#i want her and zoya to bond over their fear of becoming like him

[grishaverse-chaos]

I might be in a very small minority here, but I actually really don't want Alina to have a corruption arc in any future seasons of s&b! (Mostly because I hate the trope of victims becoming just like their abusers, and it seems to me that that's where the show is going with her arc)

So here's what I want for her. (Under a cut because it got longer than I thought it would)

I want her to be angry and terrified about her new powers. I want her to be furious that the Darkling gave her his powers - one final act of violation that means she will never be able to forget him, no matter how hard she tries. I want her to be scared, constantly. I want to see her break down in tears after killing the Fjerdan assassin, because she didn't know she had his powers and is she turning into him? I want her to be scared of the adrenaline rush she gets whenever she uses her new powers. To refuse ever to use them again.

I want her to have PTSD. Nightmares. I want to see her wake up in the middle of the night, tears running down her face because she dreamed that the Darkling came back and forced her to train her shadow powers. I want her to reach for Mal only to remember that he's not there anymore - and maybe she wonders, is it her fault he's gone? Maybe he knew that she would turn evil. Maybe, just like the Darkling, she's going to push away everyone she loves.

I want Nikolai to transform into the demon, and Alina to see it and have a panic attack because what if that means the Darkling's back? I want her to talk to Zoya, and ask how she manages to stay so fucking calm all the time. I want Zoya to break down when there's nobody around but Alina, and tell her that even if she seems fine, she's terrified, looking around every corner to check for shadows. I want Zoya to confess that she fears becoming just like the Darkling, and Alina to reply "try having his powers"

I want them to bond over their fear, and each promise to pull the other out if they ever do start becoming like him. I want Alina to retreat further and further from the throne because she doesn't trust herself with power, and Zoya to step forward because even if she doesn't trust herself with power, she wants to test herself, to prove to herself that she is nothing like him.

I want Alina to be completely unstable, to panic every time she's in trouble and has to defend herself. I want her to stop using her Sun Summoning because she's afraid that even that might make her more like him, and I want her to get sick from it. I want her to be on the edge of collapsing at any given moment.

I want Nikolai to not notice a single thing about how Alina's breaking down, because he's busy and has a kingdom to run. I want Alina to scream at him and tell him that he's one of the only people in the whole country who actually gives a shit about her so can he act like it? I want him to look at her for the first time in months and realise that oh shit, his best friend is dying. I want him to write to Mal, begging him to come back, because as much as he wants to be able to save Alina himself, he can't.

I want Mal to come back and tell Alina everything she needs to hear. I want him to convince her that her light is beautiful, that it is nothing like the Darkling's shadows, that she is nothing like him. I want her to bury her face in his chest and break down in tears, because she almost forgot how good he is at saying the right thing when she needs him. I want him to offer to take her away from Court, and her to protest, saying that she can't leave.

I want Mal to stick around, and while he's still there, Alina to tell Zoya about his offer. I want Zoya to tell her to take it, to go while she still can, before the wedding. (And if Zoya's saying this partly because she and Nikolai have gotten closer while Alina's been having her mental breakdown, and she doesn't love the fact that he's engaged to somebody else... well, Alina kind of guessed that anyway. She's happy for them.)

I want her and Mal to run away. Maybe they fake her death, maybe she just leaves. Either way, they don't go back to Keramzin. (That would require them to confront exactly how messed up their childhood had been.) Instead, I want Zoya to suggest something that the Little Palace desperately needs - something she knows the pair of them would be good at.

I want them to start a new orphanage, on the outskirts of Os Alta, for Grisha orphans. The Little Palace simply isn't equipped to handle children who aren't being raised into soldiers, and most Grisha children stay at home now, unless they or their parents want them to learn control over their powers. Grisha orphans, on the other hand, have nowhere to go but the Little Palace - so Zoya and Genya work on creating a school, and the orphans Mal and Alina are raising go there to study every day, then come back home to the orphanage. I want Alina to start using her powers again. Slowly at first - creating little balls of light that she plays with when she's alone. Then I want her to remember how much she loves using her powers, how much joy and euphoria it brings her. I want her to become happy and confident in her powers again, and return to full health. (She won't ever be completely comfortable with the shadow powers she got from the Darkling, but one day she uses them with the kids - making shadow pictures on the wall one evening, and she realises that even with his powers, she can do good. She can make them her own.)

I want the news to spread about this. Do people know that it's the Sun Summoner running the orphanage? Maybe, maybe not. Whether or not they know, the orphanage gets more and more well-known. Otkazat'sya parents decide to send their children there so they can study at the Little Palace. After all, they've heard of the couple that owns it, and they seem trustworthy enough. I want Mal and Alina to recruit a team of Fabrikators to help them build an extension onto the building so there's enough room for all the new arrivals.

I want adult Grisha - rogue Grisha, many of them - to stop at the orphanage if they're in need. Whether they've been injured or fallen ill, they ran out of food, they just need a place to sleep for the night - they come to the orphanage. They know it's safe. Some of them have no home to go back to once they leave. I want Mal and Alina to offer them a permanent place to stay at the orphanage. Almost everybody accepts the offer. Many of them find they have something they can teach the kids - whether that's a special trick you can do with specific Grisha powers, or something else (a dish they love to cook, a sport they played as a child, their favourite place to shop in Os Alta) - the children learn eagerly from each new arrival.

And I want Alina to realise, after a few years, that the orphanage has become a sanctuary for Grisha of all ages. I want her to wonder briefly if that makes her like the Darkling. He'd wanted to create a sanctuary for Grisha. Then I want her to look around at the happy children, at the older Grisha entertaining the younger kids, and realise that she succeeded where he had failed. She and Mal have created a safe place where Grisha aren't being thrown into battle. Sure, some of the children from the orphanage grow up and join the integrated army (the First and Second Armies have been combined into one army. Ravka is stronger together, and that's reflected by the army defending it) - but nobody is ever forced into military service.

I want her to know that, without even meaning to, she has become not only the Darkling's equal, but she has become better than him. She has made the country safer for Grisha. Not him. Her and Mal. She and Mal changed the world. (Again.)

[thebadgerclan]

The Dragon and The Fox: Chapter Two

Chapter Summary: The Dragon Queen’s wedding…

@autumnbabylon

A/N: I’m sorry if the formatting is weird on this chapter, my internet went down while I was writing this, so I’m posting from my phone

Nikolai’s breath caught in his throat as the oak doors to the ballroom opened. There she was: his Dragon Queen, his love, his girl, in all her stunning beauty. Her gown shimmered with every step she took, dragon scales rippling in the fabric. Her veil looked like a fine mist, no, like metal floating on air. Sapphires sparkled in Zoya’s hair, which was braided intricately. Nikolai had to resist the urge to run up the aisle to her and embrace her. Genya was beaming with pride, a tear rolling from her eye.

The bouquet Zoya carried was a hodgepodge of different flowers, but Nikolai knew the significance behind them: blue irises for Alina, orange blossoms for Liliyana, heartleaf for Marie, yew for Sergei, red sentinels for Fedor, dahlias for Nina. There were more, many that Nikolai didn’t know for whom they were, but he knew they came from Zoya’s garden. She glided up the aisle to him, smiling, her blue eyes shining. Finally, she was beside him, handing her flowers to Genya, who pressed a kiss to her cheek

“Zoya,” Nikolai whispered, already feeling tears forming. “Saints, you look beautiful. My Zoya, look at you.” Zoya smiled wider, taking her prince’s hands. “Thank you. You clean up rather nicely as well.” Nikolai laughed, wanting to say a million more things: wax poetry of his bride’s beauty, tell her how deeply and unconditionally he loved her, sink to his knees before her and pledge his undying loyalty to the Dragon Queen. But there would be time for that later, and Zoya’s Apparat raised his hands, beginning the ceremony.

“We gather today to bring together two souls,” he said, gesturing to Nikolai and Zoya in turn. “Her Royal Highness, Queen Zoya Nazyalensky, and Nikolai Lanstov. If there are any who object to this union, speak now.” Nikolai waited with baited breath, fearing someone would shout out, but the room remained silent. “Please exchange your vows to one another.” Zoya straightened up. “Nikolai,” she said, voice clear and confident, but also sweet and full of love. “We are soldiers. I will march with you in times of war. I will rest with you in times of peace. I will forever be the weapon in your hand, the fighter at your side, the friend who awaits your return.

“I have seen your face in the making at the heart of the world, sobachka, and there is no one more beloved, brave, and unbreakable.” She squeezed Nikolai’s hand, blinking back tears. He was not a Grisha, but their vows were most fitting for a soldier, a man who had fought alongside his men while still wearing the crown. “Zoya, my love, we are soldiers. I will march with you in times of war. I will rest with you in times of peace. I will forever be the weapon in your hand, the fighter at your side, the friend who awaits your return. I have seen your face in the making at the heart of the world, and there is no one more beloved, brave, and unbreakable.”

Tolya came to his side, and Genya came to Zoya’s, both with a thorn wood crown in their hands. Zoya stooped so Genya could place the crown on her head, but Tolya was tall enough to place Nikolai’s on his head without him bending. The Apparat held his hands out, one over the queen’s head, the other over Nikolai’s. “In the presence of Saints and men, these two have declared their love and trust for one another. May the Saints grant them nothing but joy, love, and prosperity in their lives together. I now pronounce you man and wife.”

Nikolai hardly heard the assembled guests cheering, all of his attention was on Zoya, on his wife. He stepped forward, closing the gap between them, pulling her into his arms. Nikolai dipped her as he kissed her deeply, her thorn wood crown falling to the floor. Zoya clung to her husband as if her life depended on it, returning the kiss with equal amounts of passion and love. When he righted her, Nikolai kept Zoya in his arms, resting his forehead against hers. “I love you,” he said, voice soft. “I love you so much, Zoya. I love you, I love you, I love you.”

“I love you too, sobachka,” she replied, grinning wider than Nikolai had ever seen. “So much.” After a moment, Nikolai released Zoya and offered her his arm. “I believe there are people who wish to congratulate their queen,” he said, and Zoya took his arm. “And their prince consort?” “I suppose.” They walked from the altar, waving and smiling to their guests. A refreshment table had been set up in the back of the ballroom for the guests while the reception was being readied, and several people were already there.

The first ones to offer their congratulations were the Fjerdan prince and his wife. The new princess had nearly flown into Zoya’s arms before remembering herself, dropping into a deep curtsey. “Your Majesty,” she said, voice demure, but face mischievous. “Oh come off it, Nina,” Zoya said, holding her arms out to her friend. Nina embraced Zoya, arms like a vice around her midsection. “Congratulations,” she said, taking Zoya’s hands. “You look stunning.” “She truly does,” said Nikolai, putting an arm around his wife’s shoulder. Zoya blushed, leaning into Nikolai’s side.

The Fjerdan prince came to his wife’s side, kissing her temple. “Your Majesty,” he said in greeting. “My congratulations. May Djel watch over you.” Zoya smirked, taking his offered hand. “Thank you, Your Highness. Are you taking care of our Nina?” His demeanor changed, becoming more relaxed. “I’d do nothing else,” he said, and Nina smiled. “We’ll have to do lunch once I’m queen. Is that something queens do?” Zoya laughed. “If I say they do, then yes.”

The queen spoke to the Fjerdans for a few moments more before moving on, greeting ambassadors and nobility of several nations. “Mister Brekker,” she said as she approached the Crows. “A pleasure.” She nodded to Jesper and Wylan as well, who smiled back at her. “We’re grateful for the invitation. And should the Ravkan crown ever require our services, we would be more than happy to assist.” Zoya smiled. “Thank you. I shall certainly keep that in mind.” Their conversation was short, and when Zoya caught a flash of white in the corner, she led her husband to the apparent peasants.

“Miss Starkov,” she said, catching the girl’s attention. “We’re so happy you both could be here today.” Alina smiled, embracing Zoya, then Nikolai. “It’s Mrs. Oretsev, and we’re happy to be here.” “Ahh, of course.” The banter came easy between the two women, their bond strengthened by their shared experiences. “So what should we call you now? Mrs. Lanstov?” Zoya smirked. “Your Majesty, My Queen, Queen Zoya, Most Exalted One will do just fine.” Alina laughed, leaning on Mal’s shoulder. “Of course, Most Exalted One.” She gave a dramatic bow, and Zoya laughed, as did Nikolai and Mal.

“How’s Sainthood?” Alina rolled her eyes, though she was still smiling. “Have you ever been strolling through town and saw your finger bones for sale?” Zoya shuddered at the thought. “I can’t say I have.” “It’s creepy, let’s just say that.” They chatted for a few minutes, and for a while, Zoya forgot that she was Queen of Ravka, that she had a country to run. For a while, she was just Zoya, and the girl before her was the Sun Summoner.

“You know you’re welcome here any time,” Nikolai said, and Zoya nodded. “If you ever want to come stay or need to get away from the kids, our doors are always open.” Mal nodded his thanks, and Alina smiled. “Thank you,” she said. “Truly, thank you.” “Of course. It’s the least we could do after you, you know, saved the world.” Alina smiled, and Nikolai pressed a kiss to Zoya’s cheek. “Ready to head into the reception?” he asked, and Zoya nodded. “A party that’s all about me? Of course I am.” “Hey,” Nikolai said, feigning offense. “It’s my party too!” Zoya pulled her husband down into a kiss, cupping his cheeks in both hands. “It is, darling, it is.”F

[sanktagenyas]

ok so i finally watched those last three episodes. i said buckle up it’s time to suffer and by the saints did i ever suffer. i just knew the darklina scenes were gonna be rough to watch. it was already rough reading the scenes as they were written in book one. i mean the darkling just shines with his intelligence in that chapter, doesn’t he? threaten the man she loves? well the other man she loves? check! tell her she betrayed you when the reality is you’ve been telling half truths all along and didn’t trust her to make her choices? check! 

buddy this isn’t how you apologize. in the show itself it’s pretty much the same back and forth that leads nowhere. you lied to me! you ran off because my mother told you i’m not who i say i am without giving me a chance to explain! you’ve been lying or bending the truth since we met! YOU TURNED YOUR BACK ON YOUR COUNTRY!

by that point i was just like chill the fuck out man you’re about to decimate many many countrymen and you know it. i loved that the stop they made was all about him getting revenge on the man who attempted on alina’s life, that was very unhinged of him and i was HERE for that shit but everyone else in that port? every other woman and child and man on that port? not all of them played a hand and he just went ahead and had them slaughtered without batting an eye. and it’s not like he has some kind of safeguard for grishas does he? how does he know there’s no grisha wherever he’s expanding the fold? some could be in hiding because they fled, because they didn’t want to serve the king. oh well he doesn’t really care about those people does he? we all saw how he spoke about those deserters to arken.

also he could NOT handle alina’s harsh truths about how his own actions are harming grisha close to him even though he claims that every choice he’s made was to protect them and empower them. when she brought up genya i was like yes you better look down you motherfucker! you did this to her, you delivered to her abuser over and over. 

we saw his backstory, some of it and he acted out of grief and rage. he toyed with magic he did not understand and of course he didn’t intend this but his reaction to the fold once it was all said and done was definitely foreshadowing what he was to become. i created something he said defiantly. you created something you don’t have control over. and now he’s done it again somehow, he’s got brand new creatures following him at the end.

i actually felt for young aleksander for losing the woman he loved but the arrogance and the recklessness he showed there is still the same arrogance he has now. he thinks he has thought his plan through but that’s just working off the assumption that no one opposes him ever otherwise he went ahead and put a target on grisha’s backs. he definitely put a target on alina’s back although i know that was never the plan. the fact that when he has a perfectly good remedy to the fold, a chance to actually fix his mistakes once and for all he turns its back and decides to make it ten times worse, chooses ruling via fear over hope is jusr a sign of how far he’s gone. and he didn’t waver once not even when alina was pleading with him that he could have made her his equal, that they could have stayed together and made ravka safe together if only he gave her a choice, he was still manipulative and lied to her face.

at this point i just don’t think his love for her outweighs his belief that he knows what’s best for ravka, what’s the best way to protect grisha. because he doesn’t care about anyone who isn’t grisha at all. he was persecuted like so many others. he won a war for a king centuries and that king turned on him. i’m sure he’s looking at the current one knowing that once grisha have exhausted their uses that king will turn on him too. the fold is just a different kind of war and if he wins that one for the king the darkling already knows what the outcome will be. 

so to summarize this whole darkling commentary here i understand where he is coming from, i understand the fear and the rage and the desperation. it’s not working out for him though. he’s feared but he’s alone. for every ivan there’s a zoya. for every man who’s blindly loyal to him there’ll be someone rising up to oppose him eventually. and if it’s not his own people it’ll be non grisha folks. he has the second army working for him still, but he is alone. and that’s no one’s fault but his own because alina was willing to work with him. 

speaking of alina i loved every second of her rising up to oppose him telling him she never needed him. she may have fallen in love with him but she never actually needed him to be powerful, she only needed to free herself of the restraints she’d put on her powers out of fear. i also thought that the way she freed herself of his control made more sense than it did in the books. 

i have hope for darklina still despite all that’s happened despite how positively full of rage ans resentment she is because she still loves him, she still listened when he pleaded with her that they needed each other if they wanted to deal with the fold. of course there’s the slight issue of him lying directly and manipulating her to do his bidding and of course the fact that he took her power from her. the only thing that was her and he perverted it for his own gain. i think it just might take more than a year for her to forgive him i’m afraid. i don’t necessarily see a path to redemption right now but reconciliation? alina can be merciful, she can be forgiving. i think all it would really take is just one selfless act, one show of good faith. if he keeps pursuing her and mal and keep trying to rob her of her agency however i don’t see them ever having any kind of closure.

i don’t think i need to expand much more on my thoughts on malina. i’m not feeling what the show wants me to feel. i’m not seeing them as these soulmates that belong together. to me they’d be better of as best friends. the darkling didn’t make her strong he tried to steal her strength for his own use but mal doesn’t make her strong either, she relies too much on him. mal actually was pretty damn resourceful when left on his own. i unfortunately couldn’t say the same for alina. co-dependant love is not better than toxic love and darklina’s toxicity (most of it) comes from the lies and from the darkling repeatedly choosing for alina. he’s not brave enough to just tell her what he intends to do and let her decide whether to align herself with him so he lies and he deceives instead. not much he can do to undo it now but he could help actually destroy the fold if he wanted to. i don’t know if he’ll ever come around to it though.

the darkling visiting mal with the sole purpose to rub it in his face that alina and he are immortal and so eventually mal will die and then he could just swoop in was just peak comedy. the way he delivered that line too you’d think he was talking to an insect not another human being. it was brilliant. mal echoing that same line but ending it with “the past will do it for me” was pretty good, nice quip i’ll give mal that but also terribly ironic when you see the ending.

team crows remains the highlight for me. kaz and inej and their unspoken love for each other is just killing me. i can tell there are personal traumas there that i don’t know about (gotta read those damn books and quick) what with kaz not being able to help tend to her wounds and the fact that there were moments were i could see there was maybe a kiss about to happen or an embrace (at the end when kaz let alina go free and made a deal not to rat her out) and it just didn’t happen. there’s a story there about kaz and his distaste for being touched/touching others. jesper is just here to look pretty, shoot shit and be the most charming person in any crowd. i’m in love. also someone give him his goat back for the love of god.

nina and mathias were entertaining for sure. with all that banter and all these jabs i should have really seen them falling for one another coming. i felt like it was perhaps a bit rushed but i guess there’s nothing like almost freezing to death together to make you reconsider your views. you know the whole saving of lives thing can really bond you. the waffle date was adorable. was not expecting nina to just brand herself a traitor for him and she’s damn lucky fyedor came on that mission because i’m pretty sure ivan wouldn’t even have offered to keep her name out of the report. she and mathias ended their story both heartbroken and separated. i really hate that he thinks this was all intentional. really hope she’ll join the crows on their next con job. and i also cannot wait to see the look on heleen’s face when kaz buys inej’s freedom.

i was not at all expecting zoya to turn against the darkling. that’s what happens when you turned down one of your fuck buddies, aleksander they get bitter and then they leave you to be eaten alive by volcras. ok but in all seriousness she did the right thing and i hope she finds her family even if they’re not alive so she can say her goodbyes. 

oh and completely unrelated but since i talked about heights of comedy before i really need more sassy! darkling in my life. he is everything. that quip about his speech. the way he said adorable like he was gagging on the word. him just letting david be his dorkiest self and raise his hand before speaking, that little put upon sigh. i love sassy! darkling almost as much as jealous and petty darkling which is saying a lot. just more of that. it humanizes him, i’m tired of villains who are forever stoic and stone face. 

i think i about covered everyone and everything that happened in those remaining episodes. all in all shadow and bone is an amazing adaptation, really faithful to the first book. they made some changes to the characters which in turn changed some dynamics (alina actually admitted she wanted to be with the darkling. out loud. to his face. book!alina would never and book!darkling would never cry in front of her.) but it made for surprising viewing. it also made me become even more attached to some characters (the darkling let’s be real) which made me care more which is why i was livid when they started making a lot of terrible no good choices.

i was just really blown away by this show and the way the grishaverse was brought to life and above all major props to the actors who all just seemed to be born to play their respective roles. 

[flying-elliska]

Shadow and Bone Season 1 Review

Ok so I got distracted by a need to watch all of Ben Barnes' filmography (lmao) but here is my review : It was really fun to watch and it was clearly made with love which is already the main thing with YA fantasy, which is often turned into a soulless moneygrab when put on screen. The actors were GREAT. I did think that the Crows suffered from being mashed up with the Shadow and Bone story, but they were still a highlight. I also think it was a bit rushed, esp. when it came to Alina's training. The costumes were beautiful, I want a kefta now. Plus the crossover fanfic interactions btw the SaB characters and the Crows were just pure joy. Also Milo, obviously <3 I'm in hyperfixation mode so here, have an essay :

The "Shadow and Bone" Characters :

- Jessie Mei Li !!!!!! She really made me like Alina so much more than in the books, she absolutely is the 'human embodiment of literal sunshine' and she was a joy to watch. Her character's arc is cliché but her acting is so expressive and endearing, I really felt for her all the way through. (maybe I'm biased bc Jessie talking about her ADHD and seeing her thrive at the same time is like!!! i love them they deserve all the best.) I like that they made Alina more proactive - even though she does make some stupid decisions... but I just don't understand people who put that down as bad writing, like ??? have you ever met a real person who only makes wise, good decisions ?? a character like that would either be at the end of their story or just in the background because that makes them static. The things with the maps in the beginning does a good job of illustrating how she is just this one girl making rash, erratic decisions out of fear and loyalty and doesn't have a sense of the bigger picture, caught in the tide of bigger events. It works for her character. When it comes to the choice of making her half-Shu, I do think it really makes sense re: her character feeling like an outsider but I do understand the criticisms that the microaggressions felt too relentless and one-note. I am really looking forward to them introducing Tamar and Tolya and hopefully connecting to them over her heritage in a more positive way.

- Mal in the books was one of the most annoying YA characters I've ever come across, so I really liked that they made him much more of a loyal, devoted friend. I found his relationship with Alina cute, it really gives us the sense that these are two orphans who found a home in each other, childhood best friends (and potential sweethearts) separated by war, two army grunts and ordinary people caught up in the wheels of power and war that usually crushes people like them, it's a great way to introduce the dynamics of their world and it's a trope that always makes me emo. It felt a bit too one note to me, though, and too heavily on the nose, like Mal's only personality was his attachment to Alina (and his resentment towards the Grisha) and too much of her emotional arc also relied on him. Them hitting us over the head with the meadow scenes felt like pure telling instead of showing and it ended up being super repetitive and kind of annoying. I am willing to like this pairing, but I wanted more scenes of them just having conversations about things and really understanding why they like each other beyond the whole childhood friends bond that we're asked to accept exists at the beginning. So I hope there's more depth there in next seasons.

- Ben Barnes!!!! Just jksdfhgkdjghdf. I'm not a big villain stan usually and I hated the Darkling in the books but DAMN his performance is just amazing. They managed to make him more sympathetic and human while at the same time making clear the stuff he does is deeply horrible. There's the Magneto-aspect of 'well clearly his methods are fucked up but he's addressing a terrible injustice nobody is doing anything about' that makes it very tempting to root for him ; and again, well, like, Ben Barnes is so hot and charismatic it feels uncomfortable (which I guess is part of the point lol). His loss of humanity is, up to a point, understandable, brought about by despair, loneliness, grief and a sense of powerlessness - living so long he starts to see other people as disposable, losing so many people he stops caring, seeing over and over how hate never seems to stop, etc. It's a logical explanation for going insane.

But the hunger for power is also very much present as a motivation and this ambiguity is there constantly. Does he maybe come to genuinely care for Alina or is it totally bullshit ? I think he does, he's just so fucked up that it comes out as possessiveness and a need to control her. He wants Alina to be his equal but he's incapable of treating her that way. It's tragic, in a sense, but the show doesn't excuse his actions either. Like his monstrosity is a product of this world full of injustice, yes, and that warrants some compassion, monsters are always a symptom of their environment in some ways and dehumanizing them completely is an excuse ; but at the same time, he sabotaged his own cause anyway the moment he started to treat other people like things, as he does with Alina, because that just perpetuates the cycle of violence and hate. At some point he started feeling like he was the only solution and he was owed power for his sacrifices, and he's using his cause as an excuse. When Alina came to him, there was a possibility for redemption, taking down the Fold, and it's a test because there is finally someone on his level of power. But instead of seeking to remedy the power imbalance between them, he made it worse, by lying to her, manipulating her, etc, and the antler collar is the ultimate sign of this.

I love those scenes towards the end (the antler-based body horror has big Hannibal vibes, so messed up). I like Alina telling him they could have had this, that she had compassion for him and his cause, that they could have worked together, and he's the one responsible for screwing it up and this time his claim that he's the misunderstood victim ("Make me your villain") appears delusional and self-serving instead of somewhat justified. The almost-lovers to enemies vibes, the sense of lost potential, and the angst of the whole 'oh you could finally have been loved by people, too bad you fucked it up !', very juicy. There is this fundamental idea that power/respect/love is not something you are owed no matter how good your intentions are or because you're strong or you have suffered or you're willing to commit horrible drastic actions, you have to keep proving you deserve it, and trying to claim power without responsibility of care turns you into a monster. The thing with the stag was an excellent metaphor of the fact that there's things you can't take, they have to be given to you, and the wonderful power there is in understanding that is what allows Alina to harness the stag amplifier's power. This is really when she escapes his grim utilitarian outlook and a different way forward and owns her own power fully on her own terms.

Anyway I hope Alina gets to beat the shit out of him at some point that would be very sexy but I'm also looking forward to see how their arcs parallel and diverge from each other as Alina starts to grapple more with the implications of her power and the harsh dilemmas of war and her own dark side. I want to see him become scared of her, and I feel it will be more visible than in the books where he just has this cold aggressive facade all the time. This one feels a lot more openly emotional which is just a lot more interesting.

- As for the other characters ; Zoya mostly made me sad. The actress has the perfect vibes but I'm not sure I love their take on her character so far, it does make sense in terms of the later books - that she has internalized prejudice regarding her mixed-race heritage, that she is jealous of Alina because of how hard she's fought to get where she is and Alina kind of takes it away from her, etc. But I would have liked to see a bit more of her being badass and sharp-tongued in a clever (even if mean) way instead of spending most of her time being rejected by men and being racist towards Alina. I did like the ending though, of her actually seeing the monstrosity of the Darkling in action and the mention of her aunt. And her brief bonding with Inej was great, just because it was badass but also maybe because it could be a part of Zoya learning to accept her Suli heritage in turn, maybe not right away but in time, when thinking of that part of herself, she won't only think of her parents' ruined marriage and all the pain it caused, but also of that badass and brave acrobat girl who went toe to toe with these really scary monsters without even having any powers and !!!!!

- Also Leigh's cameo was so cute and as an aspiring writer this is just such wish fulfillment

- I honestly think that having the Crows there actually made the S&B story better ? Not only in terms of the much needed levity breaks but also in terms of themes. For instance, Matthias and Nina's story gave us a really raw and visceral view of how the Grisha are hunted. And Inej's relationship to Alina really gave us a sense of what Alina actually means to people who believe in the Saints in a way that doesn't feel just like 'ugh those superstitious people' because we know that Inej's faith is part of what makes her who she is and a person with morals, and something that saw her through the worst moments of her life. It feels so special that she got to meet Alina and given a sign that maybe the world is not completely shitty. And Alina's kindness towards Inej really gives you a sense that she might be, or become worthy of that belief in time, or at least that she wants to, that she's figuring out her power to really touch people's lives might be a good thing, and that she's starting to accept this responsibility more fully. And her arming Inej is a nice parallel to that. I'm very emotional about this scene, because one of the first things we see of young Alina is her taking out a knife to defend Mal from the bullies, because she's protective and brave, but she's also aware the world is a shitty place, and so her giving that knife to Inej is a sort of spiritual transmission and recognition of sorts, that she trusts Inej with that fighting power, that she'll use this knife to defend herself and her loved ones and not abuse it. It's so interesting. And a counter point to the Darkling's fucked up relationship to power that Alina might at some point get afraid she'll replicate. That you could see Alina trying to gather followers and using people's admiration for her like he did but instead she sets them free and empowers them. It's great. And I feel that when Inej takes to the seas, she'll think about Alina. (I do hope somebody tells her Alina's not dead at some point though god). Girls giving each other knives is my spirituality, honestly.

- And I also noticed an interesting parallel between Kaz and the Darkling in terms of being two emo dudes who like to wear black, are prone to violence and have a thing for two very powerful women they think are special and want to have at their side, but of course, they go about it in very different ways. The Darkling comes at it from a place of power while Kaz comes from a place of utter powerlessness, first of all, and he understands why it's important to set Inej free. Him spending the entire season trying to earn enough money to pay off Inej's indenture is the opposite to the Darkling putting that collar on Alina and while I do have issues with how the show portrays him, I do love that. Love is about setting the person you love free !!!! And that confrontation scene was so powerful, when Kaz tells the Darkling Alina was tired of being a captive ! Drag him !

- As for Genya, I liked the actress and her chemistry with Alina, but I'm not sure they did a great job of making her arc very clear, for instance what it means for her to get that red kefta, her relationship with the other Grisha, etc. Her and David are already very cute though. Also very much looking forward to see where that goes.

So yeah I think they did a great job with this bit actually, I enjoyed a lot more than I think I would and even though it is a very tropey story, there's plenty of depth there too.

The Crows :

- I'm a bit more nitpicky about this because I care about these characters so much. I think overall the problem is that the SaB story in the books happens on this massive scale with enormous stakes, and that next to that the Crows' issues feel less important ; it's like their impact is distorted by the gravity of the much larger story. Like for instance, Kaz in the books is very much at the center of everything, this larger than life trickster figure who knows and controls almost everything by sheer cleverness, and he has this sense of allure and mystique that can't happen here, and so his aura just shrinks. On top of that they're not on their home turf. Being introduced to these characters before they've reached their full levels of badass is weird - there is a reason why prequels generally happen after the main stuff, because they count on the love you have for these characters at their full potential to make you interested in their story when they were less badass and interesting. So I had several moments where I was like 'oh this feels wrong'. Tbh the idea that they would even volunteer to kidnap Alina in the first place, what with Inej's backstory, feels kind of wrong, esp since they had no idea of what would happen to her if they succeeded.

- But I still enjoyed a lot of it though, especially the fact that they were this force of chaos in the midst of this bigger narrative that's a lot more self-serious. The bits with the train, or the circus acts were very clever. A lot of the best moments in the show happen when they come to disturb the other plot in unexpected ways. I'm still dead over the whole 'Alina jumps into their carriage' scene, that was fucking gold. The team up at the end !!!! Alina and Kaz making a deal ! Inej stabbing the Darkling !!!! Them stealing the Darkling's carriage !!! They don't give a shit that the story is supposed to be super dramatic it's great.

- Jesper is the one character they completely nailed from start to finish and he's probably my favorite part of the whole show. He's very funny without being reduced to the role of comic relief ; he's just so! damn! cool!!!!!!! I honestly feel this is a thing they actually did even better than in the books, or at least Six of Crows where I felt Jasper kind of disappeared behind Kaz and they insist a lot on his flaws and issues. So before we dig more into those problems I love that they gave him time to be this ultra badass who saves the day several times ; while at the same time, hinting at further developments like his powers or his gambling issues. Kit Young is just perfect, confident without being arrogant, a bit cold when it comes to crime while at the same time being so obviously caring with Inej - I loved their friendship, that was so sweet. My main criticism is that they should have made it clearer he was bi because there are already people calling him gay and that's very annoying. I know some people had a problem with his hookup and like...I can see it's a bit of a cliché...the charming badass bisexual adventurer....it's a trope I kind of love though lmao and the scene itself felt kind of cute and fun. He's not the only person who is shown to have an active sexuality and he's also not the only queer person around and we know he's going to have a more substantial romantic arc later so eh. On a larger note I loved the little casual hints of completely normalized queerness - Nadia thirsting over Zoya, Fedyor and Ivan, Poppy, etc. Having grown up with fantasy where queerness was either completely erased or very tormented and problematic, this was refreshing as hell.

- Inej and Kaz...my faves... They have a kind of relationship which feels so rare and unique in terms of what exists on TV and while I don't feel they entirely replicated it, the core is still there - the mutual respect and building of trust, the longing, the repression, the trauma, etc. One thing I really like is their arc around faith - in the books, Kaz is dismissive of Inej's faith in ways that often feel really shitty and I like that he learns to be more respectful of it. It's very much linked to hope/survival ; Inej keeps this token from her parents and she hopes to find them again ; Kaz tells her it's no use and she'll survive better if she gives up. He believes Alina is a fake, while Inej wants to believe that myths can come true and there is hope for good things in the world. Kaz comes to accept that Alina is the real deal and, out of respect for Inej's faith, to stop pursuing her. I loved the bit about Inej struggling to kill as well - it's the dilemma of what her survival and that of the people she really cares about are worth in such a shitty world - her compassion is a good part of her but so is her survival instinct, and that's the part Kaz represents - that even after she's been through hell, broken in unfathomable ways, even if she gave up all hope and faith in the world, even she becomes dangerous and ruthless to survive, she will still deserve dignity, and to be treated better. And meanwhile she is willing to break her principles, which she holds so dearly, to save him, when he's never had anyone who cared for him like that - enough to keep him alive. That bit in the church !!!!! God !!!!!! Bye !!!!!!! And then him basically calling her his own version of a Saint, that he doesn't believe in miracles but he does believe in her !!! It's very emblematic of their whole arc ; he empowers her to survive in a ruthless world and loves her at her most dangerous ; but he loves her laugh too, he finds her a ship and her parents, he honors her capacity for love and hope even when he can't share it. And she sees that he's capable of doing better, that he's worth caring for. This whole thing kills me honestly and I can't wait to see where they take this next. I'm not mad they're a bit more soft and obvious than in the books, Kaz would just have come across as an an asshole otherwise.

- That said, there are bits of how they introduced their backstories I don't like. I get that making it so Inej was still tied to the Menagerie gave them a very powerful reason to want to kidnap Alina beyond greed so that they wouldn't look like very shitty people. But in the books Inej is terrified by the idea of simply seeing Heleen or the Menagerie and the way they have her interact with her feels weirdly casual and dismissive of her trauma. Also, in the books, the fact that Kaz had to convince Per Haskell to buy Inej's contract through a lot of effort, that he wasn't the one holding that above her head either, made the power dynamics more palatable. I especially disliked the scene where Kaz says he won't free other girls because just Inej is special, it makes him look like he has the power but he's just too much of a callous asshole to do it, and that he just freed Inej because he liked her which is absolutely not what their relationship is about at the start, it's a lot more about seeing Inej's dangerous side behind a facade of powerlessness and relating to her, in a sense, and this scene made it all feel cheap.

- Also, what was that about Inej having a brother ? Not a fan of that either. I'm afraid they're going to make her story all about finding what happened to him, and that's 1) too on the nose similar to Kaz's story and 2) it kind of cheapens her own arc, a female character realizing that what was done to her was wrong, reclaiming her own power and dignity and then making sure it doesn't happen to anybody else, harnessing her personal experience to save strangers, that's so powerful - making it about a family member at first, especially if it's about revenge, it's so much more simplistic and unoriginal and the perspective really annoys me.

- Also not a fan of Per Haskell not being there because he's a very important part of Kaz's evolution, so I hope he shows up eventually - and the way they introduced Pekka Rollins was kind of like...weird and out of place. I just found the Crows' introduction scenes stilted and not as cool as they should have been - well, Jesper and Inej were very cool, but we needed to see Kaz in action first, we needed to see why he's such a menace before we see him flounder later, and I just...I don't know exactly but it didn't work for me. Also this is a very petty thing but I wasn't crazy about the Ketterdam sets, I know this is probably a budget thing but in my head it looked like this incredible mix of Amsterdam and Venice - specific locations in the book directly remind me of parts of Amsterdam I know very well - and instead what we got felt like this very generic London-ish fantasy setting....so boring. Also a lot of scenes that felt to exposition-y. I don't mind that Kaz was a bit softer than in the books, like many people have said some things work in books and don't work on a screen, and you need to make the character's inner dynamics more explicit. But I do agree that, at the same time, he should have been more ruthless towards people outside of his group. Loved that scene where he faces the Inferni though, and how well they illustrated his disability and aversion to touch.

- I don't have that much to say about Nina and Matthias ; I'm still not super sold on the whole 'haha misogyny!' thing and I dislike that so much of Matthias' change of heart relies on the fact that he finds Nina hot. But I did think that the actors had enough chemistry to make their scenes together interesting and cute ; I loved the waffle scene. Even though it's disappointing that they didn't find an actress who was more clearly plus size for Nina, I still think Danielle does a good job bringing her bold, unapologetic energy. I'm really looking forward to seeing the Crows as a whole team.

So yeah, even though the season didn't feel like a perfect, coherent whole, it was just a lot of fun and I really hope they get renewed. In particular I feel like tying the first trilogy to the Crows' story could create such interesting parallels in terms of themes, about power, the cost of survival, hope, trauma, etc etc

[justice4harwin]

Summon of the Sun

A/N: IDK what possesed me to write this, but i havent even checked it so there’s probably all kinds of mistakes. Sorry. English isnt my first language. I sould really be practicing for my lesson right now instead of doing this lol. If you see any mistake, please, point it out, and please, if it’s not too much to ask, let me know what you think

Summary: Even after everything, even after all those years, the girl still tries to find solace in the shadows. Darklina

She knew she could probably never admit it out loud, especially not to Mal, but there were days when she couldn't ignore the longing in her heart, buried so deep nothing could ever reach it anymore.

She'd stand under the sun on summer's hottest days for hours on end, and yet the feeling wasn't the same. Still, she remained, even if her skin turned red and she then couldn't stand the brush of clothing over her skin later on.

In winter, she'd go out to take a long walk during the night, when the shadows were at its deepest and no one else would dare go out.

She looked for him, for any sign; a slight pull at the connection they once shared, a whisper by her ear, the flicker of a shadow.

She was the only one who dared go outside at such hours.

"Don't stay out late or The Darkling will snatch you." Parents told their children to get them to behave; she had even heard the staff at the orphanage saying so to her kids.

"There's no need to fear him." She had told them later on, still turning the lights on so they could rest easy, a sad look on her face. "There's no need to fear the dead. Nothing lurks in the shadows."

Except she didn't believe that last part. She didn't want to.

Mal sometimes asked her why she really took those long walks.

"I just wanna stretch my legs." "I just need to feel the air." Or jokingly, she'd say to him: "I need to be far away so I don't kick you."

He didn't ask her anymore, probably to avoid an inevitable discussion. He probably suspected why she searched in the shadows, but she'd never voice it to him.

Out, in the cold, she looked from one dark place to another, her heart and mind calling to a long dead bond.

She’d close her eyes and try to feel that pull, but all she felt was a void.

Sometimes, if she was feeling too brave, or bold, or desperate -depending on who you asked- she’d even call his name.

“Aleksander.”shyly whispered into the nothingness, receiving only the sounds of nature as an answer.

She was ridiculous. Or mad. Probably both. That man -for she had long ago stopped calling him a monster, at least inside her head- had only bought her pain; not only to her, but to those she held closest to her heart.

Still.

...still.

She gave up, turned around, and marched back to the house, barely visible in the dark. The only light coming off of it was that of the fire by which her husband awaited for her with a cup of tea; it was a little ritual before turning in for the night.

She entered the space and there he was, stoking the fire before letting himself fall back on a couch with a heavy sigh.

Silently, she sat next to him, and Mal put his arm around her and kissed the top of her head.

It warmed her heart, but it didn’t burn.

Maybe she’d end up becoming like Baghra, locked up inside a room steaming hot trying to set herself ablaze. She knew it wouldn’t work, but at this rate, she might as well try.

Winter went on as usual, freezing everything which had no refuge, killing everything soft, colder and colder, and darker yet,...nothing.

Then spring came, and very so slowly, the snow began to melt, and the trees gave birth to small flowers and the grass was visible again.

Mal and the staff had decided to take the children out on a picnic, but she had decided to stay.

“I’m not feeling very well.” she had said, to which her husband had frowned and pressed a hand to her forehead. “It’s nothing, really. I’m just tired.”

He’d smiled and kissed her goodbye before leaving with the little rascals, and she had smiled too, waving at them and wishing them fun.

Slowly, she walked up the stairs and entered their bedroom. After a minute of contemplation, she kneeled by the bed and pulled out a box. It had the royal sigil on it.

She opened it and took the note, affection nugging at her.

“You will always be one of us.” it read, in Zoya’s elegant handwriting.

Carefully, she set the note atop of the bed and took the blue kefta. The golden trim was beautiful, and so detailed; it expanded all the way from the neck, down her sides and to the back, meeting in the shape of a sun.

She raised up to her feet and, almost trembling, put it on for the first time. One sleeve at a time. Button by button.

She pushed her hair back and stood in front of her too large mirror -a gift from Genya and David-, and took a look.

It fit a bit too tight, having been made years ago, yet she felt perfect in it. She eyed herself from all angles and giggled, surprised at the sound.

She heard a sound and rushed to the window, but it was just some crows.

She looked up at the sky and closed her eyes, taking in the sun again, as she had done plenty of times before, as she’d do plenty more in the future. Her hand went up and quickly flickered.

Nothing.

She pressed her cheek against the wood and planted her palm on the glass, trying to swallow back her disappointment.

A shiver went up her back; it was cold but not uncomfortable. She took a step back, the light seeming to recede from her, and then she felt it.

Soft, freezing, lingering.

It was like a kiss on her right cheek, while the other still burnt from the exposure to the light.

Her breath caught in her throat and her eyes shut. Her arms went around her, fingers digging into her own waist as she struggled to decide if it had been real or not.

“Aleksander?” she asked into the void.

Something cold surrounded her, like a blanket,...no, not a blanket.

An embrace.

Tears filled her eyes but she wouldn’t spill them.

It was so strange. The cold at her back and around her arms only; a chill over the right side of her face.

She dared herself to open her eyes; the shape of her own shadow at a slightly odd angle. Fearful of the cold going away, she moved her right arm up, stretching it to her side. The shadow waited, and after a few seconds, followed her movement.

She felt a cold breeze running down that arm, down to the tip of her fingers.

“Aleksander.” she sighed, almost smiling.

All she felt was another pressing cold against her cheek, and then it was all gone.

She turned around, not knowing what to find. Would he be standing there? Like he had all those times she had  unknowingly called on him at the Little Palace?

But all she saw was the dark wooden wall, the same stain of humidity on its place.

Quickly, she took off her kefta and put it back in its place, along with the note, and ran down the stairs.

She was insane, surely.

Was it really him? Or was she so desperate that her mind conjured it all up just to get her to drop it?

She placed her hands on the sink and looked out. Any trace of the people who lived in the house with her had long since disappeared in the horizon. A butterfly flew across the window and settled on a pink flower.

She looked down and found a loaf of bread left behind.

She didn’t think about it. Her hand went up, her fingers twitched, and the shadow cast by the bread upon the counter shifted and then moved.

It stopped after a few seconds, and she dropped her hand, truly feeling tired this time.

A smile graced her face, and she slowly walked to the couch, where she laid down for a nap.

She examined her fingers with a soft look, and then placed her hand against her right cheek with a silly smile.

Turning, her eyes spotted the first dark corner they could find, and finding some semblance of solace, she drifted off into a world of fantasy, where things may have just been a little bit different.