#i hope we get along <3

[inejqhafa]

the scene where anthony tells kate that he wants to go to India so that their child knows their history and that he does too is so important especially for brown girls who are so often told to focus on integrating into their new households and forget their family once they get married. it really shows how much he values all parts of kate’s identity and who she is beyond just being viscountess, a wife, a future mother, etc. and then kate’s reaction of being fully and completely overwhelmed because she could never have imagined that he would be the one to bring it up, let alone being there for the birth makes me so emotional 😭

[ruporas]

soft (and some bittersweet)

[ratuszarsenal]

very funny to me that every polish person who watched 1670 on here is writing posts begging non-polish people to watch it. including me.

[veryintricaterituals]

Okay, I'm putting on my tinfoil hat and my clown makeup. I'm officially jumping on the insane bandwagon: "Alice", Daniel's wife or girlfriend or something is Armand. She was Armand all along. That's gonna be the twist.

As much as I want old!Daniel devil's minion (and oh how I want it) I feel that it's already happened. I mean they are laying the clues pretty heavily.

"You felt free holding her hand in Paris, I wonder why that was"... And taking into account Louis' comment about his sexuality liberation in 1940's Paris in the last episode, I mean it's foreshadowing for sure. And then, the other thing we know is that Daniel proposed and she said no, immediately Armand says: "She wanted to say yes, but she didn't trust you".

I mean It's all a little too convenient. Also how funny would it be for the twist to be some character being Armand all along... Twice

[aprito]

sos month day 16: like fire / like water wanted to redraw something from 2015 and remembered how badly i wanted to replay the game this is based on. tldr battle ninja island everyone is alive and cant die for some reason. platonic extremely jaded old man sewercidal sasori x zero nerve no respect for male authority figures teenage brat sakura is too good to pass up. dial that shit up to 200%. basically the worst month ever for the both of them

[swordheld]

hi! your blog is one of my favourites and i absolutely adore reading your thoughts. my grandfather recently passed away and it feels like i lost myself with him. how do i continue living after this? there is this constant weight on my chest and it feels like an emptiness has made a home inside of me. how do i go on when it feels like the world crashed on my shoulders?

hello, love! this is so very sweet and kind of you, and i hope you're treating yourself gently and kindly right now - there aren't words for a loss like this. that heaviness is difficult, and hard, and painful. it's okay if things don't feel okay, right now, or even soon - i think that's something that a lot of the people i know that have gone through similar grief feel: like they should be able to get back to a relative 'normal' in a [insert far too short period of time].

but it's okay if it hurts. that's where i'd like to start. you're allowed to feel that emptiness, that world-crashed feeling that goes beyond words, beyond time. don't feel like you have to rush this to feel some sort of better. things get easier with time, i promise you this, but sometimes painful feelings are important to feel, too. cry, scream, feel your emotions. they're a part of you. grieve.

it's perhaps a little silly, but when i think about death i always think about a couple of space songs: mainly drops of jupiter by train and saturn by sleeping at last. there are perhaps others that speak to the emotions better, but these two have always hit something a little deeper for me, and are popular for a wide-reaching reason.

and while personally i don't know much about grief like this, i do know a lot about love; and i think they're a lot of the same thing.

the people we love are a part of us, and this is why it takes from us so deeply when we lose them, because it does feel like we've lost a part of ourselves in the wake of it. but it's because they were so central to our experiences of living - our lives, that the separation introduces a hollowness - a place where they used to be. a home that now goes unlived in.

an emptiness, like you said.

but just because they're not here physically, doesn't mean he's not still there, in your heart, in your life, your memory. you can hold him close in smaller ways, as well: steal a sweater, or cologne/scent for something a little more physical and long lasting for remembering. hold onto the memories you cherish, the things that made you laugh, the ease of slow mornings and gentle nights. write them all down, slide a few photographs in there, go through it and add more when you miss him. keep them all close, keep them in your heart.

you're not alone, in this. he's still there, with you, it's just - in the little things.

he's with you in the way you see and go about your daily life, in doing what he liked to do, in the ways he interacted with the world that you shared with him. the memories you recall fondly when the night is late or the moment is right and something calls it into you like a melody, an old bell, laughter you'd recognize anywhere.

but i think, perhaps most importantly above all others - talk about him. with your family, your friends, his friends, strangers; stories are how we keep the people we love alive. the connections they've made, the legacies and experiences they've left behind, and so, so many stories.

how lucky, we are - to love so much it takes a piece of us when they go. grief is the other side of the coin, but it does not mean our love goes away. it lives in you. it lives in everyone who knew him, in the smallest pieces of our lives.

the people we love never really leave us, like this: they're in how we cook and the way we fold our newspapers, our laundry, in the radio stations we tune in to and the way we decorate our walls, our photo albums. they're in the way we store our mail, organize our closets, the scribbled notes in the indexes of our books. the meals we love and the drinks we mix, the way we spend time with one another. they've been passed down for generations, for longer than history - and we are all the luckier for it.

think about what you shared with him, and do it intentionally. bring him into your life, like this, again. whether it's crosswords or poetry or sports or anything else. if one doesn't help, try another. something might click.

i hope things feel a little easier for you, as they tend to do only with time. i hope you find joy in your grief, even if it is small and hard to grasp at first. know that your hurt stems from so much love that there isn't a place to put it properly, and that it is something so meaningful and hurting poets and storytellers have been struggling to put it into words and sounds that feel like the fit right for eons, and that it is also just simply yours. sometimes things don't have to make sense. sometimes they just are - unable to be put into words or neat little sentiments, as unfair and tragic as they come.

but i promise it will not feel like this forever. your love is real. and perhaps, on where to begin on from here - i think it's less on finding where to begin and just beginning. and you've already started. you've taken the most important and crucial step: the first one. wherever you go, after that, from here? you'll figure it out. you always have, and you always do. it'll come, as things always do. love leads us, as does light - and you're never alone in your hurt. in your grief, your missing something dear to you. i think if you talk about it with others, you'll find they have ways of helping you cope as well - and they have so much love of their own to spare, too.

as an aside, here is the song (northern star by dom fera) i was listening to when i wrote this, for no other reason more than it makes me think of connections, and love, and how we hold onto the people we love and how they change us, wonderfully and intrinsically. it's a little more joyous than the others i've mentioned, and plays like a story, and it made me think of what is at the core of this, love and stories and i am here with you, and maybe it'll bring you some joy, if you'd like it. wishing you all my love and ease 💛

[moldspicy]

Mmm maybe Lance and/or Silver for the lil character doodles? 👀✨

Life has been quite unforgiving as of late—but I really do dearly hope things get easier for the both of us huhu. Take care Mold, and don’t forget to drink a lot of water 🤲❤️

couldn't decide on which one so i did both! Lance and his son Silver! ✨

[good-beanswrites]

Hi Beans, I’m finally here. Diluting the sad with fun and very OOC.

I don’t really have a lot of ideas about what to write, but I remembered that I shared my idea of Es with the chivalrous Argenti's personality. So. AU in a vacuum (maybe an actors AU, maybe not), where Es thought that it would be funny to surprise the prisoners with the behavior of a knight(maybe Jackalope came up with that idea, maybe just strange sense of humor). What about the prisoners' reactions? (gallantry and compliments to plants attached) I think Mahiru would have joined the drive even if she didn’t really understand what happened. Fuuta would probably say "ugh, cringe" and that would make him a great target for the rest of the day.

YESS ahahaha, this is such a fun idea! I wrote a little scene with a few characters, but honestly it's hysterical picturing any of them trying to figure out how to react to this new and sparkling Es... I went for a version where not even Jackalope was prepared, but I can certainly see him suggesting something crazy like that to shake things up omg. Thank you so much for the request! The original meme was made by Mug, and I couldn't help but do a doodle myself ✨🌹

Amane was the first to witness it. She fled as soon as possible, finding sanctuary in the common room. The others were surprised as she stumbled in, face pale and eyes wide. Very little could frighten the girl; it was not a good sign.

Yuno moved to comfort her. “What’s wrong?” 

Her eyes went distant with the harrowing memory. “It’s Es,” was all she said. 

“Did they do something cruel?”

“No. Worse.” Amane shivered. “They were… nice.”

“They were what?”

Amane opened her mouth, but paused at the sound of heels clicking down the hallway. 

She stiffened. “If you need me you can find me in my cell.” She disappeared as quickly as she came. The others, who had been listening in on the odd conversation, gaped after her. They tried to piece together what had been so unsettling. Still, Es’ boots approached. 

All eyes landed on the doorway. 

And Es appeared. They looked very normal. Jackalope hopped up behind them. All shoulders sagged in relief. Es surveyed the room, slightly surprised to find everyone staring. 

Then, they smiled. 

It was a genuine, bright smile. The blue-gray of their eyes sparkled with a new light. Their lips parted to release a lighthearted laugh, unlike anything the prisoners had heard from them before.

They glided through the room, heels clicking lightly behind them until they came to Muu. The others stood frozen in place.

Es swept their cape aside with a grand flourish of their arm. They held both her hand and her gaze with warmth.

“Why, hello, Muu! You’re looking as positively lovely as always. Has this fine morning treated you well?”

“Um…” She looked to everyone, her face pleading for a little guidance. They were too busy looking eagerly to her in astonishment. “Uh… yes?”

“I’m pleased to hear it.” They reached behind themself. The room let out a soft gasp as they produced a pale pink flower from underneath their cape.

“For you, my dear.”

They didn’t wait for her to finish stuttering a confused ‘thank you’ before they turned to whoever was standing closest. Mahiru’s own face lit up as Es turned their glimmering gaze her way. Fuuta scoffed, muttering something about this being the lamest, cringiest thing he’d witnessed. Es pretended not to hear.

“Shiina Mahiru… a smile like yours is rare to find in a place like this. I thank you for it.” They pinched their chin and angled their head, thinking. “The meaning of your name has to do with light, correct?” 

She nodded, unable to keep the giddiness from her face. The others watched as Es moved their glove behind once more. Surely there was no room for any more flowers hidden there…

Surely they were all mistaken – Es flicked their wrist to present a small gathering of yellow blooms.

“Something radiant for someone as bright as you.”

She fell over herself with gratitude and giggles. She tried to tuck it into her hair, and Mikoto stepped over to help her. The pair raised their eyebrows at each other in disbelief. 

This time, Es retrieved their gift before turning to their next victim. A classic red rose. They caught a prisoner’s gaze. 

“Oh, no. Nope. No way.” Fuuta held up his hands, as if it could ward them off. “I don’t want your stupid-ass flowers.” 

“Now, now, I see you’re playing hard to get, as usual.” They brushed their thumb along the thorny stem. “You know, the rose has a very similar approach.”

Fuuta’s face now matched the flower’s color. “Wha–” He stumbled backward, then took off running to the door. “I don’t know what weird mind games you’re trying to pull, but I’m staying out of it!” 

Es only clicked their tongue gently when he disappeared. “Always making things difficult, that one. All part of his charm, I suppose.” 

They followed to the entrance. Turning briefly, they flashed their smile once more.“It was wonderful to see you all! I will await our next meeting eagerly.” 

With a fluttery wave, they vanished. 

Everyone’s attention shot to Jackalope, who had paused in the doorway. No one could understand his voice, but his little rabbit face seemed to say, Hey, don't look at me. I have no fucking idea.

[ratwithhands]

I'm curious. I've seen your art and something that's come to my mind is what actually got you attached with the Subway brothers. Your narrative on their different AU forms is so unique which is what brought me to that question

Alright, rat history time.

So basically back in 2021-2022, I was working on an old OC storyline (about 3 years old by then) and I was in grade 9 so I was like “A new Pokémon game? Pfft, like I care” and just didn’t watch any of the stuff related to PLA when it dropped. I still got recommended Twitter posts about it on Instagram and I ended up seeing this one.

I tried looking up Ingo cause I was like "oh, funky design, looks like a captain or something" but I didn't end up finding anything so I didn't press further. Anyways in March break of 2022, I got bored and decided to put some game streams on in the background while I drew. I saw Alpharad's PLA video and decided to watch it for a bit when I saw Ingo.

I was like "Hey you're the guy from Twitter!" and since I knew his name now, I looked him up and found his Bulbapedia article. I found him much more interesting than the rest of the PLA cast since he had history outside PLA, and I ended up reading up whatever I could find on him. I also by extension discovered Emmet this way, which only served to suck me deeper down the rabbit hole. By the end of March break I had a fan OC and 2 AUs made with more on the way, as well as a YouTube recommended page with nothing but theory videos on Ingo and decade old Submas content.

Around May I decided to decommission my OC storyline for personal reasons, and by this point Submas was starting to occupy more of my creative work anyways. Since I didn't have my storyline to put my energy into, I started funnelling literally any story ideas into Submas. This led to nonstop content for a shockingly long time, and ofc I'm still coming up with stuff now.

Long story short, I got attached to them by accident! It was a "right place, right time" sort of thing since they came in as I was starting to get sluggish with my original content and I ended up being more interested in writing for them.

As for narratives, I am effectively playing dolls with these guys. Usually the kind of stuff that I write for them is meant for OCs, but I dumped the 60+ person cast so I put that energy into them instead.

Most AUs will either have a core theme, an out of pocket idea, or both to make things interesting. Usually I just come up with a dumbass idea like "what if we brought ReBURST back for a rerun" or "what if Emmet signed a contract with an eldritch space spider" or "what if Submas could see into the future" and stuff like that, then it picks up themes as I keep writing. For some silly examples:

Burst is based on Pokémon ReBURST and the idea of human-Pokémon fusion, but there's focus on skill, how characters misperceive it, and resentment as a result. There's also a spotlight on inferiority complexes, bottled up guilt, and blind confidence depending on which main character you look at

Journal is about a diary that helps Ingo to regain his memories, and it focuses on remembrance and regret as a result of him reading it. Spotlight on lacking awareness vs hyper awareness and the monotony of living as people around you leave

Oracle is exactly what it sounds like, with the twins being able to see into the future. It focuses on cooperation and the importance of working together, but also learning how to work alone. The spotlight's on jealousy and gratitude for this one, though the latter greatly outweighs the former in this case

I also just have AUs I made to try deranged shit for funsies, like Sapioflora, Cybernetic/Z-Λ, Team Supernova, and Idol. Those are mostly for exploring goofy ideas that may or may not go anywhere.

Right anyways basically I just saw Submas after watching PLA gameplay and found the twins more interesting to write about than the project I'd exhausted by then. The narratives are like that because the AU ideas I make are actually OC concepts that I modify to fit Pokémon specifically for these two or ideas about the two that I'd like to explore. Hope that answers the question ^^*

[batsplat]

casey also talks about sepang 2015 what do you think of that

oh in that podcast? uh... lemme listen again...

yeah idk it's not really anything new I'd say? he's said basically all the same stuff in more interesting and extensive ways elsewhere. I think casey inevitably has a very 'well feuding is bad and helps nobody' point of view, has expressed that before in the past, does it here again, and he's also drawn a parallel between himself and marc on several occasions. which... well, of course there's similarities in terms of public discourse or whatever, but the parallel really falls apart whenever casey argues the feuds cost valentino. like, I do think it's sometimes important to just. keep in mind. it's interesting that casey draws this comparison in his mind but that doesn't necessarily means he's right about this. I'm not sure how you'd argue that starting a feud with casey cost valentino anything competitively? you can argue it didn't help him I guess, and then we can have a debate about the ins and outs of the 2008 season. we can also have an argument that in a hypothetical world where casey isn't ill in 2009, valentino doesn't break his leg and casey isn't on a piece of junk in 2010, and valentino isn't on a piece of junk in 2011-12, then actually maybe valentino sparking open animosity with casey COULD have cost him. but we don't know that! didn't happen! I wish we could have found out, but we never got the chance! as it stands, the tally on this is pretty straightforward: casey won the title when things were reasonably civil between them in 2007, and valentino took control of the following season at the exact moment he worsened the relationship between the pair of them in 2008. obviously, it's all more complicated than that and casey would of course argue laguna didn't negatively affect his subsequent performances... but it certainly didn't help them. like, at the very worst valentino escalating tensions in 2008 is a complete net neutral. after 2009, them being bitchy to each other every other tuesday was completely competitively irrelevant beyond maybe affecting how they approached occasionally fighting for a podium position. hey, maybe casey used that feud to fire himself up through sheer spite throughout the later stages of his career, but that doesn't actually support his anti-feud stance - it's basically the exact same thing as what valentino does. they're both quite similar in that regard! always so hungry to prove a point, to show how someone else is wrong. kinda half the point with this feuding business is to get yourself going, get yourself motivated, yeah. he straight up openly admits to using yamaha's repeat rejection of him as a way of giving himself motivation, and at the end of the day that's really not all that different?

anyway, what else does casey say... oh yeah, that him and the other aliens were already kinda prepared for this and had learned vale's tricks. that valentino had only been able to get into the minds of the previous generation. welllllll *wiggles hand* sure, I mean, he did clearly have to change his approach... he couldn't just use the exact same playbook to get to them, either on-track or off-track. but that's why he did change up the playbook... again, whether you want to believe valentino won his final two titles 'in the head' rather than just through pure pace kinda depends on how you assess the evidence, but it is at the very least a debate. and, y'know, it's always worth remembering that valentino's most important mind games with casey didn't happen in a press conference... it was on the track. and the on-track stuff really is just embedded in how valentino approaches winning. speaking of aliens, this is what dani and jorge have said:

like, valentino's entire approach to his riding, even to the way he's setting his bike up, is deliberately about directly fucking with you... he's not actually always trying to be faster than you as much as he's trying to give himself the tools to make your life miserable, to pressure you into mistakes, etc etc... and again, especially with casey (if anything because he was so mentally sturdy), the off-track stuff was really just window dressing. (I know they bicker a lot after 2009 but it's just so fundamentally irrelevant to actual on-track competition.) so you can be aware of those tricks, but it also doesn't necessarily help you when someone's being nasty to you on-track in a way you just fully do not enjoy. which is what it was like for casey! for casey, a lot of this comes back to the truly unpleasant context of how he was perceived by the public, how he was treated as mentally weak or 'broken' or whatever partly because he had the misfortune of coming up against a bloke who had the reputation for breaking rivals. I think it's quite natural to end up with a bit of a hardliner 'actually I've never been mentally affected by a result in my life' stance - and of course casey is a lot tougher than a lot of people give him credit for. that being said. sometimes your rivals affect you, shit happens, it's part of the game. it's fundamentally a nice idea to think that valentino's tactics weren't just morally wrong but also ineffective, which is kind of the appeal of this narrative, right? you want to believe you're above that, you want to believe you were adequately prepared and wise to valentino's tactic. it's unsurprising and understandable that casey does tend to tell the story that way, but again it's *wiggles hand* also hard to describe it as completely factual

uh. what else. oh I'm thrilled casey does canonically know valentino and marc were friends, he has said he wasn't following motogp too much during that time period so you couldn't be sure of that. does this mean anything? does it tell you anything? well, no, but it's just a pleasing thought to me. I like that. oh also 'provoking particularly aggressive riders isn't a good idea' is kinda a funny take from casey? like, he of all people would hate the idea of being cowed by someone's reputation like that... casey's right that provoking fast riders can potentially be dangerous, but y'know I do think that's probably not news to anyone almost nine years later. um. that's all I've got I think

[oneeyedsparrow]

Hello TG Tumblr! 👋

Hiya! I’m looking for other Tokyo Ghoul mutuals on here. I have an OC named Arthur Finch, who I ship with Kaneki Ken and looking for others to talk to and share my work with. I’m currently trying to work on a TG doujinshi. So hopefully I’ll be able to share that later. 

[the-greek-mythos-project]

The Greek Mythos Project: What We Accept Within Submissions

Hello everyone, it is once again Camila here and I am writing this post because I decided I should probably clarify things sooner than later. I know I and quite a few other lovely people can struggle with open barriers within things, especially in such a large and "imposing" project, so I decided to write down the general specifics of things to lessen everyone's anxiety. This can and will definitely be improved if we are given more information/questions/asked for clarification so feel free to check every once in a while or reach out if you don't see a specific question you have answered. This is once again here to promote better communication within things and break down this large project to more manageable things. So, let's get into it!

[Note: This post will go from the broader, more unspecific, topics to the smaller, more specific ones so feel free to scroll down or up as you please :)]

The Biggest Thing First! One Singular POV. This is something that I, Camila, want for the project and therefore, it will be the most enforced thing within here. Don't worry, though! We will be releasing a Second Work alongside this main project consisting of things that didn't quite fit into the original project, such as works that aren't exactly (or at all) one POV but still want to be recognized or OC pieces that are like reincarnations of various gods/mortals/characters which I'll get into later. So you work has a place with us, I promise you <3.

Anyway, back to the One Singular POV thing. It genuinely does not matter whether the piece is First Person, Second Person, Third Person, or something within those parameters as long as the setting, scene, thoughts, and work are being described in that one character's thoughts/experiences. A great example of this in Third Person is in the Heroes of Olympus by Rick Riordan, a popular YA Book Series centering around Greek Mythology in a Modern Setting told by their Demigod Children, where the narrative is in Third Person POV but it only ever follows whoever's POV it's in. Such as we do see the character's actual name and "he/she/they" instead of "I" but we're not privy to anything other than what the character is experiencing.

That is what I am asking for, and I am asking for this mostly for myself!) As we all may know by now, this project was created because I--Camila--took one look at my goal to rewrite the entirety of Greek Mythology in my search to learn more about the Greek Myths, was like "yeah... no," and then proceeded to make this public with the intent to bring out those niche writers, gain a community, make friends, and generally learn more about the various communities and ideas surrounding such a vast and deep thing such as Greek Mythology (remember, people not only know this across the globe, but across centuries. It's not just our ideas and the original texts, it's the Roman Empire's thoughts, the Rise of Christianity, all of our forefathers, and even those who we have read dissecting these things and creating academic papers or other works. It's just so interesting how much character and change and even how much influence various things have had on our modern perceptions). But, this is also a Project, this is also mine, and so I am very politely asking for it to be One POV of a Greek Mythological Character--However Niche They May Be--Only.

Thank you so much for understanding and, again, I will be hosting a Secondary Fic for all the things that don't quite fit under this Main Project but may still want to have the recognition/community that this comes with <3.

Note!! Because this post ended up being a little long and would be hard to properly organize going further, the rest of it will be comprised in reblogs <33

[afterlife-2004]

[apostatehamster]

just going through the izzy hands tags for now to feel less alone with feelings i cannot truly put anywhere

i've seen many character deaths, i am basically used to my fav characters dying, but something about this particular death feels so very cruel, considering all that happened this season and the show's usually more lighthearted tone.

especially as it's being sold as something beautiful and 'necessary' and then pushed aside for a slapped on happy ending that rang very hollow, to me at least

[iluvbabycows]

being a girl is getting a lil high and turning on music that you can cry sing to while thinking about your ex who did you so wrong even though you’re literally the happiest you’ve ever been and don’t miss him at all at all at allllll!!!!!

[giggly-squiggily]

Here’s a random question for you on this Monday afternoon - which character(s) do you think can sing really well? Whether through natural talent or tons of practice? 🤔

Hope you’re having a good beginning of the week! 😊❤️

Hehe, yes! A question for Monday afternoon- totally didn't forget to answer this until Saturday, nope! Not at all...👀🤣

Nah but seriously- I've gotcha friend! :D This is a fabulous question AHH!

Right off the bat- RIGHT OFF THE BAT: Chuuya. He's got an amazing voice and a wide range of musical taste, so if you're lucky and catch him in the act, you'll be treated to a mini performance! Dazai will sometimes sit by and listen in, just out of sight so Chuuya doesn't stop. He might not know many of the songs he's singing, but my god does he love it!

Also: Zenitsu! I've said this before, but the electric blonde has a really good singing voice! Just like his skills with the Shamisen and Koto- his hearing allows him to make sure he's pitch perfect. Also; he's just got a really nice voice, you know? When he's not screaming and freaking out; it's incredibly soothing to hear!

Joe from Sk8? He loves to sing while cooking! He mainly sings in Italian for the vibes (and to wow the pants off the kids- they didn't know he could sing- let alone in a different language!). He also knows those incredibly romantic love songs he saves especially for Cherry when they're alone; it's one of the few things that'll fluster him and Joe is living for it!

Gordon can sing opera. No I will not elaborate.

...okay fine akljrekarjkejkrj I think he mainly picked it up cause he tends to mumble so much? Opera requires you to really bring it, so he figured if he learned to do so, he'd have an easier time speaking a bit louder. The results?...He still mumbles TwT' But now there's the added effect of him singing opera while in the bath and everyone assuming the Bull's base is haunted kjarjkekjrakjejk (I love Gordon so much akrjajerje)

Yor is a good singer- she sang lullabies to Yuri all the time when they were kids and things were difficult; and she sings them to Anya whenever she's having a bad dream and needs comfort. Loid sometimes will listen in whenever she sings to Anya cause it reminds him of his mom doing the same thing years ago.

Finally, cause it's me and I wanna yell about Blue Lock- I think Nagi is a surprisingly good singer? He's one of those people who have tons of hidden talents, you know? Maybe one day he hears Chigiri singing something under his breath (credit to you friend for the hc that Chigiri can sing :3) and joins in cause he recognizes the tune- it's likely from an anime they both watched at some point. Now the redhead's all: ??? Cause he didn't know Nagi could sing and Nagi's all "Why'd you stop?" cause he was starting to get into it kjarjkekjrjkaejrk

There's so many more, but I'd end up writing a whole novel of characters I think could sing if I didn't stop here ajejrarjajkrjk

Honorable mentions go to:

Akutagawa (BSD): He plays the piano as well!; Mikasa (AOT): She doesn't sing all that much, but if she did it'd be the prettiest sound ever!; Mitsuya (Tokyo Revengers): The man has pipes! If you catch him in the Home Etc. room after school working on the Toman Jackets, you'll find out he's got one heck of a singing voice!; Finral (Black Clover): Him and Vanessa can sing- sometimes they do little duets!

Thanks for asking!