put some respect on taika's name.
there aren't many acting performances that have actually made me scared but taika in that storm sequence? the murder suicide scene? confronting frenchie? gravy basket? i was nervous!! this is genuinely one of his best performances to! date! i have seen him act in many things and i am not messing around when i say that this man a fantastic fucking actor.
taika can do scary talented things and i am so fucking tired of it being overlooked. give that man some respect, without him that show is nothing and you all know that
496 notes
·
View notes
Just some more Dune Part 2 things that I thought were interesting with a specific focus on Feyd-Rautha:
- just… the way that he’s so very accurately portrayed as a psychopath adds a level of grit I didn’t get reading when the book
- the scenes with him and Lady Fenring got me good. The book mentions that he finds her attractive, definitely echoed in the movie. There weren’t explicitly written scenes in the book of how Lady Fenring slept with him (but this was confirmed through dialogue), so I liked the movie’s interpretation of her luring him using her Bene Gesserit abilities
- I would have liked to see Feyd-Rautha tested by the Gom Jabbar the same way Paul was. In the book (and I think part 1 of the movie?) it’s specified that Paul has endured the most amount of pain anyone can handle from the test, but given that movie Feyd-Rautha seems canonically a sadist + masochist, I wonder how long he would have lasted?
- overall the vibe and aesthetic of the Harkonnen’s was terrifying and great. The black and white visuals, dimly lit rooms, flashing lights… There are a lot of different villains in Dune, especially in Part 2 — The Emperor, Jessica, but the most clear-cut ones by far are the Harkonnens. I think the visuals definitely amplify that. I find it rather interesting that the Harkonnens are portrayed to be evil as an entire house. The fact that they all had bald heads gave them a mass identity, served to make them seem perhaps more alien and less human, all capable of committing heinous crimes. Even Feyd-Raytha’s servants or whoever eat human organs
- I think it was an interesting choice to have Feyd-Rautha actually stab Paul during their final fight, we see the blade actually hurt Paul, penetrate his skin, we see Paul gasping for breath, we see Paul struggling for survival. I believe the book made the fight seem more cut-and-dry, that Feyd was a formidable opponent but he didn’t actually stab Paul (though he does draw blood). So I sorta felt the fight was a good contrast between showing Paul as still human while he maintains this cult status. I could see how his ability to survive this fight, despite his injuries, also elevate his messiah status among the Fremen
1K notes
·
View notes
I’m sorry but I can’t stop laughing at the way Dazai’s manner of speech abruptly changes from his usual fairly polite and in control to just cursing.
Dazai: “yes I am so calm and haha oh man this is the worst how am I ever going to get out of this one??? anyways, hi Chuuya-“
Chuuya: *straight up shoots him in the shoulder*
Dazai: “YO WTF???”
3K notes
·
View notes
Dead Boy Detectives was really smooth with how they decided to keep us hanging with Edwin/Charles. We have hints, but no real way of knowing how their relationship will move forward and that feels very deliberate.
'Cause I mean. We see how Edwin is acting after realizing his feelings. He's not all that subtle (for us) in episode 6. He changes clothes, checks Charles out, lingers on a touch on his shoulder, etc. It's clear he changed.
But then, after hell and the confession, we have just TWO scenes focused on them, and they are somehwat hard to decipher, especially when it comes to Charles' reactions. The scenes are pretty opposite.
First, the roof right after hell. They are standing very apart from each other (not usual at all), each looking away, and there's an awkwardness going on when they do make eye contact. It's cute, but unlike anything we've seen from them before, and it indicates a shift in the dynamic that neither of them seems quite ready to face.
Then Charles reassures Edwin that they're good, they smile, Crystal shows up and goes straight to lean against Charles, not even thinking about it, while Edwin is still at the other side. It feels very interesting to me that they chose to go with this unbalance of proximity. It looks... hurtful, to Edwin at least.
Then there's Crystal with her memories, saying goodbye, Esther, the whole shebang, and the next time we see the boys by themselves is at the very end. Which was also a very interesting choice in proximity, as we all know. But this time, the other way around — they are closer than ever.
Also I think it's worth noting that, before this, when they are about to leave Port Townsend, both Charles and Edwin have a little moment with their respective love interests. Charles and Crystal act kinda shy at each other in Niko's room, while Edwin talks to the Cat King. Again, it feels deliberate.
So are there going to be other awkward moments? Is Edwin going to be fine with the craving he now clearly has? Is Charles going to act confident or bashful? And obviously there's room for the Cat King and Crystal to still mean something romantic and/or sexual to them, in one way or the other. Basically, the evidence can point to any direction. And as much of a Payneland truther I am, I have to admit it can also point to a whole different development. The show made sure to leave all doors open, including the ones leading to heartbreak.
It makes me anxious, and it's also lowkey brilliant.
323 notes
·
View notes
congratulations to sam and alice for poking around the ruins of The Magnus Institute™ and leaving mostly okay
303 notes
·
View notes