#i know zuko's is a burn scar

[indiainswiftland]

NOW LISTEN TO ME. LUKE'S SCAR CAN NOT BE LIKE A LITTLE LINE IN THE EYE MADE FROM A PENCIL. GIVE ME PROTHETICS, BODY HORROR, BLIND EYE. IF IT'S NOT PRINCE ZUKO LEVEL OF GORE I DON'T WANT IT

[aquatint-101]

Modern AU careers for the Gaang

Aang: elementary school teacher and stay-at-home dad when his kids are growing up. He makes for a splendid househusband for Katara when he doesn't have the weight of the world on his shoulders. Katara: lawyer who runs a legal clinic and an outspoken activist. She was studying for medicine, but she pulled an Elle Woods when Sokka told her she was too "girly" for Harvard Law. Zuko: kind of specific but he drops out of Wharton to become a firefighter, and I'm undecided on whether it's during his bachelor's or MBA. (He also totally did DECA as a high school student but never got past state level). Sokka: engineer who went to a huge college (MIT or Caltech) when nobody expected him to. He's either a civil engineer or an aeronautical engineer. Toph: blind martial artist is the most obvious one, but I raise you: concert pianist. The former is more in character but the latter just cracks me up because the best pianist I know is blind. Suki: Olympic-level athlete in a solo sport measured on performance. So she'd be into running, pole vault, javelin, something along those lines. I think running is the most likely. Sokka is her biggest fan. Bonus: Mai: goes to the same college as Zuko for cybersecurity/informatics, but drops out at the same time as him. She works a day job as a florist and does freelance work as a white collar hacker. Ty Lee: an actual circus performer in the Cirque du Soleil. All her sisters are either doctors, lawyers, or engineers. Azula: has a high position in whatever business Ozai is running and is poised to be his heir. Post-redemption starts one of the most bougie but affordable bakeries in the world.

[ssreeder]

Do you have (for fanart reasons) a guide to the scars/injuries Zuko and Sokka acquired throughout Leaving it All Behind, Risking it All, and Into the Fire?

Hiiii i know this is SUPER late for me to answer so idk if this is even still relevant but i actually do have a guide haha. It’s posted in the discord server under “fic resources” but if you’re not in there if you wanted to DM I can help you out.

Or you can just guess? Zuko has the one on his neck and face then scattered across his body (depending if you’re drawing him with clothing on) & Sokka has his left hand scar the ones all over his arms and back and then the small face scars like eyebrow and across the nose.

[phsychobanana]

In your eyes

Pairing: Zuko x Firebender!reader

Summary: When Zuko falls for a member of the gaang, he fears that his mistakes may ruin his chances with them.

Word count: 2.3k

A/n~ I think this is gender neutral? I don't remember putting any specific pronouns, but correct me if i'm wrong. Enjoy!

Funnily enough, the first time you met Zuko was at the northern water tribe. Two fire benders surrounded by waterbenders during a full moon. Not exactly an ideal situation for any firebender, but you were welcome, whereas Zuko was not.

You were running as fast as you could, your legs carrying you in a speed you didn't know was even possible. Katara was in trouble and the moon was slowly disappearing from the sky, fire nation soldiers were everywhere, the water benders were struggling with the loss of the moon and you were terrified.

"Katara!" You yell to her as you get closer to the girl. She was fighting a boy you had never seen before.

You jump on the boy's back and hold your hand to his throat, heating your palm up slowly.

"I would choose my next move carefully if I were you." You say as Katara puts her own hands to her neck and moves them around trying to mimic an explosion.

Suddenly, the boy moves his hands to your face and you feel a burning swipe across your eyebrow. You let go of him and move your hands to your face, a searing pain on your eyebrow almost making you drop to your knees. Katara rushes to your side in a panic,

You see the boy grab Aang and run off before you could do anything.

"Who was that?" You ask Katara angrily.

"Zuko."

***

Zuko followed you and the gaang around for weeks, those weeks turning into months. And the more he saw you, the more he wanted to see you again.

Unfortunately for him, the more you saw him, the more you wanted to smash his head through a window. But every couple has their problems.

You held a very strong grudge towards him, seeing as your eyebrow had scarred and you now had a line going through your eyebrow and over your eye. It made you angry every time you looked in the mirror.

Unbeknownst to you, Zuko felt absolutely terrible for what he had done. He didn't mean to scar you, he would never wish his fate on anyone. Not even his greatest enemy, which lamentably, happened to be you at the moment.

***

The next memorable time that you saw Zuko was in the crystal cave. You had both been thrown in there as a punishment and you were freaking out. Aang, Katara, and Sokka needed you.

You started hitting the walls, throwing as much fire power at it as possible, you even broke a crystal into one big sharp shard and slammed it against the door repeatedly, but it was no use.

"There's no point in doing that." Zuko says, looking at you with his blazing golden eyes. "We aren't getting out until they want us out."

You just scoff in response, unsure of why he was even talking to you in the first place.

He looks at you when he hears your scoff, "You don't have to be rude."

"Oh, I'm sorry. Did I hurt your feelings by being mean?" You mock him in a baby voice, causing him to roll his eyes.

"What's your problem?" Zuko asks, looking you up and down with pinched eyebrows.

"What is my problem? You're my problem, Zuko. You've been hunting my friends and I for months, you've hurt us -or attempted to- more times than I can count, you gave me this," You point to your scar, making him flinch, "And you have the nerve to ask me what my problem is?" You let out another scoff and turn around, giving him your back.

Zuko looks down at his hands, not knowing what to say. He watches as you light each one of your fingers up like a candle to keep yourself distracted.

He walks over and sits next to you, doing the same with his fingers.

You look at him and roll your eyes.

He smiles softly to himself. You haven't moved away from him, yet.

***

If there had ever been even a sliver of you that had liked him in that cave, it was completely gone now. He had betrayed you that night in the cave and it hurt you.

It was the day of the eclipse and you were running through the underground tunnels, looking for Sokka. As you were running you bumped into something, falling hard to the ground.

"Ow!" A familiar voice huffed as the other person made contact with the ground.

"Zuko?"

He looks up, his hair falling into his eyes. You notice his eyes widen and light up, but just as he goes to say something you lunge at him.

With your hands around his neck, you yell at him through gritted teeth. "I trusted you!"

"I know, I'm sorry." He barely gets the words out, gasping and clawing at your hands.

You let go of him and slam him into the ground hard.

"I swear to the spirits, if you ever try to hurt my friends again I will kill you with my own two hands. No bending, no help, just me and you." You say and walk away to go find Sokka.

Zuko sits there for a moment replaying what you said in his head over again. A small smile spreads across his face and he jumps up, running after you.

***

"You have got to be kidding me!" You yell at your friends. They were letting Zuko, the guy that had tried to kill you and capture Aang on more occasions than you could count, into the group.

"Everyone deserves a second.....or 100th chance, Y/n." Aang says, placing a hand on your shoulder as Zuko takes a step towards you.

You clench your fist defensively, making him put his hands up in defense as he takes another step forward.

"I get why you wouldn't trust me, but I've changed." He says, taking one of your hands in his. You pull away with a hollow laugh and walk away.

"Fine, let this psycho join us. I don't care." You say as you disappear behind a wall.

Zuko looks down with a sigh. "Challenge accepted..." He says under his breath as he thinks of ways to win you over.

***

Two days after Zuko joined the gaang, you were attacked. A pack of firebenders found you, attacking the group. You all paired together, Sokka with Toph, Katara with Aang, and you with Zuko. You had begged Toph to pair with you but Sokka stole her, leaving you with the one person you did not want.

You were back to back, fighting off the soldiers when another fleet arrived. The gaang chose to run, not wanting to be captured. You stayed behind to fight off the rest of the soldiers so the others could get away.

"Y/n come on! Hurry!" Sokka yelled for you as you were running after Appa. A soldier dived at you and their hand grabbed at your ankle, making you tumble to the ground.

"Go!" You yell and Aang pulls Appa out of there. You kick your foot back at the soldier, successfully kicking them in the face. You run off into the forest, You can hear the soldiers running after you as you twist through the trees.

You feel something grab your arm and pull you toward them. Looking up, you see Zuko. He's not looking at you, instead looking at the soldiers running around looking for you. You notice that he pulled you into a clearing hidden by trees and bushes. He places his hand over you mouth as you go to say something.

His adams apple bobs as he swallows harshly, listening and watching for any signs that the soldiers might be headed towards the two of you. After no signs, he looks down at you, finally making eye contact.

His golden eyes shine as he looks at you and he smiles softly.

"Thank you." You say quietly, not wanting to be too loud.

He nods.

"Do you still hate me?" He asks with a barely there smirk.

You shake your head. "I don't think I ever really hated you." He smiles at you. "I just strongly disliked you. It was a very strong dislike. Very strong."

"Okay, I get it."

You laugh softly at his dismissiveness of the subject.

"Do you think I'm still a bad guy?" His voice is quiet. Barely a whisper, but you hear it.

You look at him, he's looking down at the grass, his fingers are playing with each other out of habit, his hair is fallen over his face and covering his eyes. You never quite realized how pretty he was.

"Of course not-" You begin to tell him your answer, but your words are interrupted by yelling.

The two of you turn your heads in the direction of the noises and see your friends running to you.

"There they are!" Katara calls to the others as she makes eye contact with you.

Zuko lets out a frustrated breath at the interruption, but he gets up and dusts off his clothes, offering you his hand.

***

The days after that moment in the woods would replay in your mind every night before you would sleep, every morning when you'd awake, every meal, every training session with Aang and Zuko, every group meeting, every day all day.

You had started watching Zuko more than you would care to admit. The way he tried to make up for all of his past mistakes always seemed to put a smile on your face. He helped Katara in the kitchen when he could, he always made time to talk about weapons with Sokka, he always played games with Toph and Aang, and he was especially trying to make it up to you. Though you didn't notice that part.

He always pulled your chairs out for you, he helped teach you how to control the lightning within you, he even got you flowers one time. Unfortunately the flowers backfired and Appa ended up eating them, sneezing petals for a week.

You were currently training Aang on the beach with Zuko. The sun was blazing down on your back and your cotton shirt was absorbing all of the heat, making you sweat more than you would normally.

You walk over to where Katara, Toph, Sokka, and Suki are sitting, sipping their little coconut drinks as they watch you and Zuko beat the arrows off of Aang.

You take both ends of your shirt and pull it over your head, leaving you in your shorts and bathing suit top. When you walk back over to the boys you notice how red Zuko's face is.

"You alright over there, Z?" You ask, worried that he might be overworking himself in the heat.

His head snaps to look you in the eyes, his face going an even deeper red.

"Y-yeah, heh. Why wouldn't I be?" He looks around, avoiding looking at you with everything in him.

You decide to ignore his weird reaction to your words and go back to teaching Aang.

"This one is a partner move. So, I'll demonstrate with Zuko and then when you understand how to do it, you can try with him." You explain as you walk over to the spluttering and red as a beet, boy.

You move his hand to your waist and his other in yours, your own face heating up a bit at this position. You then kick his own foot out from underneath him and flip him over your shoulder. You light your hand ablaze and put it near Zuko's neck like one would a sword.

"I thought you said this was a partner move," Zuko groans out.

"Yeah, good guy and bad guy. Partners." You say with a smirk.

"You can do that, right Aang?"

Aang nods his head excitedly.

After another hour or two of flipping Zuko over your shoulders, you all sit down around a camp fire on the beach for dinner. You and Zuko offer to collect the plates and take them back up to the house.

"You did good in training today." He says as he takes the plates from your hands and places them on the counter.

You let out a small laugh.

"Well I would assume I did considering the amount of times I was able to flip you."

He rolls his eyes and you take this moment to admire him.

His hair falls in perfect strands across his forehead, his golden eyes reflect the light of the setting sun peeping through the window, his skin is soft as you place your hand on his.

He looks at you confused when he feels your touch.

"You did good, too." You say softly.

He smiles at this, looking down at your hand that was still on his.

"How do you see me?" He asks, breaking the peaceful silence.

"What do you mean?"

"What am I in your eyes?"

You think for a moment, pondering how your answer.

"You're a person who has made many mistakes." You begin, making his shoulders droop a little bit. "But you are also a person trying to make up for all of those mistakes. You're a kid, a kid who has been through a lot. Yet, you're still sweet and funny and kind and loyal. You try to hide how you feel, but I can still see every emotion you have in your actions. You're trying. And for that, I think you are amazing. That is who you are in my eyes."

He doesn't say anything for a moment, making you feel nervous about how he would react.

With a million thoughts racing through his mind, he decides not to say anything. You said that his actions meant more, so he spoke with an action.

He gently placed his hand on your cheek and leaned in slowly, giving you time to pull away at any second. But you don't.

His lips meet yours in a soft kiss, his hair tickling your cheek. You smile into his kiss making him smile as well. Your arms wrap around his neck and you pull him closer as he pulls away from the kiss. You rest you foreheads against each other, catching your breath.

"I think I like you." He says, making you laugh.

"Oh shut up." You say and lean in for another kiss.

[prince-geo]

literally pleased with almost all of the new atla trailer except as per usual, Zuko's scar, idk why studios are so scared to commit to the intensity of the thing, its supposed to be shocking and obvious and textured and the first thing you see... that's the point, Zuko is supposed to struggle with feeling like it defines and brands him before finally coming to the point in his journey where he defines it.

Hollywood/big studios are known to hesitate or straight up avoid properly and honestly and unapologetically showing people with disfigurements/disabilities/facial differences etc. with the realism they deserve. Which is a shame in general for representation and humanization but ESPECIALLY in this case as its minimization actively harms it's narrative purpose as well

I promise making the scar more intense (shrivel up the ear a bit, make it intrude in his hairline, make his eye in a permanent squint due to nerve damage, for god sake REMOVE THE EYEBROW IT WAS BURNED OFF) will not make Zuko "ugly", (the actor is incapable of looking ugly and also the implication that scars make people too unappealing? yikes) but will actually do the character and his journey justice, not to mention really show Ozai's brutality, another essential narrative tool. Especially when he's bald like hello??? It should be even more stark and intense when he doesn't have hair to distract from it and cover his ear!!!

When transitioning from 2D to live action, of course some visuals are up for interpretation but that usually involved ADDING detail because the constraints of having to stay on modeling frame to frame is gone, not minimizing, removing or airbrushing. Doing Zuko's scar right to me is absolutely essential and I'm disappointed they seem just as as scared to go there as I thought they might. It doesn't have to be gory, if you've ever seen burn victims in real life or in pictures or even cosplayers/artists who are skilled in realistic burn makeup you'd know its possible to balance realism with humanity. It's possible especially with their resources to avoid the "scary Halloween makeup" route while not holding back on the brutality of the original injury.

Budget is definitely not an issue, or "scaring the kids" considering this remake is likely aiming to go a lil darker in tone than the cartoon (which was already super dark with its target audience of nickelodeon 7 year olds so no excuses) Audiences SHOULD be unsettled and upset when they see him but not because he's hard/disturbing to look at but because we are human and do not want to imagine someone doing that to a child.

It's a deliberate choice out of the all too common fear/hesitation to allow someone who is destined to eventually become a protagonist and is meant to be sympathized with to be "too ugly" while this hesitation is very rarely applied to straight up villains (again we come back to media's historic villainization of facial deformity). It's a trend that's always ticked me off in fanart too. The boy's face was melted, for gods sake. Zuko was always portrayed as an attractive boy in the cartoon (fire nation girls fawn over him) even with the intensity of his scar which is something I've always admired! People exist with scars similar to Zuko's in real life, and should not only be permitted to be represented as good guys and/or as attractive when their scars are toned down to be "palatable"

Like I said there's more that I loved than didn't love about the trailer, that can be a whole essay on it's own but I needed to get this very specific vent off my chest because it missed the mark so hard and stands out like a sore thumb in comparison to all the other visuals that hit the nail on the head to me

[suzukiblu]

excerpt from in-progress "timebending with Zuko" fic

Zuko wakes up and everything hurts.

Most specifically, his scar hurts.

That . . . doesn’t make sense, he thinks, and reaches for it automatically. A strong hand catches his wrist before he can touch it, which seems–fair, yes. Probably a good idea, anyway, because spirits does it hurt. Just . . . so much.

“Uncle?” he asks reflexively, attempting to open his eyes. It’s surprisingly difficult. And Uncle is in Ba Sing Se, of course, but he’s on his back on a futon or bedroll or something similar and someone’s sitting beside him and his head is swimming and he’s injured, clearly, so options for who said “someone” might be are limited, really.

So it’s not Uncle, obviously, but . . .

“Nephew,” Uncle says, very quietly, and Zuko . . . blinks.

At least, half-blinks. The one eye’s in too much pain to open.

The ceiling is metal, he notes absentmindedly. That’s . . . odd. He was in the palace, wasn't he?

“What happened?” he asks, vaguely bemused. Uncle pauses in a very concerning way, and Zuko has about three heart attacks about just how badly he doesn’t want to know what he’s about to say before–

“The Agni Kai,” Uncle says, very carefully. “Do you remember it?”

Zuko frowns–just with the one side of his face, because again, his scar hurts right now. To the point that his whole body feels wrong, does his scar hurt right now.

“Um–which one?” he asks, because there’s been about a dozen this month alone, and frankly he’s getting really sick of fighting them at this point but if the old guard of nobles are just going to keep dragging everything out like this–

“With your father, Nephew,” Uncle says, very carefully.

Zuko . . . blinks.

“Oh,” he says, vaguely perplexed. Uncle never talks to him about that. “Yeah, I remember that. What about it?”

“Do you remember what happened?” Uncle says.

“The part where I disgraced myself or the part where he burned my face?” Zuko says, because it’s so fucked up and awful and horrible that he can’t even get upset about it anymore, except when he’s really upset about it. But if Uncle’s bringing it up, presumably he has a good reason to be, so . . . “Or the whole ‘go find the Avatar who no one even believes exists anymore or you can never come home again’ part?”

“. . . all of that, yes,” Uncle says, still sounding very careful. Zuko frowns a little–again with just the one side of his face–and then looks over at him. His body still feels weird and wrong, but . . .

But . . .

They’re on a ship, he realizes. A Fire Nation one.

Well, explains the metal ceiling.

It doesn’t explain why Uncle is wearing red armor and a topknot like he hasn't in years, though, or why he looks so unspeakably sad.

“Um,” Zuko says, and attempts to sit up. His head immediately starts swimming even worse, and Uncle catches his shoulders and keeps him pinned against the . . . futon? Looks like a futon, yeah. “Where are we, exactly?”

“We are aboard a ship,” Uncle says. “I . . . may have slightly commandeered it.”

“. . . you paid for it, right?” Zuko asks, a little skeptical at that idea.

“Yes, Nephew, I did,” Uncle says, giving him a very tired, pained smile. Zuko doesn’t feel much better, seeing it.

“Is someone dead?” he asks, because he can’t think of anything else that would make Uncle look that way.

“Ah–no, no one has died,” Uncle says.

“Then what’s wrong?” Zuko asks warily.

“. . . you are injured, Nephew,” Uncle says, slowly. Zuko frowns, bemused. “And your father . . . I did not know he was going to do this. I am so sorry.”

Zuko . . . pauses. Looks around the room again, and then realizes: he knows this room, doesn’t he. He knows this ship.

This is the same ship he woke up on after the Agni Kai.

“Hold that thought, Uncle,” he says, then lifts his hands and looks at them. They . . . well, they are his hands, obviously.

But they’re not his hands, obviously.

“Huh,” he says, frowning in bemusement at them; turning them around like he half-expects them to stop being a thirteen year-old’s or something equally ridiculous. They don’t. They are very definitely a thirteen year-old’s hands.

Specifically, his thirteen year-old hands.

Huh.

“You don’t have to be sorry,” he says after a moment, putting his hands back down and glancing back to Uncle, who’s obviously the more important concern. “It wasn’t your fault.”

“I took you into that meeting,” Uncle says, his voice tight. “And I watched the Agni Kai. And I did nothing to stop any of it.”

“I know,” Zuko says. “But it wasn’t your fault.”

“It was,” Uncle says, his smile a sad and terrible thing. “You were there because of my actions. My mistakes.”

“You’re not the one who wanted to sacrifice all those soldiers,” Zuko says. “Or the one who decided to throw fire at my face.”

“You were there because of me,” Uncle repeats, his voice tight and his smile no less terrible. It occurs to Zuko, briefly, that Uncle must be thinking of Lu Ten.

He only ever looks like that when he’s thinking about Lu Ten, so . . .

“Uncle,” he says. “Really. It’s not your fault.”

“Nephew,” Uncle says, and his voice is somehow even tighter. Zuko tries to get up again, and his head swims again, and Uncle moves to stop him again. This time he grabs onto Uncle’s wrists and uses them to pull himself up, and then . . .

Well, then he’s sitting up, at least.

So that’s something.

He tilts his head and his hair slips into his eyes. It’s loose, and long. Not shaved on the sides yet, like he wore it the last time he was thirteen. He supposes he should cut it, but then again, why should he? He's not changing anything, after all.

Except for this conversation, he supposes, because that went very differently last time.

. . . hm.

"Uncle," he says one more time, and reaches out for him. Uncle doesn’t seem to understand what he’s trying to do, so he has to reach out a little farther, and then Uncle makes the connection and leans in and lets him wrap his arms around him and alright, yes: that’s better, Zuko thinks, and clings to him.

Just a little, perhaps, but . . .

Yes. He clings to him.

Uncle wraps his arms around him in turn, very carefully, and makes an awful sound.

“My boy,” he chokes. “I’m so–I’m so–”

“I forgive you,” Zuko lies, because of course there’s nothing to forgive.

But of course Uncle doesn’t understand that, does he.

[soopersara]

Me: Zuko's scar is kind of shaped like a flame.

Me: I mean, no shit, it's a burn scar.

Me: But it has the three little pointy bits at the back, which kind of make it look like the Fire Nation's flame emblem, but turned sideways.

Me: ...

Me, scribbling furiously: The resistance movement in the Fire Nation comes to see Zuko as the symbolic leader of their movement toward the end of the war, and because voicing support for the traitor prince isn't tolerated, the resistance needs a subtler way to make their position known. All across the Fire Nation, banners are stolen and re-hung sideways, official seals on documents are deliberately printed crooked, and disillusioned soldiers deface their uniforms by tearing the flame emblems away and reattaching them sideways. What most people know but no one will say is that the sideways flames represent Zuko's scar, and that the symbol indicates support for him as a leader and for his mission to bring an end to the war.

Me: ...

Me: Am I gonna have to start another fic just for this idea?

[winter-tospring]

The Agni Kai between Ozai and Zuko was one of the smartest, best additions to the show. I see people complaining about Zuko "fighting back", as though that's a bad thing or takes away the victimhood of his situation.

Zuko is prepared to fight someone else. Then his dad steps in. There's already a ton of pressure, and now confusion overwhelms, because wth why would he fight his dad and HOW. He doesn't want to fight him. But this Agni Kai's point is for honor, to prove himself to him, and a) he is firstly DEFENDING himself from his dad who is the one who starts fighting him hard. (throwing fire at him?? Hello??? Is he just supposed to take it??) b) don't you think Ozai would think worse of him if he didn't do anything at all? And don't you think Zuko takes that in consideration pretty quickly as his dad attacks him?

It's clear Ozai will fight. Now Zuko looks confused and scared during the fight, rightfully so, and he tries to figure out how far this will go. My wife keeps saying that he is sparring (and that y'all don't know about sparring, lol), and that doesn't mean you have to hurt your opponent, not the way Ozai intends. Zuko engages defensively, and then fights his father, hoping that's enough to show him that's he's good at this, that he's skilled. It doesn't have to go as far as Ozai takes it, it COULD just be sparring. Zuko COULD jusy try to show him what he's learned and hope his dad is pleased enough. Isn't that what he keeps trying to do anyway? Get his approval? Both he and Azula. Unfortunately, we know that's impossible.

The unfolding of this Agni Kai drives home the cruelty of Ozai in an even more intense way to me. Because no matter how well Zuko fights, it's not about skills, it's about how far he's willing to go, that's what Ozai is judging. The mentality behind it. Zuko isn't willing to hurt his father when he could, he holds back! That is his "weakness". And the way Ozai punishes this by doing what Zuko refused to do - burning Zuko where Zuko could've burned Ozai - that is a horrible reminder of this "failure" to go far enough, and the consequences it entails.

Zuko's scar now isn't just random placement, it has meaning behind it beyond the basic cruelty of Ozai hurting his child. It directly references Zuko's "weakness". Ozai showing him how it's done directly on his face, serving as a constant reminder that he couldn't be the strong one, so he got hurt by the one who was willing to be.

The sequence of Zuko holding back and Ozai NOT holding back but purposefully pausing and choosing to punish him this way was mind-blowing. Such a powerful, terrifying moment that makes Ozai feel even crueler than in the OG.

I don't think Zuko not engaging in the OG is bad at all, it virtually gets the same result; but I also don't think it's bad for him to decide to engage. It doesn't take away anything from the point, for me, the way it plays out in the live action takes it further. It examplifies Zuko and Ozai's relationship and Zuko's efforts - never enough - perfectly.

[mozart-the-meerkitten]

*rolls up 15 years late with Avatar the Last Airbender thoughts*

So I've been rewatching clips from the show lately to refresh my memory while I'm writing my Zuko Alone fanfic. And last night I rewatched the clip where Iroh teaches Zuko how to redirect lightning and I have had thoughts about this scene for years so I might as well finally throw them into the void of tumblr.

So, this scene is insane to me, because at the end of learning how he could-hypothetically- redirect lightning, Zuko looks at Iroh and, completely seriously says "okay I'm ready to try it with the real thing now". Like, Zuko, the boy with a massive scar on his face from where his father burned him just looks at his uncle and says, "shoot me with lightning".

And yes, he's 16 and not thinking but that's part of the point because the amount of blind, complete trust Zuko has in Iroh to look at him and say "shoot lightning at me" after the insane trauma he had at the hands of his own father- that is WILD to me. Zuko literally trusts Iroh so much that he just assumes, without even having to think about it, that no matter how volatile and unpredictable the lightning is, Iroh won't hurt him because Zuko cannot fathom his uncle hurting him.

And of course, Iroh's appalled because Zuko's standing there with a massive scar on his face from when his father misused firebending against him and likewise, Iroh cannot fathom hurting Zuko. And since IROH knows how volatile and unpredictable lightning is and how it could literally kill his son nephew he is absolutely NOT going to use it just to let Zuko practice redirecting lightning, but he's so flabbergasted that Zuko would even ask him that that he just kind of splutters angrily that he will ABSOLUTELY NOT shoot lightning at Zuko. (it's also just another layer of how messed up Ozai is because he shot lightning at Zuko without a second thought later)

But I hope Iroh thought about it later and realized the amount of pure, unthinking trust Zuko has in him because ;-; the child didn't even THINK about it. "Okay uncle shoot lightning at me now. I know I'll be safe because it's you." I love them so much 😭😭

[aanglican]

uncle iroh is treated very much like a paragon of virtue in the series. yes we know he has had a violent past, that he has done terrible things, committed atrocities in the service of the fire nation— but we don’t really feel it because all of that had happened off screen and prior to the series. instead, he comes to us as a more perfect being and one deified with secret good deeds revealed throughout the story: uncle iroh is the keeper of the dragons and an important member of the white lotus, he is just that awesome.

uncle iroh is so divorced from his immediate past that we don’t see him haunted by any of it unless it’s by lu ten— which begs the question: did he really turn his back on the fire nation due to a moral awakening or was it only/mostly for his own good? he certainly doesn’t behave in a manner you’d expect from a repentant ex-imperialist: he’s not too worried about walking the streets of ba singe se, let alone actually staying there after the war ended. (the same war he participated in on the side of the aggressors, mind you.) he is shameless enough to be living there while hiding away and was unscrupulous in accepting hospitality from earth kingdom folks who were made refugees by the fire nation, i.e., song’s family. does he not feel guilty or at least uncomfortable with his circumstances, especially since it has only been 5 or so years since the siege at ba sing se and thus still very fresh in the grand scheme of things? is iroh just that Enlightened and At Peace with his past that it doesn’t color his every movement? or is his lack of a moral hangover just a writing oversight? were they scared to make their most lovable character in a rated TV-Y7 cartoon a tad more polarizing?

while uncle iroh does his job well for the story— that is, to act as zuko’s guiding light— i do wish he were knocked off his pedestal a bit more. uncle iroh is, after all, the proto-zuko to ozai’s proto-azula. i wish to see him at least slightly paranoid about people recognizing him from his military days and vice versa. i wish to see him uneasy about being in the earth kingdom (out of guilt? as opposed to zuko’s superiority complex and anger). i wish to see him meet another person who also has visible burn scars, one that has nothing to do with zuko/his family, and still look away in shame or disgust by the implications. et cetera et cetera. anything to indicate he feels something more about himself and other people that isn’t just Wise Old Man.

[prying-pandora666]

The Cast and Crew Don’t Deserve Your Hate

I know many of us feel hurt and betrayed by NATLA. I know this. I feel the same.

Please stop cursing Albert Kim and the production crew. The fact is, he inherited a huge mess that was already behind schedule. Studios nowadays want the fastest turn around possible and are willing to pour money into projects.

But not time.

I’ve said it before, but LOTR is the absolute gold standard for production. They took years of pre-production time to hand craft their costumes and props and wigs. They hired artisans to hand make tunics and chainmail by hand. They sourced and layered real human hair for their hair pieces. It was incredible.

GOT also attempted something similar though not nearly at the same scale.

That’s why both of these productions have such fantastic and realistic feeling costumes, wigs, and props.

Modern studios just want fast turn around. They’ll pour in money but they want it fast. That’s why the modern takes on LOTR and GOT (ROP and HOTD) look like mediocre cosplay by comparison. The stylists are doing their best, but there’s only so much you can do with so little time.

That’s exactly what’s happened here. You can tell in how awful all the wigs and beards look, even compared to the Shyamalan film of all things! It’s why you can see machine stitching and the fabrics aren’t thick enough to pass for animal pelts. It’s why Iroh’s beard looks like it’s going to fall off, and Yue’s hair looks like a Lego piece, and Azula’s bangs are visibly attached extensions of a completely different sort from the rest of the synthetic wig. It’s why Zuko’s scar looks like a birthmark and not a burn.

It’s why the bending, despite having impressive animation, doesn’t line up well with the actors’ movements and feels pasted on. Almost as if the artists and fight choreographers didn’t get to communicate and plan together.

It’s why the scripts are a poorly juggled mish mash of plots, with threads left to hang in the wind while others are so oversimplified that it feels like a playschool version of ATLA rather then the “adult” version it’s supposed to be.

And it’s why the the Chinese writing is grammatically a mess like they just ran it through Google translate.

I have nothing but respect for Albert Kim and the cast and crew that worked tirelessly to bring this disaster to life under these conditions.

I worry about the poor crew being put through some awful crunch time for this show…

Yes it’s bad. But it’s not only bad as a piece of media. It’s bad as an indicator of what studios prioritize now, and it’s neither audiences nor their own staff.

[wilcze-kudly]

I do find it annoying how a lot of Zutara fans tweak the character's stories, personalities and even the timelines to suit their own needs.

Once again, there's nothing wrong with fanon and headcanons, however if looking through the lense of canon, you're objectively wrong.

I ended up stumbling on a post from a Zutara shipper. (At this point I'm regretfully considering not following the tags for Zuko or Katara because I get way too much Zutara content lol) I'm not replying directly to her because I don't want this to turn into an argument, and I know she doesn't take criticism very well.

Ok, So let's break this down.

The character who was first out of the group to trust Zuko?

I'm quite sure this is referring to the scene in Ba Sing Se's caves. And yes, that is a very important scene. I think it's a very important scene preceeding Zuko's 'relapse'. It shows how he's matured during his time in Ba Sing Se and therefore it serves to add to our dismay when he joins Azula. I adore the fact that Zuko's journey to redemption is not linear, it certainly adds a lot to the character and shows us how his trauma affected him.

It's also a horrific moment for Katara. To have her worldview on Zuko and firebenders as a whole challenged, and then for it to go blowing up in her face. It rips open old wounds of her childhood. It refreshes her resentment of Zuko and the Fire Nation as a whole. It parallels the death of her mother when Aang dies due to Azula's lighting and she is unable to do anything about it. It places her back in that spot of helplessness. Even though she's grown up, even though she's a master waterbender, she still comes a hair's breadth to losing one of the most important people in her life.

No wonder she hated Zuko so much after this.

It's an important moment for both characters, but I wouldn't say it is that in a romantic sense. It's a sweet, hopeful moment that then turns absolutely horrific and visceral for both parties.

I could argue that there are other characters who could be given the title of 'first to trust Zuko'. Funnily, Appa being one of them lol.

But other characters trusting Zuko dovetails nicely into the next point.

The character who emotionally connects to Zuko?

Well, technically, I'd argue that most members of the Gaang connect emotionally on one level or another with him?

But I'd argue that Aang is the person Zuko connected with the most. Aang is Zuko's parallel. Aang is the first person to reach out to Zuko. Aang is the person who showed mercy to Zuko, multiple times. Aang is the person who valued Zuko's life, the life of someone whose whole life goal is to capture him.

This was also an incredibly important moment to Zuko. This is the thing he brings up when trying to convince the Gaang to let him join.

Zuko: Why aren't you saying anything? You once said you thought we could be friends. You know I have good in me.

The character Zuko feels safest letting his guard down around?

It's Mai. Love her or hate her, her relationship with Zuko is incredibly important to him. Maiko isn't my favourite Zuko ship, in full honesty. But even platonically, Mai and Zuko are one another's reprieve from their respective shitty lives.

People often talk about Katara touching Zuko's scar while discussing healing his scar, however one could argue that she did so as a medical examination. Mai touching Zuko's scar is a casual thing, neither of them really make a big deal of it and that's the beauty of it.

I'm mainly talking out of my own personal experience, as someone with a huge amount of burn scars, but there is a world of difference between someone inspecting my scars like Katara did and simply accepting them as a part of me, like Mai does for Zuko.

With Mai, Zuko isn't the scarred banished prince, Ozai's son or Azula's brother. He's just Zuko. And they speak freely with one another, arguing like real people do. Often, being comfortable having arguments is actually a sign of being comfortable with one another.

The character who helps Zuko heal from his trauma?

Once again, this is a bit of a flawed question. By the end of the show, Zuko isn't even fully healed, in my opinion. He has made leaps and bounds on the road to recovery, but when he will truly heal if ever is yet to be seen.

Zuko's journey to recovery includes plenty of people. This includes Iroh, Aang, Song and Jin. People who show him the error of his coping mechanism. Who challenge his worldview, who coax him out of the his shell of pain and anger.

The character known for showing most compassion to others?

Yes, Katara's compassion is a huge part of her character. Her need to help and protect those who cannot do that for themselves cannot be understated.

But Aang's compassion for others and all beings is just as great, if not greater than Katara's. Compassion and nonviolence are huge parts of his culture and his own philosophy.

Aang: Wait, we can't just leave him here. Sokka: Sure we can. Let's go. Aang :No, if we leave him he'll die. Aang airbends himself off Appa and retrieves Zuko, bringing him to Appa. Sokka: [Sarcastically.] Yeah, this makes a lot of sense. Let's bring the guy who's constantly trying to kill us.

Friendly reminder that Aang could've absolutely wrecked Ozai, but held back because his own moral compass was so powerful. Hell, he was friendly and nice to Azula, the woman who literally killed him.

This is why Aang and Katara work so well together. They're both incredibly compassionate people who will immediately jump in to help others in need. Like they did during the Painted Lady, destroying the factiry together.

The character who primarily bears the burden of having to step up into a parental role?

I think "parental role" is an incredibly vague term. There's a lot of things that go into a "parental role". Katara plays a stereotypically "maternal" role, while someone who plays a "paternal" one would probably be Sokka.

Katara deals with very "homemaking" tasks like sewing and cooking, etc. And Sokka often takes on the role of leader, hunter, gatherer and also protector, despite being a nonbender.

This coincides nicely with their core childhood traumas. The loss of Katara's mother impacted her greatly, leading her to have to step up into a motherly role. While Sokka was clearly heavily traumatised by his father departing and the crushing responsibility of having to care for his entire village.

Sexism also probably played a part in this dichotomy.

The character who represses their emotions to be strong for others?

I'd argue that this could apply to all the members of the Gaang in some capacity.

Aang's pain is something most of us will never experience and cannot hope to understand. The complete horrific destruction of his culture and home followed him through the entire show. He was entitled to his grief and rage, yet he supressed it. We see during Appa's kidnapping, how easy it would be for Aang to rage, to let himself be destructive. And yet, he wakes up every day and chooses to smile and goof off, because his friends need someone to remind them how to be children.

Sokka puts on a very impressive bravado, despite having a lot of insecurities. However, as the oldest member of the Gaang (pre Zuko) he puts on a facade of the confident and unbothered older brother. Even if he's the butt of almost every joke, he still keeps that demeanour up, letting it slip only a few times.

I'd actually argue that Toph is the person whom this label fits best. While we know Toph as witty, callous and strong, we have to remember that she kept up the facade of her parents' good, helpless little blind girl for no reason other than her mother and father's comfort. She actually hides a lot of her hurt, covering it up with a prickly exterior.

I want to do longer think pieces about Toph and Katara so apologies if this isn't complete.

I'm actually baffled by the idea of Katara repressing her emotions. She's actually quite straightforward and open about her feelings. She yells and feels a lot of emotions and lets them be heard. She gets angry and sad. She's actually kinda bitchy sometimes and that's honestly why I love her so much.

The whole inciting incident of the show was her getting so pissed off she somehow pulls a giant iceberg from the bottom of the sea.

She is anything but repressed.

She is angry.

She's angry at the fire nation, at Sokka, at her father, at men, and with good right to be so.

This is what makes her an amazing character and one who broke the mould of a lot of female characters at the time. Her anger and unrestrained emotions rang true with a lot of watchers at the time. I'm not sure why this is being taken away from her rather than celebrated.

I reiterate the point I made at the beginning of this post: there is nothing wrong with headcanons and fanon interpretations for one's enjoyment. I do find it a bit odd when it changes a character too much (because then, why not just create an oc?) but it's all in good fun. However, you shouldn't push that onto other people and how they perceive canon and you certainly shouldn't use it to take away from other characters. It's a very unfair way of entering discourse.

[cripplecharacters]

Hi, I have some questions regarding confusion over a certain topic. First off, I have a character with a severe scarring on the upper right side of their body. I've heard in some tumblr ppsts that such appearance shouldn't be fetished. Then I stumbled across some posts, mentioning how the character can be described as 'pretty with it'.

For sure, I'm trying my best to normalize the looks. Because I have a love interest set up for them and while they don't mind the looks, I feel confused on how to convey their appreciation for the character's looks even with the scarring. They like the character as they are and stuff.

Sorry if this is a lot, I tend to get confused on how to handle such scenarios. And this sort of varying opinions is making me go '???'.

It's okay if you take your time to answer! Have a good day ahead of ya!

Hi!

"Fetishization of a disability" and "thinking that a disabled person is pretty" are two very different things. Despite the somewhat similar sound, they're not connected by much.

In the context of scars, fetishization would be what I would call the "Zuko situation" (yes, I love ATLA as much as the next guy, let me explain) - the scar isn't really a scar, it's more of a, I don't know, make-up? It's just the color that changes, it's all sharp edges and intricate shapes, the facial structure stays the exact same. There's no physical symptoms. Essentially, it's permanent body paint.

It fetishizes a disability by making it inaccurate, sometimes almost mystical. You don't see anyone fetishizing how real people with facial burns look like because they only like the idea of it. They don't care for us; they don't care for Face Equality or why we are offended by "villain with scar #32482". It's just a fun splotch of color to add to your OC when you're out of ideas.

Another aspect of fetishization is the "a scar is the worst thing in the whole world", the tragedy porn. It's using a disability for cheap drama. Again; it's inaccurate and exploitative. I don't see writers excited to depict my "coming to terms with my facial difference as a teenager, and eventually being proud of it" experience because where's the shock value and pity points? Fetishization, again, is about liking the idea of it, not the real thing.

Describing your character as beautiful, well, isn't any of that.

The point that I tried to make on that post was that a scar is often considered inherently ugly. That it's a stain on someone's beauty, that it would be better if it wasn't there.

"Brown beautiful eyes, thick facial hair, strong cheekbones - he managed to be irresistibly handsome even with that nasty scar going across his nose."

This, well, sucks. It's as if the character's beauty and their disability are contradictory forces that have to fight each other. But in reality, scars and any other visible disabilities are neutral. If the character is pretty, their scar is pretty too. It's a part of them, so how could it not be?

"She was a cute girl; her pastel pink, thinly braided hair framed her face, defying gravity by curling towards her mouth. The burned skin on her lips shifted as she smiled, revealing a tooth gap. She played with her equally pink 'white' cane, holding it between the two fingers she had on her right hand, bopping it against the ground to the rhythm of the song."

This, on the other hand, just states her disability as a part of her person. It's nothing weird or shocking, she's pretty, has a burn on her face, she's blind, she's missing some fingers, she's enjoying the music - it's almost boring when compared to the usual "scar introduction". There's no "even with her horribly burnt face", no "if only she wasn't scarred she would be beautiful", no "poor thing, lost her fingers in a horrific fire" - instead, she is beautiful, and she has scars, and she sure is having fun. That's it.

This is my best shot at explaining the difference between "fetishization" and "yeah they're pretty :-)" ft. my questionable writing - I hope this makes sense.

I definitely took my time to answer, sorry about that. Thank you for your ask!

mod Sasza

[sokkastyles]

For all that I do think Zuko being a sympathetic character who was meant for redemption almost at the same time he was given his scar and it was decided that his father gave it to him is a big step in deconstructing the "scarred villain" trope, Zuko is still a character who started out as a villain. When people talk about Katara not having burn scars or Toph not having burn scars, you know the real reason is that heroes don't typically get scars, villains do. So when I see people talking about how Katara shouldn't/doesn't have to have scars, in response to headcanons, I kinda have to think part of the reason is because we don't like the concept of a heroic character, and a female character who is meant to be the hero's love interest at that, having scars.

The fact that the Katara with scarred hands headcanon was invented largely by people who ship her with Zuko is pretty powerful on that front, presenting a heroic character having scars who is also female and a character seen as worthy of love not just in spite of the scars, but with them.

[demaparbat-hp]

Love your work!! Would you ever do a what-if scenario? Like what if Zuko and Katara kissed in the catacombs? Or what if they shared a moment during the Southern Raiders? Or I always love to imagine a headcanon where Zuko and Katara get married and Oma and Shu happily watching them aka their reincarnation in the background ambiance or from the spirit world or something.

Sorry if I'm rambling but I'm just throwing out some suggestions if you want some ideas for Zutara art. Please know that you don't have to take my suggestions or even do ZK art. Do whatever art you like and we'll always support!!!! You're honestly so talented and we love everything you do!!!!

Most of my AUs are what ifs scenarios! What if Kanna ended up in the Earth Kingdom instead of the Southern Water Tribe, and Katara was Hakoda's illegitimate daughter? What if Ozai sent an assassin after Zuko at the start of s2? What if Katara healed her hands when Aang burned her, but couldn't keep them from scarring? Canon divergences are so fun to play with, honestly.

Also, about the Oma & Shu AU, I've been working on a little something with that idea in mind for ages, and thought I'd share a WIP :)

[sun-snatcher]

hello! i love ur work and i was wondering if u could do some live action zuko angst (that makes ur heart sink) and then it progresses to fluff (that makes ur heart swell) please? HAHA idk if it makes sense but i rlly love ur work!! hope ure doing well n no pressure!!!

🐉・ HEARTBURN

summ.  Fresh from his banishment, Zuko faces the aftermath of his punishment in both his dreams and his waking hours. pairing. Zuko x f!reader (established relationship) w.count.  1k.  a/n.  A bit abstract on this one, but just typical dream logic. A glimpse at Zuko’s descent into madness, almost? Sorry anon if this is mostly angst than fluff! 🧎🏻‍♀️

Zuko’s dreams manifest at the scent of burnt flesh and the sound of his own screaming.

He feels the molten sting of a melting crown upon his skin and the fantastical beast that is his father; something monstrous— something scaled, fanged, clawed, and too large an appetite, with a touch and breath of fire that lights the skies in a blaze.

( He wakes up with his voice hoarse from screaming. The 41st Division will eventually learn early on not to mention it. They just leave a hot pot of tea ready for him come the mornings, by General Iroh's orders. )

Sometimes, it transgresses. Sometimes, it’s his mother who burns while he watches from the sidelines of the Agni Kai; Or Azula. Their shrieks mix with his when he wakes. 

Sometimes, it’s Iroh who scalds him. Great Dragon of the West, jasmine-white with razor teeth and a flame that burns as hot as the sun; serpent eyes a shining gold and a sharper tongue that spoke of his disappointment for his nephew. 

Sometimes, it begins with you.

Please, you beg, at the foot of a winged beast. It speaks in the voice of his father; damning, all-encompassing. It warns the Prince the price of compassion, of mercies, and of weaknesses. Eliminate her, or I will. 

Rarely does Zuko ever move. He’d plead in your name, to spare your life. It never happens; he just wakes to the smell of smoke and the sound of your screaming.

( There are dreams he doesn’t speak at all to defend you. The shame devours him whole. )

“I’ve killed you over a hundred times, in my sleep.”

In the aftermath of another nightmare, you turn to face Zuko. You’re not quite sure what to say. 

“Other nights, it’s the 41st, or Uncle,” he says, quietly. “Even mom, or Azula.”

You turn back to the small medical chest on the desk. The infirmary is quieter at times like these; the soldiers of the 41st know not to visit the usual haunts of their Prince. Tonight, Zuko will have to replace the bandages of his scar, and there are only two people on this ship he’d ever trust in his life to lay a hand on it.

You’re shifting towards where he’s sitting on one of the cots. “May I?”

( You ask. You always ask. Even when you’ve done this nearly fifty times, you ask. Zuko is glad; there’s a comfort in agency, especially when he’s gotten so used to losing it every time he sleeps.  )

He nods, and you make quick work to unravel the bandages. When the layers come away, you observe the way his left eye shuts and opens as he blinks, remaining half-closed into a permanent expression of pain. He looks away, downcast. 

The skin around is stretched taut, some areas rawer than others, marred with growing scar tissue that knots in twisting valleys. ( Zuko has only seen the scar once. He’s covered the mirrors in his room ever since; avoids glancing at his own passing reflections. )

The wound is still fresh; the memories fresher.

You don’t flinch at the sight or recoil like the other soldiers or dignitaries. 

He finds… solace in that.

( Something roils in his mind. It uncurls and hisses and growls. )

“Tilt your head for me,” you say, ready to replace the cotton on his eye with a new one. 

He stops your wrist just as you do. 

Your heart jumps at the contact. His hands are warm.

“Why?” he blurts.

You blink in confusion.

“Why’d you come with me?”

The reply is instant, and unintentionally drowned in affection. “Where else would I have belonged?”

Zuko almost answers instinctively: With me. By my side. He shakes his head.

“You should have never come,” he says, instead. He’d grown fond of you over the years. Too fond; over some Firenation colonel’s daughter, a force to be reckoned with and yet a childhood friend who he’d played and studied and fought with countless times. Fond enough that he’d been foolish to let you step foot into the ship of the 41st Division the day he’d been banished; fond enough to be foolish enough to allow you to put yourself in harm’s way. “You could’ve had a better future back home.”

“But a miserable one,” you counter. 

His nostrils flare as he sighs. You watch the way his brows weave to a frown, the way they always did whenever he’s tamping down his frustration. "Nothing is more miserable than being banished from home. Yet here you are walking away from it.”

“You and I both know the palace was never a home for me,” you say. “I’ve been by your side my entire life. I’m not about to break that streak over some punishment. You matter to me.”

Zuko’s heart stifles. 

( Compassion, he hears the wings of the blood-red dragon in his dreams unfurl. Compassion is a sign of weakness. )

“It was a stupid move,” he blurts, letting go of you. He had wanted it to be emotionless, but it comes out as distinctively bitter: “Sooner or later you’ll come to regret your decision. Then, you’ll see I was right all along.”

“Maybe,” you say, just to appease him. “But I doubt it.”

( Lies, jeers the serpent. You have only yourself to rely on in this world, Zuko. )

For the sake of conversation, you don’t provoke him further. You continue, instead, with replacing the dressings around his eye. He’s angry enough as is with the world— with you. For being stubborn. And strong. And steadfast. And loyal. And—

Zuko glances at your face in focus, your hands so careful in binding the gauze it’s nearly featherlight. “Tell me if it hurts,” you say, with gentle authority. 

The ire leaves his body. Zuko’s gaze softens at a realisation:

“Not once have you ever hurt me. Not even in my dreams.”

It’s a statement so frighteningly vulnerable that it has you stilling. Your breath staggers. Something swells in your chest. You let your hand rest on his cheek, thumb below his scar. The touch is reassuring. Zuko wants to lean into it.

“I don’t think I ever could,” you answer, honestly. 

( She can, sings the beast. She will. And once she does, know that it will burn tenfold than what I've done. )

Zuko's hand settles on top of yours. 

“You can hurt me,” he concedes, solemn, voice barely above a whisper. “You can if you must. I command it.”

( The dragon in his head hisses. For now, it retreats. )