#i literally cant think of anymore tags

[peeptheaesthetic]

Thanks Jarvis (Johnson)for this one🫶

[anakirui]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[plulp]

MORE HAPRER PLEATHE HES SO FINE

youve asked this at such a good time because i had just had a harper design explanation idea and i wasnt sure if i should make it or not:

[lilies-of-the-fields]

Stand in solidarity with the Miccosukee:

Big Cypress Preserve is part of the Everglades, one of the largest remaining tracts of wetlands on Turtle Island (North America).

The Miccosukee Tribe have lived there since time immemorial and their care for their home has shaped it into the beautiful swamp we know today.

The National Parks Service is trying to rush a change in Big Cypress' designation from a Preserve to a Wilderness area. [plain text: The National Parks Service is trying to rush a change in Big Cypress' designation from a Preserve to a Wilderness area.]

This would give the area stronger protections for water quality, but would significantly limit the Tribe's access to their homelands and completely ignores how their stewardship of the lands and waters was and is crucial in maintaining the health of ecosystems.

There hasn't been a good faith effort to include the Miccosukee in a meaningful way (ie free informed prior consent & input!!!) on this change to their sovereign territory.

If you want to practice allyship, here's a chance. Sign the petition to show your support / solidarity with the Miccosukee. [plain text: Sign the petition to show your support / solidarity with the Miccosukee.]

Personalize it even just a little, even if it's just adding your own name or hometown. If you're able, print it out sign it and mail it. The Tribe and organizers working on this have a goal of getting 500 letters to the NPS/Secretary of the Interior. The online petition is almost at its goal! Just over 2,000 signatures left (as of Mar.16th 2024 21:30EST).

Please please share! I have it on good word that the NPS is trying to push this through before folks really have a chance to hear about what they're doing or make a fuss. So make a fuss we must.

The mailing addresses are below the cut for anyone who can send a physical letter!

Mail to:

Charles F. "Chuck" Sams III, Director

National Park Service 1849 C Street NW Washington, DC 20240

Secretary Deb Haaland

Department of the Interior 1849 C Street, N.W. Washington DC 20240

[opikiquu]

aventurine pl. Plea s e . PLLEEEEEEASE

[carpathiians]

.

[kilkoico]

THEY ARE A SET! DO NOT SEPARATE THEM!

[todayisafridaynight]

would it be okay if u told me why u like aoki😭/gen😭😭😭😭BEEN TRYNA LIKE HIM FOR SO LONG I JUST CANTT but i love ur art so much so i still consume it otherwise lol

i liked tohru adachi in high school and tbh i think that alone is enough of an explanation for why i ended up liking aoki

[bluebellhairpin]

I write cannibalism and murder into my fanfics so I am a cannibal and a murderer. No one is safe near me lest I get confused about what is fiction and what is reality. Lock me up I am sick and twisted.

[lichtecht]

PART 20

of the dfk 2023 audiobook translation

@cnka

Narrator (audiobook): Robert puts another piece of wood on the trunk and swings the axe.

Bökh: „And you never wanted to get in touch?"

The Nichtraucher picks up a piece of wood.

Silence.

Nichtraucher: „Why should I? We didn’t see each other for the past ten years either.“

He rips the piece of wood apart with his bare hands. While holding eye contact with Justus.

Silence.

Justus lowers his head.

Jo: „Uh.. weren’t you-" Martina, quietly: „Jo, leave it. Lets go.“

Martina, louder: „We need to go! We still have something to do.“

The kids leave. Jo and Martina are holding hands as they walk away.

Bökh: „Yeah… Thank you, kids.“

Jo, whispering as they walk away: "What was that just now?!"

Robert picks up the chopped wood and walks back to his wagon. Justus looks after him.

Narrator (audiobook): If the two friends will find back together? Matze isn’t so sure of that.

Matze, sarcastically: „Well, that was a great success!“ Jo: „Yeah, so much for friendship between Internals and Externs.“

Narrator (audiobook): At least Robert granted Herr Bökh access to his wagon. He looks around lost in thought more or less, while Robert washes the dishes.

Dishes clatter. There is silence otherwise.

Justus stares wistfully at Robert while he washes the dishes.

Justus takes his eyes off Robert and starts looking around while Robert continues to ignore him.

Bökh: „I thought you were living in London.“ Nichtraucher: (silence) Bökh: „It's nice here.“ Nichtraucher: (silence)

Justus starts walking around.

Bökh: „I told the kids about our friendship.“ Nichtraucher: „As a cautionary tale?“ Bökh: (chuckles/scoffs) „No. Of course not.“

Narrator (audiobook): Bökh spots the poster of „the Bandits“, the same one hanging in his apartment.

Bökh: „The 'Wild Dog' that we always played in is still there.“

Nichtraucher: (silence)

Bökh: „Should we meet there sometime? For a beer?“

Robert looks up.

He lets out a small huff, almost like an incredulous laugh or a scoff.

He dries his hands on a towel and folds it.

Nichtraucher: (silence) Nichtraucher: „I don’t know what we would have to say to each other.“

Bökh: „Hm. Well. A lot of time has passed.“

Narrator (audiobook): Robert sits down at the table and lights himself a cigarette.

Justus turns as well and starts looking around again.

Nichtraucher: „Why didn’t you come to Marie’s funeral back then?“

Nichtraucher: „You didn’t even get in touch.“

[„You didn't even get in touch“ -> parallels to „And you never wanted to get in touch?“]

Justus is silent. He starts fiddling with his jacket and pulls it off his shoulder. He lets out a deep, shaky sigh and is silent for another few moments.

Bökh: „…I don’t know, you met her and… and suddenly you were gone.“

[Parallels to „suddenly your closest loved ones are gone“]

Bökh: „As if everything -our friendship, the band- as if that had all just been a dream.“

Justus turns around and looks at Robert.

Bökh: „Wir zwei. Wir hatten doch Pläne.“

Bökh: „That really hurt me.“ Nichtraucher: „It hurt you.“

Silence. Just the music.

Bökh: „Yes. Very much back then.“

The Nichtraucher lets out a soft incredulous laugh again, almost like a scoff.

Nichtraucher: „I see.“

Long silence. Justus stares out the window. Finally, he turns and walks to the door.

Bökh: „You know where to find me.“

Justus leaves the wagon. Robert nods to himself silently.

Narrator (audiobook): And with these words, Herr Bökh leaves his friend’s train wagon. If the two will ever see each other again?

[wastelandhell]

deranged rambling

[my-patron-saint-is-jimmy]

So sick and tired of living in a place where I can't get jack shit past 7pm

[beetrotxo]

is anyone else mahito's number one hater and wisher upon his downfall or am i alone in the cold and unforgiving world.

[kicksnscribs]

...

[cinnabeat]

i still cant get over how fucking incomprehensible filament fevers music is like theres five different songs happening there, theres several toaster dings (which i love) the tempo changes in THE MOST awkward places and yet it somehow all fits together and also sounds COMPLETELY like white noise when the lyrics are layered over it

[todayisafridaynight]

IW fr just felt like yokoyama's cope for killing Aoki off and then regretting it

im not saying yoko shouldve ryuji'd aoki but im just saying maybe the aoki-lives truthers were onto something if not copium but serving a warning for what was to come