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yiiyiiwrites · 1 day

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🍁 | Autumn Equinox | Azriel

Summary: you’ve been mated to Azriel for over a year now, but it’s your first time celebrating the autumn equinox outside your home court. Azriel tries his best to make it a good one 2075words

Azriel x Autumn court reader

Also Have one for [Cassian] & [Eris] & Lucien coming soon

[Acotar masterlist]

The autumn equinox used to be your favourite celebration, now it just reminded you of everything you’d lost. A bitter sweet holiday you wasn't sure if you could do each year.

You may have gained your fated lover, your other half but you’d given up your home and family.

There wasn’t any other way, you knew that. The moment you’d stumbled upon the shadow singer in the golden forests of autumn was the final fraying thread snapping.

If you didn’t hurt Azriel by your own hands, Beron would make an example of you and use you in what ever way to break the bond. To snuff out any flickering ember that remained for your mate.

So you were as sly as a fox, crawling under the overgrown hedges of molten brown thorns keeping you in the court.

Your mother understood, she packed your things as sobs shook her whole body. Even now as you closed your eyes, you could smell the tendrils of her smokey caramelised scent and the undertones of cinnamon washing over you as if she were embracing you for the last time again.

Strong arms wrapped around your waist, chin resting on your shoulder. You opened your eyes, dark wisp falling away from caressing your cheek. For a moment you imagined the touch of your mother's hand warming your cheek.

Azriel sighed as you sunk into his embrace, his presence more frequent the days leading to the equinox. You’d refused to hold him the first few days after you caught the mark on the calendar, afraid your touch would burn him.

Velaris offered a similar bout of weather that reminded you of home. The nights growing longer, colder and you were thankful there was still a little scrap of heritage you could clutch onto.

Your magic however seemed to be like a fizzling firework in the night court. Touch running hot and cold, that you didn’t stand close to your mate for months as you got used to the warmer seasons.

The restraint you’d built since your arrival dulled your flames. You no longer needed to apologise for scorching holes in Azriel’s sleeve or slapping the fiery embers from the fabric a bit too harshly as you tried to it stop marring his skin.

In the beginning he’d gifted you a pair of leather gloves, but that increased the distance between you both. You wondered why the gods had strung you two together in the beginning, everything you were, summoned painful memories for Azriel. The simple action of holding his hand reminded you why, why you needed to cage the flame to offer him a semblance of the same affection he gave to you.

"I have something for you," he said, nose tracing your jaw and pulling you out of your thoughts.

The cold crept in as he slipped away, the winter breeze pushing the stray strands of hair out out of your face. You breathed in, another wave of smokey scents and sweet aromas tipped with oak prickling the warmth beneath your fingertips. Turning around to meet your mate, you took a step back.

In his gloved hands laid a whicker hamper, tartan blanket sticking out of the box. You gasped, adding another step back. No wonder you could smell their scents. "You saw my mother?" Your voice trembled, hands diving into your coat pocket, fists clenching as you tried to expel the overpowering scents that even mingled with his shadows.

He nodded, ever the cool and controlled mate, never raising his voice or moving too fast as if he'd spook a fox in Autumn. "Yes, it's customary to exchange gifts," Azriel said, pulling the blanket out of the hamper and rolling it out on the ground, he stilled. "Isn't it?" His hazel eyes snapped up to yours, shadows freezing under the curve of his wings.

You couldn't fight the smile, nodding down at him kneeling beside the hamper. He patted the space opposite him and that damned tether tugged you closer. "Yes Az, exchanging gifts are customary but I did not get my family any." You didn't see the point, there was no way you'd be able to step in Autumn without dire consequences.

"That's fine, I did." He shrugged, laying a pumpkin pie in front of you, steam curling off the brown pastry.

A tradition in your family to gift handmade presents to each other during the autumn equinox. Your mothers famous, pumpkin pie, honey tea and spiced apples.

"You got gifts for my family?" You asked, scooting closer to Azriel who didn't offer you a glance, his attention on the contents in the hamper. "What did you get my father?" You leant forwards dipping your head and tried catching his gaze. "My father hates you and you gave him gift?"

"I got him a hunting knife." He said it like it was the most logical thing, as if your father would not be thinking of gutting him with it. His shadows seemed to follow your line of thought, a dark wisp pushing you back to sit.

"Is that why you met with my mother instead?" You laughed, even though you wanted to cry at the thought of your mate stepping into autumn for a spec of your happiness and his own demise.

Azriel finally let his gaze fall on you, his teeth gnawing at his bottom lip. Always searching you before he decided what words to choose. "You're mother actually requested for me." His ears tinged a darker shade, hand scratching the back of his neck.

It was odd to think of your mother with him, you knew she'd be gentle and careful in her approach. Something you thought Azriel didn't receive much of in way of interaction. You also wondered what she thought of your mate, hoping she didn't worry and didn't judge alone from his stony features.

The grey cable knit sweater (the one you'd knit him last year) hugged his muscular arms, bicep flexing at his movement that you forget for a second what he said. A wave of your mother's scent hit you like a whip and brought you back.

"How the Gods does my mother manage to request your presence?"

"Well, she knows a lady in winter, that knows a lady in day and knows..." he trailed off the sentence, stumbling over his words trying to grasp the order of whatever your mother had told him. Trust your mother to use her network of gossips to send word to Velaris in order to find your mate.

"And how many ladies do you know?"

"Many," he smirked leaning in to you, "the only lady that matters is you though." His lips pressed against yours, warmth spreading through your chest as his hand cupped the back of your head and pulled you closer.

You smirked, storing away the memory so that you could show Feyre later and make your mate sweat about his duties to a high lady that didn't matter.

"Smooth, I bet my mother saw right through you." You said, tracing your swollen lips. You leant across Azriel's lap and plucked a ruby red apple from the hamper, teeth sinking into the shiny skin.

"Your mother probably thinks we're an equal match. How many guards did you court till you made it to me?" His lip twitched, fingers pinching your thigh for another swift attack. You swatted him way, squealing as his shadows skimmed the small slip of skin where your top had rode up over your hip.

It were true, you'd worked your way through nearly every division of the autumn army in the hopes of finding someone who wasn't just focused on following the high lords every word. What else were you supposed to do for five hundred years?

"I'd be quiet if I were you, recon I could get a rank higher than you back in autumn.” You swatted the curling wisps out of your face, sending them hissing back to their master.

"I doubt your mother would approve."

You didn’t argue with him on that, knowing that your mother was never fond of any suitor you’d brought home before.

“I take it these are from them?” You asked, lifting a small wooden box out of the hamper. A yellowing envelope stuck to the lid and sealed with red wax. You ripped the letter and scanned over your mother’s cursive writing.

The usual sentimental words she’d say to you around the table whilst you thanked the gods of harvest for giving you all good things and planting new seeds of regrowth and learning. At the very bottom below her signature however was a blurred splotchy mess, as if she’d written it last minute and folded the paper.

I hope this equinox brings you many blessings and offers you new fields to plant your own seeds. May you nurture the connection between you and your fated. My daughter you’ve been blessed, as have I now that I know you will be loved and safe.

Azriel peered over your shoulder, “I think she likes me,” he said, cutting a second piece of pumpkin pie and shoving it in his mouth.

“Just thank the stars you didn’t meet my father.” Now that you were banished from autumn, you doubted that you’d see him again. Too proud of his home to step out of tradition.

He hummed in agreement, pouring a cup of honey tea and setting it down in front of you. The view from the house of wind's balcony was your favourite, always bringing a smile to your face and reminding you that you could find beauty in any court. You did miss Autumn, but Velaris had grown on you, the constant stars blinking in the inky sky each night.

A small fire flickered in a homemade pit, copper bowl keeping it contained. Peeling the overlapping cloth, you traced the knitted mittens. Charcoal grey yarn that looked like liquid mercury woven together with softer orange, the two colours a symbol of your union with Azriel. Picking them up from the box, you slipped them into your pocket, freezing as something dropped out of one the mittens. A dark wisp dove out from its owner and caught the small object.

The shadows held it up and twisted it in front you, a fox figurine carved from wood and painted orange and beige. Tiny brushstrokes imitating fur, looking oddly like the fox you had as a child. A gift from your younger sister, you'd left your other figurines back in Autumn and hated yourself for it ever since. Least you had one now.

Azriel was silent as ever, watching you intently.

"My mother didn't give you anything? I mean I know I am gift enough Az," you said, laughing as he bumped his shoulder to yours.

His head dipped, Shadows concealing his face. "She did, wouldn't let me leave till I finished a pumpkin pie she made. Your sister made me a little fox of my own." Thats when you noticed the tiny wood carved fox pendent on a thin string around his neck, dark ink peeking out underneath it.

"Oh god's Az, don't let your enemies hear you say that. If that's all it takes." And by the looks of it, he'd enjoyed it so much, he was half way through the pumpkin pie from the hamper.

Cool metal met your fingertips as you lifted the cloth again, your reflection staring back at you in the silver blade. "I take it this gift is for both of us," you joked, Azriel picked it up and turned the hilt in his hand. A red stone embedded in the pommel, a scripture you couldn't quite make out on the hilt.

"Hunting knife, a few centuries old," he said glancing at your furrowed brows. "Look the hilts worn, the leather binding it, is coming away. Blade needs sharpening too, must have been in your family for a long time." He passed the knife back, blade pinched between his thumb and pointer finger.

You wrapped it back in the cloth, sandwiching it between the thick layers. "No idea why he'd give me that old thing," you mumbled, slamming the box shut. You were never one to use a knife, more inclined to using your magic and merging it with autumn's fighting techniques.

"No idea, just don't gut me with it in my sleep."

"Never," you gasped. "Just remember good behaviour or its a blunt blade my dear."

Since its nearly autumn equinox I wanted to do some prompts for it :) there's other characters to come - Yiiyii

#acotar azriel #azriel fanfic #azriel x reader #azriel shadowsinger #azriel acotar #azriel spymaster #azriel #azriel fic #azriel fluff #azriel x you #azriel x female!reader #acotar fanfic #acotar fanfiction #acotar fic

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pawsitivevibe · 24 hours

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A Quick Guide to Dog Shows

I tend to see a certain amount of confusion about how dog shows work. So I'm going to break it down here. Note that this is based on the Canadian Kennel Club and might differ based on organization. It is basically the same as the American Kennel Club. If you watched Crufts, some of the classes and awards have different names, but operate in a very similar progression.

There are multiple "stages" in conformation. This is where I see the confusion.

CLASS:

So, you sign up your dog for a dog show. They are going to be entered under their BREED. Within their breed, they will be entered in a CLASS. A class is basically just a category under which they are judged. The main classes are usually:

6-9 month old dog (often called Junior Puppy)

6-9 month old bitch

9-12 month old dog (often called Senior Puppy)

9-12 month old bitch

12-18 month old dog

12-18 month old bitch

Open dog

Open bitch

Canadian bred dog (the dog was born in Canada)

Canadian bred bitch

Bred by exhibitor dog (the dog's breeder is also the dog's handler)

Bred by exhibitor bitch

These additional classes are also common:

Veteran dog (7+ years old)

Veteran bitch

3-6 month old dog ("Baby Puppy" does not compete for points, but may compete for "Best Baby Puppy")

3-6 month old bitch

Dogs within the classes will be judged based on the breed standard, but in the age based classes the judge will be keeping in mind that they are still puppies. Your dog may be eligible for multiple classes, so you choose the one you think your dog has the best chance of winning. For example, I have a 20 month old English Cocker Spaniel dog. He is eligible to compete in Open dog, because dogs of any age can compete in Open. He was bred in Canada, but I did not breed him, so I could enter him in Canadian bred, but not bred by exhibitor. I choose ONE class to enter.

Alright we're in our CLASS. Each class is then judged based on the breed standard. Each class will be judged for 1st through 4th place. The 1st place dog or bitch in each class will then move on to the WINNERS ring.

WINNERS:

The winners of the dog classes will compete for WINNERS DOG. The winners of the bitch classes will compete for WINNERS BITCH. There will also be a Reserve Winners Dog (2nd place) and a Reserve Winners Bitch. Note that the winners dog and bitch may be puppies.

BEST OF BREED:

The Winners Dog and Winners Bitch will then go on to the BEST OF BREED ring. They will be joined by dogs and bitches of their breed who are already show champions. Champions have already won enough "points" in previous shows to receive the title of champion, and do not have to compete in the CLASS or WINNERS stages. The judge will now look at the winners dog and bitch and all the champions, and choose 1 to be awarded BEST OF BREED, meaning they are the best dog or bitch overall. The judge will then choose a BEST OF OPPOSITE SEX, meaning the best dog of the opposite sex to the best of breed winner. If the BOB is a bitch, then all the male dogs will be judged for BOS. The judge will also look at the Winners Bitch and the Winners Dog to choose a BEST OF WINNERS between the two. The judge will also choose a SELECT DOG and SELECT BITCH, for the best champion dogs after BOB and BOS. Sometimes the judge will also choose dogs to be given an AWARD OF MERIT, to recognize exceptional quality in dogs who did not receive BOB, BOS, or Select.

BEST PUPPY IN BREED:

The judge will then call in all the puppies, dog or bitch, that were not defeated by another puppy. These puppies may have been entered in any CLASS, not just the puppy classes, because you can also enter puppies in Open, Canadian bred, or any other non-age-restricted class. The judge will choose an overall BEST PUPPY. However, if the BEST OF BREED dog was already a puppy, that dog will automatically be awarded Best Puppy as well.

GROUP:

Now there are many many dog breeds, and the breeds are divided into "groups", which is usually indicative of their function. Groups have different names and divisions in different organizations, but the CKC has 7 groups: Sporting, Hound, Working, Terrier, Toy, Non-Sporting, and Herding. Spaniels, setters, pointers, and retrievers are in the Sporting Group. Sighthounds and scent hounds are in the Hound group. Herding dogs are in Herding, and so on. Every breed within a group will have the BEST OF BREED sent to the BEST OF GROUP ring. Each of the BOBs of the different breeds will be judged against their own breed standard to determine which of them is the best. There will be a top 4 dogs awarded in each group.

There will also be a separate competition for BEST PUPPY IN GROUP. All of the BEST PUPPY IN BREED winners will compete for this. If a puppy was also the BEST OF BREED winner in a particular breed, they will compete in the group and puppy group.

BEST IN SHOW:

The 7 BEST OF GROUP winners will go on to compete in the Best in Show competition. Remember, they are being judged based on their own breed standard, and if they fit their own standard better than the other dogs fit theirs. So the best in show judge is looking to see if this Cocker Spaniel is a better Cocker Spaniel than this Shetland Sheepdog is a good Shetland Sheepdog. It's not a "this breed is better than this breed" competition. This is why you will sometimes unfortunately see an unsound dog win BIS, like a German Shepherd with bad hips or a Pekingese. The judge doesn't think they're actually the prettiest dog ever and what a pretty dog should look like, just that they best fit their breed standard. Unfortunately some breed standards emphasize traits that are unhealthy. A RESERVE BEST IN SHOW winner is also awarded for the "2nd place" dog.

There's also a separate BEST PUPPY IN SHOW competition for the BEST PUPPY IN GROUP winners to compete in. A puppy who already competed in the BIS ring might also compete in BPIS. However, if a puppy won Best in Show already, they will be automatically awarded Best Puppy in Show as well.

There may also be a Best Baby Puppy in Show competition, for the 3-6 month old puppies. They would have also had a group competition. The Baby Puppy category is meant to prepare future show dogs for the ring, so it is focused more on fun and providing a good experience for the babies.

A RECAP:

A dog will compete under their breed in a CLASS

Class winners will compete for WINNERS DOG and WINNERS BITCH

The 2 Winners will compete against the Champions for BEST OF BREED and BEST OF OPPOSITE SEX. The Winners will also be judged against each other for BEST OF WINNERS.

The Best of Breed for each breed in a group will compete for BEST OF GROUP. There are placings for 1st through 4th place.

The Best of Group of each of the 7 groups compete for BEST IN SHOW and RESERVE BEST IN SHOW.

#dogblr #found in my drafts ... might as well post

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duckdodger · 17 hours

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this may be too much to ask but do you have a tut on how to draw turtles in the mm style?? (or just at all my ass is suffering. i need to draw tmnt but my brain doesnt know how :c)

Sure ! I’ll try my best to explain (I made one after the first tottmnt trailer came out it’s outdated so I’m remaking it)

If you’re talking abt mm movie style , I don’t think I’m skillful on them enough to make an art tutorial 😭💔they’re hard for me to draw too

Info on keep reading :D !!

- I take hundreds of screenshots + download promo art and a create collage of it , use it as a ref sheet. I study on the shapes , proportions , and style of each character.

- Then I pick an image from the pile to see if it’s a good pose (if not, I find poses from other resources to draw) or expression I want to use as reference for my drawing

- then I start sketching , adding the sharp details . Clean up on lineart and color later

Other Notes :

- Tales of the TMNT artstyle uses sharp sketchy lines to give it that sketchbook artstyle

- In some frames from the show, Their eyes are pentagon shaped & pupils are not fully colored in. Mask tails have different styles too

- Each turtle not only have different headshapes , they have different plastron shapes too (these are fugly examples I accidentally deleted the OG layer of this and had to redo it LMAO)

- Looking at Tales crew art also rlly helps! (There’s a lot of them on the #/talesofthetmnt tag on insta & twitter)

the Tales of the TMNT artstyle is easy to nail imo , it’s like more of a simpler version of the rise of the TMNT artstyle if that make sense ?? That’s how I personally feel lololol

If you never drawn TMNT before , just go slow on your art process , look at references, & take your time . Draw the characters in your own style first if you want :] just to feel more comfortable and less stress trying to replicate the iteration’s style . overall , have fun <3

I usually suckkk at these art tutorial stuff but hope this helps :D !!

#tales of the tmnt #mutant mayhem #my art #tmnt #if there’s anything specific ur still curious lmk and I’ll do my best to answer ‘:D

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appleblueberry-pie · 19 hours

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I love yall, and I know I haven't been writing on here...but like what happened to being descriptive in our writing? I feel the effects of communism reaching the fingertips of the only group of writers who still (gladly) bother to give energy into this website. I barely do much, and I barellyyy give anything at all nowadays but without the explanations of anything going on, how are people new to this supposed to understand where ur coming from? I wanna feel the emotion in your story. I want you to tell your tale and i wanna feel what all those characters feel.

Im being given like literal scraps right now. All I see are what could pass as a description of what a book is about and then yall call it a day like whatttt that's not what we're here for. At all. I wanna feel what your brain felt when u wrote that one sentence. Description isn't just meant for smut, its meant for all forms of writing.

The best example I could give is with what I do best, yandere stories(sorry). Jujutsu kaisen(sorry to other Fandoms but what I'm saying does apply to everyone).

Yandere Gojo kidnapped you after you found out he was stalking you for over a week now. You don't even know him like that. He's just your coworker for crying out loud. But now you're trapped in his home for his to have, to take care of. And you can't do anything about it.

.........................okay??? Where's the rest? Why did he kidnap you? What drove him to take you in the first place? He had enough? Did he NOT have enough and just took you entirely out of sad guilty pleasure? Is he a loser that depends on you without realizing it? How does the reader feel about it?? Why isn't there anything about how the reader feels about any part of this?

What about buildup to the kidnapping? The mental work-up to that big moment? Where's the intention behind the language he speaks to you, the love he gives in every move he makes directed towards you, where's the devotion and care he shows in every touch he gives to you? Where's the absolute opposite of that care when he's around anyone that's not you?

Where is this character that you're proposing to us?

It's just hard for me to read anything when no one's....idk it just feels like no one enjoys their own writing anymore. I get everyone's busy, and they still post every now and then. And that's me. Im so fucking busy. But it's just like, somethings off. I wish I could find good writing again.

#yandere gojo x reader #yandere #jjk #yandere x reader #reader #yandere x you #jujutsu kaisen #yandere character #jujutsu kaisen x reader #yandere jjk #i literally was waking up from a nap as i was writing this. thats why it sounded stupid in the beginning

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suqueenaryomen · 17 hours

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JJK Uraume Male/Female - Gender Identity

It’s just a theory and speculation:

Personally, I don’t think Uraume is female. Instead, I feel there’s something more masculine about them—how they fight, how they talk to others, and how they behave. They remind me of those boys you see in anime nowadays: a boy with a feminine appearance, beautiful and innocent, but dangerous. There are quite a few characters like that in anime, such as Kurapika from Hunter x Hunter (many thought he was a girl), Inosuke Hashibira from Demon Slayer, and even in Assassination Classroom and Black Butler with characters like Ciel, and several others.

Uraume is not an official name for either male or female. In Japanese, Uraume is not a common first name; it’s typically used as a term or name that appears in specific contexts. Uraume has something to do with plums. Gege must have come up with something imaginative….

But what we do know (hopefully without mistranslations) is that Uraume is definitely in a female body. However, that doesn’t necessarily confirm anything. We must not forget, Kenjaku is not the only one, but he’s the best example - he took over the body of Yuji’s mother (Karoi) and that’s a female, a woman, and Kenjaku remained male because that’s his true origin his true form. The same could be with Uraume? And the reason we see Uraume topless (covered with bandages) might be a sign that Uraume is used to being a male. But Uraume with a female body can’t just stand there naked like Yorozu 😅. That wouldn’t fit their character and personality. It would be silly and that even in a serious fight with Hakari….

It’s a shame that Gege Akutami hasn’t talked much about many characters or shown us more of their stories. But there’s going to be an official second fanbook interview with Gege soon. Hopefully, we’ll learn more then.

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yawnzbf · 18 hours

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LDS boys x reader who's quite oblivious to their feelings?!?

| Partner who is quite obvious to the boys’ feelings |

Lnd boys x gn! Oblivious! Reader

Xavier

Xavier will wait for you to realize your feelings on your own terms giving you time and affection

He will be so soft and sweet to you, the man’s just happy to spend time with you

Sometimes while training together, he’d purposely let you win so can watch to celebrate.

When he does something a bit flirty, you’re dumbfounded- ears red eyes unable to meet his.

Though he isn’t the best person around to have in the kitchen, he makes an effort to learn how to cook your favourite dish.

A particularly strong hit from you caught Xavier off guard. He stumbled backwards, feigning a loss of balance, and fell to the floor with a dramatic thud. Concern immediately washed over your face as you rushed forward, your weapon forgotten, to check on your fallen comrade.

"Xavier! Are you alright? I should have been more careful," you said, worry etched across your features as you held him still.

Xavier lay there, seemingly dazed, looking up at you with a mysterious glint in his eyes. A whisper echoed through, "Woah... you look pretty from here."

Your concern shifted to confusion, and you tilted your head, trying to make sense of his words. "Hm? You said something? But I can't believe I was able to defeat one of the top-performing hunters today!" you exclaimed, once you registered the accomplishment, your attention torn between victory and the well-being of your sparring partner.

"Congrats on the win, you did great," Xavier replied, his hands reaching up to gently cup your face. The touch was unexpected, and you blushed slightly at the unexpected closeness. His eyes sparkled with a mixture of admiration and devotion.

Zayne

Zayne, although busy throughout the day, would set aside time for you to spend it with you even when you insist on him utilizing it to rest

His type of love would be acts of service and gift giving, getting you small things

^^ for example when you unconsciously ramble on how you were recently into doodling and sketching so he brings in a sketchbook for you to fill up )):

Or when you wanted to have crushed ice in the middle of the summer, he’d use his evol to help you out

He’d keep in one of your doodles on his office desk- a constant reminder of you that put a smile on his face

Dr. Zayne peered over the rim of his glasses, his expression a mix of concern and amusement. The soft hum of medical equipment echoed in the small examination room, creating an oddly serene backdrop to the unfolding conversation.

"Your heart's racing again," he remarked, the corner of his lips lifting in a half-smile. "May I ask why?"

"Really? I don't know, Dr. Zayne. This happens every time I'm near you. Do you think this is some kind of allergy?" you ask genuinely worried.

Laughter almost spills from his lips at the question, “I don’t think that is medically possible, perhaps this is because of some different matters..” Xavier trails off, eyes hinting at something you aren’t sure of.

While you are left confused- oblivious even to his intentions!

Rafayel

This man will not stop pestering you, constantly throwing flirty lines at you even when you shoot him down again and again :(

Unlike the other two, immediately after he recognizes his own feelings, he’s all over you

Although when the topic of actually confessing comes up, he’s all shy and red in the face, and when you misunderstand his confession- he gets all pouty not talking to you for days

“y/nn!” he whines over the phone, “I need you here right now! You’re my bodyguard, right?! There’s this hideous bug near my canvas, please come quick,” he hurriedly says cutting of the call before you can even reply.

You roll your eyes as you hear his dramatic plea through the phone. It's not the first time he's called you for something trivial. Sighing, you decide to play along with his antics and head to his house.

When you arrive, you find him standing on a chair, gesturing wildly at the bug near his canvas. "Y/nn, thank goodness you're here! This bug is a threat to my masterpiece! Can you please get rid of it?" he says, looking genuinely distressed.

You can't help but chuckle at his exaggerated reaction. "Alright, alright, calm down. It's just a bug," you reassure him. You take a step forward and swat the bug away, making sure to make a show of it. "There, problem solved. Your masterpiece is safe," you tease.

He looks at you with wide eyes, a mix of relief and admiration in them. "You're my hero, y/nn! Always coming to my rescue," he says, a mysterious glint in his eyes. As you share a laugh, you notice a hint of vulnerability in his expression.

"You know," he starts, scratching the back of his head nervously, "I... um, appreciate you being around. More than just for bug emergencies, I mean." He glances away, his cheeks turning a shade of pink.

He hesitates and finally blurts out, "I like having you around, y/nn. More than just for emergencies." You raise an eyebrow, not fully grasping the weight of his words.

“I mean, I hope you do,” you start, giving him a small smile. Upon hearing your words, he’s not talking to you for the rest of the week, while you wonder if you had said something wrong.

Sorry you had to wait this late but I was busy with moving into uni and lyf happened, although be ready to be fed more often now!!

#gn reader #male reader #love and deepspace #rafayel #love and deepspace x reader #love and deepspace rafayel #love and deepspace game #love and deepspace gn reader #zayne #xavier love and deepspace #lads xavier #lads zayne #lads rafayel #lads

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thebramblewood · 2 days

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Apologies if you've answered this before, but I was looking through your asks and couldn't find anything.

Do you have any advice on how you take such good screenshots of your game? You have such a knack for lighting, having variety of shots, and making them immersive.

This is so sweet. Thank you! 🥰

If I'm being honest, it's 90% vibes and gut feelings for me. I don’t have any formal background in filmmaking or photography, and everything I know is by sheer osmosis. There’s a lot of fancy terminology to describe why certain image compositions look better than others. I admire and respect anyone who purposefully keeps that in mind. But I am definitely not that person. I think I’ve watched enough film and TV, though, to subconsciously be doing the "right thing" - or at least what looks right to me.

That being said, I think the best way to improve is practice. If you spend enough time doing something you'll obviously get better at it, even if you don't realize it at first. So the most important thing is to give yourself the patience to grow and the freedom to experiment! At any rate, here are some things I've learned that will maybe be helpful to others.

Camera Tricks: We all know the camera in TS4 can be a little wonky at times. I use Buckley's camera mod. It hasn't been updated in eons but still works as far as I can tell. It gives you more freedom with movement, and I've found it especially helpful for getting shots that are lower to the ground.

Now that I've realized how sneakily useful first person camera can be, I also take advantage of that all the time. There's the trick of making your Sim look in a specific direction. (This works with poses and gameplay actions, by the way! For example, I used it to turn Caleb's head toward Lilith while he was trimming the bonsai tree.) There's the Dutch angle trick explained in this video. This is great for moments of disorientation and unease. I also just straight-up used first person camera to convey Helena's confusion upon waking after being turned.

Also, saved camera positions are your best friends. You can save up to five positions using CTRL+5-9. Then you just click the corresponding number to return to that position. I've used these for so many reasons. By taking two shots in the same position and Photoshopping them together, I've been able to edit Sims in (like Vlad below), fix accessory clashes (the book was in the hat category, so Lilith couldn't actually wear it at the same time as the towel on her head), and to pose Sims in open doorways (Helena had to walk through the door to open it for the Vatores, so I shot both halves separately).

Zoom: I love smashing that zoom button, whether it's zooming way in or way out. Zoomed out shots are perfect for establishing setting or as interstitial shots during a long conversation when you don't want to always focus on Sims' faces. They're also great for the draaama. Extreme close-ups are great for emphasizing emotion or a tiny but significant detail. Playing around with the extremes of zoom is one of the best ways to achieve shot variety!

Focus: I don't think Reshade is a necessity for good visual storytelling, but it does make certain things easier. I rely a lot on depth of field shaders to pull focus in shots. I like using cinematic depth of field especially in conversations to blur some characters while emphasizing others. I feel like this helps ground conversations because it reminds us there are multiple participants instead of always zeroing in on the speaker alone. Another way to play with focus is to allow the angle to mirror the emotions of the conversation. It's an older shot, but I always liked how Caleb seems to cower beneath Lilith's bat form here even though she's technically smaller. And in the recent conversation between Lilith and Helena, I kept the camera to Lilith's back to emphasize her vulnerability and discomfort and put the focus on Helena's reaction to it.

Framing/Angles: I do this by pure instinct, honestly, and have gotten better at getting it right on the first shot over time. I used to take half a dozen shots of the same pose from different angles and choose the best one. Nowadays, I'm quicker to commit and often take only one shot. I've learned that if something immediately tickles my brain, it's usually the way to go. I usually angle shots so that the characters aren't looking directly at camera, as it seems more natural that way. On the other hand, sometimes the direct to camera look can actually work in more confrontational or unsettling moments.

Environment: If I can help it, I don't do my own builds. In some ways, this is a disadvantage because I have to set up the scene within a space that wasn't specifically catered to it. On the other hand, it makes for fun little surprises, like the ability to peek in through a skylight or frame two characters within perfectly placed archways. I like using objects and structures to create interest when I can. I often don't discover things like this until I'm pulling the camera around and randomly happen upon them. I definitely recommend navigating all around to see what you've got to work with before committing to any specific angle. You might find one you didn't even think of!

Lighting: I do what I can with the game's lighting. I avoid placing ceiling lamps or at least turn the brightness down much lower, and I don't usually turn all the lights on in a room at once. I tend to change the color to one of the warmer golden hues to avoid a stark white that washes everything out. I always like when I can get some sources of light into frame because it adds a lot to the ambience. But I've also been using Relight on all of my posts lately. It's an addiction, and it truly makes all the difference. I'll use it to give light sources a stronger glow so they stand out more and also to create shadows on Sims' faces. It's also very good for flashlights and computer screen glow!

After having self-indulgently written all this, I'm not sure how much is usable advice versus rambling musings. I find it hard to give storytelling "tips" because so much of it feels innate and personal and hard to put into generalized terms. I also don't want to imply that every one of my shots is perfect or that there aren't a million other ways to go about achieving good results. But thank you to anyone who's made it this far, and I hope you found it worthwhile. 💕

#asks #the zhaoverse

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eddis-not-eeddis · 18 hours

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How To Stop Killing Conversations

Talking is hard. People are confusing. Making friends is difficult, and interacting with coworkers is tortuous.

You want to make friends, you want to reach out, but it's hard and every time you start a conversation it dies, or limps along until both you and the person you're talking to are looking for excuses to kill it and put it out of it's misery so you can both escape the increasingly awkward situation.

As an introvert who has suffered a lot of social anxiety in my time, let me share a few tricks I've learned over the years going through hundreds and thousands of excruciatingly painful conversations until I found something that works. I've kind of distilled the process.

ALWAYS ASK A QUESTION!!!

The first thing is to always leave your partner an opening. You need to let each other talk for a conversation to get off the ground, but it's more than that, really. You need to actively encourage each other to talk. The best way to do that is to ask questions.

Here are two examples of an introduction: Example A

You: Hello.

Them: Hello.

You: Nice to meet you.

Them: Nice to meet you too.

Example B

Y: Hello, nice to meet you, how are you? T: I’m doing well, yourself?

Y: I've been really well. How are you liking the weather?

T: I'm so happy the weather's finally getting cooler, I'm looking forward to pumpkin spice season. Do you like lattes?

Do you see how in Example A the conversation wasn’t going anywhere? It just kinda died, because there weren’t any openings for new topics, whereas in Example B, there were openings to keep the conversation going.

But what do you do if your conversation partner is as socially inept as you were two minutes ago and doesn't play along? All is not lost.

Example C

Y: Hello, so nice to meet you, how have you been doing?

T: I'm doing well.

Y: That's great, are you enjoying the nice weather, then?

T: Yeah. I'm glad it's finally fall, I'm looking forward to pumpkin spice lattes.

Y: I love pumpkin spice lattes! Pumpkin spice anything, really. I recently got the best pumpkin spice candle at the shop down the road, have you been there?

Even if they don't leave you an opening, you can usually make one. It may be difficult, especially when they don't give you much to work with. This is where having a go-to script is a life-saver--me, I always default to talking about the weather, so when in doubt, you can do that.* The important thing right now is to keep fostering the conversation, so once you bring up the weather, segue into a question. When they answer the question, make a brief comment or observation from your own experience and build off of that comment or observation to ask another question.

"But I don't want to make it about me. Doing that's bad, right?"

This is why that questions are important. If you haven't been asked a question, you kinda have to make it about you, you don't have a choice. But to keep from being an attention hog, follow up your shared experience or anecdote with another question.

Example D

T: I love pumpkin spice lattes

Y: Me too. I had the best pumpkin spice latte the other day at the cafe down the road, have you ever been there?

Now you've circled the conversation back around to them again, and you aren't taking the limelight. Sharing an experience is so important, you're trying to show that you understand, that you sympathize, that you relate.**

This really is the most important element of being a good conversationalist. You have to keep asking questions.

The one other thing I will touch on is introductions. DO NOT get into turn based combat.

Example E

Y: Hello

T: Hello

Y: Nice to meet you

T: Nice to meet you too.

Y: How are you doing?

T: I'm fine. You?

Y: Me too.

This will kill any possibility of continuing a conversation. Instead, get it all out of the way all at once, if at all possible.

Example F

Y: Hi, it's nice to meet you, how are you doing?

This is good, but this is better

Example G

Y: Hi, nice to meet you, how are you liking the weather?

Don't ask how they are doing, or if you do, before they can answer, follow it up with your placeholder (weather etc.) so they have to say some thing like

Example H

T: I'm fine, and I'm really liking the weather.

T: Not so great, the weather sucks.

Either of those options are much easier to work with than your basic "I'm fine."

Usually, if you can get past the introduction, you can get a conversation going. And then, even if you don't end up hitting it off with the person you're talking with, you at least don't leave the conversation feeling like you've died a thousand tiny deaths.

In fact, if you get past that introduction, you may have just made yourself a friend.

Remember folks, basically everyone around you is more afraid of you than you are of them, and in this benighted age no one has been taught conversation skills, so we are all pretty much in the same boat. (Unless you were born an extrovert, in which case we are all deeply envious and would probably kill you if we didn't need you in our sad and lonely lives so much.)

Have grace for one another, and for yourselves because talking with people is difficult.

Go forth, and stop killing conversations.

*If you are one of those awful people who likes to brag about how you hate small talk and only want to talk about important and meaningful things, I have one question: Do you ever have a conversation that lasts long enough to become meaningful? I thought not. Small talk is an important skill. Develop it.

**This is how you deal with sad or difficult situations too. When you want to show you sympathize with someone going through a hard time.

Example:

Y: How are you doing?

T: Not very well. My dog died last week.

Y: Oh, I'm so sorry to hear that. My own dog died last year and I still miss her a lot. How are you handling it?

Now you've circled the conversation back around to them again. You aren't making it about you.

If y'all want, next time I can share how to extricate yourself from a conversation.

#formatting is hard sorry #but this is something i've picked up from chatting with THOUSANDS of people on language exchange apps over the last few years #and it's something i taught to some family members recently and i've seen marked improvement in their social skills since then #so i figured maybe it would be helpful to others #i had to learn it all by myself and it was so painful #if i'd had a cheat sheet life would have been better #also lately i have had to be the only one keeping conversations going WITH PEOPLE WHO TALKED TO ME FIRST #because they have no clue how to converse with other people #and it's not their fault #this isn't really taught to us #but its also a lot of work #if you're going to start a conversation you should make some effort to keep it going unless you are going to walk away

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arashi-no-saxlphone · 1 day

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Screaming along to Requiem this morning and it made me think of the "people like Sol but not I-No" thing again and I just wanna say I know there's issues with how GG handles their women sometimes but like... the GG women are REALLY fucking cool and good. I-No is one of the most incredible narrative foils in fiction to me to both Axl and Sol in different ways. You have Sol Badguy, doomed savior, and I-No, who though we weren't totally aware of it at the start of her character story, has also been put into the same role. The two are at odds because of the future I-No has been cursed to know about and burdened with the idea that she can change said future, and she and Axl are two sides of the same coin in that I-No is stuck in a cycle of chasing a future she cannot change while Axl is stuck in a cycle of chasing a past he cannot return to. And she plays those roles EXTREMELY well. She's written to be a tragic character, doomed by the narrative, because she only has half of what she needs to get what she wants. And she's a Magical Foci - not human - and yet there's deeply human qualities about her that she can't fully embrace because of what she is and the circumstance she's trapped in. I-No willing throws away what little of her humanity is left because she's lost and tired and the crushing weight of all of humanity's hopes being placed into her is so much to bear that she becomes numb - that is a completely understandable reaction that I think anyone can relate to: the exhaustion of existence becoming so great that you just want to give in. She is a foil to Sol, who despite the loss of his humanity refuses to let it go, and chases it to the end, and because of that he's able to save the world (again) at the end of strive. I-No's existence and role in the story is just the other side of Sol Badguy's- it's crazy to me to like one and not the other; their value and narrative weight is identical in my eyes.

Millia and Jack-O both have incredible things to say about the value of one's identity and sense of self. Baiken is a killer example of the gruff revenge-seeking broken person archetype (a role stereotypically fulfilled by male characters) finding acceptance and managing to heal. Bridget tells an exceptional coming-out story (one of the best arcade modes in the game imo the conversation she has with Ky at the end about his fear of going public about his family still gets me). Ramlethal and Elphelt's journey to independence and understanding themselves as more than weapons or puppets. These are characters with incredible narrative weight and substance. It's the essence of Guilty Gear to me.

I don't know, I just thought about this for too long cause of Requiem and thinking about I-No today so sorry for the incoherent dump here.

#sairambles #guilty gear #I-No #i no #ino guilty gear #baiken #bridget #Millia Rage #jack o valentine #sol badguy #axl low #Long post #I'm sorry I'm doing this on mobile I didn't elaborate as much as I could've on all of them #I'm just trusting that you guys see the vision

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thecoolerliauditore · 2 days

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Pls tell me about Scott's views on women in general pls I'm begging you

o7 and I'm sorry

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

fyi, the post itself isn't NSFW, but I'll be getting all gender theory in this bitch so I'll be referencing a lot of things and putting in pictures of naked ppl sometimes. maybe skip this one if you don't like that

(long post)

Disclaimers

An explanation for the tweet up there

I usually don't write these because I assume the people on my blog have enough sense to realise when I'm talking about the characters vs the CCs or are comfortable enough being a little confused, but I feel the need to extra-clarify here and expand on how I specifically view C vs CC because I think it differs a little from the average person.

To me, C and CC are two separate entities but not entirely disconnected. What differs (e.g. the exclusion of irl relationships -- their wives, kids, etc.) is poignant enough to severely detach them from the people they originated from, at least in my eyes, but there's also the fact that these are not scripted characters, just creators being themselves with a hint of behind the scenes drama-adding and improv thrown in.

For example, CC Pearl is a car nerd. So I assume her character is too.

This is where I state very clearly that yes, a lot of these thoughts come from things I've seen on Scott's twitter, which is undoubtedly the CC and not the C. However I, to me, am still talking about the C because any observations/judgments I could make on actual irl youtuber CC guy Scott Major would be tabloid at best and slightly invasive at worst. I'm seeing these statements within the context of "the death game guy would say this too and I'm writing this based on that", not "this is the inner psychological workings of the youtuber because I, as a fan, can totally tell".

TLDR I don't consider this post RPF but you might. This is a little more RPF-y than my usual stuff. If you don't rock with it we cool.

Everyone is weird about women, and that's okay

One short-hand I've used in the past to talk about Scott and women is just by saying that he's "weird about women" which I'm sure isn't exclusive to him.

(shitpost I made awhile back)

I see a lot of people now who love "villains" and "evil" but when it comes to any traits resembling real life evil (e.g. misogyny in this case) they suddenly become insecure. Just a couple of days back a saw a post on twitter essentially asking for permission to continue liking CC Scott in spite of the "bad things" he did.

And I think, in order to present an analysis like this, I must address that mindset first.

This is not a judgment on Scott's morality, nor is it trying to dissuade you from liking him. This is not saying that he is any more misogynistic than any other player in the series. This is just me pointing out Scott's attitude towards women and what I read it as, nothing less or more.

The feelings that me pointing these things out - be they apathy, disgust, anger or, what I would hope to see most, interest - are your own. I'm not here to tell anyone how to feel and never will try to police that on my blog.

Scott's Relationships with Women

aka. oh yeah this is about minecraft.

Scott and Cleo || "Yeah, you can kill me."

Scott and Cleo's alliance is arguably the strongest in the entire series, spanning through all five seasons and remaining unbroken with no (serious) drama attached. You'd expect from this that they two have a very settled and stable understanding of eachother, yet this isn't a case.

Their power dynamic shifts dramatically from one season to the next.

3L's initial Widows Alliance began on fairly equal footing, built on the mutual agreement that they were waiting for their respective partners to die. Both understood they were eachothers' "plan B" and felt comfortable in that arrangement.

Come LL, Cleo does what she couldn't in 3L, and initiates that plan, going to Scott after her last alliance, the fairy fort, fell apart. Scott requests nothing from her in return.

DL is the longest the two spent as eachothers main ally. Cleo is the one who initially proposes teaming up to spite their "cheating" soulmates and Scott agrees. Cleo admits to Martyn in private that she's aware she's taking advantage of Scott (which I've always interpreted as her talking about all seasons, not just DL). Due to the time they spend together, it's here where it becomes apparent that their initial assumptions during 3L were not entirely accurate, as Scott shows a level of gameplay competency much higher than Cleo's (e.g. teaching her how to axe-crit) but despite this Scott never berates her or thinks any less of her value as his ally.

LimL is probably this pairing at their most unhinged, as Scott, despite once again asking for nothing (or very little -- I'll be honest I'm a bit fuzzy on this) in return from Cleo, allows them and their allies to butcher him repeatedly for time. He gives more time to the Clockers than he does to Martyn, his closest ally that season. Despite this, Scott is never ever considered as a "family member" by the Clockers, despite them giving that title to even temporary allies (like the Bad Boys being their cousins) -- even Martyn gets a title with Scott completely unattached.

SL is relatively more chill, but shows that the two inevitably end up teaming together even despite their oath to avoid eachother that season.

The point being -- again and again, we see Scott literally and metaphorically making sacrifices for Cleo, with the only real transaction he requires from her being that she continues having his back when times get rough. This is despite that he's aware she isn't any more capable than he is and the fact that so far it has only been Cleo in rough times (LL, LimL and SL) and never Scott.

Speaking from a purely transactional perspective, Scott is not getting a bargain here -- and even Cleo seems acutely aware of it, judging by her comment during DL as well as the way she tends to speak of her survival capabilities very lowly in general ("rubbish pvp skills and spiffy one-liners"). I'm speaking in this sense because I've seen discussions in the past about the transactional way Scott views relationships but rarely does Cleo get brought up.

This is at stark contrast to how he treats Jimmy, whose predicted death was what spurred on Scott and Cleo's alliance in the first place.

Scott assumes Jimmy is "incompetent", where he assumes Cleo is capable. When Jimmy messes up, he reprimands him, when Cleo struggles to crit him, he patiently teaches her. When LL begins, Scott's first instinct was to look at Jimmy's lives and note that he was "useless to (him)", but holds no objections to Cleo joining his alliance despite her already having enemies being a potential liability. In SL, he jokes about how Cleo and him being allied is a given and pretty much expected of them, whereas in LimL he explicitly requests from Jimmy a recognition that he still cares ("say love you back!") before he will help him.

Scott and Gem || "You HAVE TO kill me, Gem,"

In SL, Gem settles in very easily in a leadership position within Gem and the Scotts due to her trying to live up to her reputation but also due to Scott and Impulse's more laid back, passive playstyles.

Both Scott and Impulse let Gem kill them for extra health this season, although Scott is arguably much more subservient than Impulse is, with him not only insisting that she kill him in the final episode but also not fighting back (and only yelling for her to stop) when she starts hitting him with a sword during the episode where her task was to literally kill everyone on the server.

Once again comparing her to Jimmy, Scott in 3L had a tendency to brush aside Jimmy's concerns over alliances (e.g. Jimmy questioning if they could trust Cleo) while in SL Scott runs his plans by Gem (and Pearl and Impulse) in terms of who he wanted to team up with (specifically excluding Joel from the potential mounders alliance) implying he held her opinion in some form of regard.

Before this becomes less of an analysis of Scott's treatment of men vs women and more of Scott's treatment of Jimmy vs everyone else, I think it's notable enough to mention that he and Martyn also lacked this sort of communication in LimL. He would inform Martyn of his plans, but rarely was it ever framed as a request.

SL almost feels as if Scott has slid Gem into the slot he had previously designated for Cleo in 3L (his girlboss ally) as he provides her and pretty much forces onto her by the end the acts of service he'd become accustomed to performing for Cleo.

Scott and Lizzie || "You killed her! I don't.. I don't know what to even say!"

Relatively shorter section because this is the one woman he hasn't teamed with, but there's still some interesting stuff I wanted to touch on.

In LL, one of the first thing Scott does is yell at Pearl to revenge-kill Joel for boogey-killing him. Pearl does as she's told and Joel's wet miserable pathetic LL life gets worse from there.

Several episodes later, the roles are reversed -- Lizzie lies to both of them and manages to isolate and boogey-kill Pearl. Scott, instead of reacting with the anger he had for Joel, is almost in a state of shock as he asks Lizzie to let him down so he could collect Pearl's belongings. He doesn't act aggressively towards Lizzie at all, with his most antagonizing act against her being to lie about his intentions when giving her a wither skull.

In SL, he's the only one aware of her early permadeath, but keeps quiet about it almost as if he's in a state of shock akin to when he saw Lizzie kill Pearl in LL. It's not until the others have noticed when he finally brings it up.

Scott and Pearl || "Tilly death do us 'part"

I wrote a whole post just for their relationship alone so for the sake of my sanity I'll be leaving this here.

So now I get to dedicate this section to the meat of this post -- how the way Scott treats women in general impacts his relationship with Pearl and how I view his heel-turn on her as seeping with relevance to Pearl's perceived gender.

In all three of the previous sections, the running theme is that Scott is 1. kinder and more patient with women, regardless of their competency and 2. someone who likes to be in a supporting role to women, occasionally aiding them more than he aids himself and his closer male allies (e.g. Jimmy and Martyn). As shown with Cleo, he assumes that girls have it together, but even if they don't it's not a big deal. When a girl's actions are truly disastrous, such as with Lizzie's, he goes into a state of shock and doesn't really react, preferring to swallow it down and not acknowledge it.

With the amount of times he sacrifices himself, I don't think it's a reach to say that Scott values his own life less than he values the lives of his (female) allies. This specific point actually does extend to his male allies too, shown when he's happy when Martyn literally backstabs him in LimL, but just as with the Martyn post where I point out his victim status-ing doesn't end at only women but includes all the women, Scott has pedastal-ed all the women he's teamed with.

Lizzie is, once again, the exception here due to his limited interactions with her. However that's actually somewhat patched over if you look at adjacent series (such as x-life) where he definitely shows her a level of admiration and respect.

Back to Scott and Pearl.

Their relationship during LL is very standard of how Scott treats women. While the power dynamic between them is obviously more caused by the initial life trade agreement, I don't think it's a far reach to say that Scott is somewhat comfortable in the arrangement.

However, this is also the first thing that sets their relationship apart from Scott with Cleo or Gem -- Pearl is the one making sacrifices, not Scott. She is the one "sacrificing" her lives to him, just in a more non-violent way as allowed by the season's mechanics.

When viewed through this lens, Scott trying to make it up to her and wanting his effort acknowledged makes even more sense. This is suddenly uncharted waters for him. His assuming that Pearl doesn't value him as a person goes hand in hand with him valuing himself less than her.

What Scott has with Cleo or Gem, situations where the other party is clearly uncomfortable with how he treats himself (Gem) or actively aware they are taking advantage of him (Cleo), is equalized to him because he is inherently worth less. What he has with Pearl, on the other hand, looks more equal to most people (lives vs labour) but is wildly imbalanced to him.

It's one of the many factors I see going into Scott's weird decision to abandon her in DL.

An Interlude, Before We Get to DL

La Pieta, Michelangelo

So this has been a lot of words so far and some of you might be wondering at this point: why say Scott is "weird" about women when so far this has been describing how he values women more, is kinder to them, is more patient with them, etc.? How is any of this behaviour remotely misogynistic?

And I would feel horrible if I forced you to read through all of my DL thoughts before I clarified this -- Scott is not your classic wifebeater "women are lesser" misogynist, Scott is someone who subscribes to misogynistic schools of thought and probably considers himself an ally to women, when in reality his beliefs are still rooted in dehumanizing them and these beliefs end up harming the women around him as well as himself.

After all, seeing women are your superiors is still not seeing them as your equals.

I know it's a bit of a meme on this blog at this point. But. Sigmund Freud identified what we know refer to as the "madonna/whore complex", which he described as a pattern of behaviour in men who separated women into being madonnas (pure, holy and admirable) and whores (debased, sexual, deviant). We'll be focusing on the former, the madonna, as it is more relevant to Scott's character.

Freud proposed that the madonna figure was something men projected onto women as a replacement for maternal love. These women are sacred and untouchable, literally as the projection of the maternal role onto them also makes it so that the sufferer cannot feel any sexual attraction towards her (keep this in mind for later).

Scott projects the madonna figure onto his female compatriots -- they are to be protected, served and supported. They are goddesses, queens, but they are never human. The madonna role in of itself is not inherently harmful to the woman, as seen with Cleo who takes control and advantage of it. However, it is enforced, as seen with Gem who at first revels in the superiority but almost breaks down when Scott offers him up as her sacrificial lamb one last time.

I linked this Utena AMV awhile back when vaguely talking about Scott and women, and this was the point I was alluding to.

youtube

Girls are beautiful and pure. They don't spit on the street, they don't piss on the street, they don't build hierarchies -- they subvert all the expectations of masculinity that I hate having to deal with. They are my escape.

But what about the girls who do spit on the street? The girls who piss on seats? Who build social hierarchies, who size up their competition?

The girls Scott interacts with are all painfully human. Cleo weaponizes his beliefs and take advantage of him. Scott is smart enough to know and accept this. Gem's playing into a role she has been assigned into by not only Scott but everyone around her. Scott supports the character she plays. Lizzie reflects traits he hates in Joel and Jimmy, but for her, he looks the other way.

Are they "demons", as the song says, or are they no longer girls at all?

(demons, gods, but never humans)

Weaponized Femininity and Women In Total Control of Themselves ;)

Hylas and the Nymphs, John William Waterhouse

Historically, weaponized femininity I'd argue is one of the oldest tropes in storytelling. Whether it's nymphs or sirens or witches or succubi or even more roundabout cases like Helen of Troy, there's countless stories of men's sexual attraction to women leading them to disaster.

One way to view these stories is to see them as warnings, don't let womens allure be the end of you.

There's a lot of good writing done on the femme fatale trope both in the context of weaponizing femininity and as a sexist way to argue against victims of sexual assault, as these stories often say that men who experience attraction to these "evil" women no longer have agency over their own actions.

Look at the painting above, for example - is it the nymphs who are responsible for drowning Hylas, or is Hylas climbing into the lake of his own accord?

Despite the fact we all know sirens, nymphs and succubi aren't real, the belief that men will simply lose control of themselves when encountering a particularly alluring woman persists to the modern consciousness. That there's something inherently dangerous about women and attraction to them.

(this is not 100% applicable to Ninja saying he won't stream with women, but it's the real life example I felt most comfortable putting in here)

Now, let's combine this with what's been said so far -- let's say you don't hate women. You love women, in fact, and you hate the way men treat women. You hate men, in fact.

Yet, you still believe in this inherent power women hold by being female and the loss of agency that men experience when attracted to them -- how disgusting.

It quickly becomes easily to not only demonize men for sullying the holiness of women, but also men, masculinity and attraction to women as a whole.

(apologies for using twt discourse in the meta post but this flew by my TL and i had to grab the irl example of mens non-violent attraction to women being used to frame them as misogynistic before the stupid app refreshed and i lose everything forever)

youtube

"To Venner" is a student film exploring a world set within this belief, where all the women have vanished and the men have become monstrous figures as a result of their pent up sexual frustration. fyi this is one of my favourite student films (and ive watched a bunch), but I do think its messaging is worth breaking down (especially its juxtaposition of dirty horrible monstrous sexuality vs pure and beautiful romantic love)

NOTE: this film is super graphic, lots of violence and nudity. have fun. or not

I admit this section is a bit hard to gauge as everyone in the series is gay as fuck. The closest in-series example I can think of is Scott reacting to Martyn's antics in DL with a sort of indigence but otherwise I can't really think of an example of a man expressing attraction to a woman at all, let alone one Scott reacted to. However, I do think it's still worth talking about because it opens up some interesting trains of thought in regard to Scott and Pearl.

For Scott, he himself has never been part of the picture. He's gay, after all, which gives him an edge over the bad straight men who objectify and assault women. Likewise, there's little evidence to suggest he finds the expectations of masculinity frustrating, but I don't think it's too far a reach considering how common of an experience that is for gay men and his adapting of more feminine mannerisms.

Double Life and Corruption

As mentioned in my previously linked post about Scott and Pearl's relationship, I do think Scott experiences what he would name as attraction towards Pearl, so my writing will reflect that.

Pearl is. ahem. not like other girls.

Not actually. But to Scott, she probably isn't like other girls.

She remains unaware of his different standards for her (how could she when she had nothing to compare them to), she acts out, sometimes violently, against Scott's urging (such as when she stole from Scar's wagon). She maintains their already irregular dynamic, and while she appreciates his care for her, she never quite falls into seeing him as a source of subservience the way Cleo or Gem do.

At the end of LL, right before the 1v1v1v1, she monologues to herself that she no longer has to feel bad for killing Scott. Which, in turn, implies she expected Scott to give it his all against her as well.

She entirely fails to embody the madonna with her immature naivete and her questionable morals. She is unpredictable, she doesn't take what she is owed, she is a monster in a lot of ways.

Scott, too, is a monster, to himself, for how he feels about her.

The very foundations of your understanding of yourself being ripped apart aside, let's rewind to the madonna/whore complex. To sexualise the madonna is to corrupt her and make a monster of yourself. Suddenly, you are no better than the men around you, the ones you've grown to hate. Suddenly, you are the grotesque figures in films like To Venner. You are Hylas and she is the nymph. And you are so stupid. Your worldview crumbles around its flawed foundations.

Scott is, however, immune to this corruption. This is a theme that appears in Empires as well, but throughout the traffic series he's prided himself on being loyal and kind and good. His monologue leading up to LL's 1v1v1v1 summarizes it quite well.

He can't let himself or anyone else see this side of him, but the energy needs to go somewhere. To defy fate, abandon your soulmate, is to admit you had a fate in the first place, is to acknowledge that she was your soulmate in the first place.

I've previously talked about how fate and romance are very ingrained in Scott's belief system, if it was anyone else it would've been amazing. He could've been like Bdubs and Impulse or Ren and Bigb, diving into domestic life and performative romance with a stranger. Or the world could've made his happy ending from 3L real, as he got to be Jimmy's husband all over again. I think it says something that he accepts Cleo as a "soulmate" before Pearl.

So what do you do with all that energy and tension, clearly apparent to yourself and everyone else, when you can't let them observe your feelings?

You project them.

Shout-outs to @/legally-allowed-to-slime for pointing out Pearl's comment early on in DL that she "feels like (she's) been broken up with" confirms she never saw Scott in a romantic sense. The "crazy ex-girlfriend" and "this is why I'm gay" comments really did come out of thin air, or perhaps insecurity.

Pearl is the crazy one. She's insane, because she wants me. She wants to be with me, so she does all this crazy stuff. She's lost control of herself because she wants me. She's disgusting.

I mentioned before that Scott is not your classic misogynist, but this is where the gears start turning. Scott's views of Pearl echo that of other players, most prominently Ren and Martyn, that Pearl has been overcome with some sort of corruption. She has become the witch, the demoness, the whore, in their eyes. Scott does not want to be the same as these men and I think his overcorrecting his behaviour in SL makes sense when you view it from this angle, but for now he has to rely on more traditional misogyny in order to navigate this new obstacle.

"Corruption" also implies that she had to have been pure (or at least pure-er) beforehand, something Scott personally knows is not true, but it falls in line with defaulting women to being "madonnas".

This is a Scott post but. shout outs to Ren for being all of this about Pearl but without the complexity of Scott like he literally accuses Pearl of seducing Bigb what the fuck man.

Pearl is, of course, none of that. But she plays into the role of being the witch much better than she fared playing into the role of the madonna.

Sidenote: I know I'm looking at this from a Scott/Pearl POV but I do feel like you can omit Scott's attraction if you look at it from a purely "pearl not performing to standards of femininity I expect and she makes me realise I don't view women as a whole as human which makes me feel weird so now we have to do this" POV. Like idk I think the exact reason he abandoned Pearl is going to be lost on everyone forever so any analysis I could perform is going to suffer at least a little bit of making-shit-up-itis.

I do also think there's something to be said about Pearl being pushed until she performed a role, any role and generally failing at Being A Girl tm but that's another post i think. yknow shes um. a bit. 🏳️‍⚧️ (but also very much not at the same time idk that's gonna need its own post)

anyway yeah uh the minecraft movie looks crazy huh

#asks #random thoughts

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rocknroll7575 · 5 hours

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Knight of Olympus

*Jaune fighting Atlas*

Thalia: I know your a Virgin goddess and hates sex and relationships but you have to admit that is objectively speaking attractive

Artemis:.... Your not wrong

Hestia: All of you need to back off!

Hera: Sister we were simply saying that Jaune is attractive

Athena: it was just talk, dear Aunt

Artemis: Though... you have to admit, he's unlike any man we've ever seen

Hera: He does seem loyal to those he loves, especially you, Hestia

Athena: He is very smart, and he can give me some new knowledge about his world

Artemis: Let's not forget he's one of the few men who have never actively sought to flirt with me or my Hunters, I swear if he was not married to you, Aunt, I might not mind breaking my oath.

Hestia: *Realizing she hasn't popped the question to Jaune Yet* Excuse me... I have something important to do *Runs out of Olympus*

*Hera, Athena, and Artemis sitting at the table*

Athena: Wait... Jaune and Hestia aren't married

*The three goddesses eye each other before rushing out and trying to catch up to Hestia*

(But in all seriousness, I can see Athena giving him a brainchild without asking him, because she no doubt has done that before with Annabeth as an example, with Hera being hesitant since she is the Goddess of marriage and married to Zeus, but then again, Jaune might remind her of a younger Zeus, and Artemis would be the last since she would have to sort out her own feelings and really put her trust in Jaune since she hasn't had the best track with men *cough* Orion *cough*)

#rwby #rwby x pjo #rwby asks #rwby au #rwby knight of olympus #pjo hestia #pjo artemis #pjo hera #pjo athena

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fandomfluffandfuck · 2 days

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Okay okay. I just had this beautiful mental image of competence kink Steve. And my brain produced two fairly different images: Steve sees Bucky do something incredible during a mission. Idk what. And *oh*, he pops a boner right there and then, as much as the cup of his suit allows anyway. He can barely wait to get off the quinjet post mission, much to the team's amusement, to blow Bucky and then fuck into next week because holy shit hot

Or, Steve having an unfairly wet dream about WS!Bucky in the leather and incredible skills with all the knife tricks and so on and feeling very guilty about that. Because getting the horny from something Bucky had no control over? Not cool, at least in his mind. Bucks somehow gets him to spill though, and then ties Steve up and uses his knife skills to get him out of his clothes very efficiently, leaving Steve there as a panting and moaning mess Uh yeah my brain melted a little

For reference, my ask box is no longer open for requests, but this is from before I closed it, so I will be writing for this ask.

Oh, fuck yeah, I love competency kink. We can certainly talk about that and soak in the brain melt together, lol

Besides, we all know that that fucker has one

gifs by @/linusbenjamin

and this moment haunts him 😏 because of it.

Plus, that single shield catch isn't even to mention the million other examples I could think of for Steve's fixation on the Winter Soldier. The ghost is strutting around in what's practically fetish gear, like, c'mon, give Steve some slack. It's leather and straps and shimmering metal and decisive, confident combat. Motherfucker.

I am SO fucking down to think about Steve watching Bucky execute some incredible feat on a mission and getting turned on because of it, and I will expand on that in a minute. But, also, the second option, too. YES. Steve wet dreaming about the Winter Soldier? God, it's more than just likely, that shit absolutely happened.

(I did write something about those wet dreams in this ask answer under "war paint")

(Also, you need to see this art, that is... yup. Knives and bondage and competency.)

Okay, competency on missions driving Steve insane...

(warning for canon typical violence!)

It happens like this: one instant Steve is solely focused on strangling the underling that's freshly come at him 'cause he's just trying to get through the masses of them before he can actually disarm this whole fucking shitty, dangerous situation alongwith it's leader, and the next instant Steve is totally, completely, and entirely distracted from getting an arm around this fuckers throat, squeezing off his air between his forearm and bicep. It could not be farther from his mind, really.

Rather than thinking about how he can best discard this underling and move on to the next--always plotting his following move, what punch should he throw, what kick, where's his shield, how should he throw his shield, who's around him, and are they his teammates or this month's big enemy--he's aching, not thinking, aching to drop to his knees. It is a visceral, very unchill reaction that Steve can't fucking control. There is no way on god's green earth.

The wanting to drop like a fly isn't because he's tired and ready to give in and surrender, nah, he could do this all day, it's because he's at fucking full mast in his uniform pants so suddenly that he needs a goddamn break from himself. His own hyperreactive body. It's dizzying, debilitating, how his blood rushes from circulating oxygen as fast as it can to his bulging, burning, working muscles to pooling heavy and hot in his cock.

All that hot, thick blood filling his dick out as he moves and twists, grappling with his fucking random ass bad guy, and threatening, incidentally, to rub himself salaciously against the hard pressure of his athletic cup.

His cup is cupping him.

He's big, he can't not. He's got no fucking room. It's... yeah, it's, just--

Jesus Christ.

Steve's aching to drop to his knees and more. It doesn't stop at getting to his knees. One moment and he has the worst kind of desperate craving crashing through him, leaving him hankering for the sensation of firm, muscular legs squeezing around his throat, the pressure tight on both sides, making him feel like his head might explode as he gasps for air or he might pass out without any air or he might cum from pure fucking lust at how hot it is or all of the above all at once.

All at once.

It is an onslaught of arousal. Just. His appetency is un-fucking-checked for the tingling, sharp burn of fingers raking through his hair and pulling hard until he feels it in his scalp and skittering down his back, richly feeding the fire at the base of his spine. He needs to feel body heat suffocatingly around his neck and shoved up against him from behind. Heat painted like thick, sticky tar up the nape of his neck to the crown of his head.

And all that weakening fucking hunger is inspired by one instant. A single flash that he catches, lightning-fast, out of the corner of his eye.

Dark leather molded to fit a shapely body perfectly, sinfully, waves of hair flowing like water, and the distinct glint of silver metal caught in the sun, flashy and, just, sexy.

Bucky.

Bucky, who's barely just been able to be comfortable in combat again after deprogramming but is ever-skilled. Honed. Deadly and gorgeous as a honey trap.

Bucky, who has spent more hours in the gym training with Natasha than anyone else combined--something about mutual trauma and understanding and trust.

Bucky in elegant, lethal motion, wrapping himself like a lithe snake around his own steroid-fit underling, his burly thighs squeezed around the baddies thick, muscular throat, his veins bulging in strain, balanced perfectly on his broad shoulders, and keeping the power in his own mismatched hands. The palm of his hands, like it's easy.

Bucky is fucking winning, it's plain to see. No sweat.

Bucky has shocked this baddie by mounting him, throwing his weight around with ease in a way that shouldn't be possible for a man his size. Better, Bucky has thrown him even further off, fisting a hand into his hair cruelly, pulling so hard that his choices are to let his hair be ripped out and deal with the gritting pain or follow the hold and put himself in worse danger, prolonging the time before the pain. The unnamed baddie follows, of course. Anyone would follow someone as intoxicating and beautiful as Bucky. But he's then pinned there, throat fully exposed. Perilous. The most animal form of submission, this time forced and humiliated by defeat.

Bucky is the dominant fighter.

He is in control.

And he is making it known with what would be sickening glee if Steve was anyone but himself--if Steve wasn't so fucking aroused by watching Bucky wield himself as a weapon of his own choosing, taking control, and reveling in doing good.

God.

With his thighs around his neck, Bucky deftly plucks a long, sharp knife from its holster strapped onto his mouth-watering thigh and twists and twirls it around his fingers before holding it against the underling's throat. The threat is crystal clear and needs no further explanation: move and its lights out for you.

So, the underling folding to his mercy, Bucky slowly, slowly contorts his body, displaying his oh-so flexible spine and positioning his mouth right above his ear. Steve watches him whisper into his ear--his pink lips curling over the hushed syllables in the heat of chaotic, loud battle--and shivers.

Goosebumps come to attention all across Steve's body.

Shit.

He's unreal.

He's so gorgeous and so good and so charming.

At whatever he tells him, the baddie nods stiffly, all the color drained from his face, and Bucky retracts his knife unhurriedly, perfectly moving according to his own schedule, and confidently sheathes the blade it once more. Then, neatly, he unclenches his thighs from around his throat and slithers off his shoulders. It's almost a dance--totally smooth, well-rehearsed choreography.

He defies gravity.

As soon as Bucky is far enough from him, peeled away, the underling scurries off like a frightened rat, stumbling as he sprints off. Bucky watches him go with an unhinged, almost-pitying smile, an expression just for himself, as if to say, that's right, you better run. Tell the others, too. You fuck with me and it's over. Don't bother coming back.

Steve whimpers.

Realistically, it--Bucky devastatingly executing one of Black Widow's signature flipping, twisting moves as if it's his own and something developed specifically for him, an over 200 lbs man of pure muscle and metal--all happens in the span of seconds. Or, maybe it happens faster. It may not even be a single second. But for Steve, it plays in slow motion; it lasts ages in his mind.

Still, really, just it's one instant, and then his brain chemistry has been fully altered. Immediately. His wires have been crossed over and shorted out. Sparks fly. And his reboot back to being a functioning fucking human comes in the form of a punch to the face.

Fuck.

Steve groans through the pain of a fist colliding with his face, wincing, and opening and shutting his jaw to have it crack back into place. He's gonna fucking feel that later. But, for now, he has to ignore the heavy, aching throb of his cock, the pain in his jaw, and get back to fighting.

Later, he tells himself.

Later, that'll be his treat for getting through this shit day. He can kneel and beg, forgetting himself as a drooling, heaving, out-of-breath, hot faced mess at Bucky's feet, fumbling over words as he incomprehensibly pleads to have his shapely thighs wrapped tight around his head, his neck, his waist even, anything. Just hold him there until he fucking dies a happy death between those legs.

Heaven.

#asks #fandomfluffandfuck #steve rogers #bucky barnes #stucky #competency kink

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cherrylng · 2 days

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Schwein interview - Sakurai Atushi and Raymond Watts [ROCKIN'ON (June 2001)]

Schwein, the Japan-German-UK trilateral industrial music collaboration - what's the story here?

Interview: Shunsuke Kosugi, Interpreter: Yoko Utsumi

Schwein is a group formed by industrial heavyweight PIG's Raymond Watts, Raymond's former colleague Sascha Konietzko of MDFMK, and Sakurai Atsushi and Imai Hisashi of BUCK-TICK. The members are from three different countries: Japan, Germany, and the UK, but the three groups that have come together are known for their activities that transcend national differences. BUCK-TICK's extremely Japanese song world is carried by an unusually cool Western sound, PIG incorporates samba rhythms into industrial music, and MDFMK showed a stage performance at Fuji that was like a motor with an unusually high revving speed. Their debut album, "Schweinstein," is an unusually high-tension work in which the elements of the three collide behind Sakurai's song world. In any case, this strangely distorted and captivating industrial world is one of a kind. It is a strange work that could only be possible with the combination of these three artists. Above all, Sakurai's ability to draw both PIG and MDFMK into his world is amazing. Schwein, which differs neither from BUCK-TICK, which is active against the backdrop of the so-called Japanese music situation, nor from a Western music band, is worth a listen. We spoke to Raymond Watts and Sakurai Atsushi.

First of all, please tell us how you came to form Schwein. Raymond Watts (R): 「A year and a half ago, I did a Japan tour with BUCK-TICK in PIG. During the tour, I started talking to the guys about various things, and before we knew it, we went into the studio together and decided to do something. I also asked Sascha from KMFDM and he said, "Let's do it", and before I knew it, this project was born. Imai, the guitarist of BUCK-TICK, and I had been in a band called Schaft before, and whenever I went to Japan we would go out for sushi together and hang out.」

What do you like about each other? R: 「The BUCK-TICK song I remixed before was an interesting song and the work itself was a lot of fun. It was also interesting to see how confused everyone was about this collaboration. The connection between BUCK-TICK, who is very active in the pop scene, and me, who has been working underground for a long time, is certainly a strange one. But we actually have a lot in common. We have a similar sense of humour, for example, and we have a similar approach to our work. We both need to be satisfied with the best in whatever we create.」 Sakurai Atsushi (S): 「That was my main question (laughs). He's a successful person in America also. But Raymond is someone who is always looking for new stimulation. He's always angry about something, he's always frustrated, he's always trying to destroy something. Well, he told me he wouldn't work with anyone he didn't like.」

What exactly are these frustrations? What are you trying to destroy with Schwein? R: 「I'm frustrated with Japanese music listeners. I mean, in Japan, there's a tendency to treat their own music differently from foreign music. It's a really stupid thing. Why is there such a gap between listeners who buy Western music like Limp Bizkit, Rage Against The Machine or KMFDM, and listeners who buy Japanese music like Luna Sea or BUCK-TICK? I have a hard time understanding it. When I buy music, I never pay attention to where the artist is from. It's really stupid. What is the point of describing one art form as inferior to another? It's really stupid. For example, if we said that American music is inferior to British music, we'd be sued for discriminatory remarks. I can't even say that one country's culture is inferior to another's. It's just a Japanese complex. Well, it's not like I don't know how you feel. For example, in the world of cinema, British films are always treated as secondary to Hollywood films, right? It's the same thing, isn't it? I actually prefer British films. But that's because we measure things by American standards. In other words, they're just comparing the amount of money they make.」 S: 「I don't listen to it because it's BUCK-TICK, or because it's PIG, or because it's MDFMK, but I also want more people to listen to it.」

Now I would like to ask Raymond, what do you think are the characteristics of Japanese rock that are not found in other countries? R: 「They wear a lot of heavy makeup. Don't you think so too?」

Yes, I do (laughs). What else? R: 「That's it.」

(laughs) Raymond, please tell us what you think are the characteristics of Sakurai-san and Imai Hisashi-san, respectively. (?) R: 「When I play him my song ideas and backing tracks, Atsushi sees them from ten different perspectives. Atsushi is a singer in the true sense of the word. He can express himself properly through his songs. I've never worked with a singer like this before, so it's very exciting to work with Atsushi. And with Imai, I'm attracted to the fact that he doesn't treat the guitar as a guitar. All the guitarists I've played with so far play a traditional style, but with Imai, he plays gorgeous noises that you can't believe are guitar sounds. I'm constantly amazed by Imai's skills.」

Raymond doesn't understand Japanese, does he? R: 「Yeah, that sometimes messes up communication within the band. But it's an old saying, but in these situations, music naturally becomes the common language.」

With the album "Schweinstein," I think it's more of a clash of your own characteristics rather than an exploration of compromises between each of you. Was this something that you guys intended to do? R: 「No, it wasn't really my intention, but I knew that when the four of us went into the studio together, we could expect strange things to happen and that we should be able to produce some strange work. I'm really excited by this kind of heterogeneous combination, this mixture of disparate personalities. Because the result can be something so bizarre that you would never have thought possible.」 S: 「It's exciting in that I want change, Imai wants change, and of course Raymond wants change. But every day was a struggle, wasn't it? It was a good opportunity for me to clear out some of the naivety in me.」

What are your plans for Schwein's future activities? S: 「I think we all intend to do that, though. We have our individual activities, but deep down we want to stay connected.」 R: 「I want to continue working in the future. First, we'll tour Japan in June, and then we'll each go back to work with BUCK-TICK and PIG. But I hope we can work together again next year or so, if we feel up to it. But it's a decision we make for ourselves, not one determined by record sales. We were very lucky this time. That's because we had a record company that was willing to take the risk and pay for a project like this that we didn't know would be successful or not. All four of us took the risk. But what is success anyway? If we make something good, I think it's a success.」

Translator’s Note: I want to thank yoshiyuuki for helping me in clarifying certain parts that stumped me, the first being the title of the interview and then a particular question.

(?) This part of the question stumped me at first when I extracted the text, because when I put it into Deepl and Google Translate, this was the result:

“(笑) 櫻井さん、今井寿さん、それぞれについてレイモンドの思う特徴を聞かせてください。”

“(laughs) Sakurai-san, Imai Hisashi-san, please tell us what Raymond thinks are the characteristics of each of you.”

But then I saw that it was Raymond who answered that question, so I figured out what the question should actually look like and rearranged the words to form a sentence that made more sense. And then I asked Yoshi if what I've done was a better result.

Please do support me on my Ko-fi! ☕

#Sakurai Atsushi #Raymond Watts #Schwein #BUCK-TICK #PIG #my scan #translation #interview #ROCKIN'ON #ROCKIN'ON June 2001

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