there are a lot of posts out there that are positive and healthy coping mechanisms for handling the holidays. this is not one of them :)
i think there's like. going to be times in your life you will be stuck in a social situation that you cannot escape from gracefully. i do not know why the internet doesn't believe these times exist. it's not always just that your physical safety is at risk - sometimes it's legit like "i just don't currently have the energy or time to put in the effort of responding to this." sometimes it's a coworker you hate so much. sometimes it's just like, fine, you know? like you know you can handle your aunt when she's cheerily horrible, but if you actually set a boundary around her, it's going to be weeks of fallout with your father.
i don't know why people think the answer is always just "cut them out!" or "don't let them get away with that!" because ... the real world is tricky and complicated. i think kind of a lot of us have an internal "radiation poisoning" meter for certain people. like - i'm talking about the ones who are absolutely giving you gradual ick damage. like, you can handle them, but you'll be exhausted.
and yes. you absolutely should listen to your therapist and the good posts about handling others and set good boundaries and take care of yourself. prioritize peace.
HOWEVER :) ...... since im often in a situation with a Gradual Sense of Ick person i cannot just "cut out" of my life (without losing someone else precious to me) - i have sort of developed the most. maladaptive form of mischief possible. because like, if i'm going to have to listen to this shit again, i like to have a little bit of private fun with it.
now! again, i am physically safe, just mentally drained by this man. you should only do this with people you are not in danger with. which leads me to my suggestions for when your Unfortunate Acquaintance shows up and says oh everyone pay attention to me.
my favorite word is "maybe!" said as brightly and happily as possible. whenever the Horrible Person starts in on a topic you do not want to go further with, particularly if they make a claim that you know to be inaccurate, do not respond to it. you and i have both tried to actually argue with this person, and it hasn't gone well, because this person just wants the drama of an argument. however, "maybe!" gives them literally nothing to go on. it is incredibly disarming. they are used to people having some response. they know they can't prove what they're saying, and maybe! treats them like the child they are. it dismisses them in the politest way possible.
i like to say maybe! and then, in their stunned silence, immediately change the subject. this is because i have adhd and i will have something unrelated to talk about, but if you can't think of topics fast enough, i recommend just pointing to something and saying, "isn't that lovely?" because fuck you let's bring in some positivity.
by the way. that second trick - of pointing to something and stating an opinion about it? - that just works on its own, like, 70% of the time. i picked it up from teaching preschoolers. it's an intentional "redirect". it stops children crying and it also stops grown adults from finishing their explanation on why women belong in kitchens. dual wielding!
keep it silly for yourself. i absolutely do not care if people think i'm fucking stupid (it's more fun if they do) and as a result i will purposefully misunderstand things just to see how long it takes them to realize i've completely removed them from the subject at hand. when they say "women aren't funny" i get to be like. "which women." "all women." "all women in america?" "no in the world." "like the mole people? the people in the world?" "what? no. like, alive." "oh are we not counting the mole people?" "what the fuck are you talking about." "you don't believe in the mole people?"
similarly, i play a personal game called "one up me." my Evil Acquaintance literally knows this game exists (my family & friends caught onto it and now also play it) and it always fucking gets him. i don't know why. you have to be willing to be a little free-spirited on this one, though. the trick is that when they make one of those horrible little bigoted or annoying comments they are always making, you need to go one unit weirder. not more intense, mind you - just more weird. "you don't look good in that dress." "yeah, actually, my other dress was covered in squid ink due to a mishap at the soup store." "you shouldn't wear such revealing clothes." "wait, what? oh shit. sorry, your son tears off strips when no one is looking and eats them. i swear it was longer before we left the building."
the point of "one up me" is to completely upend this person's narrative. we both know this person likes setting up situations where you cannot "win" and then they really like telling other people how badly you handled it. in a usual situation, if you respond "please don't say something that rude", you're a bitch. but if you let it happen, you're letting yourself be debased. they are not usually expecting door number three: unflappably odd. because what are they going to say when they're telling everyone how badly you behaved? "she said my son eats her dresses" ".... okay?"
if you can, form an allyship with someone whomst you can tagteam with. where they can pick up on your weird "soup store" story and run with it.
the following phrase is amazing and can be deployed for any situation: "oh, be nice :) it's the holidays!" i do not know why this works as often as it does. i'll say it for the most random shit. i think this is bc most of the time these people know they're being impolite, they just like to fight.
godbless. when in doubt, remember that you could always start stealing their pens.
the whole point of this is - if you can't escape. maybe see how long you can just be. like. a horrible little menace.
I think one of the most realistic parts about Baby Reindeer (2024) is how much Donny downplays the abuse he faces
I know everyone wants to hate on him for being “stupid” and blame him for everything that happened because yes from an outsiders perspective he made questionable choices but isn’t that what HUNDREDS OF PEOPLE DO?
I know so many people who’ve “played nice” or tried to downplay abusive behavior. You try and tell yourself “It wasn’t that bad”, or that it was just some crazy experience that should be forgotten. It seems so much easier to stay silent and just try to move on.
i cant get over the whole time in the real world rick just sat there watching over morty and when he woke up finally rick sounded SO happy the way he just yelled his name excitedly the second he woke up,,,
it’s kinda funny to me how that dumb scene in kiwami 1 of majima getting shot and left for dead in the harbor was basically just added as a half-assed way to explain majima not being around for a bit of the plot, but they accidentally(?) just made it seem like start of a chain reaction where majima ended up feeling slighted and heartbroken after being abandoned like that and then lashed out about it via smashing a big truck into the building kiryu was in. and yeah that isn’t inherently a romantic thing as-is but then they go and add the part where majima grabs a hostess and performatively hits on her as in-kiryu’s-face as possible, she says she’s already in love with someone, and majima lets her go immediately, no questions asked, making a big fucking point of it just to say see THAT kiryu? I appreciate when people are HONEST about their FEELINGS. people who won’t just BACKSTAB someone who CARES about them to save themselves. is that so crazy kiryu?? huh??? anyway make it up to me get down here and fight me right fucking now
there’s a question to be asked i think about to what extent “getting out” can be conflated with “being saved” in this show, and what freedom actually means to any of these characters.
like you can argue that shiv saved ken by voting against him on gojo, but what if your intent behind saving someone is to inflict a worse punishment than if you’d just left them trapped? can a child weaned on poison survive on milk, or are you just sentencing them to a death by inches, starved of the only thing they know? and if you save someone specifically because you know that being saved is the worst thing that can happen to them, is that kindness or cruelty? at what point does a good thing become a malicious act?
and you can say that roman is finally free, but what exactly is he free from? the company? his father? does unlocking a cage mean saving a dog, or are you allowing him out on the street knowing there’s a kill shelter nearby? if the driving anxiety behind roman is that he’s an idiot and a failure—that he’ll never amount to anything, and trying will only lead to pain—and he’s finally cut loose once all of those anxieties have crystallized into cold hard fact in his mind, what has he actually escaped from? if the cage is in your mind, is it even possible for somebody else to unlock it?
the fundamental truth of a tragedy is that even being saved can be a death sentence, if the characters are incapable of escaping the thing doing them the most harm (themselves and their childhoods)
I have a few wants for Mae’s story next season, with the hope that she gets her memory back relatively quickly being a pretty important one, but it’s not the only want I have for the way things go for Mae that I consider important. There’s something else that feels even more important: namely, that Mae find people in her life that deeply love and prioritize her.
There’s something very pointed going on in Season 1. “Everyone seems to want you,” Qimir says to Osha, but by comparison, nobody ever seems to want Mae. When they’re children, Sol professes a connection to Osha, and Mae is little more than an afterthought; as an adult, Sol ultimately leaves nothing for her but the worst parts of himself. Qimir is visibly fascinated with Osha from first sight, and ultimately doesn’t seem to have thought much of Mae even before she attempted to desert his side; he seems to brush her off the way you’d brush a speck of dust off of you.
And don’t get me wrong, I don’t think that Osha should have chosen to stay with Mae in Episode 8. It doesn’t make sense from a storytelling standpoint, not at this juncture. This is the culmination of Mae’s character arc this season, where she is finally able to stop clinging to Osha, to accept that what she wants more than anything is for Osha to be happy, even if she isn’t with her. For Osha to choose to stay with Mae at that point would feel wrong, for Mae has to prove to the audience that she has reached this kind of peace regarding her relationship with her sister by accepting that Osha doesn’t want to stay with her without bitterness. As for Osha, this is the culmination of her character arc this season, which has been about taking her life and her power into her own hands, and it would be strange for her to stay with Mae when Qimir has offered to help her do what she wants. It wouldn’t feel right from a storytelling standpoint; for things to make sense, they have to part ways at the end of Season 1.
But even if Osha frames it as making sure that Mae is safe from any reprisals on Qimir’s part, and even if it’s what make sense from a storytelling perspective, what it ultimately amounts to is that Osha doesn’t choose Mae, either. Nobody ever chooses Mae.
And it’s so uneven. I’m not saying I want Osha to be this alone, too—I don’t. But it’s wrenching to watch this woman who has nothing and no one at the beginning of the season still have nothing and no one at the end of the season, because even the memory of Osha forgiving her and loving her again has been taken away from her. Even her memory of the one person she had left who actually loved her has been taken away from her. She had nothing then, and she has nothing now.
Like I said, it feels pointed, the way Mae is never chosen, and what I’m hoping is that this means that it won’t be the case anymore in Season 2. Vernestra, you say, and yeah, I have high hopes for that dynamic, but no matter how things shake out between Mae and Vernestra, that is never going to be a relationship of equals, and I don’t think it’s ultimately going to be the kind of relationship where Vernestra would choose Mae, not meaningfully. Not over every other option.
That’s what I want for Mae, really. Someone who will love her deeply and choose her over everyone else, every time. With her memories and without. Knowing what she’s done, the good and the bad, knowing what she’s capable of, the good and the bad, knowing her past, knowing her faults and knowing that those faults aren’t all of who she is. Someone who would choose her without a second thought.
Because I feel like there’s going to be a scene like the one in Episode 8, where this time, it’s Mae who chooses. But Osha had more than one option. Either Qimir or Mae were viable options. Osha had a solid foundation to rely on, whatever she decided to do. But as it stands, Mae only has Osha. Osha is all Mae has. And if we do get a moment like that in Season 2, where this time it’s Osha asking Mae what she wants, if she wants to go with her or not, if Mae’s options are still “Osha” or “be completely alone,” then it's not the meaningful choice that Osha had, is it? My point is, I want Mae, whatever she decides, to have actually had a meaningful choice. To not be completely dependent on Osha for love and acceptance. To have someone else she could turn to if she decided that she didn’t want to go with Osha. To not have her choices be: Osha—or no one.
the difference between zosopp and sanuso (romantic OR platonic) is that Usopp is Zoro's specialest little guy and Zoro is someone Usopp hangs out with and looks up to and hides behind when things get scary, but Sanji and Usopp are best friends. They horse around, they beat each other up, they confide their worst fears trying to one up each other. Usopp hides behind Sanji sometimes, sure, but idk, Sanji's weaknesses are more obvious (bugs, fighting women, etc) so there are times when Usopp has to stand in front of Sanji too, yknow?
Like, how do I say this, all the crewmates are equal- Usopp and Zoro are equals- but with Sanji it feels like more... comradery? Zoro's a rock in a terrible storm- even rocks tend to get weathered and chipped and worn down, but they overall stay strong and steady. He has trouble being vulnerable and there are times when the burden he's placed on himself to keep the crew safe is crushing his chest. Usopp would help with that and be very understanding, but the point I'm trying to get with that is that those moments are few and far between. So I feel like Usopp, especially after Water 7, would take Zoro's lead on something like that, and keep most of his worries to himself or only talk about them sparingly unless they're really bad and/or he can't hide them.
Sanji is like a tree in a storm; he can be strong, yes, but it feels like he bends and sways with the storm, and has more obvious breaking points. He can relate more to Usopp's struggles rather than resorting to blunt honesty that might border on callous like Zoro. And while, with Zosopp, I tend to think of scenarios with Zoro being blunt like that as a good thing- because sometimes when you're spiraling, it's nice to have someone say exactly what's great about you and shoot down all your worries with straight facts that you can't argue with- I can also see this as being a bad thing. Anxiety can really twist up your brain sometimes, you know? And despite the words, the tone could still mess someone up if they're already feeling like a burden on others in some way.
With Sanuso it's a lot more understanding and thoughtful words. It's distractions and comfort food and patience- the kind reserved for Usopp- until Usopp talks about whatever's troubling him. Compared to Zosopp, it doesn't take as long for Usopp to open up, since he's done the same thing to Sanji at times and it's more familiar to him to talk and commiserate with Sanji about his worries and doubts and such. However, there are times stuff like this has absolutely no effect and Sanji will end up at a loss, no idea what to do or how to help over the course of several days with Usopp being quiet and keeping his distance, and he'll end up working himself up about it which will only serve to make Usopp feel worse and. yeah. bit of a vicious cycle with them.
So it's like. Usopp can be weak with both of them, but since I see Sanji as the type of guy who'd be more open with his worries (at least compared to Zoro), there's less of a need to 'perform' and be his best self around him. He's comfortable around Zoro, yes, but he is constantly wanting to show that he won't be a problem to him. On the other hand, while he's more open with Sanji, and Sanji with him, they tend to relate a bit too much with each other and they both have issues with causing trouble for others and being 'deserving of love' so failed attempts at consoling one hurts the other and creates an unpleasant cycle of misery and avoidance before some other crewmate (Zoro) tells them to quit being stupid and just fucking talk to each other.
Not to psychoanalyze (Yes, to do that), but given Armand's history, his only preconception of what love is, is to view it through pure desire. Love - and more broadly accurate, his life purpose for like half a millenia - as only he's ever known it, has only been experienced through transactional wish-fulfillment fantasies, of which he was the one typically sought after to complete such an exchange. And so naturally, in his own seeking, he replicates it. Though to some degree he also replicates the fantastical existence of fictional romances to compensate.
This lack of true experience of love without desire or fantasy, making his always unfilled 'objet petit a' - his object of desire - (a partner he desires a particular love from but does not receive to his fulfillment) - the catalyst for believing there is no other form of love to be had. That he can simply love the person, and be altruistic to their personhood, without them filling a role or desire for him, just would never occur. He's egotistical and overly pragmatic towards others by the fault of formative experiences denying him his own personhood. In being groomed into the object of desire, he no longer sees anyone else but as such. It's equal parts lack of self-awareness, meaning he simply has no way to counter-reflect upon himself the way one should behave, and developed coping mechanism, either consciously or unconsciously, taking on the role of those who inflicted upon him their desires to gain a sense of control over it.
In never escaping this cycle of love as desire, he always denies himself his full person, and simultaneously denies the personhood of others.
There are stranger things I've learned on the outside
Separated by an open door
I find it hard to reach the end of my timeline
Salivating 'cause I wanted more
Is this the end or is this the beginning?
-Too Close/Too Late by Spiritbox
okay so based off of haymitch ripping his house phone out of the wall, i think he's had several incidents where he's broken certain important things in the house and. did not fix them. the clock's too loud? there's now a knife splintering the middle. looking in the mirror is too much? they're all covered minus the bust-level ones. some are broken! he doesn't own a microwave because the beeping is god awful! the washing machine is in a designated room because if he hears the sound it WILL set him off! like yes he is rich but lavish living doesn't concern him because he is in his own personal hell and money cannot fix what the mentality is tormented by. no, he's not going to see a shrink unless he's forcefully tortured. and all of that is painfully old school.
forever thinking about how nothing will be the same as before this situation and george won't be the same ever again. i just hope he will take of his mental health after this, no matter what it takes, even if it means he will be far more distanced
anon this is seriously making me suicidal
on a real note i mostly worry about how this will impact his ability to form connections and make relationships with other people. like imagine feeling too cautious to go near non-ccs because oh god what if theyre a secret fan or what if they put something online and ‘expose’ me. but then u can’t go near fellow cc’s either because you cannot tell who has genuine intentions and who just wants to fuck you over later down the line. and none of this is even shit fans like me should even be thinking about i cannot stress enough how none of this should’ve been public and i feel so fucking bad for him that he’s had to be so publicly vulnerable after being so private his whole career.
on another note i suppose dnf will be trauma bonded for life now