#i just think they are able to justify whatever they do and get away scot free

[prettyboykatsuki]

I am begging for your thoughts/elaboration on BKDK and “absolute love corrupts absolutely/becomes ruthless amorality” from the tweet you reblogged <3

i'll try my best!!! idk if it'll make much sense tho

but basically, bakugou and deku respectively are characters who's actions, words, and emotions adominated by a strong and central set of core beliefs that they rarely stray from. the both of them are very different in how these beliefs come to be, but on the surface they function the same. they share a single-minded focus, and are driven so absolutely by these beliefs that it inspires their hero classmates to follow in their shoes. in short, they're characters who while on the surface seem very different, are similar in this one specific way.

what's important to know also is how these systems are developed over time. deku as a character is driven primarily by his martyrdom. it's one of his failings as much as it's one of his strengths, but arguably his inability to fault the hero system means he is loyal to it through every single incident because to shake that would make his entire belief system crumble in and of itself. the deku / allmight and endeavor bakugou parallell is a very obvious one but truly and most of all - both deku and allmight are incapable of understanding how the hero system has damaged the world in maybe equal or less parts than it has saved it. but dekus is ultimately because of a sense of fondness for hero society he is unable to process in himself.

bakugou is a character who builds his belief system on the absolute efficiency. many of his emotional failings and inability to be vulnerable he only accepts because he is able to justify and intellectualize his emotions in how they will aid his journey in becoming number one. his pragmaticism isn't from nowhere. rather he's a character who's so perceptive and rational that aside from his emotions, he can use evidence and observation to cement his own beliefs. he is wildly disinterested in ethics or ethical behavior in a way that comes off comedic and believes his own dogma to be absolute - only accepting the beliefs of others if they prove strong, reliable, trustworthy etc.,

in short, both of these characters are extremely able to justify whatever actions necessary to reach their achieved end. much of their arcs respectively is learning to not do that and see outside of their bubble.

in the case of love, both of them are intensely bad at understanding their own emotions (but bakugou much less so) that i don't doubt that love in all forms is able to corrupt them completely. because the unfamiliarity vulnerability of love, the tender intoxicating warmth of that would probably destroy the defenses they've built for a long time. neither of them cope well with emotions and how those emotions absolutely dominate their will at times.

both of them would immediately jump to justify themselves in that case. it's not that they won't know. it's that that their devotion to the cause is blinding, and if you are to become a part of their personal cause, i find it hard to imagine that the wouldn't justify their every move to save or protect you.

the only difference being that bakugou knows it's selfish and doesn't care - he will rationalize and tell people what they need to hear. he'll lie if he has to.

but deku will convince himself that it's for some greater good and truly believe that because he's incapable of understanding his own desires. both of them are just sort of like that

[wri0thesley]

A Well Rounded Education (1): Suspension (Fem!Reader x Toji Fushiguro, 5k)

series synopsis: You are a teacher’s aid to teacher Gojo Satoru, training to be able to take over your own class next year by shadowing and helping him out. Gojo does not make things easy for anybody.

chapter synopsis: One of your favourite students has been suspended for fighting, and Gojo has palmed off the meeting with his guardian to go through all of the paperwork and facts and conditions on you. “Don’t worry,” Gojo says. “It’ll be Megumi’s sister, she always takes care of this kind of stuff!”. Gojo is wrong.

NSFW. AFAB reader, fem pronouns. dom/sub dynamics, light fearplay and predator/prey elements. piv sex.

(a well rounded education m.list and navigation)

1.

“I’ve got all these other parents to deal with,” Gojo whines at you, pushing the papers into your hands. “And I hate paperwork, and I don’t have time to meet with Megumi’s family today – hell, if it were up to me, the kid wouldn’t even be suspended! Those guys had it coming!”

Gojo is not a very good teacher. Both of you know that – no matter how justified – violence never solves violence. Gojo, you think, would let these kids fight it out in an arena instead of solving things like an adult. You heave a large sigh as you look down at the papers detailing Megumi Fushiguro’s three-day suspension for fighting during school hours.

You’d seen Megumi before he’d gone home. He hadn’t had so much as a scratch on him; his face set in a frown, his arms crossed, his eyes downcast. You’d sighed at him and asked him if he was alright, and he’d shrugged.

He’s not a very talkative boy at the best of times, and you suppose that the suspension and the fight and the mini uproar it had caused in the school aren’t helping be any more verbose. You’d said goodbye to him and said that you hoped he thought about what had transpired today, your heart aching a little bit that you couldn’t be any more help to him.

You’d seen the three boys Megumi had got into a fight with, too. They had not gotten off so scot-free – they were bleeding noses, scraped cheeks, bruised eyes. At the very least, you don’t think any of them will get on Megumi’s wrong side again.

Gojo has to meet with all three of their parents tonight to give them the full story of why their children are so roughed up and what’s being done about it; a position that’s been doled out to him, you’re sure, because Principal Masamichi blames him for the incident and is punishing him. You can’t deny that seeing Gojo actually get punished for something is nice, but--

“Won’t they be mad to see me instead of you?” You ask him, biting your lip. “I mean . . . you’re his teacher. I’m just your aid.”

“Oh,” Gojo’s eyebrows rise behind his glasses. “No, it’ll be Megumi’s sister who’ll come, she’s a sweetheart! She’ll nod at you and say mournfully that she’ll talk to him and you’ll give her the paperwork, and that’s all – job done! Honestly, if I could palm this off on you and talk to Tsumiki instead, I’d do it in a heartbeat--”

“This is your job,” you tell him, exasperated, and he laughs wide and open. You’re not really supposed to get like this with him – if he were any other teacher, you’re sure that the exasperation and sighing and half-snapping you do would have had you thrown out of their class – but Gojo treats your irritation with him as if it’s the funniest thing that has ever happened. “You’re supposed to be good at dealing with this kind of thing!”

He shrugs.

“You’ll be fine!” He tells you, again. “Honestly, this isn’t the first time this has happened with Megumi and it won’t be the last. That kid’s got a right hook that could knock out an elephant!”

You do not ask him how he knows this. Asking too many questions of Gojo is always flirting with danger; you never know when his mouth will flash into a grin and you’ll suddenly be barraged with a flood of words and stories that don’t quite make sense and never seem to have a concrete end. But you can’t resist one last question – just in case it comes up. After all, it seems that Gojo has spoken to Tsumiki enough times for him to at least kind of know her--

“His sister?”

Gojo looks at you, and for a moment the shroud of capricious energy lifts from him, and he seems entirely serious. You’ve noticed this particular change in him only a few times – and often, those times have been about the more difficult backstories of students.

“His father isn’t around very often,” he says, eventually. “He’s some kind of something or other, Megumi never really says, but whatever he does, there’s a lot of travelling involved. Tsumiki’s his older sister – she’s twenty one, and she’s been more of a parent to him than it seems like his dad has.”

No wonder Megumi always seems suspicious and tired of Gojo. Something about his flighty nature probably strokes the back of Megumi’s psyche, where annoyances about an absent father are kept. You sigh, turning away and shaking your head to rid yourself of the idea of psychoanalysing the students.

“Alright,” you say wearily. “I’ll talk to Tsumiki.”

2.

You’re nervous as you set up for the meeting. You know Gojo had said that this would be easy, that Tsumiki was very sweet and would probably apologise to you for Megumi being a problem – but still! This is the first time you’ve ever met any of your students’ guardian figures in any capacity. You feel kind of bad that it had to be for this kind of news, actually – ordinarily, you like Megumi a lot. He’s very intense and serious and clever, and you think that he has a bright future ahead of him when the trials of being a twelve year old boy finally are over – but this meeting isn’t for saying things like that. This meeting is for giving details of the three day suspension that Megumi has gotten for – you check the paperwork again – fighting three boys by himself on one of the sports courts, making them bleed and . . . breaking one of their arms? No wonder Gojo had seemed so miserable at the thought of meeting with the victims’ parents.

You sigh, running a hand through your hair, making sure that it still sits as neatly as you’d arranged it that morning. You check the clock to see you still have two minutes before anyone is due – you discreetly check your lipstick in a compact mirror (yesterday you’d had it on your teeth and you hadn’t realised until Mai had pointed it out with a laugh in her voice), smooth out your pencil skirt, tug at your stockings to make sure they’re pulled up and not wrinkling about your ankles . . .

And then, you wait.

The clock is straight across from you, so you’re able to see as Tsumiki is five minutes late, and then ten minutes late, and then fifteen. The tick-tock echoes in the room as your leg bounces against the floor, anxiety making you want to gnaw all of the carefully applied lipstick off of your mouth. From what Gojo had said, this doesn’t sound like Tsumiki at all – you’re just about to give up and pack all of your things away, figuring maybe she’d called into the office to say she couldn’t make it and telling you had been neglected, when the door slams open.

You rush to your feet, your sensible heels clacking on the ground.

“Miss Fushi--”

Your voice peters away.

The person stood in the doorway is, you’re certain, absolutely not Tsumiki Fushiguro.

For one thing, it’s a man. For another thing . . . well. You’re not entirely sure that a man with that expression on his face would ever be described to anyone as a ‘sweetheart’. Your frightened eyes linger on him for another moment, really taking in the broad shoulders and the muscles and the hair falling over his face, the dark, green eyes that are glaring at you like you’ve interrupted something very important. There’s a scar by his mouth that you also do your best not to stare at, just in the same way you avoid staring at how the form-fitting t-shirt he’s wearing clings to a muscled abdomen.

“It’s Mr, actually,” he says, which seems absurd in the face of him, standing there. He raises one eyebrow at you. “You were expecting my daughter, right?”

(You don’t know it, but Toji Fushiguro has gotten a read on you in less than a moment. He’s seen the wide eyes and the pretty mouth and the neatly appointed outfit, the pencil tucked behind your ear, the slightest tremble faced with his imposing presence – the fear as you’d seen the scar and the smoulder and the body. You’re adorable.)

“I . . . uuh--” Your cheeks are hot. You nod, weakly, and he walks into the room proper, the door swinging shut behind him with a deafening click. There’s danger in every one of this man’s movements, like a wolf who has finally cornered a little rabbit. You are feeling inexorably like prey, at this moment in time.

“I was expecting a man,” he says, shrugging. He sits at the chair in front of Gojo’s desk, pulled up just for him. He looks huge in the classroom; his shoulders too wide, his biceps bulging from the sleeve of the shirt. You don’t think this man was intending to be in a school classroom right now. “I guess you’re not Mr Gojo, huh? Gotta say,” he shoots you a grin that’s dangerous, everything about him is threatening. “I much prefer this development.”

“Oh,” you’re blustering, and it’s so cute. You sit back down in the chair with a quiet displacement of air, agitation in your fingers as you rake through the papers on the desk. Said desk is incredibly messy; Toji doesn’t think it’s yours. He ought to feel mad that they’ve palmed him off on some little assistant who’s probably not even fully qualified yet – instead, he’s watching your hands trembling and your teeth nibbling on your pretty mouth. “Y-yes, G-Gojo’s dealing with the parents of the other party--”

“My kid got into a fight, yeah?” He asks. “Decked ‘em pretty good, from what I heard.” You wince at his words, and that’s cute too.

“Megumi’s a good boy,” you say. “He’s just . . . got his own sense of justice, I think.” You look down at the papers, and your eyes seem to focus, back in a more comforting zone. “He’s been suspended for three days, and when he comes back, he’s on probation.”

“What’s that mean for him?” Toji asks, promptly, though something about the way he says it suggests to you he doesn’t really care. There’s a lightness, an airiness in his tone that sets you all off-kilter.

“It just means we’ll probably keep an especial eye on him. He’ll get a report that’ll need signing off on at the end of every period, someone will check up on it--” You see one of Gojo’s scrawled notes in the margin of the paperwork. You wince. “I’ll be in charge of it, actually. Making sure everyone’s happy with his behaviour for a few weeks--”

“How old are you, sweetheart?”

The question makes you jump. You’re like a doe in headlights, looking up at him. You blink slowly.

“I—I don’t think that’s an appropriate question, Mr Fushiguro,” you say, prim. That’s cute, too. He likes breaking prim and proper things like you. “I’m—I’m doing my training. I’m working as an aid here for a year, and then I’ll be qualified to be in charge of my own class.” There’s a hint of pride in your words, there.

“Toji,” he says. “That’s my name. You haven’t gotta call me ‘Mr Fushiguro’. I’m not tryna’ be pushy,” but he’s inched forward. His elbows are resting on Gojo’s desk, in front of you – he rests his chin on his folded hands, sharp eyes regarding you as if you’re something he wants to devour. “Y’just look tense.”

“This is the first time I’ve met a student’s parent,” you admit, though the minute it’s left your mouth you’re regretting it. Like you’re admitting to some kind of weakness. This close to him, you can see there’s a dark red stain on one of his wrists, like dried blood. Your stomach is tying itself in knots. It’s not helping that his forearms are so big, ridged with muscle.

“That so?” His eyes gleam. “What d’ya think of me?”

You don’t actually need to answer him. He can see it in the way your eyes keep nervously skimming over him. The way your lips are shining in the light. The bob of your throat as you swallow.

“Mr Fushiguro--”

“I told you to call me Toji,” his voice is almost mocking. You watch him lean over the table like you’re somewhere far away from the action – watch his hand reach out and cup your face, calloused thumb brushing your cheek, like you’re a ghost in the corner of the room. His palms feel like they’re burning hot. “You’re tremblin’, little lamb.”

You had thought you’d felt like a rabbit – shy, ready to run at any moment. But the moment his hand is on you, you’re docile – too scared to scamper away. You suppose you are like a lamb, staring a wolf straight on in the face, too stupid or too pliant to use your common sense and run.

“I . . . I shouldn’t,” you say, voice trembling just as much as the rest of you. Toji’s smirk hasn’t left his face. You’re saying you shouldn’t, but he just bets if he reached further down and unbuttoned your blouse, your nipples would pebble for him – he just bets there’s a wet stain on your underwear, right now. He can always tell when someone’s turned on by the idea of playing with fire.

“I wouldn’t mind spendin’ a few weeks with you in charge of me,” he muses, and then chuckles humourlessly, correcting himself. “Sorry. Lemme rephrase that. I’d rather be in charge of you, but--”

Oh, he sees that. The little flash in your eyes, an imperceptible contract of your shoulders. If you weren’t behind the desk, he bets he’d have seen your thighs press together too. Girls like you are just so fucking predictable, and he loves it every single time. There’s just something that’s so much fun about breaking them – making them submit, admit that him being so close with the scent of something-that-might-be-death clinging to him turns them on like nothing else. Your attempts at being haughty and polite and proud have just made the stirring between his thighs harder to ignore. You’re such a cute, neat, demure little thing – by the end of this meeting, he’s going to have his way with you, you bet.

“M-Mr Fushiguro,” you say, trying to wrest back control of yourself – honestly, he’s pissed you aren’t listening to him, but the title’s kind of endearing. You’re trying so hard! Pity you’re going to lose all of your manners when you’re bent over this desk with his cock inside you. You haven’t even moved your face away from his hand. “I-I have to give you these papers.”

He stands up, pulling his own touch away from your cheek. Stretches. Your eyes are drawn to the brief expanse of his stomach, just above his trousers – the dark line of hair leading down to . . . Oh, God. You shouldn’t have thought about that. The grin on his face is cocky, and you know that he knows you were looking.

“I’m just gonna throw ‘em in the trash, sweetheart,” he says to you. “Now. Let’s talk about the elephant in the room, yeah?” He steps closer to you. You totter to your feet, half-unsure, half driven by the low ache between your legs and the thrum of desire that’s been reverberating through you since the moment he’d carelessly thrown out how much happier he was to see you than Gojo. You have to tilt your head up a little when he comes closer. You’d thought you realised how massive he was when he’d walked through the door, but that’s nothing compared to how his size seems to dwarf you. Every unkind thought you’ve ever had about your body or your face seems to have gone out of the window as his heated green gaze hungrily drinks you in. You know it’s the stare of some predator who’s going to devour you, and you still feel transformed. Your breath catches in your throat as his hand idly comes to the top of your blouse buttons, a finger brushing the place in your throat where your pulse is beating its unsteady rhythm.

“Whaddya say, little lamb?” He grins down at you. “Gonna let yourself be caught by the big bad wolf?”

You’re supposed to be telling this man about his son’s misbehaviour, giving him all of the paperwork that Gojo had thrust at you, getting him to say he’ll talk to his kid and try and make sure that it won’t happen again. You shouldn’t be tipping your head back further, letting his fingertips lodge dangerously in the hollow of your throat, flirting with the place where your windpipe is. You shouldn’t be breathing out, all of your pretty prissiness and good morals and pride disappearing where you stand in the face of one of your students’ really hot dad.

“Yes,” you breathe.

And Toji wastes no time.

3.

He doesn’t even bother unbuttoning your blouse; just drags his hand down, and the buttons pop off, scattering on the floor. You gasp at the show of strength, and Toji is still grinning, clearly enjoying that you’re admiring him. His hand pulls at the fabric, until your breasts are fair falling out of it, the blouse wrestles off your skin.

“You’re wearin’ something like this at work?” He asks you, giving a tug to the gore of your bra. You hadn’t done enough washing this week, and the one you’re wearing is all filmy white lace. “Almost like you knew I was comin’ huh?” His grin is crooked. You tremble as you reach behind you, undoing the clasp – and for that, you get a murmur of ‘good girl’ that has your knees turning to jelly.

He whistles as the bra drops from you, his gaze admiring. He takes in the spill of your breasts, the little peaks of your nipples. He takes handfuls of them, squeezing them in his big hands, his fingertips digging in so painfully you can imagine that you’ll have bruises in the shape of his fingers tomorrow. The idea doesn’t disgust you.

He lowers his head to kiss you. He’s not gentle with you for a moment – his teeth immediately nip at your bottom lip, kissing you hungrily like you’re the first taste of sugar for a man who’s lived on nothing but bread for months. His tongue licks at your lips, begging entrance – dancing against your own when you helplessly open those same lips, demanding in the exact same way Toji is.

He pinches your nipple between thumb and forefinger, delighting in how quickly the bud hardens. He rolls it between them, toying with it, enjoying the soft noises you make that get caught in his mouth. If he wasn’t kissing you, he thinks, you’d be bleating like a lamb right now. Huffing and whimpering. When he finally gets his cock in you, he’ll have to remember to clap a hand over your mouth so you don’t attract too much attention.

Your other nipple is given the same treatment, hot lightning bolts of pleasure ricocheting from the touch of Toji’s calloused fingers to the spot between your legs. You’re grateful for how solid Toji is – if he were any less so, you’re sure you’d be buckling over where you stand.

He pulls back with a final, marking nip to your lower lip, almost hard enough to make you bleed. You whine, and a dark chuckle spills out of his lips in response.

“Toji,” you whimper as he pulls away. You miss the feel of his body pressed against yours like a physical ache. His hands encircle your thighs, pushing you up onto the edge of Gojo’s desk, clever fingers already pushing your tight pencil skirt up so it’s bunched around your waist.

He kind of misses ‘Mr Fushiguro’ now it’s gone, but the sight of your stockings digging into your thighs soon chases the thought from his mind. He guesses your skirt is more than long and tight enough to make sure nobody gets a glimpse, but oh . . . that you’d be walking around all day, like that, with nobody to fuck you silly--

He can’t help but let his hands knead the soft skin, the flesh, his thumbs imprinting so hard in the plush that you squirm. He’s pressing your thighs apart, now – revealing the modest underwear, the soaking wet patch where he can see the outline of your plump labia lips.

With your legs spread, he can smell how turned on you are. Oh, yeah – he knows your type, alright.

“Ain’t you cute?” He says, chuckling. “You really want me to do you over this desk?”

“You can’t leave me like this--” Your voice is reedy, breathy, almost petulant – at another time, he’d make you beg for it. He’d take his time over you. But although the idea of being caught fucking the cute little teacher’s aid is briefly appealing, he doesn’t really want to make a whole load of trouble for himself when his cock is practically begging to be sheathed inside your wet holes. “Please--”

It’s the please that does it. It’s always the ‘please’ that does it for Toji. He chuckles, smirks, crooked grin – all of it feels like it’s mixing together in your mind, your throat very dry as nothing seems to matter right now except the fact that your sex is practically pulsing with how empty it is, and you think that the hot hard stiffness pressing against your thighs would really help alleviate some of that.

“Aww,” he says, fiddling with his zip and underwear, grabbing his cock and giving it a cursory pump just so you can admire the sheer size of him. “Don’t worry, little lamb. I’ll give ya what you need.”

He gets what he wants. Your eyes, as big and dark as the eyes of a doe – the soft choke of breath as you get to see the size of it, so big his own fingertips don’t quite meet. It’s the kind of cock that could ruin you for somebody else – and you’ve had sex before, of course, but you’ve never taken anything quite like that--

“That’s cute,” Toji murmurs, pressing forward, nestling his slick cock-head between your soaking wet thighs. “Wish you could have seen what a picture your face made just then. Afraid I’m gonna tear you in two?”

He might – he might, you think. But you pout at him and Toji’s cock throbs, as he glides the slick glans through the mess of your arousal, wetting himself even further. Your breath hitches, your hips doing a cute little jerk as it brushes your swollen clit. He can’t help himself but swirl the head over it some more, making your breath catch and whine, bleating like a little lamb--

He sinks his hips forward, and your fingers flex on the edge of the desk, knuckles white, at the relentless sear of his cock driving you open. You feel so stretched out, and he’s barely a third of the way in – he can’t help but watch your expression. He always likes to see someone the first time they’re impaled on his cock – the glassy eyes, slack jaw, the pleasure-cum-pain in their faces. He wants to take a picture of you and keep it in his wallet so he can pump one out to the sight of you when he’s on business trips and too busy to go out and find himself a hole to fuck.

“How’s that feel?” He asks you, so soft and low that you barely catch it. Another slow inch. He lets you feel every ridge, every vein, every bump of his shaft. You can hear your heartbeat in your ears.

“F-full—” you gasp.

“I bet,” Toji replies – and then, he bottoms out inside you. His eyes look down to where the two of you are joined; the slick fluid leaking out of you, all heat and needy. “You fit me like a glove.”

Your cheeks heat at the compliment, at the lewd way he’s looking at your spread open cunt – the way your hole is fluttering around him, the peeking pearl of your clit. He’s studying you like he wants to learn you by heart.

“Head’s up,” he says. “I’m gonna fuck you now.”

You’re about to open your mouth, and ask him what he’s doing right at that moment if he hasn’t started fucking you yet – but then, he’s dragged almost the entire length of his cock out of you in one savage thrust and is immediately spearing it back into you, his pace brutal. Your eyes roll to the back of your head, your back hitting the solid, flat surface of Gojo’s desk so that you’re flat out with your thighs wrapped around Toji’s hips.

If he weren’t so entranced by the feel of your walls fluttering around him, trying to suck him in further and deeper, so tight that you’re basically a vice, he’d grab you by your hair and force you to stay seated whilst he fucked you. But right now, you feel so good that all he can think about is his own release. The wet sounds of his cock gliding in and out of you, the squelch of your arousal and slick making every pump easier and easier. You feel so good. You’re tighter than he even imagined you could be, so good that he kind of wants to take you home and have you take up permanent residence in his bed.

You’re moaning, your back arching with every one of his thrusts – taking it admirably. There’s pain in your moans, yes – he supposes he could have prepared you better, had you come on his fingers a couple of times, if time were not of the essence – but they’re the pained moans of someone who likes to be hurt a little bit.

With every rock of his cock inside of you, he hits some new spot that you’ve never had stoked before, makes the heat and need inside of you swim just a little bit closer to the forefront. You don’t even notice you’re moaning and whining until a big hand slaps over your mouth, rough, hot palm against your lips, smearing your lipstick.

“You’re gonna be a good girl and stay quiet,” Toji says to you, through those savage thrusts of his cock inside of you. “You don’t want your . . . your fuckin’ . . . anyone walkin’ in on you being railed by your student’s dad, do you?” You shake your head, but he feels the throb of your cunt around his cock, the way your walls contract, and he adds it to the store of things he’s learning about you. Always the quiet ones, right? Always the proper ones who look as though they’ve never even seen a cock--

The feel of him inside you is absolutely dizzying, so much and so full that you can no longer think. His cock batters against a certain place in your channel, a textured wall – and before you know it, everything is going dizzy and black and white like exploding fireworks, your chest bursting into heat, your inner walls getting so tight around Toji as you come that he thinks you’ll be the one to fucking break him.

Oh, you’re adorable, creaming on his cock – the slick gush of your arousal around him, the dreamy cast in your eye, the fact he can feel you drooling against his palm. He increases the speed of his own thrusts, chasing his release through the weak aftershocks and smaller pulses of you around him, through the over-sensitive squirming of your cute little cunt, the fact that tears are pooling in your eyes at how much everything is suddenly feeling--

He groans and the hand still clinging to your thigh is suddenly pressing so hard you think he’ll snap your bone, ragged breath;

“Fu—fuuuck, sweetheart, you’re gonna take it all, that’s right, good girl--” in between belaboured, ragged pumps, his cock twitching as he manages to pull out at the last moment and his release spills all over your thighs, luridly glistening wet in the overhead fluorescent lights.

That’s another moment he’d take a picture of, if he could.

He’s not the kind of man who waits around. He gives himself ten seconds, to catch his breath, to admire your plush thighs painted with his come, before he’s tucking himself back into his trousers and zipping zippers and doing buttons. He shoves his hands into his pockets, bouncing on the balls of his feet for a second – double checking he’s left nothing of his in the classroom.

Yep. All clear.

He turns to leave, air of cocky confidence back – you only just see the shifting muscles in his back as he turns to go, leaving you where you are. You’re lucky he’s so tall, or you’d probably barely have seen him in front of the door frame (you didn’t even lock the door, anyone could have walked in at any time! You don’t even want to know what Gojo would say if he’d walked in to his aid being fucked like a slut across his desk).

“W-wait,” you say, weakly, still sprawled over the desk with his come cooling on your thighs. You manage to prop yourself up on your elbows, but your entire body feels like it’s just taken a battering. He takes a look back at you from the door, dragging a big hand through his hair, his crooked grin still on his face. You look so pretty like that – all fucked out and messy, the shine taken off of you. “T-the paperwork--”

You’re not sure where said paperwork is. Underneath you, maybe? You hope it didn’t get soaked.

“Told ya’,” he says, dismissively. “I’m just gonna throw it in the trash. Thanks for the fun, sweetheart. See y’around, huh? I should do stuff for the kid’s academic career more often.”

The door slams shut behind him.

[nitpick7]

Ayo anyone wanna see my essay on why removing Anybody Have A Map made the Dear Evan Hansen movie worse? It is slightly long

Disclaimer: I did like the movie (I cried three times), but I think they made some stupid decisions with it.

Dear Evan Hansen movie + musical spoilers under the cut, plus a fair amount of DEH neg/crit

Instead of Anybody Have A Map, they just have Evan's mom say "Hey are you writing those letters to yourself? Also you should ask the kids to sign your cast" before he goes to school and sings Waving Through A Window. They ignore every other part of the song and quickly insert the only thing from the song that's absolutely needed to understand the story so Evan can go be angsty at school. We don't even meet the Murphys until they meet Evan in the principal's office to tell him about Connor.

Disclaimer part 2 electric boogaloo: I complain about Evan a lot here. It's not because I think his experiences aren't valid and it's not because I'm trying to demonize people with mental illnesses or something. I know that his own struggles influenced his bad decisions. That doesn't mean they weren't bad decisions. He still did shitty things and he wasn't justified (listen to Words Fail), but I know it was influenced by his mental health.

On with the complaining!

First of all, the movie opens with Waving Through A Window? It feels like they're putting the most popular song first as a desperate grab for your attention to convince you the movie is good and like... they really didn't need to do that. Waving Through A Window is right after Anybody Have A Map, it's not like anyone's gonna walk out of the theatre after one (really good) song.

Anybody Have A Map establishes a few things: it shows us that both of these families are struggling so that we know immediately that the Murphys' perfect facade is fake, it shows us that Connor was a dick to his family (this is very important), and obviously it tells us why Evan was writing letters to himself. It also introduces us to the two main families at the same time so we know this story isn't just about Evan.

By starting the movie with an Evan solo song instead of the group song, they frame Evan as the one main character, the only person whose perspective we need to understand. But Evan is incredibly flawed, just like everyone else, and by making us think the story is only about him, it immediately makes us (the audience) more inclined to believe that Evan is always in the right and less inclined to consider everyone else's side of the story. Evan is an incredibly unreliable narrator, he's always going to frame his actions as correct, or at least excusable, even when he's actively hurting/lying to other people.

All of the Murphys get introduced through interacting with Evan instead of interacting with each other. This makes it seem like the Murphys only exist for Evan, but the entire point of the climax is that everything doesn't exist just for Evan! Evan is not part of their family, he can't just use everyone around him for his own benefit, and all of the Murphys have lives outside of him. When they're introduced through Evan, they're introduced as existing for Evan. Anybody Have A Map introduces them separately from Evan instead of attached to him.

Without Anybody Have A Map, we never actually see Connor being mean to Zoe, so she just looks like an asshole for not being sad about her dead brother. To make up for it, she's constantly having to tell the audience why she hated him, tripping over herself to talk about all the shitty things he did to her because we don't have Anybody Have A Map to show us their interactions. Zoe ends up complaining about her brother the entire time, so when it gets to Only Us and she says that she doesn't want everything to be about her brother, it seems out of character for her.

And with the removal of Anybody Have A Map, we don't ever see Connor interact with his own family in the movie. Anybody Have A Map is the only time we get to see Connor with his family. It shows us that Connor really was an asshole to his family, it justifies Zoe hating him, and it gives his mom more dimensions by showing her struggling to keep her family together even with everyone fighting against her. Without that, the writers ended up ignoring the most basic piece of writing advice - "show, don't tell" - to fill in the missing information from the song.

In the movie, all we get of Cynthia Murphy is... her being sad about Connor and refusing to admit that he ever did anything wrong. She's just boring and annoying in the movie, but in the musical, we get that bit at the beginning that shows her as an actual person with actual motivations! By cutting Anybody Have A Map, they made her into a more one-dimensional character.

So in a bit of a conclusion: Anybody Have A Map establishes the Murphys as main characters separate from Evan and shows us Connor's relationship with his family instead of telling us about it. It sets the scene for the story before just jumping into "Evan is sad and alone uwu anxious depressed soft boy" and makes everyone a better, more three-dimensional character. Getting rid of it meant that they had to do backflips to justify everyone's decisions during the movie instead of setting everything up at the beginning.

I do think the movie could've benefitted from Disappear but then again, it could've benefitted from the whole "Connor being the visual/vocal representation of Evan's justifications for why keeping up the lie is helping people" thing in general, but they got rid of that so Disappear wouldn't have worked. (I am salty that they got rid of that thing but whatever) The Anonymous Ones worked instead and it was a good song, so sure, why not I guess? /neutral

I could also complain about how they got rid of To Break In A Glove, Disappear, and Good For You, but none of those decisions actually impacted the story too much. To Break In A Glove and Good For You both got replaced with some tell-not-show cutscenes that gave us the same information in a less interesting way (and Larry got less character development without To Break In A Glove), and Disappear got replaced with an Alana song which was honestly pretty good so i'm fine with that one.

Now for some good changes that the movie made!

The Anonymous Ones was a good song, I actually really liked that. I'm disappointed that they got rid of Disappear, but they replaced it with another song that served the same purpose while also giving Alana more screen time and character depth! And it was a genuinely good song, I really enjoyed it and it made me like Alana more!

I really liked the ending of the movie. In the musical, there are literally no negative consequences for Evan, Zoe even forgives him at the end. She fucking forgives him for lying to her entire family about their dead son and and taking advantage of them because it "brought them closer together". And the internet never finds out what he did! He does all this terrible shit, lies to the entire fucking world, and gets away scot-free. And he never learns anything real about Connor. The movie changes all of that.

Connor's song was also a great addition! Every time we saw Connor in the musical, he was either being a dick or he was a fantasy version of himself made by Evan and/or Jared. Seeing that Connor can, in fact, be a nice person, that Cynthia's belief in him wasn't misplaced, was so satisfying. He really was just a meaner version of Evan a troubled kid lashing out at the world in self-defense. He wasn't an entirely bad person.

The Murphys still decide not to tell anyone what he did, but then Evan decides (on his own!) that he needs to own up to what he did. He records a video of himself admitting to what he did, shifts all the blame to himself, and then goes out of his way to fix his mistakes in any way he can. He says that his biggest regret is not getting to know Connor while he had the chance, so he goes online to find anything he can. He reads Connor's favorite books, tries to find anyone who might be able to tell him what Connor was like, and when he receives a video of Connor playing his song in rehab, he takes the time to send the video (through the mail, on a flash drive) to the Murphys, Jared, and Alana.

Evan doesn't contact Zoe at the end, she contacts him instead. She doesn't forgive him, and he doesn't ask for forgiveness. He knows what he did was wrong and he owns up to it and tries to fix it as much as possible, knowing full well that it could ruin his life. He does the right thing for the first time in the entire fucking movie (that's hardly even an exaggeration) and it's such a good ending. It makes more sense and is more satisfying than the musical.

The Dear Evan Hansen movie was not nearly as bad as the reviews say it was. It wasn't as good as the musical, it had its own problems, but it also made some good changes that I think made the story better. It wasn't perfect, but I enjoyed it and most movies aren't perfect anyway. It really could've benefitted from Anybody Have A Map, though.

[miraculouscontent]

Didn’t Need Burrow (May 23rd-25th)

Anonymous asked:

Didn't Need Burrow: Astruc admitted Sabine was based on an ex and Marinette is what he imagined their daughter to be like. He later admits Audrey was based on an ex and Chloe is what he imagined their daughter would be like. Despite moving on, he still bitter and created two teen girls as "payback" against his exes.

The whole “virtual daughter” thing still squicks me out.

Also, I don’t actually take “Didn’t Need Burrows” referring specifically to the staff/fandom since that’s outside of the show, but I also definitely think about them all the time and like sticking them in here.

Anonymous asked:

Didn't Need Burrow: Building off of the "Adrien knows about Marinette's crush on him and tells Plagg about it" Burrow, Plagg will point out to Adrien that this is a bad idea and what he is doing is wrong and that Adrien is leading Marinette on so as to stroke his own ego. He will not be listened to, and the show portray him as in the wrong, despite him being right, because anybody who stands up for Marinette's agency deserves to be shut down. In the meantime, Adrien will be allowed to continue

Bonus if Plagg will be considered “wrong” because Adrien not leading Marinette on would lead to him being sAd because Marinette isn’t fawning over him anymore (as if he doesn’t have a million fans).

Anonymous asked:

Don't Need a Burrow: Zoe will be presented not only as "Chloe if she was good person", but also as "Marinette if she wasn't constantly making mistakes"

Anonymous asked:

Don't Need a Burrow: Zoe will be basically  Marinette if "Marinette's Mistake of the Week" formula never existed.

Sounds about right.

Amazing what can happen when the show doesn’t have a gun to your head telling you to make mistakes in every episode.

Anonymous asked:

Didn't Need Burrow: The show delves into a shitty harem as the writers forget that Adrien is not the main character. Who knows, maybe Zoe will join the harem.

The only reason I feel like Zoe wouldn’t be a part of Adrien’s harem is so she can ship the love square.

Anonymous asked:

Don't Need a Burrow: There will be Animaestro-type episode where Marinette "makes alliance" with (read: is manipulated by) Chloe or Lila against Zoe. In the end she is only one punished, while her "partner in crime"  (or rather person who manipulated her) walks away completely scot-free.

To the surprise of no one. Can’t have the antagonists be punished, because that would make sense.

Anonymous asked:

Don't Need a Burrow: (narrative-wise) Agreste's family drama and Bourgeois's sisters drama will overshadow whatever Marinette character arc will be in season 4.

I’m taking this a step further and saying that Marinette in generall will keep having her plots/”arcs” overshadowed by everyone else.

Anonymous asked:

Don't Need a Burrow: Marinette will be akumatized. She will be easily defeated due to "bond" between Chat Noir and Temporary Ladybug Zoe. This will be presented like Ladybug's constant refuse to "bond" with Chat Noir was reason why their fights with Akumatized Villains are so hard. (bonus: This episode will be followed by a group of fans that would state that Zoe should replace Marinette as Ladybug Miraculous Holder and not Chloe as Bee Miraculous Holder.)

Uggggh, I’m always waiting for the “love square magical bond” garbage.

Also, the bonus reminds me of the fact that I don’t understand people who hate on both Marinette and Luka but continue to ship the love square. Like, wouldn’t they want to ship Adrien with someone “””worthy””” of him??

Anonymous asked:

Don't Need a Burrow: If Marinette akumatization has Miracle Queen-type set-up, Chat Noir will quickly defeat her and whatever all other Miraculous Holders alone (or optionally supported by Temporary Ladybug Zoe). This will be presented by narrattive as proof of why Chat Noir is Brawn in Ladybug-Chat Noir duo. (Bonus: After that episode Adrien stans will make mass of "I hope this will shut up everyone who think that Chat Noir is useless/weaker than Ladybug/etc." type posts)

At this point, I’ve just grown numb to Chat suddenly being able to do things that don’t make sense for him.

Anonymous asked:

Don't Need a Burrow: Temporary Ladybug Zoe

Okay but is she keeping the black highlights or do they turn red. These are important questions.

Anonymous asked:

Don't Need a Burrow: Kagami will be changed (ret-conned) into  Adrienette (or other Love Square's part) shipper after "Lies"

Something similar is already on the card so that’s fun. :’3

Anonymous asked:

Don't Need a Burrow: Zoe, not Marinette, will be wearing that dress from the Season 4 Concept Art.

*eye twitch*

Anonymous asked:

Don't Need a Burrow: Rena Rogue will be appearing even when she isn't needed to defeat Akuma of the Week. This will be probably used to justify Chat Noir's increasing resent up towards Ladybug and (probably) consequent reversal of Love Square.

anything: *happens*

Chat Noir: bad Ladybug

Anonymous asked:

Don't Need a Burrow: Ending: Marinette will willingly sacrifice herself to wake up from coma/ressurect Emilie. Both Adrien and Gabriel will be happy that Emilie is back. Adrien will have his happy relationship/ending with Zoe whom personality is (or was ret-conned into) "Marinette in anything but name". (Bonus points: if everyone behave like Marinette never existed after Emilie revival)

I’m sad.

Anonymous asked:

Don't Need a Burrow: If Akuma of the Week isn't Reflekta/Mr Pigeon/Gigantitan/etc,.Pig Miraculous"s "Gift" power will basically fail and only make current Akumatized Villain angrier and more determined to achieve his goal, basically restarting whole fight against Akuma.

PIGELLA NO

Anonymous asked:

Don't Need a Burrow: Lila will never react to Zoe becoming more popular than her

I imagine Zoe isn’t the same age as Chloe since they’re not twins, so Zoe at least won’t be in Bustier’s class.

Now, if they make her a Lila slave, then we’ll see.

Anonymous asked:

Didn't Need Burrow to know that Marinette is going to hate Zoe for being related to Chloe and this will be limited to her or she'll be the only one scolded for it (likely by Adrien), because you can't hate someone for who they're related to (which actually is a good lesson but ml will probably f it up somehow).

I feel like the writers just look at a character and go, “okay, how can we engineer them in a way for Marinette to mess up around them?

Anonymous asked:

Didn't need Burrow - Chat will find out Rena Rouge knows her identity and becomes angry bc "You and me against the world, m'lady." This will cause one episode of Adrienette becoming closer and Ladynoir drifting apart before Chat magically forgives her like it was no big deal after she makes a huge gesture to get him back.

You’d think they’d have worn out the reset button by now...

Anonymous asked:

Didn't need burrow: one of two things will happen, either Adrien will try to help Luka get back together with Marinette (basically the same plot as Mr. pigeon 72) or the relationship will not be brought up ever again and Mari and Luka don't really directly interact with each other anymore

“Bonus” if Adrien is “taught a lesson” that he shouldn’t meddle, and it’s only because he chose to meddle in Lukanette. “Double bonus” if his attempts actually get Lukanette back together but this is presented as a bad thing (for some reason)..

Anonymous asked:

Don't Need a Burrow: Zoe will be(e)come pernament Bee Miraculous Holder.

This won’t be added because I think we already got official confirmation on this?

Oh, or do you mean “permanent” as in her keeping the miraculous eventually?

edit: yes, that’s what they meant (also, A+ pun)

Anonymous asked:

Don't Need a Burrow: Every Miraculous Holder introduced in Season 4 will be will lose right to their Miraculous, except Zoe/Vesperia.

lol me just imagining them struggling over either making models or trying to not use those miraculouses anymore.

Anonymous asked:

Didn't Need Burrow: Luka will be forced to say Adrien and Marinette are perfect for each other in "Optigami".

Wow, show, why don’t you just prove more that you’re purposefully pointing out that you’re giving Marinette a grand total of One “Obvious” Option.

Anonymous asked:

Unsure if this one has been sent yet but | Didn't Need Burrow: Alya is going to continue Marinette to pursue Adrien even after Marinette broke down and said she doesn't have time for love right now.

We have some similar ones I think.

“Marinette’s feelings towards moving on are invalidated/ignored by one of her “friends” to push for the Love Square“

Anonymous asked:

Don't Need a Burrow: Sandboy 2.0: Ladybug's nightmare will be about Chat Noir abandoning/hating her

I was dumb enough to raise an eyebrow at this like, “Would they really reuse akum--oh wait.”

Anonymous asked:

I'm gonna try and go for a good Didn't Need Burrow: WHen Sole Crusher gets Marinette we'll either get a lovely King Kong moment between them, or Chat Noir will come in and save her (and it'll possibly be a moment of reverse love square).

If they have Marinette doing the cliche “crushing because they got saved” I’m gonna throw hands.

Anonymous asked:

Don't need to burrow:

Marinette will never have a heart to heart with Luka revealing she's Ladybug or even explain the reason for their breakup.

Just gonna slap a big asterisk on this because it’s like:

*despite Luka being an obvious choice and they could’ve worked out the issue but the show is afraid of the side ship they’ve created working out better than the love square itself

Anonymous asked:

Don't need to Burrow: For Optigami, the episode will barely or never acknowledge Luka's and Marinette's relationship/breakup. It will be ignored and we won't have any cute Lukanette moments. As long as Adrien is in the picture, Luka will be always sidelined.

Honestly that last one is basically one of the commandments of this show.

Anonymous asked:

Don't Need a Burrow: Lila will now only appear in cameos (probably without even any voice lines).

show writers, shoving Lila under a rug: Leela Ransai?? Never heard of him.

Anonymous asked:

Don't Need a Burrow: Since Lukanette is over, Luka can be ret-conned from show. Everyone will behave like he never existed at all (and Lukanette never hapenned).

We at least know that Luka now appears in a later episode, but this could easily be worded as “Luka can be retconned away from being Marinette’s love interest and everyone will act like he and Marinette aren’t that close or never made soft eyes at each other.”

Except I wouldn’t count on Lukanette being retconned because that would stop the show from being allowed to make Marinette feel bad and guilty and possibly cause another akuma over it, plus possibly Luka “rejecting” his feelings for her and thus making her feel worse that he sees her in a lesser light.

Anonymous asked:

Don't Need a Burrow: There will be an episode that will break "Mr Pigeon" episode record of  "Don't Need a Burrow" and close calls.

Not gonna lie, I would be legitimately impressed if that happened. I’m just wondering what predictions would be mashed together to make it as such.

Anonymous asked:

Didn’t Need Burrow to know that Zoey (I heard somewhere that that’s how her name is going to be in America, it might be wrong), is going to get involved in the love square somehow.

Bonus:

Or she will replace Kagami’s role as Marinette’s friendly rival, and when her heart gets broken Marinette will be the one to blame, for no reason, like always. Or she will have an interest in Marinette, since it seems they are going to be close friends, only for Marinette to put her in the friend zone, and she gets akumatized. People will blame Marinette for giving false hopes to the girl, even though, she never acted different than how a friend would act.

All girls exist to comment/have an opinion on the love square, obviously, and they’re antagonists/villains if they have a negative opinion on it.

Anonymous asked:

Don't Need a Burrow: Writers will use Alya bashing concept of Alya proposing Lila as potential new Miraculous Holder. Marinette will obviously refuse, but due to fact that Lila is suddenly ret-conned into being good person this is Marinette's Mistake of the Week. She will repair it by making Lila pernament Miraulous Holder

Waiting for the one episode long Lila redemption...

Anonymous asked:

Don't Need a Burrow: Sabrina will be redeemed. She will change from Chloe's servant... to Zoe's servant.

and it’s fine of course because Zoe and Sabrina are best friends and Sabrina is doing this all happily and willingly.

Anonymous asked:

Don't Need a Burrow: Alya will be changed into basically Marinette's Guardianship mentor

Somehow, this is one of the ones I hate the most because it seems accurate so far.

[igotlockedintothisfandom]

Kidnapped

Requested By: @lavender217

Prompt: Bode gets kidnapped by Dodge, Tyler and Kinsey are the only ones who can rescue him.

Notes: Sorry this took forever to upload! I hope you end up liking it :) All Locke & Key prompt fills will be cross posted onto my ao3 account.

Find Me On Ao3: RandomNerd3

Suddenly Dodge and the keys and the damn Omega door were all too real. 

Tyler’s chest tightened around his chest as he saw Dodge’s echo taunting him through his dad’s old painting of the Well House. “Where do you think she took him?” Kinsey asked pacing around the drawing room. “Tyler!” She shouted, Tyler’s head shot up,

“Maybe she used the Head Key,” he said justifying what they saw. “Maybe she turned someone else into Bode and he’s still safe at school.” Kinsey shook her head then said,

“It’s still in my sock drawer. There’s no way Bode would give it to her willingly.” Tyler turned to look at her,

“Are you sure it’s still in there?” Kinsey hesitated, then made a beeline for her room. Tyler followed, taking two steps at a time. “Kinsey?” He asked as he reached the doorway. His sister dug through her sock drawer, inevitably taking the entire thing out and dumping the contents onto her floor.

“No,” she muttered frantically tearing apart pairs of socks. “No, no, no, no!” She shouted, Tyler knelt behind her, wrapping his arm around her shoulders. Kinsey turned and sobbed into his chest, he wrapped his arms around her tighter. “How did we let this happen?” Shaking his head he said,

“This isn’t our fault is it? Dodge did this, she’s a demon that’s what they do right? Kidnap helpless little boys?” Kinsey wiped the tears from her face then said,

“Bode isn’t helpless Tyler.” The eldest Locke sibling then began to pace around the room. “We need to find him.” Kinsey said plainly, then she threw his arm off her shoulders.

“Where the hell are you going?” He asked as she walked out of the room. Kinsey went straight to Bode’s room then dug through the trash until she found what she was looking for.

“The page on Key House, Bode kept saying he saw her in the ink, right?” His sister asked, Tyler nodded then peered over her shoulder. “Well maybe she’s still in the ink. Trapped, like she was in the Well House.” Once the paper laid flat on her desk they waited anxiously. Tyler shook his head, running a hand through his hair.

“I’m calling it, somehow trapped Dodge got out.” He said after the paper was unmoving for a good half-hour. “Maybe we should call the cops,” Tyler suggested pulling out his phone. Kinsey snatched it out of his hand,

“Tyler what would we say?” She asked him, holding the phone just out of his reach. “That our brother was kidnapped by an insane woman who likes to rape and kill kids?” Tyler froze,

“She wouldn’t do that to him.” Kinsey looked at him sadly, “I’m fine Kins, right now we need to focus on Bode. Maybe the Savini Squad can help, they already know about the keys.” He said taking his phone back from her. She sighed,

“So far Scot’s the only one who'll be willingly seen with me in the hallways… and Gabe… something just feels off about him right now.” Tyler thought for a moment then said,

“Okay so what do we know?” Using pins from the desk, he began to hang things on the wall in regards to the kidnapping. “He made it to school right? The secretary said his teacher marked him for attendance.” Kinsey nodded,

“We should start there, to see if Dodge got caught on any of the security cameras.” Tyler agreed then snatched his car keys from their hook and he and Kinsey started the short drive to Bode’s school. Tyler kept his eyes on the road, trying not to let his mind wander, trying to not think of the hell Bode’s bound to be going through right now. “Tyler the turn!” Kinsey shouted jolting him from his thoughts, he jerked the steering wheel taking an unnecessarily tight turn into the elementary school’s parking lot.

“Excuse me… Mark,” Kinsey said flirting horribly at the student intern sitting at the desk. Tyler had to resist the urge to cringe. “But could you possibly tell me where Bode Locke is right now?” The kid didn’t even bother to ask if they were relatives, he just started typing away at his keyboard. With his headphones still in his ears the Mark muttered,

“Freaky family, let me check. Looks like he was excused earlier, an aunt picked him up or something.” Tyler and Kinsey exchanged a look before leaving the student alone at his desk.

“Where would Dodge take Bode?” Tyler wondered out loud as he started the car again. “I mean where would she be able to be completely alone with him?” A look of realization crossed Kinsey’s face as they pulled into their driveway.

“Come on!” She shouted, jumping from the car before Tyler could even put it into park. “I can’t believe we didn’t think of this before.” Tyler managed to keep track of where she was going, following her path through the snowy forest. After a few minutes of blindly following Kinsey they ended up on the edge of the cliffs. Tyler sucked in a breath,

“You really think they’re down here?” He asked her, he half-hoped they wouldn’t have to go down there again. Kinsey nodded then started the rocky path down to the caves. Tyler followed in tow, trying to ready himself for whatever Dodge had ready for them.

“Give me the key!” Dodge’s voice echoed throughout the caves. Tyler hesitated, then nodded to Kinsey and the two of them stepped into the cavern Dodge held their brother captive in. The villain turned as Bode’s eyes filled with hope. Tyler couldn’t help but wince in sympathy, his brother was shackled to the ground, a few bruises on his face was evidence Dodge had hit him.

“Let him go.” Kinsey said, fearless as always. “Now Dodge,” she said, if looks could kill their adversary would be a melted puddle of goo. Tyler decided to stay silent, not trusting he would say anything helpful. The demon cackled,

“And why, pray tell, would I be afraid of you?” She asked, Tyler saw something move out of the corner of his eye, and Fear Kinsey attacked Dodge. With their threat distracted, Tyler rushed forward and undid Bode’s bonds. His baby brother immediately jumped up and felt around his neck, then took out the key he kept on a chain around his neck. Bode gripped it tight enough to turn his knuckles white, behind them Dodge cursed at them as she was forced to flee.

“Kinsey,” Tyler said when her sister seemed to be fixated by her Fear. His sister snapped out of whatever trance she was in, then knelt next to them and wrapped her arms around Bode. Tyler whispered comforting words of,

“It’s okay,” and, “she can’t hurt you anymore.” Bode shook as tears streamed down his face, he latched himself around Tyler’s neck. In response, Tyler picked him up and took the long walk back to Key House, Kinsey right at his heels.

Once they were safe in Key House, Tyler and Kinsey refused to let Bode out of their sight. Bode himself, claimed they were being overprotective, but they just wanted their little brother to be safe.