#i phone glass

[dizzybizz]

i haven't seen anyone talking about his dad squint yet

have you seen him

sir, that's peak dad behavior

[twottie-m8]

this was funnier in my head

[holopossums]

i need to push my "Casey Jr. is farsighted and needs reading glasses" agenda a little harder so here ya go

[wr1ghtw0rth]

So basically my sister send me a text of this and I was like. Okay but it's them.

As you can tell, I have no practice with creating comics. I feel like the composition of the pages is strange and unbalanced but. I think I got my point across and I worked on it for two days lol

[deep-space-lines]

Full-Size / True Color Version

Sometimes I think about the fact that first living being to orbit the Earth couldn't understand what was happening to her, couldn't understand the history she was making. Laika wasn't a volunteer. The technology to bring her back alive didn't exist. They sent her up anyway. She died, scared and alone, in a malfunctioning spacecraft hastily built to meet a political deadline.

When her heart rate tripled from the stress of acceleration, did she understand the magnitude of what she was experiencing? When she saw the stars outside her little window, did she believe the world had gone dark? In her final hours, did she feel wonder, or just fear?

"The more time passes, the more I’m sorry about it. We shouldn’t have done it. We did not learn enough from this mission to justify the death of the dog. When you understand that you can’t bring back Laika, that she perishes out there, and that no one can bring her back…that is a very heavy feeling." Oleg G. Gazenko

For me, there's some small consolation, at least, in knowing that although her death was unnecessary and cruel, Laika will never be forgotten. I love you, Laika. May you find peace among the stars.

Prints are available here.

[wuntrum]

sorry for the me jumpscare but the passage of time (+ hrt) is so crazy...the first image is from like 6 years ago

[vinelark]

some vintage kons for your tuesday

[canon-gabriel-quotes]

Transcript:

I love Neco-Arc.

Funny little cat.

Little funny scrimblo.

Audio source

[willowser]

getting to a point with nerd bakugou where you're not even playing games online together anymore, you're just — chatting, all day 🥺

and you've gotten close enough that you'll send him a mirror selfie and even if your phone is mostly covering your face, he's ZOOMING IN ON THAT BABY and over-analyzing the hell out of it 🥺 trying to figure out what you look like 🥺 and every single photo he sends in return is assessed for a minimum of 20 minutes, because he wants to make sure his reflection isn't showing anything or his body doesn't look weird, that his posture is right 🥺

and the first time you send something back like, "you look nice today 😊🩷", even though he's just showing off his shirt from a movie you both like — he's having to put his phone down on his desk and put his hands over his face because he feels so airbruqoabdka about you !!!!!

[aolyxe]

Thanks to everyone who praised my Krobus 3d model... I felt confident AND II I VENTURED TO MAKE A HUMAN 3D MODEL (SIMPLIFIED OF COURSE). THE FIRST VICTIM WAS MR QI BECAUSE I LOVE HIM

LOOK AT HIM WTF

IT WAS REALLY DIFFICULT, but I'm very proud of this 3d dude... THE MOST DIFFICULT PART WAS THE HAIR, I DID IT FOR A VERY LONG TIME AAAAAAAAA AMA CRYING

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if haven't seen it yet but is going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[cryptic-forge]

since all new 3d printing & photography is still in limbo, a throwback! this is the first doll i ever made. she is from a couple of years back, though a more precise grip on the timeline is lost to me.

i had a brief fascination with bjd head sculpts as a kid, and did a few frankenstein experiments on barbies, but was never really interested in dolls before. the hobby started in a flash when i happened to see a monster high custom video on youtube. i took one look at a cleaned abbey face, went "monster high face sculpts are like THAT?", and got my boots on to go to the nearest thrift store. did not find any monster high at that time, but bought a moxie girlz doll, and came home to make this.

the spider butt is insulation foam and clay, and the legs are worbla over a thick metal wire, which allows them to bend surprisingly well. also, the tattoos are patterns cut out of my childhood satin pajamas, which is an excellent example how a lot of my material storage may be Old As Balls, but eventually compelling things will have their use.

the arms are super charming when i look at them now; a relic from a time when i didn't just have a bin of spare doll parts to get new arms from. i thought about swapping them out now, but i think i'll keep her as she is, as documentation. the harness i do need to retie though, as i did not know shibari back then and it Could Be Much Better now that i do.

all told, i've made about 80 fashion doll customs. most of them have never been photographed, but i'll do some more throwback dollposting when me and/or my partner get time & motivation to take pictures.

[kayatoastkkat]

hi it's been such a busy week take this small sketch

if this is even remotely close to next week's page you all owe me 100 dollars

oh, and the top comment thread that inspired this:

[honeydewmelan]

happy @curtwen-week!!! day one: precanon/london

[httpiastri]

i suddenly forgot how to breathe

[alteredatrox]

Save me bive regretevator