I also did brownies but some adultier adults (not saying names cuz the other DoA members get mad at me) told me I could only eat one part(?)! So I did something to fix the problem! Some of them are unaware of what I did but fukuchi-san now thinks I should got to therapy, an mental hospital AND get an exorcism...
Soooo... @casinoownersigma @yourinformationhasbeenexchanged @fyodordostoyevskevy @fyodorsdostoevsky @bramthecalamity @dustyevskyy @no-story-what-a-shame , what do you guys think of what I did???? :3
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soon it'll be dawn again
transcript under the cut ⏬
page 01
Fig: no way? - you're still up?
Riz: Wh– yes?
Riz: Why'd I not be.
page 02
Fig: I me~~ean - that took.
Fig: whole day.
Riz: Yeah?
Fig: 'm beat.
Riz: you should sleep.
page 03
Fig: nah. my guy's still up
Fig: I wanna hang out.
page 04
Riz: That's really nice.
Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.
Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.
page 05
Fig: yeah, but you do it…
Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.
Fig: That's right… - though. Yeah.
page 06
Fig: sometimes it's someone else who - doesn't want the same thing to happen.
Riz: … - mm.
page 07
Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.
Riz (off screen): to anyone too, not just. - the people you /love/.
page 08
Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.
Riz: So I'm doing as much as I can now…
page 09
Fig: Hey.
Riz: ?
Fig: Go dig some dirt with me.
page 10
Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)
Fig: o yea.
Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.
page 11
Fig: here u go
page 12
Riz: uh
Fig: now we make a thing! - 'm pretty good at freehanding a bowl.
Fig: I'll show u
page 13
Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try
Riz: uh - What. do I carve?
Fig: anything!!!
page 14
Fig: and– yep just seal the inside uh. seam?
Fig: yep that works - okay time's up! all contestant hands up
Riz: [blank speech bubble] - okay - wh. what's next?
Fig: haha - watch this.
(sound effect text): FWOO—MP
page 15
Riz: WH– DON'T JUST DO THAT???
Fig: Now it's fired!
Riz: THAT WAS NOT SAFE
Fig: (actually it's just dry. if u add water rn it'll dissolve)
Fig: ok catch!
Riz: [blank speech bubble] - careful!!
Fig: dw no need haha
page 16
Riz (thought bubble): oh - it's warm…
Fig: now I want you to throw this.
page 17
Fig: u gotta do it - c'mon
page 18
Riz: wh– - It's like 3AM right now
Fig: oh it's not /fired/ fired it's not gonna make a loud noise
Riz: And then just? leave a pile out here?
Fig: pour water over it & it'll be gone I told u
Riz: but
page 19
Fig (off screen): RIz.
page 20
Fig: I've done all this before.
Fig: Can you trust that at least?
page 21
Riz: no, I– - I do. - I trust you.
page 23
Riz: okay what happens now
(sound effect text): glob
page 24
Fig: we do it again!
page 25
Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)
Fig: see! you're already learning
Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.
Fig: Things change.
page 26
Fig: I've learned my lessons with "forevers". - But - as an artist
Fig: I can give you one thing: - You can always do it again.
page 27
Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.
page 28
Fig: So?
page 29
Riz: Yeah. - Yeah! - let's make another one.
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sometimes it drives me literally insane to see romance requests that are like
--I want a romance wherein it's basically the happy epilogue throughout the book
--I want a romance that has great communication and they never withhold anything from each other ever
--no "miscommunication trope"
The last thing is just a general gripe about how so many of the things people say are tropes are not tropes, and it's pedantic and snobby but like. Miscommunication is so broad. It's not a trope. People are miscommunicating. WHAT are they miscommunicating about? Is one of them keeping a secret identity from their partner? Because a secret identity romance iS a trope. Is one of them withholding their feelings out of fear of rejection?
Because people DO miscommunicate. Often writers do write it clumsily. If people miscommunicate for no reason, sure, whatever. But if they miscommunicate BECAUSE of a REASON--like, often it's not even miscommunication lol. It's the hero keeping his dire supernatural secret from his wife because she'll die if she finds out (honestly, valid to me, but whatever). It's the heroine finding it difficult to trust the hero with her heart because her dad left when she was young (maybe cliche in theory, but actually a very real thing that happens).
If all you want is plotless nothing wherein everyone is happy and nobody makes mistakes, I personally have a hard time thinking of it as a book, because there is no story. It's just vibes. And essentially EVERY time, people have to mess up and make mistakes in order for there to be a plot.
I just don't understand the point.
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Ooooh I’m having Porter thoughts. His masculinity is so performative, he knows how to play into it. He’s comfortable in it but he’s also comfortable not presenting typically masculine. He’s connected to his body and the feelings of it and he can notice a change in it the minute he wakes up and find a way to get back to his base level normal.
But he can’t comprehend his emotions to save his life. He knows rage, he gets anger, but he can go beyond that, he hasn’t stopped at anger in years. He feels and expresses love in the way he does everything else: physically.
Whether it’s through sex, fist fighting, screaming, squeezing the thing so hard until it pops, eating a gift, whatever. If it’s a physical, tangible, bodily expression of love it makes sense to him. But saying it? Hardest thing in the fucking world. Because it requires so much vulnerability and he doesn’t do anything vulnerably. It might fucking kill him.
He loves giving gifts though. He loves cooking. He loves saying “I love you,” in all the ways that don’t involve saying it. The person will understand, right? Jace will understand?
His Jace that is so in tune with his emotions, so vulnerable but in a way that’s so strong to him. He looks at Jace and sees strength in his smiles and soft touches and the kisses he leaves at the corner of his mouth. His Jace that doesn’t hesitate to say I love you for the first time.
Porter still kicks himself for not saying it back in a way that Jace would appreciate. He should’ve said it back, he just didn’t know how.
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I’m the passenger ending anon and I was more curious abt the last 3 minutes or so that’s all in a rosy “things are fine :)” kind of glow, it just seemed so disconnected from the rest of the movie. I LOVED bensons end scene I was eating it up Then hard cut to Things Are Ok :) Idk ! that’s why I asked bc ur no 1 passenger scholar on my dash
lol my bad, i probably should have realized that by "the ending" you meant the part that comes at the end 😅
i'll give a middling answer: it's alright. i mean, let's be honest, the passenger's strength isn't it's screenplay. there's a lot of good story in what mr. jack stanley wrote, but some of the pacing's a little bit awkward and a few things here and there don't make a ton of sense. that all kinda comes to a head in the last scene. but i don't want to throw too many stones, because i'm definitely no great writer, and i've alway found endings especially difficult. and ultimately, i do think the ending works.
even though it's a rough transition from the penultimate scene to the final scene, i appreciate that they took some time to show the positive aftereffects of randy's no good very bad day. there's a definitely a lot of information packed into that very short scene, and some of it feels cool, some of it feels weird. i'm glad that randy's standing up to his mom and going to hang out with friends. but who are these friends? did he have friends before that he just didn't mention? or did he make new ones between his kidnapping and now? his arm's still in a sling, so it feels like not that much time has passed . . . i like that he's kept in touch with ms. beard, but i hope he's doing a little more job-wise than just babysitting for her. his scene with hardy in the beginning showed us that he's in dire need of imagining a substantial future for himself. maybe he could teach! or become a librarian! i do like that they brought in ms. beard's daughter tessa, because for me the movie is all about children. it's about hurt children! and it's about how we need to do a better job of loving and helping and protecting our children! i know some people think it's pretty morbid and fucked up that randy teaches tessa the game that took her mom's eye out, but i actually think it's great that randy can accept that, yeah, it was just an accident, and he can trust himself to play this game for children without history repeating itself. and if it does, if tessa takes his eye out, then he can help her be strong and forgiving of herself like he's learned to be.
i'll admit that's it's all a little bit too tidy and saccharine. so i'm grateful that there are hints that randy's isn't totally fixed. if anything, he's got new, sexier, and possibly even worse problems. this is evidenced in three ways: he's got benson's jacket, someone was doodling a picture of two guys in a car (i've seen some people posit that randy drew the picture, but i hear that and think *jenna maroney voice* "did you draw that, randy? you might need help, because that is awful for an adult." i also think it's hilarious and sad and wonderful if randy found a way to tell tessa about him and benson and she illustrated it), and then finally we get the last shot as icing on the "oh boy this guy's gonna be fucked up forever" cake.
yes the ending is a bit clunky and perhaps even tonally out of step, but the last shot kinda made the whole movie for me. when i first saw the camera pan over to the stuffed animals and "supersoaker md50" kicked in, i SCREAMED! that was so killer! it was heart-wrenching! it was funny! and it was a good time! just like the whole movie! so yeah, the entire end scene maybe isn't all that great, but that last shot was. idk how i would have made the ending any better, so one great final shot is good enough for me.
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