The writing is profound and life-changing and understands why we seek nostalgia in a way most nostalgia-driven entertainment doesn’t.

The film is self-aware about how even now, Barbie dolls set incredibly unrealistic beauty standards. Their “body diversity” does not even scratch the surface of what that phrase really means. I don’t expect this to change.

The film still made a beautiful statement with the scene on the bench about how societal beauty standards are narrow and restrictive! And that beauty comes from experiencing life and the marks it leaves on you!

Its feminist statements are validating. Many of us see our reality onscreen, and the great thing is that it includes how cishet men fall down a pipeline of toxic hypermasculinity. It also shows the solution, and allows men to express themselves despite what society expects them to be.

The film is a capitalist venture.

The cast (aside from the leads) and crew were probably overworked and severely underpaid during filmmaking.

We can still appreciate that something fun was made, and we all made another wonderful memory where we and our loved ones went to the movies color-matching in pink.

We should not feel guilty about seeing ourselves in this film.

Meanwhile, support the WGA and SAG-Aftra strike.

[therosejamjournal]

thinking about how smile (2022) is every traumatised person's worst nightmare. how the message clearly says "your trauma will always win and no matter what you do, you'll swallow it and it'll inhabit your skin forever." how, even if the protagonist had defeated the monster, she would have still lost - the intergenerational trauma has already spread its insidious wings and would survive in the mind of her sister's child. how traumatised people are so often told to just 'suck it up and smile through the pain,' how laughter is the best medicine until it isn't. how misery loves company. and how sometimes healing comes too late too little - you've let the beast grow too strong, it became an intrinsic part of you, your identity.

[katabay]

When you say you have thoughts about the 2023 movie, are you talking about the one with Eva Green and François Civil? If so, I would loooove to hear those thoughts :0

that's the one! I fucking loved it. on a technical/artistic note, it's been a hot minute since I've seen a movie understand how to use a wide shot properly, and the way it uses the camera feels so genuinely enthusiastic about the story being told that every minute is a visual delight (my main critique is that I mostly wish that it was more colorful, but eh)

on a personal note, it gave me EVERYTHING. I'm going to be thinking about aramis kissing the crucifix during the torture scene for YEARS

[airenyah]

now that i've turned thai drama into my bachelor thesis, the only question left is: how to turn thai drama into my master's thesis

[strangeterrain]

Videodrome (1983) / Cobra Starship lyrics

[mirokuna-hime]

I was about to become very depressed again and thought about how no one likes me and that I have completely accepted that the issue is my personality and that's why no one is capable of loving me

Then someone knocked on my door and invited me to pottery :')

[libraryofgage]

Steddie brainrot continues to worsen to a concerning degree but here's a crack idea that is absolutely sending me:

Famous Spicy Six in which Jonathon is a director who decides to work on a passion project: a Scooby-Doo movie. His ideal cast is as follows:

Nancy Wheeler (investigative journalist with a few special appearances on crime dramas) as Daphne Blake

Argyle (an actor with a habit of playing small parts; he acts only because he thinks it's fun, so he's not concerned with significant roles) as Shaggy Rogers

Robin Buckley (a well-known voice actor who is more well-known for her social media posts and clap-backs) as Velma Dinkley

Steve Harrington (basketball star who is also more well-known for his social media clap-backs and for being Corroded Coffin's number one fan) as Fred Jones

Eddie Munson (frontman for Corroded Coffin, an insanely popular metal/punk/rock band and "infamous" for unashamedly posting Steve Harrington thirst tweets) as the voice of Scooby-Doo

Corroded Coffin is also creating an entirely new, original soundtrack for the movie

And because I think it's funnier this way, this is also an AU where the Upside Down still happened, so Jonathon just calls his friends up and is like "Okay, so hear me out"

The absolute insanity that breaks out when both the movie and cast are announced because nobody can figure out how Jonathon managed to convince all these powerhouses to join his movie.

The further screaming online after one of the movie promo interviews where a reporter asks how they all agreed to the movie and Nancy hits them with, "Well, Jonathon asked, and he never asks for anything."

Which leads to the discovery that they all knew each other in high school, and the reporter jokingly asks if that means they've all dated each other, too, which leads to Eddie jumping in with absolute delight like, "Well, that's a funny story, there. See, Stevie here dated Nancy, who then dated Jonathon when they broke up, who then dated Argyle after they broke up. And I thought Stevie and Robin were dating, so I was very confused when I saw Robin and Nancy kissing. But then I found out that Robin was a true-blue lesbian, which meant Stevie here was open for the taking, and we've been banging ever since."

and Steve is just sitting there, head in his hands while Robin cackles and decides to tell the reporter all about Steve's "fuck I have a crush on Eddie" crisis

This interview, of course, leads to even more freaking out online and comments like "I know I asked for poly Scooby gang, but this is ridiculous," and "I can't believe that in this, the year of our lord 20xx, ScoobyXFreddy became a canon ship," and "if I had a nickel for every romantic relationship the Scooby gang actors have had with each other, I'd have five nickels, which is way more than any of us fucking expected to have," and "suddenly Eddie Munson's thirst tweets make a lot more sense, but can we talk about Steve Harrington's CC tweets now," and "everyone say thank you to Eddie Munson for revealing that mess of a relationship map," and "finally, the canon lesbian velma and daphne we deserve"

The movie is a box office hit, btw, and bloopers from filming roll with the credits, among which is Eddie Munson making Steve Harrington lose his shit laughing on set while dressed in a Scooby Doo onesie and singing Corroded Coffin songs with his Scooby Voice

[hotvintagepoll]

Propaganda

Ava Gardner (The Killers, The Barefoot Contessa)— She's so goddamn hot. Her and Frank Sinatra could've sandwiched me and I would've thanked them for the privilege

Jean Seberg (Breathless, Saint Joan)— Some of us watched À bout de souffle as a lil French undergrad and had the trajectory of our lives changed by Jean Seberg. She IS French new wave!! She is the moment!! She sadly had to work with a lot of shitty directors in her career but even so, she has this magnetic energy whenever she’s on screen. In her personal life, she was also very supportive of civil rights causes, and was even targeted/harassed by the FBI for financially supporting the Black Panther Party.

This is round 2 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Ava Gardner:

Ava Gardner is one of my favorite actresses of all time. Although a lot of her roles in movies are about her being beautiful and nothing else, there are some films where her acting truly shines.

Gifset: https://www.tumblr.com/pelopides/721438308726603776/ava-gardner-as-pandora-reynolds-pandora-and-the

Gifset 2: https://www.tumblr.com/portraitoflestatonfire/731899355804598272/if-the-loustat-reunion-doesnt-look-like-this-then

HER FACE. LOOK AT IT. Also was a life long supporter of civil rights and a member of the NAACP, had lots of fun love affairs with other stars, bullfighters, married several times but was also happy in between to just have lovers and was unapologetically herself.

I literally gasp every time I see her.

Between 1942 and 1964, Ava Gardner was credited in no less 50 films, and is still considered by some to be the most beautiful actresses that ever graced the silver screen. Despite life-long insecurities regarding her talent as an actress, she weathered public scandal, industry hostility, and outright condemnation by the Catholic Church with fearless grace. She would later in life talk candidly about the reality and pain of living through two (studio approved!!) abortions during her short marriage to Frank Sinatra, and while the two of them could not make their relationship work, they remained in each other’s lives for nearly 30 years. She would forever describe herself as a small-town girl who just got lucky, but always felt like a beautiful outsider.

Really genuinely one of the most beautiful human beings I have ever seen. An autodidact. Had amazing chemistry with Gregory Peck to the point where I do think about watching On The Beach again sometimes because they're so good together even though that movie did destroy me. Was a great femme fatale in many movies.

Jean Seberg:

anyone who plays Joan of Arc is kind of hot by default tbh

she's gorgeous, she's cool, she has the original blond pixie cut

She donated a lot of her money to civil rights organizations such as the NAACP and the black panther party as well as Native American school groups, as a result of this the fbi ran a smear campaign against her and a surveillance campaign which is thought to have led to her suicide tragically.

idk if this is propaganda but the COINTELPRO and the FBI are widely blamed for her death. If the FBI was after her for supporting the Black Panther Party you know she was good

[justhereforthemeta]

Romantic expectations and the story we didn't see: A magic trick hiding in plain sight

Here's a hopeful meta for all my fellow celestial brainrot sufferers out there. Cheers! :)

This idea started as a dead end, trying to track the movements of Crowley’s sideburns/tattoo because I thought time travel shenanigans were afoot. I had to abandon that theory when it was pointed out that David was simultaneously filming as the sideburns-having Fourteenth Doctor, and in-universe Crowley can do whatever he wants with his facial hair whenever he feels like it. But hey - null findings are still findings!

On the bright side, pausing the show to make notations in a spreadsheet forced me to slow down and notice other changes I'd overlooked the first time around: acting choices, costuming choices, references to book lore. And possibly a few surreptitious flicks of the wrist, in places where we’re meant to be focused on the magician’s other hand.

@amuseoffyre and @ineffablefood had a great exchange recently about romance and “the significance of misdirection and three-in-one (magic) tricks” throughout the show. I suspect Neil has done something brilliant with the audience’s long-standing expectations (since the 1990s, really) for the love story between Crowley and Aziraphale to develop. And while it is a wonderful story indeed, playing to this expectation lets Neil distract his audience from the blink-and-you'll-miss-them seeds he's planting for the final chapter.

Continued below the cut...

Let’s start at the beginning of Episode 2. First, context: In the previous installment, Crowley stormed out of the bookshop, was whisked away to Hell by Beelzebub where he learns about the Book of Life threat to Aziraphale’s existence, then returned to the bookshop to dance a little apology dance and hide Gabriel with an unintentionally massive joint miracle. In S2E2, we and Shax catch up with Crowley as he's snoozing in the Bentley.

Shax: “You’re in trouble”

A. J. Crowley, cool as a cucumber: “Obviously. Former demon, hated by Heaven, loathed by Hell. How will our hero cope?”

Interesting! Sarcastic? Yes, absolutely; but that’s also a good 4500 years and an averted apocalypse away from “I’m a demon. I lie,” wouldn’t you say? Someone is sounding a whole lot less depressed and aimless and navel-gazey (do snakes have navels?), and a whole lot more like he’s got a project to focus on, since his "what's the point?" ruminations on the park bench in E1.

And of course we all noticed the costume change right away. Hello, black turtleneck. Feeling cute today, thought I’d cover up my graceful long neck? That sounds unlikely. Let’s put a pin in this one.

There’s also an interesting acting choice going on here. Crowley speaks to Shax in a funny, drawling, too-cool-for-you voice that we haven’t heard in a while. Specifically, not since 1967. If you go back and give the S1E3 scene in the Dirty Donkey a listen, you’ll hear it (and if you know of another instance of it that I've missed, please let me know!). In S2E2, he keeps up this odd voice (if anybody knows what kind of affect this is supposed to be, please do tell!) throughout this dialogue with Shax, except for the brief moment when she first surprises him about the joint miracle having been detected.

1967 was a fun year. Crowley masterminded a heist! And seemed like he was having a ball doing it, right up until his little caper was called off after Aziraphale brought him the thermos of holy water. Crowley spoke to his co-conspirators in that same funny, very 60’s-caper-film voice. He wore a hip 60’s turtleneck. He bought petrol for the only time ever, so he could get those sweet James Bond bullet hole decals for his car (per the book, seen on the Bentley in the show).

Those James Bond bullet hole decals would of course have been part of a promotion for this 1967 release, which you just know our film-enjoying demon went to see in the theater:

Starring this suave, be-turtlenecked guy:

And now - begging your forgiveness - a brief rant.

There are a number of posts out there that refer to Crowley’s S2E2 turtleneck as a flirtatious sartorial choice - actually, ‘slutty’ seems to be the favored accusation. There are even a few posts floating around commenting on how sweet it is that Crowley swaps out his slutty, kinky, throw-me-over-your-desk-and-take-me turtleneck for a more dressy and appropriate collared shirt specifically to attend Aziraphale’s Jane Austen ball. 

Now this is all in good fun, and Crowley does indeed look fantastic here, and I do love a good fangirling sesh as much as the next person. However, fandom’s collective tendency to interpret what we are seeing on the screen through the lens of romantic expectation can, at times, give rise to a kind of blinkered enthusiasm that obscures the original text in a haze that is part Mandela Effect, part unrestrained horniness, and part in-group code talking and identity reinforcement.

Respectfully, Crowley’s black turtleneck does not appear at all in S2E5: The Ball. In fact, it never appears again after the end of S2E2.

For Someone’s sake, let’s collectively pull our heads out of the romantic fog/gutter for a moment and focus on what we are actually seeing in the book and on the screen. For Crowley, this is an uncharacteristic within-period costume change. There is a surreptitious flick of the wrist happening here, out in broad daylight, and we are all missing it.

So here’s a thing. Aziraphale appears to have settled comfortably into life on Earth, his neighborhood, his books, using Crowley as an outlet for sharing his good deeds that he would once have reported to Heaven. Meanwhile, at first glance, Crowley appears stuck in a rut. There he slouches on a park bench with Shax in S2E1: a guy who lives in his car, stagnantly clinging to old familiar habits, mulling over the pointlessness of it all.

Setting aside the bit about living in the Bentley (I’m going to attribute this to well-documented issues between him and Aziraphale, discussed in many other excellent metas, and move on), Crowley has at least two very good, proactive reasons for maintaining his contact with Hell through Shax. First and foremost, it’s a source of information he can use to keep ahead of potential threats to Aziraphale and himself.

But also, I would posit…he kinda likes it.

Recall that book GO was first conceived as a parody, with Aziraphale and Crowley as spy-against-spy (but not really) field operatives in an ages-old cold war between Heaven and Hell. Their entire book dynamic is rooted in the trope of two opposing agents who have been in the field for so long that they now have more in common with each other than with their respective head offices. Their St. James’s Park meetings among other spies and ministers trading secrets are a sendup of what was once a well-known Cold War-era cliché. 

Our contemporary Crowley still likes slick outfits and hellaciously expensive watches and high-performing vintage cars and pens that write underwater while looking like they could break the speed limit. He coaches Shax on how to blend in as a demon on Earth, and he helpfully redirects the wayward contact looking for the Azerbaijani sector chief. He loves improvising and getting away with shenanigans under the institutional radar. And boy golly was he impressed with Jane Austen: master spy, brandy smuggler, and mastermind of the 1810 Clerkenwell Diamond Robbery. 

And if you look at it a certain way, for as long as Crowley has considered himself to be on “[his] own side” - going at least as far back as Job - he could almost think of himself as a sort of double agent. It’s actually a very romantic sort of notion, befitting our hopeless romantic of a (professedly former) demon; but it’s romantic in a very different way than we, the audience, have been primed to watch for.

In other words, in a very “on my own side” kind of way, Crowley really gets a kick out of being a spy. Or at least, dressing up and accessorizing as one, and moonlighting as a good-doing double agent when he can get away with it. And also being a plotting criminal mastermind. Two sides of a coin, really. Just look at Jane Austen.

My point is: No, Crowley did not wait around for Shax to come find him in a turtleneck so that he could go flirt with Aziraphale later. He’ll flirt with Aziraphale no matter what. No, this:

is actually this:

Much like the one he wears to the Dirty Donkey in 1967: 

whilst holy water heist-plotting. Here's a clearer shot with gratuitous Bentley, because I love them:

…and which he'll wear again, with appropriate camouflage, while infiltrating Heaven in S2E6:

That is the 1967 planning a HEIST turtleneck for committing ESPIONAGE and STEALING THINGS in. Because turtlenecks are what modern human master spies wear to get their hands dirty - after all, he saw it in a movie once. 

Crowley dons his tactical turtleneck sometime during the first major break in the action (which doesn't happen until after the joint miracle to hide Gabriel) after he learns about the threat the Book of Life poses to Aziraphale. Loverboy started mentally preparing himself to go after that book immediately upon learning that it was in play as a genuine threat. 

Now let’s pick up at the S2E2 Dirty Donkey scene, reading the story from this angle. Of course, Crowley enables Aziraphale’s delusions about Heaven by hiding information from him, and does not disclose the Book of Life threat when they meet again. They go into the pub, Aziraphale shamelessly paws Crowley’s chest like the seductive Bond Girl he is, and Crowley gets to act all smooth and suave and intimidating as he chases off the interloping Mr. Brown (or Mr. Collins for the Pride & Prejudice fans, take your pick).

Ergo, theory: beginning in S2E2, Crowley is already thinking of himself as a Jane Austen/James Bond action hero (“How will our hero cope?”), psyching himself up to rescue Aziraphale by getting his spy game on and stealing the Book of Life.

Now, watch closely...This is where Aziraphale and Crowley brainstorm their plans to solve the problem they both know about: getting Maggie and Nina to fall in love and thereby get Heaven off their backs. Crowley’s vavoom plan is drawn from yet another movie (“Get humans wet and staring into each other’s eyes - vavoom, sorted. I saw it in a Richard Curtis film.”). But Crowley also implicitly shares his solution to the problem he hasn’t told Aziraphale about. And true to form, Crowley’s Jane Austen solution isn’t the same as Aziraphale’s Jane Austen solution. 

Two solutions that fail by the end of Season 2, and a secret third one that might still work...and there's our magic trick of three.

‘“I’m lost. Am I doing a rainstorm?” Yes, babe. And a heist, too - just not until season three. Can I get a wahoo!? 

I won’t spend time on A Companion to Owls during this meta, except to note that in all three minisodes, we get to watch stories that involve Crowley acting as a double agent on “his/their own side” - successfully making Hell and Heaven think he’s fulfilling their will while saving Job’s goats and children; failing to fool Hell when he does a good deed in Edinburgh; and of course, collaborating with Aziraphale whilst evading detection as an infernal turncoat during the Blitz.

(Because this is getting long, I'll also skip over Crowley's interrogation of Jim in this episode - I'll probably come back to that in another meta. But interrogating is a rather spy-ish thing to do.)

When we catch up with Crowley again later, he’s already slipped out of the bookshop, having left Aziraphale to his biblical reverie about Job. He saunters snakily down Whickber Street as usual, but with a very pointed and swift glance over his shoulder (see pic above). This demon is up to something - possibly something we didn’t get to see, something that may have happened offscreen while he stepped out. In any case, knowing there’ve been unfriendly angels in the neighborhood that morning, he’s rightly concerned about being spied on.

From this point until the beginning of episode six, there isn’t a whole lot of opportunity for Crowley to make any next moves. He babysits the bookshop, during which time he manages to wring some crucial information out of Jim; he follows his Crowley’s Angel around like a puppy, and downs a bottle of red like a good old fashioned lovesick boy once that’s been pointed out to him. If any plotting or scheming is underway, this occult being is keeping stumm for now.

This has been a long one, so I’ll wrap up with Crowley’s infiltration of Heaven with Muriel. The turtleneck disguise works (Archer fans, be vindicated!) long enough to gather some information that will be crucial not just to the denouement of S2, but also to Crowley’s journey in S3 (previous post on Crowley's Fall, Saraqael, and memory wiping). And Aziraphale gets to enjoy that view exactly zero times. The point isn’t oh, a turtleneck! How flirty! So cunty! So cute! Y’all. Everything matters. The costume change was a deliberate choice. In-universe, Crowley’s decision to wear his special spy turtleneck for spying in is a signal that he is out doing spy things, even as we watch.

In sum: Beginning in S2E2 and continuing through the end of the season, Aziraphale and Crowley are actively living out the scripts of two parallel, concurrent, and completely different Jane Austen stories. But you and I, dear fellow audience member, we came here for a comedy with a hefty jigger of romance, and that’s what Neil gave us to focus on. And right up until the Final 15, that was the only story we saw.

Meanwhile, Special Agent A. J. Crowley doesn’t have time to mope around at the end of S2E6. He’s kicked down, but he’s not out. He's got a Book of Life to steal, a very serious bone to pick with a certain memory-wiping angel, and his Angel and the world to save. 

“‘Heigh ho,’ said [romantic, optimist, former demon, hero, master spy] Anthony Crowley, and just drove anyway.”

[lady-raziel]

and alright, here's my last (let's hope) and boldest take yet. lots of people have been talking about the level of staff (around 25-ish people) at watcher, and whether downsizing that number could have been a potential avenue of reducing costs before just jumping to a subscription model. at first i was like yeah, i'm not sure that there needs to be 18 people involved in making a lets play. i was in the fucking trenches in the unus annus days and i'm still amazed how markiplier and ethan nestor managed to put out pretty well edited videos every day for a whole year with only a handful of editors and a couple people filming. what unus annus was trying to do and what watcher is trying to do are obviously pretty different, but the point is that you really don't need a whole crew of people to make lots of different types of content and do it well.

i still think there probably doesn't need to be a whole production crew involved with the creation of some of the simpler types of content watcher puts out. however, i don't think the size of the staff is the real problem. in fact, i think the staff of watcher probably should have been larger.

let me explain. if i begrudgingly go to one of my most detested websites (linkedin. *bleeegh*) and look up watcher, i can see that pretty much every person on staff is in a creative role of some sort by their own admission. at first glance, its like, oh, that makes sense. they're making creative products, it's natural that they should all be in creative roles. however, once you think about it for a little longer from a business perspective, that fact is really concerning.

after all, by watcher's own definition, this is a production studio. this is a company. So in this sea of creative roles, who's doing corporate planning? Who's managing finance? Who's doing payroll? Or brand outreach? Or human-freaking-resources??? you can hire outside groups for all this. i'm aware. but those services cost a lot of money to contract too. i'm just finding it concerning that there is pretty much no one on full time staff that is there to at least do some of this stuff. if watcher wants to be a big-boy company, that's fine, but that means you have to pay some people to be part of your company to do the not-fun business stuff like accounting. or resource management.

if they want to be a real company, they should actually have a lot more people on staff to deal with all the non-creative parts of running a company. even if they contract out most of it, you want at least a few people that are your people and don't actually work for someone else. that's how you don't get screwed over or end up in a contract you can't get out of.

which leads me to my last train of thought. like, as i go through the staff of watcher and look at what they do, it really seems like one of the ONLY people who's job it was to look at the business side of things WAS steven lim in his role as CEO. and thinking about that, i'm like god, can you imagine?? here's a guy who just wants to create cool stuff too but as one of the few people who has to think about the realities of Brand and the Business, HE has to be the one to burst the bubble. He as CEO has to say no to people and make decisions to make sure the company survives. In a group of creative people who just want to make things they're interested in, no expense spared, he was probably the guy who had to stay at least a little tethered to reality.

I'm not about to say that steven lim isn't to blame here. everyone involved in making the decisions that have led up to this point is part of this. but shit, it absolutely sucks to have to be the person at the end of the brainstorm session when everyone is coming up with their best ideas and to have to say "guys, i don't think any of these things are possible unless we make some big decisions."

is that what happened at watcher HQ? i don't know. at this point, with radio silence from everyone, speculation is all we've got. but if you follow the thread of a bunch of creatives striking out on their own to make their own business after being burned by their former employer, despite not knowing really how to run a business, and then only hiring fellow creative people and not other people who actually run business things... well, all of this starts to make slightly more sense in WHY none of watcher's actions make sense. everybody wants to stick it to the man and be their own boss with their own business, until it actually comes to the hard parts of doing that. at that point people start to realize, "oh, maybe some of the things that existed at my old job were there for a reason, actually."

all this is why lots of creatives striking out and starting their own businesses don't work in the end. they're thinking about in terms of creative products still, when they really need to be focusing more on the "business" part of the "creative business." it's sad. it sucks. it destroys a lot of good ideas and good people, because one person in every company like that has to be the one who thinks practically. could this have been avoided if watcher had been hiring people all along to manage this business and not just adding people to add to the creative output? maybe. even then it might not have been enough to curb other predictable impulses that led us down this path.

i feel bad for watcher, and i feel bad for the fandom. but i can't help but wonder if this was always the kind of situation we were going to end up in, and we just missed some of the warning signs because ALL of us were thinking, "well, that could never happen to us. we're different. not the Ghoul Boys."

[iam93percentstardust]

one of the things that i loved about barbie (2023) that i think a lot of the posts making fun of male-written reviews miss is that, though the movie presents itself as a commentary on the patriarchy and sexism, the message at the core of the film isn't actually limited to being about (cis) women. it's about anyone who is Other.

i went to go see the movie on thursday afternoon before all the big midnight premieres, and the theater was still packed. there wasn't an empty seat in the entire theater. i had a seat at the end of the row, which i had picked out in a faint (futile) hope that no one would sit next to me. thirty seconds before the trailers started, a family of about 10 black people walked in and split up, presumably because they'd only just bought their tickets and there were no longer 10 seats together. the dad and the son, who was maybe a few years younger than me in his early-20s, a good foot and a half taller than me, and who i recognized as one of the football players at the local university, ended up taking the two empty seats next to me with the linebacker in the seat right next to me. and that was pretty much the last time i thought of them until the last twenty minutes of the movie.

see, in the last twenty minutes of the movie, america ferrera makes an impassioned speech about not just the limitations that male-dominated society puts on women but the limitations that women put on themselves in order to survive in said male-dominated society. it's about the contradictions that we're subjected to--you can't be too much, but you can't be too little either. you have to lift each other up but you're also in constant competition with other women for the shredded dregs of respect that men have left over for us. you can't say yes to a man because then you're a whore but you can't say no because then you're a prude. it was passionate and bitter and furious and it had every woman in the theater, myself included, in tears.

and in the silence of the theater following america ferrera's plea for barbie not to make herself less just so that society isn't threatened by her, the linebacker sitting next to me said fervently, "i feel that."

it brought everything to a screeching halt. now i'm a white woman, and though i'm fat and nowhere near as gorgeous as margot robbie, from the very first trailer, it was obvious that this was going to be a movie for me. and if done right, it was going to be a movie for all women (and i would argue that it was). but the thing that it also did right was that though the surface of the message was about women making themselves lesser, the core was that it was for anyone who makes themselves lesser to fit in. yeah, it's for women who are trying to fit into a male-dominated society, but it's also for bipoc who are trying to fit into a white-dominated society. it's for trans people trying to fit into a cis-dominated society. it's for gay people trying to fit into a heterosexual-dominated society. it's for anyone who's been Othered and has to shrink themselves in a desperate attempt to survive.

i love the posts making fun of male-written reviews that are butthurt that this movie isn't for them just as much as the next person. but i think it's important that we don't forget that those are representative of the people in power, the people that could never understand this message. barbie is for me, yeah, but it isn't just for me. it's for my trans friend who is six feet tall and has a beard and wears pink dresses every single day because they make her feel pretty. it's for my labmate who could practically be a barbie herself and irritates me every time she talks about thinphobia but also can't find someone who wants to be with her because she's brilliant and not because she's beautiful.

it's for the black linebacker who sat next to me in the theater and felt heard when a fictional character in a movie told him not to make himself smaller just to fit society's standards.

[tomorrcwz]

✰ LATE NIGHT'S DESIRE , O. PIASTRI

[ preview ] working as a mclaren strategist for years, the newest driver is the perfect candidate to satisfy your hunger — he does make it easy for you, coming to your door in the middle of the night.

[ tw ] smut, unprotected sex, dom!fem!reader, teeny tiny little bit of corruption kink, spit kink, inappropriate work relationship | gif by @princemick

[ a/n ] idk what this is but yeah slay or whatever bruh. Might write more smut about oscar, I'm really fixed on him rn + ITS MELBOURNE GP and in honor of that i had to write a little something

. minors do not read | masterlist .

The sight of the quiet, charmingly awkward Oscar makes your blood pump fastly though your veins as the desire within you grows. You know its wrong, having inappropriate thoughts about a co-worker, one that isn't as secure as you are on the team but you can't help yourself with it; the need to fuck whoever is handsome and new is strong enough to make you black out rules.

First you had Lando — he was eager to fuck you as you pleased, then you had to have Daniel, who mind you, wasn't as easy to get in your bed and he also wasn't to corrupt as he was the one to mirror your actions and pull some stuff. Sadly it ended rather fast with him getting a girlfriend. But you still have Lando every other month as the boy can't keep a girl around, making him fall regularly in your bed or wherever you are to fuck. It's not that fun anymore, quiet bland. The routine is always the same — first he'll finger you to get you wet enough and then you push him to whatever surface and take his cock. Afterwards you clean yourself, Lando already out of the door.

So, that brings you to Oscar.

He's fresh blood, newly single, and dear lord in heaven over the winter break he put on a lot more muscles, looking ridiculous strong, causing your pussy to flutter whenever you see him. You flirt with him quite often and you do see his brown eyes cloud with lust, but you want to take your time. There's no need to rush.

But the day comes.

Its Sunday night, hours after the race and celebrations of Oscar taking P3, when you hear knocks on the door of your hotel room. Reaching for your phone, the homescreen only shows a few messages from people you're currently not interested in responding. No Lando. Normally, he'd shot a text beforehand, so you're not sure of who is standing opposite the wooden door.

Breathing in, you swing your bare legs off the bed and walk across the room, opening the door. The sight greeting you leaves your mouth agape — Oscar's wearing an maroon satin shirt, tucked into a pair of black slacks. On his thick fingers are two rings which you've never seen him wear but it suits him. He looks hot, even more so with his hair all toulouse and a curl glued to his forehead. It's an indicator that he is influenced by Lewis and Guanyu, both very fashionable drivers on the grid, and you could kiss them right now because Oscar has never looked this hot. He is but this is otherworldly.

"Everything alright, Oscar?", you ask, crossing your arms under your breasts and unintentionally pushing them up, presenting the man with your more than welcoming cleavage.

He can't help himself; his focus rests on the soft curves of your tits, the skin glistening under a sweat film the heat of middle east brings.

Clearing his throat, the Mclaren driver, sends you a dashing smile. "Yes, actually I've missed you at the celebration and was wondering if you—", he stops himself, cheeks flaming hotly.

"If I want?"

You can see the thoughts running around faster than the car on the track earlier. Must be hard to grasp whatever plagues his mind.

"I was wondering if you'd celebrate with me", he whispers, somewhat bashful which is endearing.

"Sure, let me throw on something else to wear, can't go out in this", you say, hands moving across your body to clarify your point; due to the heat you're only wearing some boxers and a flimsy babydoll top. Oscar gazes at you, shaking his head. "No, no, I mean celebrate in, you know . .", he stumbles over the words, blush now burning his ears too.

Oh. Oh.

To end his misery, you catch his wrists to pull him inside before hitting the door close with your foot and shove him against it.

For the first time you kiss him, all teeth and tongue, and its different from what you have imagined — his hands are rougher, caressing your lower back, creeping under the top to feel the warm skin of yours. Grabbing you by the hips, he sloths his dick against your stomach and grinds. He doesn't feel small, maybe even bigger than his teammate. In your imagination, he was softer yet he let you guide him to bed exactly like dream-oscar did and falls backwards on top of the cream coloured sheets, breath hitching in anticipation.

"Remove your clothes, baby."

You reach for the hem of your top as you command him, letting him stare at your tits while he steps out of his bottoms and throws the shirt in a corner. His milky smooth skin's glowing in the dim lighting a street lamp spends, and you see a map of freckles on his chest as well as a happy tail lending down to his beautiful cock.

Spitting in your hands, slander finger gently touch his length, causing Oscar's head to fall back, lips wide agape and you take the opportunity to spit in his mouth. "Shallow, Osc, be a good boy f'me, yeah?", you coe, hot breath fawning the auricle. He does, groaning lowly but its getting louder when you bring your legs on either side of his lap, left hand grabbing his cock and coating it in your wetness before probing the fat mushroom tip at your pussy, gliding down till every inch is inside you.

The feeling of his cock might aswell change everything; he's the biggest you've ever taken, scraping and burning you inner spongy walls deliciously as he kisses your cervix.

Fuck Lando, he doesn't have anything on Oscar.

"M so full, you're filling me up so good, baby", the praise let the man smile in a haze, far lost in how good you ride him. Your wet hole holds his grith snuggly as you fuck yourself on his cream coated length — his eyes roll back in pleasure at the sight of a white ring forming on the base of his dick, something he has never seen before, and it spurrs him on to grind his hips into yours, getting a worish wail out of you.

You fuck him till his abdomen thighten and he pumps you full of cum, that is oozing out of your desperately moving body, chasing your own orgasm. Oscar leans in, bitting on your pulse point. Then you fall over the edge, legs shaking as you still on top of him.

After catching your breath, you charmingly smirk at him before he grinds up in your fluttering hole — he's already getting hard again.

[neil-gaiman]

Hi, Neil! You've mentioned that Brian May was initially reluctant to give you permission to use Queen's music in the miniseries (because of competition with the Bohemian Rhapsody film, I think?) but I don't remember you ever telling us why he finally relented. Unless it involves a secret phrase not unlike why the sheep finally obeyed Babe the pig, how did you get him to change his mind?

He wouldn't let us use Queen when we did the BBC Radio 4 adaptation. He was concerned that people might think that Queen was being made fun of, or that Queen was being seen as something old-fashioned or something. For Good Omens the TV show I wrote him a letter, which said...

Dear Brian

Terry Pratchett and I had a private joke, back in the 80s, that any cassette in your car would eventually turn into Queen's Greatest Hits. We put the joke into our cowritten novel GOOD OMENS, and wove a certain amount of Queen magic through the book. Done because, pretty obviously, we love Queen. The book went on to sell enormous numbers over the years, and whenever two Good Omens fans got together, they would talk about Queen.

I know that when Dirk Maggs approached you when he did the Radio 4 adaptation of GOOD OMENS, you were wary about getting involved, due to concerns about, well cassettes, and the possibility of it positioning Queen in people's minds as something old fashioned or silly.

Which, I thought, when Dirk told me about it, was fair enough.

I've now spent the better part of the last four years writing scripts for, and shooting, a TV adaptation of GOOD OMENS. It stars Michael Sheen, David Tennant, Miranda Richardson, Adria Arjana, Michael McKean, Derek Jacobi, Jon Hamm, Nick Offerman, and lots of other amazing people, and it will be narrated by Frances McDormand. It is directed by Emmy-award-winning Douglas Mackinnon. 

Douglas loves Queen. I love Queen. David Arnold loves Queen.

And the millions upon millions of Good Omens fans around the world love Queen too. So we have put various moments in there just for them (including a brass band playing "Lazing on a Sunday Afternoon"). We want Queen music to comment on the action.

The show will come out from Amazon, and then from the BBC, next year. This year we are in post-production.

We'd love to show you some of what we've got. We'd love to pick your brains and to get your take on what we're doing. To find out if there's a way we can include you, or just brief you on what we've planned so far.

And Brian cheerfully apologised for having said no before, and said yes.

(Queen didn't want us to use the song Bohemian Rhapsody initially, because of concerns about the movie, but after a while they were happy even with that.)

[nervoussagittarius]

furniture shopping + night out

matt sturniolo x influencer!reader

summary: your day in the life vlog ft. your boyfriend matt, request

warnings: fluff, maybe language

“good morning vlog” you said taking a sip of your coffee. the sun was just starting to come through your apartment windows as people filled the streets below. “i have a very exciting day planned today so i thought i’d intro the video now and we can chat for a minute.”

you began to get all of the ingredients out to make breakfast for you and matt while you talked to the vlog about your night. your videos tended to feel like a facetime call between you and your fans. everyone loved how personal and friendly they felt. “matt spent the night here yesterday, and i figured i’d be a good girlfriend and make us breakfast. i convinced matt to go to ikea with me this morning because i’ve been in this apartment for about a month now, and i still have no living room furniture. so we’re going to try to fix that.”

as you continued making breakfast matt finally woke up and decided to join you in the kitchen. “okay guys, be honest do these pancakes look good? i hope so. but i’m going to go wake matt up-” matt appeared from around the corner at this statement. “oh nevermind. hi baby! good morning.” matt, not being fully awake yet, gave you a small groan and fell into your arms for a hug. you returned it, holding him for what felt like hours. neither of you complained though. you and matt could be surgically attached and it still wouldn’t be close enough for the two of you.

you turned your head to the side looking at your counter. “me and my friends talked about last night and what we have planned for this morning while i made us breakfast.” “your friends?” matt questioned since he was the only one in your house. “yeah my friends in the vlog” you said with a ‘duh’ tone, earning yourself a poke in the side from matt.

you picked up your camera again about an hour later while you were in the car. focusing the lens on matt, you began to ask him questions. “how do you feel now that i might actually have a couch after a month?” you asked with a laugh. matt’s smile brightened as he took his eyes off the road for a second to look between you and your camera. “i’m happy that we’ll finally have some place to sit other then your kitchen table. i’m excited to go shopping if you’re excited.” he reached over to pat your knee.

“matt’s not the biggest fan of shopping if you couldn’t tell. or if you’ve seen his house you’d know how unfurnished it is.” you said setting the camera on the dash to look at both of you. “listen, i just don’t see the point in worrying about how my house looks when i can be doing fun stuff with my life.” matt said with a chuckle. he grabbed your hand so you knew he was fully just joking to mess with you. “i think furniture shopping is fun. we’ll see you guys again hopefully when i have a couch.”

you were back in the car when you found yourself filming again. you head rested on matt’s ands your intertwined arms as you sat in the parking lot. “bad news guys. we couldn’t find a couch.” you removed yourself from matt as he started backing out of the parking spot. his hand now rested on the back of your neck as he played with your hair. “so sad. i still have to sit on the floor.” matt remarked. you gave him a discouraged laugh catching his attention. he looked over at you while at the red light. “don’t worry sweetheart we’ll figure it out.” he leaned over quickly to kiss you cheek. “thanks matt. we’ll see you guys later.” you said giving your vlog a small smile.

a few hours had past as you and matt spent some quality time together at your apartment. it wasn’t often that you guys got alone time so you cherished it when you did. no meetings, no sibling, and no cameras. but that came to an end when you realized you had a vlog to finish.

matt was the one to pick up your camera this time. you were in your bathroom getting ready for the prada event you were going to tonight. matt thought this would be the perfect time to try and scare you. he quietly walked through your house, making his way to you. unfortunately for him you caught him in this act. his reflection showed up in the corner of your mirror. “what are you doing?” “no i’ve been caught. i was trying to scare you.” he said with a laugh. “next time, baby” he set your camera on your bathroom counter and came around to hug you from behind. “you look really pretty, sweetheart. do you want to tell them where we’re going?” he asked as he gently layed his chin in your shoulder. he didn’t want to mess up what you were doing.

matt’s comment had made you blush, but you’ll quickly pulled yourself back together. “thanks baby. um- matt did a photoshoot with prada recently, and he looked incredible. so they invited us to an event they’re throwing tonight.” “if we make it there.” matt threw out winking at the camera. you looked at him in the mirror quickly as you threw your arm back to jokingly hit him in the shoulder. “matthew!” you exclaimed. “what? im just saying their might be traffic.” he shrugged acting nonchalantly as you rolled your eyes.

“anyway guys i think we’re going to call it a night. i’ll let you know tomorrow how the event went. i love you and i’ll see you soon.” you smiled picking up the camera as matt starts to walk out of the bathroom. “wait, matt! do you have any last words for our friends?” he turned to you with a slight smirk. he quickly screamed in the camera before running off. “i’m so sorry head phone users.” and you ended the video

an: i’m sorry this is so short but i wanted to make this different from chris’s so i hope you enjoy. i also slightly based this off of the vibe of jules leblancs blogs because i love them 🤍